#Especially those who don't speak English as a first language

[int3rtwiningh3artstrings]

you wanna know what else I got another thing it's probably because the characters "speak well" and they were stereotyping worse

they don't have a stereotypical poc accent

they don't contract often or use words in nontypical orders like people expect POC to do (especially those who don't have English as a first language or grew up in underprivileged neighborhoods)

and they don't do a lot of the "POC who just doesn't understand how to assimilate to whiteness or be proper 😝😝" typical behavior y'all pmo BAD

Im like crazy late to this LOL

But like, did anyone else see that one person who was like "there are some times where listeners/characters being black or Asian doesn't make sense"

Because I am so fucking close to crashing out what part of UP TO INTERPATATION. Escapes yall?! The fuck do you mean by "doesn't make sense" clarify to the class please.

[chicago-geniza]

Guy at bar complimented my keffiyeh (coming back from Palestine solidarity protest), we started talking global + local politics, it turned out he was involved with our alder's office, when he found out I was unemployed and disabled he covered my tab, saying "from each according to their ability, to each according to their needs." I love Chicago and I love my neighborhood so much

[libraryraccoon]

TWST with a Manipulator!Reader Headcanon

Gender : GN

Pronouns : None

Type : Headcanon/Ideas

Characters : Riddle, Idia, Vil

Others infos : Not manipulator like that, but yk those who have masks that hide their emotions, those who analyze people and their behavior/attitude changes depending on who they talk to, in a way the person they talk to will like them, letting no one see their true colors. And they are traumatized too bc what is someone without trauma ??? And the Reader is really good at that. Bad english (it's not my first language), probably ooc.

I don't think Riddle would realize/understand it. To him, you were just a good student who followed the rules. And I don't think he'll realize you're playing a role, not if anyone else tells him, and if he does it probably would have been Trey or Carter, if they realize it. After that, he will observed you more and will try to talk with you about that. He will probably be a little hurt that you somehow manipulated him, not showing the real you. After that, you have two choices, lie to him and say you were being real with him, or tell the truth and try to act like the real you. If you lie, I don't think he will see it, trusting you and not thinking that you lied to him. If you tell the truth, he will be a little hurt by this new, but he will try to know you, the real you. Even if the real you isn't perfect, he will love it and be happy that you trust him enough to show him the real you.

Idia will know it. You can't tell me that man doesn't stalk you. Even if you're a friend, when he will get bored or having nothing to do or just for knowing what his friend/partner do, he will look in the school cameras. He will see that you act differently with almost everyone, adapting to the person you are speaking with. He would surely be intrigued and/or confused about this. Idia will probably wonder who the real you is, and if you were lying to him all along. He'll question you about it at some point, if you lie about being the real you with him, there's a 50/50 chance he'll believe you, his sixth sense screaming that you're lying. If you tell the truth, he won't talk to you for days, can't believe he fell into this trap- the trust will be broken, and it would be worse if you were together romantically because he will think you also lie about loving him, but it could be fixed with time.

Vil will know something is wrong. Being an actor, I feel like he would know when someone is playing a role or at least have suspicions. His sixth sense would scream that something was wrong, so he would observe and send Rook to gather information. Above all, he would be curious, curious to know the real you, and to know why you play a role, constantly changing depending on the person you are with. If you are together, he will be hurt that you played him, realizing that he really knows nothing about you. He might question your feelings towards him. If you lie, like Idia, something inside him will tell him that you lie, and Vil will maybe talk about it again. If you say the truth, Vil will try to know you really, especially in a relationship, it would be like starting from scratch.

[yumeka-sxf]

Japanese Linguistic Observations in Spy x Family - part 1

This is a post series I've been planning for a while and I've finally had the time to complete part 1! 😃 I may have mentioned here before that I got my B.A. in Japanese/East Asian Studies, and even though I'm not fluent, I know the linguistics of the language fairly well. So I thought it would be fun to examine the interesting aspects of the Japanese version of the SxF manga that aren't reflected in the English translation. It might also be an informative experience for those who don't know any Japanese to learn a bit about the language through SxF! I'll try not to get too technical with the linguistics and keep my explanations at a beginner's level.

-----

Part 1 - Twilight's "honne and tatemae"

One of the main themes in SxF is how many of the characters have secrets they want to hide, so they act a certain way in front of others in order to mask their true selves. Japanese has a word for this phenomena called 本音と建前 ("honne and tatemae").

I remember learning about the concept of "honne and tatemae" during my Japanese college studies – a quick google search will yield a lot of publications on the topic and its relation to Japanese culture in particular. While the idea of hiding one's true intentions behind a fake facade can exist anywhere and is not something unique to Japan, it is enough of an occurrence in Japanese culture that there are specific words for it. The Wiki article has a basic but good definition of honne and tatemae, to quote:

A person's honne may be contrary to what is expected by society or what is required according to one's position and circumstances, and they are often kept hidden, except with one's closest friends. Tatemae is what is expected by society and required according to one's position and circumstances, and these may or may not match one's honne. In many cases, tatemae leads to outright telling of lies in order to avoid exposing the true inward feelings.

Sounds very much like the characters in SxF, doesn't it? Twilight especially, because unlike other characters like Yor and Anya, who simply have secrets they need to keep but don't create fake personas for themselves, Twilight does – the cheerful, friendly Loid Forger is a different person from the cold, calculating Twilight after all. Also unlike Yor and Anya, who speak the same way consistently no matter who they're talking to, Twilight uses different speech levels depending on which persona he's using and who he's talking to.

There are many different levels of speech in Japanese, ranging from super formal to totally crude. These speech levels are distinguished mostly by the pronouns the speaker chooses to use for themselves and who they're speaking to, as well as how they choose to conjugate the words they use. For example, 座ってください (suwatte kudasai), 座って (suwatte,) and 座れ (suware) all mean "sit," as in, telling someone to sit down. But the tone being conveyed is different: the first one is polite, the second one is casual, and the last one could be seen as rude if you're not using it with a close friend/family member.

As Twilight, he uses casual speech with the masculine and less polite pronoun 俺 or オレ (ore). This is the speech he uses when talking to a fellow spy like Fiona, and for his own inner thoughts.

As Loid Forger, he uses the polite 敬語 (keigo) speech, which is basically comprised of using the -ます (-masu) conjugation for verbs and the "to be" verb です (desu). He also uses the pronoun ボク or 僕 (boku), which is the standard male pronoun and more polite than "ore." He uses keigo to address pretty much everyone who doesn't know his true identity. When talking to a higher-up like Sylvia, he'll still use "ore" but will use polite speech instead of casual speech.

Anya is an exception to this: with her, he uses his most casual speech, the same as he uses with Franky.

I discussed a bit about this in part 24 of my Twiyor analysis posts, but this could be because Anya is a little kid, so he doesn't feel the need to put on any airs with her (same with Bond, whom he also uses casual speech with).

An interesting side note is that, as a child, Twilight used the pronoun "boku" but then changed to "ore" as soon as he became an adult/soldier.

Another aspect of keigo, besides using the more polite forms of pronouns and verb conjugations, is putting the honorific さん (san) after people's names. Twilight does this all the time with Yor, as she does with him. However, he switches to casual speech and drops the "san" part in her name when addressing her in front of people who (supposedly) believe they're a real married couple, such as Yuri and Fiona – because it would be weird for a real couple who have been married for a year to address each other in such a formal way, especially the husband. In the below panel when Fiona visits them, he's calling her "Yor" instead of "Yor-san" and using casual speech instead of keigo.

Oddly in these situations, while he uses just "Yor" when addressing her directly, he still calls her "Yor-san" when talking about her. During Yuri's first visit for example, he calls her "Yor-san" when telling Yuri how much Anya loves her (talking to someone about her) but then calls her just "Yor" a few moments later when telling her that he'll clean up the spill (talking to her directly). It's strange to me that he wouldn't just consistently use "Yor" whether he's talking to her or about her in these situations...I'm honestly not sure if he does this intentionally or if he just slips up since he's so used to using "Yor-san" in her presence.

*UPDATE* Thank you to @dentedintheworld-blog for enlightening me with the below reply about this!

"In Japanese, when speaking to your spouse's family about your spouse, you address her/him by attaching "san" her/his name out of respect for her/his family. This is also to show her/his family that you respect your spouse. That's why Loid calls Yor with san when he talks about how much he loves Yor to Yuri."

That definitely makes sense for why Twilight switches between "Yor" and "Yor-san" in these situations.

Regardless, this is why the scene in chapter 86 is so significant – when Yor isn't present, there's no reason for him to refer to her as "Yor-san," especially in front of a fellow spy like Fiona who knows he (supposedly) shouldn't have any feelings for her. Yet, even after he just called Yuri by his full name "Yuri Briar" a moment before, he doesn't do the same for Yor and continues to call her "Yor-san" here, much to Fiona's dismay.

In the same chapter, it's also significant that he uses "ore" when addressing Yor directly in his thoughts. Even though he's not speaking out loud, I believe this is the first time he's speaking directly "to" her as Twilight and/or his true self and not as Loid Forger.

But despite all this, I think that both Loid Forger and Twilight are tatemae…they're both masks to hide the person he truly is. The person who fondly talked about his mother to Yor on the park bench, the person who genuinely expressed gratitude for her sacrifice when leaving the resort island, the person who refused to kill Yuri in a life-or-death struggle because he knew it would hurt her…that's his actual honne. But of course, the ongoing conflict of the series is that he has yet to realize this. He won't even show his honne to his closest friend, Franky. Seems like it mostly comes out in dribs and drabs during his interactions with Yor...no surprise there, lol. The man is certainly a work in progress. When he finally starts letting his "honne" show, I'm curious what form of speech he'll adopt.

-----

Continue to Part 2 ->

[space-mango-company]

Stranger | Chapter 1

Chapter Links: [1], [2], [3], [4], [5]

Summary: The Atreides daughter is sent off to Giedi Prime to marry the Harkonnen heir in an attempt to quell the feuding Great Houses. The bride, however, must prove her grit and earn the respect of her new family if she is to survive her new life. Perhaps she will find that she had more Harkonnen in her than she thought.

TW: none (for now)

Tags: Feyd-Rautha Harkonnen x Atreides!Reader, Arranged Marriage, Eventual Smut (just not in this chapter lmao), No use of y/n, Original Characters, cannon what cannon

Word Count: 1.2k

A/N: Please bear with me, it has been ages since I've written anything and this is my first ever work of fanfiction. I've never written in the second person before so if you catch any mistakes, especially in verb tenses, please let me know. English is not my first language. Also, this might start out a bit slow but I promise things will pick up soon.

The smell of grass and the crashing waves of Caladan brought you comfort as you stood before the starship that had been rented from the Spacing Guild.

Your brother had insisted on accompanying you to Giedi Prime, but a round trip would have been unnecessarily expensive, even with the vast wealth of your Great House. Besides, it would be foolish to deliver the heir of House Atreides to the home world of their sworn enemies. It was bad enough they had to send you there.

"Give them hell," Paul teased as he hugged you goodbye.

You laughed, but you knew his smile didn't quite reach his eyes. He had faith in your strength and ferocity, but he had much less faith in the hospitality of the Harkonnens.

"I'll miss you," you pull away and try to give him a reassuring smile but you, yourself, are not so certain of your fate.

You made your way to your mother, next in line to bid you farewell.

"Remember your training." Lady Jessica held your face and planted a tender kiss on your forehead. She had already given you all the advice she could.

You take her hands in yours and kiss them. "I will," you tell her solemnly.

You finally make it to your father, whose eyes are already welling with tears.

"My darling princess," his voice cracks as he lays a hand on your cheek. The Duke may seem a stoic man to most, but those who truly knew him knew he had a big heart.

Perhaps it is because you are one of those people that you finally feel that weight in your chest that you've been dreading since the signing of your marriage pact. It will be a truly long time before you would see your family again. If you could ever see them at all.

The Duke waves at an attendant who approaches with a silver tray. Leto takes the dagger resting on it and places it in your hands. "To remind you that you will always be an Atreides, that you will always be my daughter."

You let your tears fall as you hold the gift close to your chest.

"Don't cry now," your father pulls you into a hug, hoping to hide his own tears, "or I might never let you go."

You let a laugh slip through the sobs. You knew it was already decided and it is your duty to fulfill. The Sisterhood and the Emperor himself endorsed the match. Nothing could change it now.

The harsh light of Giedi Prime's black sun assaulted your eyes as you made your way down the starship's gangplank. The stark, high-contrast black and white made everything a pain to look at. You were thankful for the veils of your travelling gowns for providing you at least some shade.

You were greeted by House Harkonnen's steward, Jaromir Naggul, and swiftly led into the imposing, Brutalist fortress of their stronghold. You were almost happy to escape the infrared outside.

"Your belongings are being sent to your new quarters as we speak," Jaromir, a lanky but stately man, informs you. "You may change out of your traveling clothes and rest there. The Baron will receive you in the throne room in the afternoon."

You note his accent and the mild contempt in his voice, as if you were an inconvenience.

"This is Iassa," he gestures to one of the servants that had been following you through the halls. "She is your assigned slave. Should you need anything, you may tell her."

The word almost knocks the breath out of you.

You eyes turn to Iassa in her pale gray robes and you give her a polite nod. She hastily curtsies in return.

You knew the Harkonnens and even the Emperor kept slaves, but you suppose it never occurred to you that you would be charged with one yourself.

"Of course," Jaromir continues, "any of the servants in the fortress will be at your command, but Iassa will be in waiting for you in particular."

"Of course," you reply coldly.

