#Eugénie Grandet

[who-do-i-know-this-man-s4]

⚠️Vote for whomever YOU DO NOT KNOW⚠️‼️

[dr0oo0dus]

My favorite moment from Eugenie Grandet

[alberodelpensiero]

L'importanza di Balzac per la letteratura moderna

[divorcedwife]

i did read crime and punishment to my baby nephew once, it made him fall asleep. if i had a baby i would 100% read classics out loud to them just to see what happens

[rozieramati]

Louise Bourgeois, “Eugénie Grandet,” 2009

[wolfpee]

Eugénie Grandet, Balzac

[pinkmoonmp3]

cloth panel from louise bourgeois’s 2009 piece eugénie grandet via all___kinds

[vecchiorovere]

"Eugénie Grandet" è uno dei romanzi più celebri di Honoré de Balzac, pubblicato per la prima volta nel 1833. Fa parte del vasto ciclo narrativo de "La Comédie Humaine", un'opera monumentale che Balzac ha dedicato a rappresentare la società francese del suo tempo.

Il romanzo è ambientato nella cittadina di Saumur, nella Valle della Loira, e racconta la storia di Eugénie, una giovane donna che vive sotto il giogo del padre, Félix Grandet, un uomo estremamente avaro e manipolatore. La trama si sviluppa attorno alla vita monotona e opprimente di Eugénie, che viene sconvolta dall'arrivo del cugino Charles, recentemente orfano e senza un soldo. Questo incontro risveglia in Eugénie sentimenti di amore e ribellione, portandola a scontrarsi con l'autorità paterna.

Balzac utilizza la figura di Grandet padre per criticare l'ossessione borghese per il denaro e il potere. La sua avarizia non solo rovina la vita della figlia, ma rappresenta anche una critica più ampia alla società del tempo, dove il valore delle persone è spesso misurato in termini di ricchezza materiale. La descrizione dettagliata della vita provinciale e delle dinamiche familiari rende il romanzo un ritratto vivido e realistico della Francia post-rivoluzionaria.

Honoré de Balzac nacque il 20 maggio 1799 a Tours, in Francia, da una famiglia borghese. Suo padre, Bernard-François Balzac, era un funzionario pubblico, mentre sua madre, Charlotte-Laure Sallambier, proveniva da una famiglia di commercianti parigini. Balzac trascorse un'infanzia solitaria e difficile, segnata dai frequenti disaccordi tra i genitori.

Dopo aver frequentato il Collège des Oratoriens a Vendôme, Balzac si trasferì a Parigi, dove studiò diritto. Tuttavia, la sua vera passione era la letteratura. Dopo alcuni tentativi falliti di affermarsi come drammaturgo, Balzac iniziò a scrivere romanzi sotto vari pseudonimi. La sua carriera letteraria decollò con la pubblicazione di "Les Chouans" nel 1829, il primo romanzo che firmò con il suo vero nome.

Balzac è noto per il suo stile di vita frenetico e per la sua incredibile produttività. Lavorava spesso per lunghe ore, alimentato da caffè nero, e scriveva in modo compulsivo. La sua opera più famosa, "La Comédie Humaine", è una serie di quasi cento romanzi e racconti che offrono un ritratto dettagliato della società francese del XIX secolo. Tra le sue opere più celebri si trovano "Le Père Goriot", "La Cousine Bette" e, naturalmente, "Eugénie Grandet".

Nonostante il successo letterario, Balzac ebbe una vita personale tumultuosa, segnata da numerosi debiti e relazioni amorose complicate. Nel 1850, sposò la contessa polacca Ewelina Hańska, con la quale aveva intrattenuto una lunga corrispondenza. Purtroppo, Balzac morì pochi mesi dopo il matrimonio, il 18 agosto 1850, a Parigi.

Balzac è considerato uno dei padri del realismo nella letteratura europea. La sua capacità di creare personaggi complessi e di descrivere con precisione la società del suo tempo ha influenzato molti scrittori successivi, tra cui Émile Zola, Charles Dickens e Marcel Proust.

