#Eliza Winthrop
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#Sadie#courtney summers#Eliza Winthrop#Liza Winthrop#Annie On My Mind#Nancy Garden#Marshall Seo#These Violent Delights#Chloe Gong#Jane Su#One Last Stop#casey mcquiston#polls#lgbt books
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Your (un)helpful guide to rslâs theatre characters
As many of you might have noticed Iâm a stan who is obsessed with theatre sphere of Bobbyâs career. Yes I proudly can say that I am.
So this is a list of guide and appreciation of theatrical characters Bobby did. Itâs mainly for myself really, just for fun sake haha. I donât know some of them fully so I might got few things wrong and I just pick the ones I love/find it interesting
Eugene Jerome (Brighton Beach Memoirs)
A horny annoying jewish teenager, but so adorable (at least for me), his goals are: being famous baseball player or a famous writer in case the former goal fails(what a back up plan) and see a girl naked in real life, also is your shopping boy for flours, butter and ice cream.
Eugene Marchbanks (Candida)
A young poet in his 19, a hopeless romantic (aka a simp) for a married woman in mid thirties(I have no rights to mock him thoooo), my favourite passive aggressive, foolish, introverted very much obsessed lad. Nominated for tony on 1993
A. E. Housman (The Invention Of Love)
Another hopelessly romantic young poet in the 19th century, but this time, is in love with his best friend and not aggressive. A role he won a tony on 2001 for (as he should!)
Alexandros (When She Danced)
A Greek narcissistic piano prodigy (the first thing he literally say is âIâm a prodigyâ) who speaks trilingual: English, Greek, Italian (I think). This means Bobby actually played piano (Two pieces of Bach) and spoke Greek and Italian!! Dklsjsmsjskks oh sir I-
Edgar (King Lear)
My (along with puck) Shakespeare bias, this photo explains everything
Edmund Tyrone (Long Dayâs Journey into night)
A dying, fretful, mental young fellow who has family issues and needs desperate (including all of his family) help, nominated for tony on 2003
Don Parritt (The iceman Cometh)
A poor mental teenage fellow who has anarchist mother issues result in a weird obsession on an old man who used to be kind to him when he was a kid⊠also needs help
Alan Harris (White People)
A liberal college history professor, interested in American slavery history and strong anti-racist, but as his pregnant wife got murdered by a black man, he gets into a conflict between his surfacing hatred and his beliefs, (a play itself is about a 80âs American society on racism, thereâre few interviews on this particular play, despite that thereâre lack photos;(( Iâll share some at some point)
Alan Hoffman (Prodigal Son)
I saw people joking of itâs being a sequel to dps, in alternative universe where Neil was alive, became a literature teacher guiding the troubled ones, haha and thereâs a vague hunch of him being homosexual
Harold Hill (The Music Man)
A smooth talking con man in suittttttttt (white suitssssssss) this video explains everything
youtube
Winthrop (The Music Man)
I barely remember anything about him but all I know was he was so adorable so Bobbyâs Winthrop must be insanely aborable
Romeo (Romeo and Juliet)
This photo explains everything 2222222222222
Dr Valentine (You Never Can Tell)
A helpless romantic dentist in love for a girl he just met and doesnât know whatâs going on
Gimpty (Dead End)
A street gang kid from ghetto, has a limp so always walks with a cane (hmmmm doesnât that remind you of someoneâŠ), opportunist to the point of betraying childhood friends
Kenneth Talley Jr (Fifth of July)
A gay Vietnam war veteran, has paraplegic leg due to the war, carry a medical walking stick thing(I donât know the proper name for it;;3), used to had a thing for his friend
Peter (At home At the Zoo)
Your average nice good pacifist family man but (((spoiler alert))) commits murder when it comes to a bench spot
Henry Higgins (Pygmalion)
A frantic, hot headed British phonetic professor known for his elegant eloquence such as âyou squashed cabbage leafâ, forces an oblivious flower girl into his weird game then get backfired (honestly itâs so funny I love Eliza)
Tom Wingfield (Glass Menagerie)
This photo explains everything 3333333333333333333333333333333
Gar (private) (Philadelphia, Here I Come!)
An Irish inner sardonic alter ego of the actual Gar (Public), unseen by everyone except Gar(Public), obnoxious and chatty usually says stuff which⊠shouldnât be said (imagine Bobby speaking in Irish accent haha)
King Richard III (Richard III)
A king who is a dominant tyrant but loves his queen
King Arthur (Camelot)
A king who isnât a dominant tyrant and loves his queen + sing
Atticus Finch (To Kill A Mocking Bird)
A southern lawyer with strong morals, taken a defence case of wrongfully accused young black man of r**e (I really need to read the book)
Christopher Morcom (Breaking the code)
(FINALLYYYYY) a best friend who a gay genius protagonist is in love for (itâs based on the life of Alan Turing)
#robert sean leonard#rsl#theatre#musicals#broadway#off broadway#personal#thoughts#sorry for being bit all over the placeeeee
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Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853), Thomas Sully, 1831, Harvard Art Museums
Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop Size: 76.2 x 63.5 cm (30 x 25 in.) Medium: Oil on canvas
https://www.harvardartmuseums.org/collections/object/311254
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ITâS almost 3 am... do i care tho...the answer is No :)
(HALLE BAILEY, CIS FEMALE) - Have you seen INES BARNETT? INES is in HER FRESHMAN year. The SOCIOLOGY MAJOR is 20 years old & is a LIBRA. People say SHE is SELFLESS, IDEALISTIC, SCATTERBRAINED, and PASSIVE AGGRESSIVE. Rumors say theyâre a member of WINTHROP SOCIETY. I heard from the gossip blog that SHE Â LOST HER VIRGINITY TO HER STATISTICS TA TO PASS THE FINAL.
so this was going to be more exciting! version of an old muse (RIP juliette) but it ended up being Quite Different so. here we gooo!!!
*·. i. ines eliza barnett was born an only child to a very Middle-Class family in southern California. both of her parents had worked themselves up from very impoverished backgrounds to give her the so-called âamerican dreamâ type childhood: white picket fence, piano lessons, ballet, family game nights, elaborate holiday parties, etc. it also meant she grew up wanting to be as far from her mainstream cookie-cutter childhood as possible. colorful clothes, piercings, meaningless tattoos, a vegan phase, large twitter following, started reading marx to argue with her teachers. you know the vibes.
*·. ii. she originally wanted to just go to a local college but was pressured by her parents to apply to yates. they are Very middle class as i said (aka not low income enough for financial aid but not rich enough to pay tuition) so yates means a loooot of loans. she decided to take a gap year before her first year, and spent time working a handful of odd jobs to save enough money before coming. so yeah. she definitely hates the rich/snobby calloway kids and will roll her eyes at most of the grossly expensive habits at yates.
*·. iii. despite wanting to be like Out There and Authentic and all that... she admittedly did have a very sheltered and normal childhood. parents who loved her. no real âstreet smartsâ or knowledge about drugs, sex, etc. the first time she tried weed in high school she nearly had a heart attack after two (2) hits of a dab pen. so like she was a pretty huge, dumb virgin when she got to yates. this changed when she nearly failed stats her first semester and gave into advances from her TA. in return she got an A+!!! but now men gross her out so poor girl is back on Virgin status... she just crushes on men from afar poor baby has had her trust ruined
*·. iv. in CONCLUSION!!! she is like. a very sweet very genuine girl. tries to be Not Like Other Girls. (she is just like other girls). some headcanons so u can imagine her more readily:
she has a cat in her apartment in the winthrop building. the cat is named Catara. like katara. like avatar. but CATara. bc its a cat. pls laugh. (click all the links. do it.)
meme queen literally her entire camera roll is memes.
thinks wine is gross. canât take shots without making a face. would rather just drink 3 mango white claws and go to sleep. yes sheâs a lightweight.
her music taste is like happy indie pop girls and bedroom pop
she is very musically gifted and always suggest doing karaoke at parties just to show off
she learned all the tiktok dances but pretends like she doesnât. trust me she knows them
had a stan account on twitter when she was in middle school. still has a huge twitter following bc of it.
one of those skinny people that eats so much u donât know how the fuck theyâre skinny
cereal as a meal. fruity pebbles are her favorite. cocoa puffs are number two.
knows the entire Beychella choreography.
one of those people that unironically loves disneyland bc she lived nearby and went for like. every birthday.
this is her. Â this is also her. Â i donât know why it just is.
look at her PINTEREST BOARD.
ok wanted connections: unproblematic super girl group! someone who knows she fucked the TA and is blackmailing her! or maybe someone who like? knows about it and is like... girl maybe u should report him! a guy she messages on tinder but never meets up with bc lol! someone who is just as goofy as her for romance plot or for friendship plot?? idc whichever. maybe a bad boy/bad influence to try and ruin her life? also maybe some rich kids she can always be butting heads with? idk give me whatever iâm too lazy to go on
#yatesintro#olive hasnt even posted my acceptance yet but idc#POST MY UNFOLLOW#BEAT MY ASS#U wont Stop Me#i love u#teehee#assault tw#kind of#i think it def counts as assault if a TA has sex w u but...#just in case#k
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BADASS QUEER CHARACTERS OF LITERATURE
eliza âlizaâ winthrop (lesbian) from âannie on my mindâ by nancy garden
buy me a coffee.
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You & Me and Sherlock makes 3
part 12
beta read by @sylvanasthebansheequeen
written by @pusantheamazonian
July 19
John has officially gotten a steady girlfriend. Mycroft says she fits in perfectly with us. I have yet to meet her but I can tell Sherlock is jealous that someone else has the attention of his best friend.
 Sherlock and John left early this morning to finish a case giving Eliza some peace and quiet. But an hour into the quiet she has turned on some music. Loud enough to be heard through the whole flat but not able to be heard upstairs.
Finally finishing the case John convinced Sherlock that they should go back home and get some sleep instead of bombarding Eliza. John begins walking up the stairs but hesitates for a moment before seeing Sherlock slowly walk towards the downstairs door. Smiling and shaking his head John keeps going, as Sherlock reaches the door he can hear the soft music coming from the flat.
 And, darling, I will be loving you 'til we're 70
And, baby, my heart could still fall as hard at 23
And I'm thinking 'bout how people fall in love in mysterious ways
Maybe just the touch of a hand
Well, me â I fall in love with you every single day
And I just wanna tell you I am
 Swaying to the music she doesnât hear the door open.
