#Elevator Access Control
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iidsch · 4 months ago
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also more codelyokoposting but I really really dig XANA as a villain. It's not a person with a complex background that led them down the path of evil, it's not a morally grey character you sympathize with but condemn. It's a powerful AI capable of controlling almost anything in the real world. It doesn't have a face or a body, we only know it for its symbol and for the monsters it controls in the virtual world. It's willing not just to kill people through various methods (poisoning, drowning, car crash, fucking space lasers too?) but also Earth as a whole (it tried to blow up a NUCLEAR PLANT and crash two trains with toxic chemicals in them). And we don't even know why it does this, at least not for now. It may not even have a particular reason, just some sort of virus or malware in the form of an AI that seeks nothing but destruction without any goals in mind. This "pure evil" characteristic doesn't come off as childish, like in some children cartoons, it's just kind of scary to think that such an incomprehensible and destructive force exists, almost feels like a natural disaster
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High-Functional Elevator Access Control System| Full-Service Security System & Automation Company
Looking for a high-performing elevator access control system? Shop from Infinite Systems Technology Corporation; their elevator floor access control systems come with advanced connectivity options.
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vorbisx · 1 year ago
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Replacing physical buttons and controls with touchscreens also means removing accessibility features. Physical buttons can be textured or have Braille and can be located by touch and don't need to be pressed with a bare finger. Touchscreens usually require precise taps and hand-eye coordination for the same task.
Many point-of-sale machines now are essentially just a smartphone with a card reader attached and the interface. The control layout can change at a moment's notice and there are no physical boundaries between buttons. With a keypad-style machine, the buttons are always in the same place and can be located by touch, especially since the middle button has a raised ridge on it.
Buttons can also be located by touch without activating them, which enables a "locate then press" style of interaction which is not possible on touchscreens, where even light touches will register as presses and the buttons must be located visually rather than by touch.
When elevator or door controls are replaced by touch screens, will existing accessibility features be preserved, or will some people no longer be able to use those controls?
Who is allowed to control the physical world, and who is making that decision?
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vivicendium · 1 year ago
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i think something that elevates the hunger games franchise is not just the quality of writing but the integrity of it. tbosas isn’t just a cash-grab by suzanne collins in the age of sequels and reboots (though i won’t pretend that didn’t play a part), it’s a character study of the main antagonist with a different structure than the main trilogy. and importantly, it doesn’t just re-hash the same old themes and beats the main trilogy had, it expands on not just the world of the hunger games but the themes as well, it actually has something new to say about the trilogy’s themes about class, capitalism, power, and control, in a way that couldn’t be explored with the main story because the protagonist of that story simply did not have access to the world that’s being explored in tbosas.
i understand the people who call for books/movies to be made about haymitch, finnick, johanna, different years of the games — we love those characters and want to see more of them! i’d kill for a novella on finnick’s days mentoring tributes, or katniss’s parents falling in love. but at the end of the day we probably wouldn’t be very satisfied with those stories being fleshed out if they had absolutely nothing new to say about the world, they’d be enjoyable, but not as interesting and engaging as tbosas has been.
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amaditalks · 2 months ago
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Abortion Is On The Ballot
In ten states, there are ballot measures or questions which will be decided in the November election which will impact the future of abortion access in those states. Here’s what you need to know.
Arizona
Arizona Proposition 139 the Right to Abortion Initiative will amend the state constitution to provide for the fundamental right to abortion that the state of Arizona may not interfere with before the point of fetal viability unless justified by a compelling state interest.
To enshrine abortion rights protection in the state constitution Vote Yes
Colorado
Colorado Amendment 79, the Right to Abortion and Health Insurance Coverage Initiative will amend the state constitution to create the right to an abortion and authorize the use of public funds (Medicaid) to pay for abortion care.
To enshrine abortion rights protection in the state constitution Vote Yes
Florida
Florida Amendment 4, the Right to Abortion Initiative, will amend the state constitution to declare that "no law shall prohibit, penalize, delay, or restrict abortion before viability or when necessary to protect the patient’s health, as determined by the patient’s healthcare provider.” The current constitutional provision requiring parental consent for minors' abortions will not be affected.
To enshrine abortion rights protection in the state constitution and overturn the current six week abortion ban Vote Yes
Maryland
Maryland Question 1, the Right to Reproductive Freedom Amendment, will amend the state constitution to establish a right to reproductive freedom, defined to include "the ability to make and effectuate decisions to prevent, continue, or end one's own pregnancy."
To enshrine reproductive rights protection in the state constitution Vote Yes
Missouri
Missouri Amendment 3, the Right to Reproductive Freedom Initiative will amend the state constitution to provide the right for reproductive freedom, which is defined as "the right to make and carry out decisions about all matters relating to reproductive health care, including but not limited to prenatal care, childbirth, postpartum care, birth control, abortion care, miscarriage care, and respectful birthing conditions," and providing that the state legislature may enact laws that regulate abortion after fetal viability.
To enshrine broad reproductive rights protection including abortion in the state constitution and overturn the current complete abortion ban Vote Yes
Montana
Montana CI-128, the Right to Abortion Initiative will create a constitutional "right to make and carry out decisions about one’s own pregnancy, including the right to abortion," and allow the state to regulate abortion after fetal viability, except when "medically indicated to protect the life or health of the pregnant patient."
To enshrine broad reproductive rights protection including abortion in the state constitution Vote Yes
Nebraska
The Nebraska Prohibit Abortions After the First Trimester Amendment will amend the state constitution to elevate the current twelve week abortion ban law to a constitutional provision with limited exceptions for medical emergencies or in cases of rape.
To prevent the current legislative abortion ban from being enshrined in the state constitution Vote No
Nevada
Nevada Question 6, the Right to Abortion Initiative will amend the state constitution to create a constitutional right to an abortion, providing for the state to regulate abortion after fetal viability, except where medically indicated to "protect the life or health of the pregnant patient."
To enshrine abortion rights protection in the state constitution Vote Yes
New York
New York Proposal 1, the Equal Protection of Law Amendment will amend the state constitution to provide that people cannot be denied rights based on their "ethnicity, national origin, age, and disability" or "sex, including sexual orientation, gender identity, gender expression, pregnancy, pregnancy outcomes, and reproductive healthcare and autonomy."
To enshrine equal rights protection for pregnant people and abortion patients in the state constitution Vote Yes
South Dakota
The South Dakota Constitutional Amendment G, the Right to Abortion Initiative will amend the state constitution to protect the right to an abortion based on a trimester framework, with no restrictions permitted in the first trimester, only limited medical need restrictions permitted in the second trimester and allowing deeper restrictions in the third trimester except "when abortion is necessary, in the medical judgment of the woman's physician, to preserve the life and health of the pregnant woman."
To enshrine abortion rights protection in the state constitution and overturn the state's current full abortion ban Vote Yes
If you live in one of these ten states and abortion rights matter to you, get registered or double check your registration and make your voting plan today. Every single vote matters significantly in amendment questions.
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swampgallows · 1 year ago
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i know it probably wont happen for another 50 years but i sure do wish the discussion of disability rights was more ‘popular’. i dunno if it’s people’s inherent fear of mortality or aging or what but ableism is so fucking out of control. people have conversations about bodily autonomy and accessibility when it comes to stuff like classism, feminism, trans rights, etc then look at you like youre fucking bonkers if you say something like everywhere should be wheelchair accessible by default. and no not some back/side entrance with freight elevators or some shit. it’s not a special request to allow someone to use the fuckin front door
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hadesoftheladies · 6 months ago
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“what oppression do women face? what rights don’t they already have?” let me explain something very simple to you. having laws that permit women to have jobs, divorce men, abort, or kill in self-defense is literally 25% of the battle. why? because of infrastructure and societal bias.
for example, it is technically illegal to rape (legislation) yet few rapists are ever convicted and even if they are, their sentences never match the crime. why? for one, it’s hard for girls and women of challenging socioeconomic backgrounds to access services or resources like rape kits or information on how to seek legal assistance; and in the course of this, the police men are likely to sexually abuse them as well, resulting in more trauma and reducing their chances at seeking justice (infrastructure). even if a woman were to get a job (and the law doesn’t allow discrimination), if the social bias is that she can’t perform well, she is still less likely to be hired. if she is hired, she is more likely to be underpaid (read up on the velvet or pink ghetto).
government (legislation and judiciary) are reflective of social consciousness. they may agree with the rights of women (sometimes) on paper, but whether or not they are meaningfully enforced is completely up to those with the most socioeconomic power, which, for now, is largely still men (in that men maintain most of the wealth, property, and high opinion in a populace, they also control most popular metanarratives via religion, education, pornography and entertainment which means they largely control public perception). because men in patriarchal society keep their resources to themselves and seek to elevate only themselves. racism can be illegal, and still rampant, in a country. so it is with misogyny and homophobia.
if men hate women in a system that has long been organized to benefit them, a few legislative changes won’t automatically change that system. it has to be altered structurally and socially as well.
and that takes a whole lot more fighting
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serpentface · 14 days ago
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Two jaquinzi stallions duking it out over territory.
