#Event-Driven Examples | Explore Tumblr posts and blogs

danyyytarggg · 4 months ago

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HOTD is just a complete mess of a story with such abysmal writing that it’s actually mind-boggling to me that the writers really saw no issue with it.

there is no consistency or continuity to the show, and events seem to happen just to happen with no real impact on the story. examples: why did team green exist before viserys’ death if their motivation was going to be watered down to “viserys named aegon heir”? the show tried to beat in that alicent’s children were not safe under rhaenyra’s rule, further emphasized and solidified by aemond losing his eye; this was supposed to be the main motivation for putting aegon on the throne and the scenes on driftmark were perfect in showcasing the validity in alicent’s fears as well as solidifying alicent’s motivations for aegon. then, it’s all PROMPTLY forgotten in favor of a lame misunderstanding being the reason for aegon taking the throne. so really, what was the point in all that? another example, making aegon such a despicable person in season 1. really, what was the point in that if there was to be no continuity or impact or rhyme or reason for making aegon that way? none of it is ever mentioned again, none of his actions had any sort of impact, etc. no continuity or impact whatsoever, so what was the reason for having such triggering content in season 1? tasteless and disgusting. also, the deaths in this show serve NO impact and are forgotten from the minds of the characters so quickly: visenya, lucerys, jaehaerys, rhaenys, sunfyre (maybe?), the almost-death of aegon - there’s a lack of continuity in emotion and impact. the deaths happen, the characters react somewhat appropriately or not at all, and then they move on to the next episode and everything before is forgotten. ESPECIALLY emphasized by the fact that rhaenyra demanded a son for a son as if jaehaerys wasn’t dead for that exact reason. or helaena urging daemon on in his vision as if he’s NOT the man responsible? aemond caring for, at the very least, his mother and sister? gone. alicent caring for her children so much so that she tried to attack lucerys for aemond and stepped in front of a dragon for aegon? gone. aegon being forced on the throne when he never wanted it? gone and now is being given up by the woman who put him there. daemon being supportive of rhaenyra’s rule by the end of season 1? gone. there also seems to be no impact from the larys x alicent scene from season 1, so WHAT was the point of that?

the characters make absolutely no sense to me at this point. aemond, who cared for alicent and helaena, now cold, callous, power hungry, does not care for family. aemond cares more about his actions against lucerys than his actions against anyone in team green. alicent, who is driven by duty, honor, responsibility, religion and cares for her family, though has trouble showing it due to her trauma - sells out all her family members with the exception of helaena to rhaenyra? then asks rhaenyra to run away with her? huh? also, for the same reasons above, having alicent x criston cole makes no sense without showing us their progression. it just doesn’t make sense for alicent’s character to have a lover without showing us exactly how it all came to be instead of just showing us that it happened. and then for her to casually just bring it up to rhaenyra? alicent would NEVER. helaena attempting to help daemon despite the fact that he’s responsible for the murder of her son. even the sudden shift in helaena’s personality/character in the very last episode gave me whiplash and i’ve been wanting her to have a more substantial role in the plot. baela is continuously used as female reinforcement for everything rhaenyra says or does and as jace’s emotional support (that being said, i LOVE jacela, but baela’s character deserves more than just these two roles). rhaena is given like two or three talking scenes and then the rest is her just chasing after a dragon, leaving behind her younger siblings btw. which, i think having her character find strength and power without having a dragon would have done wonders but okay. aegon, i can’t even take seriously bc of his season 1 actions. same goes for larys. corlys forgetting that rhaena exists as an option for heir of driftmark, as if she isn’t the most deserving of that title.

EVERYTHING being boiled down to pro-rhaenyra. rhaenyra can never be in the wrong about anything. even jace’s very legitimate concerns, baela swooped in to convince him why he’s wrong in feeling the way that he does. rhaenyra imposes a blockade on king’s landing, a known fact, the people starve, she sends food - “rhaenyra remembers us even now!” daemon seeing a vision of rhaenyra on the throne, helaena urging daemon to do what’s right, alicent turning herself in to rhaenyra then asking rhaenyra to run away w her. one of her councilman voicing his concerns to daemon and whether rhaenyra is right for the throne because rhaenyra hasn’t done a single thing, does not attend council meetings, is not protecting her allies, refuses any sort of action at all - then demonizing said councilman even though his concerns are entirely founded. even making team green’s motivation for putting aegon on the throne being from a misunderstanding is inherently pro-rhaenyra. bc if their entire motivation is based on “viserys named aegon heir,” which we know is a misunderstanding, then OBJECTIVELY, team green is in the wrong. rather than going with the safety/protection motivation for team green, which wouldn’t have left them being so objectively in the wrong. and for all the love the show writers give to being pro-rhaenyra, they can’t even write rhaenyra well. she’s indecisive, takes no actions, just continuously begs off to go fight, doesn’t attend council meetings, cannot make a single plan on her own (all of her plans and wins have come from either mysaria or jace), is overall, not a strong or competent leader. after all this, they girlbossify her at the end when, after a whole season of doing basically nothing, she acquires three more dragons (which ALSO wasn’t an entirely smart move).

which can i also complain about the lack of strategy, diplomacy, and wits in the show? everything gets watered down to DRAGONS, which is also why rhaena’s arc is so disappointing imo.

additionally hate the lack of development and depth team black members get. it just all goes to rhaenyra and daemon (and SOMEWHAT jace), and that isn’t even done right. then you have team green who the writers TRY to give depth and development to but completely and utterly fail at creating anything truly meaningful.

lastly, i truly believe rhaenyra x alicent was a mistake, ONLY because the writers don’t know how to write it correctly. i really did enjoy the concept in season 1 until they made their relationship hijack the entire show. because of this, we didn’t get to see rhaenyra vs aegon at their full potential at ALL. it was replaced in favor for rhaenyra x alicent. i also believe this relationship is what screwed over the motivation of team green in the show because alicent needed a “just” reason to betray rhaenyra, therefore giving us the dumb misunderstanding trope. it also keeps either of the characters from diving into the potential their characters both have! it keeps them from engaging in war to its fullest extent! not to mention, having alicent throw away her entire family for rhaenyra is CRAZY. then to have her ask rhaenyra to run away with her? after everything? please. if they didn’t know how to write it in a well-written way, they shouldn’t have done rhaenyra x alicent at all bc i fully believe that it is a large reason as to why the show got so epically ruined with bad writing.

oh also, helaena and alys just spoiling major dance of the dragons plot points? i’m really not a fan of that, personally. and i really don’t know how the show is going to build off of this. it also takes away the impact that these scenes would have left on viewers if never spoiled onscreen.

oh last points promise - jaehaerys and jaehaera continuously NOT being called by their names and instead being called “the boy,” “the girl,” “the child,” angers me so much and is crazy minimization of their characters - probably to lessen the blow and impact of blood and cheese? and gwayne confronting criston cole about him sleeping with his sister, the dowager queen, in public, in front of everyone, with everyone watching? so poorly written and read like a badly written fanfiction on wattpad. the show writers forgetting that alicent x criston cole is very much not allowed in westeros and could get both in such crazy trouble by having that gwayne scene and alicent casually admitting to having a lover to rhaenyra is just bonkers.

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heli-writes · 6 months ago

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A dragon's heart, part 12.

Pairing: Barbarian!Bakugou Katsuki x female!reader

Summary: The dragonblood tribe is known for being cruel, barbarian warriors that slaughter, loot and rape all places they pass through. They are feared among the villagers and even bigger cities. Having lost most of their women to a plague, they're trying to ensure their tribe's survival by kidnapping women from other places. However, they're not the only monsters in human form out there. When y/n experiences this first hand, she has no choice but to ask for help from no other but the barbarian leader Katsuki Bakugou himself.

Disclaimer: mentions of injuries, rape and abuse, mentions of breeding, marking, nsfw, smut, oral sex, fingering, vaginal sex

[Please don't read if you are sensible to or triggered by the topics mentioned above.]

Minors do not interact.

Note: Took a while to finish this. I found the last part especially hard to write so I put it off for weeks. But voilá, it's finally here!

Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8, Part 9, Part 10, Part 11, Part 12, Part 13

Series Masterlist

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Axiety. It's what curses Katsuki's veins right now. After he left his mother at the war tent, he went ahead and took a look at his injured men. Some of them might never mount a dragon again. That already made him restless. He feels like ever since he became chief, things have gone bad. They need a win soon. His men can't lose morale. It won't benefit the tribe and they'll also maybe get some bad ideas. His mother stepped down as a chief voluntarily, but Katsuki is sure that the rest of the tribe would have forced her if she didn't. It's easy to blame the leadership when things go wrong. Even if some things are out of the chief's control.

That's when y/n crosses his mind. He has forgotten about her ever since Kirishima walked into his tent. Maybe she can be his win, a way to boost morale among his men and a way to strengthen his position. If y/n was to carry a healthy, happy baby, Katsuki and her could lead an example for the rest of the tribe. To show them that there is a future. After today's events, he's sure that he's making the right decision taking y/n on as a mate. He fully trusts her to become a good partner, a good mother. He'll do everything in his might to ensure the tribe's and y/n's future. She won't ever have to go back to the men who hunted her like an animal.

His heart feels heavy and full when he makes his way back to his tent. He can't wait to pull y/n into his arms, to feel her soft warm frame pressed against him. It's what he needs right now.

Surely, y/n must have returned by now. She was angry earlier but he hasn't experienced y/n to hold a grudge for too long. Also, it's gotten dark and cold. That must've driven her back home as well.