"You will be staying in the guest wing for now," Jaromir says as he shows you the door to your quarters. "Of course, until your wedding. When you will then be moved to the na-Baron's apartments."

"...of course," you repeat, grateful again for your veils that they hide your dread.

You are silent as Iassa helps you into a black gown for your audience with the baron. It is the fashionable color in the Harkonnen home world. Although there were many other 'fashionable' traits on Giedi Prime, this was the only one you felt comfortable adopting right now. The complete lack of hair in every individual you had seen was certainly unsettling, but you sensed it would be rude to speak about it.

"What is the na-Baron like?" you ask.

Iassa pauses her fastening of your dress, she swallows. "He is a fearsome warrior, my lady," she keeps her gaze averted, "handsome and popular with the people."

Her voice was shaky but she seemed genuine. You only wonder if those words hold the same implications here as they do back home.

You look over to Iassa as she fetches your shoes. It's not difficult to see that she fears you. You cannot help but feel that that is all there is. You are still an off-worlder. An Atreides no less. She harbors no respect for you.

You take care to style your hair in the fashions of Caladan, fastening a falcon-like pin at the back of your head. The symbol of your house. Perhaps it is a risky choice, to be seen as defiant by the baron should he notice, but you could already feel the black sun beginning to drain the life out of you. The thrill of quiet defiance would have to sustain you for now.

Jaromir returns in time to fetch you and you are led to the throne room.

The baron's grotesque floating body looms over you and his subjects. You had never met any of the Harkonnens before but you were sure that was him.

"Welcome to your new home, Lady Atreides," the Baron utters your last name with thinly veiled loathing. "Let me present my nephew, Feyd-Rautha."

A tall muscular young man steps forward. Stately and regal as a Harkonnen could be, he looks over you with condescending eyes.

He certainly looked like a warrior, and you could see how the people of Giedi Prime could find him handsome, but you find yourself wanting to spit in his face.

"Forgive me for not greeting you when you landed, my lady," the na-Baron bows to you. His gravelly voice sends a chill down your spine, "I was preoccupied at the time. I trust you have settled well?"

You curtsy in turn, "I'm sure my lord had important duties to attend to. I am grateful for your hospitality. My rooms are very comfortable."

"Do not find them too comfortable young lady," the Baron calls from afloat his chair, "your wedding celebrations are to begin and you will be sharing rooms with my nephew before long."

Feyd-Rautha smirks at this and you are almost willing to cast decorum aside to slap it off his face.

"Tomorrow, your groom will take part in the arena to demonstrate his prowess as a worthy husband and leader, as per the traditions of our house," the Baron announces. "I'm sure you will make a point to attend."

"I would not miss it, dear Baron."

Chapter Links: [1], [2], [3], [4], [5]

[pandora-writes-one-piece]

The Meet Cute - Law's Story - 1

Source for pic

The Great Pretender 1

Word Count: 4145

Tags For The Whole Story: Fem!Reader; Law is a soft dom; you have bratty tendencies (not all the time); voice kink; praise kink; cursing; very suggestive behaviour and innuendo from the start; sexual tension; teasing; so much flirting; romance; slow-burn; fluff; slight angst; mature audiences (though explicit NSFW moments will be properly tagged on the chapter); possessive Law; protective Law; soft Law; teasing Law; manipulative Doflamingo; inappropriate Doflamingo; fake relationship trope; only one-bed trope; reader has some anxiety issues; reader is a control freak and perfectionist; modern day AU

Special Warning: English is not my first language, I apologise for any possible spelling or grammar mistakes.

Special Warning 2 : I advise reading the introductory chapters first, as they give a sense of the story, introduce characters and locations and, this chapter starts off immediately after the Sanji chapter. Your first interaction with Law is in those chapters! If you don't want to read the other characters, I recommend reading, at least, Law's Chapter since it's their first interaction!

Summary: After moving away from the hustle and bustle of Grand Line City to help your father around the property following a horse-riding accident - and in the hopes of healing your broken heart after your asshole ex-fiancé cheated - you settle into the country calmness of the Calm Belt. You and Law (your father's doctor) start to build a flirty friendship because of your father’s procedure. So much so that when he’s invited to Baby 5’s wedding (his cousin), he asks you to be his date. His uncle Doflamingo - who is filthy rich - is very adamant on finding a suitable wife for him. Seeing as he wants to avoid that, he asks you to pretend to be his girlfriend for the weekend.

Notes: First chapter of Law's story! I'm already writting chapter 4 so I think it's safe to start posting this. I'll try to update regularly, but life usualy kicks my butt so I'm aiming for one chapter per week (though this can change!) Also, this story is more sugestive than Ace's was, since reader has slight kinks (described in tags) that will influence the story. Read the tags, people, they're important! I guess this is it. Have fun!

Tag List: @rosidaze @beachaddict48 @armiliadawn @jintaka-hane @sprinkklz

Masterlist for previous introductory chapters.

|Chapter 2|

The ride home is uneventful. You have come out empty-handed from your job hunt and, as your car drives by the clinic, you remember that there is still a very serious conversation to be had with your father about his surgery. He has to have the surgery as it will improve his lifestyle. 

Shanks is eating chips straight from the bag as he screams something at the players of a football game on the TV when you arrive. That is all fine. Except his posture, however, makes your eyes twitch. He's completely hunched over, and every time something exciting happens in the game, he jumps, throwing his back as if he doesn't have an injury on it. 

You bang the front door especially hard just to get his attention - he hates when you do that - but he simply yells an angry ‘careful, bug!’ without tearing his eyes from the television. Sighing, you enter the living room and place your body in front of the TV. 

“Hey! My game!” He yells, hands in the air and another jolt to his back. 

“Dad! Your back! You want to throw it out again?” You cross your arms in defiance, moving your body as he moves his head, blocking his view even as he tries to see behind you. 

“Bug, I'm being careful.” He whines, clearly more interested in what’s going on behind you. 

“I'm going to set up an appointment with Dr. Law. We are going to schedule the intervention and you are going to get surgery. But first, you will speak with him and get all your fears and worries out of the way. He seems very competent. You're in great hands. Do you agree?” Stomping your foot down, you raise your eyebrow at him. 

“Can I have some time to think about-...”

“Not if you want to see the game!”

Shanks grunts and falls against the back of the couch. 

“And don't make those sudden movements! You'll throw your back out!”

“Fineeeee!” He drags the ‘e’ so much that he sounds like an exasperated child. “Schedule the appointment.” A heavy sigh parts his lips. “Now get out of the way, bug.” You remain stoic, eyebrows raised even higher now. “Please?” He begs as he sits very straight on the couch. 

At that you nod in satisfaction, turning to leave the room and already dialling the clinic’s number to schedule an appointment at Law's earliest convenience. 

-*-

Unfortunately Law's schedule is not the same as your father’s, and there will be about a week where their schedules conflict. So, after speaking with your father and assessing his fears and worries, you decide to go alone to this appointment and see where it gets you. 

Does it seem silly that you are looking for the cutest dress to wear to the appointment? Maybe. But Law is freaking eye candy. How can you not want to look good and maybe catch his eye? And the only other thing he saw you in was torn clothes, so this time you want to be presentable. 

Besides, you can't stop thinking about those tattoos… Just how many does he have? How far down do they go? 

Sighing you deem yourself ready. Your father is with his neighbour and friend Benn Beckman, helping him around his property, so you pray your car works, pat it nicely, like your father told you to, and off you go.

Once you enter the clinic, Kaya is ready for you with a wide smile. You can't help but smile back at her, even though you know she is going to tease you about Law. 

“Good morning, Kaya. How are you today?”

She sing-songs your name as she pulls your father's file from the archive on the computer. “I'm doing very well, thank you. Just getting ready for another chapter of my novel!”

You arch an eyebrow, an intrigued smile on your lips. “Oh? What are you reading?”

Kaya giggles with a hand covering her mouth. “A romantic novel about a young doctor who falls in love at first sight with a patient's daughter. It takes her a bit longer to realise he's the love of her life, but she's getting there.”

The unamused look on your face only makes her giggle more. “That's not funny, Kaya.”

“It is to me! I have a bet going on with Shachi and Penguin. It's about you two, but I'm not going to tell you what it is. I have a lot of money riding on this thing, Usopp would kill me.”

As she fills you in about who Usopp is, and you lean on the counter, engrossed in your conversation, you don't sense someone approaching. 

“Nurse Kaya, you are paid to do your job. That does not include idle chitter-chatter with patients. I was calling you so you could let Mr. S. in.” He says your name and his low voice makes it sound like the most beautiful word in the world. “Good morning. I hope you're feeling well.”

“I-... Hmm, hmm!” You cringe internally and hiss through your pursed lips. A college graduation and a master's degree and this is the best you can do? Shit. 

Spying the hint of that sexy smirk he showed you last time, he glances around the waiting room. “No Mr. S.?”

With a heavy sigh you shake your head. “He ‘couldn’t make it’.” You emphasise with an eye roll and air quotes. “But I want to ask some questions to assuage his fears, if that’s alright with you?”

Nodding, he gestures towards his office. “Follow me.”

Your feet immediately follow him without contest. There's just something in the assuredness of his voice that makes you want to do as he says. Not to mention that now every time you do something he asks you to, all you can hear in the back of your head is that slurred, low-vibrato ‘good girl’. And damn it, just thinking about it sends shivers down your spine. 

After entering his office, he follows you, closing the door behind him and sitting across from you, his hands resting against his chin with his fingers entwined. 

The combination of his piercing amber gaze and the hand tattoos is making your heart race and you're glad you're not hooked up to any monitor now. 

“How have you been feeling?” He uses your name again and you gulp, actually thinking before uttering your response so you can articulate a clever answer this time, or an actual answer. 

“Perfectly fine. I'm in good health, Doc. Physically at least because if you could peek at my ebooks or listen to my audiobooks, you would say I'm unhinged!” You snort before regaining composure and cursing internally because that was way more information than necessary. “Fine, I'm fine!” You add with an eye roll. 

What is it with this man and his ability to render your brain into mush? 

“That's good.” You almost have to stifle a whimper. “And how's your father?”

This is a safe topic, so you feel more relaxed as you lean back and cross your legs, forgetting for a moment that you’re wearing a tiny summer dress. 

“His back has been fine, his habits, not so much. I fear he might come back sooner rather than later. And he's so afraid of the surgery that just speaking about it sends him bolting out of the room like lightning. I swear-...”

You stop talking as you notice that Law's hands have risen from his chin and are now covering half of his face leaving only his amber gaze - which is fixed on your bare thighs - and the slightest hint of pink on his cheeks. 

Shit. 

You just gave the doctor a peep show. 

Blushing, you uncross your legs and tuck them neatly to the side, like the old etiquette books demand, resting your hands on your lap as Law realises he was staring. 

Though he seems unfazed. “Well that aligns with what we've seen since discovering the hernia. Mr S. completely ignores caution when moving around and doesn't want to hear anything related to surgery.” He sighs and you tilt your head. So he was paying attention, not just staring at your nearly exposed thighs. 

You reach into your purse and take out your notebook with a sigh. “He has questions. I did some research too, so I jotted down a few more. If he won’t come here, then I need to be reliable enough to give him the right information. I’ve divided the questions by theme and organised them from the most common to the really crazy ones my father came up with and-... what?” You ask, annoyed at the amused look he’s giving you. “Do I have something on my face?”

He chuckles softly as he leans back in his chair. His piercing gaze should be unsettling, but instead, it makes your heart race and leaves you breathless. 

“It's not that. You're a control freak with a need for organisation and planning, and an endless search for perfection. You have high standards and expectations of others, but mostly of yourself. Am I right?”

Your mouth hangs open for a moment before you snap it shut, your cheeks flushing red. He’s right on the money. 

“Is that a proper diagnosis, Doctor?” You ask, crossing your arms in defiance. 

“No, not at all. I'm not a psychiatrist. That was just a random guess.” That damned smirk again. 

“Random?” You raise an eyebrow, a chuckle escaping your lips. 

“No. Not random at all. I tend to always be in control, so I understand it. But, there are ways to just… let go… and relax.” That damn sexy smirk is back again and you realise it does things to you. “But we’ll talk about that some other time, if you’re interested.”

A warmth spreads through your cheeks as your body responds to his intense gaze. 

“How about this, you lend me that notebook and I’ll take a look at all your questions. We won’t tell your father anything, and I’ll make him a house call with the answers. If we ambush him, he’ll have to hear us out.”

Biting your lower lip you run his plan through your mind. It’s flawless. Shanks will be caught by surprise, with no way to escape. 

“Sounds good!” You say smirking as you close the notebook with a light tap. “But I’ve paid for a full consultation. What should we do with the rest of the time?”

He makes a low hum, almost a grunt. Something primal and instinctive that makes your hairs stand on end. But when he speaks, his voice is calm. “The way I see it there are two options. Either I do a full checkup, or you ask for a refund. Which we don't offer.”

Well that isn't fair at all. He’s playing you like a fiddle. 

“Law, you're being unfair. That’s hardly an option at all. I just said I didn't want to waste this consultation.”

When he leans forward, his chin resting on his hands again, giving you a perfect view of his hand tattoos and long, slim fingers, you gasp for breath. 

“No point wasting it. Hop on the table.”

You don't know why your heart keeps pounding at an insane rhythm against your chest, but if you are about to be examined by a doctor, he’ll immediately realise that you're nervous. Still, you get up and do as he says, because, once again, you find it very hard not to obey his commands. 

Taking a deep breath and trying to calm your racing heart, you climb onto the examination table, fixing your eyes on your legs instead of on him. But when he approaches, you realise he's wearing spotted jeans. He looks like a cute leopard. How did you not notice that before? 

