#Event-Driven Examples

[technicalfika]

Event-Driven Design Demystified: Concepts and Examples

🚀 Discover how this cutting-edge architecture transforms software systems with real-world examples. From e-commerce efficiency to smart home automation, learn how to create responsive and scalable applications #EventDrivenDesign #SoftwareArchitecture

In the world of software architecture, event-driven design has emerged as a powerful paradigm that allows systems to react and respond to events in a flexible and efficient manner. Whether you’re building applications, microservices, or even IoT devices, understanding event-driven design can lead to more scalable, responsive, and adaptable systems. In this article, we’ll delve into the core…

[blank-grace]

"people are so stupid for thinking that was helena in the final episode when britt lower literally confirmed it was helly r" okay but what the actress says in an interview is separate from the viewing experience in the show. if people are reacting to what they saw in the show itself and their reaction is that they find the character's choice to be confusing or disappointing or out of character, and they theorize that something we saw to be a possibility earlier in the season might have happened again, that doesn't exactly make them stupid. if the writing of the show doesn't make it clear enough what's going on, then perhaps the show bears responsibility for some of the ambiguity. or perhaps some of the ambiguity is (gasp) intentional? people are so MEAN about television omfg

[lazaruspiss]

obvi this doesnt apply to everyone but im noticing that for some the appeal of WFA is legitimately "it's a batman comic that is the opposite of batman comics". i guess i get it but shouldnt there be a line there? like. i dont wanna be gatekeep-y but if your favorite batman comic is your favorite bc it has nothing in common with the rest of batman then maybe you're less a batman fan and more just a fan of that one series. It feels weird that theres no real differentiation there.

[soft-serve-soymilk]

Inigo loves Archie so much it kills him inside :’)

[obsessivevoidkitten]

(Just a random idea that popped into my head. Has noncon, gn reader, a/b/o)

1000 years in the future. Humans have developed secondary sexes alpha, beta, and omega.

The Olympics still exist for betas but are not as popular. Instead they are outshined by a new event for alphas divided into mated alpha and unmated alpha categories.

Unmated alphas tend to be the fiercest competitors, but only when there is an omega to impress and win over.

And thus, in every unmated category event, a rebellious unclaimed omega who doesn't believe in the social hierarchy is put in their place. They are used as the ultimate prize in every competition and bred on the spot as an example to all omegas that they belonged on an alpha's knot.

Once an athlete has optained an omega they can still continue their career in the mated alpha events.

Unfortunately for you, you were caught trying to hide your omega nature and refused to submit to finding a mate. Then you were involved in a high speed chase. Omegas weren't even supposed to know how to drive. It was very televised.

So of course you were put up as the prize for the strongest alphas to fight over. Wrestling. You were kept on the sidelines of the wrestling tournament, your heat was induced, and your pheromones left to waft into the ring.

A huge alpha named Jace was the winner. Drenched in sweat and driven damn near feral by your scent he wasted no time at all in ripping your clothes off and shoving his cock in you, biting up your neck and soaking you in his musk as he did so.

[imastoryteller]

How to Craft a Compelling Morally Grey Character: A Step-by-Step Guide

Step 1: Define the Character’s Core Traits

Identify Strengths and Virtues: List positive traits that make the character likable or admirable. These could include bravery, intelligence, loyalty, or compassion.

Identify Flaws and Vices: List negative traits that add complexity and realism. These could include arrogance, selfishness, impatience, or a propensity for violence.

Step 2: Establish Motivations and Backstory

Create a Detailed Backstory: Develop a background that explains why the character has their particular mix of virtues and flaws. Consider their upbringing, significant life events, and personal experiences.

Determine Core Motivations: Identify what drives the character. Is it revenge, love, ambition, survival, or something else? Motivations should be realistic and relatable.

Step 3: Develop Moral Ambiguity

Set Up Moral Dilemmas: Place your character in situations where they must make difficult choices with no clear right or wrong answer. These dilemmas should challenge their morals and reveal their complexity.

Showcase Contradictions: Allow the character to make decisions that might seem contradictory. For example, they might commit a crime to protect someone they love, revealing both a moral and an immoral side.

Step 4: Create Dynamic Relationships

Construct Meaningful Relationships: Develop relationships with other characters that highlight different aspects of your morally grey character. These relationships can help explore their multifaceted personality.

Use Relationships to Drive Conflict: Relationships can be a source of moral conflict and development. Conflicts with friends, family, or rivals can push your character to reveal their grey areas.

Step 5: Show Consequences and Growth

Illustrate the Impact of Actions: Show the real-world consequences of the character’s morally ambiguous decisions. This adds realism and stakes to the story.

Allow for Character Growth: Let your character evolve. They might become more virtuous or more corrupt over time. This evolution keeps the character dynamic and interesting.

Step 6: Balance Sympathetic and Unsympathetic Traits

Make Them Relatable: Ensure the character has traits or experiences that the audience can relate to or sympathize with, even if they do questionable things.

Maintain Complexity: Avoid making the character too sympathetic or too unsympathetic. The balance between good and bad traits should make the audience feel conflicted about the character.

Step 7: Use Subtlety and Nuance

Avoid Clear Labels: Do not overtly label the character as good or evil. Allow their actions and motivations to speak for themselves.

Employ Subtlety: Use nuanced behavior and dialogue to reveal the character’s moral complexity. Avoid heavy-handed exposition.

Step 8: Test and Refine

Seek Feedback: Share your character with others and seek feedback on their complexity and believability. Adjust based on constructive criticism.

Refine Motivations and Actions: Continuously refine the character’s motivations and actions to ensure they remain compelling and consistent throughout the story.

Example: Crafting a Morally Grey Character

Core Traits:

Strengths: Intelligent, determined, loyal.

Flaws: Arrogant, manipulative, vengeful.

Backstory:

Grew up in a tough neighborhood, witnessing crime and corruption.

Lost a loved one to a gang, fueling a desire for revenge.

Motivations:

Driven by a need to protect their remaining family and seek revenge.

Moral Dilemmas:

Joins a criminal organization to infiltrate it and bring it down from within.

Struggles with the ethical implications of committing crimes for a greater good.

Relationships:

Has a strained relationship with a sibling who disapproves of their methods.

Forms a complicated friendship with a morally upright police officer.

Consequences and Growth:

Faces the legal and emotional consequences of their actions.

Gradually questions their own morality and seeks redemption.

Balance:

Helps the community but uses unethical means.

Shows moments of kindness and ruthlessness.

Subtlety:

Reveals their inner conflict through small actions and dialogue.

Avoids overt explanations of their morality, letting the audience interpret.

By following these steps, you can create a compelling morally grey character that adds depth and intrigue to your story.

---

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[reasonsforhope]

"In 2024, the United Nations recognized seven landmark projects worldwide as outstanding examples of success under its ongoing Decade on Ecosystem Restoration (2021-2030).

One of them was Acción Andina (Andean Action), an initiative that has launched 25 restoration and conservation projects focused on the high-altitude Polylepis forests of Peru, Chile, Bolivia, Argentina, Ecuador and Colombia.

More than 25,000 people from 200 communities have restored nearly 5,000 hectares (12,400 acres) of these forest and protected more than 11,250 hectares (27,800 acres) of existing woodland.

The initiative next aims to expand into Colombia and Venezuela.

...Co-founded by the nonprofit organizations Global Forest Generation and Andean Ecosystems Association (ECOAN), Acción Andina aims to protect and restore high-altitude Andean forests in Peru, Bolivia, Chile, Argentina and Ecuador, ensuring the preservation of vital water resources for millions of people across the region.

In fact, last February, Acción Andina was recognized by the United Nations as one of seven flagship initiatives for global restoration. The U.N. has declared 2021-2030 as its Decade on Ecosystem Restoration, emphasizing not only the urgent need to conserve remaining natural areas, but to restore what has already been lost...

“We witnessed immense suffering and hardship in the local and Indigenous communities of the Andes,” Aucca recalls. “So, my friends Gregorio Ferro, Efraín Samochuallpa, Willy Palomino and I decided that if we were going to enter the world of conservation, we had to do something for these communities. That’s how ECOAN was born. What sets us apart from other organizations is that we implement conservation initiatives in direct coordination with local actors — ensuring that our work benefits the communities themselves.”

Among friends and colleagues, Constantino Aucca is known simply as “Tino.” He says 2014 was a turning point for ECOAN, driven by his frustration with the empty rhetoric and lack of action on environmental issues at the U.N.’s series of annual climate summits, or conference of the parties (COPs).

“As a group, we decided to send a message to the world that action is possible,” he says. “In a single day, we planted more than 57,000 [queuña] trees high in Huilloc [in Cusco, Peru]. We called the event Queuña Raymi, or the Festival of the Queuñas.”

From that year on, Queuña Raymi gained traction across the Peruvian Andes, and Aucca never stopped dreaming of expanding the initiative to other Andean countries. “Queuñas grow from Venezuela to Patagonia,” he points out. In 2018, with the support of new international partners, that dream became a reality, giving rise to Acción Andina.

“In 2018 I was deeply interested in facilitating investments in forestry initiatives,” says Florent Kaiser, CEO of the NGO Global Forest Generation. “That’s when I was contacted by Constantino, and he told me about his project. He told me that to truly understand it, I needed to go to Cusco. That day changed my life. He invited me to the Queuña Raymi where, in a single day, nearly 1,000 of us planted almost 100,000 trees.

“I had never seen anything so powerful,” Kaiser adds.

Global Forest Generation was founded alongside Acción Andina with the goal of serving as a strategic ally: amplifying global communication efforts, influencing policymakers, and tackling challenges that often hinder local NGOs.

This partnership between ECOAN and Global Forest Generation has allowed Acción Andina to expand beyond Peru, bringing Aucca’s vision to life across five South American countries. Today, it stands as a U.N.-recognized success story in ecosystem restoration.

“It takes a single chainsaw to cut down a forest, but it takes a community to restore and sustain it,” UNEP’s Andersen said when announcing Acción Andina as one of the U.N.’s seven Flagship Initiatives for Global Restoration. “By bringing people together, and using both Indigenous values and scientific methods, Acción Andina is helping to revive natural water sources, create jobs and support communities to grow even stronger.”

Since 2018, Acción Andina has launched 25 projects, engaging at least 40,000 people in the restoration of nearly 5,000 hectares (12,400 acres) of Andean forests and the protection of more than 11,250 hectares (27,800 acres) of existing woodland. More than 200 local communities have benefited from expanded economic opportunities through reforestation and conservation efforts. These include the development of community microenterprises, such as tree nurseries dedicated to cultivating queuñas, as well as improved access to health care services, water collection systems, cleaner-burning clay stoves, and solar panels."