When he enters his tent, it lies in darkness and silence. He stares into the black of the tent, listening expectantly. Y/n's not here. His heart starts to pump harder, blood cursing faster through his veins than just a few minutes ago. He can hear an unsettling whooshing in his ears.

Y/n's gone.

It takes a moment for the realization to sink in. Then, he turns around on his feet exiting his tent swiftly. In front of the entrance, he stops in his tracks. His first instinct is to find Kirishima. Get him to assemble a search party, get everybody moving to find her.

It's a bad idea. He and y/n have to lead as an example. How can he prove to his men that they can find a mate outside of the tribe that loves and accepts them if his own mate runs off in the middle of the night? No, the others can't find out. Especially his mother. He can already see the triumph in her eyes telling him 'I've told you so'. He must find her alone.

But where could she possibly have gone to? She doesn't know anybody or anything around here. A cold chill runs down his back. She wouldn't have tried to leave, would she? That would be incredibly stupid of her. She can't survive in these mountains. Especially not without appropriate gear. But that didn't stop her before.

Katsuki thinks back to when y/n took off the day after getting injured by these men with bows and arrows. Back then, she also was stupid enough to think that she could wander off in the forest on her own. And now she was angry, furious even. With heavy emotions like that clouding her logical thinking, it wouldn't surprise Katsuki if she got the bright idea of running off. He can already picture her angry, pouting face in his mind.

Shit. He needs to find her.

First of all, Katsuki tries to search the settlement inconspicuously just to make sure he's not setting off a false alarm. He's glad that most of the tribe already settled into their tents for the night. While he wanders through the settlement, he's getting more anxious with each passing second. Scenarios of y/n getting torn apart by a pack of wolves, of y/n falling down a hillside and other deadly things fill his inner eye.

When he can't find her in the settlement, he decides he must scout out the area surrounding the tribe's village of tents. Considering she's on foot, she can't have made it very far. In this darkness, she must've laid to rest somewhere. Tonight's new moon, so it's especially dark tonight. Out there, you can't see your hand infront of your own eyes. She must wait to continue her journey by sunrise.

It's best to look for her on the back of his dragon, he decides. He can cover more ground and the Drami's improved eyesight and smell will help them to find y/n quickly. So, he sets way to the stables. He already knows Drami won't be too happy about him waking her up. He walks quickly through the gore to the dragon's den. The other dragons ignore him, some bow their heads in respect. There's even the small green one that hasn't been tamed yet. It scurries away at the sight of Katsuki.

Only his torch illuminates the den upon entering. The dragons inside seem to be asleep. „Drami!“, he calls out to his dragon almost softly. He doesn't want to evoke the great red's rage. „Drami!“, he calls out again, this time a bit louder. Then, the big red dragon moves. It stretches its long hind legs and raises its heavy head.

„We need to find y/n, c'me on!“, Katsuki tells the dragon.

The dragon snarls at him and huffs hot air into his face. Katsuki rolls his eyes.

„Yeah, I know it's late. That's why we need to find her quickly.“, he points out.

The dragon stares at him intently. Katsuki is not sure what she's trying to tell him. „What?“, he asks shrugging. The dragon shifts again, lifting its heavy wing up, revealing y/n. Katsuki's eyes almost bulge out of his head. What on earth is she doing here? Almost at the same time, relief floods his veins. She's safe. When Katsuki wants to rush to the woman's side, a claw-studded paw cuts in between him and y/n.

Katsuki's head jolts up. „What?“, he asks the dragon again. Drami looks angry now. A deep rumble curses through the dragon's throat. It snaps at Katsuki leaving behind a loud cracking sound when its upper and lower teeth clash against each other. Katsuki jumps back just in time to not get crushed in between the dragon's large jaw.

„Hey!“, he barks at the dragon, „What the fuck are you doin'?“

The dragon rises to its full height filling out the den completely. Y/n slides off its tummy and awakes in a rough manner. Disorientedly she looks around. Meanwhile, the dragon shifts into an intimidating stance looking angrily at Katsuki.

„What are you angry about?“, Katsuki yells grasping y/n's attention.

The dragon curls its tail around y/n in a protective manner. Katsuki doesn't fail to catch onto that.

„Is this about y/n? Fuck, it's not my fault that dumbass ran away?“, he defends himself in front of his dragon. Y/n awkwardly watches the scene in front of her. Somehow, she feels content. Seems as if the dragon is about to put Katsuki into his place. Good.

The dragon snaps at him again and Katsuki quickly moves out of its way. „Don't fuck with me, Drami. It's not funny! I didn't do anything!“, he yells at the dragon.

Suddenly, another rumble goes through the red dragon's throat and then there's electricity in the air. Katsuki's eyes widen. She's not about to...? Not in here! The fire would burn all of them. He can see an orange colour light up in the dragon's throat. Shit!, he thinks. Instinctively, he jumps over the dragon's tail and covers y/n's body with his own.

As quickly as the electricity becomes palpable in the air, as quickly it fades again. Y/n peeks through Katsuki's arms and sees the dragon staring at them intensely. Katsuki shifts, facing the dragon again. He sighs in relief. He absolutely believes Drami would go through with such an action. If a dragon doesn't deem a human worthy of their trust anymore, they more often than not kill them.

„You crazy fuck,“, he tells the dragon standing up and shaking his head. In return, the dragon growls at him

„I get it ok, I haven't been a good mate. I let her slip away.“, he continues. The dragon continues to stare at him angrily.

Katsuki raises his arms in defeat, then drops them again. „What do you want me to say? I didn't keep an eye on her. She could've died, yes. But she was safe with you, wasn't she?“

A rustling sound goes through the red's throat. It moves its head closer to Katsuki and presses its nose against his chest. Katsuki stares back with the same intensity. Then he sighs in defeat.

„Thank you for taking care of her. I'll be better, I promise.“, he tells her and the dragon gives him one more intense stare before settling into a laying position again. The smaller red dragons, which fled the bigger one the moment they sensed its anger, return to its side again.

Y/n doesn't know what Katsuki tells the dragon but it's clear he almost shits his pants. She finds that rather satisfying. Even if the red dragon almost fried her in the process. Quickly, she scrambles onto her feet. She must've fallen asleep somewhen but she's wide awake now.

Katsuki turns to her taking a long look at her. There doesn't seem to be a scratch on her. His instinct tells him to walk up to her, shake her and yell at her for being stupid. He can't believe she ran off and walked straight into dragon territory. She can be lucky Drami protected her. If she was unlucky, one of the other dragons could've seen a convenient snack in her that walked straight into their mouth. Considering what happened earlier, that's probably a bad idea though. Y/n was already pissed and it's better to reconcile than to argue. Especially, since Katsuki decided to ignore his mother's disapprovement.

Katsuki walks up to y/n and takes her hand. He puts it over his heart and presses it softly. „Don't you dare leave again.“, he tells her. Then, more softly, he adds: „I need you. I was worried.“

Y/n looks up at him. At first, her face looks clueless as it usually does when she doesn't understand him. Then, she harshly pulls her hand away. She's still angry at him. Don't you think a few soft words will make me forget what has happened today, she thinks.

Without looking at him, she stomps past him exiting the den. Katsuki swirls around and immediately catches up to her. Outside the den, he gets a hold of her wrist and pulls a bit too harshly. Y/n is swirled around. She stops herself inches in front of his chest. Quickly, she brings an arm's length distance between them, as far as her arm allows her to. Katsuki keeps a tight grip on her wrist.

„Where the fuck do you think, you're doing?“, Katsuki growls at her. Y/n looks at him with fire in her eyes.

„Let go of me, asshole!“, she yells at him pulling at her wrist. She doesn't care how loud she is or if she wakes up one of the dragons. How dare he act like this? Maybe a few days prior she would've mistaken Katsuki's attitude for concern, but knowing what she knows now, she's sure it's possessiveness. She can't stand that. Considering what Nadia says, that's all that women are in this place. She refuses to become Katsuki's possession, to let him push her around like that. He either accepts her as an equal or he doesn't get to have her at all.

Stunned, Katsuki lets go of her hand. He already notices some dragons shift in the darkness. Y/n crosses her arms in front of her chest. She doesn't really know where she's going with this. She doesn't want to argue with Katsuki. So far, he has been good to her. Today's been not good, but at the end of the line, he didn't treat her badly. The ceremony this morning went badly but Katsuki didn't lash out his anger at her, only at his furniture. While she doesn't understand where exactly his anger comes from, she shares the sentiment.

It's been frustrating. Clearly, it's been frustrating to both of them and that Katsuki doesn't seem to have much control over his anger is something y/n noticed before. And despite what Nadia said, he didn't put his hands on her. He even wanted to protect her from the great red's fire. Y/n knows that if the dragon had gone through with it, Katsuki would've been burned to crisps. He was ready to sacrifice himself for her. Katsuki must value her more than he lets on.

Y/n sighs and rubs her face. She tries to calm herself. In contrast to Katsuki, she has more control over her anger. Katsuki watches her intently. He doesn't want to argue with her either. He's frustrated and worried and he doesn't know how to make y/n understand how important she is. To him. To his people.

He tries to take a step towards her when a growl and a pair of red glowing eyes appear right behind her. It's the small green dragon from earlier. Katsuki stops in his tracks. This dragon is untamed which means that it is unpredictable.

„Don't move.“, he wispers and hopes that y/n understands.

Apparently, y/n didn't hear him, or rather didn't understand him but she slowly moves around staring right into the green one's eyes. Fear starts pulsing in her veins again. At the same time, the anger that's been trying to push down bubbles up again.