[monkeyssalad-blog]

Germaine Dermoz by Truus, Bob & Jan too! Via Flickr: French postcard. Edition Pathé Frères. Photo Félix. Germaine Dermoz (1888–1966), younger sister of actress Jeanne Delvair, was a French film and theatre actress of the early-to-mid twentieth century. She is most famous for her portrayal of Madame Beudet in Germaine Dulac's avant-garde film The Smiling Madame Beudet (1923). Germaine Dermoz was born as Germaine Deluermoz on July 30, 1888 in Paris. She acted on stage with Réjane (she stayed with Réjane’s troupe between 1907 and 1909) and Firmin Gémier and her many theatrical tours led her, before the First World War, as far as Argentine and Russia. She recounts in her memoirs the perilous conditions in which one day she and her comrades had to cross the Cordillera of the Andes on the back of a donkey, on the side of a mountain on narrow paths, resigning themselves to throwing a part of their costumes on the snowy slopes. In St. Petersburg, she played before Tsar Nicholas II and suffered the first shots of the October 1917 revolution. Contrary to some assertions, she never belonged to the Comédie-Française. Already from 1908 Dermoz acted in the Gaumont film Méprise (Maurice de Féraudy, 1908), followed by a few more shorts by De Féraudy, but soon she would also play in films by Pathè, Éclair and Eclipse as well. She was especially active in the historical genre, such as Dragonnades sous Louis XIV (1909), Beethoven (1909), Eugénie Grandet (1910), Le roi Philippe le Bel et les templiers (1910), all by Victorin-Hippolyte Jasset for Éclair, but also La mort du duc d'Enghien en 1804 (Albert Capellani, 1909), La fin d'un tyran (Georges Le Faure, 1909), La duchesse de Langeais (André Calmettes, 1910), for Pathé, and L'assassinat d'Henri III (Henri Desfontaines, Louis Mercanton, 1911) , Olivier Cromwell (Desfontaines, 1911), and Milton (Desfontaines, 1911) for Eclipse. After the Éclair film Le mystère de Notre-Dame de Paris (Emile Chautard, Victorin-Hippolyte Jasset, 1912), Dermoz mostly acted in Pathé productions, of which several were directed by Adrien Caillard, such as Les trois sultanes (1912), Zaza (1913), adaptation of the play by Berton and Simon, and L'héritage de Cabestan (1913). At Pathé Dermoz was often acting together with Henri Étievant and Jeanne Grumbach, as in L’absent (A Dutch Love Story, Albert Capellani, 1913), and Le petit Jacques (Little Jack, Georges Monca, 1913). After 1914 Dermoz took a break of the set during the First World War, during which Pathé drastically reduced fiction film production. In 1918 she returned with the Pathé film La masque de l’amour by René Plaisetty, with Mévisto and Grumbach, and she had the female lead in the Balzac adaptation La marâtre (Jacques Grétillat 1918). Other adaptations followed: L'énigme (Jean Kemm, 1918) after Hervieu, Fanny Lear (Robert Boudrioz, Jean Manoussi, 1919), after Halévy and Meilhac, Les cinq gentlemen maudits (Luitz-Morat, Pierre Régnier, 1920) after Reuze, Petit ange (Luitz-Morat, Pierre Régnier, 1920) after Vercourt. If it were necessary to point out a single film of that period, though, it would undoubtedly be the masterpiece of Germaine Dulac, La souriante Madame Beudet (1923), a feminist manifesto and typical avant-garde production. The film deals with an intelligent woman trapped in a loveless marriage with a man, who always points an unloaded revolver at his head for fun. Sick of him, she loads the gun, but repents and tries to empty the gun. Yet, the man seizes the gun first and points it at her. In her memoirs, Dermoz recounts the apprehension that had seized her when the film was broadcast forty years later on French television and surprised to find that her play did not have the dreaded exaggeration and grotesque that characterized [a part of] silent film acting. After the female lead in the operetta film La course du flambeau (Luitz-Morat, 1925), which she had performed on stage in 1907, Dermoz’s silent film career ended. Between the two wars, she preferred to devote herself almost exclusively to the theater. She played on the biggest Parisian stages, and enjoyed successes in contemporary plays by André Josset, Henri-René Lenormand, Charles de Peyret-Chappuis and Jean Cocteau. On November 14, 1938, directed by former