#Eva Marton

[incorrect-koh-posts]

KINGDOM OF HEAVEN (2005) + letterboxd gems

[didanagy]

KINGDOM OF HEAVEN (2005)

dir. ridley scott

[splinteredsoul]

Kingdom of Heaven (2005)

dir. Ridley Scott

[guillotineman]

Kingdom of Heaven (2005, dir. Ridley Scott)

[princesssarisa]

Opera on YouTube, Part 2

Le Nozze di Figaro (The Marriage of Figaro)

Glyndebourne Festival Opera, 1973 (Knut Skram, Ileana Cotrubas, Kiri Te Kanawa, Benjamin Luxon; conducted by John Pritchard; English subtitles)

Jean-Pierre Ponnelle studio film, 1976 (Hermann Prey, Mirella Freni, Kiri Te Kanawa, Dietrich Fischer-Dieskau; conducted by Karl Böhm; English subtitles) – Acts I and II, Acts III and IV

Tokyo National Theatre, 1980 (Hermann Prey, Lucia Popp, Gundula Janowitz, Bernd Weikl; conducted by Karl Böhm; Japanese subtitles)

Théâtre du Châtelet, 1993 (Bryn Terfel, Alison Hagley, Hillevi Martinpelto, Rodney Gilfry; conducted by John Eliot Gardiner; Italian subtitles)

Glyndebourne Festival Opera, 1994 (Gerald Finley, Alison Hagley, Renée Fleming, Andreas Schmidt; conducted by Bernard Haitink; English subtitles)

Zürich Opera House, 1996 (Carlos Chaussón, Isabel Rey, Eva Mei, Rodney Gilfry; conducted by Nikolaus Harnoncourt; English subtitles)

Berlin State Opera, 2005 (Lauri Vasar, Anna Prohaska, Dorothea Röschmann, Ildebrando d'Arcangelo; conducted by Gustavo Dudamel; French subtitles)

Salzburg Festival, 2006 (Ildebrando d'Arcangelo, Anna Netrebko, Dorothea Röschmann, Bo Skovhus; conducted by Nikolas Harnoncourt; English subtitles) – Acts I and II, Acts III and IV

Teatro all Scala, 2006 (Ildebrando d'Arcangelo, Diana Damrau, Marcella Orasatti Talamanca, Pietro Spagnoli; conducted by Gérard Korsten; English and Italian subtitles)

Salzburg Festival, 2015 (Adam Plachetka, Martina Janková, Anett Fritsch, Luca Pisaroni; conducted by Dan Ettinger; no subtitles)

Tosca

Carmine Gallone studio film, 1956 (Franca Duval dubbed by Maria Caniglia, Franco Corelli, Afro Poli dubbed by Giangiacomo Guelfi; conducted by Oliviero de Fabritiis; no subtitles)

Gianfranco de Bosio film, 1976 (Raina Kabaivanska, Plácido Domingo, Sherrill Milnes; conducted by Bruno Bartoletti; English subtitles)

Metropolitan Opera, 1978 (Shirley Verrett, Luciano Pavarotti, Cornell MacNeil; conducted by James Conlon; no subtitles)

Arena di Verona, 1984 (Eva Marton, Jaume Aragall, Ingvar Wixell; conducted by Daniel Oren; no subtitles)

Teatro Real de Madrid, 2004 (Daniela Dessí, Fabio Armiliato, Ruggero Raimondi; conducted by Maurizio Benini; English subtitles)

Royal Opera House, Covent Garden, 2011 (Angela Gheorghiu, Jonas Kaufmann, Bryn Terfel; conducted by Antonio Pappano; English subtitles)

Finnish National Opera, 2018 (Ausrinė Stundytė, Andrea Carè, Tuomas Pursio; conducted by Patrick Fournillier; English subtitles)

Teatro alla Scala 2019 (Anna Netrebko, Francesco Meli, Luca Salsi; conducted by Riccardo Chailly; Hungarian subtitles)

Vienna State Opera, 2019 (Sondra Radvanovsky, Piotr Beczala, Thomas Hampson; conducted by Marco Armiliato; English subtitles)

Ópera de las Palmas, 2024 (Erika Grimaldi, Piotr Beczala, George Gagnidze; conducted by Ramón Tebar; no subtitles)

