#Embattled Garden

[thatsbutterbaby]

[miss-m-calling]

Leslie Andrea Williams and Lorenzo Pagano in Martha Graham’s Embattled Garden (Martha Graham Dance Company)

Photos by Hibbard Nash

[denimbex1986]

'David Tennant and Cush Jumbo walk into the Donmar Warehouse’s offices, above the theatre’s rehearsal rooms in Covent Garden, and sit down on a sofa, side by side. Tennant has that look his many fans will instantly be able to call to mind of being at once stressed – with a desperado gleam in his eye – yet mischievously engaged, which has to do with the intelligence he applies to everything, the niceness he directs at everyone. He is wearing a mustard-coloured jersey and could be mistaken for someone who has been swotting in a library (actually, he has been rehearsing a fight scene). If I am right in supposing him to be tense at this mid-rehearsals moment, I know – from having interviewed him before – that it is not his way to put himself first, that he will crack on and probably, while he’s at it, crack a joke or two to keep us all in good spirits. But some degree of tension is understandable for he and Jumbo are about to perform in a play that explores stress like no other – Macbeth – and must unriddle one of the most dramatic marriages in all of Shakespeare’s plays.

This is star billing of the starriest kind. Tennant, at 52, has more triumphs under his belt than you’d think possible in a single career (including Doctor Who, Broadchurch’s detective, the serial killer Dennis Nilsen in Des, and the father in There She Goes). Jumbo has been seen on US prime time in The Good Wife and The Good Fight and in ITV’s Vera. But what counts is that each is a Shakespeare virtuoso. Jumbo, who is now 38, won an Ian Charleson award in 2012 for her Rosalind in As You Like It and, in 2013, was nominated for an Olivier for her Mark Antony in Phyllida Lloyd’s all-female Julius Caesar. More recently, she starred as a yearningly embattled Hamlet at the Young Vic. A dynamo of an actor, she is described by the former New York Times theatre critic Ben Brantley as radiating “that unquantifiable force of hunger, drive, talent usually called star power”. Tennant, meanwhile, who has played Romeo, Lysander and Benedick for the RSC, went on to embody Hamlet and Richard II in performances that have become the stuff of legend.

Jumbo settles herself cross-legged on the sofa, relaxed in her own body, wearing a white T-shirt, dusky pink tracksuit bottoms, and modestly-sized gold hoop earrings. She looks as if she has come from an exercise class – and she has in one sense – no need to ask whether rehearsals, at this stage, are full-on. As we shake hello, she apologises for a hot hand and I for a cold one, having just come in from a sharp November morning. She is chirpy, friendly, waiting expectantly for questions – but what strikes me as I look at her is how her face in repose, at once dramatic and pensive, gives almost nothing away, like a page waiting to be written on.

Max Webster, the director, is setting the play in the modern day and Macbeth, a taut and ageless thriller, is especially friendly to this approach. I want to plunge straight in to cross-question the Macbeths. Supposing I were a marriage counsellor, what might they tell me – in confidence – about their alliance? Tennant is a step ahead: “There are two versions of the marriage, aren’t there? The one at the beginning and the fractured marriage later.” And he then makes me laugh by asking intently: “Are they sharing the murder with their therapist?”

He suggests Macbeth’s “reliance” on his wife is unusual and “not necessarily to be expected in medieval Scotland” (another excuse for the contemporary production): “I look to my wife for guidance: I don’t make a decision without her,” he explains. “We’ve been through some trauma which has induced an even stronger bond.” Jumbo agrees about the bond and spells out the trauma, reminding us the Macbeths have lost a child, but hesitates to play the game (I have suggested she talk about Lady Macbeth in the first person): “I want to get it right. I don’t want to get it wrong. I don’t know what to say… If I improv Lady Macbeth, it will feel disrespectful because you don’t know if what you’re saying on her behalf is true. And then you’re going to write what I say down and she [Lady Macbeth] is going to be: ‘Thanks, Cush, for f-ing talking about me that way.’” She emphasises that, as an actor, you must never judge your character, whatever crime they might have committed. And perhaps her resistance to straying from the text is partly as a writer herself (it was her play, Josephine and I, about the entertainer and activist Josephine Baker, that put her career into fast forward, opening off Broadway in 2015).

She stresses that the great problem with Lady Macbeth is that she has become a known quantity: “She is deeply ingrained in our culture. Everyone thinks they know who she is. Most people studied the play at school. I did – I hated it. It was so boring but that’s because Shakespeare’s plays aren’t meant to be read, they’re meant to be acted. People think they know Lady Macbeth as a type – the strong, controlling woman who pushed him to do it. She does things women shouldn’t do. The greatest misconception is that we have stopped seeing Lady Macbeth as a human being.”

For Tennant, too, keeping an open mind is essential: “What I’m finding most difficult is the variety of options. I thought I knew this play very well and that it was, unlike any other Shakespeare I can remember rehearsing, straightforward. But each time I come to a scene, it goes in a direction I wasn’t expecting.” He suggests that momentum is the play’s great asset: “It has such muscle to it, it powers along. Plot-wise, it’s more front-footed than any Shakespeare play I’ve done.” And is it ever difficult for him as Macbeth to subdue his instinctive comic talent? “Well, yes, that’s right, there are no gags! But actually, there are a couple of funny bits though I’d never intentionally inflict comedy on something that can’t take it. I hope I’m creating a rounded human being with moments of lightness, even in the bleakest times.” Jumbo adds: “Bleakness is funny at times”, and Tennant, quick as a flash, tops this: “Look at our government!” (He is an outspoken Labour supporter.) Later, when I ask what makes them angriest, he says: “Well, she [Suella Braverman]’s just been sacked so… I’m now slightly less angry than I was.” Jumbo nods agreement, adding that what makes her angriest is “unkindness”.