-via Mongabay News, February 14, 2025

[literaryvein-reblogs]

Writing Tips: An Unforgettable Villain

A villain is the antagonist of your story whose motivations and actions oppose the protagonist and drive the plot of your story.

A villain is the opposite of a hero. In contrast to the hero, a villain is usually compelled by a desire to commit acts of cruelty and immorality.

Bestselling author Dan Brown advocates for writing your villain first—even before your hero—because it is the villain who will make the hero heroic.

Tips for Writing a Great Villain in Your Novel

Choose a real-life model. Find a real person to model your villain after. It could be someone you know, a person from history, or a famous serial killer. Try writing a brief character sketch in which you list their positive and negative attributes, their physical appearance, and their state of mind. Once you’ve done some brainstorming, be sure to differentiate your fictional character from your real-life model (you don’t want to get sued!). You can do this by changing identifiable elements like name, age, and specific actions or events.

Put yourself in their shoes. When it’s time for your villain to act, put yourself in their place. Think about challenges or hardships that might tempt people to act out or behave badly. How do you react to bad things? Tap into those emotions and try to apply them to your villain.

Consider their motivation. Just like with your main character, determining your antagonist’s motivation can help you unlock other aspects of their character, such as their goals and their personality.

Introduce a villain with a bang. A strong introduction to your villain sends your reader a clear message that this character is malicious. In Charles Dickens’ David Copperfield features an unforgettable introduction to antagonist Uriah Heep, whose seeming politeness is overshadowed by a face so shocking and ugly that it is described as “cadaverous.” His introduction immediately establishes the character as a villain.

Characteristics of a Good Villain

Every great hero needs a great villain. Villains are the antagonistic force of your story that challenges your hero and drives the action. Most great villains share a common set of characteristics.

Strong connection to the hero. The best villains are inextricably connected to the hero, and aid in the hero’s character development through their inherent opposition to them.

Clear morality. Every villain needs to have his own morality. If a villain spends part your story killing people, you need to give him or her believable reasons for doing so. Make the reader understand exactly what desperation or belief has driven him to it. For instance, in Ray Bradbury’s dystopian novel Fahrenheit 451, primary antagonist Captain Beatty’s mission is to find and destroy books because he believes that books cause people to reject the stability and tranquility of a life of conformity. He has a strong moral point of view, and the reader believes that he believes he is doing the right thing by trying to burn books. After all, every villain believes they are the hero of their own story.

A worthy opponent. A great villain should be a strong and worthy adversary to your hero. They shouldn’t be weak and easily beaten, nor should they be so powerful that they can only be defeated by random chance. In Sherlock Holmes, his arch-nemesis Moriarty is a criminal mastermind who is every bit as smart as Sherlock. Having a villain who is in many ways equal in skill and intelligence to your hero will raise the stakes of their encounters, as it creates a credible threat that your hero might be bested.

Compelling backstory. Any good villain should have an interesting and credible backstory. In addition to creating a deep and more three-dimensional villain, a memorable backstory allows ourselves to identify and even sympathize with the villain. For example, the Gollum character in The Lord of The Rings trilogy used to be a normal hobbit until he was corrupted by the power of the One Ring. In addition to deepening the character by showing us the full breadth of his journey from virtuousness to wickedness, Gollum’s backstory forces us to consider how we are sometimes tempted by bad or unethical forces in our own lives.

Villains should be fun. Let’s face it: evil villains are fun. In Thomas Harris’ Silence of the Lambs, readers hold their breath whenever Hannibal Lecter appears on the page. Whether it’s their black-hearted sense of humor or their odious worldview, our favorite villains possess qualities that we love to hate.

Source ⚜ More: References ⚜ Writing Resources PDFs ⚜ Villains

[thejakeformerlyknownasprince]

Writing advice #?: When it comes to characterization, obligation > love.

What I mean by this: love is basically universal. It offers little variability. Almost everyone has a friend, sibling, etc for whom they'd do anything. Allegedly even Hitler loved his apocryphal dog, John Wilkes Booth was a good brother, yadda yadda so forth.

So if you want to have a story that makes us like your character Liv, and establishes interesting tension that will draw out who Liv is as a person... don't write about her rescuing her beloved mother. Write about what happens when someone she dislikes is in danger.

Two great examples I've read recently:

In The Drift by C.J. Tudor, Meg is trapped in a broken-down cable car with five other people and no way to call for help. She risks her life, performing a heroic physical feat that causes herself serious injury - to save a woman who accused her of murder, suggested leaving her to die, and generally treated her like dirt all week. Meg is heroic as hell.

In Dungeon Crawler Carl, the eponymous Carl ends up in the adventure because he ran outside in boxers in -10°F weather to save his ex-girlfriend's obnoxious, misanthropic cat. Carl might be a shlub, but he's a rock solid dude.

I could go on - would Shiloh saving Jeb be nearly as powerful if Jeb wasn't such an asshole? - but the point remains. Meg sacrificing so much to save her partner would be just what's expected. Carl rescuing a cat he chose to adopt is a non-event. Obligation is where the rubber hits the road. Where the ordinary people get sorted from the awesome ones. Where the character-defining moments occur. Over 99.9% of humans ever researched would sacrifice a stranger to save a loved one; a rare form of brain damage that causes people to value strangers and family the same is considered extremely aberrant.

I mention all of this because fan fiction is chock full of examples of characters dying (or killing, or walking through fire, or...) to save their best friends and their sisters and their fiancés. And if you want to write a story about Dean Winchester killing orphans or going to hell or destroying his car to save Sam Winchester, awesome. But there's not a ton of room for characterization in there.

If you want us to learn something about who this person Liv really is, show her forced to choose between rescuing a dog who just bit her and making it to a job interview on time. Let her see her loud neighbor with the bass-boosted music about to get a ticket for an expired meter. Give her a choice between saving 10 strangers or saving her wife. Have her walk by her sexist coworker and realize the guy is quietly sobbing. Literally anything she does next will be interesting, and say a lot about her as a person. If she's just choosing between her wife's life and her own, or her wife's life and the sexist coworker, then the scene might be poignant or sad - but it won't be surprising or tense or revelatory about Liv as a person. The big moments of heroism aren't driven by love, but by obligation.

[prettycottonmouthlamia]

Before I end up making that post I want to talk about briefly with the release of IS5 again, the concept of each IS havin a fundamental theme of unreality to them. I really like this, because it feels like in a pretty unsubtle way a solid way to ground the structure of a roguelike setting into what is normally a pretty grounded storyline.

IS1, Ceobe's Fungimist (please Hypergryph let it return), is a hallucination caused be Ceobe eating weird forest mushrooms. Nothing that happens in IS1 is real, explicitly. However, IS1 is fundamentally drawing from something, and in Ceobe's case, it seems to be drawing from her memories of traveling abroad Terra looking for the origins of her axe (and food, of course). What are things Ceobe's remembers happening to her, what are hallucinations filing in the gaps, and what are Ceobe catching glimpses of fundamental truths of the world (the Black Procession and the Feranmut skeleton that is Maybe? Lifebone for instance) is left extremely vague. Characters such as the Frozen Monstrosity do seem to genuinely exist, but there was no Frozen Monstrosity in Lungmen. Was Ceobe using something she herself experienced in place of Frostnova, or is Ceobe hallucinating the entire thing regardless? Who knows. Ceobe probably doesn't have the answers for you.

IS2 has explicit themes of madness and deception, and although I do not find him a particularly compelling character or plot device, a playwright who can literally warp reality with his plays. Much of the stage design recycles echoes the stage design from IS1, almost as if the Troupe is welcoming you, the player, onto their stage. You aren't here to discern the truth behind the Troupe, you're here to save one man, and while you are able to peel back the curtains somewhat, you never really do learn what the Troupe is. There are puppets who come to life and whose music damages your souls, there are actors driven so fully into their roles that they end up traveling to Sami to carry out their destined end, there's a Troupe Leader whose defining imagery is puppets and strings, and yet, you're no closer to finding out how this all happened than you are trying to explain why the Knights' Duel node exists.

IS3 asks the question "What if time is like evolution?" and presents its unreality in the form of a sprawling, massive bundle of alternative timelines to your own. It feels almost impossible to line up most of the events and memory mappings and endings on top of each other, and even the endings seemingly branch off into several versions of themselves. While, for example, the Irene encounter maps onto her own memory mapping story, we never see the timeline involving Lumen's memory mapping in the game at all. There is no Seaborn version of Gladiia in-game for you to fight. This is made seemingly all the more uncanny by the fact that there is actually a canon timeline going on, and the implication through the Bosky event that you are only seeing these alternative timelines because curiosity got the better of you. You came into contact with technology alien and yet familiar, and as a result, your good little timeline where you just save a girl who tries to commit identity death turns into you having to watch from the third person a version of the world where you and Mizuki are potentially the only intelligent life left on Terra for all eternity.

(No seriously, this ending is fucked up, what the fuck.)

IS4, on the other hand, gives us a reality that is unraveling, so fragile and malleable that you can cause things to manifest out of sheer force of will, something there are explicit warnings about not doing. It's a land where the living become the shambling, almost mechanical dead, and the mechanical being living creatures. It's a world where the abyss looks back at you, and finds you to be worth destroying. Gravity isn't right, time isn't right, language isn't right, snow falls black and the dead rise once again to beckon you home. There's nightmares in the shadows, and they're eating away at everything.

Sorry shit I got dark there. IS5 is Nymph's happy little storytime where she explores future and alternative versions of Kazdel through the imagination of her and her compatriots. What if Theresis and Theresa worked together and Nasti completed her designs (and maybe committed a genocide????) and Kazdel was a flying utopia city? What if the Teekaz all walked in a different direction and became the Sankta, or all became the Anasa? You know, sometimes you lose your sense of reality and become dependent on the visions you see from the Revenants, sometimes you need a little bunny to pull you out, and sometimes those Revenants might have actually caused a new reality to exist but haha, don't worry about that.

What if, hahaha, just saying what if, there was a version of Amiya in a world where the Sarkaz barely exist, where she was given the crown by a dying Theresa with no guidance on how to use it ethically? Haha I mean, what if Kal'tsit wasn't around? What if, just theoretically, there was a version of Amiya for whom the most formative person in her life was the decaying mind of a man stuck as an AI program who kept his people alive for 10,000 years? What if, hehehehe you know, what if, there were special endings you got for each of the stories you told where you went onto fight her, showing up closing up those stories, those worlds, to eternally protect them until she can find the answer to all troubles? What if the Sarkaz prophecy from Chapter 7 kept coming up, over and over again, the prophecy of an Amiya who would melt millions of lives into memories over and over again? What if this was an Amiya so immediately dangerous that the Sankta version of Buldrokkas'tee doesn't hesitate in trying to kill her?

I mean that would be a really scary story if it was true. Really it's Nymph's special storytime with the revenants. Don't worry about it.