Don Giovanni

Salzburg Festival, 1954 (Cesare Siepi, Otto Edelmann, Elisabeth Grümmer, Lisa della Casa; conducted by Wilhelm Furtwängler; English subtitles)

Giacomo Vaccari studio film, 1960 (Mario Petri, Sesto Bruscantini, Teresa Stich-Randall, Leyla Gencer; conducted by Francesco Molinari-Pradelli; no subtitles)

Salzburg Festival, 1987 (Samuel Ramey, Ferruccio Furlanetto, Anna Tomowa-Sintow, Julia Varady; conducted by Herbert von Karajan; no subtitles)

Teatro alla Scala, 1987 (Thomas Allen, Claudio Desderi, Edita Gruberova, Ann Murray; conducted by Riccardo Muti; English subtitles)

Peter Sellars studio film, 1990 (Eugene Perry, Herbert Perry, Dominique Labelle, Lorraine Hunt Lieberson; conducted by Craig Smith; English subtitles)

Teatro Comunale di Ferrara, 1997 (Simon Keenlyside, Bryn Terfel, Carmela Remigio, Anna Caterina Antonacci; conducted by Claudio Abbado; no subtitles) – Act I, Act II

Zürich Opera, 2000 (Rodney Gilfry, László Polgár, Isabel Rey, Cecilia Bartoli; conducted by Nikolaus Harnoncourt; English subtitles)

Festival Aix-en-Provence, 2002 (Peter Mattei, Gilles Cachemaille, Alexandra Deshorties, Mirielle Delunsch; conducted by Daniel Harding; no subtitles)

Teatro Real de Madrid, 2006 (Carlos Álvarez, Lorenzo Regazzo, Maria Bayo, Sonia Ganassi; conducted by Victor Pablo Pérez; English subtitles)

Festival Aix-en-Provence, 2017 (Philippe Sly, Nahuel de Pierro, Eleonora Burratto, Isabel Leonard; conducted by Jérémie Rohrer; English subtitles)

Madama Butterfly

Mario Lanfranchi studio film, 1956 (Anna Moffo, Renato Cioni; conducted by Oliviero de Fabritiis; no subtitles)

Jean-Pierre Ponnelle studio film, 1974 (Mirella Freni, Plácido Domingo; conducted by Herbert von Karajan; English subtitles)

New York City Opera, 1982 (Judith Haddon, Jerry Hadley; conducted by Christopher Keene; English subtitles)

Frédéric Mitterand film, 1995 (Ying Huang, Richard Troxell; conducted by James Conlon; English subtitles)

Arena di Verona, 2004 (Fiorenza Cedolins, Marcello Giordani; conducted by Daniel Oren; Spanish subtitles)

Sferisterio Opera Festival, 2009 (Raffaela Angeletti, Massimiliano Pisapia; conducted by Daniele Callegari; no subtitles)

Vienna State Opera, 2017 (Maria José Siri, Murat Karahan; conducted by Jonathan Darlington; no subtitles)

Wichita Grand Opera, 2017 (Yunnie Park, Kirk Dougherty; conducted by Martin Mazik; English subtitles)

Teatro San Carlo, 2019 (Evgenia Muraveva, Saimir Pirgu; conducted by Gabriele Ferro; no subtitles)

Rennes Opera House, 2022 (Karah Son, Angelo Villari; conducted by Rudolf Piehlmayer; French subtitles)

[evagreenmagnifique]

Wonderful Eva Green and Marton Czokas in ‘The Luminaries’ in 2020 🖤⭐️

[lesser-known-composers]

Umberto Giordano (1867-1948) - Andrea Chénier: O Pastorelle, addio

José Carreras · Eva Marton · Tamara Takács · István Rozsos · Giorgio Zancanaro ·

Hungarian State Radio and Television Chorus · Hungarian State Orchestra · Hungarian State Opera Children's Chorus · Giuseppe Patané

[classicalmusicdaily]