âEliza?â She turns around at the sound of her name to see Sherlock standing behind her.
âSherlock, youâre back.â
âWhat are you doing?â
âNothing.â
âDo you know how dance?â
âThe basics, why?â
Sherlock restarts the song and pulls her close.
âLetâs dance.â Sherlock silently glides her around the living room staying in beat. He only slows at the end before stopping exactly with the song. âYou dance very well.â
âYou too. Did you take lessons?â
âAs a child but have you been listening to music like this the whole time?â
âNo itâs on shuffle. It just happened to be on that song when you walked in.â
The new song plays and Sherlock is horrified at it.
In Venice Beach there was a man named Kage.
When he buskin he was all the rage.
He met Jables and he taught him well.
All the techniques that were developed in hell.
Cock-pushups and the power slide.
Gig simulation now there's nowhere to hide.
They formed a band they named Tenacious D.
And then they got the Pick of Destiny.
âWhat atrocity is that?â
âPOD by Tenacious D. I do follow some of the American pop culture.â
âItâs horrid.â
âHey itâs not that bad.â
Sherlock picks up her mp3 player and begins to flip through the music.
âDavid Bowie?â
âYes and before you ask I have a wide variety of random songs.â
He picks a song and pull her close again.
There's such a sad love
Deep in your eyes.
A kind of pale jewel
Open and closed
Within your eyes.
I'll place the sky
Within your eyes.
âAs the world falls down? I thought you questioned my musical choices.â
âThis one is ok.â He smiles sweetly as he twirls her out then in. He shows no intentions to stop dancing any time soon.
  July 29
To indulge on Sherlockâs curiosity and because I promised Q. Sherlock is escorting me to the medical bay tomorrow for my checkup. If he is good, he can terrorize the minions.
 âSherlock are you ready?â Eliza walks into his flat.
âYes, letâs go.â Heâs putting his scarf on.
âIf you are good Iâll let you terrorize the minions.â She smirks as she heads down the stairs.
âSounds exciting.â
Eliza and Sherlock are there within fifteen minutes because Sherlock insisted on taking a car instead of the tube.
âNow stay with me, donât wander off.â Eliza reminds him as she walks up the steps to MI6. Once inside she heads directly to the so called security desk. âI need a visitor pass.â
âR, youâre back.â Winston the old security guard says with a smile.
âYes on my way to the medical bay. I need a visitor pass for him.â
Sherlock gives a quick fake smile.
âDoes he have clearance?â
âYes.â
He quietly hands her a visitor pass which she clips to Sherlockâs coat. Grabbing his hand she leads him around the corner and down a hallway and through the double doors labeled Medical Bay. The front room is filled with empty chairs and one lonely looking reception desk with a bored looking nurse.
âR, Iâm here for a checkup.â She lets go of Sherlockâs hand as she signs in on the clipboard.
âYes come this way.â The nurse leads the way through the door into exam room one. âAny pain?â
âNo.â She jumps up onto the bed while she silently takes her vitals and logs the information into the computer system.
âThe doctor will be in.â She leaves giving a smile.
âSheâs going to go gossip.â Sherlock states as he looks about the room, walking closer to her.
âFigures, but donât worry Iâll eventually find out what she said.â R winks.
The door opens and itâs the doctor. Dr. Boyman, a balding middle aged man. Sherlock becomes one with the wall.
âR, back for a checkup. Mâs orders right?â
âYep he benched me until you said I could go back.â
âWell letâs have a look.â Immediately she raises her shirt up and lays back.
âHealed nicely, hardly a scar. Any pain?â He presses on and around the scar.
âNo.â
âTrouble breathing?â
âNo.â
âHave you regained full movement and balance?â
âYes.â
âDemonstrate, sit up.â
She sits up without using her arms.
âGood, now can you stand and touch your toes?â
Jumping of the table she touches her toes.
âVery good, now twist your torso.â
Straightening up she slowly twists back and forth a few times.
âGood thatâs all R. it seems like you had a lot of help when healing.â He glances at Sherlock with a smile. âI say that you are ready to return to work. You can start on Monday.â
âReally?â
âYes, and you can give this to Q.â He fills out a note and hands it to her.
âOh I will.â Pulling her shirt back down and Dr. Boyman opens the door.
âIf anything changes or you have pain come back.â
âI will.â She drags Sherlock down the hall quickly.
âThat was quick.â Sherlock says once they are out of ear shot.
âWeâre lucky. Sometimes you can be in there for hoursâŠ.besides I promised you some minion terrorizing.â She grins as his eyes light up.
Once inside the elevators they passed earlier she pushes the button labeled Q. An invisible screen lights up and R places her hand on it. Once it registers who she is the elevator begins to move downwards.
âUnderground?â
âYes.â The doors open to a wide and long hallway.
âAbandon all hope, ye who enter here.â Sherlock pauses looking at the sticker, which is so conveniently placed underneath the plaque labeling the Q Branch.
âI put that there to scare the minions and any of the new staff.â
âSo you chose the inscription that is on the gate of Hell in Danteâs Inferno?â
âYes, you have a problem with that?â
âNo.â Sherlock hides a chuckle.
One minion makes it to the doorway, sees her and scurries off scared in the direction they came from.
âYou have that effect on all of them?â
âMost of the time. You should see them when Iâm with Q or any of the double-ohs.â The doorway opens into a normal sized room littered with spare parts.
âI would like to see that.â Sherlock chuckles.
âYou just might.â Through another door is an enormous room where all the minions are scurrying about. âThis is the main floor below us is where we test and develop our inventions.â
R walk towards Q noticing something is wrong, she picks up a spare earpiece on her way. Q is typing furiously and barking orders at the screen on the wall.
âWhat is wrong?â R asks once beside Q.
â006, compromised trying to find an exit.â
âWhere is he?â
âOn a roof, Via Della Cisterna in Rome.â
â006 can you reach Basilica of our Lady in Trastevere? Its two blocks north.â R pushes Q out of the way and takes control of the computer.
âI should.â 006 responds and his signal begins moving.
âR what are you doing?â Q questions.
âOk R now what.â 006 asks.
âBack in the left corner is the confession box. Go into the priest sideâ
âOk.â
âThe middle angel, turn it counter clockwise and the wall will open.â
âDamnâŠIâm in, anything else?â
âGet moving, you will have to follow the tunnel it will take at least five minutes. At the end you will come to a set of doors, pick the one on the right. It will lead you to the river bank so you can get a boat or car to get away.â
âYou make it sound easy.â
For ten minutes there is silence, she sees that Sherlock has moved beside her. Everyone is holding their breath.
âWell R I got to admit good thing youâre here. Iâm on my way to rendezvous.â
âGood weâll be in touch.â R takes the earpiece out and gives it to Q.
âHow? How did you know there was a passage?â Q is flabbergasted.
âSheâs used it before.â Sherlock deduces.
âYup and here you go Q.â She waves the note in his face.
âWhatâs this?â Q snatches the paper so he can read it.
âI start Monday the doc said so.â
âYou are good to go?â
âYup Sherlock was with me, he can verify.â
âSo you decided to come down here afterwards?â
âI told Sherlock that if he behaved he can terrorize the minions for a little bit.â
âSherlock donât destroy anything but find out who started the rumor.â Q gives Sherlock permission to run amuck. Sherlock grins in delight and takes off.
âI thought that you didnât care about the rumors.â
âI donât.â Q huffs.
âYouâre gonna have Bond scare them.â
âTalk not scare.â
âOh you are!â She teases Q.
âR.â
âQ.â She stares at him for a minute. âSo how far behind are we?â
âA weekâs worth; you need to finish your prototypes and test the weapons I have done.â
âHave the minions been slacking off?â R ask leaning on the table.
âWithout your iron fist rule, yes.â
âQ, minion Charles Winthrop started the rumor. He fancies R.â
âThat was fast.â Q is astounded on how quickly Sherlock has returned.
âHeâs the only one who hasnât stopped staring since we arrived and is only looking at R. His body tenses whenever either one of us leans in âtooâ close.â
âThank you Sherlock, I will take care of the rest.â Q replies with a smile.
âThey are easy to frighten but loyal to their job.â Sherlock responds slightly surprised.
âThatâs what makes it fun.â She interlocks her hand with his. âLetâs go Sherlock, Q needs to get back to work before he gets behind.â She winks at Q before tugging on Sherlockâs hand.
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Dawn (Goodnight Robicheaux)
A/N: All right, hereâs the sequel to One Thousand Miles :D this has been kind of a pet project for me and Iâm thinking about doing a part 3 and bringing in Billy and stuff. We shall see :) Iâll be posting this on AO3 tomorrow, if you prefer to read on there. My username there is also hellacluttered. Also this is about what Goody would have looked like at the age he is in this. :)
  âWhere should we live?â Goodnight asked as he lay with his head in his wife's lap in front of the fire in the library as they so often did. The heat seeped straight through his still-weary limbs to his bones and he was utterly limp and content.
    âHmm⊠New Orleans?â she asked and he rolled onto his back to look up at her. Â
    âNew Orleans?â he repeated. âThat's my home, not yours.â
  âThose are the same thing now. Iâll go if you want to.â
    He smiled. âYou're too generous, you know that?â
    âYou're one to talk,â she teased, running her fingers gently through his newly-cut short hair.
    âWe could stay here, live downtown.â
    âYou'd do that?â she asked, a tender expression in her eyes.
    âOf course,â he said. âI don't mind where I am, so long as it's with you.â
    She smiled and he sighed contentedly, closing his eyes. He still had not readjusted to the comfy, relaxed life at the Cox manor, or the lack of a schedule dictating every moment of the day. With no strict regimentation keeping him distracted, his thoughts wandered far more freely, and he knew it was only Elizaâs company and patient comforting keeping him sane, and even that, just barely. He woke up in cold sweats in the night sometimes of his own accord and sometimes by Elizaâs hand, panicked and tangled in the sheets, and on nights like that he rarely slept again, only pretending to so Eliza would go back to sleep.
    âLetâs figure it out later,â Eliza said finally, âYou need to get some sleep; I know you didnât get much last night, Goody.â
    âIâve gone much longer on much less sleep,â he said. âIâll be fine. Donât worry about me, my dear.â
    âI canât help that, but Iâll try,â she said.