“Look at me.”

You do. Shit. What's with his hold on you? 

Law points his flashlight at your eyes, one at a time, testing your pupil reactions. You try to focus on the light, but all you can see is the yellow of his eyes. And he's very close. 

“Follow the light.” He moves it up and down, left and right and you follow it. Your breath keeps coming out in shallow pants and you scream at yourself in your head. You're being ridiculous! This is an exam! A professional one! 

“Now open your mouth wide and stick out your tongue for me.” You swallow hard before complying. In most of your books what follows this command isn’t exactly office appropriate. His gloved hand cups your jaw gently, opening it further as he shines the flashlight into your throat. “Say ah!”

The sound you make is rather sinful. You can't help it. You told Kaya you weren’t interested in men in general and you weren’t interested in Dr. Trafalgar Law in particular. But your body didn’t get the memo your brain sent out. Because you're twitching, throbbing, and clenching. And he is just there. Ready for grabbing and taking. 

But you have to be rational. You’ve just met the man. There's undeniable attraction, but there's no way you'll act on it. However the way his pupils darken at the sound that leaves your lips makes you realise that the attraction is mutual. 

And the two of you could have so much fun together. 

You close your eyes and dig your nails into the examination table, making the paper crinkle and tear beneath your fingers as you ground yourself. 

“You can close your mouth now.” His voice sounds hoarse, so he clears his throat as he takes a step back, removing the stethoscope from around his neck and placing it near his ears, not yet covering them so he can speak with you. 

“I'm going to listen to your heart, lungs and abdomen, checking for murmurs or abnormal noises, is that alright?” 

It's the first time he asks permission to do something and you realise it's because he's going to have to touch you, so he needs consent. “Yes.” Your voice seems weak and distant, charged with desire and want. You're pretty sure he picks up on that tone as well, but he doesn't comment on it. 

He places the stethoscope in his ears and the flat part against your chest. He starts with the lungs. “Deep breath through the nose.” Once again you follow all of his instructions. “Out through the mouth.” He keeps moving the piece on your bare chest and back, repeating the orders. His gloved hands are warm, big and firm and they make you feel things. “Your heart now.” He states and you gulp. Your heart is not going to be beating at a normal rhythm at all. 

He notices immediately as a small chuckle escapes his lips. You drop your gaze to your lap again as you bite your lower lip. “Interesting.” He replies and you don't really ask what he finds interesting, knowing the conversation could veer down very dangerous paths. 

Removing the stethoscope from his ears, he asks you to lie down as he reaches for a sheet, placing it over your lap and covering your legs. “Can you pull up your dress so I can listen to your abdomen?” You notice him asking again. He doesn't want to make you feel uncomfortable. 

And you're not. 

“Yeah.”

Adjusting the sheet to cover your panties, you pull the dress to expose your belly and he listens to whatever odd sounds come from it. There's a spot he touches on the side that tickles you and you squirm and twitch with a hearty laugh. He seems surprised and looks at you with a glint in his eyes before resuming the examination. 

“Palpation next. Abdomen first to check for irregularities.” He looks at you for confirmation and you nod. This whole ordeal is overwhelming. You try to look away from his form, his eyes and his hands, but it’s impossible. He’s focused on his task, professional and attentive, yet… There's a hint of mischief in the way he looks at you every time he presses your flesh.

And you can’t help but to blush as your breaths grow more and more ragged. 

“Joints and muscles next.” His hands trace your ankles and calves, then your knees - front and back - before climbing towards your lower thighs. You hold your breath, but he doesn’t go higher. “Sit up.”

“Yes, s-... doctor.” The flush in your cheeks nearly rivals his own. Neither of you expected this reaction. You were about to call him sir? Stupid, stupid, stupid! You should really start reading self-help books instead of filthy smut. But his voice… Law’s voice is deep, assured, commanding! You can barely help the way you want to bend to his words and do everything he asks of you. 

In fact, you’re pretty sure he’s deepening his voice on purpose. He’s been using a more commanding tone since the beginning of the consultation. He probably picked up your little kink when you told him to call you a good girl when you met. And now he’s taking full advantage of it. 

Trying to push the whole ordeal behind you, you sit up and close your eyes, willing your mind to focus on something other than the sheer sensuality of a freaking doctor’s appointment!

He keeps touching and squeezing you. Wrists, elbows and shoulders are next. “You’re doing very well.” He says, adding your name and making you blush even more. If you weren’t sure before, now you are. He’s doing it on purpose. 

And damn, it's working!

“Open your eyes.” You try to fight it, pressing your lips together and shutting them even tighter. “I need you to look at me while I do this, can you?” There’s tenderness beneath the firmness of his voice, and the combination sends shivers down your spine. Yet again, you do as he says and open your eyes, only to find his face directly in front of yours. “Good.”

Fuck. You’re about to declare the time of death for any decency you thought you still had, because the huskiness of his voice is enthralling and mesmerising. 

His tattooed hands wrap around your neck and you gasp, your pupils dilating as your hands grip the paper beneath you. His smirk is no longer veiled as he now knows exactly the effect he’s having on you. His fingers move, pressing against your thyroid and under your jaw, and he lets out a satisfying hum that you instantly want to hear again.

But closer to your ear, much, much closer. 

Fuck, fuck, fuck!

“No nodules, that’s good. Now, take a deep breath, relax. You did very, very well.” You want to scream. You want to cry or smirk or laugh. Anything to express the warmth you feel in your chest from his praise. 

You discovered this little kink of yours some time ago but you were always too fearful to ask Ichiji, your ex-fiancé, to explore it in the bedroom. Ichiji was, by nature, violent and controlling, but in a frightening way. You never meant to tempt or provoke his behaviour intimately. Yet with Law…

Your mind was already picturing all kinds of scenarios, each hotter than the last. You knew, you just knew that you were screwed. There was no way you could get this man out of your head now. 

Even though he was very professional with his touching. It was your head that created all the scenarios. Your horny head!

As he sat down by the computer, typing away notes on your file, you composed yourself by pulling your dress down and passing your fingers through your hair. Taking a deep breath, like he said, to steady your racing heart. 

When your eyes landed on him again, his professional demeanour was back in place, as if it were a cloak he had donned over himself after all this teasing. “Tell me, have you done any palpation of your breasts?”

“What?”

The chuckle that escaped his lips was low and soft. “Self-examination? Looking for nodules or abnormalities. A breast checkup?”

Oh. Dumbass. “Yes, yes! I have. All is well.” With wobbly steps you return to the chair in front of him. 

“Any concerns with your health? Something that feels off, or any indispositions? Headaches, stomachaches, or any other aches?”

You keep shaking your head at his suggestions until a snort escapes your lips at his last suggestion. “Does heartache count?” Then you immediately blush and lower your eyes. Thinking about Ichiji earlier revived very unpleasant sensations within you.

Law stops typing while his piercing gaze returns to you. “I can’t offer any medical assistance for that, per se, but I can always lend an ear, if you ever want to talk about it.” As you glance up, the smirk on his lips is replaced by a stern smile. You nod and mumble a low ‘thank you’. 

“Anything else?” He’s not teasing now, nor being playful. He’s being strictly professional and that makes you realise he was teasing you on purpose during the examination. 

“No, thank you.” Your voice still seems very small. You thought that the mere mention of your ex was not enough to alter your state of mind so much, but it really affected you. Maybe it had something to do with being highly stimulated by all the sensations Law was provoking and then crashing when you came down from that high just by thinking about Ichiji and the heartache he caused you. 

His eyebrows scrunch and he stares at you for a while, waiting for you to add something else. When you remain silent, he gets up. “Okay. You’re all set, then.”

“Thank you, Law.”

And without barely saying goodbye, you hasten out of his office, quickly saying goodbye to Kaya and telling her you have to run some errands and you can talk some more another day - since you already settled the payment when you arrived. 

You had just unlocked your car when you heard your name. It’s Law’s deep rumbling voice again and you almost gasp.

“Law?”

He approaches you without his doctor’s coat on and you blush as your eyes take him in. His t-shirt shows off even more tattoos on his arms. Just how many tattoos does he really have? And why do you want to trace them all?

“Can I have the notebook?” You look at him with a raised brow. “You said you’d leave it with me so I can review the questions.” He says with a slight chuckle at your aloofness. 

“Oh!” Smacking your forehead with your palm, you reach into your purse and hand him the notebook with a slight shake of your head. “Sorry.”

“It’s okay.” He takes it in his hand and fidgets with the ribbon from the page marker. He looks slightly embarrassed and you don’t know what to make of it, since he seemed so sure of himself in his office. “Did… did I go too far?”

The look on your face is one of surprise. Does he think you’re acting like this because of his teasing?

“No!” You almost scream. A soft chuckle escapes your lips as you try to compose yourself. “Not at all! You were very…” Endearing? Seductive? Sexy? Irresistible? “Professional. I’m just…” Another chuckle escapes you, accompanied by a sigh and a dismissive gesture. “I’m a mess! I’m still terribly affected by my past relationship and-... well, thinking about him stirred up some bad memories. I’m sorry.”

Now it’s your turn to be embarrassed. “There’s nothing to be sorry about. It’s completely understandable.” He seems much more at ease now that he’s sure you weren’t weirded out by all the teasing. 

“I’ll be reviewing these, then. I’ll make sure to schedule a house call so we can surprise your father.” 

“Oh!” You gasp in surprise as you reach for the notebook again, fishing a pen from your purse and quickly scribbling your number on one of the pages. “There’s my number. If it’s a surprise visit we don’t want Shanks to be the one to answer the phone.” 

Your easy smile makes him chuckle as he, once again, takes the notebook, tucking it neatly under his arm. “All right. See you soon?”

You nod. “Yes, Law, thank you.” He nods back but, before leaving, he reaches behind you, his arm grazing your side as he opens the car door for you. Such a random, simple gesture has you blushing, and once again thinking about how, in four years of relationship, not once had Ichiji held a door open for you. 

Muttering a muffled ‘thank you’, you climb into your seat. Law says goodbye again before closing the door to the car and walking away. 

You let out the biggest sigh to ever escape your lips as your head falls forward against the steering wheel. 

Why did your father’s doctor have to be so freaking hot?

|Chapter 2|

[lovelyverosika]

You didn’t know but with a twist

Hazbin Hotel! Adam x Fem!Reader

Warning: swearing

A/N: Hey<3 My name is Verosika and I’ll write fanfictions whenever I have the time to :) This is my first time writing one, so it’s based on the song "You didn’t know" to make it easier for me. Just to let you know english isn’t my first language..so be prepared for some grammar mistakes :,D

Y/N POV:

We all sat in the courtroom, waiting for the trail to begin. Next to me was my husband Adam and Lute. I wasn’t supposed to be here but Adam wanted me to hear the "childish" and unrealistic ideas of the princess of hell.

After everyone was here Sera spoke "We're gathered here today to determine whether or not a soul in Hell, can be redeemed into heavenly realm by means of this 'Hazbin hotel', Princess Morningstar?",Sera said wanting Charlie to speak up.

I looked down to Charlie,my head resting on Adam’s shoulder. "Webster's dictionary defines redemption as-" before Charlie could speak Adam interrupts her: "Objection, lame and unoriginal". I sighed at his immature behaviour and gave him a slight bump with my head.

Charlie was flipping through her cards making Adam roll his eyes. "If you have actually evidence, then show it already." He said,glaring at Charlie. "We have two patrons already they’re making incredible progress" Charlie defended and I smiled, "Who?", I asked. "Angel Dust" Charlie spoke. "Oh yeah, the pornstar demon" Adam snickered as he added. "He's totally worth being redeemed".

Suddenly Monika,another demon stood up. "Well then, if you know so much…what do you think it takes to get into heaven?",she spoke. It was quiet until I asked if Adam was okay. He scoffed as he pulled out a golden paper from his pockets and a pen, "Give me a fucking moment, okay?",he then started writing and gave me the paper as I read it out, "Act selfless, don't steal, stick it to the man?", I chuckled looking at him with an raised eyebrow. He shrugged "Uh, yeah? Sure got me here...didn't it?",he said seemingly questioning himself. Sera sighed before saying: "He was the first human soul in heaven."

In the following hours Charlie showed us the improvement of this demon called Angel dust and how he did everything what Adam wrote on his list but nothing happened. Sera only sighed as she wanted to declare the trail as failed and that we will see what brings someone to heaven when the first soul arrives. I sat there with my head hanging. I felt bad for keeping my secret,especially when I looked over to Emily,who held the paper that Adam had written earlier.

Emily: But she was right, Sera. She showed us a soul can improve. He saw the light, Sera. Checked all the boxes that you said would prove a person deserves a second chance. Now we turn our backs, no second glance?

Sera: It's not as simple as you think. Not everything is spelled in ink.

Charlie: It's not fair, Sera!

Vaggie: Careful, Charlie, keep a cool head.

Charlie: No! Don't you care, Sera? That just because someone is dead, it doesn't mean they can't resolve to change their ways turn the page, escape infernal blaze.

Y/N: I'm sure you wish it could be so. But there's a lot that you don't know.

Lute: What are we even talkin' about? Some crack-whore who fucked up already? He blew his shot, like the cocks in his mouth. This discussion is senseless and petty.

Lute & Adam: There's no question to be posed!He's unholy, case closed. Did you forget that Hell is forever?

Adam: A man only lives once, we'll see you in one month. Gotta say, I can't wait to…

Y/N: Adam…

Adam: Come down and exterminate you.

Emily: Wait!

Adam: Shit…

Emily: What are you saying? Let me get this straight…You go down there and kill those poor souls?

Charlie & Y/N: You didn’t know?