actress Alice Cocéa, and performed at the Théâtre des Ambassadeurs in Paris, Germaine Dermoz created the character of Yvonne in Les Parents terribles by Cocteau, with Gabrielle Dorziat and the very young Jean Marais, replacing almost instantly Yvonne de Bray for whom the role had been written but who, because of a serious heart problem, was no longer able to play. At the same time, Dermoz led a more relaxed film career, accepting shooting proposals only if they did not compromise her commitments to the theatre. When sound film set in in France she returned to the film set for supporting parts in Jacques de Baroncelli’s Daudet adaptation L'Arlésienne (1930), starring Blanche Montel, and Le rêve (Baroncelli, 1931) after Zola. Instead, Dermoz had the lead as Madame Kampf in Le bal (The Ball, Wilhelm Thiele, 1931), in which she played a middleclass woman who just like her husband (André Lefaur) turns into a snob when an inheritance looms. Their daughter (Danielle Darrieux in her first film role) torpedoes the plans when she throws all the invitations to the ball her parents organise in the Seine. The film was shot in a German version too by the same Thiele, Der Ball. After the court case drama Le crime du chemin rouge (Jacques Séverac, 1933), in which a lawyer (Marcel Vibert) suspects his wife (Dermoz) of murder, Dermoz had an endearing part in La porteuse de pain (The Bread Peddler, René Sti, 1934), as an innocently imprisoned woman, who after twenty years of hard labour, evades and goes to Paris where she survives as bread peddler. She finds back her children one by one, after which she unmasks the culprit, Jacques Garaud (Jacques Grétillat). By now Dermoz often played mature roles, as Annabella’s meddling mother in Les nuits moscovites (Moscow Nights, Alexis Granowsky, 1934), the wife of Fernand Charpin in the Mauriac adaptation Les anges noirs (The Black Angels, Willy Rozier, 1937), the wife of Raimu in Le héros de la Marne (Heroes of the Marne, André Hugon, 1938), Maria de Medici in Remontons les Champs-Élysées (Sacha Guitry, 1938), the mother of Katia Lova in La vie est magnifique (Maurice Cloche, 1939), the mother of Jean Chévrier in the smugglers drama Andorra ou les hommes d’airain (Andorra or the Bronze Men, 1942), and Raymond Rouleau’s mother and Constant Rémy’s wife in Monsieur des Lourdines (Pierre de Hérain 1943) after Chateaubriant. After the war she was Queen Anne of Austria in Monsieur Vincent (1947) on St. Vincent de Paul, played by Pierre Fresnay. In the comedy Le Rosier de Madame Husson (The Rosier of Madame Husson, Jean Boyer, 1950), after Maupassant’s classic tale, she leads a group of charitable ladies searching for a chaste girl, who will win a big sum of money. By lack of a chaste female they select a man (Bourvil), who, though, proves to be weak against female seductions. In Poil de carotte (Paul Mesnier, 1952), she was the ill-doing, hateful mother of the protagonist (Christian Simon). After a few minor parts, Dermoz almost made full circle with her early historical films when playing Catherine de Medici in Si Versailles m’était conté (Sacha Guitry, 1955), though two more minor parts followed. Dermoz’s last film part was in the spy comedy L'Honorable Stanislas, agent secret (Jean-Charles Dudrumet, 1963). Her stage career had already ended in the mid-1950s. Germaine Dermoz was the younger sister of Jeanne Delvourmoz, aka Jeanne Delvair (1877-1949), actress at the Comédie-Française, while her younger brother was animal painter Henri Deluermoz (1876-1943), illustrator, among others, of one of the first French editions of Jungle Book by Rudyard Kipling. After a first marriage, Germaine Dermoz married in second wedding the actor Jean Galland, whom she then divorced. From his first marriage, Germaine Dermoz had a daughter, Claude, and from her second, another daughter, Anne-Marie. She was also, by her first marriage, the aunt by marriage of the actress Annabella, called "Zette" for the intimates, with whom she maintained affectionate ties until the end of her life. The journalist Hélène Lazareff, comedian Noël Roquevert and his wife, and the actress Paulette Noizeux were among the close friends of Germaine Dermoz. Germaine Dermoz died on November 6, 1966 in Paris. Source: French Wikipedia, IMDB.