Seriously? As if I don't have enough problems, I've got to deal with this thing again?, she thinks angrily.

„Y/n.“, Katsuki says calmly. They can't make a wrong move right now. His mind flickers back to Drami in the den. He's sure she must sense the green one by now. He just hopes she isn't too offended by earlier to help them if necessary.

Y/n ignores Katsuki. She continues to stare into the green's eyes intently. She holds its gaze. She's not going to back down. It's probably stupid to pick a fight with a dragon but Katsuki and the whole situation made her angry enough to try.

With a steady, almost dangerous voice, she speaks to the dragon: „Leave. I won't be dealing with you tonight.“

The green dragon shifts, still holding her gaze. For a moment, its gaze flickers back to Katsuki.

„Hey, eyes on me!“, y/n barks at it and immediately catches its attention again. Katsuki feels like he's about to faint. Is she really speaking to a dragon like that? What outcome is she expecting?

„I'm telling you one more time.“, y/n says loudly, „Leave and don't come after us.“

The green dragon stares at her. There's a clicking sound in its throat. Then, he snaps at y/n, but y/n expected it considering it snapped at her earlier. She uses her chance and throws herself at its snout. Katsuki watches her with an open mouth. Y/n pushes its snout down before letting go of it.

„Leave!“, she yells. The green dragon looks at her perplexed. It raises its head, probably to spew fire at them when a deep rumble can be heard from the red one's den. It's probably a warning. It's enough to make the green one back off. Y/n holds her stance and stares after it until it disappears into the darkness again.

When it's clear that it's gone, she loosens her stance and huffs a strand of hair out of her face. Meanwhile, Katsuki gains control of his facial expression again. He's not sure whether to be impressed that y/n stood her ground in front of a dragon or concerned that she's mad enough to try so. Actually, it's probably not that bad. He remembers when he tamed Drami. It's the first thing you need to be capable of, to stand your ground in front of such a mighty beast. Most people go into fight-or-flight mode. Of course, then you also need to fight it into submission, but that's another thing.

Y/n turns around to Katsuki. „Are you coming?“, she tells him before turning to leave. Katsuki quickly catches up to her. They don't speak while they walk back to the settlement.

The closer they get to the tents, the more relaxed Katsuki feels. Also, his bad consciousness starts to creep up on him. He never apologized to y/n about what had happened today.

„Y/n“, he calls out to her and stops her by taking her hand. This time his touch is soft and not firm. Y/n can get out of his grasp anytime she wants. She turns towards him and looks at him expectantly.

„I'm sorry about today. I'm sorry about my mother treating you badly, I'm sorry if the whole presentation was humiliating to you and I'm sorry I lost it earlier.“, he tells her.

Y/n is sure he's apologizing right now. He's got that look in his eyes. Curved eyebrows, an almost sorrowful look on his face. It's not enough, however, he needs to try a little harder. A simple apology isn't going to get him into her good grace again. Katsuki sighs and steps a bit closer to her. With his other hand, he strokes her cheek.

„You've been nothing but great. To me, you're the perfect mate. Hell, you are standing your ground no matter what we throw at you. Even a dragon. We, no I, failed you. Drami's right. If I want to be your mate, I need to be better. I promise I will be better.“, he softly says. He knows she can't understand him but he just hopes she'll soften up on him a little bit.

Y/n stares in his eyes intently. His voice sounds soft, almost submissive. She sighs. There's no use in keeping this argument up. It's not going to help her situation. And at least, Katsuki seems to understand that she's frustrated. She just hopes he also believes that her frustration is justified and that he's not just trying to sway her.

She touches his hand softly. Katsuki gives her a shy smile and takes a few steps closer to her. When she doesn't react, he closes the gap between them. Carefully, he wraps his arms around her. Y/n can't help but lean into the touch. By now Katsuki's touch has become something familiar and comforting to her. She buries her face in his chest. Katsuki chuckles and y/n can feel the vibration of his laugh. Her heart flutters a bit. Damn this Katsuki, she thinks, Why does he have to be so attractive? She can feel Katsuki's hand in her hair. Lightly, he scratches the skin on her head. Y/n wants to melt. After this long, confusing day, she just wants to relax and fall asleep in his arms.

Katsuki's hand moves towards her ear and he tucks a few strands of hair behind it. Y/n looks up to him and is met with a soft gaze. It's almost surprising to her. Katsuki rarely looks so soft. He's just not that kind of guy. Maybe today has worn him thin as well. Y/n gives him a small smile. Katsuki's hand ghosts along her cheek. Slowly he moves his head towards hers giving y/n enough time to move out of the way or reject him. She doesn't. Katsuki's lips meet y/n's in a light kiss. He's not putting much pressure behind it. Just enough for y/n's heart to make a little jump.

Quickly, he pulls away and ruffles y/n's hair lightly. Y/n retreats a bit as well. Katsuki throws an arm around her and pulls her towards the settlement. There's almost no one outside anymore and it's quiet when they walk back to Katsuki's tent. Y/n is shivering by the time they arrive. Katsuki's arm around her shoulder does little to keep her warm. Inside, they're met with the chaos they left behind earlier today. Y/n shakes off Katsuki's arm and zigzags around the broken things on the ground. She picked up the broken parts of the chair earlier but left the other things he threw around on the floor. She flops down onto Katsuki's bed and points at the mess on the floor.

„You're tidying that up!“, she says sternly. Katsuki scratches the back of his head embarrassedly. He's not sure what y/n said but he guesses she's scolding him for the chaos in the tent. Dutifully, he starts picking up the things on the floor. Meanwhile, y/n starts looking for the clothes she wore to bed yesterday. Once she's found them, she disappears to the attached bathing hut.

When she's done changing, she returns to the main room. She looks around approvingly. Katsuki tidied up the place quite well. Currently, he's not in the tent. Y/n guesses he disposes of some broken things. While waiting for him, she picks up an apple from a fruit bowl that Katsuki placed back on the small table. Sitting on the bed, she eats it. While it's not much, she's glad to finally get something into her stomach.

Eventually, Katsuki comes back into the tent. When he sees y/n sitting on the bed, he gives her a curt nod. Then, he starts changing. He's still wearing the armor that he put on before the presentation. Chewing on her apple, y/n watches Katsuki changing. Katsuki usually doesn't wear many clothes so there's not much new to see but y/n takes her time observing. She feels like she deserves that. After all, he let all of his people and that woman eyeball her this morning.

She lets her eyes run over his broad shoulder and how the muscles of his back move when he opens his pants and slips out of them. Katsuki stands there in his underwear for a moment as long as he puts the armor and pants away. Y/n admires his naked chest. A few scars decorate the soft skin on his pecks. Her gaze follows his trained bicep down to his hands. She doesn't notice how Katsuki's done putting on some linen pants or how she stopped chewing at some point.

„Ya like what you see?“, Katsuki asks her with a cocky smirk on his face.

Katsuki's voice rips her out of her own thoughts. She's met with Katsuki's triumphant facial expression. Oops, guess he caught me, she thinks. She sits up a bit and throws the rest of her apple at Katsuki. Katsuki catches y/n's projectile with ease and gives her a biting laugh. He finishes off the apple in two bites and throws it into a bowl by the side.

Katsuki walks over to the bed and gets in at y/n's side. He starts to climb over her but stops when he's right above her. Y/n tries to shuffle away to give him some more space to get to the other side of the bed when she notices a suspicious twinkle in his eyes. He's not planning to move to the other side. Y/n rolls her eyes and Katsuki chuckles. He leans down and kisses her on the lips.

This time, the kiss is a bit less soft. It's more urgent and there's more pressure behind it. Y/n's eyes flutter close. Katsuki slides down and his weight pushes y/n deeper into the pillows. Absently, y/n's hand runs down Katsuki's chest. She feels Katsuki's tongue running along her upper lip. She lets her own tongue run along his lip as well and soon they meet in an even deeper kiss.

By now, y/n's heartbeat picked up. Katsuki detaches from her lips for a second. He presses open-mouthed kisses along her jawline and down her neck. Softly, he nibbles at her collarbone. Y/n can't help but let out a muffled moan. She already can feel a tingling sensation in her lower belly. Also, she's starting to get hot. Katsuki lets out a chuckle before returning his attention to her.

Their eyes meet and y/n can see a mischievous gleam behind Katsuki's eyes. „You dick!“, she tells him and smacks his upper arm. Katsuki laughs and rolls off of her. Y/n hasn't got much time to recover before Katsuki pulls her into him again. Angling her head up to him, he drags his lips over hers again. Y/n shifts to get more comfortable. Part of her leg grazes Katsuki's scrotch and she can feel that he's already half-hard. She's lowkey glad she's not the only one on whom this has an effect.

Quickly, she tries to move her leg away again but Katsuki catches her leg mid-movement. He pulls her leg in between his own and pulls the rest of y/n half on top of him as well. His other hand finds its way back into y/n's hair. Entangling their mouths again, his other hand starts exploring y/n's back, butt and leg. Y/n's hand rests on his lower stomach just above his v-line. Slowly, her hand creeps up his chest up to his cheek.

They continue to make out like this for a while until y/n breaks the kiss to take a deep breath. Katsuki uses the break to fully pull y/n on top of him. Y/n can feel Katsuki's erection under her. In all honesty, she can't blame him. She's also feeling the effects of all this kissing. The way Katsuki's rough hands drag along her back drives her absolutely mad. She doesn't want to know how the inside of her thighs look right now.