The jaquinzi is a wild equid in the clade broadly referred to as 'horses', though they are not closely related to the common domestic horse and cannot interbreed. They are of average size for a horse, being about 2 ft tall at the shoulder, 4 ft long, and weighing an average of 90 lbs. They are notable for their long tails and striking coat, which ranges from orange to a deep red-brown and is peppered with spots and stripes.
Jaquinzi stallions are highly territorial and routinely maintain their boundaries via dung marking. They rarely tolerate the presence of other adult males (though brothers sometimes form coalitions), and will get into aggressive, sometimes deadly fights with trespassers. Female jaquinzi and their young form hierarchical herds led by a lead mare, and move freely between territories. Stallions may develop close and longterm bonds with their mares, and herds may permanently settle within a stallion's territory so long as it contains ample resources and remains well-protected.
It is the only true wild horse endemic to the Imperial Wardi region, and has a very limited range. The vast majority are found in the far southern Pelenagal peninsula (Elumuqi to its predominantly Jazaiti inhabitants), with some scattered low density populations being found in and around the Red Hills. They are closely related to (but are geographically separated from) the Lowlands wild horse found south and east of the Blackmane mountains, a domestic variant of which is widely kept by the Yuroma people (and has been brought to Wardin by its sizable Yuroma-Wardi community).
The name 'jaquinzi' comes from the Jazaiti language. Most Jazaiti lands are on the Elumuqi peninsula, thus overlapping with most of the jaquinzi's range. The Jazait have a long history of relations with this horse. Most Jazait rely on the sea for the vast majority of their food, which is supplemented by foraging and farming. Much of their land is heavily susceptible to wildfires, which is mitigated with controlled burns. The jaquinzi horse indirectly assists with fire control by clearing away excess growth and preferentially feeds on many plants that are considered undesirable or outright noxious weeds to the Jazait.
As such, this horse has traditionally been encouraged to settle and proliferate within the territories of Jazaiti clans, and much of the peninsula jaquinzi population is semi-tame and heavily habituated to people. The relationship is largely mutualistic, as the horses receive protection from predators and are given access to otherwise unattainable high energy foods (they are actively fed harvest leftovers, seaweed, and fruits, which is the main contributor to their tameness). Jazait benefit from the horses clearing away unwanted growth, and these very tame, approachable wild animals can function as an emergency food source in times of famine.
The territoriality of the horses has partially integrated with the (substantially more complex cultural practice of) territoriality of Jazait clans. The boundaries of a clan's land are spiritually reinforced and physically marked by clanmothers on a yearly basis (via wrist scent gland), while its entrance points and boundary zones have shrines that are routinely anointed by clan members as they come and go. Jaquinzi learn to recognize the scent of their associated people, and stallions are known to align their territorial boundaries closely to the clan's boundary (as the people directly and indirectly contribute to keeping rival stallions out). A sense of home boundary and 'here and there' is fundamental to traditional Jazait identity and spiritual security, and the wild horse shares and reinforces this boundary, which elevates the animal's significance in the cultural schema.
The Jazait focus most collective cultural attention on sea life (and do not share their neighboring peoples' traditions of animal worship whatsoever), but the jaquinzi is a deeply appreciated wild beast, notable for its beauty and gentleness and association with Home.
This relationship to wild horses is, however, being increasingly replaced by keeping herds of domestic wooly horses, particularly in the past century. Domestic horses are attractive in that they provide most of the benefits of the wild ones (clearing brush, easy emergency meat) in addition to a continuous supply of textile sources and soap-making materials (though their dairy products are not consumed, as the gene for lactase persistence is highly uncommon among the Jazait). The adoption of domesticated horses has mostly occurred on the basis of individual clans (often in tandem with subsistence issues due to their fishing grounds being occupied by Imperial Wardi interests) and is not universal, but has still markedly fragmented parts of the jaquinzi's remaining range.
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seonghrtz · 7 months ago
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𝐒𝐋𝐄𝐄𝐏𝐎𝐕𝐄𝐑.
synopsis: you have a sleepover at gojo's.
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No one had said that taking care of two children half your age, one of whom had a lot of cursed energy, would be easy. And maybe it wasn't supposed to be easy. After all, you were eighteen, a young adult, and the only thing you had been taught as a child was to obey your superiors and fight curses ⸻ even how to deal with the limbo that was your life, you had to learn on your own. You hadn't been given a manual on how to take care of children, let alone a manual on how to deal with the most powerful sorcerer of the generation. But you always knew your life wasn't going to be easy anyway.
You and Gojo eventually established a dynamic so that you could take care of Tsumiki and Megumi Fushiguro. During the week, Gojo took care of the children, especially since their school was in Tokyo, and on the weekends, you took care of them. Of course, if Gojo had a mission that made it impossible for him to take care of the children, you took care of them. It was basically the dynamic of a divorced couple with joint custody of their children. But the point was that you and Gojo weren't a (divorced) couple and you didn't even have children. In fact, Gojo had only taken Megumi and Tsumiki to look after, and you were accidentally involved in the whole situation.
And since it was the weekend, it was your day to take care of the Fushiguro siblings. Gojo was usually the one who took the children to your apartment, but since you had an appointment in Tokyo, you ended up arranging with him to pick up the children at his apartment. You had asked for the address of his apartment and miraculously convinced him that it wasn't necessary for him to pick you up and take you to where he lived ⸻ it took a long five minutes of arguing with Satoru before he gave in.
You walked in a bit of a hurry until you found the street where Satoru lived. You looked up the numbers of the houses until you found Gojo's. It was a tall building that gave you a headache just looking up, and it was fancy, completely different from your building, which was much smaller and much simpler. This building certainly showed how well off Gojo Satoru was financially. He had luxurious comfort.
The two of you were different in many ways ⸻ the only thing being that you were both Jujutsu sorcerers ⸻ and sometimes, it was inevitable not to wonder why he needed your help, you of all people. It was an unlikely action coming from Gojo Satoru, but if that was the price for Megumi and Tsumiki to have a normal, healthy childhood, then you were willing to pay it.
You approached the building, double-checking that you were in the right place, though you didn't need to, the whole atmosphere matched the lust that Gojo himself exuded.
"Excuse me, good afternoon" The access controller got your attention before you could pick up your phone and tell Gojo that you were already outside his building.
"Good afternoon." You bowed slightly.
"Are you Kamo Y/n?"
"Yes, that's me."
"Gojo-san asked me to let you in as soon as you arrived," the loud click of the apartment gate opening was heard as soon as the access controller spoke. "You can go up, the apartment is on the twelfth floor."
"Thank you very much." You thanked them and headed for the elevator, obviously not up twelve flights of stairs after a relatively tiring day.
When the elevator arrived, you entered it and looked at the button panel, there were twelve buttons for the floors of the building. Of course, Gojo Satoru wouldn't live anywhere but the penthouse. When the elevator doors opened, you stepped out of the elevator and noticed that there was only one door on the twelfth floor; if there was only one apartment per floor, at least you wouldn't be confused as to which apartment was Gojo's. However, before you could touch the elevator, you had no choice but to do so. But before you could ring the bell, the door opened to reveal a smiling Tsumiki.
"Kamo-san! Are you here to pick us up?"
"Uhh." You nodded.
"Ah, but we were going to marathon the Barbie movies..." Tsumiki said sadly
"Hey Kamo-chan, don't just stand there in the hallway!" Gojo appeared next to Tsumiki and grabbed your wrist, pulling you into the apartment.
“Gojo-san!”
"'Gojo-san'? Kamo-chan, we're the same age, there's no need to be so formal."
"What happened to your hair?" you asked, noticing the ribbons in some of his hair.
"This is called style!" Gojo put his hands on his waist in an odd pose.
"Fushiguro?" You looked at the little boy who was walking towards you with his backpack, ready to leave.
“Oi Megumi, do you want to leave so badly?" Gojo put his hand to his chest and pretended to be offended.
"Ah, but what about Barbie?" Tsumiki looked at you sadly and then at Gojo."Well... ah... you can watch it at my apartment..."
"NO!" Gojo shouted, interrupting your speech. "That's not fair!" A pout formed on the white-haired boy's moist pink lips. "I also wanted to watch Barbie too and watching it alone is no fun since I won't be able to sing the duets from the movies..."