Anyways I love pretty much each of these takes (IS2 is definitely the weakest though) and it shows a lot of thought from the storywriters about how they wanted to integrate a roguelike mode into their game.

[danyyytarggg]

HOTD is just a complete mess of a story with such abysmal writing that it’s actually mind-boggling to me that the writers really saw no issue with it.

there is no consistency or continuity to the show, and events seem to happen just to happen with no real impact on the story. examples: why did team green exist before viserys’ death if their motivation was going to be watered down to “viserys named aegon heir”? the show tried to beat in that alicent’s children were not safe under rhaenyra’s rule, further emphasized and solidified by aemond losing his eye; this was supposed to be the main motivation for putting aegon on the throne and the scenes on driftmark were perfect in showcasing the validity in alicent’s fears as well as solidifying alicent’s motivations for aegon. then, it’s all PROMPTLY forgotten in favor of a lame misunderstanding being the reason for aegon taking the throne. so really, what was the point in all that? another example, making aegon such a despicable person in season 1. really, what was the point in that if there was to be no continuity or impact or rhyme or reason for making aegon that way? none of it is ever mentioned again, none of his actions had any sort of impact, etc. no continuity or impact whatsoever, so what was the reason for having such triggering content in season 1? tasteless and disgusting. also, the deaths in this show serve NO impact and are forgotten from the minds of the characters so quickly: visenya, lucerys, jaehaerys, rhaenys, sunfyre (maybe?), the almost-death of aegon - there’s a lack of continuity in emotion and impact. the deaths happen, the characters react somewhat appropriately or not at all, and then they move on to the next episode and everything before is forgotten. ESPECIALLY emphasized by the fact that rhaenyra demanded a son for a son as if jaehaerys wasn’t dead for that exact reason. or helaena urging daemon on in his vision as if he’s NOT the man responsible? aemond caring for, at the very least, his mother and sister? gone. alicent caring for her children so much so that she tried to attack lucerys for aemond and stepped in front of a dragon for aegon? gone. aegon being forced on the throne when he never wanted it? gone and now is being given up by the woman who put him there. daemon being supportive of rhaenyra’s rule by the end of season 1? gone. there also seems to be no impact from the larys x alicent scene from season 1, so WHAT was the point of that?

the characters make absolutely no sense to me at this point. aemond, who cared for alicent and helaena, now cold, callous, power hungry, does not care for family. aemond cares more about his actions against lucerys than his actions against anyone in team green. alicent, who is driven by duty, honor, responsibility, religion and cares for her family, though has trouble showing it due to her trauma - sells out all her family members with the exception of helaena to rhaenyra? then asks rhaenyra to run away with her? huh? also, for the same reasons above, having alicent x criston cole makes no sense without showing us their progression. it just doesn’t make sense for alicent’s character to have a lover without showing us exactly how it all came to be instead of just showing us that it happened. and then for her to casually just bring it up to rhaenyra? alicent would NEVER. helaena attempting to help daemon despite the fact that he’s responsible for the murder of her son. even the sudden shift in helaena’s personality/character in the very last episode gave me whiplash and i’ve been wanting her to have a more substantial role in the plot. baela is continuously used as female reinforcement for everything rhaenyra says or does and as jace’s emotional support (that being said, i LOVE jacela, but baela’s character deserves more than just these two roles). rhaena is given like two or three talking scenes and then the rest is her just chasing after a dragon, leaving behind her younger siblings btw. which, i think having her character find strength and power without having a dragon would have done wonders but okay. aegon, i can’t even take seriously bc of his season 1 actions. same goes for larys. corlys forgetting that rhaena exists as an option for heir of driftmark, as if she isn’t the most deserving of that title.

EVERYTHING being boiled down to pro-rhaenyra. rhaenyra can never be in the wrong about anything. even jace’s very legitimate concerns, baela swooped in to convince him why he’s wrong in feeling the way that he does. rhaenyra imposes a blockade on king’s landing, a known fact, the people starve, she sends food - “rhaenyra remembers us even now!” daemon seeing a vision of rhaenyra on the throne, helaena urging daemon to do what’s right, alicent turning herself in to rhaenyra then asking rhaenyra to run away w her. one of her councilman voicing his concerns to daemon and whether rhaenyra is right for the throne because rhaenyra hasn’t done a single thing, does not attend council meetings, is not protecting her allies, refuses any sort of action at all - then demonizing said councilman even though his concerns are entirely founded. even making team green’s motivation for putting aegon on the throne being from a misunderstanding is inherently pro-rhaenyra. bc if their entire motivation is based on “viserys named aegon heir,” which we know is a misunderstanding, then OBJECTIVELY, team green is in the wrong. rather than going with the safety/protection motivation for team green, which wouldn’t have left them being so objectively in the wrong. and for all the love the show writers give to being pro-rhaenyra, they can’t even write rhaenyra well. she’s indecisive, takes no actions, just continuously begs off to go fight, doesn’t attend council meetings, cannot make a single plan on her own (all of her plans and wins have come from either mysaria or jace), is overall, not a strong or competent leader. after all this, they girlbossify her at the end when, after a whole season of doing basically nothing, she acquires three more dragons (which ALSO wasn’t an entirely smart move).

which can i also complain about the lack of strategy, diplomacy, and wits in the show? everything gets watered down to DRAGONS, which is also why rhaena’s arc is so disappointing imo.

additionally hate the lack of development and depth team black members get. it just all goes to rhaenyra and daemon (and SOMEWHAT jace), and that isn’t even done right. then you have team green who the writers TRY to give depth and development to but completely and utterly fail at creating anything truly meaningful.

lastly, i truly believe rhaenyra x alicent was a mistake, ONLY because the writers don’t know how to write it correctly. i really did enjoy the concept in season 1 until they made their relationship hijack the entire show. because of this, we didn’t get to see rhaenyra vs aegon at their full potential at ALL. it was replaced in favor for rhaenyra x alicent. i also believe this relationship is what screwed over the motivation of team green in the show because alicent needed a “just” reason to betray rhaenyra, therefore giving us the dumb misunderstanding trope. it also keeps either of the characters from diving into the potential their characters both have! it keeps them from engaging in war to its fullest extent! not to mention, having alicent throw away her entire family for rhaenyra is CRAZY. then to have her ask rhaenyra to run away with her? after everything? please. if they didn’t know how to write it in a well-written way, they shouldn’t have done rhaenyra x alicent at all bc i fully believe that it is a large reason as to why the show got so epically ruined with bad writing.

oh also, helaena and alys just spoiling major dance of the dragons plot points? i’m really not a fan of that, personally. and i really don’t know how the show is going to build off of this. it also takes away the impact that these scenes would have left on viewers if never spoiled onscreen.

oh last points promise - jaehaerys and jaehaera continuously NOT being called by their names and instead being called “the boy,” “the girl,” “the child,” angers me so much and is crazy minimization of their characters - probably to lessen the blow and impact of blood and cheese? and gwayne confronting criston cole about him sleeping with his sister, the dowager queen, in public, in front of everyone, with everyone watching? so poorly written and read like a badly written fanfiction on wattpad. the show writers forgetting that alicent x criston cole is very much not allowed in westeros and could get both in such crazy trouble by having that gwayne scene and alicent casually admitting to having a lover to rhaenyra is just bonkers.

[heli-writes]

A dragon's heart, part 12.

Pairing: Barbarian!Bakugou Katsuki x female!reader

Summary: The dragonblood tribe is known for being cruel, barbarian warriors that slaughter, loot and rape all places they pass through. They are feared among the villagers and even bigger cities. Having lost most of their women to a plague, they're trying to ensure their tribe's survival by kidnapping women from other places. However, they're not the only monsters in human form out there. When y/n experiences this first hand, she has no choice but to ask for help from no other but the barbarian leader Katsuki Bakugou himself.

Disclaimer: mentions of injuries, rape and abuse, mentions of breeding, marking, nsfw, smut, oral sex, fingering, vaginal sex

[Please don't read if you are sensible to or triggered by the topics mentioned above.]

Minors do not interact.

Note: Took a while to finish this. I found the last part especially hard to write so I put it off for weeks. But voilá, it's finally here!

Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8, Part 9, Part 10, Part 11, Part 12, Part 13

Series Masterlist

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Axiety. It's what curses Katsuki's veins right now. After he left his mother at the war tent, he went ahead and took a look at his injured men. Some of them might never mount a dragon again. That already made him restless. He feels like ever since he became chief, things have gone bad. They need a win soon. His men can't lose morale. It won't benefit the tribe and they'll also maybe get some bad ideas. His mother stepped down as a chief voluntarily, but Katsuki is sure that the rest of the tribe would have forced her if she didn't. It's easy to blame the leadership when things go wrong. Even if some things are out of the chief's control.

That's when y/n crosses his mind. He has forgotten about her ever since Kirishima walked into his tent. Maybe she can be his win, a way to boost morale among his men and a way to strengthen his position. If y/n was to carry a healthy, happy baby, Katsuki and her could lead an example for the rest of the tribe. To show them that there is a future. After today's events, he's sure that he's making the right decision taking y/n on as a mate. He fully trusts her to become a good partner, a good mother. He'll do everything in his might to ensure the tribe's and y/n's future. She won't ever have to go back to the men who hunted her like an animal.

His heart feels heavy and full when he makes his way back to his tent. He can't wait to pull y/n into his arms, to feel her soft warm frame pressed against him. It's what he needs right now. 

Surely, y/n must have returned by now. She was angry earlier but he hasn't experienced y/n to hold a grudge for too long. Also, it's gotten dark and cold. That must've driven her back home as well.

When he enters his tent, it lies in darkness and silence. He stares into the black of the tent, listening expectantly. Y/n's not here. His heart starts to pump harder, blood cursing faster through his veins than just a few minutes ago. He can hear an unsettling whooshing in his ears. 

Y/n's gone.

It takes a moment for the realization to sink in. Then, he turns around on his feet exiting his tent swiftly. In front of the entrance, he stops in his tracks. His first instinct is to find Kirishima. Get him to assemble a search party, get everybody moving to find her.

It's a bad idea. He and y/n have to lead as an example. How can he prove to his men that they can find a mate outside of the tribe that loves and accepts them if his own mate runs off in the middle of the night? No, the others can't find out. Especially his mother. He can already see the triumph in her eyes telling him 'I've told you so'. He must find her alone.

But where could she possibly have gone to? She doesn't know anybody or anything around here. A cold chill runs down his back. She wouldn't have tried to leave, would she? That would be incredibly stupid of her. She can't survive in these mountains. Especially not without appropriate gear. But that didn't stop her before. 

Katsuki thinks back to when y/n took off the day after getting injured by these men with bows and arrows. Back then, she also was stupid enough to think that she could wander off in the forest on her own. And now she was angry, furious even. With heavy emotions like that clouding her logical thinking, it wouldn't surprise Katsuki if she got the bright idea of running off. He can already picture her angry, pouting face in his mind. 