Adam: Whoops

Lute: Guess the cat’s out of the bag.

Adam: What’s the big deal?

Emily: Sera, tell me that you didn't know…

Sera: I thought, since I'm older it's my load to shoulder

Emily: No!

Sera: You have to listen, it was such a hard decision. I wanted to save you, the anguish it takes to do what was required.

Emily: To think that I admired you, well I don't need your condescension. I'm not a child to protect! Was talk of virtue just pretension? Was I too naive to expect you to heed the morals you're purveying?

Charlie: That's what the fuck I've been saying!

Emily,Charlie & Monika: If Hell is forever, then Heaven must be a lie! If angels can do whatever, and remain in the sky. The rules are shades of gray, when you don't do as you say. When you make the wretched suffer just to kill them again.

Monika: Don't you act all high and mighty!Adam did you ever think your "sweet" wife might be a liar?

Y/N: Huh? Wait no…please!

Monika: Don’t be such a crybaby! Why hide the fact that you were a demon just like us?

Part 2

[dragon-ascent]

Hello, how are you ? Since you have open request I’d like to ask something : How do you think our favorite dragon Zhongli will react to his wife being accused of lying because they have corrected an historian on a false fact about Morax ?

Since English isn’t my first language I’m afraid this is not clear, I’m sorry.

Ooh, I like it, here's what I've come up with <3

-----

The tension is palpable and certainly not what you were hoping to land yourself in when you accepted Zhongli's request to be his plus-one aboard the Pearl Galley.

"Forgive me, Mr. Changying, but that's where I'll have to correct you," you tell the stocky man before you. The food and drinks on the table are long-untouched. "Rex Lapis didn't take on such a grand ten-headed and eight-armed form to exterminate those sea creatures. In fact, he personally went door to door to trap them in little Geo contraptions, even having a bit of trouble with the.... particularly wrigglier ones."

Changying's eyes practically roll into the back of his head. "Do you truly believe that rubbish just because that is what's commonly peddled? That the Geo archon, who could raise the mountains and calm the tides without breaking a sweat, found the task of getting rid of tiny sea creatures tedious and challenging?"

Sighing, you say, "Even the gods are subject to being less-than-perfect in their methods. And besides, the damn things were inside people's houses - brute strength would not have been handy at all. Rex Lapis needed to be careful and meticulous so that none of his people were harmed. Hence the Geo cages."

Despite how neatly you'd presented your counterpoint, Changying merely scoffs as he adjusts his glasses. He jabs a finger at you accusingly. "You're lying, just like everyone else," he growls, "and you clearly have no respect for our late archon! Do you even like him?"

Your breath nearly hitches in your throat as you gaze up at him in shock. "Ex...excuse me?"

The man pulls no punches as he continues his rant against you. "How can you so blindly believe what the masses think? Maybe if you were a real Rex Lapis follower like me, you would learn some critical thinking skills and draw more accurate conclusions!"

"I'm afraid I am on the side of my partner here, Mr. Changying," cuts in Zhongli, placing an arm on your shoulder. Relief floods your veins as you let out the breath you'd been holding. "They are correct in explaining that Rex Lapis had to go the simplistic route when dealing with Liyue's sea creature infestation."

Changying's eyes grow wide. "Forgive me, Mr. Zhongli," he murmurs, and you're not ignorant to the way his tone mellows out and becomes more respectful as he continues to speak. "I didn't know you were also in agreement of that story. But let me explain why he likely-"

"It is alright for you to have your own interpretations of events, especially for a being with an expansive history that is always being debated over," says Zhongli calmly, poised as always, "but when these interpretations are unrealistic and you still try to present them as fact...while belittling other people, no less...the line must be drawn somewhere, yes?"

Changying blanches, stammering, "Er, but don't you think Rex Lapis would appreciate deviating thought processes more, especially when..."

Zhongli's eyes narrow ever so slightly, his visage still calm as a pond. "Perhaps so, but what he would not appreciate is his people trying to one-up others in an attempt to prove they are his most loyal followers." Your husband glances at you. "I know my partner well, and they love Rex Lapis dearly. Not only do you accuse them of lying, you also undermine the love they hold for the deity."

His hand brushes against yours and he interlaces his fingers with you, giving a gentle, reassuring squeeze. You smile softly.

Changying scrambles for words, useless excuses and explanations that hardly justify him being on his high horse.

Zhongli, unamused, fires his parting shot. "Far be it for an ordinary man like myself to tell you what to do, but here is some advice: gather reliable citations for your claims, provide succinct evidence, and be respectful of those with opposing views, and perhaps then Rex Lapis would consider you a favorite of his."

With that, Zhongli escorts you away from the scene, knowing full well you will always be his favorite by far - the approving smile he gives you conveys that perfectly.

[leeknow-thoughts]

minho, seungmin and jeongin as sub teachers who fucked you after school :3

୨୧ A+ STUDENT

𝝑𝝔 cw : college!au, blowjob, tit job, unprotected p in v, some clit play, 3 way, uhhhh I think that's it, porn with some plot

𝝑𝝔 a/n : I feel like I should say this!! I am semi fluent in Korean! I'll add translations under texts that are in Korean for those who don't speak it!! <33 I slightly changed this to them being teaching assistants in college!!!

After months and months of putting it off you had to do a speaking appointment with one of the teaching assistants for your Korean Language class. They'd just ask you questions in the language that you should be able to comprehend and reply to, you'd answer the questions, and they'd give you a grade based on pronunciation and overall comprehension. It was supposed to be simple, except it totally fucking wasn't. You weren't bad at speaking Korean, especially not after your months of practicing, rather you were just bad at speaking to new people. "You really shouldn't be nervous," your closest friend, Felix insists while walking with you to the campus library, "I know the guy you're gonna do the speaking appointment with, he's really nice don't worry," he reassures.

It does little to help your nerves though, becoming more anxious with every step closer to the library. "Felix why couldn't it just be you doing the speaking appointment with me," you grumble, dragging your feet as you step into the library.

"You'll do great y/n, don't even sweat it!" he encourages and parts ways with you.

You check your phone, looking for the study room that your teaching assistant had booked for your session. You find the room after a moment of searching, knocking on the door before opening it and coming face to face with the man who was going to be grading you. "H-hi," you wave to the man.

He had ginger hair, small eyes, and a fox like face, "hi," he hums looking up at you, "please come in," he motions to the seat across from him, "it's y/n right?" he asks as you sit down, placing your blue tote bag on the ground next to your rolling chair.

"Yeah, that's me," you smile, "what's your name?"

"Jeongin," he stretches out his hand for you to shake, which you do, "since this is your first speaking appointment I figured we should do a small ice breaker before we start," he smiles.

He has a nice smile, he's cute too, undoubtedly so. Cute little dimples are like jewelry added to his pretty white smile. "Oh yeah, for sure," you agree, letting go of his hand.

"So where are you from?" he asks.

"I'm from the north part of the state, I'm living down here for college and all," you explain, "what about you?"

"I'm from Busan, South Korea, I'm here on an educational visa," he tells you, "so why are you learning Korean?"

"Well I'm a linguistics major, so I need to take a foreign language and this one seems like the best," you smile.

"Why not take Spanish or something easier, I'm guessing that by now you know that Korean isn't very easy?"

"Yeah, I like a challenge though," you grin, "and besides I already speak Spanish."

"Mhm," Jeongin nods his head, "do you want to get started?"

"Yeah, let's go."

"그래. 너 부전공이 뭐예요?" he asks, fiddling with his hands on the desk.

"okay. what study are you minoring in?'

"저의 전공은 언너인데 부전공은 화학이에요," you explain.

"my major is language but my minor is chemistry."

"좋아요," he praises, "그래 will you translate this sentence to english, 애기가 깨지 않게 조용히 노크해 주세요"

"good" "okay... please knock quietly so the baby doesn't wake up."

"Please knock quietly so the baby doesn't wake up," you recite after a moment of thinking.

"Great job," he praises, his eyes turning up when he smiles.

The speaking appointment is over before you wished it was, you walking out with a good grade as well as a cute boy to have a crush on.

The next day eventually approached, you having to wake up early in the morning in order to get to your Korean lecture. You put on your cutest, and shortest, skirt just in case you ran into Jeongin on the way to class, wanting to impress the pretty boy.

When you walked in you were surprised to see three men standing around the podium in the center of the room instead of your usual professor. One of those men being the boy you had met yesterday, Jeongin, the other two were two men you had seen around campus a few times. You briefly recognize one of them, a man with cat like features and black hair, he was on the dance team with Felix, you had seen him on stage at one of Felix's recitals. The other guy, also with black hair, you had only seen around campus a few times. They were all extremely attractive, you had to admit.

You took the seat you normally sat in, in the front of the room so you could hear well. When class officially began the man in the middle, the one on the dance team spoke to the room of tired freshmen college students, "hello, since the professor for this class started her maternity leave today, we are going to be taking over her class for the rest of this semester and the next one," he explains, "does anyone have any questions?"

When no one in the room raises their hand the man you had only seen around campus speaks up, "my name is Kim Seungmin, this is Lee Minho," he points to the other man with black hair, "and this is Yang Jeongin," he motions to the ginger haired boy on the other side of Minho.

Jeongin smiles when Seungmin says his name, and Seungmin continues, "today we're learning about how to ask 'or' in Korean," Seungmin informs the class.

The two boys next to Seungmin take seats in the audience while Seungmin is pulling up a slideshow. You're beyond shocked when Jeongin takes the seat next to you, giving you a small smile, his eyes immediately refocusing on Seungmin who is standing behind the podium. "H-hi," you greet the man next to you.

"Hi," he grins, turning his head to look at you, "I actually wanted to talk to you about something," your heart can't help but skip a beat, "I was wondering if you could stay after the class and talk to me and the other teaching aids, we were grading one of your papers and we noticed a few mistakes, we just wanted to help you out and let you make up the points you missed."

"Oh," you can't help but sound a little disappointed, "y-yeah totally," you agree, "thanks."

"Of course," he grins, he leans in closer and you feel your heart nearly jump out of your chest when you feel his breath under your left ear when he whispers to you, "I like your skirt, don't tell me you wore it just because you were hoping to see me."

You turn your face to the man who is seated beside you, a smug grin plastered on his face, "okay, so," Seungmin projects his voice so the lecture hall can hear him beginning his presentation.

The lecture takes forever, with every second you're dripping more and more into your silk panties. Rubbing your thighs together and willing for the clock to speed up. You wait in your chair as students file out of the lecture hall one by one. Until finally you're the only person left in the room, along with the teaching assistants. "So you're y/n," Seungmin is leaning on the podium, his gaze taking in your figure, "you weren't lying Jeongin, she is hot."

"Wh-what?" you can't help but stutter.

"And in her cute little miniskirt," Minho is cooing, standing up from his seat a few rows behind you and Jeongin, walking down the aisle, taking a seat on the other side of you.

"I-I w-what's going on?" you nearly whimper.

"You're going to make up your grade," Seungmin explains, "by letting us play with you."

Jeongin's hand is moving up your thigh before he speaks, "you'll let us right? You'll be a good girl just for us?"

Who could've thought his pretty face could just be a facade for his filthy mouth. Minho cups your jaw, forcing you to look at his intense gaze, pressing the pad of his thumb on your lips before you're opening your mouth, letting him put his thumb in, your lips enclosing on it, sucking earnestly. "That's it, jagi," Minho groans.

Jeongin is standing up, moving in front of you and you hear the sound of his zipper coming undone before he's pulling your face back to him, Minho's finger slipping out of your mouth. "You're gonna suck my cock," Jeongin commands with a gentle tone.

He pulls down his boxers just enough so that his pretty cock is freed, and your mouth is fucking watering at the intoxicating sight. You're quick to act, spitting in your hand before wrapping your aforementioned hand around Jeongin's dick. Slowly jerking him off before you're pressing a kiss to his tip, a gesture that makes him groan in the filthiest of ways.

You're soon sucking his tip into your mouth, looking up at him, watching as his lips fall into an 'o' shape. You take a deep breath before you slide your head down more, taking more of his cock in your throat. "God, you're filthy aren't you," Minho is humming from his seat.

You whine around Jeongin's cock, watching as his body reacts to the vibrations of the noise, your hand wraps in his, bringing it to your hair, conveying to him it's okay for him to move your head.

Which he does without hesitation, his cock hitting the back of your throat, tears falling from your lashline. You don't care though, not when Jeongin's hip movements become more and more sporadic, his grip on your hair only tightening with each stroke on his cock.

"You're gonna swallow all of my cum," Jeongin instructs in a sultry voice.

That's all the warning you get before you can taste his cum on your tongue, a few more languid strokes of his cock to ride his orgasm before he's pulling your head off his cock, "open your mouth, let me watch you swallow like a good girl," he demands.

You open your mouth, showing him his own cum, before closing your mouth and swallowing every last sultry drop of it. "Atta girl," Jeongin rasps, "now go help my hyungs," he points to Minho.

You finally turn to man beside you, his cock fat and hard and slapping against his stomach, "c'mere, kitty cat, you're gonna ride my cock," Minho tells you.

You're eager to stand up, moving to hover above his lap while he moves your skirt up just enough to expose your ass and yanks your panties to the side before he's sitting you down on his cock.

Each inch stretching you more and more, your head rolling back eyes clamping shut, utterly consumed with pleasure. "Well don't just sit there, jagi, bounce on my fucking cock," Minho commands.

Like a cock drunk whore you're following his every command, bouncing on his fat cock, his fat tip kissing your cervix with each movement of your hips.

Your eyes are snapping open when you feel one of the boys squeezing your tits together.