"If you want, you can stay at Gojo's for the weekend, it's no problem." You've given a simple and practical solution.
"I don't want to." Megumi said, attracting the attention of everyone present.
"Megumi!" Gojo said dramatically, "Don't you want to spend a super fun weekend with me and your sister?" Gojo looked at the little Fushiguro, hoping that he would give an affirmative answer, but Megumi just stared at him with a serious face.
"Why don't we all stay here together?" Tsumiki suggested with a smile, "That way, we can watch Barbie and have a fun sleepover!"
"That's a great idea, Tsumiki!" Gojo said excitedly, he'd been trying to convince you to spend a day (or night) in his apartment for a long time, he knew it might cheer up Megumi's constant bad mood, but it was hard to convince you to stay. And now he had the perfect opportunity.
"I'm sorry, Tsumiki," you said, putting an end to Gojo and Tsumiki's happy murmurings about a possible slumber party, "I don't think today is a good day for that."
"And why not?"
"The only thing I have with me right now is my wallet" and a pocket knife, but you omitted that information from the girl.
"No problem!" Gojo said with a smile on his face, "I can lend you the towel, toothbrush and clothes, don't worry about it!"
"Please, Kamo-san" Tsumiki's bright, hopeful eyes made you look away.
"Ah... okay," you gave in and watched as Tsumiki and Gojo celebrated while Megumi hid his relief, at least you were with him and he wouldn't have to endure Gojo's taunts alone for another night.
"Tsumiki, you can choose today's Barbie movie, Megumi, you're responsible for building our hut in the living room, I'll order the food and Kamo-chan, you can take the part of being pretty and sit in that chair." Gojo smiled and put his glasses on his face. Tsumiki smiled excitedly and pulled her brother into the living room.
"Let's make dinner together." You said, drawing Gojo's attention back to you.
"What?" Gojo looked at you in surprise.
"Let's cook dinner instead of ordering in."
"Are you sure about that? It's easier to order in, not to mention there's a really good restaurant I always order from."
"If you want me to stay, we'll cook dinner together."
"What kind of bribe is that?"
"You promised to feed them well." You crossed your arms and stared at your own reflection in the sorcerer's glasses in front of you.
"All right," Gojo sighed and led you into the kitchen.
When you entered the apartment, you were surprised by the size of the place. Everything in Gojo's apartment was double, if not triple, the size of your own, but it was still surprising to see the size of this kitchen that was almost unused by its owner. You went through the fridge looking for ingredients to give you an idea of what you could make for dinner.
"Are you sure you don't want to order something? It's a lot easier." Gojo said, watching you take out the ingredients and put them in the sink.
"Peel the vegetables." You said, ignoring Satoru's question.
If you had the chance to ask your past self how she saw herself at a certain point in the future, she would certainly never tell you that she would be taking care of two children half her age, much less that she would be cooking alongside one of the strongest sorcerers, much less that she would see him cut off his own finger while chopping vegetables. You probably didn't expect him to be a disaster in the kitchen. But as they say, you learn by making mistakes ⸻ even if you seriously doubt that Gojo has learned anything from what he's learned in the kitchen.
When dinner was ready, you gathered in the pantry. You and Megumi ate in silence while Gojo and Tsumiki had a deep and serious discussion about the best characters, dresses, clothes, everything related to Barbie animation.
Everything went perfectly and although you would have preferred to stay in the comfort of your small apartment, seeing Tsumiki's radiant smile and Megumi's relaxed expression made your decision worthwhile.
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It didn't take long for your regrets to show.
Watching Gojo and Tsumiki perform the songs from Barbie & the Diamond Castle at midnight certainly made you rethink many of the decisions you had made in your life. The scene of Tsumiki singing and twirling in front of the TV was quite cute, what was hard to bear was Gojo's thin voice every time it was his turn to sing ⸻ it was inevitable not to get a headache at that moment. You took a deep breath, the movie was only half over, and according to Gojo, this would be the last of the movie marathon, you had to be strong and hold on until the end.
When you least expected it, you felt something touch your arm and turned around to find Megumi sleeping peacefully next to you. Afraid of waking him, your body stiffened and you waited for a quieter moment in the movie to ask Gojo which room Megumi was sleeping in. Before you could do or say anything, Gojo picked Megumi up in the most tender way you'd ever seen and carried him to his room. Tsumiki, now without her duet partner, turned to you with a sleepy smile.
"Kamo-san"
"Yes, Tsumiki?"
"Thank you for joining us today. It was a lot of fun."
"Oh, that's okay, it was no big deal." You shrugged with a slight smile on your face.
"Can I... can I give you a hug?"
"Oh?" Your eyes widened slightly, surprised by the sudden question from the girl in front of you. "Yes... yes, of course" You opened your arms so that Tsumiki came closer and hugged you, snuggling into your arms.
"Thank you for taking care of me and my brother." Tsumiki whispered into the hug.
"Um... no problem." You murmured and felt your heart warm. "I think you better go to bed, Tsumiki, it's getting late."
"But what about the movie?" she asked through a yawn.
"We can finish it tomorrow at noon."
"Will you stay with us until noon?" A small smile appeared on the girl's face.
"Um," you said with a nod, "I'll make your favorite if you like."
"Ah, you're the best, Kamo-san!" Tsumiki hugged you once more before going to her room, leaving you alone in the huge living room of Gojo's apartment.
A sigh left your lips and your attention turned to the television, which was showing the movie you had forgotten a few minutes ago. You weren't familiar with the movies that Tsumiki (and Gojo) loved so much. During your childhood and teenage years, you had only one concern: to stay strong enough to survive. In a lifeline like that of a jujutsu sorcerer with a born technique from one of the greatest clans, you felt more like trapped and powerless prey about to be devoured alive than the predator about to strike. The world you were a part of was for the smart, the strong, the influential, and in this game, you ultimately chose to learn the rules of the game rather than how to beat it.
Cartoons, movies, and even fiction books were a privilege your lifestyle didn't allow you, not when you were in the clan domain, bound by the ideals of the terrible elders who looked no further than their own navels, trained tirelessly to become a fighting machine whose goal was to put an end to what they called curses. It didn't take you long to discover that you were just a disposable pawn in the elders' game. And that it would be an uphill battle to break free of their control.
"I still can't believe that was your first time watching Barbie" Gojo sat down on the other end of the sofa "You should have more fun, that's for sure!"
"I never had time for it..."
"You're so boring." Gojo sighed and threw his arms up before he let out a sigh. "I have to kill myself working to make money and ensure my independence," Gojo lowered his voice in a failed attempt to imitate you, "Do you work so hard to impress daddy?"
"My father is dead." You said in a serious tone.
"Ah... well... ah..." Gojo swallowed, shocked by your statement. "Wow, you really know how to create a tense atmosphere," he murmured.
Silence fell over the room and you turned your attention to the television, which was paused at the end credits. It hadn't been your intention to create a tense and uncomfortable atmosphere at that moment, but the words had come out without thinking. And when you least expected it, you felt something soft and cuddly hit you hard.
"What?" You turned your head to see Gojo holding back his laughter.
"You were too serious!" He smiled and threw another pillow in your face. "Come on Kamo-chan, aren't you going to fight back?"
"Fight back?"
"Yes, throw a pillow back at me?"
"What's the point when you can manipulate and distort the space around you with your limitless?"
"Come on, Kamo-chan, I was trying to make us have fun! Why do you always have to be so serious? Can't you just laugh at me like last time?"
"I've never laughed at you."
"Okay, will you stop gaslighting me?" Gojo stood up from the sofa, hands on his waist, indignant, "You know what? You should take a shower!"
"Are you telling me I stink?"
"No!" Gojo quickly denied, "I'm saying you need to relax, I can see your muscles tense from here."
"Um, okay then." You shrugged and followed Gojo to the bathroom down the hall.
While Gojo left you in the bathroom to get you some clean clothes, a towel and a toothbrush to use, your eyes wandered around the relatively large bathroom (like everything else in his apartment). The white and blue details in the bathroom reminded you of Gojo, and you wondered if he might have patented those colors for himself.
"I didn't have any panties to lend you, so I took some new underwear I've never worn before." Gojo said, looking away, his hand on the back of his neck trying to hide the blush on his cheeks.
"Oh, that's fine," you picked up the things he'd brought for you and waited for him to leave before closing the bathroom door and getting ready to shower.
In a way, Gojo was right. In the end, the shower helped you relax and get your mind out of the way, and not think as much as you used to.