    A shot rang out somewhere in the distance, a hunter, and Goodnight stiffened, images sliding behind his eyes in increasingly rapider succession, every one unique but a single thread unifying them into a horrifying art display- death. Elizaâs hand squeezed his, her gentle voice breaking through the haze of his thoughts like a sunbeam through fog, but her comforting words couldnât dispel the terror in his head. âEliza?â he said, his voice coming out quiet and rough.
    âYes?â
    âI need a drink,â he said, sitting up. âIâm sorry. Iâll be back later.â
    âAll right,â she said, standing likewise and kissing his cheek, her gaze filled with sympathy. âIâm sorry, Goody.â
    âNothing for you to apologize for, mon chĂ©ri,â he said, managing to force a smile. âIâll be back soon.â
    He urged the horse to a gallop, her flanks heaving against his legs, the metal in her tack clinking as they bolted down the road toward town. Riding brought back its own host of memories, but still, riding fast helped leave a few behind. He slowed as he reached the edge of town. For now, it felt that the dams in his mind had been strengthened enough to hold until alcohol weakened the onslaught they held back; he wondered if he would ever cease to need them, if the threat of a flood would ever lastingly diminish.
   He dismounted when he reached the saloon, tying his horse up outside, and walked in, pleased to find it rather empty. The more people there were, the higher chance there was of war stories being recounted, and if those came up, Goodnight would leave.
   ââEvening, Mr. Robicheaux,â the bartender said as he sat down on one of the barstools.
   ââEvening, Jim,â he replied wearily.
   âYour usual?â
    âYes, sir,â
    âComing right up.â
    Goodnight could feel the pressure of eyes on him from behind, sensed the tingling sensation along his spine, his shoulder blades trying to pull together, but he was too tired and distracted to bother to see who it was.
    âHere you are, sir,â Jim said, sliding him a small glass of brandy.
    Goodnight nodded in thanks and raised the glass to his lips. The large draught of alcohol went down like fire, scalding his throat and heating his insides in a crippled imitation of how Goodnight had felt around Eliza before he broke, still a ghost even of how he felt now. She looked at him differently now, he knew that much. He didnât like her to pity him.
    He took another sip from his glass, checking his pocket to make sure he had enough money on him to afford a refill. He did, and soon he was ready for it.
    The alcohol blurred the harsh edges of his worries, softening them a little as they cut into his hopes, dulled the wriggling, creeping feeling of paranoia that always hovered at the edges of his senses, never truly letting him believe he was safe. He drank until the pictures that flashed through his mind no longer came into focus, and then he stood, paid, and left, reeling slightly as he went out the door.
    âGoodnight Robicheaux,â a voice called behind him, the distinct Northern accent sounding his name out in hard angles rather than the soft curves Goodnight spoke it with.
    He stopped and turned, leaning casually against one of the posts supporting the porch, ready to go for his gun if necessary. Three men had just emerged from the saloon. He recognized them from a table in the corner, where they had been quietly drinking, as he recalled. All three were strapping, brawny, tall men, all armed, and none seeming friendly. âThatâs my name,â Goodnight said. âWhat can I for you gents?â
    âYou killed a friend of ours,â the man in front said. âWeâre here for retribution.â
    âFellows like you killed a lot of friends of mine,â Goodnight said. âI think we should call it even. Anyhow, your side won.â
    âYeah, well, it seems thatâs not enough to put cocky scum like you in their place.â The man stepped forward and that was it; already on edge, Goodnight drew, the muzzle of his revolver aimed at the manâs chest.
    âNow, you consider very carefully what you want to do next,â Goodnight said. âThe sheriff here knows me; heâs gonna believe me if I tell him I shot you boys in self-defense, and heâs gonna believe me if I tell him you made the first move.â
    âNot if you donât make it to speaking to him,â the man said, and then he charged. He was only a few feet away, and Goodnightâs mind was clouded from the brandy, his hands moving slower than usual; he had forgotten to cock his gun and by the time he unsuccessfully fired and then cocked his weapon, the man was slamming into him with the force of a locomotive, knocking him straight off the porch and down the steps, where he landed, stunned, on the hard dirt street, pinned down by his bear-like adversary, his revolver skittering through the dust and landing out of reach.
    âYou think no one was gonna care that you were picking off our men from some hidey-hole where no one could get to you?â the man snarled, his face inches from Goodnightâs. He easily pinned down the smaller manâs arms, digging a knee into Goodnightâs stomach until he coughed, gasping for air, his struggles to escape growing weaker. âThought they were just pawns, not men, didnât you, you bastard?â He drew back a fist, driving it into the side of Goodnightâs jaw with such force he heard the joint pop and his whole head throbbed, thrown to the side.
   âGeorge Winthrope,â the man said almost reverently, throwing another punch to Goodnightâs nose. The crack rang out and instantly Goodnight felt the hot stream of blood streaming down his upper lip, the acrid, metallic taste of blood filling his mouth as a dull throbbing ache radiated out from the site of the blow. The man lifted him by the shoulders and slammed him back down in the dirt. His face blurred in and out of focus above Goodnight but his words were unmistakeable. âHe was my like my brother, you coward! You shot him! He was seventeen, he was a private, he wasnât gonna get much done in that damn war!â His words had risen to a shout, their impact much more painful that the blows that came with every accent in his tone.
    âIâm sorry,â Goodnight slurred through the fog in his mind and the blood pooling in his mouth. He coughed weakly, repeating a little louder. âIâm sorry.â
    âSorry doesnât bring him back!â the man bellowed, raising his fist again.
    âNeither will your going to jail,â another voice said, calm and steady, demanding attention.
    The man looked back, as did his friends, but Goodnight could not find the strength even to lift his head. âWarâs over, boys,â the same voice continued. âThis ainât in your hands anymore.â
    âHe killed-â the man on Goody started.
    âI heard,â the voice said.
    âYou donât understand-â
    âYou might be surprised. Now git.â No one moved. A shift of leather, a metallic click, a cocked pistol. âI said git.â
    The weight moved off Goodnight; the vague blur of the face over him was replaced by the night sky. Three sets of heavy footsteps moved away, and one set approached. âYou all right there?â
    âI⊠I think so,â Goodnight said, pushing himself into a sitting position and wincing as his light head pounded. A hand reached out to him, and he looked up, startled.
    The man nodded at his outstretched hand. âTake it. Get up.â
    Goodnight grabbed the manâs hand, letting himself be pulled to his feet. He stumbled, almost collapsing again before the other man steadied him with one hand on his upper arm. âWho are you?â Goodnight asked.
    âNameâs Sam Chisolm. I'm a duly sworn warrant officer. You are?â
    âGoodnight Robicheaux,â Goodnight said, missing the look of recognition on Samâs face as he turned to the side to spit out some of the mess of blood still turning his mouth bitter. âWhy⊠why'd you help me?â
    He looked up, his blue eyes meeting Samâs dark ones. âThe warâs over,â Sam said simply.
    âBut I had it coming,â Goodnight protested.
    âYou did,â Sam said. âDoesn't mean vigilantes should serve justice. All of us killed someone's friend; doesn't give us the right to break the law. Peace has been made. Break that, and you get whatâs coming to you. There was no call for them to start things.â
    Goodnight nodded slowly. âMakes sense.â
    âYou live around here?â Sam asked.
    âJust a mile outside town,â Goodnight replied.
    âAll right then,â Sam said. âLet's go.â
    âWhy?â Goodnight asked. âI mean, why are you going with me?â
    âI'm not confident you can stay on your horse by yourself,â Sam said and Goodnight looked away, embarrassed. He knew just as much as Sam did that it was true.
    âWell, do you need a place to stay?â Goodnight asked. âI owe you one.â
    Sam shrugged. âAll right.â
    Goodnight knew he was late getting home, especially since the ride back had taken so long, and contrary to the usual, there were lights on in the windows as they rode up the road to the house. Goodnight almost fell out of the saddle as he started to dismount outside the stable, but managed to land with some rough semblance of grace, which was, however, still clumsy in comparison to Samâs easy dismount.
    Goodnight was just taking off his horseâs saddle when he heard the stable door open and turned to see Eliza enter in in bare feet and a nightdress, her lips dropping open when she saw her husbandâs condition. âGoody!â she cried, crossing the stable in quick steps, walking straight past Sam to stop in front of Goodnight, her eyes skimming over his numerous wounds. âWhat happened?â
    âI⊠Some men confronted me; I had- I had killed one manâs friend in the War and they came after me. Mr. Chisolm here likely saved my life.â
   Emma turned to Sam, saying curtly, âThank you, Mr. Chisolm. If youâll follow me, Iâll have one of the maids get you to a room; I need to take care of my husband.â
    âOf course, Mrs. Robicheaux,â Sam said courteously.
    Eliza wrapped an arm around Goodnightâs waist and he leaned against her, letting her support him as they walked out of the stable, Sam close behind.
    âThanks again, Mr. Chisolm,â Goodnight said as they entered the house and Eliza summoned a maid to take Sam to a room.
    âCall me Sam,â Sam said. âAnd youâre welcome.â
    âHow much pain are you in?â Eliza asked as she and Goodnight slowly ascended the stairs.
    âNot a whole lot,â he said. âI drank and Iâm not feeling all too acutely right now.â
    âThatâs for the best,â she said. âYour nose, wellâŠâ
    âItâs broken, I know,â he replied.
    âThis must have been brutal, eh?â she asked sympathetically, patting the edge of the bed and he sat down as she lit a lamp.
    âIt wasnât too good,â he admitted.
    She nodded, and he could tell by the stiffness in her shoulders and the tenseness in her movements how worried she was. âI wonât go back there for now,â he offered, hoping his words would relax her somewhat.
    âHonestly, this is the least of my concerns about you right now,â she said, and he cocked his head slightly, confused. âI hate to see you hurt, and I know youâre in pain. But your body will heal, and I can help it do so. But I know the worst of it is in your head and thereâs nothing I can do to help with that.â Her eyes met his briefly before returning to focusing on unbuttoning his shirt. She eased off his shirt and vest at the same time, wincing when she saw the dark bruises blooming across his torso.
    âIâll be fine,â he said. âI can handle it; itâs not something you need to worry about. You just focus on keeping yourself and the baby healthy.â
    âI canât help worrying about it,â she said. âAll right, the stuff on your torso isnât too big a deal unlessâŠâ She gently felt around his ribs. âNone of that hurts too bad?â
    He shook his head.