It is Tennant who then produces, with a flourish, the key question about the Macbeths: “Why do they decide to commit a crime? What is the fatal flaw that allows them to think that’s OK? I don’t know that they, as characters, would even know. Has the loss of a child destabilised their morality?” In preparation, Tennant and Jumbo have been researching post-traumatic stress disorder. “PTSD is a modern way of understanding something that’s always been there,” suggests Tennant – and the Macbeths are traumatised three times over by battle, bereavement and murder. “We’ve looked at postpartum psychosis as well,” Jumbo adds. They have been amazed at how the findings of modern experts “track within the play”. Tennant marvels aloud: “What can Shakespeare’s own research process have been?” Jumbo reminds him that Shakespeare, like the Macbeths, lost a child. She relishes the play’s “contemporary vibe which means it’s something my 14-year-old niece will want to see. Even though you know the ending, you don’t want it to go there. It’s exciting to play that as well as to watch it.”

A further exciting challenge is the show’s use of binaural technology (Gareth Fry, who worked on Complicité’s The Encounter, is sound designer). Each audience member will be given a set of headphones and be able to eavesdrop on the Macbeths. “The technology will mess with your neurons in a did-somebody-just-breathe-on-me way,” Jumbo explains. “You’ll feel as if you’re in a conversation with us, like listening to a podcast you love where you feel you’re sat with them having coffee.” Tennant adds: “What’s thrilling is that it makes things more naturalistic – we’re able to speak conversationally.”

Fast forward to opening night: how do they manage their time just before going on stage? Tennant says: “I dearly wish I had a set of failsafe strategies. I don’t find it straightforward. I’ve never been able to banish anxiety. It can be very problematic and part of the job is dealing with it. I squirrel myself away and tend to get quite quiet.” But at the Donmar, this will be tricky as backstage space is shared. Jumbo encourages him: “When I’ve played here before, I found the group dynamic helpful,” she says, but explains that her pre-show routine has changed since her career took off and she became a mother: “These days, I no longer have the luxury of saying: I’m going to do five hours of yoga before I go on. When I leave home at four in the afternoon, I might be thinking about whether I’ll hit traffic or, whether my kid’s stuff is ready for the next day. You get better at this, the more you do it. The main thing – which doesn’t sound that sexy – is to make sure to eat at the right time, something light, like soup, because when I’m nervous I get loads of acid and that does not make me feel good on stage. I have a cut-off point for eating and that timing has become a superstition in its own way.”

In 2020, Tennant and Jumbo co-starred in the compulsively watchable and disturbing Scottish mini-series Deadwater Fell for C4. How helpful is it to have worked together before? Tennant says it is “hugely” valuable when tackling something “intense and difficult” to be with someone you are “comfortable taking chances with”. Although actors cannot depend on this luxury: “Sometimes, you have to turn up the first day and go: ‘Ah, hello, nice to meet you, we’re going to be playing psychopathic Mr and Mrs Macbeth.’” And Jumbo adds: “I’ve been asked to do this play before and said no. You have to do it with the right person. I knew this would be fun because David is a laugh as well as being very hard-working.” He responds brightly with a non sequitur: “Wait till you see my knees in a kilt…” Are you seriously going to wear a kilt, I ask. “You’ll have to wait and see,” he laughs.

It is perhaps the kilt that triggers his next observation: “We’re an entirely Scottish company, apart from Cush,” he volunteers, suggesting that Macbeth’s choice of a non-Scottish wife brings new energy to the drama. He grew up in Paisley, the son of a Presbyterian minister, and remembers how, in his childhood, “whenever an English person arrived, you’d go “Oooh… from another worrrrld!”, and he reflects: “Someone from somewhere else gives you different energy.” And while on the Scottish theme, it is worth adding that Macbeth is the part that seems patiently to have been waiting for Tennant: “People keep saying: you must have done this play before? I don’t know if Italian Shakespeareans keep being asked if they have played Romeo…”

I tell them I remember puzzling, as a schoolgirl, over Macbeth’s line about “vaulting ambition, which o’erleaps itself and falls on th’other” – the gymnastic detail beyond me. Tennant suggests that what Macbeth has, more even than ambition, is hubris. But on ambition, he and Jumbo reveal themselves to be two of a kind. Tennant says: “Ambition is not a word I’d have understood as a child but I had an ambition to become an actor from tiny – from pre-school. I did not veer off from it, I was very focused. When I look at it now, that was wildly ambitious because there were no precedents or reasons for me to believe I could.”

“For me, same,” says Jumbo, “I don’t remember ever wanting to be anything else.” She grew up in south London, second of six children. Her father is Nigerian and was a stay-at-home dad, her mother is British and worked as a psychiatric nurse. “At four, I was an avid reader and mimicker. I got into lots of trouble at school for mimicking. My ambition was similar to David’s although, as a girl, the word ‘ambition’ has always been a bit dirty…” Tennant: “It certainly is to a Scottish Presbyterian.” “Yes,” she laughs, “perhaps I should have said Celts and Blacks… Girls grow up thinking they should be modest, right? But I had so much ambition. I knew there was more for me to do and that I could be good at doing it.”

And what were they like as teenagers – as, say, 14-year-olds? Tennant says: “Uncomfortable, plooky…” What’s plooky, Jumbo and I exclaim in unison. “A Scottish word for covered in spots.” “That’s great!” laughs Jumbo. “Unstylish,” Tennant concludes. Her turn: “At 14, I was sassy, a bit mouthy, trying to get into a lot of clubs and not succeeding because I looked way too young for my age. And desperate for a snog.”

And now, as grownups, Tennant and Jumbo are, above all, keenly aware of what it means to be a parent. Jumbo has a son, Maximilian (born 2018); Tennant five children between the ages of four and 21. Parenthood, they believe, helps shape the work they do. “Being a parent magnifies the job of being an actor,” says Jumbo, “because what we’re being asked to do [as actors] is to stay playful and in the present – be big children. As a parent, you get to relive your childhood and see the world through your child’s eyes as if for the first time and more intensely. We don’t do that much as adults.”