Promising Ukrainian mezzo-soprano Kseniia Nikolaieva joined the Jette Parker Young Artists Program for the Season 2020/22. Having a great passion for music and visual arts, Kseniia received two master’s degrees: firstly as an opera singer at the Ukrainian National Tchaikovsky Academy of Music by Pr. Alexander Dyachenko, and secondly as a designer-architect. Her first opera debut in Kiev Opera Studio was at the age of 19 in the role of Marta (Iolanta). After successful performances at competitions Neue Stimmen, Tenor Viñas Competition, Eva Marton International Singing Competition – she was invited to be part of the National Opera Studio program in London (2019-2020). Kseniia is honored to have been taught by Montserrat Caballe, Elena Obraztsova, Eva Marton, Anita Rachvelishvili, Nelly Miricioiu and many others. Kseniia is supported by a scholarship from the President of Ukraine, VERE MUSIC FUND and Opera Awards Foundation. From 2020-2022 Kseniia joined Jette Parker Young Artists Program in the Royal Opera House. At the start of the 2020/21 Season Kseniia made her Royal Opera debut as Bessie in Kurt Weill’s Mahagonny and Eboli/Mrs.Quickly in the Summer Performance. Opera engagements include Marta in Iolanta, Hivria in Mussorgsky’s Sorochinska yarmarka, Olga in Eugene Onegin, Maddalena in Rigoletto and Lubasha in Rimsky-Korsakov’s The Tsar’s Bride (Kiev National Opera Studio), and debuts Sapho in Sapho with the Welsh National Opera and recital with the English National Opera as part of the National Opera Studio Program in 2019–20. Plans include Giovanna in Rigoletto, Annina in La Traviata, Emilia in Otello, Mother in Mavra, Suzuki in Madama Butterfly in the Royal Opera House season 2021-2022. Hello, Kseniia! Thank you for accepting our invitation, now that your country is passing through such difficult times! We are all watching the tremendous news every day and we’ve been praying for everything to stop. How are you living it and what do you think about the opera world’s reaction on the violent attacks towards Ukraine? Hello! I was very pleased to receive your invitation, thank you! Ukrainians are a very strong people! Our strength is in our spirit, in truth, in peace-loving, in our unity as a nation and our incorruptible love for our country! The first days of Russia’s attack on Ukraine were like a nightmare! I wanted someone to pinch you, you woke up and all this bloody hell ended! But, unfortunately, all this turned out to be a shocking reality… A reality that takes away human lives, even those that have just been born, destroys our cities with bomb shells, our homes, separates families, tramples on human destinies… The enemy invaded our home – Ukraine without an invitation, with pleasure walking with tank tracks all over her body, destroying everything that is dear to us, that we all created with such love for many years! I no longer recognize my native streets, parks, playgrounds – the cold hand of the barbarian murderers did not tremble before anything! Who are these people?… And are they people at all? The world of art feels life and all its manifestations very subtly, passing what is happening not only through the head, but also through the soul. That response, that support and empathy that the entire opera world is now showing in relation to the terrorist attacks of the aggressor on Ukraine, once again shows everyone the scale of madness, inhumanity and the complete absence of all moral and social values! The question on everyone’s lips today is: is the culture supposed to stay out of politics or to exercize its social function? How could art and artists help Ukraine at this point? When it comes to the killing of innocent, peaceful people and crimes against humanity, this is no longer politic!Could art and artists help Ukraine in this situation? Of course, yes! Only tears, feelings, words of condolence, support won’t help grief – you need to act! Everyone should act according to their abilities! Everyone chooses their own way of helping, I can share mine.

Now, in London, I participate in many charity concerts, in everything where you can collect financial assistance to support Ukraine! Every day I have at least one performance scheduled. In this situation, the site doesn’t matter to me. Yesterday, for example, I was contacted by the Covent Garden Street Performers Association and asked to perform at Covent Garden Square along with street musicians in front of a large number of people who came to support and donate money for Ukraine, and in the evening I had a performance scheduled at ROH. Of course, I agreed – in this situation, any methods are good! I communicate with sponsors, tell them the situation in Ukraine; in the evening, if there is no performance, I go to a protest, where I also perform. I do all this in order to raise funds and transfer them not to some large organization-fund that closes global problems, but to send them to volunteers in Ukraine, whom I know personally. Volunteers who are at the epicenter, in the occupied territories, who are engaged in the purchase of medicines for hospitals, volunteers who cook and buy food, orphanages, large families. I see all the reporting, so I understand that not a single penalty will be lost or spent incorrectly. Since there is not only an armed war against the Ukrainian people, but also an information war aimed at alerting people with false information and blocking sources of real information by Russia, social networks are also a platform for revealing the situation of real events, in real time. An artist is an influencer, each in his own scale, with his own team of admirers, who is able to pay attention to the problem, to open his eyes to the truth. Therefore, don’t think that this won’t work, even if your story, post will make at least one person think about standing up in defense and support of Ukraine – this is already a victory! reposted from https://opera-charm.com/

[alwayswiselight]

Last Sunday, I received the updated Covid vaccine along with my annual flu shot. The following day found me just enough under the weather to do much posting here. But, I was able to enjoy two of my favorite operas pictured above.