    âOkay, good. Iâm going to set your nose then. It doesnât look too crooked so I donât think this will be terrible. Are you ready?â
    Goodnight nodded, and Eliza gently pinched the bones of his nose between two fingers, pushing them back into position. He grimaced, his jaw clenching as blinding white pain shot through his face, the sound of the bones grinding reverberating through his skull. When she let go his eyes were watering and he blinked rapidly, giving her a tired smile. âThanks.â     âYouâre welcome,â she said. âDonât bump that; the bones need to stay in place. Iâm not done with you; let me get some clean water and rags.â
    He nodded, leaning back against the headboard a little as she walked out of the room.
    When she returned he was fast asleep, his head lolling back and his mouth hanging open slightly, peaceful and vulnerable, all the worries ironed out of his expression in the early, dreamless stages of his sleep. She sat down on the edge of the bed, dipping a clean rag in the basin of water sheâd set on the nightstand, and got to work cleaning the cuts and scrapes on his face. He mumbled something in his sleep, his head tipping to one side, and Eliza reached up to stop him from waking himself up, gently guiding his head back upright until it steadied.
    He didnât rouse as she cleansed the cuts and scrapes, and that was an indication of how truly exhausted he was; usually he was a light sleeper, awoken by the lightest touch or noise, and now she was prodding around what had to be quite painful wounds and he wasnât stirring in the slightest.
    When she was finally content that all the scrapes were clean and no serious damage had been done, she set aside the rag she had been using and sat there for a moment, a sudden rush of tears welling up in her eyes. Helpless, that was what she was, powerless to pull him out of the pit he was sliding into, unable to do anything but watch as the light of youth and hope in his bright eyes slowly dulled. Even as she watched the peace began to slip away from him, his brows drawing together, his lips twitching, forming silent words.
    Eliza slipped forward, wrapping her arms tightly around him, one hand on the back of his neck guiding his head to rest on her shoulder. âJust sleep, Goody,â she murmured. âSleep.â
    âEliza?â his voice was weak, uncertain.
    âItâs me,â she reassured him and he just nodded slowly, his arms wrapping around her waist.
    âI donât want to dream tonight,â he said softly. âDonât let me sleep, Eliza.â
    She just nodded, squeezing her eyes shut in an attempt to stop the tears that were beginning to overflow. Theyâd been sitting like that for a few minutes when she felt his breathing settle into a regular rhythm, deep and even, and she shook him gently. âGoody.â He jerked slightly, sitting up straighter, kneading his tired eye with the heels of his hands. âIâll go make some coffee,â she said, standing.
    âYou should go to bed,â he said. âIâm sorry⊠I-Iâll be fine.â
    She shook her head. âNo.â
    Dawn rose dewy and gray, the pale beams of sunlight finding the Robicheauxs huddled on the top step of the porch with a blanket wrapped around them, each with a mug in hand, and an empty coffee pot sitting on the step next to Goodnightâs feet. Goodnight was far past the point of sleepiness, instead a profound exhaustion had nested deep inside him, coiled around his cells, untouchable.
    But when Eliza kissed his cheek and rested her head on his shoulder, his smile was genuine, and when he took her hand in his, the warmth of her familiar fingers and the relief of the dreamless night pushing back the tide a little more.
    âShall we go eat something?â he asked, and she nodded, stretching as she stood up.
    Goodnight just looked up at her, watching the way the sunlight made her hair gleam as it streamed in untamed cascades down her back. âWhat?â she asked.
    âYou could have had any man you wanted, you know,â he said. âYouâre kind, youâre thoughtful, funny, smart, not to mention drop-dead gorgeous. I could go on. I never really understood why you chose me.â
    She reached out her hands and he stood, setting his coffee cup on the porch railing, and took her hands in his own.
    âThat oneâs easy to answer.â
    âOh?â He squinted slightly, looking out from under his brows as the rising sun glared in his eyes.
    She nodded. âSure is.â
    He loosely wrapped his arms around her waist, turning them away from the sun slightly. âDo me a favor and enlighten me.â
    âItâs because I love you,â she said, reaching up to cup his cheek with her hand, her pinky resting along the line of his jaw and her thumb stroking back and forth beneath his eye. He turned his head slightly and kissed the palm of her hand, murmuring against her skin,
    âI promise you the man you married is still in here somewhere.â
    âThe man I married is right in front of me,â she said firmly and his lips tugged upward of their own accord, his arms pulling her a little closer. âGot that?â
    He nodded, a chuckle escaping him before he lightly pecked her lips. âYes, maâam.â
    âReady to eat?â she asked.
    âYep.â
    Just as they turned to go inside, the front door swung open, and one of the maids stepped out, a tray of food in her hands, with Sam behind her. âOh, good morning, Miss Eliza, Mr. Robicheaux,â she said, bobbing a curtsey. âMr. Chisolm asked to eat outside, so⊠Iâm sorry to interrupt.â
    âYou didnât,â Goodnight said, giving Elizaâs hand a gentle squeeze before releasing it. âGood morning, Mr. Chisolm.â
    âMorning,â Sam said. âThank you for letting me sleep here. Iâll consider us even, Mr. Robicheaux.â
    âPlease call me Goodnight,â Goodnight said.
    âThen make sure you call me Sam.â
    âI can do that,â Goodnight replied.
    âIâll be back in a few minutes, Goody; Iâm going to freshen up,â Eliza said, and he nodded, his gaze lingering fondly on her for a moment as she disappeared inside the house before looking back to Sam.
    âDid you fight in the War?â Goodnight asked as the two men sat down on the pair of rocking chairs that faced out toward the road.     âI did,â Sam said. âOpposite side as you, though.â
    âI figured,â Goodnight said.
    âHow long were you in?â Sam asked.
    âThe whole damn thing,â Goodnight replied, shaking his head. âNot a single good thing out of it except meeting my wife. And you?â
    âSame as you- start to finish,â Sam said. âI wanted to see it through as long as I could.â He took a bite of the bacon on his plate and Goodnight didnât speak for a few moments, watching a robin swoop low over the grass.
    âWhere are you from?â he asked finally.
    âLincoln, Kansas,â Sam said. âAnd yourself?â
    âNew Orleans, born and raised.â
    âThen howâd you end up here?â Sam asked.
    âMy company stayed the winter in â61. I married Eliza during the War, and weâve been here since it ended. How about you, you got a family?â
    Sam shook his head. âHavenât been in the same place long since a long time ago.â
    Goodnight nodded. âSomeone chasing you?â
    Sam looked at him keenly. âNot quite.â He took a sip from his cup of coffee, but Goodnight didnât look away for a few seconds, considering the manâs words. âYou were running from something yourself last night,â Sam commented.
    Goodnight nodded slowly. âI was.â
    âDid you escape?â
    âItâs hard to escape yourself,â Goodnight said. âSeems only death achieves that, and Iâve been running from that too.â
    âI donât know a single man who lived through that war and came out quite whole,â Sam said.
    âDid you?â Goodnight asked.
    âI wasnât in the first place,â Sam replied. His gaze was contemplative as it rested on the worn floorboards of the porch.
    No family⊠Goodnight couldnât piece together the story yet, but he could begin to connect the details. This man knew loss all too well. âAnd youâre a bounty hunter?â
    âWarrant officer,â Sam said. âAnd you?â
    Goodnight chuckled. âNo employment at the moment. Just taking some time with my family. Elizaâs going to have a baby and IâmâŠâ He shook his head. âLike you said. I came back in one piece physically, but my mindâŠâ He trailed off.
    âI got lucky in that respect,â Sam said. âBut I know people. Iâve seen things.â
    Goodnight nodded grimly. âHavenât we all?â He slumped in his seat a little, putting his feet up on the porch railing.
    âSome more than others,â Sam said. âI heard you fought at Antietam.â
    âYou heard that, eh?â he asked, surprised, and then added playfully, âI see my reputation proceeds me.â
    âYou havenât been out much, have you, then?â Sam said. âYouâre a bit of a legend, least in these parts.â
    âReally?â Goodnight said incredulously. âFor what?â
    âFearless leader. Inspiration to your men. Crack shot. Iâve heard you called the Angel of Death.â
    Goodnightâs smile faded at the final title. âThat last oneâŠâ
    âTitle you deserved, not one you wanted?â Sam asked.
    Goodnight considered his words for a few moments and then nodded. âThe way I see it, I was doing my duty. Iâd rather be remembered for that than what it was I did.â
    âDuty is a heavy thing,â Sam remarked.
    âAinât that the truth,â Goodnight said. Since the war ended, he hadnât talked to anyone about his time as a soldier, and while talking to Sam pulled the familiar regrets and pains back to the surface of his already muddied thoughts, it also felt like pressure was slowly starting to be released, the tremendous buildup of unexplainable horrors that he had observed and that no one at the Cox manor could have understood lessening just slightly. Sam made him feel a little less alone, a little less alien. A hand to hold in the dark was better than to be alone with it, even if the sun still refused to rise.
    It was then that the door opened and Eliza walked out, a tray in each hand, handing one to Goodnight, who thanked her, before sitting down on the porch swing next to her husband. âDid I interrupt?â she asked into the silence and Goodnight said quickly,
    âNot at all.â
    âThe subject needed changing anyway,â Sam added.
    Eliza nodded, her gaze moving to Goodnight, who gave her a small smile that eased her newfound concern about whatever they had been talking about until she came out. âHow long are you in town for?â she asked Sam, more in an attempt to make conversation than because of actual interest in the answer.
    âIâll be leaving today,â he said. âI came out here serving a warrant, but I took care of that yesterday.â
    âYouâre welcome to stay longer if you like, Mr. Chisolm,â Eliza offered and Goodnight nodded in agreement.
    âThank you for that, Mrs. Robicheaux,â Sam said. âIâd better be going soon though. Thereâs always more criminals to catch.â
    Eliza nodded and Goodnight said, âIf youâre ever in the area, thoughâŠâ
    âIâll stop by,â Sam said, and took the last bite of his toast before standing, dusting the crumbs off his pants as he looked for a place to set his tray.
    âTableâs fine,â Goodnight said as he stood likewise, setting down his own breakfast. âI can have someone get your horse ready.â
    âI prefer to do it myself,â Sam said. âBut thank you.â
    âThank you, Mr. Chisolm,â Eliza, who had stood as well, said. âWe owe you.â
    âNot a bit,â Sam said. âI got a place to sleep out of the deal, and, I think,â His eyes shifted to Goodnight, âa friend.â He then tipped his hat respectfully to Eliza. âMrs. Robicheaux.â
    âSafe travels,â she said and he nodded in thanks before turning to Goodnight.