Tennant reckons being a parent has given him “empathy, patience – or the requirement for patience – and tiredness. It gives you a big open wound you carry around, a vulnerability that is not a bad thing for this job because it means you have an emotional accessibility that can be very trying but which we need.” But the work-life balance remains, for Tennant, an ongoing struggle: “Just when you think you’ve figured it out, something happens,” he says, “and you have to recalibrate it because your children need different things at different times.” Jumbo sometimes looks to other actors/parents for advice: “To try to see what they are doing – but you never quite get it right.”

And would they agree there is a work-life balance involved in acting itself? Is acting an escape from self or a way of going deeper into themselves? Tennant says: “I don’t think the two are mutually exclusive though they sound as though they should be – I think it is both.” Jumbo agrees: “On the surface, you’re consciously stepping away from yourself but, actually, subconsciously, you have to do things instinctually so you find out more about yourself without meaning to.”

And when they go deeper, what is it that they find? Fear is another of the motors in Macbeth – what is fear for them? “Something being wrong with one of my kids,” Tennant says and Jumbo concurs. And what about fear for our planet? Tennant says: “There is so much to feel fearful and pessimistic about it can be…” Jumbo finishes his sentence: “Overwhelming.” He picks it up again: “So overwhelming that you don’t do anything.” Jumbo worries about this, tries to remind herself that doing something is better than doing nothing: “If everybody did something small in their corner of the world, the knock-on effect would be bigger.” Tennant admits to feeling “anxiety” and distinguishes it from fear. Jumbo volunteers: “I recognise fear in myself but don’t see it as a helpful emotion. It’s underactive, a place to stand still.”

As actors who have hit the jackpot, what would they say, aside from talent, has been essential to their success? Tennant says: “Luck – to be in the right place at the right time, having one job that leads to another.” Jumbo remembers: “Early in my career, I had a slow start. You have to fill your soul with creative things, which is not always easy if you can’t afford to go out. You have to find things that are free, get together with people who are creative and give you good vibes and not people who are bitter and jealous or have lots of bad things to say about the world. This tends to bring more creative things to you.” Tennant observes: “As the creative arts go, acting is a difficult one to do on your own – if you’re a painter, you can paint – even if no one is buying your paintings.” Jumbo chips in: “Because of that, it can be quite lonely when it’s not happening.” “Tennant concludes: “It’s bloody unfair – there are far too many good actors, too many of us.”

And are they in any way like the Macbeths in being partly governed by magical thinking – or do they see themselves as rationalists? (I neglect to ask whether they call Macbeth “the Scottish play”, as many actors superstitiously do.) “I am a rationalist. I’m almost aggressively anti-nonsense,” Tennant says. Jumbo, unfazed by this manifestation of reason, speaks up brightly: “I’m a magical thinker, I’m half Nigerian and that’s all about magical realism and belief in energy. If something goes my way, I think: God, I felt that energy. And the thing that drew me to theatre as a kid was its magic.” And now Tennant, alerted by the word “magic”, starts to clamber on board to agree with her – and Jumbo laughs as they acknowledge the power of what she has just said.'

[justinspoliticalcorner]

Will Bunch at The Philadelphia Inquirer:

The most wildly misunderstood yet commonly used word in American politics is “gaffe.” The dictionary defines it as “an unintentional act or remark causing embarrassment to its originator; a blunder” — and that’s not wrong. But on the campaign trail, 95% of the time a much-talked-about “gaffe” is the blunder of a politician accidentally blurting out the truth. You’ve been hearing a lot about Donald Trump’s disastrous, Nazi-echoing rally at Madison Square Garden, and “comedian” Tony Hinchcliffe’s vote-killing “jokes” about Puerto Ricans and African Americans, and that’s been a game-changing development. But over the last week, it’s also been open-mic night for the Republicans who want to run Congress, and the embarrassing blunder of accidental truth-telling has been coming faster than Henny Youngman one-liners. Election Day will tell whether the joke is on the GOP, or on the American people for electing them.

[...] In fact, the current GOP House Speaker Mike Johnson, with a 50-50 chance of clinging to that job next January, has been barnstorming America in a festival of truth-telling “gaffes,” including the revelation that his party dreams of not just gutting Obamacare — as McCormick suggested on that hot mic — but repealing the ACA altogether. This despite Trump’s September debate admission that after a decade of talking about this, he only has “concepts of a plan” (and in reality he doesn’t even have that) on how to replace a program that has saved thousands of American lives.

“No Obamacare,” Johnson responded to a voter’s comment during a news conference in Pennsylvania, before suggesting that Republicans, if it’s in their control, will make major but totally unspecified changes to a program that is broadly popular with the American public while currently insuring more than 21 million. He added: “The ACA is so deeply ingrained, we need massive reform to make this work, and we got a lot of ideas on how to do that.” Yeah, sure, Mike. But like Bluto in Animal House, the House speaker was now rolling. Only a day or so later, campaigning for an embattled House ally in upstate New York, Johnson replied to a student journalist from Syracuse University asking if Congress would also repeal 2022′s bipartisan CHIP and Science Act, which is aiding an $100 billion new plant in that New York candidate’s district creating thousands of new jobs. “I expect that we probably will but we haven’t developed that part of the agenda yet — we gotta get over the election first,” Johnson said.

This time, Johnson soon realized that he’d gone too far even for today’s Republicans, and he rolled back the comment with the hard-to-believe claim that he’d misheard the clearly audible student journalist just a few feet away. But while the semiconductor-aid program, and its large-scale job creation, appear to be safe for now, we should take Johnson, McCormick and their colleagues seriously, if not always literally. To reach their true spiritual goal of taking America back to a time when white men like them ruled without challenge — not only on Capitol Hill but in every household — they are willing to willy-nilly repeal anything passed not just by President Joe Biden but LBJ and maybe even FDR. They want to bring back an uneven playing field for women, Black and brown folks, or the LGBTQ community, even if it also hurts the white middle class they claim to be representing.