Suddenly, Katsuki's hand finds its way under the shirt she's wearing. While his lips still feverishly drag along hers, his hand softly strokes its way up to her chest. Y/n's heart skips a beat when his calloused hand finally makes an impact with her boob. Carefully, Katsuki kneads the soft bundle of flesh. There's enough pressure behind it to make clear how urgently he wants to touch her and soft enough to not hurt her. Giving her one last kiss, he detaches from her and sits up.

„Take that off.“, he demands and pulls her up towards him. Y/n sits up and lets Katsuki push the shirt over her head. She feels flushed even though Katsuki and she now wear the same amount of clothing. Katsuki lets his gaze wander over her chest. Gently, he reaches out to her. The backside of his hand touches her cheek, and then he lets his hand sink downwards towards her chest. With both hands, he squeezes her breasts. He leans his head forward and rests his forehead against hers. While adrenaline and excitement still curse through her veins, y/n feels oddly at ease suddenly.

Katsuki lets go of her chest and his hand finds hers. Gently, he caresses her hand before pulling it into his lap. Y/n can feel how he presses her palm onto his hardened member. It's not her first time touching a man. She wonders if Katsuki is aware of this or if he thinks it's her first time. Y/n's other hand reaches up to Katsuki's cheek and she pulls him down onto her lips again. At the same time, she carefully squeezes his dick. Katsuki lets out a frustrated groan before pushing his mouth on hers again. Gently, y/n massages him through his pants.

Then, Katsuki pushes her off of him. „Gimme a sec, doll.“, he mumbles and starts fumbling with his pants and pushes them down his legs. Y/n waits patiently for Katsuki to come back for her. When he shivered out of his pants, he crawls over to y/n again and pushes her onto her back. He starts kissing her neck and nipping at her earlobe. Each kiss leaves behind electricity that shoots down her body. Y/n takes his hand and puts it back on her chest again. She's done with kissing. She wants more. Katsuki lets out a low chuckle. Carefully he dips his head down and lets his tongue run over her nipple. Y/n groans and lets her hand run through his spiky hair.

Meanwhile, Katsuki's hand wanders down her side. When his hand finds the hem of her pants, she can feel her heartbeat quicken again. She's nervous about what's about to happen next. A positive nervous, an expectant nervous, a I-can't-wait-to-feel-your-hands-where-I-need-you-most nervous. However, Katsuki doesn't give her that satisfaction just yet. He lets his hand ghost over her crotch before gently cupping her most private area. Y/n gasps at the contact and wishes that stupid linen pants weren't in the way. Again, Katsuki chuckles at her expression.

Y/n glares at him. She's got enough of his teasing. She pushes at his chest and Katsuki lets himself fall back onto his back with a laugh. Immediately, y/n is on top of him and kisses down his neck. Gently, she bites the skin on the nape of his neck. Katsuki lets out a forced groan. She can feel his dick jump a bit in between her legs. She continues to kiss down his chest, and presses open-mouthed kisses onto his tummy until she has reached his v-line. She traces the bones on his hips while mischievously looking up at him. I can play the same game, she thinks. Katsuki looks down at her through lidded eyes.

„Fuck, y/n, are you gonna do something or do I need to show you how?“, Katsuki grumbles and pushes his hand into y/n's hair trying to gently push her down onto his cock. Y/n clicked her tongue. „Oh, no, don't think I let you get off this easily.“, y/n teases him. She starts pressing soft kisses onto the side of his hips, down his v-line and stops right in front of his shaft.

„Shit, you bitch!“, Katsuki groans in frustration but he doesn't move. Secretly he's enjoying y/n's attention and playfulness. He didn't expect y/n to be this devious, especially not in bed. Clearly, she must have some experience and he's glad about that. He was afraid that this would scare her away. But, considering her reactions, she must be enjoying this too.

Lost in his own thoughts, he doesn't notice how y/n's head dips down. Only when he feels her tongue running down his dick. He almost jumps up at the sensation. His hand grips her hair a bit tighter but he doesn't make any further movements. Y/n can feel his leg muscles tighten. She runs her tongue up his shaft again before gently teasing the tip of his cock. Katsuki groans and lets his head fall back. Y/n gently rubs the side of his legs in comfort. I got you, she wants to tell him.

Then, she takes his entire dick into her mouth. Katsuki almost thrusts up but catches himself mid-movement. Y/n is glad for Katsuki's control. She's sure that she can't deepthroat him. For now, she just bobs up and down his length licking and sucking. The areas her mouth can't reach get stimulated by her hands which she has wrapped around his shaft.

Eventually, Katsuki can't take it anymore and pulls y/n off his dick. He sits up and roughly pulls y/n up to him, towards his mouth. Feverishly, he kisses her, shoving his tongue into her mouth. Slowly but carefully his resolution starts to crumble. In a swift movement, he pushes y/n onto her back with one hand and pushes down her pants with his other hand.

Cool air hits y/n's pussy. She almost gasps at that sensation alone. However, Katsuki is done waiting and teasing. Immediately, he pushes his fingers in between her folds. Y/n lets out a choked noise. Katsuki leans down and starts licking and biting her nipples while massaging her clit in rough, circular movements. Y/n is already seeing stars. It's been so long since someone touched her like this and clearly Katsuki knows what he's doing. His fingers wander from her clit downwards towards her entrance. Swiftly, one of Katsuki's fingers enter her. Y/n can't help but let out a raspy moan.

She's not sure whether or not Katsuki registers the sound she's making. Maybe he doesn't care or maybe he's beyond capable of teasing her about it. Either way, his mouth lets go of her nipple and wanders down her tummy until he finally reaches her cunt. He's not waiting for another second before pushing his tongue in between y/n's folds. Y/n gasps again and buckles her hip. Katsuki simply pushes her hips down and continues his administration. While his tongue swirls around in between her pussy folds, his finger pumps in and out of her tight hole. Y/n's upper body twists around in the bedsheets.

It feels so good, she barely can't take it anymore. Katsuki adds another finger and y/n goes wild. She pushes her hands into his hair and she's not sure whether she wants to push his head deeper into her cunt or pull him away because she needs to stop. Katsuki does not leave any room for a decision as he pushes deeper into her crotch. Just when he feels y/n's walls tighten around his fingers, he pulls away.

He stares at y/n with wild eyes. Her wetness still glittering on his lips and chin. Y/n's chest is heaving and she can't tear her eyes away from Katsuki. „Fuck, babe, you taste so fucking good.“, Katsuki grumbles while taking a long look at her. Y/n's hair is disheveled and her cheeks are flushed. Right now, there is a disappointed expression on her face. Katsuki grins and moves to hoover over her.

„Don't worry, love, you'll get to come. You just have to do it on my dick. Only this way you can become truly mine.“, he tells her.

Y/n pouts because she doesn't understand why they're suddenly stopping. Luckily, Katsuki doesn't let her wait too long. He crawls up her body and kisses her deeply. Y/n can feel his dick laying right above her pussy. Katsuki snaps his hips a bit and pushes his dick in between her wet folds. Y/n moans and opens her legs so that he has better access to her pussy.

„Shit, babe, you want me that bad, hm?“, Katsuki groans as he sees y/n pull her legs apart for him. He leans back a bit to take a good view of her soaked cunt. „Fuck...“, he groans as he lets his dick run over her now-open pussy.

„Katsuki!“, y/n whines. She wants him. Now. Katsuki chuckles and leans down to kiss her. „Alright, alright, babe, I get what you want.“, he mumbles as he shifts and tries to find her entrance with his cock. When he's not fast enough, y/n takes matters into her own hands and leads his dick to her entrance. Katsuki doesn't wait for another second and pushes into her in one swift movement. Y/n can't help but let out a loud moan at the sensation. Katsuki's head drops down onto her shoulder.

He doesn't give her any time to adjust to him but immediately starts a steady pace. His dick slides in and out of y/n's slick hole. Y/n wraps her legs around his hips and grabs onto his shoulders. She can't help but let her eyes roll back a bit. Her fingers could never compare to the feeling of a real dick inside of her. And Katsuki's dick feels especially good. Katsuki keeps up the pace for a bit until he grows tired of it. He sits up a bit and his dick slides out of y/n. She groans in protest.

„Relax, love, we're not done yet.“, Katsuki mumbles as he sits up on his knees. Roughly, he pulls one of y/n's legs over his shoulder and opens her other leg widely. Then, he shoves his cock back inside of her. In short, hard movements, he rocks in and out of her pussy. Y/n cries out loud at the new angle and the roughness with which Katsuki starts to fuck her.

„Fuck, babe, this feels so good.“, Katsuki groans while his balls slap against y/n's ass. He has had sex before but it was never like this. He either paid the women or just took them. None of them were as wet as y/n or as willing to move against him the way y/n does. And the sight of her just added to his arousal. Concluding from her facial expression and moans, y/n must be so fucking horny for him. It makes him wish they had done this sooner. Before they came here and things got more complicated.

„Katsuki-i...! Harder! Fuck!“, y/n moans and grips his wrists. Even without understanding her words, Katsuki gets the message. He wants to fuck her harder and faster, too. He pulls y/n's leg from his shoulders and hooks his hands under both her knees pulling her pussy closer to him. He quickens the place and the closeness gives him the option to ram his dick into her harder.

„Fuck, yes!“, y/n yells. She's glad he understood what she wants. Fuck, this is so good, she thinks. She loves how hard Katsuki is taking her. Most men are too timid to take her how she likes it the first time. The first time is always a bit awkward, trying to find out what the other likes. But Katsuki fucks her just the way she wants his, the way she needs it. She needs to forget this awful day and Katsuki's cock in her pussy makes her mind goes numb.