    âIâll go back to the stable with you,â Goodnight said, and he and Sam descended the steps side by side, following the path that led around the side of the house to the stable. âWhat are you onto next?â Goodnight asked as Sam began to prepare his horse.
    âMissouri,â Sam said. âGot another warrant to serve there on an outlaw from Texas. Are you looking for a job, Goodnight?â
    Goodnight frowned slightly, surprised by the question. âI suppose after the baby is born, yes, I will be.â
    âYou might want to consider this line of work. It pays well, and you get a lot of freedom. I have a hard time envisioning a man such as yourself working at a trade,â Sam said.
    âAs do I,â Goodnight acknowledged. âWell, Iâll think about it. I donât know ifâŠâ He trailed off. He didnât need to say it.
    âI understand,â Sam said, his eyes meeting Goodnightâs for a moment before he returned to the task of saddling his horse. They didnât talk again until the creature was in full tack and Sam walked it out of the stable, into the still, damp morning, the heat of the rising sun promising a scorching afternoon. Sam mounted, tipping the brim of his hat down a little to shield his eyes, and looked away, a contemplative expression on his face before turning back to Goodnight. âAll of us that made it through our own Hell need rebuilding just as much as the country does, he said finally. âBut what we lost in the fire, weâll find in the ashes.â Then he tipped his hat and spurred his horse on and Goodnight watched as the animal trotted down the road, Samâs silhouette cut clear against the pale morning sky.
    âAny better?â Goodnight asked, pulling back a runaway strand of hair and tucking it in with the rest in his other hand. He had woken to find Eliza heaving into the basin she kept next to their bed for this purpose, and immediately he had been with her, pulling back her long hair, one hand rubbing gently up and down her shuddering back as she vomited. Â
    Eliza nodded, setting down the basin and wiping her mouth on a handkerchief before leaning back weakly against Goodnight. âSorry about that,â she said, coughing when her voice came out rough, and grimacing at the acrid flavor in her mouth.
    âNothing to apologize for,â Goodnight said. âYou wait here and I'll get you some water, all right?â
    She nodded, sitting forward a little and Goodnight slipped off the bed, jogging out of the room and downstairs to get her some water. When he returned, she was less pale but still readily took the glass from him, downing the whole thing before setting it on the nightstand. âIâll just empty this out; you go back to sleep,â she said, reaching for the basin.
    âNo, no,â Goodnight said, quickly moving to pick it up before she could. âIâve got it. Iâll be back.â
    When he returned, she was fast asleep again, and he climbed into bed next to her, settling in close to her growing form. Just a few months left until their family would be one person larger
    âWhatcha thinking about?â
    Goodnight glanced at Eliza, taking her hand in his as he did. âIâm considering something Sam told me.â
    âOh?â Eliza asked. âWhatâs that?â
    âThe possibility of being a warrant officer like him,â he said. âSounds like I could make some good money.â
    âBut what aboutâŠâ Eliza hesitated, and Goodnight reached for the poker next to the fireplace, prodding the logs into a better position. âWouldnât you have to shoot? And wouldnât it be better if you could find a job that wouldnât put you in so much danger?â
    âIt would be,â he said. âBut when it comes down to itâŠâ The poker clanked as he let it rest on the edge of the fireplace. His shoulders slumped. âFightingâs the only thing Iâm good at. Iâm a good shot, I can track a man down. I can do it and get paid.â He chuckled humorlessly. âI survived the whole war; Iâm sure I can make it through tracking down a few bandits.â
    âBut wonât this make things worse in your head?â Eliza asked. Cloth rustled as she shifted forward to sit next to him, one arm wrapped around his upper back, the other hand resting on his near shoulder.
    âIt could,â Goodnight said, finally looking up at her. âBut itâs worth a try. I could always stop.â
    Eliza didnât speak for a few moments, considering. âTo be frank, I donât like the sound of it. But we got plenty of time to think and talk. Well, that isâŠâ Her next words were tentative. âYou werenât planning on doing this right away, were you?â
    Goodnight looked at her, shocked. âGood Lord, of course not! Itâd be until the child is born and then at least another few months.â
    âOh!â she said. âGood.â
    âEliza,â he said. âI know I havenât been quite myself recently, but Iâm going to stay with you as much as I can. The only reason Iâd go away is if we think itâs the best way to support our family. I know your fatherâs starting to think of me as a freeloader-â
    âGoody,â Eliza cut in but he shook his head.
    âHeâs right.â
    âGoody-â she said again.
    âHeâs right,â he repeated, this time more firmly. âItâs all right. Itâs just the truth.â
    âIt may be, but my parents both still love you, Goodnight.â
    Goodnight smiled. âI appreciate that, and I feel the same way. But⊠I know they lost a lot, and I never wanted to live off somebody elseâs money. I also donât want you or your parents to think for a second that was even in my head when I decided I wanted to marry you.â
    âI donât think that,â Eliza said. âI never did. Honest.â
    âReally?â Goodnight said.
    âReally,â she said.
    âGood. Anyway. Give it some thought.â     âI will,â she said, but her expression was somber even when she lay down to rest her head in his lap, the warm light of the flames playing across her face.
    âIâm sorry,â Goodnight said. âI would hate to put you through that again.â
    âItâs all right,â Eliza said. âWeâll do what we have to.â Now she gave him a small smile, reaching out to take his hand.
    It was late on a fall night and Goodnight was just unbuttoning his shirt to put on his nightclothes when Eliza, who was sitting on the edge of the mattress, brushing her hair, shrieked and Goodnight whipped around, his hand reaching for the holstered pistol on his desk. âWhat is it?â
    âThe babyâs coming!â
    The revolver clattered on the wood as Goodnight dropped it. âWhat!?â
    âGoody!â she grimaced, a gasp of pain escaping her lips and he rushed across the room to her, the worn carpet slippery under his bare feet.
    âWhat do I do?â he asked desperately, his hands moving erratically from her waist to her shoulders and then urging her to lie down, though the edge of the bed was sodden.
    âGet my mother,â she said. âAnd Martha!â
    âOkay, Iâll be right back,â Goodnight said, focusing on the task at hand as he ran out of the room, dashing down the hall to the Coxesâ bedroom. He knocked hard on the door and Mr. Coxâs voice called,
    âWho is it?â
    âItâs Goodnight, sir, Elizaâs gone into labor and sheâs asking for Mrs. Cox!â Goodnight was almost bouncing on the balls of his feet, his body coiled tight as a drawn bow, unstoppable energy coursing through him.
     Moments later the door swung open to reveal Elizaâs parents on the other side, Mrs. Cox hastily wrapping a shawl around herself while Mr. Cox slid on his glasses, his hair mussed and his eyes tired.
    âIs there anything I should do?â Mr. Cox asked as his wife stepped out of the bedroom.
    âFind Martha and send her in. Other than that, no,â she said.
    âHow about me- what should I do?â Goodnight said, almost having to jog to keep up with Mrs. Cox as she walked down the hall in long strides, rolling up her sleeves as she went.
    âYou stay out of the way,â she said, âThereâs no room in there. Weâll call you if we need you.â And with that, she went through the door to Goodnight and Elizaâs room and closed it behind her, cutting off the start of Goodnightâs protest. He had rarely seen Mrs. Cox in such a businesslike, no-nonsense mood before, but she was quite formidable when she was in it, and he knew there would be no talking her into letting him stay. Instead he slid slowly to the floor, his back against the wall, his knees drawn up and his elbows resting on them, his forearms hanging limp in front of him.
    After a few minutes Martha came down the hall with Mr. Cox close behind, and though she rushed into the room without speaking to him, her quick, reassuring smile at Goodnight lightened his heart, even if only for a moment. Then the door closed again, leaving him in the hall with Mr. Cox. He started to push himself to his feet out of respect for the older man, but Mr. Cox shook his head, leaning back against the railing that ran along the edge of the floor that skirted the open-topped staircase. âI understand what youâre feeling, Goodnight.â
    Goodnight hadnât been thinking about it, but it made sense. He looked up, saying nothing, prompting Mr. Cox to speak more.
    âMartha and my mother delivered Eliza,â he said. âSheâll be fine.â
    âThank you for saying that, sir,â Goodnight said.
    Mr. Cox nodded. âCare for a pipe?â
    âI⊠Er, that would be nice.â
    Mr. Cox nodded and walked down the hall, his footsteps echoing in the quiet house. Goodnight could faintly hear voices on the other side of the door and pressed his ear to it, but it seemed just then all seemed to grow quiet except for the sound of footsteps and rustling cloth.
    Soon Mr. Cox returned, sitting down on the floor next to Goodnight. He handed the younger man a pipe and offered him his well-worn leather tobacco pouch. Goodnight thanked him, filling the bowl of the pipe and waiting as Mr. Cox did likewise before lighting both pipes. Goodnight took a deep drag of the sweet-smelling smoke, concentrating on breathing in and out as the air began to grow hazy.
    âThank you for this,â he said after a few minutes had passed and he felt his pulse slowly beginning to return to normal.
    âOf course,â Mr. Cox said. âSheâs your wife, but sheâs still my daughter. We may as well suffer together.â
    Goodnight nodded slowly, breathing in another chestful of smoke.
    The sounds from the bedroom ebbed and flowed and when at last Goodnight couldnât take it anymore and burst through the door, asking how things were going, he was immediately pushed out by Martha and brusquely assured that everything was fine before the door was closed in his face. But he had gotten a brief glimpse of Eliza, and though she was clearly in pain, she was sticking it out.
    When Mr. Cox looked up at him with eyebrows raised in question, Goodnight just nodded reassuringly, resuming his spot next to the older man.
   It was nearly sunrise when he heard the unmistakeable sounds of Eliza hurting and every one went through him viscerally, the sound almost tangible, like he himself was the one in pain. He could no longer sit still, and pushed himself to his feet, puffing agitatedly at the many times refilled pipe still between his lips. Urgency and nervousness made him keep moving, but the helplessness in the pit of his stomach constantly reminded him there was nothing he could do.
    The instant the door opened, he was there, every precipitous and forceful emotion pushing up into his throat. âWell?â he asked Martha, his eyes searching her face for some indication of how things had gone. And then her lips broke into a smile and she pushed the door open farther, stepping aside to allow him in.