When you finished showering, you put on the clothes Gojo had brought for you. The white blouse was soft and sweet-smelling, it looked big on you, but it was just right and gave you a comfort you couldn't quite explain. You put on the black shorts and hung the towel on a rack in the bathroom, along with two other towels, and took the opportunity to brush your teeth with the toothbrush Gojo had given you. When you came out of the bathroom, your body shivered as you came into contact with the cold air of the apartment as opposed to the warm air of the bathroom, and you walked into the living room and sat down on the end of the sofa where you had been a few minutes ago.
"If you want to sleep, my room is the last door on the left." Gojo said as he looked at you, feeling a blush on his cheeks as he noticed a certain more domestic area around you.
"Your room?"
"Yes, my room. The guest room is being used by Megumi and Tsumiki, so if you want to sleep, you can go there."
"I will not sleep in your room."
"Why not? My bed is quite comfortable, you know?" he said proudly.
"This is your house and you should sleep in your room. I can sleep on the sofa without a problem."
"I'm not going to let you sleep on the sofa?" he said more like a question.
"Why not?"
"Because I don't want to," Gojo crossed his arms in front of him. "Come on, Kamo-chan, don't be stubborn!"
"Look who's talking" You rolled your eyes.
"Okay, since I'm the owner of the house and I'm the one who makes the rules here, you have to sleep in my room."
"I never thought of you as someone who respects the rules..."
"I don't, but you, being a good girl, will respect the rules," he smiled sideways.
"Will you stop bothering me if I sleep in your room?" You arched your eyebrow in doubt.
"Yes!" Gojo replied quickly with a smile on his face.
"Okay, then I'll sleep there." You rolled your eyes and got up from the sofa.
"Everything is already prepared for you there, Kamo-chan, I hope you have sweet dreams."
"Um... good night, Gojo." You mumbled and went to the boy's room.
For some reason, the simple decoration of Satoru's room didn't surprise you. Maybe your subconscious had already imagined something similar in his room. You closed the bedroom door behind you and let out a sigh before sitting down on the huge bed, which was strangely soft and comfortable, just as Gojo had told you. You glanced at the bedside table and noticed a vintage lamp and had to fight back the urge to smile, Gojo had good taste in decorating.
"What a treat..." You muttered as you noticed the light switch next to the bed. You turned off the light and ducked under the covers, and couldn't help but compare all this comfort to the equivalent of lying on a cloud ⸻ if that were possible, of course.
But when you thought you were about to fall asleep, your brain decided it was time to make you overthink about the day you had.
Why did you agree to stay the night?
Why had you showered at Gojo Satoru's house?
Why did you wear his clothes and now lie in his bed?
Why did you accept all this?
To see a sincere smile on the faces of the Fushiguro siblings? Yes, of course, but that wasn't the only reason. There was something else that even you didn't have the answers to. Not there, not in that moment.
Satoru had everything and he made you feel as if you had nothing or as if the little you had was insignificant. It still didn't sink in that you were lying in the bed of the most powerful sorcerer of the generation and that you were only there because of his insistence.
Perhaps you should be more honest about your feelings, not only with those around you, but also with yourself. Even if it's incredibly difficult, since you've spent your entire life up until this moment hiding your feelings so they won't be used against you. And sometimes old habits die screaming in a deafening silence.
And maybe, just maybe, it's time for you to stop seeing Gojo Satoru through his titles and start seeing him as an equal...
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memory garden masterlist !
☆! tag list : @arminswifee . @khaleesihavilliard . @chieeeeeee . @manooffline . @shybananabagellover . @r0ckst4rjk . @sad-darksoul . @chuluoyi . @stormflysaysstuff . @arminsarlerts
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exhaslo · 1 month ago
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Over-Time Ch17
(CEO!Miguel x Shy/Clumsy!Reader)
Ch1, Ch2, Ch3, Ch4,Ch5, Ch6, Ch7, Ch8, Ch9, Ch10, Ch11, Ch12, Ch13, Ch14, Ch15, Ch16
Warning: MINORS DNI, no smut here but next chapter for sure, sexual thoughts, slow-burn, mentions of sex, bullying, cussing, fluff, touch starved
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Leaning back into your seat, you couldn't help but stare at a small leak on your ceiling. Comparing your place to Miguel's was like night and day. Honestly, it still felt unreal whenever you recalled Miguel's penthouse.
A soft sigh escaped your lips as you returned to your work laptop. You were helping Miguel with his upcoming schedule, but it was proving difficult for you.
Your mind was still focused on Dana. She said that she would be back within the week to hear your answer. Miguel was kind enough to explain everything to you, so you knew what to say, but Dana still scared you.
"And it doesn't help that Miguel wants me to work from home." You said with a small pout.
After Miguel's confession, the man couldn't keep his hands off of you. He was fucking you every chance he got. Hell, the two of you were in the elevator when Miguel decided to pull your pants down and pump you full of his cum.
Rubbing your legs together as you recalled the heated passion, you couldn't help but want Miguel now. It sucked, but this was for the best. Miguel couldn't fuck you senseless if you were home working. He had a business to run.
"Let's see," You muttered as you looked at Miguel's schedule.
Ding
Confused, you raised a brow towards your door bell. You weren't expecting any packages and Miguel was still in a meeting. Making your way to the door, you peeped through the door piece and quietly gasped.
It was Dana.
How did she know where you lived? Quietly stepping away from the door, you turned off the light and took your laptop to your room. You closed your door and went to text Miguel.
'Miguel, I'm so sorry to bother you when you are in a meeting, but somehow Dana is knocking at my door.'
Biting your lower lip, you nervously waited for Miguel's answer.
Almost immediately, Miguel replied back to you.
'I'll be right there.'
You wanted your worry to wash away with his text, but how could it? You were still disturbing Miguel's work and even interrupted his meeting. This was the last thing you wanted. To be a burden to Miguel.
But at the same time, as guilty as you were, you were still extremely happy. Miguel was coming to help you. He was going out of his way to get you out of this predicament.
Hearing another loud knock against your door, you flinched and quietly went to hide in your bathroom. How the hell did Dana even know where you lived? She had no access to any information from Alchemax, and you had only met her a couple of times.
Did she follow you? No, Miguel usually drove you home and made sure to take extra precaution as to where to drop you off. Unless she was intent on her quest to make sure Miguel marries her.
"My goodness. The work you have me doing. Don't you know there is a difference between a fine woman like me-" Your breathing halted. Dana just broke into your apartment?! "And a poor little mouse like yourself."
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Miguel was shaking his leg in anger as he waited for the car to arrive at your place. How the hell did Dana know where you lived? The whole reason for you staying home was for you to stay away from that vile snake....and for him to stop fucking you every time he saw you.
Finally arriving, Miguel hurried out of his vehicle before the driver could get out, himself. Luckily, Miguel didn't really care about the meeting he was in and his partner didn't mind. Well, even if he did, Miguel was going to get you either way.
Hurrying up your stairs, Miguel couldn't control his anger. Dana just couldn't let go. She was dead set on getting everything that he worked so hard for. Everything that Miguel earned and wanted.
Reaching your floor, Miguel had the urge to yell for you. He needed to make sure you were okay. Dana was a snake and had her ways of getting what she wanted. If only she could have just left you alone.
"Shit," Miguel hissed as he easily opened your door, "(Y/N)!"
"Shh, don't scare the poor thing." Dana hummed as she sat on your couch.
Miguel snarled lowly towards Dana, eyeing around the room for you. It was almost a scare, since you were cowering beside the couch, almost as if you were hiding.
"Why the hell are you here?" Miguel asked, closing the door behind him.
"Why? I was invi-"
"No, you weren't." Miguel motioned you towards him, to which you did. "Are you alright, mi vida? (my world)."
"Mhpm," You were still shaking.
"I must say, Miguel. You must have fucked her good. She refuses to see the man you really are." Dana chuckled.
Miguel ignored Dana as he continued to check you. His hands stroking each part of your body for any wounds. You had a fearful look in your eyes, pleading for help. Miguel could barely swallow his rage as you hid behind him.
"This is breaking and entering. Why have you decided to cause so much trouble to (Y/N)?"
"I just wanted to chat. I did give her a heads up, yet, for some odd reason she avoided me." Dana said with a small huff as she stood, "By the way she acted, I just know you didn't tell her a thing. A cruel man you are."
"I did tell her. Everything." Miguel spat.
"She tried...to offer me money to break up with you Miguel. I told her no." You stuttered, gripping on his sleeve.
"I'm trying to make this easy for us, Miguel. How do you think the public will react when we get married and your off having an affair with a peasant girl?" Dana said with a heavy sigh, "Stocks would tank and your reputation will be ruined."
"Oh, how very kind of you to care. Last I recalled you said I could do whatever I wanted as long as you get a nice allowance every month. You don't care about me, you care about my money. That's why you played me a fool for so many months, just to get my drunken signature on that contract!" Miguel snapped.