Is it a gaffe that we’re learning in the campaign’s final hours that Team Trump plans to give enormous power over public health policy to former-candidate-turned-Trump-ally and anti-vaccine nutjob Robert F. Kennedy Jr., who tweeted Saturday night that he literally wants to take America back to the 1950s by removing fluoride — which has improved the dental health of U.S. children for decades — from public drinking water. Make all the jokes you want about the John Birch Society or Gen. Jack D. Ripper in Dr. Strangelove, but — just like Hinchcliffe’s MSG put-downs of Latinos and Black people — their push to unravel modern American progress is no laughing matter. Voters understand RFK Jr.’s words are serious because we’ve already seen in one hugely important area — reproductive rights — what happens when the barking dog of GOP policy nonsense actually catches the car. The Trump-fried U.S. Supreme Court’s 2022 reversal of Roe vs. Wade has taken women’s health care back more than 60 years, and now we are learning the stories of the women who are dying as a result. How many more Americans will die needlessly if Johnson, McCormick, Trump and their ilk keep driving their 1950s Rambler policies off the cliff?

[...] The GOP’s 11th-hour policy truth bombs aren’t getting the media attention they deserve. They are competing with the increasingly racist, violent and unhinged rhetoric from Trump’s allies but especially from the 78-year-old candidate himself, who seems to be descending into madness in what, either way, are (probably) his last days ever on the trail. We should be paying great attention to events like his nearly six-hour Manhattan hatefest. But understand that the cruelty is the point of the modern MAGA movement, and Trump’s despicable language and attitudes toward women and nonwhite men will be translated on Capitol Hill into cruel policies — political neutron bombs that will devastate everyone, even the folks lining up in Appalachia or the prairies of the Great Plains to vote for Trump.

Will Bunch delivers a truthbomb in his latest Philly Inquirer column that the GOP’s deranged quest to repeal CHIPS Act and Obamacare, along with pandering to anti-fluoride cranks, will doom them.

See Also:

HuffPost: Republicans Close Out Final Week Of 2024 Race By Saying The Quiet Part Out Loud

[wonder-worker]

Katherine of York:

Henry (VIII)’s fondness for his aunt was once again demonstrated when in 1512 he granted Katherine all the Courtenay estates in Devon for the term of her life, and to be passed to her children upon her death. This act gave Katherine her much needed security, although did she have to make a sacrifice to pay for it? For shortly after William’s death, Katherine took the following vow of chastity:

In the name of the Father, the Son, and the Holy Ghost, I, Katherine Courtneye, Countess of Devonshire, widow, and not wedded, ne unto any man assured, promise and make a vow to God, and to our Lady, and to all the Company of Heaven, in the presence of you, worshipful Father in God, Richard, Bishop of London, for to be chaste of my body, and truly and devoutly shall keep me chaste, for this time forward, as long as my life lasteth, after the rule of St Paul. In nomine Patris et Filii et Spiritus Sancti

The romantic perspective of course is that she took the vow because she deeply loved her husband and had come to a decision that she did not want to marry anyone else. This may well have been the case. But there is also a hypothesis that perhaps this vow may have either been a condition of Henry’s grant to her, or a condition Katherine placed upon herself to keep her lands and property safe. As the daughter of a Yorkist King, as much as Henry had a real regard for her, he may not have felt the same about any future man that she may have chosen to marry. There is no proof that he asked her to take the vow of chastity, but it may have been a bargaining tool that saw him grant her the estates, ultimately giving her security without the threat to himself of a new husband at some point in the future using her lineage to threaten the throne. But it may also of course have been something that Katherine decided was in her own best interests. Widows in medieval times were able to run their own estates and take care of their children but once they remarried, their power completely diminished and they once again because subservient to their husband. Having been through so much upheaval and insecurity, this was finally Katherine’s chance to take control of her own destiny once and for all and she must have grabbed the opportunity with both hands, never again having to rely on anyone else for help and support.

Once William had died Katherine spent less time and court and much more of her time on her Devon estates. She remained in favour with her nephew, Henry VIII, giving and receiving gifts from him, as well as several wardships. She was also given the honour of being godmother to Princess Mary.

As a femme sole, Katherine was now able to make a comfortable life for herself in Devon, and it seems she became a well-liked and respected member of the community. Her main residence was Tiverton Castle, which today is a privately owned house which the owners open up to the public. In an inventory taken in 1538 after the death of her eldest son, the castle is described as a mansion, moated, walled and embattled, with houses, offices and lodgings ‘well-kept and repaired’ with fair gardens and two parks. It was originally built as a motte and bailey castle in 1106 by the de Redvers family, the first Norman Earls of Devon. As the centuries moved on, the castle was altered and enlarged and exhibits today all periods of architecture from medieval to modern, along with beautiful walled gardens.

...For over fifteen years she lived here in relative peace and comfort, keeping in touch with her friends and family in London by letter and perhaps travelling to London and the court for special occasions. Household accounts that have survived from the period 1522-23 and 1523-24 detail payments to messengers for taking correspondence to the King and Cardinal Wolsey. She used for her title and seal ‘the excellent Princess Katherine, Countess of Devon, daughter, sister and aunt of Kings’ and in official documents, signed herself Katherine Devonshire.

She also paid a servant who took four horses to her daughter in London and remembered her husband William by paying for a mass on the anniversary of his death. A London Chandler was likewise paid for a year’s supply of wax for Lord William’s tomb.