    âSee for yourself, Mr. Robicheaux.â
    He didnât realize he had dropped the pipe (or that Martha had to quickly stamp out the still-burning tobacco so it wouldnât catch the rug on fire); he just walked slowly across the room, tears of joy welling in his eyes as he sat down on the edge of the bed next to Eliza, who gave him a tired but very real smile. He grinned back, his gaze shifting downward to the tiny bundle in her arms.
    âThis isâŠâ he broke off, reaching up a hand and carefully, gently, touching the tiny hand that peeked out of the blankets, the fingers so tiny and delicate in comparison to his much larger, weathered ones.
    âHe looks like you,â Eliza said, and Goodnight looked up at her.
    âHe?â
    âItâs a boy,â she said, her grin so big it crinkled the corners of her eyes.
    âOh, Eliza-â the sob burst out of him before he could muffle it and then he just laughed, utterly jubilant, moving to sit with his back against the pillows next to his wife, one arm going automatically around her shoulders and one cradling the baby alongside hers.
     âDo you want to hold him?â she asked and he nodded eagerly, tentatively taking the tiny child in his arms when she held him out. Another tear traced down his cheek and he turned his head to kiss Elizaâs forehead, still barely taking his eyes off the baby even as he did.
    âHow are you feeling?â he asked finally.
    âHappy,â she said and he chuckled, impulsively kissing her cheek.
    âGood work.â
    She snuggled a little closer, watching her husband with a loving smile on her face as he continued to marvel at the baby. âIs the name we thought of still sounding good to you?â she asked, reaching over to tuck the blanket a little closer around the baby.
    Goodnight nodded. âEven better now I think of him being the one to have it.â
    âMama, Papa,â Eliza called. âYou can come in!â The door swung open and the new grandparents entered, both positively glowing. âWe'd like to introduce you to William Rafael Robicheaux.â
    Midnights up with Eliza tending to the crying baby, mornings spent in warm snuggling with the sleeping little boy on one of their chests, afternoons taking him out on circuits of the fields, or simply sitting and watching him sleep in his cradle- life was filled with new bustle, and a new intensity of love Goodnight didnât know his soul could hold, an amount of joy he didnât think his scarred heart could comprehend.
     One of the few practical benefits of having a baby was that Goodnight was rarely asleep long enough to have nightmares, and when Eliza was too exhausted to get the baby to sleep, he was always willing and ready. William needed him in a way that no one else did, and it brought a new drive, a new sense of purpose and intention to life, a new vigor when he got out of bed in the morning, no matter how long the night had been, or why it had been so.
    His mind needed the time, needed the joy, even if it only patched over his holes rather than closing them, and he hoped some time with the new career he was fairly sure he would pursue could help him smite down the terrors that burned him from the inside out, could re-accustom him to the sounds and thoughts that triggered periods of inexpressible terror, could chase away the hallucinations that, when he saw them in full, seemed as real as the war heâd fought in, but still danced unbidden at the corners of his vision at times throughout the day.
    So after weeks of long discussion, the morning came for him to depart to Little Rock, where he would be licensed by city officials as a warrant officer. It never got easier leaving Eliza, and it was no easier now that he left William as well. But it was the right decision, he knew that much, and that helped the heartsickness a little.
    He looked back as he reached the end of the road leading up to Cox Manor, taking off his hat and nodding once to the familiar figures on the porch. A silent promise left his lips, to them, to himself.
  Iâll be home soon.
#goodnight robicheaux#sam chisolm#mag7#the magnificent seven#mag7 scenario#mag7 imagine#sequel#one thousand miles#angst#fluff
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EdiciĂłn #11 Febrero 2017
Confesiones
ÂĄDĂ©jalo salir!
Para Beathan Ty Ainsley: A veces me canso de ti y tu irritante forma de ser, existen ocasiones en las que desearĂa quedar sorda para no escucharte hablar; y no, no creo que sea una exageraciĂłn, pero es que a veces dices demasiadas tonterĂas que me gana la curiosidad de saber, quĂ© pasa por tu cabeza. Pero lo verdaderamente alarmante es que: pese a que tu presencia me es desagradable (en algunas ocasiones) se estĂĄ volviendo adictiva para mi. Odio aceptar que con frecuencia pienso en ti, mĂĄs de lo normal. âAnĂłnimo.
Para G. William Winthrop-Scott:Â Las palabras quedan cortas cuando se trata de expresar una emociĂłn ÂżCĂłmo decirte en una frase, lo que significas para mi? Te adoro, y eso es obvio. SĂ© que tu amistad es sincera y que sin importar el momento o la situaciĂłn siempre estarĂĄs para brindarme tu apoyo, en mi lugar te ofrezco lo mismo; una amistad a prueba de todo.âMyndee L. Mort
Para Zephry Knight: Tengo sueño y es por tu culpa, Âżpor quĂ© no puedo dejar de pensar en ti? âAnĂłnimo
Para Josep Wideroos: Pidieron una confesiĂłn pero no tengo que confesarte algo que ya sabes ÂżPor quĂ© sabes todo lo que siento por ti, no? Hemos tenido momentos difĂciles, todos los tienen, solo quiero decir que lamento el mal rato y que eres muy especial para mi. Espero seguir pasando mĂĄs tiempo conmigo, no me irĂ© tan fĂĄcil de tu vida. âPorwendee Redfield
Para Romee Beynon: estĂĄs loca, eres demasiado rebelde y caĂłtica pero eso es exactamente lo que mĂĄs me gusta de ti, simplemente eres tĂș o el 50% de ti porque el otro 50% te resistes a mostrarlo. Te quiero decir o recordar que eres una persona maravillosa, no dejes que lo que digan los demĂĄs te haga sentir triste en tu vida, jamĂĄs o tendrĂ© que faltar demasiadas veces al trabajo para poder consolarte en persona. Eres preciosa. PD: Deja de coquetear, no me gusta, me pongo celoso. âAnĂłnimo
Para Queen Hamblenton: eres la mujer mĂĄs encantadora que me conocido, me gustarĂa estar siempre a tu lado para protegerte pero sĂ© que eres bastante independiente tambiĂ©n asĂ que me voy a conformar con que me des algunas horas de tu vida para poder verte y disfrutar de tu compañĂa. âTe quiere, Viktor.
A todos mis amigos, los conocidos y los no tan conocidos ÂżQuĂ© les puedo decir? Mi vida serĂa tan incoherente sin ustedes. Feliz san ValentĂn a todos, espero que nuestra amistad dure mucho tiempo, porque les necesito para ser feliz. âFrançoise Hollande.Â
A mi esposo: los tiempos malos no duran siempre, y despuĂ©s de estos vienen los buenos. Creo en eso, ÂżtĂș no? En cualquier caso, te deseo un feliz dĂa del amor y la amistad. âFrançoise Hollande.
Para Samuel Wooldrige: no sĂ© quĂ© decirte aparte de que te amo mucho, eres el mejor hombre de este mundo y yo sĂ© que tuvimos una crisis muy fuerte pero lo importante de todo eso es que estamos juntos y mĂĄs unidos que nunca. Gracias por dejarme ser parte de tu vida y darme a mi Samantha que es una de las mejores cosas que me ha pasado en la vida. âLorea Wooldrige.
Para SiobhĂĄn Eisenhower, quiero expresar lo mucho que has cambiado mi vida, eres hermosa y parece un sueño cuando compartimos, cuando sonrĂes. Me gustarĂa que sepas que me esforzarĂ© para conquistar tu corazĂłn. âAnĂłnimo
Para Evan Lambert: eres mi complemento, mi mĂĄs bonita coincidencia, las cosas son difĂciles pero seguirĂ© enamorada de ti bajo los tiempos que sean. Hay cosas que no se pueden cambiar, como esto que siento por ti. âAtte, RWL.
Para Steph Whitelight: No hay necesidad que sea anĂłnimo. No hay mucho para decir, y no porque sienta poco por ti...todo lo contrario, simplemente que mucho de lo que siento ya lo sabes. Te amo, te adoro. En sencillas palabras puedo expresar la magnitud de tu existencia en mi vida. SĂ© que Ășltimamente no hemos estado en nuestros mejores momentos, y lo lamento, pero quiero que sepas que en verdad te amo y eres todo para mĂ. â Seren Baskerville.Â
Para Velkan Corbiau  de su duquesa: Antes de ti no hubo nadie que pudiera hacerme sentir lo que tĂș provocas en mĂ, basta con escuchar tu nombre para que mi cuerpo entero sucumba ante tus recuerdos. Mi piel estĂĄ tatuada de tus besos y caricias, las cuales ni el tiempo ha logrado borrar, llevo tu aroma a todas partes y me bastan tus brazos para sentirme protegida, es en ellos donde encuentro la paz y la fortaleza para continuar mi dĂa. No importa que tan oscuro sea el camino pues a tu lado aprendĂ a no temer porque sĂ©, que siempre estarĂĄs cuidando de mĂ. Antes de ti sĂłlo era una cascara vacĂa que caminaba a ciegas por la vida, pero fuiste tĂș quien le dio un sentido a mi vida. Faltan palabras para describir lo que me haces sentir, lo mucho que significas para mĂ pero tengo la seguridad de que lo sospechas y es por eso que ante mis ojos eres el hombre perfecto, el Ășnico con quien quiero estar.â Zelda Fogelberg
Para Zelda Fogelberg: Mi princesita...desde que entraste a mi vida, la has puesto de cabeza. ÂżRecuerdas cĂłmo empezĂł todo? Fue un caos, ni siquiera podĂamos soportar estar juntos por mucho tiempo, y ahora yo no creo poder vivir alejado de ti. Te volviste esa persona indispensable para mi, con tus adorables muecas, tus berrinches, tus momentos dulces, y esos detalles especiales que te hacen ser, para mĂ, la mujer mĂĄs encantadora del mundo. Te amo, y mucho, que ni siquiera puedo creer que sea posible amar tanto a alguien. âVelkan Corbiau
Para Aaron Van BelgiĂ«: No importa cuantas veces te alejes de mi, ni el tiempo que duremos distanciados, mucho menos me interesa sĂ me consideras la persona mĂĄs vil o la mĂĄs vulnerable. QuĂ© importa sĂ por pensar en ti dejo escapar otros amores, incluso la soledad suena tentadora cuando tu recuerdo es mi recompensa porque cariño mĂo, tĂș te has llevado todo de ti, y sĂ©, porque conozco mi corazĂłn, que jamĂĄs te dejarĂ© de amar. âAnĂłnimo
Para Ariadna Voulgaris: Eres mi vicio favorito, mi obsesiĂłn mĂĄs sana, la trampa mĂĄs hermosa que la vida me puso en el camino, eres mi esperanza, lo que me da fuerza para seguir adelante, eres la razĂłn por la cual despierto con una sonrisa en los labios, gracias a ti comprendĂ lo que es amar con sinceridad y sin egoĂsmo. Y  aunque los años pasen jamĂĄs encontrarĂ© una mirada que me haga temblar, unos labios que me hagan suspirar ni una sonrisa de la cual me quiera yo enamorar. Yo sĂ© y te lo voy a confesar, que contigo quiero estar, en esta vida y en las que siguen. âWalter Winthrop-Scott
Para Ian Winthrop-Scott: Quisiera decirte tanto, pero no me atrevo...no serĂa capaz de asustarte con todo lo que siento por tĂ. Tan solo necesito que sepas que no importa lo que suceda, siempre te voy a querer. Me encantas.â AnĂłnimo
Para Vasilisa Dziahileva:Â Hay cosas que necesitan llegar a su fin, duelen, los recuerdos quedan, nunca se van. Eres especial, date cuenta. â AnĂłnimo
Para Joshua Sturridge: Señor Sturridge, me gustas. No deberĂa sentirme asĂ pero lo hago, te has convertido en mi pequeño secreto. En los dĂas que no puedo verte te extraño demasiado⊠asĂ que se me ha ocurrido que podrĂamos hacer una escapada algĂșn dĂa, serĂa como una excursiĂłn y nadie nos molestarĂa, ÂżquĂ© opinas? âAnĂłnimo
Para TristĂĄn Nordhölm: feliz dĂa del amor y la amistad. SĂ© que a veces hablo mal, que te hago creer que estoy loca y esas cosas, pero quiero que sepas por medio de esta confesiĂłn que en realidad te aprecio mucho. Me gustarĂa que las cosas entre nosotros hubieran resultado de otra manera, sĂ, pero tambiĂ©n estoy agradecida de que seas tĂș y no otro con el que crucĂ©  caminos. TĂș sabes de quĂ© hablo, eres el mejor. âFreyja.