"Oh not this again. Drunk or not, that signature came from your hand. You can't do anything about it now."
"B-But you admit that you purposely got him drunk just to steal his assists that way!" You panicked yelled, tears threatening to spill.
"So? Listen Miguel, I'll allow you to enjoy this little's mouse's company just a bit longer, okay? But, if she gets pregnant, that's breaking the contract you signed."
"That you tricked me into signing." Miguel spat. Dana just rolled her eyes,
"You'll be getting some information about our wedding venue soon, Miguel. And you-" Miguel held you protectively as Dana shot you a glare, "The offer still stands."
Miguel waited for Dana to leave before checking on you again. His hands cupped your cheeks as he kissed your head tenderly.
"Are you alright? Did she do anything to do?" He asked. You finally sobbed, wrapping your arms around his torso,
"I-I was so scared, Miguel. She just stormed in...and...and threaten me and lecture me..."
"I'm so sorry," Miguel whispered, kissing your head repeatedly, "I promise...I will find a way to free myself from that snake."
"I-I know...."
"Come, you're tense and nervous. Let's pack some bags and bring you over to my place, okay?" Miguel offered, picking you up. You just nodded, holding onto him.
"She broke my door...What if my stuff gets stolen?"
"Hm, then I suppose that means we have to take everything, right?"
Miguel gave you a heartwarming smile, wanting to ease your worries. He placed you down on the bed before making a few phone calls. Dana had crossed a line.
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You sat on your bed, trying to calm down. Dana had left and Miguel was here helping you, but...That whole ordeal was still frightening. Glancing at your hands, you saw them still shaking. Waning to distract yourself before you packed, you reached for your phone.
"Oh?"
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Hmmm I think two chapters left?
Next Chapter
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petew21-blog · 29 days ago
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Avengers surrender!
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Steve Rogers has been part of the Avengers for many years now. He still fell like he was out of place after being frozen for decades. But having great friends, a heroes job that saved many people's lives and a chance to live his life gave him a sense of purpose to live for.
Once on a mission in Europe, in Germany, someone had to enter a former Nazi bases. Tony Stark gave each Avenger one base to get into and gather as much data as possible. This task couldn't be done by anyone else, because of the number of traps left in the bases.
Steve knew where to look for, Natasha and Clint knew how to deactive them and Tony, Bruce and Thor basically let the traps explode.
Steve entered his first base. The traps were sophisticated, but he manager to get into the control room to access the data. As he turned on the machine a figure appeared.
It was some kind of a hologram of Red Skull, Steve thought.
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Red Skull:"Finally, thank you for setting my soul free from Vormir"
Steve:"How...?"
Red Skull:"Oh Mr. Roger. You didn't think that the stone destroyed me, did you? It banished me and gave me a task to fulfill. A task that I am now relieved from thanks to my artifact."
Steve look at the panel he touched before and noticed a bright red stone. Before he could say anything, Red Skull was getting closer
Red Skull:"This time. I win. Everything will be different"
He said as he flew through the air and sunk deep into Steve.
Steve got up and tried to fight it. But there was no use. Something inside of him was very strong and demanded control. Steve fought, but he wasn't able to fight back anymore.
Suddenly, his vision changed. He now couldn't move. He still felt everything his body had, but he couldn't move a muscle.
Steve:"What is happening?"
Steve's body opened his mouth:"Mr. Rogers, this time. You will be at the right side of history"
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Steve:"Schmidt!!! Leave my body alone. Let go of me"
Red Skull:"Ehhh, you're so annoying. The more you fight, the more I will destroy your life"
In the comms:"Captain, you need to hurry. There is a situation in New York. We need you"
Red Skull:"On it"
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Red Skull stood above all the Avengers who now celebrated their victory over New York against an army sent by Loki.
Natasha:"Why are you so quiet today. You don't wanna celebrate?"
Red Skull turned to face her and a creepy smile crept onto his face:"People died Natasha. Nothing to celebrate"
He left the room and entered the elevator. A group of men, handling the sceptor from Loki went with him. Red Skull enjoyed the stares his new body received. He was used to get respect, but mostly out of fear, not out of respect.
This group of men on the other hand felt off to him. There was something, tension yes, but something more. He realised what it was and went for it. Even if it wouldn't be a successfull attempt, they wouldn't pay too much attention to his words. He is in fact THE CAPTAIN AMERICA now.
He got closer to one of the men and whispered in his ear:"Hail, Hydra"
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The man was shocked. But he understood. They took the new captain America to their secret base, where they explained him all their plans. Red Skull on the other hand revealed his identity to them.
Red Skull was used to be a leader, but now, he had to prove that he really was who he claimed to be
And let's say, that after sabottaging many missions and bringing down the Avengers, he eventually received a very suitable nickname along with a new suit
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The new Captain Hydra enjoyed his new life. He was a leader and he was in action as well. What more could he want?
Maybe to silence the voice of Steve Rogers inside of his head whenever he disagreed with something
The worst, but also best times were whenever Red Skull used his body to intimadate others, or whenever he was masturbating or enjoying fucking someone else just to intimidate them
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Yeah, Steve hated that. He also hated the Hydra tatoo, the new clothes he bought and the people he spent time with.
Steve used to be a decent man, almsot never swearing, gentleman.
Red Skull turned him into a vulgar, evil, swearing, everything-moves-fucking prick. But there was nothing Steve could do. All he could do, was watch. Watch and feel. Yeah... Steve can feel still what his body is going through. And Steve found out that screaming at Schmidt during sex made it so much better. Maybe they will find a way how to get along. Oh, here comes... What the hell. Is that Bucky?! And why is he naked?
A story request for @thunder-emperor
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totallynotashieldagent · 29 days ago
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Kinktober 2024 - Manhandling
Pairing: Adult!Damian Wayne/Reader
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Damian had had enough. He’d been watching you all night. Mingling with the guests, letting them- allowing them to touch your arm, offer you drinks, guide you through the room by the small of your back and through it all, you just smiled and laughed and were so fucking polite. Not once did you tell any of the men to not touch you or that you had a boyfriend. Even when he met your gaze, you just raised a brow at him and then continued on. It was as if you were doing it on purpose. You wanted him riled up.
But so far, he was able to manage it. It was fine- really- no, the glass isn’t cracking under his grip. He was managing it. He was- He was until- until he saw you talking to Conner fucking Kent. Damian could never stand that clone-boy. 
His grey eyes met Damian’s green and it was as if he was testing him. Come get your girl, he almost goaded him. And Damian was so easy to rile up for all his emotional repression, he was just so easy to tease. 
“Kent-” He said tightly, his arm wrapping around your waist, his palm gripping your hip a little too tightly. Possessiveness was obvious. 
Conner just smiled and winked at you, “I’ll see you later, gorgeous,” He said and left you alone with your boyfriend. 
“What was that about?” Damian all but hissed. 
“Nothing-” You said too quickly, making him scowl.
Your name dripped from his mouth like venom, laced with warning. “What was that about?” He repeated, his teeth gritting together, his hand now holding your bicep in a vice grip. 
“N-Nothing, Dami-” You said again, “Wh- Calm d-” His hand tightened even more. “Damian-” 
“You’ve done nothing but parade yourself around this party.” He whispered at your neck. “You’ve let men and women touch you. Touch what’s mine.” 
You dry swallowed, “Damian-” Trying to build a case but it came out like a breathless plea.
He wasn’t wrong. You had been doing it. But it wasn’t because you were parading yourself. It was because it was fun to rile him up. He always fucked harder when he was riled up. But tonight, talking to Conner, maybe you’d overdone it-
You tried to say something again but his glare quieted you instantly. 
“We’re leaving.” His tone left no room for argument. The ride back to his penthouse was painfully silent. 
You could see his tan hands clenching so tight at the wheel that the knuckles were white. Every time you did try to say something, anything, it was met with a glare that shut you up.
“Out.” He said when he parked the car. 
Usually, he would’ve circled around and opened the door for you. But today, oh, today you knew you were fucked. It scared and thrilled you. 
His hand circled your bicep painfully again as he led you to the elevators and punched the button for the top floor. 
“You- You really test my self-control at times.” He spoke through gritted teeth. 
You wanted to laugh, honestly. That it wasn’t your fault he was snapping because you laughed with Conner. But his grip was like a vice that would bruise tomorrow and fucking hell, the idea of being marked was shooting straight to your pussy. 
The moment you both entered the penthouse, you were pressed against the door. Your tits squished to an almost painful degree, your neck craning against the hardwood. 
“Now- what were you talking to that clone about?” His voice was low and controlled but his body was flushed against yours and you could feel his belt buckle digging into your back. 