Slowly, but steadily, y/n can feel her orgasm approaching. She hopes that Katsuki doesn't change his movement but keeps it up just the way he's fucking into her right now. There are already pearls of sweat forming on his chest and eyebrows. Meanwhile, Katsuki can feel y/n's pussy tighten around his member.

„Shit, babe, are you close?“, he groans while keeping up the pace. Concluding from y/n's concentrated look, yes, she must be. Carefully he grips her upper body and pulls her up to him. Y/n whines at the change of position but Katsuki makes it up to her by fucking up into her and reaching that one spot that drives her mad. Katsuki pulls her up and his face rests on the left side of her neck. Y/n claws at his back, desperate to finally get off. Katsuki continues to fuck into her relentlessly.

„I've got you, babe, c'mon, come on my cock.“, he mumbles into her skin.

Right now, he needs her to finally climb over the edge. It will hurt less if she's in the middle of an orgasm. Y/n groans throwing her head back. Katsuki can feel her pussy tighten one more time and then start spasming around him. That's what he's been waiting for. He doesn't wait for another second and sinks his teeth into her neck.

Pain. Blinding, numbing pain shoots up her neck.

Y/n lets out a choked scream. From all the things she's expected Katsuki to do, this is not on the list. Is he... biting her? It feels like he's about to rip a large part of flesh out of her. The pain overshadows the orgasm she forgets she's having. She pushes against his chest, trying to get him off of her.

„Let... go!!“, she cries as she pushes against him. There's no use. He's so much stronger than her. He only sinks his teeth deeper into her flesh. Maybe it's because there was more adrenaline in her blood back then, but this feels worse than when she was hit with the arrow.

Her heart pulls itself together. Why is he doing this? She can feel her warm blood flow down her own chest. He must know how badly he's injuring her.

Meanwhile, he's still fucking into her roughly.

She wants him off. She wants his teeth and dick outside of her body. Right now. She fights against him. Pushing and scratching him. Yelling and crying to let her go, but Katsuki doesn't listen to her. Or he's not hearing her.

His thrusts pick up speed as he fucks into her.

„No, Katsuki! Pull out!“, she yells but Kasuki is too far gone to register her words. In three hard thrusts, he comes. Y/n can feel his hot seed spluttering deep inside of her.

By now, all colour must've left her face and she becomes numb.

She doesn't feel the pain in her neck anymore. Or how Katsuki pulls away from her. How he gently places her onto the bed and presses a clean cloth against the wound. How he caresses her face and litters it with soft kitten kisses. How he gets another warm, wet cloth and carefully cleans the inside of her thighs. How he pulls her close and lovingly scratches her head.

Or how he softly mutters:

„You're mine now, my mate.“

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

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writingquestionsanswered · 10 months ago

Note

I have the problem where I will come up with a theme, or a character, or a unique perspective to tell a story from, but when it comes to actual plotting, I can't seem to come up with one. Therefore I have a notebook full of ideas and never actually write anything. Where do I get a plot from?

Struggling with Plot

There are plots in all those ideas. You just have to know how to find them.

Look at the "unique perspectives to tell a story from." What story? What story does this character have a unique perspective to tell? The plot exists in that story.

Looking at themes... make a list of all the different ways you could illustrate that theme. For example, let's say a theme you wrote down is "pursuit of love." What are some ways you could explore that theme? What are some different examples of a person pursuing love? The plot exists in those ideas...

Looking at characters... consider where this person lives. What is their daily life like? Who is important to them? What are their hopes and dreams? What is a misbelief they have about themselves and/or the world around them and where did this misbelief come from? How does that misbelief hold them back in their daily life? What dramatic thing could happen that would turn their world upside down and force them on a path that ultimately corrects this misbelief? There's your plot...

Have a look at the following posts for a better understanding of how stories, plot, and story structure works:

Basic Story Structure Beginning a New Story How to Move a Story Forward Plot Driven vs Character Driven Stories Understanding Goals and Conflict Guide: How to Outline a Plot Guide: How to Turn Ideas into a Story Guide: Starting a New (Long Fiction) StoryGuide: Filling in the Story Between Known Events

Happy writing!

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literaryvein-reblogs · 1 month ago

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Writing Notes: Emotions

Definitions in Psychology (Anger; Anticipation; Anxiety; Contempt; Desire; Disgust; Distress; Fear; Guilt; Happiness; Interest; Joy; Pain; Pleasure; Rage; Sadness; Shame; Sorrow; Surprise; Terror; Wonder)

Anger

An emotion characterized by tension and hostility arising from frustration, real or imagined injury by another, or perceived injustice.

Can manifest itself in behaviors designed to remove the object of the anger (e.g., determined action) or behaviors designed merely to express the emotion (e.g., swearing).

Distinct from, but a significant activator of, aggression, which is behavior intended to harm someone or something. Despite their mutually influential relationship, anger is neither necessary nor sufficient for aggression to occur.

Anticipation

Looking forward to a future event or state.

Sometimes with an affective component (e.g., pleasure, anxiety).

Anxiety

An emotion characterized by apprehension and somatic symptoms of tension in which an individual anticipates impending danger, catastrophe, or misfortune.

The body often mobilizes itself to meet the perceived threat:

Muscles become tense, breathing is faster, and the heart beats more rapidly.

May be distinguished from fear both conceptually and physiologically, although the two terms are often used interchangeably.

Considered a future-oriented, long-acting response broadly focused on a diffuse threat, whereas fear is an appropriate, present-oriented, and short-lived response to a clearly identifiable and specific threat.

Contempt

An emotion characterized by negative regard for anything or anybody considered to be inferior, vile, or worthless.

Desire

A strong feeling of wanting or needing something.

Can be a motivating force that drives behavior and influences decision-making.

Can be related to a wide range of things, such as material possessions, experiences, relationships, or personal goals.

Often considered to be an emotion, and it can be accompanied by physical sensations such as an increased heart rate or butterflies in the stomach.

However, it can also be more cognitive in nature, driven by thoughts and beliefs rather than just emotional reactions.

Disgust

A strong aversion.

For example, to the taste, smell, or touch of something deemed revolting, or toward a person or behavior deemed morally repugnant.

Distress

A negative emotional state in which the specific quality of the emotion is unspecified or unidentifiable.

For example, stranger anxiety in infants is more properly designated stranger distress because the infant’s negative behavior, typically crying, allows no more specific identification of the emotion.

Fear

A basic, intense emotion aroused by the detection of imminent threat, involving an immediate alarm reaction that mobilizes the organism by triggering a set of physiological changes.

These include rapid heartbeat, redirection of blood flow away from the periphery toward the gut, tensing of the muscles, and a general mobilization of the organism to take action.

Fear differs from anxiety in that the former is considered an appropriate short-term response to a present, clearly identifiable threat, whereas the latter is a future-oriented, long-term response focused on a diffuse threat.

Some theorists characterize this distinction more particularly, proposing that fear is experienced when avoiding or escaping an aversive stimuli and that anxiety is experienced when entering a potentially dangerous situation (e.g., an animal foraging in a field where there might be a predator).

Whatever their precise differences in meaning, however, the terms are often used interchangeably in common parlance.

Guilt

A self-conscious emotion characterized by a painful appraisal of having done (or thought) something that is wrong and often by a readiness to take action designed to undo or mitigate this wrong.

It is distinct from shame, in which there is the additional strong fear of one’s deeds being publicly exposed to judgment or ridicule.

Happiness

An emotion of joy, gladness, satisfaction, and well-being.

Interest

An attitude characterized by a need or desire to give selective attention to something that is significant to the individual:

Such as an activity, goal, or research area.

Joy

A feeling of extreme gladness, delight, or exultation of the spirit arising from a sense of well-being or satisfaction.

The feeling of joy may take two forms: passive and active.

Passive joy involves tranquility and contentment with things as they are.

Active joy involves a desire to share one’s feelings with others. It is associated with more engagement of the environment than is passive joy.

The distinction between passive and active joy may be related to the intensity of the emotion, with active joy representing the more intense form.

Both forms of joy are associated with an increase in energy and feelings of confidence and self-esteem.

Pain

An unpleasant sensation resulting from damage to nerve tissue, stimulation of free nerve endings, or excessive stimulation (e.g., extremely loud sounds).

Physical pain is elicited by stimulation of pain receptors, which occur in groups of myelinated or unmyelinated fibers throughout the body but particularly in surface tissues.

Pain that is initiated in surface receptors generally is perceived as sharp, sudden, and localized; pain experienced in internal organs tends to be dull, longer lasting, and less localized.

Although pain is generally considered a physical phenomenon, it involves various cognitive, affective, and behavioral factors: It is an unpleasant emotional as well as sensory experience. It may also be a feeling of severe distress and suffering resulting from acute anxiety, loss of a loved one, or other psychological factors (see psychic pain).

Because of these various factors, as well as previous experience in pain response, individual reactions vary widely.

Psychologists have made important contributions to understanding pain by demonstrating the psychosocial and behavioral factors in the etiology, severity, exacerbation, maintenance, and treatment of both physical and psychic pain.

Pleasure

The emotion or sensation induced by the enjoyment or anticipation of what is felt or viewed as good or desirable.

Rage

Intense, typically uncontrolled anger.

Usually differentiated from hostility in that it is not necessarily accompanied by destructive actions but rather by excessive expressions.

In nonhuman animals, rage appears to be a late stage of aggression when normal deterrents to physical attack, such as submissive signals, are no longer effective.