Richard Strauss' Elektra is to me his most powerful dramatic work which I find best represented by the Sir George Solti set with Birgit Nilsson in the lead and the live performance at the Vienna State Opera under Claudio Abbado with Eva Marton in the lead. In both, the scene in which Elektra finally recognizes her brother Oreste is shattering in the extreme. If you love ancient Greek tragedy, you'll love this.

As for Riccardo Zandonai's much-neglected Francesca da Rimini, the only performances that do it justice are the 1952 RAI broadcast recording under the Cetra label and the 1984 Metropolitan Opera performance starring Renata Scotto and Placido Domingo under James Levine. The production values of the latter are practically non-existent today. And, though both Caniglia and Scotto were a bit past their prime, each brings to Francesca the necessary Italianate sensitivity to both words and music. Domingo, as usual, fulfills expectations. However, it's Cornel MacNeil who practically steals the show with his terrifying portrayal of the jealous Gianciotto.

[joaquimblog]

IL TROVATORE 5/5: LEONORA

IL TROVATORE 5/5: LEONORA

Avui finalitzo les cinc propostes que us he fet en ocasió de les representacions que estan tenint lloc al Liceu de la popular òpera verdiana Il Trovatore, amb l’apunt dedicat al personatge de Leonora i amb la difícil escena del quart acte que s’inicia amb el recitatiu “Vanne, lasciami…Timor di me” contiua amb la hipnòtica i bellíssima ària “D’amor sull’ali rosee” per seguir amb el “Misere” amb la…

[scenesandscreens]

Kingdom of Heaven (2005)

Director - Ridley Scott, Cinematography - John Mathieson

"There will be a day when you will wish you had done a little evil to do a greater good."

[incorrect-koh-posts]

Kingdom of Heaven (2005) + Troubled Birds

[pedroam-bang]

Kingdom Of Heaven (2005)

[vintagewarhol]

[princesssarisa]

Opera on Youtube 4

L'Elisir d'Amore (The Elixir of Love)

Maggio Musicale Fiorentino, 1967 (Carlo Bergonzi, Renata Scotto; conducted by Gianandrea Gavazzeni; no subtitles)

Metropolitan Opera, 1981 (Luciano Pavarotti, Judith Blegen; conducted by Nicola Rescigno; Spanish subtitles) – Part I, Part II

Metropolitan Opera, 1991 (Luciano Pavarotti, Kathleen Battle; conducted by James Levine; English subtitles) – Part I, Part II

Vienna State Opera, 2005 (Rolando Villazón, Anna Netrebko; conducted by Alfred Eschwé; English subtitles)

Theatro da Paz, Brazil, 2013 (Atalla Ayan, Carmen Monarcha; conducted by Emiliano Patarra; Brazilian Portuguese subtitles)

Teatro Manoel, Malta, 2015 (Cliff Zammit Stevens, Shoushik Barsoumian; conducted by Philip Walsh; English subtitles)

Vienna State Opera, 2017 (Dmitry Korchak, Olga Peretyatko; conducted by Marco Armiliato; no subtitles) – Part I, Part II

Ópera de Bellas Artes, Mexico City, 2017 (Ramón Vargas, Olivia Gorra; conducted by Guido Maria Guida; Spanish subtitles)

Vienna State Opera, 2018 (Benjamin Bernheim, Andrea Carroll; conducted by Frédéric Chaslin; no subtitles)

San Francisco Opera, 2023 (Pene Pati, Slávka Zámečníková; conducted by Ramón Tebar; English subtitles)

Hänsel & Gretel

Vittorio Cottafavi studio film, 1957 (Fiorenza Cossotto, Jan Poleri; conducted by Nino Sanzogno; sung in Italian with Italian subtitles)

August Everding studio film, 1981 (Brigitte Fassbaender, Edita Gruberova; conducted by Georg Solti; English subtitles)