“Really- It wasn’t-” You tried and his hand twisted your wrists together, your shoulders squishing together, making you gasp. “Dami- It was just-”
“You like it, don’t you?” He growled, his other hand pulling up the gown. “You like riling me up. If I didn’t know any better, I’d think you’re doing it on purpose.” His fingers reached the edge of your panties. Teasing the dampness slowly, sending shockwaves through your spine. “Look at that…” He whispered, his finger hooking the underwear to the side to gain access. 
You could feel his signet ring as he bottomed out his index finger into your tight hole. Clenching involuntarily around his finger, pushing back for more. He grunted and pulled out. 
“You think you’ll get more after behaving like that?” Damian chuckled darkly against your neck. “Not tonight, princess. You’ve been a brat and you’ll be treated like one.” He let you go, making you almost falter and slump down. “Sit on the couch. And if you touch yourself-” He warned, pulling off his jacket, draping it onto a chair and folding his sleeves to the elbows. 
You swallowed and sat on the couch, your hands clenching and unclenching in anticipation.
Damian took off his rings and gestured for you to stand. Sitting down behind you, his hands guided you back into his lap. His hardness was obvious but you knew you couldn’t say a word right now. 
“Now, you know before we start what you like, I need to punish you-” He said sweetly, kissing your shoulder, one hand held you in place and the other’s knuckles glided over your arm. You nodded a yes and he gently guided you over his lap. 
Your face squished against the cushions and your ass laid across his muscular lap. 
“Count for me, darling.” He said softly, pulling your gown up to reveal the damp underwear that was still twisted to the side uncomfortably. 
One arm was draped over your lower back and the hand was tucking your underwear so your ass was fully exposed and your folds were peaking out. 
“Ready?” He asked, his hand caressing your behind. Before you could even say yes, a hard slap cracked down your ass, making you yelp, clenching your thighs together. He kneaded and massaged the flesh gently, a sharp contrast to how hard he’d just slapped you. 
“One-” You croaked out softly. Your hands grip the cushions tightly, and your breath is already getting ragged.
“Good-” He mused and then came another hard slap on the other ass cheek. You again, yelp and gasp. He’s not giving warnings before striking down. You whisper a moaning two. 
“Now…” His fingers gently caressed your folds a little. He pulled down the underwear just till the thighs and one finger started to tease at your entrance. “Drenched already, my love. You like being punished, don’t you?” 
You whispered a desperate yes as you waited for another spank but it didn’t come. Instead, his finger just traced the edge of your pussy’s hole. Making you clench on air but not giving in. Before you could try to understand why he wasn’t finger fucking you already, a light slap landed on your cunt. The moan that escaped you and the way your ankles twisted together even surprised you. 
“Well, well-” Damian fingers rubbed you carefully to remove the soreness. You mumbled three, not to rile him up any further. You’d just gotten yourself to calm down a little when the second slap came, the shock it sent through your clit made you clench harder, whining against the cushions.
“Damian- Please-” You rasped. Needing more but still at his mercy. 
“Please, what?” He goaded you, his index finger still circling at your hold but not going in. 
“I need- need more-” You whined, trying to push back, force his finger into you but he held you in place easily. 
“Misbehaving again?” He laughed softly. “Seems like it’s going to be a very long night, my sweet.” The fourth slap that hit your clit made you dizzy. You were on edge and nowhere near it either.
"Three?" You gasped.
“You lost count, my heart. We’ll have to start again now.” He cooed at you sweetly.
Kinktober 2024.
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mvrkieboo · 2 months ago
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Old Bloodhounds
P18 | not tonight please 🩷
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You walked to where Jaehyun was standing and when he finally saw you, walking toward him, he started to gather his bags. He looked a little startled when he saw your face. After you got to him, you tried to take his baggage but he quickly snatched it away before you could even touch it. As if he couldn't bear watching you touch his belongings.
Back then, he really was touchy when you would take his stuff without asking him first. But this time, he made it as if your hands were too dirty to be touching his belongings.
“I can carry it.” He spoke through gritted teeth, and you can't help but think he looked ridiculous with one duffel bag on one shoulder and two more on the other while pulling on his baggage.
He hated you so much, he was willing to carry all of that by himself? If you weren't so hurt, you would've laughed at his stubborn ass. A security guard—whom you were very familiar with—walked up to you and Jaehyun, wearing a pleasant smile.
“Good evening, Ms. y/n. Does your friend need some help?” You wiped away any downcast expression you were wearing and put on a pleasant smile that matched his.
“Good evening, Sungwoo. Can you take two of his duffel bags?” He nodded, the smile still painted across his face.
You felt your smile and whole body freezing when Jaehyun gladly gave two duffel bags to Sungwoo. You coached yourself and controlled your feelings as you swiped your card at the elevator buttons.
The ride up was awkward, to say the least. It was leaning more to tense. Jaehyun was obviously tired from his day and you were still feeling the effects of downing 6 bottles of hard liquor and crying your eyes out from yesterday—the headache was still there. Sungwoo, knowing the lines he shouldn't cross, placed the the duffel bags at the entrance and said his farewells to you before taking off.
You closed the door with a click and turned around to see Jaehyun was already back with his bullshit, carrying all four bags by himself. You gritted your teeth and walked past him.
“Follow me.” You spoke to him, leading him to where his room was.
You opened the door for him and turned on the lights. Jaehyun's room was just opposite of yours, and his room had a wall of sightseeing windows facing the city like your room does too. Jaehyun entered the room quickly and thoughtlessly threw his duffel bags on the queen bed. You walked into the room and clicked on the button of his closet wall to open it.
“This condo rarely has power outages, so don't worry about not being able to open your closet if the power goes out. There's a plug right next to your nightstand to charge your phone, and I don't really mind if you wanna plug in an extension. The bathroom is on your left once you get out of this room, and there's a wall of shelves in there, so place your toiletries nicely. Also, there's a door right next to the fridge in the kitchen area that'll lead to the laundry room, equipped with a washing machine and a dryer. There's an installed ironing board right next to your closet, you can figure that out.” You spoke robotically, beating down your overwhelming emotions after you took in the sight of your estranged older brother under your roof.
“And—and here's your access card, make sure you have it with you at all times. There'll be some nights where I take late night shifts for my job, so I won't be here to open the door for you if you forget your access card and come home at ass o'clock in the dead of the night. Do you have any questions?” Crossing your arms, you made it seem like you were totally unaffected with this sudden sibling reunion.
“How’s the security here?” Jaehyun asked quietly, then rubbing his eyes at the exhaustion taking over his body.
“24-hour security with shift rotations.”
He nodded and quietly muttered his thanks as he started to unpack. You nodded back, after he was already not looking at you anymore. You went to exit his room, but once you got to his doorway, you paused for a second and looked back at him. His back was to you, bent over the bed as he unzipped his duffel bags one by one.
Yuno looked so far away from you.
Once you wholly exited his room, you quietly closed the door. When he was certain you were out of his room and he was out of your sight, Jaehyun stopped what he was doing and stood straight up again, running his hand through his hair before it went to rubbing his face, a sigh exiting his mouth.
When he saw you at the lobby, he had noted that you looked really sick, and how swollen your eyes were.
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vidavalor · 7 months ago
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Great Balls of Fire
Ok, I've got a Final 15 theory on the kiss and the elevator and... pie?
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This is for-- and in thanks to-- @indigovigilance, @ineffablelunatics and @somehow-a-human, as their metas reminded me of the idea of something in Aziraphale's mouth after the kiss and their talk of ball bearings and The Bullet Catch has eaten my brain alive and so here we are. Thanks also to @kayleefansposts for drawing my attention to 2/3rds of the metas. 🤗
What, exactly, happened in The Final 15? Maybe this...
As observed by many of us and discussed in the metas of the people I mentioned above, Aziraphale visibly has something in his mouth when he pulls back from the kiss. We also see him move the object around in his mouth-- or, we do, if his expression doesn't distract us first.
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Because it's on his tongue, this isn't just light being weird or showing a filling or something. This is, clearly, a piece of metallic-colored something in Aziraphale's mouth. @indigovigilance pointed out how aspects of this parallel aspects of The Bullet Catch and I would agree with that. @ineffablelunatics, off of @somehow-a-human's post on the object, said it looked like a ball bearing and that's actually when I realized that I think the show might have subtly told us over the first two seasons what it is. And if it is what I think it is? The object is the reason for Aziraphale's reaction after the kiss-- not the kiss itself.
So, what is it?
To explain that, we have to start with two scenes, one from each season: 1601 and Crowley in Heaven with Muriel in 2.06.