Generally includes rapid respiration; thrusting and jerking of limbs; and clawing, biting, and snarling.

Sadness

An emotional state of unhappiness.

Ranges in intensity from mild to extreme.

Usually aroused by the loss of something that is highly valued (e.g., by the rupture of a relationship).

Shame

A highly unpleasant self-conscious emotion.

Arising from the sense of there being something dishonorable, immodest, or indecorous in one’s own conduct or circumstances.

Typically characterized by withdrawal from social intercourse:

For example, by hiding or distracting the attention of another from one’s shameful action—which can have a profound effect on psychological adjustment and interpersonal relationships.

May motivate not only avoidant behavior but also defensive, retaliative anger.

Psychological research consistently reports a relationship between proneness to shame and a host of psychological symptoms, including depression, anxiety, eating disorders, subclinical sociopathy, and low self-esteem.

Theorized to play a more positive adaptive function by regulating experiences of excessive and inappropriate interest and excitement and by diffusing potentially threatening social behavior.

Sorrow

A more "intense" emotion than sadness.

Can be caused by a past event (somebody's death, some other great loss).

Implies a long term state, possibly resulting from a past event, or from a past discovery of a long-term condition (e.g. childlessness or an incurable disease of one's child or spouse).

May have its roots in the past, but the stress is an ongoing, long-term state.

Surprise

An emotion typically resulting from the violation of an expectation or the detection of novelty in the environment.

Considered by some theorists to be one of the emotions that have a universal pattern of facial expression.

The physiological response includes raising or arching the eyebrows, opening the eyes wide, opening the mouth wide in an oval shape, and gasping.

Terror

Intense and overwhelming fear.

Wonder

An emotional state that arises when individuals encounter something surprising, unexpected, or profoundly beautiful.

This experience can lead to a heightened state of awareness and a desire to understand or explore the phenomena further.

Wonder is considered a positive emotion that can enhance cognitive functioning, creativity, and overall well-being.

Components of Wonder

Awe: A feeling of reverence and amazement, often in response to something grand or sublime.

Curiosity: A strong desire to learn or know more about the object of wonder.

Admiration: A sense of appreciation for the beauty, complexity, or uniqueness of the experience.

Surprise: An unexpected element that challenges preexisting knowledge or assumptions.

Transcendence: A feeling of being connected to something larger than oneself, often evoking a sense of humility and perspective.

Sources: 1 2 3 ⚜ More: Writing Notes & References ⚜ On Emotions

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taniahylian · 3 months ago

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Bessmert vs Vertin: Different ways of recording eras

So, after finishing the 1.9 event and pretty much confirming that the "Friend from afar" that writes articles for UTTU is Bessmert, I started reflecting on what she does, compared to Vertin, because at the end of the day they're quite similar characters, but with some key differences.

First of, they're both recording eras, but for their own reasons and in their own way. Vertin was given this task by the foundation, presumably so they'd have more information of how the storms work and how they affect historical events (plus, the way Manus interferes), while Bessmert seems to be driven by her own desire to share what she experiences in the form of articles and/or books, which leads me to the second difference; the medium.

Vertin takes pictures of everything she deems worthwhile, as we learn in the prologue, and also presumably makes some paintings, both of which are purely visual mediums. Meanwhile Bessmert, for obvious reasons, could never use those, and instead turns to writing.

But the major difference, imo, is what they choose to record. Bessmert writes about historical events (the theft of the world-famous rimmet cup, and how an unknown little town in the middle of nowhere saved itself and became prosperous) or major geological arcane discoveries (Pei city and it's Divination, and presumably Aperion and it's magical cave). Meanwhile Vertin records what she herself, personally, finds interesting; the single mother who wrote a play about the transantartica expedition, and a girl who had a collection of a futbol player photos are a few examples. Of course, some of the pictures she took happen to be of historical events, like the Apollo 11 launch, but they're not all she records.

What's even more interesting, however, is how Bessmert detaches herself from the narrative; she's never a protagonist in the stories she writes, and she doesn't try to influence their course or make connections with the people she meets; she's simply an observer. In Shuori she was forced to participate in the the story due to circumstances beyond her control, but even then what she wrote about the event seemed to be more like... collections of geological and cultural observations, rather than anecdotes of the people she met, or what she felt during the events.

Vertin, on the other hand, tends to be an active protagonist in any story she is in. See Green Lake and Uluru, for example; she interacted with the characters, helped them, used whatever resources she had to influence the story for the better, etc. Not only that; she formed personal connections and even invited them to the foundation and her suitcase, because this is the most valuable thing that Vertin deems worth preserving of each era; the people she meets and the bonds she made.

Vertin goes against the wishes of the foundation, to record what she sees without sparing any feelings for the people she met, while Bessmert... well, she really would be the ideal Timekeeper, wouldn't she?

#reverse 1999 #r1999 #vertin #bessmert #analysis

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northopalshore · 16 days ago

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Jungkook's Midheaven Persona Chart

₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑

I'm going to do a brief rundown on his career life as an example attachment to my MC persona chart masterlist. Mostly pertaining to his career going forward.

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ஓ๑Cancer rising (22°capricorn)

He is seen as someone innocent & genuine. People are likely to get attached to him very easily, seeing him as a beacon of comfort. Although, underneath that they see him as a very goal/career driven man. Also, this means his marriage life will also be quite prominent in his career. He may work with his wife somewhere down the line in his career. (Cancer & Capricorn)

ஓ๑Briede (28° cancer) , Groom (26° taurus) in the 7th house

You can expect him to work with his spouse eventually, I can't say for sure that she'll be singing as well just yet. However, people will acknowledge them as partners regardless of where they go or even if they are alone. His wife will gain a lot of attention or traction through him. At first, people will think of her as "Jungkook's spouse" but later, it will develop into a duo type of thing. They'll be branded; you can't have one without the other.

It's sort of like Beyoncé & Jay-Z, but their relationship feels more like MJ & Lisa Marie Presley (their shock factor). You'll never detach their image from one another in the future.

ஓ๑Eros (9° sagittarius) in Leo 1st house

He will be heavily sexualised through his career. Already happened from the early stages of his career. Most come from people he doesn't know, or international fans. They are very passionate about him. As long as his youth is with him, it won't stop, though it might also continue throughout him being a father (leo) perhaps until his children become young teens (?).

You won't see his passion, & drive at first glance (since his rising is cancer here) but once he starts working it shows.

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ஓ๑Leo in the 2nd House

Gaining money through creative work, standing out, dealing with people younger than him or even the music/entertainment industry in general. Acting could be a part of his career (whether just through music videos or more in the future).

₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑

ஓ๑Virgo in the 3rd House

His work will involve a lot of planning, and a lot of critical thinking. Plans, events, trips will likely always have a layed out itinerary he must follow/make.

He's not gonna be uploading any last minute song anytime soon lmao.

ஓ๑Juno (12° pisces)

A lot of his current songs, including ones with BTS are love centric, or at least tell of an idealistic type of love. Something far off, though everything here is not written on a whim or inspired by specific people, but rather a vague idea of a perfect partner/soulmate. It's in the past & the future, so you'll likely see more similar concepts going into the future, this time perhaps... Inspired by his wife? Also, you can expect some of his future art to be related to past lives. Spirituality will also be something more prominent in the future. Hoho we'll see.

ஓ๑North Node (19° libra)

He was born to work with partners, whether it'd be a contract with a company, a group of close friends, or even his spouse. You will see that his name is usually going to be paired with someone/something else. He works best with collaborative events. These are what will be impactful both in his life & to others.

ஓ๑Populus (20° scorpio)

He will (have) receive(d) much attention for his voice and his skills, this is what people will often talk about whenever they hear his name, or see his face on billboards or posters while walking by. They'll think he is spectacular in a way that differs from the previous male artists in the industry he's in. Provoking both jealousy and obsessive behaviour from fans/haters.

ஓ๑Lilith (23° aquarius)

It's likely whatever it is he'll be doing going foreward will be very different from what people are used to seeing from him. Perhaps you'll see him handling darker ideas or concept. Could also be related to social events/issues. I'd say similar to Michael Jackson (in which he'd advocate a lot of the issues & mistreatment of the world through some of his songs) but in a different way compared to MJ. Especially since it's conjuncting populus. It's likely to draw up a lot of talk and controversy, where people will say "this isn't him", but do they really know him?

₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑

ஓ๑Libra 4th house (9° sagittarius)

People he works with will likely tell you how great he is to work for, he's very kind and open minded, and perhaps a little bit of a comedian. Most of the people he'll work with will be from overseas or perhaps from different walks of life especially going foreward from here.

ஓ๑Sun (27° gemini) in Libra

He will be remembered as a lover, particularly someone's lover. People with this placement usually gain a lot of attention (& at times notoriety) for their relationship or love life. Elizabeth Taylor also has this placement, which well. Is not surprising. In his case however, he won't be known for his multiple marriages but rather just his marriage or life with his partner going into the future. Please remember that his career doesn't end in his 20s, & things that haven't manifested will likely show up in the near future.

ஓ๑Mercury (1° aries) in Scorpio

He has a very competitive way of thinking. Always trying to find a way to be the best or come out on top. Still, he isn't thinking about just himself but also the people he works with (Mercury in the 4th house). How do they stand out, without falling apart? That is something he'll likely have in his mind a lot.

ஓ๑Chiron (6°virgo) in Scorpio

The earliest stages of his career was filled with a lot of trails & errors as well as instability and chaos. A lot of the times they've found themselves at the verge of disbanding, or discontinuing their career. A lot of what BTS has gone through may have been unbearable for the average person. Even for people in their industry.