Katherine ran her own estates with network of stewards and servants; some of her properties were administered for her by a bailiff, and some paid rent directly to her. Her influence was felt throughout the local area, an example of which can be found on a rood screen in Kenn church, which contains a panel to Saint Bridget and is the only known surviving example of a depiction of the Bridget cult in the south-west. The Courtenays presented to Kenn church and before its restoration in the nineteenth century the Courtenay arms were reportedly seen by antiquarians in the east window of the chancel and in a window in the south aisle. It is not believed that Katherine paid for the screen but the presence of Saint Bridget on one of the panels does suggest her influence, particularly because of her family connection to Saint Bridget, the saint whose name her younger sister bore. Katherine did visit the church at Kenn as she presented the new rector, Thomas Mitchell, in 1517. She certainly had a reputation in the parish for her generosity in the giving of alms and was a patron of several religious orders, inviting their members to come and preach at Columbjohn. The rood screen can still be seen today in St Andrew’s church in Kenn. During the reformation, many rood screens were renamed chancel screens but were often defaced or destroyed in an attempt to remove the images of saints and catholic idolatry. Amazingly the Kenn screen survived and it was renovated to its former glory in the nineteenth century.

... What we can also glean from these records is her generosity to staff. Philippa, her maid, upon her marriage received £6 13s 4d and Katherine also covered the cost of velvet for her wedding dress and kirtle, the cost of making the outfit and the cost of the wedding. ‘Andrew of the kitchen’ had garments made for him and her fools, Dick, Mug and Kit were well provided for as she paid for the mending and washing of their clothes. In her Will of 2nd May 1527 she made provision for her servants to be provided for a year after her death. For the Christmas festivities, she bought a ‘gallon of honey, apples and pears bought against Christmas’. Players who performed before the Countess on New Years’ Eve and New Years’ day were paid 13s 4d. Payments for the King and Queen’s New Year gifts are listed as well as a gift to her son of two buckles, two pendants, six studs, six oiletts, six aglets (a metal tube wrapped around a shoelace) and gold and enamel garters.

Katherine, on her estates far away from London, would almost certainly have had an opinion on the goings-on at court but that opinion of course was never recorded. Staunchly catholic as she had been brought up, she would likely have received news of her nephew’s intentions to divorce Catherine with some dismay; she would have known and met Catherine of Aragon on more than one occasion. Thankfully she did not live long enough to witness the arrest and execution of her son. As the King removed the threat of any remaining Yorkists, you cannot help but wonder whether his deep admiration and regard for Katherine would have been enough to save her had she still been living, or whether she too would eventually have fallen under his suspicion. But as it was, she did not even live long enough to see Anne Boleyn finally usurp her rival to become Henry’s second wife, as on 15th November 1527, at 3pm in the afternoon, she died at her home in Tiverton. She was forty-eight years old. Her body was embalmed, cered, leaded and covered with a pall of black velvet, with a cross of white satin. Upon that was placed another pall of cloth of gold with a white cross of silver tissue garnished with six escutcheons of her arms. Katherine’s body was attended day and night until Monday 21st December, when mourners wearing black hoods and gowns and carrying banners depicting the saints, escorted her body to Tiverton parish church under a canopy of black velvet. The coffin was placed under a richly decorated canopy, which was guarded all night by attendants. The mourning party then returned to Tiverton Castle for a meal.

At 7am the next morning, the mourners returned to the church where a requiem mass was sung by the Abbot of Montacute, who was supported by choristers from the nearby city of Exeter. In honour of his aunt, the King sent one of his chaplains to deliver the sermon. Her Chief mourner was Lady Carew, who was assisted by Sir Piers Edgecombe. After the service, her body was buried in a vault in the Courtenay chapel on the north side of the church (probably near the site of the present vestry). Her funeral was attended by five hundred mourners including the Mayor of Exeter and City Alderman and was a testament to her popularity. After her death, eight thousand poor people were paid two pence each on the condition they prayed for her soul. In her memory, her son Henry had a tomb erected, of which there is no longer any trace; it was very likely a casualty of the Civil War.

Katherine was still living when Thomas More was writing his History of King Richard III between 1513 and 1518, and his description of her is a perfect summing up of her life. He tells us Katherine was ‘long time tossed in either fortune, sometimes in wealth, oft in adversity, at the last – if this be the last, for yet she liveth – is by the benignity of her nephew King Henry the Eighth in very prosperous estate and worthy her birth and virtue’. She did not live long enough to see the outcome of her nephew’s ‘great matter’ that brought about not only his divorce but also radical changes to the religion that Katherine would have held so dearly. And she managed to live out her final years in peace and security and also, one hopes, she managed to find happiness. After all the adversity she experienced in her early life, this Princess of York may not have ended up as Queen of Spain as was originally intended for her by her father, but she managed to obtain for herself her own little kingdom where she could reign as Duchess of Devon.

Sarah J. Hodder, "The York Princesses: The Daughters of Edward IV and Elizabeth Woodville"

[fuckyeahgoodomensfanfic]

Good Omens Fic Rec: roots, the other, wings

Embattled by his grief stricken orphaned nephew, and still standing in the ashes of an awful relationship, Aziraphale, in need of a gardener, emails Crowley’s of Eden.

Length: 62,836 words

AO3 Rating: Not Rated/ Spice Level 🔥

Best for: At Home, Human AU, Heavy Topics

Triggers: Homophobia, Grief

Read it here, fic by MostDismalFeldsparkle (Most_Dismal_Feldsparkle)

*Minor Spoilers* I will always respect a story that has a completely unique point of view, and this one definitely does. In this AU, Aziraphale has just lost his estranged sister in a traumatic accident. Now he is trying to find a way to deal with his own trauma, while raising his nephew Adam. What's so unique here is how brutal is relationship with Adam is. Aziraphale's sister turned bitter and hateful, for reasons that come from her own trauma. She passed that onto her son, filling him with some truly awful homophobia that he doesn't even understand himself. It's very tragic when a child has been conditioned into those views. Hearing those things from Adam is such a struggle for Aziraphale. He has to balance his own hurt with grace towards Adam. Forgiving and loving him anyway because he knows this isn’t Adam’s fault. Adam is a victim here too.