[ninadove]

Allow me to share my own treasures (most of these are French)!

East of Eden by John Steinbeck. A story about siblings, flawed parenting, and humanity’s struggle to do good. Probably my favourite novel right now.

Cyrano de Bergerac by Edmond Rostand. A story about love and lies and beauty and sacrifice and letters, many of them. The play ever.

Le spleen de Paris by Charles Baudelaire. A collection of short prose poems, which were revolutionary at the time.

Vipère au poing by Hervé Bazin. A poignant look into a childhood of abuse, and what it means to become your parents.

Le Père Goriot by Honoré de Balzac. An excellent surprise given I did not like Eugénie Grandet at all. This one is about paternal love and ungrateful children, for a change!

Thérèse Raquin by Émile Zola. Dare I say it’s horror? It probably counts as horror. I also liked L’Assommoir and Nana, but they are considerably longer, so probably not the best place to start.

The Picture of Dorian Gray by Oscar Wilde, but it’s been mentioned before. Same for Mary Shelley’s Frankenstein; or, the Modern Prometheus, and of course, Bram Stoker’s Dracula.

Une vie by Guy de Maupassant. A story about heartbreak and hope.

En attendant Godot by Samuel Beckett. Just finished this play a few days ago, it’s purposefully weird and unsettling and strangely touching.

La Chambre des officiers by Marc Dugain. In which a disfigured WWI soldier learns to live again.

Les Trois Mousquetaires by Alexandre Dumas père and Auguste Maquet. Supremely funny and surprisingly dark. I’m re-reading it right now!

By the very same, Le Comte de Monte-Cristo. A story about rebirth and REVENGE.

The Black Cat by Edgar Allan Poe. Another story about rebirth and REVENGE.

Phèdre by Racine. Mythology and cool poetry? Sign me in!

La guerre de Troie n’aura pas lieu by Jean Giraudoux. A look at the circumstances that will inevitably lead to WWII, under the guise of a mythological rewrite.

Metamorphoses by Ovid. There’s a story for everyone! Including one about a trans guy who lives happily ever after!

Anything by Victor Hugo ever.

And so much more that I must be forgetting right now! @dragongutsixofficial and @pegasusdrawnchariots please come in with your additions! ❤️🪶

Hey so like many of you, I saw that article about how people are going into college having read no classic books. And believe it or not, I've been pissed about this for years. Like the article revealed, a good chunk of American Schools don't require students to actually read books, rather they just give them an excerpt and tell them how to feel about it. Which is bullshit.

So like. As a positivity post, let's use this time to recommend actually good classic books that you've actually enjoyed reading! I know that Dracula Daily and Epic the Musical have wonderfully tricked y'all into reading Dracula and The Odyssey, and I've seen a resurgence of Picture of Dorian Gray readership out of spite for N-tflix, so let's keep the ball rolling!

My absolute favorite books of all time are The Haunting of Hill House and We Have Always Lived in the Castle by Shirley Jackson. Classic psychological horror books about unhinged women.

I adore The Bad Seed by William March. It's widely considered to be the first "creepy child" book in American literature, so reading it now you're like "wow that's kinda cliche- oh my god this is what started it. This was ground zero."

I remember the feelings of validation I got when people realized Dracula wasn't actually a love story. For further feelings of validation, please read Frankenstein by Mary Shelley and The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson. There's a lot the more popular adaptations missed out on.

Rebecca by Daphne du Maurier is an absolute gem of a book. It's a slow-build psychological study so it may not be for everyone, but damn do the plot twists hit. It's a really good book to go into blind, but I will say that its handling of abuse victims is actually insanely good for the time period it was written in.

Moving on from horror, you know people who say "I loved this book so much I couldn't put it down"? That was me as a kid reading A Little Princess by Frances Hodgson Burnett. Picked it up while bored at the library and was glued to it until I finished it.