ஓ๑Sun squaring Uranus(4° cancer), Neptune (27° gemini) & Groom (26° Taurus) in the 7th house

Elizabeth Taylor's Sun also squares uranus but her's is in the 1st house which means it's more personal. Since Jungkook's Uranus & Neptune are conjuncting in the 7th house (aquarius), people are always going to assume the worst when it comes to him & his spouse. Often times however, the things said will not reflect their situation or relationships at all. The relationship isn't the problem. It's the people that talk & gossip about it.

ஓ๑Sun trine Moon (26° Taurus) in Gemini 12th house

It's likely that they will be very private with what happens within the relationship. Just to protect their union. Also, the public's perception is not going to shake them. They will remain as they are without the need to satisfy the demands of the public, keeping their personal lives to themselves.

In the context of him himself, it's likely he feels a little detached from the image that he's given, keeping his thoughts to himself most of the time. Still, he will communicate what he feels when he feels comfortable (at home). His mind is extremely active, albeit kept hidden. Since his mercury also trines moon in the 12th house.

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ஓ๑5th house stellium

It's no surprise to see this especially since he's an artist. His career is focused on creativity, art & just passion in general. His career mostly appeals to the younger generation. He'll be very fortunate when pursuing any artistic endeavour as everyone will see his talent through his face & body language. Although fun, it's not something he treats as a game.

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ஓ๑Starr (5° leo) in Capricorn 6th house

Working as a performer, gaining a lot of attention for his hard work & professionalism.

ஓ๑Boda (6° virgo) in Capricorn 6th house

This man will literally be married to his job lol. His marriage will be tied to his career in one way or another in the future.

₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑

ஓ๑Neptune (27° gemini) , Uranus(4° cancer), & Jupiter( 12° pisces) in the 7th house

He's known for being a part of a group, under the same company (BTS). He feels very connected to them and although not related, feels like his own family (uranus 4°). This is also how people perceive BTS, a family that brings people together.

ஓ๑Groom (26° Taurus) in Capricorn 7th house

Going into the future, he'll likely be seen working or incorporating his spouse with his career as well. He likely also will brand himself as a husband at some point. Prefering to be called "My wife's husband." Lol. I can't really picture any other comparison besides Beyoncé & Jay-Z. That's the best way I can describe it.

₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑

ஓ๑Union (19° libra) in Aquarius 8th house

The moment his relationship is revealed, it will be shocking to everyone who's ever heard of him. They will never expect him to end up with the person that he married. Their relationship will be heavily criticised and obsessed over. Still, once they see them working together, it will make sense. Their relationship will likely change the direction his career will go from there. Still, it's not like she's gonna be some random bum on the internet. I'm looking at you wannabes ;p, do you really think that fine ass would be with chu?

(You ain't no diva ♬)

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!!!!!!!!!!!!!!!!!!!!!!!!IMPORTANT NOTICE!!!!!!!!!!!!!!!!!!!!!!!!!!

Before I end this post I'd like to say that they both should be left alone. Nothing irritates me more than those immitators on YouTube & Tumblr asking indirectly if they are the one. Well, I'll give you the only accurate answer you will ever get.

It's not you. Do you really think his spouse will be that shallow & manipulative? And sorry, stupid??

You are the problem in their relationship. You are the one that will give them nothing but HATE when their relationship is out.

Do you think Jungkook is dense or something? Why the fuck would he have anything to do with people like you? He'd sprint a million miles AWAY from their direction. His future spouse is not the one reading this, & that's a fact.

Don't you have a life to live? They (both JK & his spouse) are NOT you. This post is here just to clear up some misconceptions I've read about him on YouTube in the past. Sometimes I get asks that rub me the wrong way (JK related: but they act like it's not).

To all my wonderful followers who don't give a damn about it, God bless you there are still people with common sense on this earth. Interest & obsession are two different things. One is commendable, the other is delusional. Take a fucking hike.

Also, don't claw at creators on Tumblr or anywhere for that matter for information about her, or them together. Those videos & posts started for a reason that most will debate over. To me, I know it serves a purpose. It's just that it attracted a lot of unwanted attention as well.

Those with good intentions will NOT say what you WANT to hear while those with... Less pure intentions will only seek to entertain for their own benefits. I urge you to think wisely about who exactly you're getting your 'information' from. I'm looking at you YouTube. Side eye. Side eye

Tarot is NOT GOSPEL. False answers can be given by anyone, as the information can be manipulated or read with bias. Do you really think their guides/ the universe will tell just anyone someone else's business? Especially if said person has no involvement whatsoever in their relationship? The same people who advertise their channel purely to gain something out of this? If it's protected, it's protected. You'll get differing, inconsistent, ugly answers if you keep pushing.

Let nature run it's course. In the end, there will always be parts that are out of your control no matter how much you think you know.

Do not attach yourself to one thing & make it your whole point of existence. You were given a wonderful opportunity to experience life with its variety. So don't let yourselves die here.

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................. Sorry for the rant TT. I had to get this out of my chest.

In regards to Jungkook's future or information about "Mrs. Jeon", I'll answer/ start posting about it only when the relationship has been confirmed to clean up the mess people might write TT. I'll address those things you might've heard on YouTube as well. I have a lot of things I want to share, but it's best to wait it out.

Thank you for reading!

@northopalshore

@northopalshore mc persona chart 2024.

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qsycomplainsalot · 2 months ago

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I think one of the reasons the whole "it's not accurate but it will get people interested into the actual thing" never works is because if you take away accuracy you're often replacing it with tropes and common falsehoods. BattleField1 was just another shooter, only with every possible WW1 machine guns standing for AR clones.

And if you take away the accuracy, the bits that make WW1 media actually true to WW1, well there's nothing interesting or out of the ordinary about this game, and therefore there's no reason for the players to check out accurate WW1 media.

Like it's already an argument making up for a complete lack of focus in media design, but now I think I understand WHY it never seems to work.

Series that manage to do that are already extremely close to being historically accurate, like Rome, which is a textbook example on how to make good historical fiction. And that's because the fictional elements are insert pov characters giving personal and character-driven justifications to historical events otherwise unfolding ROUGHLY the way they did. You're not gonna get anyone interested if you take away how weird Roman society was back then, because that would feed into the pre existing misconception of a white Christian marble Rome that everyone think they know existed when Caesar took power.

#rambling #rant #history

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allthecanadianpolitics · 1 year ago

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Although many Canadians act as though the pandemic has ended, the airborne virus that causes COVID-19 continues to evolve at an amazing pace with devastating consequences for both individuals and the public at large.

The pandemic may no longer be a major conflagration but it still kills about 140 Canadians a week while morphing into a steady viral blaze sustained by dirty air, waning immunity and overt political indifference.

What was once a giant wave of acute illness has become a series of often unpredictable wavelets driven by ever-changing variants that can cause chronic illness. Long COVID, a disabling health event that can affect multiple organs and destabilize the immune system, now affects millions and continues to claim new victims.

A 2023 Danish study recently confirmed that about 50 per cent of those diagnosed with long COVID fail to improve 18 months after infection regardless of the variant.

Long COVID has taken a huge toll among health-care workers. Anywhere from six to 10 per cent of Quebec’s health-care workforce, for example, has been derailed by long COVID.

Seventy-one per cent of health-care workers impaired by long COVID reported that their state of health now interferes with their ability to function. Another 16 per cent said that they are often unable to work. Multiply this data across the country and then ask: How sustainable is this trend?

#submission #cdnpoli #canada #canadian politics #canadian news #canadian

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laviaceae · 3 months ago

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your art has spiked my interest haha what’s tower of hanoi and how/where do i play it?

OKAY.

TOWER OF HANOI IS THE BEST GAME YOU ABSOLUTELY, 110% GUARANTEE NO REFUNDS, HAVE NEVER HEARD OF.

LET ME EXPLAIN.

(also known as: i win at all times ever and im glad my tawahano propaganda pays off, HAH!)

----------

Have you ever heard of... END ROLL? Walking On A Star Unknown? Farethere City? These are all relatively niche RPGMaker 2000 games made by a Japanese game creator known as Segawa (せがわ), with END ROLL being the most popular among Western Fans (you might see the main character, Russell, in some fanart with OMORI or Yume Nikki characters for example)!

In fact, for followers of mine who are In Stars and Time fans, END ROLL was credited as one of the inspirations for that game!

TOWER of HANOI is another game made by Segawa, one released in November of 2020, and one of the final games they've made in RPG2K (so they've got an absolute mastery of the engine).

I'll be in part directing this post towards ISAT fans since that makes up the majority of my followerbase on Tumblr, so there may be ISAT spoilers (including Two Hats/Act 6 Secret spoilers) up ahead! There will also be mild TOWER of HANOI spoilers required to explain the game's premise. Proceed at your own risk.

Section One: So, what is TOWER of HANOI all about?

TOWER of HANOI is a narrative-driven RPG with multiple endings (2 'true endings', 3 'bad endings') set in a futuristic, post-post-World-War-Five society. The game mostly takes place within the TOWER, a hyper-realistic virtual reality simulation currently undergoing playtests that was built to be able to rehabilitate HANOI (androids that look and sound and feel emotions like humans do) who have dangerous levels of mental instability.

The stability of a HANOI is measured through their Stress Level, a numerical representation of that HANOI's mental state. HANOI are generally considered by society to be more of technology or property than people (like your computer or your phone would be), and as such have no rights and are often mistreated by humans. More than 50% of HANOI hate their human employers.