Para Viktor Corbiau: No te he dicho que valoro todos aquellos detalles que tienes conmigo, eres encantador y me cuidas, me tratas como pocas personas lo hacen, soy mala para las palabras, pero aprovecharĂ© para decir que te quiero, y quiero que te quedes conmigo.âAnĂłnimo
Para Seren Baskerville: Aunque las cosas estĂ©n raras, aunque creamos que tiene un fin, es necesario que sepas que no me olvido de nada, que mi promesa sigue en pie y que me mantendrĂ© esperando. âAnĂłnimo
Para M. Anne-Lise Schleswig: Te cuidarĂ©, eres especial para mĂ. âAnĂłnimo
Para Françoise Hollande: Si estĂĄs sufriendo, yo sufro el doble. No importa lo que quieran creer los demĂĄs, nosotros sabemos quĂ© es lo que sentimos y yo me quedo contigo en el bien y en el mal. Te amo. âSu esposo
Para Whitney Moscovici: SĂ© que no soy el cliente mĂĄs agradecido que hayas tenido pero en realidad aprecio mucho todo lo que haces por mĂ, me pareces preciosa y voy todos los dĂas al trabajo con ĂĄnimo esperando a la hora en la que pueda hablar contigo. âUn cliente satisfecho.
Para M. Eliza Windsor: Feliz San ValentĂn, pequeña. Sabes que si en el futuro necesitas a una persona que te apoye puedes recurrir a mĂ. ÂżPara algo estĂĄn los amigos, no? Y yo quiero ser uno bueno para ti. âGilmat Ainsley.
Para Brooke Crawford: Hay algo sensacional dentro de ti, nadie lo nota, pero yo sĂ. TendrĂĄs que hacerte cargo de lo que provocas en mĂ, Âżme aceptarĂas? ÂżDejarĂas que cuide de ti?â AnĂłnimo
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Jaded
Chapter 2
August 23, 2019 1:00 pm
âLizzie, this is Nicole. Sheâs a sophomore at the academy. Nicole, could you show Lizzie to her room?â
Nicole nods and Belle starts to walk away.
âIâll go confirm the plans for the weekend. See you at 6:30 for dinner.â
âOk.â
Nicole leads me out of the foyer.
âHave you lived in Quincy long, Nicole?â
âI was born and raised in Winthrop.â
âIâve always wondered what itâd be like to go to school near where I was born.â
âWhere were you born?â
âHere. Well, in Plymouth.â
âWow. So you might not need a tour of the city.â
âI havenât been here in almost 10 years. Itâs probably changed a lot being a metropolitan city.â
âThatâs true. Well, your tour guide loves exploring so youâll see a lot."
I nod and realize weâve been stopped for a few moments.
âThank you.â
âYouâre welcome. Iâll see you at dinner.â
I open the door and pause. It looks exactly like my dorm. The wallpaper, dressers, desks, and beds. Itâs like a miniature version of my entire house.
I unpack quickly and go to the phone.
âHello, Room 501,â Mikalya says.
âHi, Mikalya. I wanted to let you girls know I landed.â
âLizzie! Iâll put her on speaker. Calm down, Bianca.â
âHiya, Lizzie,â Bianca says.
âLizzie, how was the flight?â Rizalyn asks.
âHi, everyone. The flight was fine. Finished reading the course guidelines.â
âOf course you did.â
âItâs important, Jenn. Itâs our senior year.â Lindsay says.
âAnyway, howâs Ms. Simms? Which Simms are there?â Tess asks.
âBelle Simms is nice. Delilah Simms will be here for dinner soon. I think the brothers live in the north.â
âWell, thatâs disappointing. I wanted to know if Arthur is as nice as they say and if Caleb is naturally funny or if thatâs simply prepared for interviews.â
âMaybe sheâll find out in the months, Tess,â Nascha says.
Thereâs an awkward silence.
âSome of us have work and others have shopping plans so we should go,â Mikalya says.
âOf course. Have a good day.â I reply.
âThanks,â Rizalyn says.
âLiz, can I talk to you?â Lindsay asks.
âSure.â
âBye, Lizzie,â Bianca says.
I open the window.
âMistress, Iâm alone.â
âLindsay, you were doing so well.â
âRight, sorry. Lizzie, have you made your decision?â
âWhat? No. Iâve only been here an hour.â
âThat means itâs still in consideration.â
âYes.â
âFine. But make sure it actually benefits both of --.â
âNo way!â I shout and duck behind the windowsill.
âMistress?â
âSorry. I thought a bird was coming in the window. Lindsay, Iâll repeat my promise to decide carefully. But Iâm going to hang up to unpack now. Have fun reading on your day off.â
âThanks. Choose well. And remember us.â
âLove you, too.â
It couldnât have been. Right? That was a figment of my imagination. I didnât just see him, did I?
----- ----- ----- August 23, 2019 6:35 pm
Finn.
Apparently I did as he is currently standing in the Simms foyer.
His back is to me. He hasnât seen me yet.
âDelilah, there you are,â Belle says as her sister comes into the room. âDelilah this is ElizâLizzie. Lizzie, this is my busy sister Delilah."
I glance at Delilah and look back at Finn. Who has turned around and is staring at me.
âHello, Delilah. Itâs nice to meet you. Iâm sorry Iâm late.â
âNo need to apologize. Iâm late as well.â
âEliza!â Finn runs up the stairs and picks me up. âEliza, is it really you?â
I stare at him.
âCome on, Liz. What are you doing here?â A beat. âDid you lose your voice yelling at the girls?â
âNo. I was invited. What are you doing here?â I whisper back.
âYou two know each other?â A girl asks speaking for the group.
âYes, Mandy. We do.â He responds.
âFinn, why didnât you say anything?â Belle asks.
âYou didnât say Eliza Gent was the girl. I would have agreed right away.â
âWell, that makes everything easier. Lizzie, Finn will be your tour guide.â Delilah says.
We continue the introductions. Timothy Campbell, Finnâs dad, is in charge of the security detail. Nicole and Mandy are sophomores. They are SOS students and work for the Simms.
We sit down to dinner and Delilah asks Finn and me how we met. Finn tells me to relay the story.
âWe met when we were 11. I was shopping with the manager of my home. Finn was touring the boysâ school. He was bored because it was the umpteenth time heâd seen it but he had never seen town so heâŠâ
Out of the corner of my eye, I see Finn gesturing for me to stop.
âYou were bored? Youâre the one who asked to go every year after that. I was done too. Wait, was Lizzie going to say you ran off?â Timothy asks and I realize what I had done.
âI wouldnât say I ran off. I excused myself, without telling you. Anyway, Eliza hasnât said how we meet.â Finn says, knowing he doesnât have a leg to stand on.
He looks at me asking me to continue.
âSo he came into the store I was in. It was a thrift store which was fine. But it was an all-girl thrift store, which was strange.â Kala and Mandy laugh at that. âMrs. Bachchan, the home manager, asked him if he was lost and he replied that he was. Since we were done with our shopping Mrs. Bachchan told me to escort him and to be home by sundown.â
âWhich is why I got in trouble but she didnât,â Finn says.
âIs that the day that Timothy always talks about? The day when they finally found you, you were sitting by the gate?â Belle asks.
âYeah, well⊠anyway, thatâs how we met.â Finn comments and continues eating.
âSomeone doesnât like being made to sound like a child,â Delilah whispers to me and I nod, giggling.
----- ----- -----
July 25, 2013 1:30 pm
âIsnât it a little weird?â He asks as Mrs. Bachchan walks out of the store.
âIsnât what a little weird?â I ask putting my hands in my pockets.
âThat she would leave you with a stranger?â
âNo,â I say walking to the door. âThe town always looks out for us and everyone says I can handle myself. Plus, you're a kid too.â
I turn around and see the boy standing there.
âWell, are we going to get you back or not?â I ask, impatiently.
âWe are.â the boy says, running over.
We exit and start walking down the street. I donât even know if weâre going the right way as I donât know where he is supposed to be. I look over and he is walking with his head down.
âWould you feel better if we introduced ourselves?â I ask and the boy looks up at me surprised. He doesnât say anything so I put out my hand and say, âMy name is Liz Gent.â
âFinn Campbell.â He says, shaking my hand.
âWell, Finn where did you need to go?â
âThe Boysâ Academy.â
I nod and continue walking in the direction we were going in.