Peter Pan and Wendy by JM Barrie was also a childhood favorite of mine. Next time someone bitches about Woke Casting, tell them that the original 1911 Peter Pan novel had canon nonbinary fairies.

Watership Down by Richard Adams is my sister Cori's favorite book period. If you were a Warrior Cats, Guardians of Ga'Hoole or Wings of Fire kid, you owe a metric fuckton to Watership Down and its "little animals on a big adventure" setup.

A Raisin in the Sun by Lorraine Hansberry was a play and not a book first, but damn if it isn't a good fucking read. It was also named after a Langston Hughes poem, who's also an absolutely incredible author.

Fahrenheit 451 by Ray Bradbury is a book I absolutely adore and will defend until the day I die. It's so friggin good, y'all, I love it more than anything. You like people breaking out of fascist brainwashing? You like reading and value knowledge? You wanna see a guy basically predict the future of television back in 1953? Read Fahrenheit.

Huckleberry Finn by Mark Twain and To Kill a Mockingbird by Harper Lee are considered required reading for a reason: they're both really good books about young white children unlearning the racial biases of their time. Huck Finn specifically has the main character being told that he will go to hell if he frees a slave, and deciding eternal damnation would be worth it.

As a sidenote, another Mark Twain book I was obsessed with as a kid was A Connecticut Yankee in King Arthur's Court. Exactly what it says on the tin, incredibly insane read.

If Beale Street Could Talk by James Baldwin is a heartbreaking but powerful book and a look at the racism of the time while still centering the love the two black protagonists feel for each other. Giovanni's Room by the same author is one that focuses on a MLM man struggling with his sexuality, and it's really important to see from the perspective of a queer man living in the 50s– as well as Baldwin's autobiographical novel, Go Tell it on the Mountain.

Agatha Christie mysteries are all still absolutely iconic, but Murder on the Orient Express is such a good read whether or not you know the end twist.

Maybe-controversial-maybe-not take: Lolita by Vladimir Nabokov is a good book if you have reading comprehension. No, you're not supposed to like the main character. He pretty much spells that out for you at the end ffs.

Animal Farm by George Orwell was another favorite of mine; it was written as an obvious metaphor for the rise of fascism in Russia at the time and boy does it hit even now.

And finally, please read Shakespeare plays. As soon as you get used to their way of talking, they're not as hard to understand as people will lead you to believe. My absolute favorite is Twelfth Night- crossdressing, bisexual love triangles, yellow stockings... it's all a joy.

and those are just the ones i thought of off the top of my head! What're your guys' favorite classic books? Let's make everyone a reading list!

[joachimnusch]

"Ich glaube, dass der wahre Frieden in uns selbst beginnt, bevor er sich in der Welt manifestiert." - Honoré de Balzac

Honoré de Balzac war ein französischer Schriftsteller des 19. Jahrhunderts. Er wurde am 20. Mai 1799 geboren und verstarb am 18. August 1850. Balzac ist vor allem für seine monumentale Romanreihe "Die menschliche Komödie" bekannt, in der er das Leben und die Gesellschaft seiner Zeit ausführlich beschrieb. Seine Werke sind für ihre tiefgreifende Charakterdarstellung und realistische Darstellung des 19. Jahrhunderts in Frankreich berühmt.

Honoré de Balzac schrieb eine umfangreiche Sammlung von Romanen und Erzählungen, die als "Die menschliche Komödie" bekannt ist. Diese Serie umfasst mehr als 90 Romane und Novellen, die das französische Gesellschaftsleben des 19. Jahrhunderts in all seinen Facetten beleuchten. Einige seiner bekanntesten Werke aus dieser Serie sind:

- "Verlorene Illusionen" (1837-1843) - Dieser Roman behandelt das Leben eines jungen Dichters und seine Versuche, in der Pariser Gesellschaft Fuß zu fassen.

- "Vater Goriot" (1835) - Dieses Werk erzählt die tragische Geschichte des alten Goriot, der sein ganzes Vermögen für seine beiden undankbaren Töchter opfert.

- "Eugénie Grandet" (1833) - In diesem Roman geht es um den Konflikt zwischen materiellem Wohlstand und moralischer Integrität.