It's Seungmin, he's standing over you, his cock also out, before he spits on your cleavage, squeezes your tits together before shoving his own pretty cock between the mounds. You don't even remember feeling him take your shirt off but you don't care when Seungmin is fucking your tits and Minho is fucking your cunt and Jeongin is watching intently from beside you.

Your eyes are screwed shut, as the feeling of pleasure builds in your stomach the more and more you fuck yourself on Minho's cock. The feeling erupts when Jeongin's pretty fingers move to play with your sloppy clit.

Your vision completely whites over, waves of pleasure overtaking your entire body, lighting every nerve on fire. "Oh my fucking God!" you cry as you cum on Minho's cock.

"There you go," Minho hums, "fuck, I'm gonna cum, just keep fucking riding me don't you dare fucking stop."

It hurts so bad, the burning ache in your thighs, but the pleasure is worth it. Minho cums with a low groan, followed by Seungmin jerking his cock until his cum spills all over your tits with an airy whine spilling from his lips.

"Good job," Jeongin hums from beside you, "you're definitely making an A plus after all the work you just put in."

[cripplecharacters]

I am writing a story which includes a Deaf character. She is mostly included via text. As the main character is long distance, autistic and nonverbal. So most of their communication up until the point they meet, is text messages. When they meet, both characters use auslan to communicate.

But for the text, how could / would the Deaf character type? Like auslan translated to words directly, something like 'help I want'. Or more traditional English, like 'I want help'. Or a mixture of auslan syntax and English. Or something else.

Thanks. Oh and I am not Deaf myself. I know some auslan and am learning some more. But I am autistic and nonverbal. If any of that is important to your response.

Hi!

My answer is, it depends.

Someone who grew up with auslan as a first language and little exposure to spoken or written English is more likely to type with auslan grammar than someone who grew up speaking.

Some who grow up in Deaf households will specifically learn written English grammar as a second language from a young age. A character like this will likely type in spoken English grammar. (They may still find auslan grammar more natural!)

A character who grew up deaf but language deprived and non-speaking, who then learned sign language at an older age but still as their first or only language, would likely use auslan grammar.

A character whose first or only language is sign will likely feel most comfortable signing, even to chat. It's honestly very frustrating how long some words are when they take just a second to sign. There are plenty of ways to just send a video rather than text messaging!

I would say from my experience with Deaf people of different backgrounds, here are some common grammar markers in writing:

Spelling errors.

When fingerspelling, the first and last letters along with the general shape of the word are more important than every letter in the correct order. Same ends up happening with written words.

There's also sometimes a difficulty remembering names. Personally I remember name signs very easily (helps that they often relate to a person's appearance or personality!) but actually remembering the person's written name? Very hard!

Plurality and verb tense.

[Note: the following examples are true of ASL and I'm fairly certain auslan as well, but I don't know if they're true in every sign language.]

"I want" is signed similar to "he wants" (only difference is pronoun), and "car" is the same sign as "cars" (clarify plurality through context and descriptors).

In written English it can be a struggle to pick the correct form of a word when they're all the same in sign language!

A character who grew up in an oral environment would likely struggle less with this, though it depends on their exposure to written language.

Slang/Translation.

There aren't good translations for a lot of signs, especially slang. It may be difficult to put those into words.

Reactions especially--like how hearing people say "mhm", there are Deaf equivalents, but they can be hard to represent textually.

Another translation problem is when the sign and the written equivalent don't quite match up. For example the ASL sign "for" can be used in the question "for-for?" which is best translated as "for what?" or "what for?" but will often be written out as "for for?" because that is literally the sign.

To recap: it depends on your character's background what grammar they will use, but if they're a native signer, "perfect" English grammar isn't super likely. Of course there are exceptions to everything I've written, these are just some patterns I've observed :) [smile face]

Mod Rock

[batmanisagatewaydrug]

Hi,

I am very much not american so I must admit that my first impulse when seeing all the rap/racism discourse was something like "do I really need to consume more american culture, it's fucking everywhere already". Idk but to me it feels like american/english-speaking culture absolutely dominates a lot of the world, sometimes at the cost of out own cultures and languages, if something is in English it is "good", if it is in own own languages it is "bad". Musicians often start singing in English and more american-like after a while to get bigger. We value American culture and music, they mock our accents (and languages sometimes) and best case scenario see us as funny and silly.

Then I started thinking. Do you think that americans kind of see rap kind of like foreign music still? Like low-brow unexotic foreign music.

I don't know this is a really fresh thought and I'm not sure if I am explaining it very well.

hey first off I just want to say -

you are entirely correct in your reaction that people outside of America/the English-speaking world do not need more American culture thrust upon them! this discussion is extremely centered on Americans, the reception and reaction to rap within America, and excuses that white American use to avoid interacting meaningfully with Black culture, art, and ideas. while anti-Blackness as an issue obviously extends far outside of America, this particular conversation is deeply tied to American culture. I appreciate you pointing that out!

I also think you're point about rap, and by extension other Black artforms, being Othered in American pop culture. certainly in terms of language, African American Vernacular English (AAVE), which is utilized by many rappers, is still heavily disputed in its validity as a "real" language, with many dismissing it as a bastardized version of "proper" English and associating it heavily with those who are lower-class and uneducated. in a similar way to many international artists having to work in English to gain wider recognition and validation, many Black Americans are proficient in "code switching," the practice of switching between AAVE that they likely grew up speaking and an English dialect that is considered more "professional."

similarly, I think your use of the term "low-brow" is very apt. Black music has always been met with distrust and disdain by white audiences. there's a reason that so many people feel the need to bring up sex, drugs, and violence when they talk about rap; to many white cultural gatekeepers that was all rap was. (and, like, we should very much talk about why that is in and of itself a bad thing, when white crime is so often glorified in pop culture. why is the Godfather a classic masterpiece but Black men making art about their own experiences with racism, violence, poverty, and survival don't deserve serious consideration?) and that didn't start with rap! in the early 20th century jazz, also a Black creation, was seen as dangerous for promoting promiscuity among nice white teens. no matter what Black people make, white cultural gatekeepers will find a way to start a moral panic about it.

the reverse also happens as well, with Black people being treated as foreigners even in music genres that they helped pioneer. Black Americans were hugely formative in the early days of country, but are met with hostility in the contemporary country scene. Lil Nas X's Old Town Road was one of the biggest songs of the year it was released and undeniably country but was largely snubbed by country music community, and Beyoncé's new country album, Cowboy Carter, is a direct response to her hostile reception at the Country Music Awards in 2016.

the point being, yes, I don't think it's off-base to say that, to many Americans, rap and Black music and art generally are like... very optional and avoidable parts of pop culture in the way that more white-dominated genres are not, similarly to a lot of international and especially non-English art.

[writingquestionsanswered]

Hello!!

I have an OC who speaks several languages. Her native tongue is Arabic, the setting she normally is in speaks Japanese, and the language I'm writing in is English. She speaks more, but these three are the important ones.

I occasionally write a scene in the story from her POV, where she speaks Arabic at home with her grandfather, and Japanese with her friends and strangers. There are also other scenes where she may speak with a friend in Arabic and Japanese (a mix of sorts), and another friend in all three of Arabic English and Japanese, and other scenes where she talks to herself in Arabic in the presence of other characters. As a result I've a number of closely related questions:

How do I indicate that she's changing languages when writing from her point of view?

Is it necessary to? If so, when?

How do I do so organically without having to explicitly "tell" it?

Where does transliteration become necessary?

Arabic is a very God-centric language, where God is often mentioned in the most mundane (though not vain!!!) contexts. English is not so much. How could I "translate" that into the writing when the language POV is Arabic, considering that I'm writing in English?

I appreciate your blog and your answers. Thank you in advance. I hope you have an amazing day :)

Multilingual Character Issues

How do I indicate that she's changing languages when writing from her point of view? Is it necessary to? If so, when? How do I do so organically without having to explicitly "tell" it?

This is one of those situations where it's absolutely fine to "tell" the reader the language that they're speaking. For example...

Grandfather was sitting on a bench enjoying the afternoon breeze. "How are you doing today, Grandfather?" I asked in Arabic.

If you have multiple scenes that have cultural and character cues that will let the reader know where the character is, and therefore what language they'd be speaking, you can potentially highlight those cues and use language cues to "show" the language without a direct tell. Using Spanish as an example, something like this:

My abuela was working in her garden, probably picking fresh ingredients for tonight's pozole. ¡Hola, mi chiquita! she said, looking up with a smile. "I hope you've brought a big appetite for supper."

You can still pepper in the occasional reminder that they are, in fact, speaking Spanish. Again, it's okay to tell when you think it's necessary.

Where does transliteration become necessary?

If you're using mostly English to convey the other language, relying on telling and contextual clues to illustrate that it is the other language, I'm not sure when transliteration would be necessary. But, using my Spanish example above... I do not think it would be necessary to either transliterate or translate "pozole" or "chiquita." The general meaning of both are relatively clear via context. If she's gathering fresh ingredients for tonight's pozole, and later asks her granddaughter if she brought her appetite, it's pretty clear that pozole is a food. If you wanted to add more context for exactly the type of food, you could have the character muse about other preparations she's likely to have already made for other ingredients, or imagine tasting the hominy and meat-based stew. Transliteration... conveying how a word is pronounced... isn't necessary, especially when you have a story that's potentially going to contain a lot of words in other languages. Transliterating all or even some of them would bog down the story.

Arabic is a very God-centric language, where God is often mentioned in the most mundane (though not vain!!!) contexts. English is not so much. How could I "translate" that into the writing when the language POV is Arabic, considering that I'm writing in English?

Well, first of all, I don't think that's true about English at all. English-speakers often weave God into everyday/mundane language in much the same way as Arabic speakers, and not in vain. Some examples:

-- God willing, we'll have good weather for the game tomorrow. -- Praise God, the line is finally moving! -- As God as my witness, I will ground you if you're a second late. -- Oh, thank God my paycheck came in a little early this week! -- God bless, she is just the sweetest creature alive!

And, at the end of the day, even if you're using English to write what is supposed to be spoken Arabic, the context isn't English. So, when it makes sense, just be direct. But sometimes it doesn't make sense to be direct... using Spanish as an example again, someone might say, "Hoy voy a echar la flojera en casa," which basically means "I'm going to be lazy at home today," but the literal translation is, "today I am going to throw laziness at home." This is one of those cases where it just wouldn't make sense to be literal. It would be better to just have the character say, "I'm going to be lazy at home today," because as writers, our ultimate goal is clarity. We never want to sacrifice clarity for ambience or anything else.

I hope this makes sense, and please keep an eye on the comments in case any Arabic or Spanish speakers have anything they want to add, or in case I got something wrong.

Happy writing!

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[slugtranslation-hypmic]

I Think Hypmic's Portrayal of Gender Roles is Kinda Refreshing: An Essay A.K.A. I'm Procrastinating on a Weekend Deadline :)

Hypmic's talking points on gender are hamfisted, corny, and melodramatic. "Maybe...we shouldn't have a wage gap," is not the hottest of takes. However, like most things in Hypmic, the writers have a lot more to say about gender and gender roles in the framing of the story itself that's much more nuanced. And honestly? It's kinda refreshing.

It's also something that went way over my head when I first became a Hypmic fan. Sure, I read manga and played Japanese video games--usually translated into English first--but I didn't have enough exposure to hundreds or thousands of pieces of untranslated Japanese media. I'm going to guess that most Hypmic fans don't either, which is totally fine and normal. We all exist within our respective cultural communities wherein we're bombarded with messages constantly telling us how to act, think, and speak. We tend to absorb these messages on subconscious levels and reflect them in the art we create and stories we tell, either by reinforcing them or challenging them. Thus, our stories don't exist in a vacuum, and divorcing stories from their cultural backgrounds can suggest the artist is the original thinker of a larger concept or hide their specific point of criticism. That is, if I wrote a story about a man who chooses to not catch fish, drink beer, and drive a Dodge Ram pick-up truck, we should be aware that I'm not the person who conceptualized the stereotype of dudes who catch fish, drink beer, and drive pick-ups. I wouldn't deserve the credit for dreaming up that exact image, and at the same time, it would be incorrect to read that as me targeting those three things randomly. The choice to not drive a Dodge Ram pick-up is not a commentary on Fiat Chrysler Automobiles. It's a stand-in for the notion of masculinity.

Thing is, we're hit with messages about masculinity, femininity, and other gender-related concepts on a daily basis. No matter where you live or what language you speak, every person on Earth is inundated with messages saying, "This is what you are, and consequently, this is how you should act." Our relation to these messages is complicated, and this complexity is compounded by different cultural communities preaching different messages in their stories, marketing, and human interactions. For instance, the US's massive global cultural influence means that those outside the US can still easily recognize what I mean by catching fish, drinking beer, and driving enormous American pick-up trucks. But the location and cultural differences may add or subtract nuances. A person living in, say, Munich is unlikely to have Dodge pick-ups advertised to them the way a person in rural Texas would. Our fictional Munich person does not feel the same social pressures to buy a Dodge and represent their masculinity with a Dodge the way our imaginary Texan would. In turn, the Munich person likely sees a Dodge with an element of absurdity--who the hell needs such a big truck in a European city?--and foreign Americanness. The Texan wouldn't have that concern--why worry about navigating your enormous truck down narrow streets when you live in the countryside?--and sees Americanness as their local default, thus removing any element of foreignness.