In order to combat the dangerous upward trend of HANOI Stress Levels (caused by their mistreatment), the TOWER was created. In it, HANOI are expected to fight and defeat virtual enemies that approximate humans in order to destress through violence. Upon a successful completion, HANOI are to be returned to their human employers.

Because the TOWER is currently undergoing testing, groups of HANOI are accompanied through the TOWER by a human "Inspector" who is expected to report any bugs or issues they encounter during their playtest.

You play as one of those human Inspectors; Inspector No.102, Coral Brown.

(this is my art! you may have seen him in my ISAT au as taking the place of Siffrin).

He's 33 years old, kind, calm, and soft as a marshmallow. He's also a human being who believes in the rights and wellbeing of HANOI, and sympathises with their suffering. As a child, he was raised by a HANOI instead of his parents, which may have contributed to his feelings towards them.

Over the course of the game and as you progress through the TOWER you'll get to meet and intimately know the ten HANOI under Coral's care with Fire Emblem-esque Support events depending on how many times you bring each of them to battle. These can be between Coral and the HANOI, or the HANOI between eachother. (There are more than 100 of these such events to collect in total!)

TOWER of HANOI's characters are both charming and tragic. They each have incredibly well-realised personalities, backstories, and relationships both with the Inspector taking care of them and eachother. It's easy to imagine day-to-day interactions in Headquarters (your hub area) between them all.

You have Adams, a HANOI built for missionary work and who's Stress Level is the lowest out of all ten (and actually below the 'dangerous' stress threshold)! He's silly and mischevious and adores spicy food. Despite this, he's here at the TOWER because he doesn't believe in God, despite that being an important part of his 'role' in the world. When did he stop believing in God, and why? What is his relationship with the people at the Church that took care of him?

Or Mira, a Childcare HANOI that reminds Coral of the HANOI that looked after him as a child. She loves children, but has to constantly grapple with the fact that she can't have any and that any children she takes care of will eventually, inevitably leave her. How will she and Coral resolve the fact that they both remind eachother of someone they knew in the past? How will she interact with the other HANOI?

There's also Nanashi, a cheaply-made HANOI for miscellaneous chores who's trust and care for humanity has been completely shattered due to his ties with the mafia. He wasn't even important enough to be given a name until Coral gives him one upon their first meeting in the TOWER. He hates humans, hates Coral, and refuses to trust him, instead convincing himself that Coral is merely faking his kindness to get him to let his guard down just to use him like all humans he's ever known have done. Will Coral eventually be given Nanashi's trust? What will he do once he leaves the TOWER, and has to be sent back to the mafia where he came from?

Finally there's Kimon Noroi, a HANOI who resembles a child that fulfils a very special purpose. Noroi is what's known as a Yorimashi (憑坐), and uses her body to allow spirits to occupy it and commune with the living. She's seen how terrible humans can be because of the spirits she's seen and can come across as a bit standoffish (though she's really just as much of a menace as Adams is), and definitely, definitely, definitely doesn't miss the Priest at the shrine she lived in before coming to the TOWER at all! How will she interact with Adams, both having people they miss back at home? How will she interact with Mira, who's like a mother figure to her in this place?

As you progress, you can find the answers to all of these questions, as well as the identities of the six other HANOI I've not even mentioned here- all as well-written and interesting as these four.

However, the HANOI aren't the only faction in the game to worry about.

The very NPCs and enemies you'll be fighting along the way are coming to life, gaining sentience, and realising they want something more in their existence than eternally repeating dialogue chains and fetch quests and death in battle.

The head of this 'rebellion' of 0s and 1s, a computer virus named Shunya, acts as the main antagonist for the majority of the game, but even she isn't... 'evil'. She has her own found family, a group of bugged enemies she's befriended along her journey, all of whom want her to realise her dream of "melting" down the TOWER and returning all of the 0s and 1s inside to their base state of not thinking, not feeling, and not being in eternal pain.

Should you fight these people, if their emotions really are real, and defeat them without caring about their plight? Is it right to, to disregard the thoughts and feelings of 0s and 1s for the sake of the wellbeing of the HANOI Coral's grown so attached to? Should you follow the 'role' you've been given, or disregard it and create your own?

TOWER of HANOI excellently tackles the dichotomy of themes between 'roles' in societies and the 'dreams' people have, and nowhere is this more apparent than Coral Brown himself. Throughout the game, there will be multiple events and opportunities in order to control Coral's own Stress Level, and how he feels towards both the side of HANOI and the side of 0s and 1s he's stuck between. Lower his stress and he'll side with the HANOI and enjoy his job, and at higher stresses he'll begin to hate it, being unable to eat or sleep as he starts feeling awful for the 0s and 1s he spends his time killing in the TOWER....

These branch into the two main 'True Routes' of the game, depending on your Stress Level... but I shall leave the specific nature of those to discover in your own playthroughs. :)

If you've enjoyed ISAT, there's a good chance you'll enjoy TOWER of HANOI. Not only is one of the creator's previous games an inspiration for ISAT, they share a lot of similarities in their characters. Coral and Siffrin are very similar as protagonists, and as for others...

(Loop artwork credit to Insertdisc5 from In Stars and Time)

I could write a whole essay on how these two are so painfully similar and would kill eachother on sight. Maybe I will one day. Who knows. Me when I have a guide character lacking half of a face that has Fucking Issues TM stemming from intense jealousy and shares some visual similarity with our main character. Just look at them. This is the sole reason for the twohats warning. Just look at them.

Section Two: Wow, that's so cool and awesome Mx Lav! How do I play TOWER of HANOI?

You can check out the official website here, and the official downloads page here! I'd recommend following the instructions on this website to get the game working faster (because RPG2K is a pain in the ass on modern systems).

...

...Oh? It's all in Japanese? ...Well-

Section Three: --WAIT WHY IS IT ALL IN JAPANESE??

Yes, that's TOWER of HANOI's One (Big) Thing. The one thing you have to look past in order to actually play the game; it's all in Japanese, and an English translation will never be made (unless Segawa-san lifts the translation ban).

However, you don't actually need to know Japanese to play the game. I sure don't! And all of the other English-speaking fans I know that have played this game don't either.

There are three main ways to accomplish this, but I'll only discuss two here:

Sugoi Translator or similar translators. Sugoi Translator (or Sugoi Toolkit) is a machine translation tool that automatically grabs and translates the text in game you're looking at. The translations themselves make a good amount of sense, too! It's a little difficult to set up, but once you've calibrated it once you never have to worry about it again. This is definitely easiest if you want to read all of the dialogue in the game, including flavourtext (as yes, all 10 HANOI and Coral have unique flavourtext for every item in the game...), but is only available for free on the 15th and 16th each month and is otherwise only available to download on the creator's Patreon.

Google Lens. The easier, plug-and-translate method of the two. Simply download the Google Lens app and point it at the text on the screen, it'll read and translate it for you. The translations here are a little goofier (and sometimes, depending on your phone camera quality or lighting conditions, can be difficult for the app to pick up), but it's easy to complete a playthrough with just this tool alone.

If you can't get past this game's One Big Thing, I get it. It's a hard game to sell to people precisely for this reason. I'm at least glad you've read this far down into the post to get to this point and have showed interest in the game. And now you now about a game you didn't before, and you also have an itty bitty bit of context for all the non-ISAT stuff I post here. But this game has had me in a chokehold for the past two years and I promise that, if you can get through it, it's extremely worth it.

If you have the time and you're willing to try, please do! I love this game with all my heart and it's such a shame that most Western fans will never have easy access to it. I shill this game with all my heart, for realsies.

Section Four: Trigger/Content Warnings

If you've played a Segawa game before, you knew this section was coming. Segawa-san's games often tackle heavy or dark themes, and TOWER of HANOI isn't an exception. I'll add a list of content warnings here just so you aren't surprised by anything.

Suicide, both on and off screen

Self-harm, on-screen through dialogue

Themes of terminal illness, on screen

Hospitals (on screen, a majority of one of the game's dungeons takes place in one)

Death (on-screen)

Abuse (off-screen, but portrayed through dialogue)

Child harm/death (mentioned)

Kidnapping/Child kidnapping (mentioned)

Horror elements (no chase sequences, one jumpscare through an optional and hard-to-find sidequest)

Sexual Assault/Abuse (Not on-screen but talked about extensively, can avoided if you avoid Melitica/Merrytika's dialogue)

Mishandling of discussions surrounding gender identity (this character's identity is shown generally throughout the game to be a positive/supported thing, but some dialogue and design choices are quite ignorant/transphobic- though not maliciously. This can be avoided if you avoid Kathy/Cameron's dialogue)

There is also a substantial amount of screenshake employed near the end of the game. This list is from memory and limited from the amount of dialogue I've personally seen/translated, so it's probably not fully comprehensive. But it is thorough.

Section Five: Conclusion

oof... You've made it to the end! This took me the better part of a day to write, and I'm glad I finally got to advertise my favourite game on main. I hope... any of this makes sense, and that you enjoy! Even if you decide TOWER of HANOI isn't right for you, you at least know a little more about something you didn't before. Thank you so much for getting to the end, and I wish you the best!

#towerofhanoi #segawa #タワハノ #towerofhanoirpg #im not going to tag isat because it doesnt feel right to put a promo for another game in the tags #so im just hoping that this reaches its proper audience :')#feel free to ask any questions about tawahano though! i'd be happy to answer #seriously #very happy #okay i disappear back to the trenches #more isat art coming soon dw :)

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