Shit. He needs to find her. 

First of all, Katsuki tries to search the settlement inconspicuously just to make sure he's not setting off a false alarm. He's glad that most of the tribe already settled into their tents for the night. While he wanders through the settlement, he's getting more anxious with each passing second. Scenarios of y/n getting torn apart by a pack of wolves, of y/n falling down a hillside and other deadly things fill his inner eye.

When he can't find her in the settlement, he decides he must scout out the area surrounding the tribe's village of tents. Considering she's on foot, she can't have made it very far. In this darkness, she must've laid to rest somewhere. Tonight's new moon, so it's especially dark tonight. Out there, you can't see your hand infront of your own eyes. She must wait to continue her journey by sunrise.

It's best to look for her on the back of his dragon, he decides. He can cover more ground and the Drami's improved eyesight and smell will help them to find y/n quickly. So, he sets way to the stables. He already knows Drami won't be too happy about him waking her up. He walks quickly through the gore to the dragon's den. The other dragons ignore him, some bow their heads in respect. There's even the small green one that hasn't been tamed yet. It scurries away at the sight of Katsuki.

Only his torch illuminates the den upon entering. The dragons inside seem to be asleep. „Drami!“, he calls out to his dragon almost softly. He doesn't want to evoke the great red's rage. „Drami!“, he calls out again, this time a bit louder. Then, the big red dragon moves. It stretches its long hind legs and raises its heavy head.

„We need to find y/n, c'me on!“, Katsuki tells the dragon.

The dragon snarls at him and huffs hot air into his face. Katsuki rolls his eyes.

„Yeah, I know it's late. That's why we need to find her quickly.“, he points out.

The dragon stares at him intently. Katsuki is not sure what she's trying to tell him. „What?“, he asks shrugging. The dragon shifts again, lifting its heavy wing up, revealing y/n. Katsuki's eyes almost bulge out of his head. What on earth is she doing here? Almost at the same time, relief floods his veins. She's safe. When Katsuki wants to rush to the woman's side, a claw-studded paw cuts in between him and y/n. 

Katsuki's head jolts up. „What?“, he asks the dragon again. Drami looks angry now. A deep rumble curses through the dragon's throat. It snaps at Katsuki leaving behind a loud cracking sound when its upper and lower teeth clash against each other. Katsuki jumps back just in time to not get crushed in between the dragon's large jaw.

„Hey!“, he barks at the dragon, „What the fuck are you doin'?“

The dragon rises to its full height filling out the den completely. Y/n slides off its tummy and awakes in a rough manner. Disorientedly she looks around. Meanwhile, the dragon shifts into an intimidating stance looking angrily at Katsuki.

„What are you angry about?“, Katsuki yells grasping y/n's attention.

The dragon curls its tail around y/n in a protective manner. Katsuki doesn't fail to catch onto that.

„Is this about y/n? Fuck, it's not my fault that dumbass ran away?“, he defends himself in front of his dragon. Y/n awkwardly watches the scene in front of her. Somehow, she feels content. Seems as if the dragon is about to put Katsuki into his place. Good.

The dragon snaps at him again and Katsuki quickly moves out of its way. „Don't fuck with me, Drami. It's not funny! I didn't do anything!“, he yells at the dragon.

Suddenly, another rumble goes through the red dragon's throat and then there's electricity in the air. Katsuki's eyes widen. She's not about to...? Not in here! The fire would burn all of them. He can see an orange colour light up in the dragon's throat. Shit!, he thinks. Instinctively, he jumps over the dragon's tail and covers y/n's body with his own.

As quickly as the electricity becomes palpable in the air, as quickly it fades again. Y/n peeks through Katsuki's arms and sees the dragon staring at them intensely. Katsuki shifts, facing the dragon again. He sighs in relief. He absolutely believes Drami would go through with such an action. If a dragon doesn't deem a human worthy of their trust anymore, they more often than not kill them.

„You crazy fuck,“, he tells the dragon standing up and shaking his head. In return, the dragon growls at him

„I get it ok, I haven't been a good mate. I let her slip away.“, he continues. The dragon continues to stare at him angrily.

Katsuki raises his arms in defeat, then drops them again. „What do you want me to say? I didn't keep an eye on her. She could've died, yes. But she was safe with you, wasn't she?“

A rustling sound goes through the red's throat. It moves its head closer to Katsuki and presses its nose against his chest. Katsuki stares back with the same intensity. Then he sighs in defeat.

„Thank you for taking care of her. I'll be better, I promise.“, he tells her and the dragon gives him one more intense stare before settling into a laying position again. The smaller red dragons, which fled the bigger one the moment they sensed its anger, return to its side again.

Y/n doesn't know what Katsuki tells the dragon but it's clear he almost shits his pants. She finds that rather satisfying. Even if the red dragon almost fried her in the process. Quickly, she scrambles onto her feet. She must've fallen asleep somewhen but she's wide awake now.

Katsuki turns to her taking a long look at her. There doesn't seem to be a scratch on her. His instinct tells him to walk up to her, shake her and yell at her for being stupid. He can't believe she ran off and walked straight into dragon territory. She can be lucky Drami protected her. If she was unlucky, one of the other dragons could've seen a convenient snack in her that walked straight into their mouth. Considering what happened earlier, that's probably a bad idea though. Y/n was already pissed and it's better to reconcile than to argue. Especially, since Katsuki decided to ignore his mother's disapprovement. 

Katsuki walks up to y/n and takes her hand. He puts it over his heart and presses it softly. „Don't you dare leave again.“, he tells her. Then, more softly, he adds: „I need you. I was worried.“

Y/n looks up at him. At first, her face looks clueless as it usually does when she doesn't understand him. Then, she harshly pulls her hand away. She's still angry at him. Don't you think a few soft words will make me forget what has happened today, she thinks. 

Without looking at him, she stomps past him exiting the den. Katsuki swirls around and immediately catches up to her. Outside the den, he gets a hold of her wrist and pulls a bit too harshly. Y/n is swirled around. She stops herself inches in front of his chest. Quickly, she brings an arm's length distance between them, as far as her arm allows her to. Katsuki keeps a tight grip on her wrist.

„Where the fuck do you think, you're doing?“, Katsuki growls at her. Y/n looks at him with fire in her eyes.

„Let go of me, asshole!“, she yells at him pulling at her wrist. She doesn't care how loud she is or if she wakes up one of the dragons. How dare he act like this? Maybe a few days prior she would've mistaken Katsuki's attitude for concern, but knowing what she knows now, she's sure it's possessiveness. She can't stand that. Considering what Nadia says, that's all that women are in this place. She refuses to become Katsuki's possession, to let him push her around like that. He either accepts her as an equal or he doesn't get to have her at all.

Stunned, Katsuki lets go of her hand. He already notices some dragons shift in the darkness. Y/n crosses her arms in front of her chest. She doesn't really know where she's going with this. She doesn't want to argue with Katsuki. So far, he has been good to her. Today's been not good, but at the end of the line, he didn't treat her badly. The ceremony this morning went badly but Katsuki didn't lash out his anger at her, only at his furniture. While she doesn't understand where exactly his anger comes from, she shares the sentiment. 

It's been frustrating. Clearly, it's been frustrating to both of them and that Katsuki doesn't seem to have much control over his anger is something y/n noticed before. And despite what Nadia said, he didn't put his hands on her. He even wanted to protect her from the great red's fire. Y/n knows that if the dragon had gone through with it, Katsuki would've been burned to crisps. He was ready to sacrifice himself for her. Katsuki must value her more than he lets on.

Y/n sighs and rubs her face. She tries to calm herself. In contrast to Katsuki, she has more control over her anger. Katsuki watches her intently. He doesn't want to argue with her either. He's frustrated and worried and he doesn't know how to make y/n understand how important she is. To him. To his people.

He tries to take a step towards her when a growl and a pair of red glowing eyes appear right behind her. It's the small green dragon from earlier. Katsuki stops in his tracks. This dragon is untamed which means that it is unpredictable. 

„Don't move.“, he wispers and hopes that y/n understands.

Apparently, y/n didn't hear him, or rather didn't understand him but she slowly moves around staring right into the green one's eyes. Fear starts pulsing in her veins again. At the same time, the anger that's been trying to push down bubbles up again. 

Seriously? As if I don't have enough problems, I've got to deal with this thing again?, she thinks angrily.

„Y/n.“, Katsuki says calmly. They can't make a wrong move right now. His mind flickers back to Drami in the den. He's sure she must sense the green one by now. He just hopes she isn't too offended by earlier to help them if necessary.

Y/n ignores Katsuki. She continues to stare into the green's eyes intently. She holds its gaze. She's not going to back down. It's probably stupid to pick a fight with a dragon but Katsuki and the whole situation made her angry enough to try. 

With a steady, almost dangerous voice, she speaks to the dragon: „Leave. I won't be dealing with you tonight.“

The green dragon shifts, still holding her gaze. For a moment, its gaze flickers back to Katsuki.

„Hey, eyes on me!“, y/n barks at it and immediately catches its attention again. Katsuki feels like he's about to faint. Is she really speaking to a dragon like that? What outcome is she expecting?

`

„I'm telling you one more time.“, y/n says loudly, „Leave and don't come after us.“

The green dragon stares at her. There's a clicking sound in its throat. Then, he snaps at y/n, but y/n expected it considering it snapped at her earlier. She uses her chance and throws herself at its snout. Katsuki watches her with an open mouth. Y/n pushes its snout down before letting go of it.

„Leave!“, she yells. The green dragon looks at her perplexed. It raises its head, probably to spew fire at them when a deep rumble can be heard from the red one's den. It's probably a warning. It's enough to make the green one back off. Y/n holds her stance and stares after it until it disappears into the darkness again. 

When it's clear that it's gone, she loosens her stance and huffs a strand of hair out of her face. Meanwhile, Katsuki gains control of his facial expression again. He's not sure whether to be impressed that y/n stood her ground in front of a dragon or concerned that she's mad enough to try so. Actually, it's probably not that bad. He remembers when he tamed Drami. It's the first thing you need to be capable of, to stand your ground in front of such a mighty beast. Most people go into fight-or-flight mode. Of course, then you also need to fight it into submission, but that's another thing.

Y/n turns around to Katsuki. „Are you coming?“, she tells him before turning to leave. Katsuki quickly catches up to her. They don't speak while they walk back to the settlement. 

The closer they get to the tents, the more relaxed Katsuki feels. Also, his bad consciousness starts to creep up on him. He never apologized to y/n about what had happened today.

„Y/n“, he calls out to her and stops her by taking her hand. This time his touch is soft and not firm. Y/n can get out of his grasp anytime she wants. She turns towards him and looks at him expectantly.