- "Cousine Bette" (1846) - Diese Geschichte dreht sich um die Rache der betrogenen Cousine Bette.

Balzac's Werke bieten eine reiche Quelle für die Analyse von menschlichem Verhalten, sozialen Strukturen und moralischen Dilemmas, die in spirituellen und philosophischen Diskussionen von Interesse sind.

©️ Joachim Nusch

joachim-nusch.de

meditation-and-more.de

#Balsac #Bildung #Romane #Literatur #Frieden #Peace #Bücher

[pavankakodiya89]

Đưa kịch, cải lương vào Nhà hát TP.HCM

Ra mắt công chúng vào 3 năm trước tại Sân khấu thể nghiệm Trường Múa TP.HCM, Thiên thần nhỏ của tôi, với nội dung xúc động, lôi cuốn, không chỉ phù hợp với các bạn nhỏ trong những ngày hè, mà còn đủ sức lay động cả những ký ức tuổi thơ của người “đã đủ lớn để mong bé lại”. Sau những đợt tái diễn, từ tháng 6 tới, Thiên thần nhỏ của tôi cũng như các tác phẩm khác của Sân khấu Hồng Hạc, sẽ đến với công chúng tại Nhà hát TP.HCM, theo kế hoạch hợp tác cùng Trung tâm tổ chức biểu diễn và điện ảnh TP.HCM. Tiếp sau đó, sẽ là vở kịch Eugénie Grandet (nguyên tác Balzac, biên kịch Việt Linh, đạo diễn Tây Phong), diễn ra vào 20 giờ ngày 14.6. Đây là hai vở diễn đặc sắc của Sân khấu Hồng Hạc, khi lần đầu tiên vở chính kịch dài được các diễn viên nhí từ 6 – 9 tuổi đảm trách vai chính, và cũng là lần đầu tiên văn học Balzac được chuyển thể sân khấu ở VN, với sự đầu tư công phu về trang phục, âm nhạc, do ê kíp diễn viên trẻ tài năng thể hiện. Khi đến với Nhà hát TP.HCM, các vở kịch sẽ có phụ đề tiếng Anh.

[kellyvela]

Back to my Sansa Stark/Eugénie Grandet era.

[vietnamstar]

Drama plays mark 50 years of partnership between Việt Nam and France

TALENTED THESPIAN – Young actress Lê Chi Na (left) plays a lead role in ‘Eugénie Grandet’ in the Vietnamese adaptation of Honoré de Balzac’s novel. Photo courtesy of the theatre. HCM CITY — Young artists of the Hồng Hạc Drama Troupe are working on a series of new plays to mark 50 years since the establishment of diplomatic ties between Việt Nam and France. The highlight is an experimental play…

[polifema32]

#eugeniagrandet de #honoredebalzac Félix Grandet, tonelero retirado y otrora alcalde de Saumur que prosperó valiéndose de un sentido para los negocios acompañado de una enorme avaricia y aprovechándose de la inestabilidad de la época que le ha tocado vivir en sus años de trabajo, además de haber recibido herencia de madre, suegro y suegra en el mismo año, hace creer a su mujer, a su hija Eugénie y a la sirviente Nanon que no son una familia de posición desahogada, y viven todos en una casa cochambrosa cuya reforma evita él; mientras, se dedica a acrecentar su fortuna.🍃🍃🪴🪴🪴🐈🐈🐈🐈🪴🪴🪴🪴🐈‍⬛🐈‍⬛🐈‍⬛🐈‍⬛🍃🍃🍃🍃 ENVÍOS Y FORMA DE ENTREGA 📦🚇🐈🪴 Te invitamos a visitar nuestra tienda en línea https://linktr.ee/Loslibrosdepolifema Entregas personales todos los martes, miércoles y sábados en estación revolución línea 2 del STCM #escritores #lecturas #megustaleer #escritor #bookstagram #libreria #instalibros  #librosymaslibros #poema #librosjuveniles #instabooks #lecturasrecomendadas #librosenventa (en Mexico City, Mexico) https://www.instagram.com/p/CpL1cF5uQcd/?igshid=NGJjMDIxMWI=

[wolfpee]

gorgeous edition of Eugénie Grandet❤️