Crowley enters the scene as a landscaper. They fall in love fast, and I love that this doesn't fix the problems with Adam. Actually it makes it a bit worse for awhile. Crowley goes on their own journey of gender expression, deciding to start medically transitioning, and this story doesn't just take the easy route of it magically being easy. It's a struggle, and Aziraphale does have to actually think about what it would mean for him as Crowley goes through these changes. I really appreciated the realism. Their relationship is built on trust and unconditional love, and it was very heartwarming to read.

In the end, this story is about hope and moving forward. Embracing the love you can find, and building a better future. This is not a triggering or depressing work, but there's some heavy topics discussed! So this isn't something to read in a bad head space. It's safe in public, but I think best for home.

Read it here, fic by MostDismalFeldsparkle (Most_Dismal_Feldsparkle)

[wallacepolsom]

Don’t particularly like to garden, but have spent a lot of time in the yard these past few days, and on breaks, used Procreate to construct, sans reference, another embattled female figure.

[anniekoh]

The Hurricane Book: A Lyric History

By Claudia Acevedo-Quiñones (2023)

In this powerful debut, Claudia Acevedo-Quiñones pieces together the story of her family and Puerto Rico using a captivating combination of historical facts, poems, maps, overheard conversations, and flash essays. Organized around six hurricanes that passed through the island with varying degrees of intensity between 1928 and 2017, The Hurricane Book documents the myriad ways in which colonialism—particularly the relationship between the United States and the island—has seeped into the lives of Puerto Ricans, affecting how they and their land recover from catastrophe, as well as how families and citizens are bound to one another. Through accounts of relatives, folklore, and necessary escape, Acevedo-Quiñones illuminates both the tenderness and heartbreak of bonds with family and homeland. Moving seamlessly from the personal to the political to the environmental, she takes the reader through her own experience of family dynamics, mental illness, and substance abuse—and their long-reaching echoes—all against the backdrop of Puerto Rico’s struggles and beauty. An attempt at a colony’s etymology in a time when it is perpetually embattled by natural disasters, crippling debt, and the mass exodus of its people, The Hurricane Book is also an invitation to see the realities that many don’t want to see—a refusal to stay in the dark about ourselves or our collective history.

The Last Fire Season: A Personal and Pyronatural History

By Manjula Martin (2024)

Told in luminous, perceptive prose, The Last Fire Season is a deeply incisive inquiry into what it really means—now—to live in relationship to the elements of the natural world. When Manjula Martin moved from the city to the woods of Northern California, she wanted to be closer to the wilderness that she had loved as a child. She was also seeking refuge from a health crisis that left her with chronic pain, and found a sense of healing through tending her garden beneath the redwoods of Sonoma County. But the landscape that Martin treasured was an ecosystem already in crisis. Wildfires fueled by climate change were growing bigger and more frequent: each autumn, her garden filled with smoke and ash, and the local firehouse siren wailed deep into the night. In 2020, when a dry lightning storm ignited hundreds of simultaneous wildfires across the West and kicked off the worst fire season on record, Martin, along with thousands of other Californians, evacuated her home in the midst of a pandemic. Both a love letter to the forests of the West and an interrogation of the colonialist practices that led to their current dilemma, The Last Fire Season, follows her from the oaky hills of Sonoma County to the redwood forests of coastal Santa Cruz, to the pines and peaks of the Sierra Nevada, as she seeks shelter, bears witness to the devastation, and tries to better understand fire’s role in the ecology of the West. As Martin seeks a way to navigate the daily experience of living in a damaged body on a damaged planet, she comes to question her own assumptions about nature and the complicated connections between people and the land on which we live.

Other recommendations from Heatmap News.

[beardedmrbean]

Commander, the first family's embattled German Shepherd, bit another U.S. Secret Service agent while President Joe Biden was walking him around the White House grounds, according to newly released records.

Biden was walking Commander in the Kennedy Garden on Sept. 12, 2023, when the dog bit a Secret Service agent who approached the president to help him with something, the records obtained by conservative activist group Judicial Watch and reviewed by ABC News show.

"As I started to walk toward him to see if he needed help, Commander ran through his legs and bit my left arm through the front of my jacket. I pulled my arm away and yelled no," according to an email sent from an unnamed agent. "When turning to close the door, Commander jumped again and bit my left arm for the second time."

The emails were part of Judicial Watch's lawsuit for U.S. Secret Service emails via a Freedom of Information Act.

The email shows that while no skin was broken, the agent's coat did have dog bites in it.

MORE: Biden's dog Commander bites another Secret Service officer in 11th incident

After it was reported in the press that another agent was bit, frustration set in at least for one agent, the emails show.

"Can we please find a way to get this dog muzzled," the unnamed agent wrote.

The dog was moved from the White House in October, due to a string of over 11 biting incidents, according to an ABC News tally.

In one incident, a Secret Service uniformed officer had to be taken to the hospital after a bite from Commander.

[argumate]

Chinese authorities have asked Ping An Insurance Group to take a controlling stake in embattled Country Garden, the nation's biggest private property developer, four people familiar with the plan said.

A spokesperson for Ping An said the company had not been approached by the government and denied the information reported by Reuters.

Ping An has "not been asked by (the) Government to takeover Country Garden. We categorically deny this story. It is untrue," the company said in a statement to Reuters.

It reiterated its denial in a public statement after Reuters first published this report.