Leipzig Opera, 1981 (Annelott Damm, Steffi Ullmann; conducted by Horst Gurgel; no subtitles)

Julliard Opera Center, 1997 (Jennifer Marquette, Sari Gruber; conducted by Randall Behr; English subtitles)

Opera Australia, 1992 (Suzanne Johnston, Christine Douglas; conducted by Johannes Fritzsch; sung in English)

Vienna State Opera, 2015 (Daniel Sindram, Ileana Tonca; conducted by Christian Thielmann; English subtitles)

Pacific Northwest Opera, 2015 (Sylvia Szadovszki, Ksenia Popova; conducted by Clinton Smith; sung in English with English subtitles)

Scottish Opera, 2020 (Kitty Whately, Rhian Lois; conducted by David Parry; sung in English with English subtitles)

Eklund Opera Program, 2020 (Christine Lee, Anna Whiteway; conducted by Nicholas Carthy; sung in English with English subtitles)

Amarillo Opera, 2021 (Sarah Beckham-Turner, Patricia Westley; conducted by Carolyn Watson; English subtitles)

Turandot

Mario Lanfranchi studio film, 1958 (Lucilla Udovick, Franco Corelli; conducted by Fernando Previtali; English subtitles)

Vienna State Opera, 1983 (Eva Marton, José Carreras; conducted by Lorin Maazel; no subtitles)

Royal Opera House, Covent Garden, 1986 (Gwyneth Jones, Franco Bonisolli; conducted by Jacques Delacote; English subtitles)

Forbidden City, Beijing, 1998 (Giovanna Casolla, Sergej Larin; conducted by Zubin Mehta; no subtitles)

Teatro alla Scala; 2001 (Alessandra Marc, Nicola Martinucci; conducted by Georges Prêtre; French subtitles)

Gran Teatre del Liceu, 2009 (Anna Shafajinskaia, Fabio Armiliato; conducted by Giuliano Carella; English subtitles)

Chorégies d'Orange 2012 (Lise Lindstrom, Roberto Alagna; conducted by Michel Plasson; French subtitles)

Wichita Grand Opera, 2015 (Zvetelina Vassileva, Ricardo Tamura; conducted by Martin Mazik; no subtitles)

Teatro de Bellas Artes, Mexico City, 2017 (Gabriela Georgieva, Carlos Galván; conducted by Enrique Patrón de Rueda; Spanish subtitles)

Opera Hong Kong, 2018 (Oksana Dyka, Alfred Kim; conducted by Paolo Olmi; English subtitles)

Eugene Onegin

Prince Regent Theatre, Munich, 1965 (Hermann Prey, Ingeborg Bremert; conducted by Joseph Keilberth; sung in German; no subtitles)

Paris Opera, 1982 (Benjamin Luxon, Galina Vishnevskaya; conducted by Mstislav Rostropovich; French subtitles)

Kirov Opera, 1984 (Sergei Leiferkus, Tatiana Novikova; conducted by Yuri Temirkanov; English subtitles)

Chicago Lyric Opera, 1985 (Wolfgang Brendel, Mirella Freni; conducted by Bruno Bartoletti; Spanish subtitles)

Petr Weigl film, 1988 (Michal Docolomanský dubbed by Bernd Weikl, Magda Vásáryová dubbed by Teresa Kubiak; conducted by Georg Solti; English subtitles)

Festspielhaus Baden-Baden, 1998 (Vladimir Glushchak, Orla Boylan; conducted by Gennadi Rozhdestvensky; English subtitles) – Act I, Act II, Act III

Palau de les Arts Reina Sofia, Valencia, 2011 (Artur Rucinski, Kristine Opolais; conducted by Omer Meir Wellber; no subtitles) – Part I, Part II

Teatro Comunale di Bologna, 2014 (Artur Rucinski, Amanda Echalaz; conducted by Aziz Shokhakimov; English subtitles)

Mariinsky Theatre, 2015 (Andrei Bondarenko, Yekaterina Goncharova; conducted by Valery Gergiev; French subtitles)

Livermore Valley Opera, 2019 (Morgan Smith, Antonina Chehovska; conducted by Alex Katsman; English subtitles)

[evagreenmagnifique]

Wonderful Eva Green and Marton Czokas in ‘The Luminaries’ in 2020 🖤⭐️