„I'm sorry about today. I'm sorry about my mother treating you badly, I'm sorry if the whole presentation was humiliating to you and I'm sorry I lost it earlier.“, he tells her. 

Y/n is sure he's apologizing right now. He's got that look in his eyes. Curved eyebrows, an almost sorrowful look on his face. It's not enough, however, he needs to try a little harder. A simple apology isn't going to get him into her good grace again. Katsuki sighs and steps a bit closer to her. With his other hand, he strokes her cheek.

„You've been nothing but great. To me, you're the perfect mate. Hell, you are standing your ground no matter what we throw at you. Even a dragon. We, no I, failed you. Drami's right. If I want to be your mate, I need to be better. I promise I will be better.“, he softly says. He knows she can't understand him but he just hopes she'll soften up on him a little bit.

Y/n stares in his eyes intently. His voice sounds soft, almost submissive. She sighs. There's no use in keeping this argument up. It's not going to help her situation. And at least, Katsuki seems to understand that she's frustrated. She just hopes he also believes that her frustration is justified and that he's not just trying to sway her.

She touches his hand softly. Katsuki gives her a shy smile and takes a few steps closer to her. When she doesn't react, he closes the gap between them. Carefully, he wraps his arms around her. Y/n can't help but lean into the touch. By now Katsuki's touch has become something familiar and comforting to her. She buries her face in his chest. Katsuki chuckles and y/n can feel the vibration of his laugh. Her heart flutters a bit. Damn this Katsuki, she thinks, Why does he have to be so attractive? She can feel Katsuki's hand in her hair. Lightly, he scratches the skin on her head. Y/n wants to melt. After this long, confusing day, she just wants to relax and fall asleep in his arms.

Katsuki's hand moves towards her ear and he tucks a few strands of hair behind it. Y/n looks up to him and is met with a soft gaze. It's almost surprising to her. Katsuki rarely looks so soft. He's just not that kind of guy. Maybe today has worn him thin as well. Y/n gives him a small smile. Katsuki's hand ghosts along her cheek. Slowly he moves his head towards hers giving y/n enough time to move out of the way or reject him. She doesn't. Katsuki's lips meet y/n's in a light kiss. He's not putting much pressure behind it. Just enough for y/n's heart to make a little jump. 

Quickly, he pulls away and ruffles y/n's hair lightly. Y/n retreats a bit as well. Katsuki throws an arm around her and pulls her towards the settlement. There's almost no one outside anymore and it's quiet when they walk back to Katsuki's tent. Y/n is shivering by the time they arrive. Katsuki's arm around her shoulder does little to keep her warm. Inside, they're met with the chaos they left behind earlier today. Y/n shakes off Katsuki's arm and zigzags around the broken things on the ground. She picked up the broken parts of the chair earlier but left the other things he threw around on the floor. She flops down onto Katsuki's bed and points at the mess on the floor.

„You're tidying that up!“, she says sternly. Katsuki scratches the back of his head embarrassedly. He's not sure what y/n said but he guesses she's scolding him for the chaos in the tent. Dutifully, he starts picking up the things on the floor. Meanwhile, y/n starts looking for the clothes she wore to bed yesterday. Once she's found them, she disappears to the attached bathing hut. 

When she's done changing, she returns to the main room. She looks around approvingly. Katsuki tidied up the place quite well. Currently, he's not in the tent. Y/n guesses he disposes of some broken things. While waiting for him, she picks up an apple from a fruit bowl that Katsuki placed back on the small table. Sitting on the bed, she eats it. While it's not much, she's glad to finally get something into her stomach. 

Eventually, Katsuki comes back into the tent. When he sees y/n sitting on the bed, he gives her a curt nod. Then, he starts changing. He's still wearing the armor that he put on before the presentation. Chewing on her apple, y/n watches Katsuki changing. Katsuki usually doesn't wear many clothes so there's not much new to see but y/n takes her time observing. She feels like she deserves that. After all, he let all of his people and that woman eyeball her this morning.

She lets her eyes run over his broad shoulder and how the muscles of his back move when he opens his pants and slips out of them. Katsuki stands there in his underwear for a moment as long as he puts the armor and pants away. Y/n admires his naked chest. A few scars decorate the soft skin on his pecks. Her gaze follows his trained bicep down to his hands. She doesn't notice how Katsuki's done putting on some linen pants or how she stopped chewing at some point.

„Ya like what you see?“, Katsuki asks her with a cocky smirk on his face. 

Katsuki's voice rips her out of her own thoughts. She's met with Katsuki's triumphant facial expression. Oops, guess he caught me, she thinks. She sits up a bit and throws the rest of her apple at Katsuki. Katsuki catches y/n's projectile with ease and gives her a biting laugh. He finishes off the apple in two bites and throws it into a bowl by the side.

Katsuki walks over to the bed and gets in at y/n's side. He starts to climb over her but stops when he's right above her. Y/n tries to shuffle away to give him some more space to get to the other side of the bed when she notices a suspicious twinkle in his eyes. He's not planning to move to the other side. Y/n rolls her eyes and Katsuki chuckles. He leans down and kisses her on the lips.

This time, the kiss is a bit less soft. It's more urgent and there's more pressure behind it. Y/n's eyes flutter close. Katsuki slides down and his weight pushes y/n deeper into the pillows. Absently, y/n's hand runs down Katsuki's chest. She feels Katsuki's tongue running along her upper lip. She lets her own tongue run along his lip as well and soon they meet in an even deeper kiss.

By now, y/n's heartbeat picked up. Katsuki detaches from her lips for a second. He presses open-mouthed kisses along her jawline and down her neck. Softly, he nibbles at her collarbone. Y/n can't help but let out a muffled moan. She already can feel a tingling sensation in her lower belly. Also, she's starting to get hot. Katsuki lets out a chuckle before returning his attention to her. 

Their eyes meet and y/n can see a mischievous gleam behind Katsuki's eyes. „You dick!“, she tells him and smacks his upper arm. Katsuki laughs and rolls off of her. Y/n hasn't got much time to recover before Katsuki pulls her into him again. Angling her head up to him, he drags his lips over hers again. Y/n shifts to get more comfortable. Part of her leg grazes Katsuki's scrotch and she can feel that he's already half-hard. She's lowkey glad she's not the only one on whom this has an effect. 

Quickly, she tries to move her leg away again but Katsuki catches her leg mid-movement. He pulls her leg in between his own and pulls the rest of y/n half on top of him as well. His other hand finds its way back into y/n's hair. Entangling their mouths again, his other hand starts exploring y/n's back, butt and leg. Y/n's hand rests on his lower stomach just above his v-line. Slowly, her hand creeps up his chest up to his cheek.

They continue to make out like this for a while until y/n breaks the kiss to take a deep breath. Katsuki uses the break to fully pull y/n on top of him. Y/n can feel Katsuki's erection under her. In all honesty, she can't blame him. She's also feeling the effects of all this kissing. The way Katsuki's rough hands drag along her back drives her absolutely mad. She doesn't want to know how the inside of her thighs look right now.

Suddenly, Katsuki's hand finds its way under the shirt she's wearing. While his lips still feverishly drag along hers, his hand softly strokes its way up to her chest. Y/n's heart skips a beat when his calloused hand finally makes an impact with her boob. Carefully, Katsuki kneads the soft bundle of flesh. There's enough pressure behind it to make clear how urgently he wants to touch her and soft enough to not hurt her. Giving her one last kiss, he detaches from her and sits up.

„Take that off.“, he demands and pulls her up towards him. Y/n sits up and lets Katsuki push the shirt over her head. She feels flushed even though Katsuki and she now wear the same amount of clothing. Katsuki lets his gaze wander over her chest. Gently, he reaches out to her. The backside of his hand touches her cheek, and then he lets his hand sink downwards towards her chest. With both hands, he squeezes her breasts. He leans his head forward and rests his forehead against hers. While adrenaline and excitement still curse through her veins, y/n feels oddly at ease suddenly. 

Katsuki lets go of her chest and his hand finds hers. Gently, he caresses her hand before pulling it into his lap. Y/n can feel how he presses her palm onto his hardened member. It's not her first time touching a man. She wonders if Katsuki is aware of this or if he thinks it's her first time. Y/n's other hand reaches up to Katsuki's cheek and she pulls him down onto her lips again. At the same time, she carefully squeezes his dick. Katsuki lets out a frustrated groan before pushing his mouth on hers again. Gently, y/n massages him through his pants.

Then, Katsuki pushes her off of him. „Gimme a sec, doll.“, he mumbles and starts fumbling with his pants and pushes them down his legs. Y/n waits patiently for Katsuki to come back for her. When he shivered out of his pants, he crawls over to y/n again and pushes her onto her back. He starts kissing her neck and nipping at her earlobe. Each kiss leaves behind electricity that shoots down her body. Y/n takes his hand and puts it back on her chest again. She's done with kissing. She wants more. Katsuki lets out a low chuckle. Carefully he dips his head down and lets his tongue run over her nipple. Y/n groans and lets her hand run through his spiky hair.

Meanwhile, Katsuki's hand wanders down her side. When his hand finds the hem of her pants, she can feel her heartbeat quicken again. She's nervous about what's about to happen next. A positive nervous, an expectant nervous, a I-can't-wait-to-feel-your-hands-where-I-need-you-most nervous. However, Katsuki doesn't give her that satisfaction just yet. He lets his hand ghost over her crotch before gently cupping her most private area. Y/n gasps at the contact and wishes that stupid linen pants weren't in the way. Again, Katsuki chuckles at her expression.

Y/n glares at him. She's got enough of his teasing. She pushes at his chest and Katsuki lets himself fall back onto his back with a laugh. Immediately, y/n is on top of him and kisses down his neck. Gently, she bites the skin on the nape of his neck. Katsuki lets out a forced groan. She can feel his dick jump a bit in between her legs. She continues to kiss down his chest, and presses open-mouthed kisses onto his tummy until she has reached his v-line. She traces the bones on his hips while mischievously looking up at him. I can play the same game, she thinks. Katsuki looks down at her through lidded eyes. 

„Fuck, y/n, are you gonna do something or do I need to show you how?“, Katsuki grumbles and pushes his hand into y/n's hair trying to gently push her down onto his cock. Y/n clicked her tongue. „Oh, no, don't think I let you get off this easily.“, y/n teases him. She starts pressing soft kisses onto the side of his hips, down his v-line and stops right in front of his shaft. 

„Shit, you bitch!“, Katsuki groans in frustration but he doesn't move. Secretly he's enjoying y/n's attention and playfulness. He didn't expect y/n to be this devious, especially not in bed. Clearly, she must have some experience and he's glad about that. He was afraid that this would scare her away. But, considering her reactions, she must be enjoying this too.