China's State Council Information Office and the Guangdong local government did not respond to requests for comment. Country Garden declined to comment.

what kind of story is this, who are these "four people familiar with the plan"

[aradxan]

Lanhydrock House and Gardens, Cornwall by photphobia The great house stands in extensive grounds (360 hectares or 890 acres) above the River Fowey and it has been owned and managed by the National Trust since 1953. Much of the present house dates back to Victorian times but some sections date from the 1620s. It is a Grade I listed building and is set in gardens with formal areas. The hill behind the house is planted with a fine selection of shrubs and trees. Lanhydrock estate belonged to the Augustinian priory of St Petroc at Bodmin but the Dissolution of the Monasteries during the 1530s saw it pass into private hands. In 1620 wealthy merchant Sir Richard Robartes, of Truro, acquired the estate and began building Lanhydrock House, designed to a four-sided layout around a central courtyard and constructed of grey granite. Robartes died in 1624 but work on the building was continued by his son John Robartes, 1st Earl of Radnor, a notable public figure who served as Lord Privy Seal and Lord President of the Council. The embattled walls were built of rude (rough), massive granite blocks with years 1636 and 1642 on the walls, indicating when they were built. A barbican gate was added and the house was garrisoned by Parliamentary forces in August 1644 when Sir Richard Grenville took possession. Lanhydrock is a civil parish centred on a country estate and mansion in Cornwall, United Kingdom. The parish lies south of the town of Bodmin and is bounded to the north by Bodmin parish, to the south by Lanlivery parish and to the west by Lanivet parish. The parish church is dedicated to St Hydroc and stands in the grounds of Lanhydrock House. Parts date back to the late 15th century and the church has a chancel, nave, north and south aisles and three-stage battlemented tower with nine bells. Eight bells date from the late 19th century and are regularly rung. The ninth bell dates from circa 1599 and is only rung infrequently for tolling. https://flic.kr/p/2cDqiCp

[petnews2day]

Biden's dog Commander bit Secret Service agent while president took him on a walk, records show

New Post has been published on https://petn.ws/DEo7n

Biden's dog Commander bit Secret Service agent while president took him on a walk, records show

The incident happened in September 2023. June 15, 2024, 11:51 AM ET • 3 min read Commander, the first family’s embattled German Shepherd, bit another U.S. Secret Service agent while President Joe Biden was walking him around the White House grounds, according to newly released records. Biden was walking Commander in the Kennedy Garden on […]

See full article at https://petn.ws/DEo7n #DogNews

[wausaupilot]

Embattled Monk Gardens director steps down

On Wednesday, the board announced Howard's departure.

By Shereen Siewert | Wausau Pilot & Review After months of controversy in the community, Monk Gardens Executive Director Darcie Howard will step down from her role, according to a news release from the organization. The Monk Botanical Gardens board has accepted the resignation of Darcie Howard, effective early July.  “We would like to thank Darcie for her seven years of service to the gardens.…

[offtrackkorea]

Country Garden lenders’ group hires advisers for debt revamp talks on March 5, 2024 at 12:58 pm

Reuters exclusively reported that a group of lenders to China’s Country Garden has hired Allen & Overy and Deloitte as advisers as creditors to the embattled developer gear up for possible debt restructuring talks.  The post Country Garden lenders’ group hires advisers for debt revamp talks  appeared first on Reuters News Agency.

[alysseaallyn]

Embattled Love - the diaries of Alysse Aallyn

Real Life Begins

StormFall – 4 Aug 80 Familiar feeling of depression. More wedding invitations – Granma’s list and Sutton’s list. Poor Sutton – I feel so sorry for him even though he jokes about missing Val: “I got rid of the last gardener I had.” The only bad night was engagement party – Mom and Dad chose a reel of slides and I sat there stunned at the genesis of all my stories. Ocean, lake, dolls’ cottages –…

[nicklloydnow]

“For the past three decades, China has been on the upswing of a supercycle that saw an almost uninterrupted expansion of the country's capacity to manufacture, appetite to consume, and ability to project power across the world economy. The Chinese Communist Party relentlessly pursued economic development over all else, even when that single-mindedness pushed the party to make debilitating policy mistakes — creating a massive bubble in the property market, saddling provinces with loads of debt, and failing to transition away from an overreliance on investment. There was no time to stop for corrections while China's mind was on money alone.

(…)

President Xi Jinping has shifted the CCP's raison d'être to national security over the economy. Getting rich isn't China's big project anymore; the project is power. As a result, both the government's priorities and behavior have changed. In the past, whenever it seemed like a recession was on the horizon, the CCP came to rescue. There's no hefty stimulus coming this time. Nor will the explosive growth that experts once expected from China return. Beijing's relationship with the outside world is no longer guided by the principles of economic rationality, but rather its yearning for political power.

"This isn't about the economy anymore, it's all about advanced technology and weaponry," Lee Miller, the founder of the Chinese economic surveyor China Beige Book, told me.

(…)

The Chinese economy has been bending under the weight of its structural problems for almost a decade now, but since the end of Xi's COVID-lockdown policy, it's become clear that its growth model is well and truly broken. Beijing's story so far has been to claim that, like other economies on the mend from the pandemic, China will in time resume its normal growth pattern. Instead, it looks like the economy is falling behind.

Let's start with the country's real-estate market, the importance of which cannot be overstated. Not only is it the biggest source of wealth for Chinese households, real estate is also the mechanism through which local governments are financed. Instead of property taxes, municipalities sell large swaths of land to property developers and then use the revenue for basic social services like fixing roads and paying out pensions. Cities like Shanghai and Beijing get a lot of attention, but they make up just a fraction of the property market. Property firms did the most building in third-tier cities where people aren't as wealthy. This is where you'll find China's infamous ghost cities.

It's been clear for years that the Chinese real-estate market has been in trouble. China has a population of 1.4 billion, but it has built housing for a population of 3 billion, according to expert estimates. Many of the mega-developments became empty monuments to Beijing's insatiable desire for growth. In Shenyang, farmers have taken over a development of empty mansions for cattle grazing.

Worried that the sector would implode, Beijing attempted on multiple occasions to limit the credit that was fueling the bubble. But because real estate played such a vital role as a government-funding mechanism, China had to keep building, despite these troubles. Authorities didn't want to change the way local governments funded themselves or allow Chinese household finances to crumble, so they could not let prices fall. That credit addiction remains.