In the 1601 scene, we learned that Crowley & Aziraphale experimented with their powers after they got tired of canceling each other out and that they discovered Heaven's dirty little secret in the process. That secret is that basically the only differences between them are the colors of their feathers and the lack of immunity to hellfire/holy water. Heaven has been telling everyone that some magic was "demonic" and that angels couldn't do it and they also had told everyone that demons no longer possessed angelic powers. Crowley & Aziraphale realized that this was bullshit-- Aziraphale could do temptations and Crowley could still do blessings. It's this discovery that allowed them to start fulfilling each other's assignments. They didn't tell a soul because of the danger of admitting they knew, especially because admitting it would be acknowledging that they had worked together to figure it out. This means that, with the exception of holy water being dangerous to him since he fell, Crowley is effectively still an angel in terms of the power he possesses.
This would mean he can magically make just about anything he could make when he was an angel. It's relevant because Crowley, as we'll see, made the object he slipped into Aziraphale's mouth during the kiss.
When Crowley is in Heaven with Muriel in 2.06, he opens the file on Gabriel's trial, which we are told can only be accessed by "a throne, or a dominion, or above"-- further showing that the truth is that Heaven actually can't strip angels of their power to do miracles. They're just simply telling them that they have done so as a form of social control and casting some to Hell to use them as way to discourage rebellion. This scene also reminds us of Crowley's awareness of this and shows him using his "angelic" powers to get information to help Gabriel.
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The same scene with Muriel and Crowley that showed us that Crowley still retains his angelic powers reminds us again of the rank of throne/dominion in Heaven. (I say "throne/dominion" because Muriel's verbal commas and the way the sentence is structured-- along with the scene in S1 when Crowley goes from his throne to dominate his plants lol-- suggests that it is possible to be both ranks of angel at once, which is another topic so we won't go too far into that right now.) Crowley was undoubtedly a throne/dominion-- and it's not even just the fact that he had that hilariously tacky throne in S1. It's relevant here because of ties of throne-related things to what it is that Crowley made and slipped into Aziraphale's mouth.
Thrones are apparently God's chariots. They are concerned with justice and reside in the areas of space "where matter originates"-- which feels very Before the Beginning, right? They are symbolized by big wheels that rotate and by eyes that change color.
Yes, by wheels and eyes that change color... seems very Crowley, no?
The eyes repeat on the symbolic wheels and are in the position of what we on Earth would call ball bearings, apparently looking kind of like this:
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...and remember the interconnected, turning wheels in the scroll that Crowley had Aziraphale hold in the moment they met, at the start of 2.01?...
It could be said that Crowley... a throne, a polymath, a scientist, an inventor... a being whose signature thing is the sexiest old car on four wheels... could make ball bearings from his body when he was an angel and, since we know that he still has basically everything but the ability to make holy water from his angel days, it means that he still can make those ball bearings...
...but we also know what else he can make from his body since he's also a demon-- and not just from his hands but from his mouth...
...hellfire.
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Yes, I'm saying that it really was a ball bearing in Aziraphale's mouth-- but it was not hollow or empty. Not by a long shot. It was full of hellfire. It wasn't for Aziraphale's memories as Crowley didn't think that Aziraphale had time or opportunity left to extract them.
It was a suicide pill.
The story was calling back to The Original Ineffable Divorce in 1862...
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Think about what Crowley saw when he was up in Heaven in S2...
Crowley is the one who put together what happened to Gabriel. He watched the video of Gabriel's sham "trial" and he saw The Metatron basically order Gabriel killed and cast down through the ranks and he knows that Gabriel only evaded Hell because of how it would have diminished the power of the institution of Heaven to send him there. Crowley knows that Aziraphale does not have this same amount of political power. He knows that The Metatron is a shifty motherfucker and that Michael cannot be counted on. He knows how much danger Aziraphale is in.
So, he takes a page from Lord Beezlebub after seeing that they protected Gabriel with the fly... only it's not exactly the same thing.
Beez's fly was given to Gabriel to help save him. It was a place to store his memories to help protect him long enough to keep him safe until they could make sure he was safe and intact. It worked because Beez and Gabriel had time to make a plan together. By the time Crowley is in Heaven watching the video of what happened to Gabriel and then getting back to the bookshop to sort it all out, there's no time for he and Aziraphale to make a plan. They are not alone again until after "The Metatron" has already shown up and, by then, Aziraphale is already on his way to being lost.
Beez is actually the first character we ever see make their signature thing on-screen and when they do? I mean...
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Evocative of a kiss, with that big closeup on Beez's mouth. We watch them push the fly gently out of their mouth with their tongue. It foreshadows Crowley making something in his mouth and ties delivery of it to the kiss. We know that Crowley knows that he can make a single object that is of aspects of both Heaven and Hell combined-- like a ball of hellfire tempered, unless consumed, by a ball bearing.
Plus, earlier in the season, there's Gabriel tying The Fly-- which came about as a result of Beez trying to help him manage his depression by helping him to feel safer-- to metaphorical suicide when he spends the scene where the angels show up chasing it around the bookshop, trying to kill it with one of Aziraphale's Bibles, symbolizing just what Heaven is doing to everyone's mental health here...
But this is just where this possibility starts, really... because why else do I think it's a hellfire-full ball bearing suicide capsule that Crowley gave Aziraphale?
Well, for starters, there is all the holy water that is all over this plot at the end of S2... At the end, Crowley stands in Whickber Street outside The Bentley right across from The Dirty Donkey in a nod to-- among other scenes-- the 1967 scene, when Aziraphale brought Crowley the holy water.
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Aziraphale knew that Crowley also secretly wanted holy water as a last resort and Aziraphale initially couldn't handle the idea of losing Crowley and reacted badly before eventually coming around to the idea that maybe Crowley needed to have some supernatural cyanide at his disposal in order to feel safer and that he should have that option. Based on the holy water story, Crowley, then, would be the first person to think that Aziraphale needed a suicide pill as an option if he found himself in trouble he couldn't get out of.
In 2.06, Crowley knows how likely it is that Aziraphale could be harmed by the angels and/or sent to Hell-- which is the domain of Crowley's assailant, who is literally Satan, and who hates both of them for, among other things, turning Adam against him. Crowley knows Aziraphale is a good person who wants to believe the best is possible but he also knows how unlikely it is that this is going to go well for Aziraphale. Crowley can't stand the thought of Aziraphale suffering so he gives him a way out as an act of love because Crowley would sooner lose Aziraphale for eternity than see him suffer.
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When it becomes clear that Aziraphale is going with "The Metatron" and Crowley is out of ways to convince him not to, he sees Aziraphale look away and start to cry. Crowley goes back and kisses him as a last resort but Aziraphale is initially resistant-- not because this is their first kiss and not even just because they're upset (though that's part of it) but because to kiss Crowley then would be to let him in... (after all of those symbolic doors and "let me in"s happening in the story)... when Aziraphale making the mistake of trying to shut him out.
Aziraphale eventually, though, can't help but let Crowley in a little...
...because, ya know, it's Crowley...
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...and, when he does, he opens up a little, and Crowley slips a suicide pill into Aziraphale's mouth.
It's also definitely worth noting that one of the reasons-- the primary reason, even-- why Crowley kisses Aziraphale is because he needs a cover to both make and give the fireball to Aziraphale without being noticed-- and to do so in such a way that Aziraphale would be assured of the ability to have it on his person when he got to Heaven-- even if he lost his clothes in the process, as like what happened to Gabriel when he was cast out. It has to go in Aziraphale's mouth for easy consumption for it to work and kissing him is the only way to do that. What's really worth noting, though?
Crowley's plan hinged on Aziraphale eventually giving in and kissing him back. He couldn't tongue the fireball into Aziraphale's mouth without Aziraphale parting his lips and Crowley knew he would... because he always does. Not that they're regularly trying to kiss while being super miserable lol but mah point is that Crowley knows that Aziraphale can't ever not kiss him. That's not indicative of this being a first kiss-- that's indicative of the complete opposite of that.
Anyway...
Aziraphale knows what Crowley can make and what it is that he just gave him and that's why this is his reaction after the kiss:
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The devastation isn't over the kiss itself. It's because Aziraphale trusts Crowley's interpretations of things more than his own sometimes and, by secretly slipping Aziraphale a suicide capsule out of fear and love and delivered in a kiss, it really hits home for Aziraphale that Crowley thinks they are now in a situation where there probably isn't going to be another way out. It's not because it's a first kiss-- it's because it's likely a last one-- and things are so dire that it came with supernatural cyanide.