Lost in his own thoughts, he doesn't notice how y/n's head dips down. Only when he feels her tongue running down his dick. He almost jumps up at the sensation. His hand grips her hair a bit tighter but he doesn't make any further movements. Y/n can feel his leg muscles tighten. She runs her tongue up his shaft again before gently teasing the tip of his cock. Katsuki groans and lets his head fall back. Y/n gently rubs the side of his legs in comfort. I got you, she wants to tell him. 

Then, she takes his entire dick into her mouth. Katsuki almost thrusts up but catches himself mid-movement. Y/n is glad for Katsuki's control. She's sure that she can't deepthroat him. For now, she just bobs up and down his length licking and sucking. The areas her mouth can't reach get stimulated by her hands which she has wrapped around his shaft.

Eventually, Katsuki can't take it anymore and pulls y/n off his dick. He sits up and roughly pulls y/n up to him, towards his mouth. Feverishly, he kisses her, shoving his tongue into her mouth. Slowly but carefully his resolution starts to crumble. In a swift movement, he pushes y/n onto her back with one hand and pushes down her pants with his other hand.

Cool air hits y/n's pussy. She almost gasps at that sensation alone. However, Katsuki is done waiting and teasing. Immediately, he pushes his fingers in between her folds. Y/n lets out a choked noise. Katsuki leans down and starts licking and biting her nipples while massaging her clit in rough, circular movements. Y/n is already seeing stars. It's been so long since someone touched her like this and clearly Katsuki knows what he's doing. His fingers wander from her clit downwards towards her entrance. Swiftly, one of Katsuki's fingers enter her. Y/n can't help but let out a raspy moan. 

She's not sure whether or not Katsuki registers the sound she's making. Maybe he doesn't care or maybe he's beyond capable of teasing her about it. Either way, his mouth lets go of her nipple and wanders down her tummy until he finally reaches her cunt. He's not waiting for another second before pushing his tongue in between y/n's folds. Y/n gasps again and buckles her hip. Katsuki simply pushes her hips down and continues his administration. While his tongue swirls around in between her pussy folds, his finger pumps in and out of her tight hole. Y/n's upper body twists around in the bedsheets. 

It feels so good, she barely can't take it anymore. Katsuki adds another finger and y/n goes wild. She pushes her hands into his hair and she's not sure whether she wants to push his head deeper into her cunt or pull him away because she needs to stop. Katsuki does not leave any room for a decision as he pushes deeper into her crotch. Just when he feels y/n's walls tighten around his fingers, he pulls away.

He stares at y/n with wild eyes. Her wetness still glittering on his lips and chin. Y/n's chest is heaving and she can't tear her eyes away from Katsuki. „Fuck, babe, you taste so fucking good.“, Katsuki grumbles while taking a long look at her. Y/n's hair is disheveled and her cheeks are flushed. Right now, there is a disappointed expression on her face. Katsuki grins and moves to hoover over her. 

„Don't worry, love, you'll get to come. You just have to do it on my dick. Only this way you can become truly mine.“, he tells her.

Y/n pouts because she doesn't understand why they're suddenly stopping. Luckily, Katsuki doesn't let her wait too long. He crawls up her body and kisses her deeply. Y/n can feel his dick laying right above her pussy. Katsuki snaps his hips a bit and pushes his dick in between her wet folds. Y/n moans and opens her legs so that he has better access to her pussy.

„Shit, babe, you want me that bad, hm?“, Katsuki groans as he sees y/n pull her legs apart for him. He leans back a bit to take a good view of her soaked cunt. „Fuck...“, he groans as he lets his dick run over her now-open pussy.

„Katsuki!“, y/n whines. She wants him. Now. Katsuki chuckles and leans down to kiss her. „Alright, alright, babe, I get what you want.“, he mumbles as he shifts and tries to find her entrance with his cock. When he's not fast enough, y/n takes matters into her own hands and leads his dick to her entrance. Katsuki doesn't wait for another second and pushes into her in one swift movement. Y/n can't help but let out a loud moan at the sensation. Katsuki's head drops down onto her shoulder.

He doesn't give her any time to adjust to him but immediately starts a steady pace. His dick slides in and out of y/n's slick hole. Y/n wraps her legs around his hips and grabs onto his shoulders. She can't help but let her eyes roll back a bit. Her fingers could never compare to the feeling of a real dick inside of her. And Katsuki's dick feels especially good. Katsuki keeps up the pace for a bit until he grows tired of it. He sits up a bit and his dick slides out of y/n. She groans in protest.

„Relax, love, we're not done yet.“, Katsuki mumbles as he sits up on his knees. Roughly, he pulls one of y/n's legs over his shoulder and opens her other leg widely. Then, he shoves his cock back inside of her. In short, hard movements, he rocks in and out of her pussy. Y/n cries out loud at the new angle and the roughness with which Katsuki starts to fuck her.

„Fuck, babe, this feels so good.“, Katsuki groans while his balls slap against y/n's ass. He has had sex before but it was never like this. He either paid the women or just took them. None of them were as wet as y/n or as willing to move against him the way y/n does. And the sight of her just added to his arousal. Concluding from her facial expression and moans, y/n must be so fucking horny for him. It makes him wish they had done this sooner. Before they came here and things got more complicated.

„Katsuki-i...! Harder! Fuck!“, y/n moans and grips his wrists. Even without understanding her words, Katsuki gets the message. He wants to fuck her harder and faster, too. He pulls y/n's leg from his shoulders and hooks his hands under both her knees pulling her pussy closer to him. He quickens the place and the closeness gives him the option to ram his dick into her harder.

„Fuck, yes!“, y/n yells. She's glad he understood what she wants. Fuck, this is so good, she thinks. She loves how hard Katsuki is taking her. Most men are too timid to take her how she likes it the first time. The first time is always a bit awkward, trying to find out what the other likes. But Katsuki fucks her just the way she wants his, the way she needs it. She needs to forget this awful day and Katsuki's cock in her pussy makes her mind goes numb.

Slowly, but steadily, y/n can feel her orgasm approaching. She hopes that Katsuki doesn't change his movement but keeps it up just the way he's fucking into her right now. There are already pearls of sweat forming on his chest and eyebrows. Meanwhile, Katsuki can feel y/n's pussy tighten around his member. 

„Shit, babe, are you close?“, he groans while keeping up the pace. Concluding from y/n's concentrated look, yes, she must be. Carefully he grips her upper body and pulls her up to him. Y/n whines at the change of position but Katsuki makes it up to her by fucking up into her and reaching that one spot that drives her mad. Katsuki pulls her up and his face rests on the left side of her neck. Y/n claws at his back, desperate to finally get off. Katsuki continues to fuck into her relentlessly. 

„I've got you, babe, c'mon, come on my cock.“, he mumbles into her skin. 

Right now, he needs her to finally climb over the edge. It will hurt less if she's in the middle of an orgasm. Y/n groans throwing her head back. Katsuki can feel her pussy tighten one more time and then start spasming around him. That's what he's been waiting for. He doesn't wait for another second and sinks his teeth into her neck.

Pain. Blinding, numbing pain shoots up her neck. 

Y/n lets out a choked scream. From all the things she's expected Katsuki to do, this is not on the list. Is he... biting her? It feels like he's about to rip a large part of flesh out of her. The pain overshadows the orgasm she forgets she's having. She pushes against his chest, trying to get him off of her.

„Let... go!!“, she cries as she pushes against him. There's no use. He's so much stronger than her. He only sinks his teeth deeper into her flesh. Maybe it's because there was more adrenaline in her blood back then, but this feels worse than when she was hit with the arrow.

Her heart pulls itself together. Why is he doing this? She can feel her warm blood flow down her own chest. He must know how badly he's injuring her.

Meanwhile, he's still fucking into her roughly.

She wants him off. She wants his teeth and dick outside of her body. Right now. She fights against him. Pushing and scratching him. Yelling and crying to let her go, but Katsuki doesn't listen to her. Or he's not hearing her.

His thrusts pick up speed as he fucks into her. 

„No, Katsuki! Pull out!“, she yells but Kasuki is too far gone to register her words. In three hard thrusts, he comes. Y/n can feel his hot seed spluttering deep inside of her.

By now, all colour must've left her face and she becomes numb. 

She doesn't feel the pain in her neck anymore. Or how Katsuki pulls away from her. How he gently places her onto the bed and presses a clean cloth against the wound. How he caresses her face and litters it with soft kitten kisses. How he gets another warm, wet cloth and carefully cleans the inside of her thighs. How he pulls her close and lovingly scratches her head. 

Or how he softly mutters:

„You're mine now, my mate.“

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

Tag list: @graviewaviee @cosmicbreathe @tsukikoxo @nnubee @witchbishsblog @elajede @bsallergy @frxcless @berryvioo @eyesforbkg @shamelesjaroflaffytaffy @pastelbaby1111 @iamlizardgod @plvt0fvtvre @hello-peanutdoodle-blog @kookiemyfeelsposts @sweetblueworm @54fangirl @sakurarr1122 @rv19 @leeliyah @king-dynamight @confused-smol-fan @xmaudx @waterstarz @pinkwhiskerglitter @adeline96 @zoom1374 @fingui @giuli-in-earth @colouringfrogssittinginleaves @futuristicallykawaiiturtle @tragedyofabrokensoul @dynakats @rebel-loves-anime @cloudxluv @itsssyagurll @sunshineandwitchery @cloudxluv @hollykanuki @atouchofmidnight @nutellaenjoyer @musicbecky @miacitocco @cassouandco @penguinlovestowrite @sleepykittycx @bakugouswh0r3 @xxjesshuxx @helenamaximoff @ssssssws-world @k1tk4tkatsuki @gh0stgirl333 @anon-mouse223 @bexxs @i-am-ms-rebel-heart @wannabeisekai @spragaraga @faemagic88 @kolakoke @faetoraa @cax-per @willy-the-witch @stardream14 @jiyuu-da @mintytalesblog @sparklyoperaroadpie @musicbecky @maria-patricia @mistermemister @katsukismrs @l0kisbitch @bakukiriswife @rebel-loves-anime @drink-water-456

@gold24fish @notsaelty @kolakoke @all-in-the-fandoms @deftoniax @faemagic88 @l-bozo-l @alicecil87 @darlink-xoxo @novthewolf @berryvioo @leelee28901 @angie-1306 @miniaturebouquet @skibbiescoober @weebperson2003 @spragaraga @fudo-aki @stillcrazystacey @bakkusimpp @itsiambaby @lynnsqueendom @jinx-nanami @teddyinks @hello0815 @dualinstinct @megapintofmilkshake @potatocatsan @beansofskittles

[Please comment beneath the last update if you'd like to be tagged in future chapters]

[louisupdates]

If you’ve been on social media today, you may have seen a certain word trending: Zouis. But what does it mean? Well, Zouis is portmanteau of Zayn and Louis. Specifically, Zayn Malik and Louis Tomlinson from One Direction.