But this system, supported by speculation and easy money, is starting to break down. Country Garden, China's largest real-estate developer, is on the brink of collapse. In a sign that Beijing has grown tired of this game, Xu Jiayin, the chairman of Evergrande, another embattled real-estate behemoth, has been detained by authorities. Money-starved provinces are being forced to ask for bailouts — which the federal government doesn't want to give — and sell assets that the local governments claim are illiquid. The country's massive, opaque shadow-banking sector, which served as the backbone for the real-estate boom, is also under pressure. At least one $87 billion money manager, Zhongrong Trust, skipped payments to investors this summer, sparking protests.

(…)

Official data has shown relatively modest price declines so far, but like a lot of official economic data coming from Biejing these days, it's hard to take those numbers seriously. Private data shows prices falling by 15% in metropolises like Shenzhen and Shanghai. In tier-two and tier-three cities, prices have fallen by as much as 50%, according to Bloomberg. "Eighty percent of all sales by area are in tier-three and below cities," Chu said, adding that many of these places are facing long-term structural problems. "If their market doesn't come back, the entire market doesn't come back."

The real-estate sector is the most visible sign of China's fading star, but other key parts of the economy are showing strain as well. While the rest of the world is battling inflation, China is still in deflationary mode. August CPI came in at 0.1%, up from minus-0.3% the month before, showing an overall lack of domestic demand. Exports — which make up 40% of the country's GDP growth — hit their lowest level in three years in July, falling 14% from the same time a year before. August export figures showed some improvement but still came in down 8.8% from the year before.

Overall, Autonomous expects China's exports to slow 8% compared to last year. Chu — who has been called the "rock star" of Chinese debt analysis — told me that this weakness is not just a result of a cyclical downturn; it's a part of a more permanent shifting of supply chains caused by trade tensions with Europe and the US. These are powerful forces that are not easily reversed. Once multinational corporations no longer see China as a source of steady growth, they could begin changing their plans to invest. At the same time, domestic anxiety about shrinking employment may change the basic consumer behavior that powered China's rise. This can create a vicious, self-reinforcing cycle that keeps investment out and spending low.

Chu started the year with one of the weakest growth outlooks for China on Wall Street, and the second half is looking worse. Autonomous' proprietary growth index for China, the Real Autono Economic Activity Composite, projects the country's economy to grow by 3.8% for all of 2023, down from its original 4.2% projection in January — and worse than Autonomous projected during the depths of China's COVID lockdown. Beijing is projecting 5% growth — and given how tightly the CCP likes to manage expectations, officials will stick to that number come hell or high water. It's a far cry from the double-digit growth policymakers used to demand and a signal to the Chinese people that Beijing is not going to direct its banks to spew credit to get the economy moving faster again.

(…)

Plus, Beijing may need to conserve its firepower for other concerns coming down the pipeline. In the long-term, the CCP has to worry about China's demographics. Thanks to government mandates like the one-child policy, the country's population is rapidly aging — and even started to decline in 2022. The workforce will soon begin shrinking: Right now there are three working-age adults for every retired person in China, according to data compiled by J Capital Research, and by 2050, that ratio will hit one to one. Without booming property prices or continued growth, the growing pool of retirees will put a heavy burden on China's threadbare social safety net. GDP per capita is currently about $12,800. When Japan started struggling in 1991 with a similar dynamic — aging population, sky-high debt, and slowing growth — its GDP per capita was more than triple that amount, at $41,266 in today's dollars. China will get old before it gets rich, placing the task of growing the economy on fewer and fewer people as time goes on.

(…)

"All the policies are now determined by Xi Jinping himself, and his priorities are spending money to engage in a technology and national-security race with the US," Shih explained.

Once upon a time, infrastructure and property were the big beneficiaries of Beijing's largess, now it's the military. US government estimates put China's annual defense budget at about $700 billion, much higher than independent NGO estimates of about $290 billion and just shy of what the US spends on defense annually, $800 billion.

(…)

China has never been a big consumer of American imports, but certain sectors will get hurt as our trade relationship is reset. A faltering Chinese economy will suppress demand for commodities like oil seeds and grain, hitting US farmers especially hard. It will also eat into corporate profits for companies such as Nike and Starbucks that made large bets on Chinese consumers. US restrictions on technology exports — created to counter new national-security concerns — threaten the more than $50 billion of revenue that US chipmakers generate selling to China. Wall Street doesn't have to go home, but it can't stay here. The WSJ reported that foreign executives are jittery about visiting China, afraid they'll never be allowed to leave. The great traveling circus that is hot money and adventure capitalism is already scouring the world for its next opportunity in countries like Mexico and Vietnam. These are forces bigger than Beijing.

Earlier this month, the House Select China Competition Committee held a hearing in New York City, calling on witnesses to describe what risk looks like with a Chinese Communist Party that's less committed to the free flow of capital and more concerned with flexing its muscles within its region. In her testimony, Anne Stevenson-Yang, the founder of J Capital Research, said that the US — especially its Midwest industrial heartland — isn't invested in China because of market demand. It's invested there for the outsourcing of mechanical goods and labor. For the US economy, China as a workshop is much more important than China as a consumer. Companies will need to scour their supply chains for potential vulnerabilities and consider their exposure accordingly. When Beijing is focused on national security, rules can change at the drop of a dime. Foreign businesspeople who once sought efficiencies going in may find it cumbersome to get out.

(…)

It's time to imagine a future where China does not become rich but may remain powerful — building its army and continuing to develop its domestic technological capabilities. History has shown that economic privation need not impede China's technological achievement. During the depths of the Maoist purges, the CCP was still able to develop the atomic bomb, the hydrogen bomb, and its own intercontinental ballistic missiles. Xi has warned China to prepare for "great struggles" on the road to glory. Now that China's economic supercycle is over, that may be the cycle we're about to witness. It will be a painful adjustment.”