âLiz, do you want to go in there?â Finn suddenly asks.
I turn around and see the coffee shop heâs pointing at. Now itâs my turn to stare at the ground.
âI donât have any money,â I say turning away.
âI can buy,â Finn says, quickly.
âNo, itâs okay. You donât have to. And we have to get you back.â I say, flustered.
âI donât have to be back immediately. I asked so itâs only right that Iâm able to pay for both of us. So why not?â
I am a little thirsty from helping Mrs. Bachchan.
âAll right.â
Finn smiles and opens the door.
----- ----- -----
After dinner, the next day was planned. Everyone went home. Belle invited me to watch a movie with Delilah and her. But Delilah said she had to work. Belle fell asleep halfway through so I went to bed.
#author#lovestory#teenlovestory#academy#fiction#teenfiction#orphan#socialite#teen#coming of age#slice of life
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Wheee, the Blackfryarsâ characters have been posted!
You know the drill for headshots.
Alessandra Appiotti :Â Tracy Rhodes -- Map Maker
Andrea Barton :Â Anne de Graville -- Lady in WaitingÂ
Kirstin Bauer :Â Â Elizabeth Bryan, Lady Carew -- Lady in WaitingÂ
Lauralette Bernard :Â Eliza Buckthorne -- MarchwardenÂ
Karen Rose Bitzer :Â Flora Castor -- PrognosticatorÂ
Hope Borges :Â Belinda Ann Carlisle -- Net MakerÂ
Tabitha Borges :Â Harriet Hadock -- Fish MongerÂ
Katherine Campbell :Â Sarah Dearheart -- MatchmakerÂ
Bryan Cook :Â William MacDonald -- Game KeeperÂ
Katrina Cook :Â Anges MacDonald -- ShepherdÂ
Elisia Freeman :Â Mercedes Mercero -- HatterÂ
Corey Graff :Â Fabrizio de Babineaux -- NoblemanÂ
Pasquale Grasso :Â "Sir" Joshua Joseph Abraham Zebulon Norton II -- Bestfriend Bedlamite
Steve Hager :Â Rip Skelton -- Grave DiggerÂ
Jonathan Heise :Â Lord Alfred Mountjoy -- Retired KnightÂ
Emily Kern :Â Kate Smith -- Anchorsmith
Jennifer Litzinger : Â Cassie Lynne Cadbury â Dairy Maid
Morgan McCabe :Â Sam Nichols -- HighwaymanÂ
Dana MiccichĂ© : Maria De Salinas -- Lady in WaitingÂ
Traci Mohl :Â Olivia Charnwood -- HuntressÂ
Jared Nocella :Â Sir Robert William Dannett -- Nobleman
Sage O'Reilly : Â Jo Cooper â Cooper
Samantha Phillips Varneke :Â Nicole Flammel -- AlchemistÂ
Nicholas Rainville :Â Flint Rockford -- Stone Mason
Jessica Reesor : Â Margaret "Maisey" Mulder â Miller's Apprentice
Kaylum Reppert :Â Jonathan Wainwright -- CartmakerÂ
James Riley :Â Sir Adam Cringer -- Captain of the Yeoman GuardÂ
Michael Sheffield :Â Charles J. Winthrop -- HarbourmasterÂ
Dave Sobkowiak :Â Lanky Hemptwister -- RopemakerÂ
Katrin Stayner :Â Countess Finnja Anna Guttenberg -- Lady in WaitingÂ
Jordan Taft :Â Anne Knyvett, Lady St. Leger -- Lady in WaitingÂ
Sandi Trait :Â Bianca de Mensajero -- MessengerÂ
Ariel Ulrich :Â Marie de Potiers -- Lady in WaitingÂ
Katelyn Vecchiolli :Â Jesphine Pratt -- Rag PickerÂ
Darrell E. Yoder :Â Sylvan Fairlite -- Tinker
All names are copied verbatim from PARFâs website. Any error is on their heads, not mine.
#heck i meant to post this yesterday but then i had to run errands and wash dishes first and by then it was nearing midnight#and i figure very few people outside of this timezone are gonna be interested in parf stuff#so i queued it for this morning so more people had a greater chance to see it#i feel moderately shitty about that actually#because i learned the characters were up by seeing blackfryars' excited facebook statuses about being able to share their character#so i wanted to respond to that as quick as possible#i mean i had the bacchanalians up in under twelve hours from their appearance on the website#i didn't want to give the blackfryars the short end of the stick AGAIN#i'm sorry#castlist#parf casting#blackfryars#parf cast 2018#parf 2018#parf#pa ren faire#pa renn faire#pa renaissance faire#pennsylvania renaissance faire#renaissance faire#renn faire#ren faire#faire#here's a health to the queuempany
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Is that KATHERYN WINNICK? No, itâs ELIZA WINTHROP. SHE is a THIRTY-TWO year old EVENT PLANNER who is known to be CREATIVE, but also PARANOID. Also, theyâre an HUMAN. (played by PerlaPan)
ACCEPTED! (with the edit that she is a banshee)
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Janice Hudson Janiec
Janice Hudson Janiec, 79, of Spartanburg, SC, died Wednesday, May 31, 2017, at Summit Hills Retirement Community. Born May 16, 1938, in Charlotte, NC, she was the daughter of the late W. R. and Blanche Foard Hudson. An elegant human being with a heart of gold and a fighter's spirit, she loved her daughters, doted on her sons-in-law, and adored her grandchildren beyond all words. She had a glorious smile, a transcendent laugh, and fantastic sense of humor. Her daughters found it best to clear their schedules when running errands with her, because Ms. Janiec knew at least five people everywhere she went, and each one of them wanted to chat or give her a hug. Even animals loved her, and the shyest pets would come out from under beds or behind closed doors to greet her when she walked into a room. Ms. Janiec was perhaps best known for her vocal abilities â both her talents as an opera singer and her abilities as an all-around performer. Along with being a professor and choral conductor, Ms. Janiec sang for years in the choir at the Church of the Advent, in the Greenville Chorale, conducted many different church choirs, and performed recitals all over the Southeast. Over the course of her career, she performed lead roles in over 30 musical productions, gracing the stages of the Charlotte Opera, Spartanburg Little Theatre, Brevard Music Center, Converse College, and USC Upstate. Her last public performance was in âDivas and Dames â 65 Years of SLT (Spartanburg Little Theatre)â in 2011. She was an undergraduate student at Converse College and taught on the voice faculty for many years. She graduated from Queens College in Charlotte in 1959 with a BA in music, and in 1984, she completed her Masterâs Degree at Winthrop College in Rock Hill, SC in Music Education and Performance. She retired as an Associate Professor of Music in the Department of Fine Arts and Communication Studies at USC Upstate, where she taught from 1986 until 2008. She also taught at many other institutions, including Wofford College, Furman University, Presbyterian College, the Brevard Music Center, various elementary schools in Spartanburg, and East Mecklenburg High School in Charlotte, NC. Throughout her life, Ms. Janiec received many awards and accolades, including a Service Award from USC Upstate and a Career Achievement Award from the Converse College Alumnae Association. A native of Charlotte, Ms. Janiec came to Spartanburg in 1961 and was given an opportunity to perform in The King and I at Spartanburg Little Theatre. Several years later, she was cast as Eliza Doolittle in Brevard Music Center's production of My Fair Lady, later reviving the role in an eight-night, standing-room-only run at the Spartanburg Little Theatre in 1964. In an article in the April 24, 1992 edition of The Spartanburg Herald-Journal she stated, "In my ideal world, at 8 p.m. every night, the lights in the theater would come on, and I would be in the spotlight, wearing false eyelashes and a beautiful gown. I love theater and opera - it's the theatrical part I enjoy most. I guess that's really why I teach, so I may indulge in music." Her family can only imagine the entrance she made when she walked through the pearly gates. Survivors include daughters, Barbara âBobbieâ Rafferty (Patrick) of Chicago, IL and Katherine âTrinaâ Janiec Jones (Jeremy) of Boiling Springs, SC; grandchildren, Erin Rafferty, of Chicago, IL, Sean Rafferty of Indianapolis, IN, and Molly Jones of Boiling Springs, SC; brother, Warren Hudson, of Dallas, TX; and her loving (and much-loved) caregivers at Summit Hills, Comfort Keepers, and Pathway Hospice. Visitation will be 6:00-8:00 PM Sunday, June 4, 2017 at Floyd's Greenlawn Chapel, 2075 East Main Street, Spartanburg, SC 29307. Funeral services will be conducted at 2:00 PM Monday, June 5, 2017, at The Episcopal Church of the Advent, by the Rev. J. Edward Morris and the Rev. Deborah D. Apoldo. A reception will follow in the church Parish and Community Life Center. Burial will be at 11:00 AM Tuesday, June 6, 2017, in Sharon Memorial Park, 5716 Monroe Rd., Charlotte, NC 28212. In lieu of flowers, memorials may be made to Converse College, Office of Philanthropy, 580 East Main Street, Spartanburg, SC 29302 www.converse.edu; The Spartanburg Little Theatre, 200 East St. John Street, Spartanburg, SC 29306 http://bit.ly/2qGnXT3; or The Episcopal Church of the Advent, 141 Advent Street, Spartanburg, SC 29302. Floydâs Greenlawn Chapel from The JF Floyd Mortuary Crematory & Cemeteries via Spartanburg Funeral
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Finished reading 'Annie On My Mind' yesterday and it has MURDERED MY SOUL
#annie on my mind#books#Annie Kenyon#Eliza Winthrop#seriously though#just#EHHHHH#but at least it had a happy ending
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Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853), Thomas Sully, 1831, Harvard Art Museums
Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop Size: 76.2 x 63.5 cm (30 x 25 in.) Medium: Oil on canvas
https://www.harvardartmuseums.org/collections/object/311254
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Annie on My Mind by Nancy Garden
I must say that I read the book as if it was a modern book â because I failed to realize that theâŠ
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#annie kenyon#bigotry#coming out to oneself#eliza winthrop#homosexuality#interview with the author#kathleen t. horning#lesbian love story#mrs. poindexter#ms. stevenson#ms. widmer#nancy garden#teenage love
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Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853), Thomas Sully, 1831, Harvard Art Museums
Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop Size: 76.2 x 63.5 cm (30 x 25 in.) Medium: Oil on canvas
https://www.harvardartmuseums.org/collections/object/311254
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