That is to say, gendered messages aimed at people (especially women) who live in Japan don't affect me the same way as they impact those who do live in Japan. Like, it's not my dog in the fight, and there are plenty of people who are directly affected who write their own stories and commentaries on gender roles in Japan. Japanese women don't need a random guy in the US to stand up and say, "Damn, your gender roles are fucked!" 1) They already know. 2) They're already saying it. So I come at this from an angle of someone who already has deep, primary frustration with the gendered messaging in my culture and secondary frustrations when similar messages appear in other cultures. I don't have a bone to pick with Japanese media in particular. Plain and simple, reading and working on hundreds of pieces of Japanese media is what I do for a living. It's in my face constantly, and as a result, I am also perpetually bombarded by messages about gender roles in Japanese media.

It's not a hot take to say that Japanese media, like the media of every single other culture around the globe, has a lot to say about gender. There's a lot of slotting people into boxes and telling people what to do. It's chafing, as we see all across history in art produced in reaction to gender roles. In the past couple of decades, global shifts in gender roles have caused media to shift the messages they're pushing, but it's not controversial to say that Japan has lagged behind other countries like the US.

Many, many stories push arbitrary notions of how to be a girl or how to be a boy that don't necessarily come from the author themselves. The authors probably aren't even fully conscious that they're making these choices. If an author writes a story about a library and makes every female character a romance fan and every male character an action fan, it's likely a reflection of endless messaging that says action is for boys, romance is for girls. In turn, this story becomes yet another reinforcing message. If no fictional girls like action, and no fictional boys like romance, it becomes alienating for real girls and boys who don't follow these same rules. These rules are everywhere and have so much to say about gender that it's hard to know where to begin. Girls must like cute things. Boys can't like sweet food. Women must not express sexual desire. Men can't be shy. On and on and on.

Which is why, when there's a relative lack of this in Hypmic, it's kind of a breath of fresh air.

Wrong Ways to Be a Man

Actually, Hypmic does have a few moments where characters claim there are certain things men or women should do, but the writing always frames these messages as incorrect.

Take Samatoki, for instance. After Kuukou and Sasara leave MCD, Samatoki tells Ichirou, "Men shouldn't cry when they lose their friends. Men should only cry when they lose a family member."

(TDD chapter 10)

This line usually appears via Ichirou's perspective. In the stage play, it's told during a song Ichirou narrates, and as shown above in panel 3, the manga frames the line from the angle at which Ichirou sees it. In such moments, the audience is meant to read this as a cool line from a strong mentor figure to Ichirou. That's how Ichirou sees it, and he's a seventeen-year-old with too much on his shoulders who idolizes Samatoki. He is incapable of seeing how much pain Samatoki struggles with.

However, when the manga focuses on more intimate moments of Samatoki's life, we see that Samatoki does struggle quite a lot.

(BB/MTC+ chapter 6)

This isn't a cool, attractive figure meant to be idolized. While Samatoki's cigarette usage and aggressiveness are often framed as sexy or enticing, the juxtaposition with dirty laundry, overflowing ashtrays, and empty bottles make him a sympathetic and struggling figure. Therefore, we should understand that his notion that men don't cry is flawed. It's a means to distract himself from emotions he doesn't want to feel.

Later, as Samatoki begins to process his emotions and open up to his teammates, the unhealthy coping mechanisms recede. Samatoki is more confident, mature, and happier as a result of being more emotionally vulnerable.

We see a similar transformation with Kuukou. As a teen, Kuukou is reluctant to accept help or truly let anyone in. In a conversation with Hitoya, he says (and I am still completely unable to take this seriously), "A man's got to wipe his own ass."

(DH/BAT chapter 4)

However, over the course of his character arc, Kuukou learns that he cannot exist as a good leader or individual without the teamwork of his newfound "family." Only rejecting this classical and toxic notion of masculinity brings Kuukou joy.

In fact, most of the first-line characters have very similar arcs. At the start of the story, Ichirou is insistent on doing everything himself. He has to learn to be able to rely on other people (Kuukou, Samatoki, Ichirou and Jirou) to be happier and unlock his true strength. See below, his final attack and Ability use in the 2nd DRB, which is only possible when his brothers figuratively and literally support him through it.

(BB/MTC+ chapter 25)

Sasara struggles with emotional honesty and trust in favor of using humor to gloss over discomfort. It takes multiple heart-to-hearts with Roshou before he can let humor take a backseat and say how he really feels. Ramuda has difficulty trusting other people and being honest with his emotions when faced with stressful scenarios. Only through Fling Posse is he able to open up and ask for help instead of driving people away when the problems are too big for him to face alone. Jakurai struggles to connect with other people, work through and acknowledge his complicated feelings, and not place himself on a pedestal. Through Matenrou, Jakurai is able to ask for help, be more open, and ultimately be less hard on himself.

The second- and third-line characters follow similar arcs, and this repetition creates a core message for Hypmic: Trust and rely other people. Be open with your feelings. There's a wrong way to be a man, and that's to hurt yourself and other people.

Right Ways to Be a Man...Are Infinite!

But with that being said, there is a surprising lack of commentary on how else to be a man. Hypmic as a whole doesn't do much to constrain the male characters in terms of gender roles.

Sure, some characters do fit into more traditionally masculine roles--Ichirou, Samatoki, Riou, etc. The messaging makes it clear that it isn't wrong to play into masculinity provided it doesn't become toxic. (See above.)

Even then, however, these especially masculine characters are associated with less masculine traits that are either portrayed positively or not portrayed as a joke. Riou is an avid cook, but the joke is never that he wears an apron and knows his way around an outdoor kitchen (tee-hee, men don't cook!). It's that he cooks with horrifying ingredients. Samatoki is a fashionista, but the joke is framed as a counterpart to Ichirou's nerdiness.

(DoD chapter 1)

Here, it's funny that neither of them can shut up (the ペラペラ/blah blah SFX, the long bubbles filled with lots of text that's cut to indicate they kept going for longer), but the object of their attention--a model toy and a pair of jeans--are treated in the same neutral light. It's very common for stories to touch on, even defensively, the social taboo of men being into clothes. Hypmic doesn't even acknowledge that such a taboo could exist.

This is subtle but extraordinarily effective in giving characters the same consideration and weight. The more feminine characters are always treated just as sincerely (or, if there's a joke to be made, irreverently) as the more masculine characters. Take Ramuda, for instance. In Japanese media, a love of sweets is often characterized as feminine and will often be remarked upon, even in LGBT+ media, as atypical for men. Again, there's zero acknowledgement of such a thing in Hypmic. Whenever other characters talk about Ramuda's food intake, it's always framed as a concern about the lack of nutrition.

(FP/M chapter 11... I don't have the source lying around on my computer, so here's the old-ass scanlation lol)

It's also given the exact same weight as anyone else's junk food habits. Here, MCD goes out for burgers (a neutral to masculine-coded food due to the meat and high calorie count) while Ramuda opts to try a sugary Starbucks-esque drink. The parallelism in the comic's framing suggests that the two objects are functionally the same, and there is no comment that a sugary drink is feminine and therefore "inappropriate" for Ramuda. There's also no indication that MCD's preferences are in any way better. They simply happen to be the characters' personal preferences. The punchline is two groups splitting up, only to awkwardly run into each other again moments later.

(DoD volume 4 bonus comic)

Similarly, Ramuda's interest in clothes or fashion is never treated negatively--in fact, the discussions of clothes as a means to find identity and happiness make it a positive!

In ARB cards and promotional materials, Ramuda sometimes wears dresses. It's, again, portrayed in parallel to other characters wearing more masculine clothes and is never commented on as something "unusual." It's just who Ramuda is.

Hifumi is another interesting case. Like Ramuda, his playful personality often doesn't as stereotypically masculine. (To be clear, I read much of this as "gender neutral with a strong emphasis on youth" versus "feminine" in a way that I'm not sure has a good US equivalent...metrosexual/yuppie men's fashion, maybe? In the sense that it's a youth subculture that defies some masculine gender roles but is still focused mainly on men. I wish I was more well-versed in Japanese men's fashion and could give an exact term, but I'm what I'm thinking of is definitely an established thing--young, trendy dudes whose styles focus on poppiness vs. the rugged manly man or "idk, I'm just some guy" subcultures. It's a thing that pisses off old Japanese conservative men in the same fashion as people getting up in arms about "the gayz!!!1!" and their androgynous clothing lol.) Their personalities are often the butt of jokes, but only in the same way that Dice or Doppo are--that is, that they're exaggerated and over the top. There's no commentary on masculinity or lack thereof.

There are also moments when Hifumi, Gentarou, or other characters play feminine characters in roleplay moments, which is usually (but not always) not the sole joke. The audience is supposed to find it funny, but the humor is almost always centered on the absurdity of the scene as a whole. For instance, in a moment where Hifumi and Doppo are pretending to be two drunk karaoke-goers, the humor comes from the composite set-up of Hifumi's hair twirl, Doppo's untucked shirt and tie, Doppo and Hifumi's exaggeratedly flirtatious poses, the spotlights and sparkles, and the same font as used on classic karaoke machines.

(FP/M+ September 2022 oneshot)

Hifumi and Doppo do not perform traditional gender roles in their homelife, and while it's easy to see and often commented on in the English-speaking fanbase when it comes to Hifumi, I find it just as prevalent on Doppo. It's true that Hifumi is taking a feminine role by doing the majority of the household's cooking and cleaning, but if we were to assume Doppo has the masculine role in the household, he would have the breadwinner duty. However, he isn't the main source of income for their household, and he's just as unassertive in finding a (female) romantic partner as Hifumi is. Japanese men are bombarded with media messages stressing the importance of taking an active role in career and romance. That Doppo does not would, in many stories, make him the butt of a joke for not living up to masculine gender roles. But he isn't; instead, Hypmic portrays him as a sympathetic character. It's tough, Hypmic says, for people to get good jobs and maintain friendships/relationships as an adult.

Similarly, it's noteworthy that Hifumi's self-appointed term "Gigolo" is consistently portrayed as a good thing in Hypmic. The meaning of the English term aside, the Japanese word ジゴロ (jigoro) is almost always used as an insult for a man who is financially dependent on one or multiple women. In the strictest sense of the term, Hifumi is a jigoro in that his income derives from his female clients. However, there is never any shame associated with that, and as a whole, Hifumi's career as a host is shown to be a positive thing. I can't express enough how rare that is in any sort of semi-serious media. Certainly, Hypmic acknowledges that his job requires too much drinking (Doppo's verse in Hoodstar), but the overall portrayal is overwhelmingly positive. Hifumi and his coworkers are never treated as uneducated, boorish, or pathetic for "failing" to find other work that does not require flirting with and entertaining women. (This is partially due to the overlapping judgment with sex work.)

All the various harmless preferences and personality traits of the male characters are treated equally with no judgement over what's masculine or non-masculine. Within the broader context of Japanese media, this absence of judgment stands out and reinforces one of Hypmic's core themes: Differences make us better, not worse. In the end, Hypmic suggests, there's no one right way to be a man.

Right Ways to Be a Woman...Are Just as Infinite!

But what about women? This series is, after all, marketed mainly towards women, and while female audience members can no doubt extrapolate the lessons learned from the male characters, it's worth taking a look at the female characters too.

The female characters do receive much less screen time than the men and are not the focus in the series; I'd argue that's less an issue of overt sexism and more that they fall out of focus in the story the writers want to tell. (There's a broader discussion to be had about inherent sexism in the writers' focus which goes hand-in-hand with rap industries across the globe favoring men and rap being an example of exaggerated masculinity, but that's a topic for another day.)

Even so, the framing of the female characters is interesting in a couple key respects. The individual character arcs and motivations of the main female characters are, in my opinion, some of the weakest parts of Hypmic--many times, Otome and Ichijiku do things because the plot demands them to, making them look incompetent or needlessly cruel for characters we're supposed to sympathize with. Nemu's story seems to be handled with more care and takes an interesting twist, wherein she openly acknowledges that she's disenfranchised as a woman in modern Japan but rejects the notion that she needs to find strength on either Ichirou or Samatoki's (male) terms. By choosing to be strong in "her own way" (whatever that means...it's not well-defined), the authors are using Nemu to reject the notion that strength and power are inherently masculine.

What I find to be far more interesting is the character design for the Chuuouku women, both in what is said and what is not said.

To begin with, the characters and their portrayals run the gambit from highly sexualized to completely non-sexual. Some characters (especially Ichijku and Honobono) have conventionally attractive, curvy body types and are often drawn in ways that highlight their bodies.

(FP/M+ chapter 4)

(FP/M+ chapter 14)

In some cases, especially Honobono's, the enticing nature of the illustrations is framed as the character's choice; in the above, her words indicate that she wants to seduce the off-screen listeners. The images included above are largely representative of these characters' raps, regardless of illustrator.

But on the flip side, other characters with large breasts or hips are never drawn in a sexual fashion. By way of comparison, here are two shots of Nemu rapping.

(BB/MTC+ chapter 12)

Even in shots with dynamic poses, no attention is drawn to Nemu's figure in any sort of provocative sense. Nemu touches her chest, drawing the reader's eye there, but the artist does not emphasize the size of her chest--they're allowing a chest touch to be no more than an emphasis of the self. At the same time, Nemu's body isn't downplayed. We can see in panel 2 on page 2 that Nemu has a small waist and wider hips, but once again, she isn't being sexualized. The action lines draw the reader's eye to Samatoki and thus put the action first and foremost. This creates the idea that not only can characters portray themselves sexually, but they can just as easily choose not to.

We see similar with Otome, who does not wear any sort of revealing clothing and is never shown in a sexual fashion. However, Hypmic doesn't equate revealing clothing to sexual portrayals either! While I wouldn't call Tsumabira's outfit revealing, she does have more visible cleavage than most Chuuouku figures. However, her bare chest is never sexualized like Ichijiku's.