The pair were spotted together in Los Angeles, with Tomlinson attending Malik’s gig—sending the internet into a frenzy

With Zouis spreading like wildfire on social media, this story operates as an interesting example of how fandoms can deal with grief, and, for once, how the internet can be a positive communal force.

What’s Happening With Zouis? Why Were Zayn Malik And Louis Tomlinson Together?

Zayn Malik is currently on his Stairway To The Sky tour, and is playing several nights at the Shrine Expo Hall in Los Angeles, California.

Louis Tomlinson—who was in boyband One Direction with Malik—attended the show on Jan. 29. This is the first time the pair, known as Zouis, have been together publicly since One Direction bandmate Liam Payne’s funeral on Nov. 20, 2024.

After Malik left the group in 2015, One Direction broke up the year after, and the members have rarely been together since, with each pursuing solo careers.

This makes the appearance of Zouis a special moment for fans, as well as seemingly for Malik and Tomlinson themselves, with the former referencing his bandmate’s attendance at his concert in glowing terms:

How Did Social Media React The Appearance Of Zouis?

The online world went wild for the return of Zouis. There are tens of thousands of tweets about the event. Many of which show pure enthusiasm:

While others contain simple declarations of love towards Zouis:

There’s a sombre tone to some posts which reference the death of Liam Payne:

While difference accounts are self-referential about their own reaction to the partial One Direction reunion:

There’s one overwhelming trend though: pure excitement and adulation.

Why Is Social Media Reacting To Zouis In This Way?

There are a few things at play. Firstly, One Direction fans are renowned for their obsession with the group. Combined with the size of the boyband—3.4 million people saw them during their Where We Are tour alone—this means there’s a huge community of interested people whenever news about them drops. Like Zouis.

But there’s also a more sombre side to this overwhelming online reaction, and that can be linked to a sense of loss.

It’s common for fans to form parasocial relationships with people they follow. Effectively, this is when individuals believe they have a close tie with public figures, even though this is a one-way friendship. Often, this is driven by the perceived intimacy of social media.

This can induce serious emotions. So, when a member of a group like One Direction passes away, as is the case with Liam Payne, it can feel as though someone they’re close with had died.

When Zayn Malik and Louis Tomlinson came together for the first time since the funeral, it can feel like a cathartic moment for fans, as though things are righting themselves. One way of dealing with this outpouring of emotion, then, is to post on social media.

And that’s a key way of viewing this explosion of activity about Zouis: a celebration.

People are not only expressing joy at seeing members of One Direction together, but this enthusiasm also acts a tribute to Liam Payne. This creates a sense of community, of an entire fandom coming together and praising a new chapter in something they love.

Ultimately, the spread of posts about Zouis displays a positive side to social media, one where people share a connection and come together in unity. In these divided times, that’s a beautiful thing to see.

[anim-ttrpgs]

Announcing a Eureka: Investigative Urban Fantasy Game Jam!

We're hosting a game jam over on itch.io! Submissions open in March, 2025 and will remain open until April, 2025!

Eureka: Investigative Urban Fantasy is a groundbreaking TTRPG that revolutionizes mystery investigation of all kinds! The rulebook is available at this link for free! This community event gives long-time fans and newcomers alike a chance to flex their mystery-writing muscles. 

Leave behind the days of "We walk into the room and roll Investigate." Eureka: Investigative Urban Fantasy is a TTRPG all about investigation, and its purpose-driven mechanics let players take initiative, use their characters' unique strengths to find clues, and deduce conclusions themselves. This game jam will bring the community together to write more mysteries for their characters to solve, put together in adventure module form. You can find a helpful guide to writing Eureka mystery modules in Chapter 7 of the Eureka: Investigative Urban Fantasy rulebook linked above.

This game jam is non-competitive, but the developers' favorites will be linked on the Eureka: Investigative Urban Fantasy store page so everyone can play through your creation! You can work alone or in a team, as long as you follow these basic rules.

While you're working, and especially if you have questions, join us on the A.N.I.M. TTRPG Book Club Discord Server. It's a club for discussing and playing all kinds of RPGs, not just Eureka, run by the creators of Eureka. You can also join our "Top Secret" Patreon Discord server and further support the A.N.I.M. team by subscribing for any amount to our patreon. We'll be happy to answer your questions about this game jam or Eureka: Investigative Urban Fantasy either way.

(Full submission rules below the Read More)

Rules

Submissions Must Be Adventure Modules and Be Compatible with Eureka: This game jam is for mystery adventure modules to be run with Eureka: Investigative Urban Fantasy. If you're unfamiliar, an adventure module is a guide for game masters to running a specific scenario for their gaming group. You can find an example of one made for Eureka alongside the rulebook linked above.

Follow the Theme: The theme/prompt picked out by our patreon subscribers is "The Call." By design, this prompt is flexible and leaves room for interpretation - are the characters beset by mysterious phone calls? answering a mysterious call for help in the forest? or something far stranger? (Just remember not to make it about mind-control - Eureka doesn't have that.) Your submission can be about any sort of mystery, as long as it is obviously inspired by this prompt in some way, however you interpret it. Just also make sure to follow the rest of the rules below.

Third-person Verbiage: Avoid saying "you" when referring to player-characters.

Separation of Player and Character: Ensure that your module says "investigators" when it is referring to the player-characters, and "players" when it is referring to the real people sitting around the table, and don't get them mixed up.

Characters Can Be Bigoted, but We'd Rather You Weren't: NPCs in your module may express hateful attitudes, but we do not approve of hateful attitudes from submitters themselves. 

Stay Grounded in Eureka's Lore: Please keep your module roughly within the bounds of what the world of Eureka offers. You can read more about this within the first half of Chapter 8 in the rulebook linked above. (And remember, your submission doesn't have to be a paranormal mystery!)

Submissions Must be 5,000 Words Minimum: There is no upper limit, so be careful not to overdo it, as long as your submission has at least 5,000 words. This is the bare minimum size. Most good Eureka: Investigative Urban Fantasy adventure modules are about 50-100 pages, as Eureka really stresses providing detailed information to the GM and players alike.

No Generative AI: Do not submit anything that has been created in whole or in part through the use of generative "AI."

We Don't Own Your Submission: Your submission is still your property. You can even sell it after the game jam is concluded if you want. Though if you do, we recommend you keep working on it a bit to polish it up, since one month is plenty of time to get a first draft out, but even the best submissions will benefit from some critique and further refinement and editing!

[bouquetface]

Atmakaraka Through houses

Sign, Aspects, and Planets will influence accuracy.

This post will discuss past lives and soul's purpose + karmas. Personally, I find the idea of past lives entertaining but I'm not sure it resonates. If you're the same, this post can still be read as entertainment.

This is not my own theory. It's a very old theory that considers AK to show your past life karma & current life purpose to clear that karma.

AK in First H

Your soul is here for itself. Generally, this is the best AK placement. It shows you have always given yourself to others in past lives. In this life, it's okay to look out for yourself first.

Now let's say Saturn is the AK you might feel burdened with all the work you have to do for yourself. It might feel lonely but your soul came here wanting that independence.

Where you can go wrong with this placement is choosing others over yourself again. EX: AK in First H, 7th H stellium - Certain events and people will come to you indirectly asking your soul to choose them/take care of them over yourself. You could feel a strong pull to do so but AK in First H shows that would be a mistake. In the next life, you'll simply have to repeat the cycle.

AK in 2nd H

Your soul is here to clear past life karma through money, resources and family. In a past life, this shows you received a lot of support and possibly money through others. Now, you have to learn the lessons, mature and build your own wealth. In some cases, you may feel inclined to help other people financially. You'll likely make money mistakes. You'll have family troubles - big or small. It'll be your duty to work on these areas of life.

Where you can go wrong with this placement is relying too much on other's resources again. It is believed this will simply increase the debt you owe making the next life even more difficult as now you have more to repay.

AK often isn't meant to be something enjoyable. It can feel like a burden but it is your soul's duty to complete this task.

You may even find in this life when you are becoming too dependent on others for resources, you experience life or health struggles. This doesn't mean you must make every single penny on your own or suffer. It simply shows active efforts to attain financial independence are needed to clear the karma. And in certain cases, helping provide resources for others like family members is needed to clear the karma.

AK in 3rd H

Your soul is here to clear karma though service for siblings, neighbours/community and possible the father-in-law. Your will be relied on and you will have to do a lot of short distance travel throughout your entire life.

A IRL example: This person has SUN AK in 3rd H - This person is fulfilling their AK duty daily - they take the siblings to school even tho it’s a walkable distance. In fact, when this person went to that same middle school, they were made to walk. Yet, the siblings demand to be driven this short distance. They don't even know abt astrology - simply the siblings are kinda spoiled & apparently refuse to go to school otherwise. AK's tests naturally appear like this in one's life.

Their family doesn't see or appreciate how helpful they are to the family/siblings.

AK often isn't something enjoyable. It feels like a burden but it is your soul's duty. Since AK is present throughout out entire lives, it is likely when the person is older something like the above examples will reoccur with their neighbours or father-in-law.

This placement should be cautious about cutting contact with siblings - especially younger siblings. The cycle is believed to repeat in the next life if you can't clear the karma off in this life.

It is believed in a past life you likely had a high position. You demanded these type of seemingly small tasks from those beneath you.

AK in 4th H

Your soul will have to serve the family, home and/or mother. In a past life you likely neglected the home and family. Now the family you come from and/or the family you create will provide opportunities for you to deal with your past life karma.

It won't always feel enjoyable having to take care of your family and home. However, it needs to be completed so the cycle doesn't repeat in the next life.

For instance: Moon AK in 4th House - You regardless of gender take on many domestic tasks in the home. This can be early in life or after marriage. You - more often than anyone else in the household - end up doing the chores - laundry, yardwork, cooking, etc. It could deeply frustrate you.

You could have issues with your own mother too. The sign and aspects and exact planet can offer insight on how bad the situation.

You should be cautious of cutting contact with your mother. It’s believed the karmic cycle will repeat in the next life. I'm not telling you what to do, personally I don't fully believe in past lives. If you have cut contact or have a very abusive family, you should do what is healthy for yourself.

AK in 5th H

Your soul needs to burn off karma through education and children. This doesn't mean your kids are going to hate you or be terrible. Simply shows you will have to pay extra attention and care to your kids. An example would be the child has trouble learning to read. You have to be the parent that is responsible for assuring the child is supported through this period.

Often AK is something that feels like a duty - not something enjoyable. There might be something in your life that causes you to continue having to educate yourself. This doesn't have to be formally.