(BB/MTC+ chapter 4)

Compare the non-emphasis on the chest and the power stance to any of the many shots of Ichijuku where her breasts are front and center in the camera. Speaking of power stance, Tsumabira remains confident in her power stance without being sexy--that is, no stepping on the camera and showing her whole leg.

Which isn't to say that Tsumabira is a sexless character. She's drawn visibly turned on by the male characters in such a way that is cartoonish but not, in turn, overly sexual. Were this supposed to be titillating to the reader, I would have expected to see a larger close-up on her face and tongue. However, the artist (who is no stranger to focusing on tongues!) devotes the majority of the panel to Tsumabira's body language (which, again, doesn't absurdly exaggerate any of her proportions or focus on her chest) and covers part of the mouth with text bubbles. Tsumabira is drawn as engaging in sexual behavior without being sexualized for reader entertainment.

(FP/M+ chapter 4)

The juxtaposition of such different views with little to no judgement attached to any of them suggests that it's perfectly okay to want to be sexy or not, to wear revealing clothing or not, to be involved in sexual situations without being the object of sexual interest, or to simply exist with an attractive body type without sex ever coming into the equation. Just as some characters choose to tie bodies to sexiness, some don't whatsoever--and either is perfectly fine!

The former idea ("I can choose to be sexy") may not sound especially revolutionary to US audiences, where sexuality is thrust upon women willingly or otherwise, but I find it fascinating because it lets the main characters embrace this idea without associated slut shaming. So much of Japanese media insists that women should be sexy but are also wrong for wanting to indulge in their own sexuality. Therefore, having characters who run virtually every iteration of take on the topic (I want to engage in sexuality and be sexualized, I want to engage in sexuality without being sexualized, I don't want to engage in either) with multiple body types (ie, Tsumabira isn't automatically not sexualized because she has a smaller chest; Nemu isn't automatically sexualized because she has a bigger chest) and no judgement involved feels like another breath of fresh air to me.

As a whole, I find the diversity of the Chuuouku uniforms and character appearances quite interesting. They're undeniably all feminine and relatively militaristic, but different characters wear entirely different wardrobes. Skirts vs pants, blouses vs dresses, high heels vs boots... Since every character has her own take on the common theme, it once again feeds into the idea that each character is her own individual and perfectly valid for defining femininity in her own way.

Haircuts, too, range from longer and more feminine hairstyles to pixie cut-esque looks.

(BB/MTC+ chapter 16)

Again, nothing of the framing suggests this short-haired woman is in any way different from her longer-haired counterparts on the edges of this screenshot.

Finally, while most Chuuouku women are conventionally attractive, I find it extremely compelling that Haebaru is a stereotype of an unattractive Japanese woman. To be extremely clear, I do not think these stereotypes should have weight, but the combination of chubby and/or muscular build, freckles, rounded nose, and non-glossy hair is often used as a visual shorthand for unattractive or otherwise undesirable women.

Sure, it's not fantastic that Haebaru is a scheming, two-bit villain. However, so is virtually every other female character in the series, and in particular, Haebaru is (the conventionally attractive) Tsumabira's counterpart. Both are treated with the same respect or lack thereof, suggesting that one's appearance has nothing to do with your ability to be a no-good baddie. Ha ha ha.

It would be lovely if the female characters were fleshed out further and given intelligent choices and diversity outside of the realms of physical appearance. However, I do think the writers' choices are limited by virtue of all women automatically being antagonistic side characters (which, again, is another discussion altogether). What the writers can and have accomplished is further reinforcing a celebration of differences. Just as there's no one right way to be a man, there's an infinite number of ways to be a scheming snake of a woman HAHA.

Intersection with LGBT+ Topics

Unfortunately, this is a very binary look at gender and gender roles, which, while largely representative of the current state of Japanese media, can be disappointing.

Hypmic appears to want to steer shy of LGBT+ topics as a whole, which is a bit of a shame. In a story so focused on gender and acceptance of diversity, it seems the natural next step to explore the notion of those who experiences don't align with a strict gender binary. Such stories are growing in popularity in Japanese media but have yet to be anywhere near the mainstream acceptance in US media (which is still in a fledgling stage at best). I would imagine Hypmic's writers are unable or unwilling to take a definite stance on these topics in the work due to fears of financial or career backlash. If nothing else, the sexuality of the main characters needs to remain in a limbo in order to have plausible deniability for both self-shipping and shipping with other characters. (Some deniability may be more plausible than others.)

The few instances in which Hypmic does wander into this territory are usually clumsy. I am no fan of the handful of scenes where male/male attraction is supposed to be funny purely by virtue of being male/male.

The inclusion of Urumi, the one minor character explicitly LGBT+, is not stellar either. I am hesitant to apply any definite label to her, as the real-life people her stereotype portrays self-identify as everything from trans women to cis men--or refuse to use these English labels at all! Still, we know from her profession (proprietor of a bar heavily implied to be a gay bar by the neighborhood it's in), appearance (poofy permed hair, exaggerated make-up), and demeanor (feminine speech style, a bit flirtatious) that she's AMAB and choosing to present herself in a feminine fashion. By writing Jirou to ask, "Aren't you a man?" in an exasperated fashion, the writers have put her gender presentation in a boke role--suggesting she's over-the-top, exaggerated, comedic. It's not great. I completely understand why readers find it offensive (and it is) even while I don't think the writers intended it that way. Ultimately, it would have been great to see other explicitly LGBT+ characters portrayed without the joking angle.

With that said, I'm not entirely unhappy with her character. She is a stereotype, but the authors have chosen to take only the visual elements of the stereotype and leave the rest on the cutting room floor. In other works of fiction, characters like Urumi are often hypersexual to the point of being in-universe creepy, especially towards underage boys. Other times, characters like her may be eccentric or off-putting in other ways. However, that's not at all the case here. Urumi seems to play a helpful big sister/aunt role in Jirou's life, and he's clearly comfortable enough with her to spend the night at her bar.

(BB/MTC+ chapter 17. "Sorry, but can I shack up here again tonight?" "Of course you can.")

While she seems to engage in some sort of a bohemian lifestyle, as evidenced by the alcohol and smoking, it isn't anything outside of what many of the other characters do. Additionally, while she isn't drawn in a flattering fashion in scenes where she's playing up her persona (which is par for the course with any character in this series, regardless of gender), there are plenty of neutral shots of her being serious. Finally, the art is never outright rude--that is, she isn't drawn exaggeratedly masculine or flamboyantly...snakey? I don't know how to describe this to anyone who's lucky enough to have never seen this--clearly LGBT+ AMAB characters drawn with noodly limbs and huge, overblown lips winding around male characters.

Maybe because I see so much worse continuing to be produced in this day and age, I feel like Hypmic could have done a much, much worse job with this character. She overall plays a positive role and is treated with much the same care as other side characters. It's unfortunate, then, that the writers have chosen to make her gender presentation the subject of a joke.

In other frustrations, I heavily dislike the unnecessary gender divide in background characters. All punks and other background baddies are male, whereas all adoring fans are female. (But Rhyme Anima has done an interesting job of subverting this!) The vast majority of other background figures fall into strict gender roles, which is likewise disappointing. It appears that diversity may be an accepted trait for none but a lucky few that form the main Hypmic cast.

All in all, I don't think Hypmic's portrayal of gender roles is groundbreaking, nor do I think it's fair to suggest that all Japanese pop culture plays into strict gender roles. There are certainly many Japanese works, popular or otherwise, with much more interesting things to say about gender. However, when compared to the vast majority of the titles that cross my desk on a regular basis, I notice and appreciate the level of care put in to Hypmic's commentary on gender roles. The work consistently reinforces the notion that it's okay to be your own individual, no matter how that plays into your gender, and I find that freeing. That's a message we could all do to hear more often, regardless of culture and language.

TL;DR: Oh no, my rapidly approaching deadline. :)

[parasolladyansy]

hello! i've liked ansy's adventure for a while, and i noticed how you play on japanese names for the pokemon, especially for mizumi's and sasmu's. what do you think of the languages in the pokemon world? i can guess hisuian equals japanese, but does sinnohan/kantonese also translate into japanese? or the four japanese-based regions are adapted into english ( or unovan?) i don't know if i'm explaining myself, but how do you view the pkmn languages and their equivalents in our world?

こんばんは! Good evening! Thank you for following along ^o^/

Class is in session lol! Professor Laventon seems to be most comfortable writing in his native Galarian, though he also has various notes in traditional “Japanese”, written vertically & read right to left.

So, language is a very interesting thing in fiction, & the Pokeverse is no exception! Through the games (& especially the latest ones, Scarlet / Violet) we’ve had a number of characters who spoke in different languages. I remember a couple of NPC’s in BW Unova, there’s Fantina in Sinnoh who peppers her speech with Kalosian (French), & a Hiker on Galar’s Route 6 who spoke what I’m guessing was Paldean (Spanish) rather than Galarian (English). Then in SV, we have Mr. Salvatore who teaches (& uses) many languages (off the top of my head, I remember him teaching how to say “thank you” in Spanish, French, Chinese, & German).

It does get tricky when it comes to the “Japanese” regions of Kanto, Johto, Hoenn, Sinnoh / Hisui, & Kitakami, as those regions otherwise make up one country in our world, but this has yet to have been canonically established (which is why I always put “Japan” / “Japanese” in quotes, as there currently isn’t a name for that one country, same with “America”). I do believe they share the same language - at the very least Hisui & Kitakami have the same written script, & I feel pretty confident that if they were to retcon it, they would have the other “Japanese” regions use it, too (before Legends Arceus, they just used random shapes that didn’t seem to spell anything, which I interpreted to just be placeholder characters).

If there is a common language in their world (& I think is, from characters from different regions being able to talk to each other no problem), I personally would guess it to be “Japanese” - as we look at the other regions, we can see a sort of Japanese flavor that would otherwise not be there (though they clearly did their homework on the various parts of the world these regions reflect!). Of course, Pokémon is from Japan, so it would make sense that they would add some of their own culture to this world they created. For a possible in-universe explanation, the Pokeverse seemed to have started in Japan (specifically in Sinnoh as we learned in Legends Arceus, so I guess their universe actually is geocentric like old astronomers used to think ours was?).

I think that’s about it. In DxP REWRITE, while my own language is American-English (& beginner-level Japanese lol) so I read the characters to be speaking American-English, they are actually speaking “Japanese” while in Sinnoh (which is why I haven’t really been peppering Ansy’s dialogue with Japanese). I have tried to write in the “Japanese” or Galarian scripts for signs & things a couple times:

The sign just says “Gear Station”

Here I (tried to lol) translate Mizumi’s letter to Japanese then wrote it out in in-game characters (in the modern horizontal, as Mizumi is from the modern era writing to someone in the modern era).

Thanks for reading yet another post of me geeking out lol. Feel free to let me know your thoughts in the comments! じゃあ、またね! Until next time! ^o^/

—

PS: For funsies, here’s the (non-canonical, as these were made by fans) references I’ve been using when writing in either Galarian or “Japanese” in DxP REWRITE:

I personally was confused by the “Japanese” script also being alphabetical rather than phonetic like hiragana / katakana (two common scripts in Japan, the first being mostly used to spell Japanese words while katakana is used to spell foreign words - the third script, kanji, is used to write whole words). If that is the case (which is how I wrote it in Mizumi’s letter), “Japanese” is written in what’s called “romanji”, where they write out words in the Latin (aka Roman) alphabet rather than phonetically: “ありがとうございます” becomes “arigatō-gozaimasu” (“thank you very much”).

Whether it is actually written out that way in game though…? At a glance of the signs I saw in Hisui & Kitakami, it does look like it’s more like hiragana & kanji instead, but this chart is all I got for now. Any Japanese folks or fluent Japanese-readers who can tell me if there’s anything out there in the Japanese fandom about this, please lemme know so I can do right by it into future - as of writing this, I haven’t seen much else among the English-speaking fandom 8u8;

As for the Galarian script, it’s clearly based on the Latin alphabet that much of the Western world uses for our various languages - we see it in Paldea as well as Galar, & according to the trailer in Pokemon ZA, they retconned it to be used in Kalos as well. In universe, I wonder if they were at all influenced by the Unown, being based on the Latin alphabet themselves. Again, who knows? (though I question the accuracy of this particular font / chart: if it is, the first thing Laventon’s chalkboard says “REXBOQ” lol XD)

[wtaacde]

As a bilingual person who's been reading way too many fanfics with bilingual characters I reeeaaallly need to make a statement on how our minds work most of the time so people stop getting it wrong!

It's making me cringe so much 🥲

So I'm making a list of what I think is important to know when it comes to writing bilingual characters.

I've seen some simmilar posts on this topic, so some things might be repetitive but others are not, so stick with me. I'll be adding some personal examples to make it easier and more comprehensible.

So let's get started!

Master list to writing bilingual characters!

With no especific order os hierarchy.

1- This is the biggest mistake I see people making when writting bilingual character, so let's make this crystal clear: Bilingual people rarely mix their languages by accident!!!!

Especially if they've been living in a place where no one speaks their mother tongue and have little to no contact with their original culture.

Now, for the moments we do make those mix ups, it'll usually be with expressions we use all the time on our day to day lifes.

Let's work with examples!

I'm fluent in English, but my original language is Portuguese. In Portuguese, whenever someone is in a conversation we make this "éééééé" sound while we're thinking or unsure of what to say. It would be similar to the "uuuuhhh" people use in English.

I find myself and a lot of other Brasilian people saying "éééé" all the time even when speaking English, because that comes more naturally to us. It's an instict reaction that doesn't pass through the language shift that happens in our brain.