AK in 6th H

This shows you're clearing your karma through service. You may find people and even animals always need help around you. Coworkers, friends, family will come to you for help - literal help or advice.

It'll sometimes feel like a burden. However with this placement it shows in a past life you were unable to or simply did not help those in need. It weighed on your soul, thus in this life you are correcting that.

AK in 7th H

This shows you're clearing your karma through relationships. This doesn't have to be in marriage, it can be in dating or any other type of relationship - even business or friendship. Your ego will be hurt when having to deal with people outside yourself. You will face humiliation in relationships or in public.

This placement shows in a past life you were the selfish one. You didn't complete your duty to a partnership - this can be in marriage or business or a different kind of relationship. Maybe you cheated, maybe you left someone sick, maybe you scammed your clients. It can be so many different scenarios. Generally, this is considered the worst AK placement as the best one is 1st House. You may have been very cruel and selfish in a past life.

This doesn't mean you have to keep bad people in your life. You are going to have to encounter them. You will feel hurt & humiliated, you'll move on. The worst thing this placement can do is once again only care about themselves again. The cycle is believed to repeat in the next life but it will be much more difficult the next time.

AK in 8th H

You have a duty to your spouse's family. You have either good or bad karma with them. At some point, they'll need your help and your resources. Example: The spouse's parent's needed him to give them money for retirement - not borrow - simply give, no repayment.

If the karma is really bad, it is believed the spouse's family will hate you upon first impression. Often AK is something that feels like a duty - not something enjoyable.

AK in 9th H

You have a duty to help your parent's/teacher's in your life. Example: You feel you owe it to your parent's to become a Surgeon.

You might need to experience something abroad or in university to clear your karma. Often AK's duty is something that feels like a burden.

The worst thing for this placement is to do something immoral or illegal. Some people can get away with doing illegal things in this life. Your life will find a way to punish you.

AK in 10th H

Your soul has to work to clear off their karma. You can find your are constantly working long hours, difficult tasks and encountering scatterbrained authority figures. In some cases, this shows difficulty in finding career success. You have to work 10x harder than others for the same praise.

In a past life, maybe you scammed people or something else that is illegal in the workplace. It can be many different scenarios.

AK in 11th H

Your soul clears off karma through eldest siblings, society or activism. You can become politically involved with this placement. You come face to face with the struggles of the masses. You can't hide from the world's issues.

Or it can be you have a duty to your eldest sibling. You may find your eldest siblings always needs your help. Throughout your entire life, chances to help the elder sibling will appear. It is believed to be a test of your soul. Will you help them and clear your karma or not? Choice is completely yours.

Keep in mind AK is often a duty that feels like a burden. It is unlikely to be something enjoyable.

AK in 12th H

Your soul desires isolation. You clear karmas through quiet. You might need to go away from the birth place. You need to find peace through yourself.

When you get carried away socializing/partying, your life will bring difficult scenarios to remind you that is not why your soul wanted to come back.

AK is often a duty that feels like a burden. It is unlikely to be something enjoyable.

This is only one placement and doesn't consider the planet that is AK, the sign + aspects. And positioning of Ketu. This is a very general post.

[northopalshore]

Jungkook's Midheaven Persona Chart

₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑

I'm going to do a brief rundown on his career life as an example attachment to my MC persona chart masterlist. Mostly pertaining to his career going forward.

₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑

ஓ๑Cancer rising (22°capricorn)

He is seen as someone innocent & genuine. People are likely to get attached to him very easily, seeing him as a beacon of comfort. Although, underneath that they see him as a very goal/career driven man. Also, this means his marriage life will also be quite prominent in his career. He may work with his wife somewhere down the line in his career. (Cancer & Capricorn). Many people will judge him for his nature early on which may or may not be hindered due to others perception as he grows older. He could change that image going forward, which may be shocking to some people who want him to remain the same.

ஓ๑Briede (28° cancer) , Groom (26° taurus) in the 7th house

You can expect him to work with his spouse eventually, I can't say for sure that she'll be singing as well just yet. However, people will acknowledge them as partners regardless of where they go or even if they are alone. His wife will gain a lot of attention or traction through him. At first, people will think of her as "Jungkook's spouse" but later, it will develop into a duo type of thing. They'll be branded; you can't have one without the other.

It's sort of like Beyoncé & Jay-Z, but their relationship feels more like MJ & Lisa Marie Presley (their shock factor). You'll never detach their image from one another in the future.

ஓ๑Eros (9° sagittarius) in Leo 1st house

He will be heavily sexualised through his career. Already happened from the early stages of his career. Most come from people he doesn't know, or international fans. They are very passionate about him. As long as his youth is with him, it won't stop, though it might also continue throughout him being a father (leo) perhaps until his children become young teens (?).

You won't see his passion, & drive at first glance (since his rising is cancer here) but once he starts working it shows. He puts his all into what he does and takes much pride in it.

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ஓ๑Leo in the 2nd House

Gaining money through creative work, standing out, dealing with people younger than him or even the music/entertainment industry in general. Acting could be a part of his career (whether just through music videos or more in the future).

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ஓ๑Virgo in the 3rd House

His work will involve a lot of planning, and a lot of critical thinking. Plans, events, trips will likely always have a layed out itinerary he must follow/make.

He's not gonna be uploading any last minute song anytime soon lmao.

ஓ๑Juno (12° pisces)

He literally has a contract with an entertainment cooperation (label) when you look at Virgo & Pisces it just makes sense. A lot of his current songs, including ones with BTS are love centric, or at least tell of an idealistic type of love. Something far off, though everything here is not written on a whim or inspired by specific people, but rather a vague idea of a perfect partner/soulmate. It's in the past & the future, so you'll likely see more similar concepts going into the future, this time perhaps... Inspired by his wife? Also, you can expect some of his future art to be related to past lives. Spirituality will also be something more prominent in the future. Hoho we'll see.

ஓ๑North Node (19° libra)

He was born to work with partners, whether it'd be a contract with a company, a group of close friends, or even his spouse. Working through writing, business and fashion, it's the communication value & relationships that are most prominent. You will see that his name is usually going to be paired with someone/something else. He works best with collaborative events. These are what will be impactful both in his life & to others.

ஓ๑Populus (20° scorpio)

He will (have) receive(d) much attention for his voice and his skills, this is what people will often talk about whenever they hear his name, or see his face on billboards or posters while walking by. They'll think he is spectacular in a way that differs from the previous male artists in the industry he's in. Provoking both jealousy and obsessive behaviour from fans/haters.

ஓ๑Lilith (23° aquarius)

It's likely whatever it is he'll be doing going foreward will be very different from what people are used to seeing from him. Perhaps you'll see him handling darker ideas or concept. Could also be related to social events/issues. I'd say similar to Michael Jackson (in which he'd advocate a lot of the issues & mistreatment of the world through some of his songs) but in a different way compared to MJ. Especially since it's conjuncting populus. It's likely to draw up a lot of talk and controversy, where people will say "this isn't him", but do they really know him?

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ஓ๑Libra 4th house (9° sagittarius)

People he works with will likely tell you how great he is to work for, he's very kind and open minded, and perhaps a little bit of a comedian. Most of the people he'll work with will be from overseas or perhaps from different walks of life especially going foreward from here.

ஓ๑Sun (27° gemini) in Libra

He will be remembered as a lover, particularly someone's lover. People with this placement usually gain a lot of attention (& at times notoriety) for their relationship or love life. Elizabeth Taylor also has this placement, which well. Is not surprising. In his case however, he won't be known for his multiple marriages but rather just his marriage or life with his partner going into the future. Please remember that his career doesn't end in his 20s, & things that haven't manifested will likely show up in the near future.

ஓ๑Mercury (1° aries) in Scorpio

He has a very competitive way of thinking. Always trying to find a way to be the best or come out on top. Still, he isn't thinking about just himself but also the people he works with (Mercury in the 4th house). How do they stand out, without falling apart? That is something he'll likely have in his mind a lot.

ஓ๑Chiron (6°virgo) in Scorpio

The earliest stages of his career was filled with a lot of trails & errors as well as instability and chaos. A lot of the times they've found themselves at the verge of disbanding, or discontinuing their career. A lot of what BTS has gone through may have been unbearable for the average person. Even for people in their industry.

ஓ๑Sun squaring Uranus(4° cancer), Neptune (27° gemini) & Groom (26° Taurus) in the 7th house

Elizabeth Taylor's Sun also squares uranus but her's is in the 1st house which means it's more personal. Since Jungkook's Uranus & Neptune are conjuncting in the 7th house (aquarius), people are always going to assume the worst when it comes to him & his spouse. Often times however, the things said will not reflect their situation or relationships at all. The relationship isn't the problem. It's the people that talk & gossip about it.

ஓ๑Sun trine Moon (26° Taurus) in Gemini 12th house

It's likely that they will be very private with what happens within the relationship. Just to protect their union. Also, the public's perception is not going to shake them. They will remain as they are without the need to satisfy the demands of the public, keeping their personal lives to themselves.

In the context of him himself, it's likely he feels a little detached from the image that he's given, keeping his thoughts to himself most of the time. Still, he will communicate what he feels when he feels comfortable (at home). His mind is extremely active, albeit kept hidden. Since his mercury also trines moon in the 12th house.

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ஓ๑5th house stellium

It's no surprise to see this especially since he's an artist. His career is focused on creativity, art & just passion in general. His career mostly appeals to the younger generation. He'll be very fortunate when pursuing any artistic endeavour as everyone will see his talent through his face & body language. Although fun, it's not something he treats as a game.

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ஓ๑Starr (5° leo) in Capricorn 6th house

Working as a performer, gaining a lot of attention for his hard work & professionalism.

ஓ๑Boda (6° virgo) in Capricorn 6th house

This man will literally be married to his job lol. His marriage will be tied to his career in one way or another in the future.

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ஓ๑Neptune (27° gemini) , Uranus(4° cancer), & Jupiter( 12° pisces) in the 7th house

He's known for being a part of a group, under the same company (BTS). He feels very connected to them and although not related, feels like his own family (uranus 4°). This is also how people perceive BTS, a family that brings people together.

ஓ๑Groom (26° Taurus) in Capricorn 7th house

Going into the future, he'll likely be seen working or incorporating his spouse with his career as well. He likely also will brand himself as a husband at some point. Prefering to be called "My wife's husband." Lol. I can't really picture any other comparison besides Beyoncé & Jay-Z. That's the best way I can describe it.

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ஓ๑Union (19° libra) in Aquarius 8th house

The moment his relationship is revealed, it will be shocking to everyone who's ever heard of him. They will never expect him to end up with the person that he married. Their relationship will be heavily criticised and obsessed over. Still, once they see them working together, it will make sense. Their relationship will likely change the direction his career will go from there.

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Let's just.. see where it goes.

@northopalshore

@northopalshore mc persona chart 2024.