This also happens with more especific expresions. I don't talk to any foreign people, but when texting I catch myself trying to call people "amiga", which translates to "friend" and is normally used as an endearing term to call your friends or even strangers in a way to show friendliness. Now, not everyone in Brasil refers to their friends as "amiga", but I do, and I use it so much it slips in my vocabulary in English.

So, to summarize, there are expressions or words from our mother languages that come out almost as an instinct, but there usually aren't many of them and the frequency in which it happens is proportional to how much contact we have with speaking our native language.

2- Next up (and this is a funny one to me): it's easier to make math in our first language. If we were schooled in our first language, obviously. This could happen conciously or not.

So if you want your characters to have a funny moment, just have them do some math in their original language. This happens because we learned math and nurmbers in our mother language, and math is the same everywhere, so when we're learning another language we don't go through the same process with learning to use numbers practically like we do with words. So despite knowing what the numbers are called, it's still easier doing math in our language because our thought process is a lot faster and smoother in it.

3- We will revert completely to our mother language if we're emotional.

This could range from seeing a cute puppy and having a cuteness overload and instantly calling them cute pet names in our language to getting so mad that the only acceptable way to express our anger is to curse in our own tongue.

This sudden change happens naturally but they are intentional. We could totally curse and fawn in a different language but we choose not to because of the next point on this list.

4- Words are more meaningful in our own language.

I'll go straight to examples, because I know fic and romance writers are gonna have a field day with this.

When my dog was alive, I always talked to her in both English and Portuguese. But whenever I complimented her or told her I loved her in English, it felt fake. So I always repeated what I said in Portuguese and then I felt like I properly expressed my feelings.

So if i said something like "You're the cutest little baby in the world! I love you so much!" I always had to follow it up with. "Quem é a coisinha mais fofinha desse mundo todo? É o amor da minha vida? É, você é o amor da minha vida! Eu te amo mais que tudo nesse mundo!"

Only then did I consider she understood the depths of my love for her.

This also works in more angsty ways:

My parents were always very distant, so during one especific Father's day, when I was a kid, my school, as usual, had us making DIY presents for our fathers. We were supposed to write messages on the gifts and all my classmates were writing "eu te amo" on theirs. I couldn't write it, but it still felt like I had to or it would be weird. So I wrote "I love you" instead, because it felt less like a lie. Now, let's focus on the fact that I was a child. I had barely started learning English. I was nowhere near fluent. But it still felt easier to write "I love you" than "eu te amo". I never said "eu te amor" to my parents again.

Now, we had some fluff and some angst. Now let's get to humor!

Swearing always feels better in your own language. Do with that what you will.

5- On the subject of swearing, we will talk shit about anyone right in front of their face in a language they don't know and use different languages to mess with people.

This doesn't even need to be done with our first language (although it would feel more satisfying). Any language would do as long as the other person doesn't understand it. Bonus points if we get to do that with a friend/group of friends.

When I was a teenager I had just one friend that was also fluent in English. We used to talk to each other mostly in English for three reasons: the first one was obviously to practice, the second was to gossip with each other without people understanding and the third was so we could pretend we were foreigners and see people's reactions. We were two little shits that talked about the craziest stuff and no one bat an eye.

6- Now, let's finally look in the correct and conscious ways in which we change languages in the middle of a conversation.

First one and the one that happens the most is when we forget a word in one language.

I do this all the time and it sucks! I constantly forget how to say "concealer" in Portuguese and go around asking my family what's the translation even though no one speaks English in my house. I can't even remember the translation right now! A few days ago I couldn't remember how to say "pulseira" in English. It means "bracelet". It's an easy word. I still forgot it. Although I would recognize it if I saw it somewhere or if someone told me, my brain wasn't willing to do that work on its own.

So when this happens in real life, we'll always ask the people around us for the translation, even if they don't know the other language we speak, just in the hopes that they will understand the ✨ vibe ✨.

It's also really funny when this happens and the other person does speak both languages and also can't remember the translation. And sometimes we forget the word in both languages and have to resort to describing "the thing", which usually leads to a lot of misunderstandings.

Another way in which we change languages is when we want to use a very especific expression or memes in another language.

I'm gonna use Brazilian expressions for this because they're pure gold!

One that I find really funny (and somewhat family friendly for this post) is "o que o cú tem a ver com as calças?" which literally translates to "what does the asshole have to do with the pants?". If you think a little bit, you can still understand the meaning, but not all expressions work like that. If anyone's confused, the expression means that the other person is trying to talk about two different subjects that aren't at all correlated. You're basically asking "what does one thing have to do with the other?" with more crude language.

When we do this we can either just throw the expression in a different language and not elaborate on it, or try and explain it to the people around. It can vary.

7- If you have friends or family that also speak the same languages as you, you'll be shifting languages all the time without any warning.

I have a friend that most of our hangouts consist of watching K-dramas together. We live in Brasil, so we speak Portuguese, but we watch the k-drama in Korean and the subtitles are in English. During out binging marathon, we will speak all three languages with each other, even if none of us speak Korean. Sometimes we mix the words in all the languages, sometimes we have a full conversation in one language then switch to another on another point in time. Forgeting words in one language doesn't mean a thing in situtations like this. We'll just say the word in the language we remember and move on with the conversation.

This is everything I can remember for now. If anyone remembers other quirks of bilingual people, feel free to add on. If I remember more I'll keep adding to this post.

If you read all the way to the end, thank you and congratulations!

[schlong2]

latest fix rant time

none of my friends want to talk to me about monkey movies and then i remembered i have a whole blog dedicated to my latest fixations so. i've watched Kingdom of the Planet of the Apes two (TWICE ✌️) times in theaters. this was after watching the newer trilogy (Rise, Dawn & War) and the first 1968 original in prep.

things (SPOILERS!!!):

Kingdom's run time is 2 hours and 25 minutes. this is incredibly long for a movie. compared to 1968's 1 hour and 52 minutes, that's a half hour difference. Infinity War was 2 hours and 36 minutes for reference. that's a whole marvel cinematic convergence, but ape. the run time isn't exactly the issue i've seen talked about. it's the pacing. sitting twice through this movie was not a problem for me. i sat there engaged all the way through. on the second watch, i tried to be mindful of times in which it might have been dragging for the average person, and i like, literally couldn't find any. pretty much every scene had meaning and didn't drag imo. which is something these newer movies do extremely well. Kingdom is pretty equally split between verbal communication and sign language compared to the first three before it. the apes use both verbal and visual cues to talk. but because they don't talk every single time, it makes every moment that they do feel special. it reminds me of the Quiet Place concept, where most of the movie you only hear a human voice a few select times when it's safe to do so. Rise, Dawn, & War were kind of like this, as Caesar only really spoke when he was trying to make a point or communicating to humans, who are mostly speaking in those movies. he speaks more as he gets more fluent, and by War, he can speak very well. we see other apes like Koba, Maurice, Blue Eyes, and Bad Ape also speak English. these moments are rationed pretty well throughout Kingdom, making the dialog more select and meaningful. this makes every time these beasts talk feel like it means something and isn't just fluff to fill your ears. every other scene feels like it's building or showing a side of a character we hadn't seen before, and the scenes between those advance the plot or are like, really action-packed. i just don't see why some people say it has pacing problems. it's just long. i understand the average person's attention span is super short, but when you're sitting down to watch two and a half hours of movie, you gotta know there's gonna be downtime. moments where they're not fighting or advancing the plot. and i think that's GOOD man. but im also not one for action/adventures very much so maybe that's it? i think a lot of people maybe watch these apes for the violence and conflict rather than their introspection, genuinely thoughtful world building, and complex characters. and hey, that's completely fine to enjoy, but POTA is originally about morals and asking the audience questions and posing dilemmas to popular beliefs at the time. ok

Raka. he's great. Peter Macon has this butter smooth voice that's just perfect for the kind of character he plays. you can't help but like him. but he dies like 1/3 into the movie and is really only there to religion dump about Caesar (ape jesus) and then he's swept away. people are complaining that that's all he was really there for. to explain the real values of Caesar and provide a foil to Proximus. and i agree to some degree. i really hope he's not actually dead. his presence and death are felt throughout the movie, as both Mae and Noa (mostly Noa vocalizes it, Mae just silently shares in his loss and i think cries at one point?) seem to mourn him, saying shit like "if Raka were here..." and especially at the end when Noa gives the Caesar pendant to her. it's the shared memory of Raka and what he devoted his life to. but they never really like, actually linger on his death. there's a moment after he's swept away, and the shot stays on the rushing waters, Raka no longer visible and plays some sad tunes, but like. C'MON. he's not really dead. he isn't please tell me he isn't PLEASE

Noa isn't Caesar. i honestly do not get why you would want otherwise. of course, he isn't Caesar. we don't need another Caesar. he had a whole three movies to be the center of. i would be extremely disappointed if they just made a carbon copy of him or made Noa like a direct descendant of him or whatever. i hate that Chosen One bullshit. Caesar was just a guy that wanted peace for his people and that got him killed in the end. Noa is also a guy who wants peace for his clan. they're both leaders and have good hearts, but like. they're different characters. i LIKE that Noa has no relation to Caesar, i LIKE that he's his own character with his own ideals and purpose. Owen Teague does a wonderful job making the character his own. i mean Andy Serkis is Andy fucking Serkis. pretty big shoes to fill and i think Teague has the right foot size you know. i heard one guy say like "we've had our time to mourn Caesar" and yeah. we have. let's accept that and move on

WHERE MY APE DIVERSITY AT. we get a fuck ton of chimps, ONE orangutan, ONE gorilla, and ONE bonobo. what the hell. i mean. what is with the bonobo villian. Koba i fucks with because bonobos are some of the most playful, nonviolent apes out there. that humanity and its cruelty could twist a naturally peaceful creature into what Koba became.. i mean, that's great. but again with Proximus? maybe trying to evoke some of the same energy and nuance Koba had? ALSO. GORILLA PSA they are like so sweet. all that muscle is there to protect their families, and they're strictly vegetarians. i feel like Rise, Dawn, & War portrayed this better with most of the gorillas getting bodyguard jobs because of all their bulk. especially when Luca tucks that flower in Nova's ear. man. and Red going out like he did. gentle giants. in Kindgom we just have Sylva. gorilla henchman for Proximus. that's it. then we have Raka, the one orangutan character that i saw. wise and knowledgeable, guides and accompanies Noa and Mae then dies. at least we get one female chimp character that's more than just wife or mother. wikipedia lists Soona as Noa's love interest, which i can totally dig, like it's there. he takes her to the telescope at the end of Kingdom, which is more than what we saw romance-wise between Caesar and Cornelia. and the only other important chimp female is Dar, Noa's mom. in Rise, Dawn & War there was usually only one of each species of ape assigned a main role, but we saw much more diversity it felt like. maybe that's because there were smaller in numbers and have since spread out in the last 300 years? also like, bonobos are known for having female-female & male-male sex. dont know about the other apes. my friend mentioned that Raka said something about having a male companion and promptly searched reddit. all they had to say was: gaype?

the visuals. dear god the visuals. this movie is just visually stunning. absolutely breathtaking. they did a great job. i mean Rise, Dawn, & War are all triumphs of cgi and are excellent examples of the animation style done right. i did hear some guy say there is a loss of texture, as mostly everything in Kingdom is cgi, from the characters to the landscapes. but there's an explosion of texture in this film. there's one point where Noa is covered in the ash of his village and you can see it on his fur. there's quite a couple water scenes where the moisture clings to the apes' fur. It's all very impressive. great work

the references!! Rise especially has a ton of them (IT'S A MADHOUSE!!! & GET YOUR STINKIN PAWS OFF ME YOU DAMN DIRTY APE), and names like Nova and Cornelius, but Kingdom... i picked up on at least three main instances, but im sure there are more. there's the scene where the apes are rounding up the feral humans, and its very reminiscent of the scene from 1968 where they're doing the same thing for sport. there's the scene where Mae is running in the field, and she jumps on that log structure to get to Noa, which is nearly identical to a similar scene in 1968. the scene when Noa, Soona, and Anaya are exploring the human bunker and they come across an old classroom. one of them picks up a doll that says a distorted "Mama" which was huge in the original because that was evidence that once man did speak, why else would he make a doll that talked? superb call backs to the og. respect what was there before

SCHLONG THEORY

here me out guys. the starring ape-human relationship in Rise was between Caesar and Will. this type of love is called storge and describes the love a child has for a parent as well as the love a parent has for their child.

the starring ape-human relationship in Dawn was ultimately between Caesar and Malcolm. which i believe is truly philia towards the end, the love between friends and allies. just two dudes trying to keep peace in the world.

in War, i mean Caesar well and truly hates the Colonel. like more than he's hated any human in his life before. close to mania, obsession. anyways it's a study on this type of relationship between an ape and a human. true, all consuming hate.

SO in the newer movies we've explored familial love, platonic love, and hate, between an ape and a human.

in Kingdom the main ape-human relationship is between Noa and Mae. and their relationship is complex. not really that friendly and certainly not familial. no trust. some kind of begrudging respect maybe? i just think it would be neat if in further installments they explored a romantic love between a human and an ape. ok.

i KNOW Noa and Soona are probably going to get ape married and they're never going to touch on the subject but i just find it hard to believe that in the last 300 years or so that's NEVER been heard of. apes have the same level of intimacy between each other as humans do in this universe and can willingly consent. what are you so afraid of wes ball

after all, the whole franchise is about how apes, when given intelligence, compare to humans and begs the question: how different are we really?

is it possible for an ape and a human to fall in love?