It's the realization that Crowley really thinks Aziraphale has been fooled and Aziraphale can't bear it because he knows, deep down, that Crowley is probably right and he's embarrassed. 'Pride goeth before a fall' and all that... Aziraphale is lovely-- an absolute poppet-- but he's imperfect, just like us all. One of his worst traits is that he doubles down when he's been embarrassed as a way of trying to save face and retain pride. It's maybe his worse flaw and it gets very dangerous for him here. Crowley is no stranger to trying to stop situations where it could happen, like this paralleling time in 1941:
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Some other reasons why it's a fireball suicide pill before we get to what then happened in the elevator...
There's the fact that the show had a scene set in S2 in The Dirty Donkey-- where the elevator is. (As the start of the scene, Crowley & Aziraphale even walk through the door where the elevator will materialize at the end of S2.) Part of their conversation is very possibly Crowley recounting their first kiss-- at minimum, it's about kissing-- and then Aziraphale makes it also about balls, combining the two to, among other things, foreshadow The Final 15:
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The wordplay here is already threefold in this scene off of Crowley's joke that follows Aziraphale remembering Jane Austen's balls: balls (testicles), the phrase that x person "has balls" (is badass), and balls (of the cotillion/dancing variety). This continues into the meeting that Aziraphale hosts-- the disaster of a ball that goes straight into the end game of the season. Here's Aziraphale making yet another ball-related wordplay joke-- this one, during The Meeting Ball:
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"We're having a ball" as in they're literally having a ball-- a party-- but also the idiom "we're having a ball" meaning "we're having a great time." We are now up to four different meanings of the word 'ball' in S2, stretched across different scenes, emphasizing the importance of it. One of the missing ones still needed here to complete this idea is a literal ball-- and the ball bearing would not only meet this idea but would then make all of the ball-related wordplay have had the purpose of building towards it. We think it's building towards The Meeting Ball-- and it is-- but all of it, including The Meeting Ball, would actually then be building towards the hellfire ball, which is the actual ending of S2.
Then, there's what this all has to do with the eccles cakes...
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Yes, eccles cakes lol... Eccles cakes, as a lot of us already know, are popularly referred to as "fly cakes", off of how the currents sometimes look in them, but the significant thing here is that, despite their name, eccles cakes are not actually cakes at all-- they are really pies.
Ball bearings are also used in Good Omens' favorite metaphor of food to weigh down dough when baking pie crust. Pie weights and ball bearings are basically the same things, just put to different use. It means you literally cannot make eccles cakes from scratch without a jar of pie weights... which are just, structurally, the same thing as ball bearings... and Crowley can make them. You also make pie dough by first rolling it into a ball.
Which is likely why this hilarious moment exists:
Please hold The Cake-Pies of Symbolism, my pie (and Pi)-loving dear...
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Crowley's face at having to stand there holding some little pies 😂...
The eccles cakes-that-are-really-pies go along with this theory as well because look how the show presented the forthcoming apocalypse to us back in 2.01:
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The horse is Crowley, the rider is Aziraphale, and they're headed for Armageddon-like mental health disaster-- all ushered in by the four eccles cakes, representing Gabriel, Beez, Nina (who suggested & gave them the eccles cakes) and Maggie.
Presumably, The Lords of the Flies are the two eccles cakes that are already canoodling on the back of the plate while Maggie and Nina are the two in the foreground who are aligned but not yet together. Crowley's S2 plot is largely working at the behest of these wonderfully rebellious pies. He looks after Gabriel, finds out what happened to him and connects it all to Beez... and this is after he spent the season on his vavoomy Operation Lovebirds to get Maggie and Nina together. He's responsible for the pie crust-- the containers of the eccles cakes-- in a show obsessed with containers. Crowley is, symbolically, a jar of pie weights in being form by way of his actions-- which is suggestive of the fact that he can probably physically make them. (There's also: "Just a few million years to bake," which Crowley said of his stars-- which he made-- in the opening scene of the season.)
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"Nina, what do you sell that calms people down?"
Calm is from the Greek kauma, which means the heat of the day. Heat, as in slang for a weapon. Heat, as in hellfire. Heat, as in what's needed to bake. Heat, as in passion. Heat, as in "bringing the heat." The heat of the day-- the sunny daylight of The Final 15. Eccles cakes-- really: pies-- calm people down... they bring them heat, in every possible way, and it sets them on a path down-- to Hell.
Then, there's Agnes Nutter...
When The Witchfinder Army came to kill Agnes, she hid gunpowder (a weapon) and roofing nails (the construction-related metal that enabled it) in her dress. Agnes blew up-- she became a literal. fireball. Crowley wasn't necessarily suggesting that Aziraphale turn himself into an Agnes-like bomb in Heaven when he gave him the capsule but he was giving him a weapon involving fire with which he could kill himself if he had no other way out.
Then, there's the theme of suicide in examples from earlier in the season:
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Crowley saving Elspeth (on the night Crowley was dragged to Hell)... The bit when Aziraphale then calls Crowley from Edinburgh in the present and tells him that he's read that Dalrymple left in disgrace and killed himself... "The Bananafish" being a short story about trauma by J.D. Salinger which ends with a traumatized man suddenly killing himself... Crowley setting Gabriel up to jump from the window and then stopping him from doing it...
There's also the fact that the end of S1 was Heaven and Hell forcing Crowley and Aziraphale into forms of suicide (getting into hellfire/holy water) and the "Aziraphale" in the Heaven part of it was Crowley spitting hellfire-- at Gabriel, no less, whose story is what jumpstarts S2.
Then, there's that the song that is The Clue to everything in S2 is "Everyday", the significance of which is that it's a foundational song of American rock 'n roll. Rock 'n roll is a blend of musical styles that actually wouldn't exist without first the big band/swing that Aziraphale loves that came before it-- symbolizing how Crowley & Aziraphale paved the way for Gabriel & Beez. There's another song, though, that, like "Everyday", is from the pivotal rock year of 1957 that is equally influential and is enormously Good Omens-y, in the sense that it cleverly uses wordplay to the effect of barely disguising sexual euphemisms and often through amusingly church-y language:
You shake my nerves and you rattle my brain/Too much love drives a man insane/You broke my will/But what a thrill...
Goodness gracious... great balls of fire...
[Also: less part of the theory and more just a possible nod but... "The Metatron" brought Aziraphale a coffee, there's a threat of non-existence, and Aziraphale might have gotten a 'kiss of death' from a being who is, essentially, a cherry pie lol... so, those of you who know that other greatest television show to ever television show might see a bit of a nod to Twin Peaks in here as well.]
Speaking of kisses of death... the film that popularized the word "vavoom"-- and which GO S2 is homaging all over the place-- is called 'Kiss Me Deadly.'..
So, after the kiss, Aziraphale gets the capsule and keeps it tucked into his mouth and he's gone too far with the conversation and doesn't want to admit that maybe he's wrong and Crowley is right. Crowley goes out, "The Metatron" comes back in, and Aziraphale keeps looking at Crowley staying by the car out the window and he's a bit more nervous now ("what about, um, my bookshop?"). Even if he still wants to be right, he's beginning to doubt even more that he is.
He almost tells "The Metatron" to go. He almost goes to Crowley. We see him start to say that he thinks he made a mistake but he doesn't go through with it. He's too embarrassed. Fraulein Maria can't face The Captain and is trying to run back to The Abbey over here.
Aziraphale goes out with "The Metatron" and the significant moment is this revelation: "We call it 'The Second Coming'."
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This is the moment that Aziraphale realizes for sure that he's been tricked and there is no Supreme Archangel job for him. The Metatron doesn't want to change Heaven or save anybody-- he wants to destroy the world, same as he always has-- and there's no way that he'd ever trust Aziraphale to carry that out when Aziraphale is who stopped the first round. Heaven will never admit they did wrong by Crowley-- to do so would be to collapse the system because then every demon would want to appeal their own status and demand justice and the Heaven/Hell regime would fall, in the sense that their little supernatural empire would crumble. The Metatron would never allow that and Aziraphale realizes in this moment for sure that he has been played for a sucker.
It's still possible that, at this moment, Aziraphale might still believe that this being who has tempted him with the possibility of the justice he wants for Crowley more than Crowley actually wants for himself-- and with false reassurances that he and Crowley could be together forever-- actually is The Metatron. Or, Aziraphale might be starting to get the sense of what's actually happening but, either way, he now knows that he's been fooled. He knows now that while he and Crowley both got some things wrong (suggesting they run off and proposing suddenly were not great moves on Crowley's part)... about this bit anyway? About being in danger if he believes the being who came to the door? Crowley was right.
So, Aziraphale has a choice: does he go to Crowley or does he get in the elevator, knowing now that to do so is to go to a form of death?
He can't face Crowley. He knows Crowley would forgive him and just wants him to be safe but, in the moment, Aziraphale is too ashamed and too embarrassed to admit that he was fooled and to deal with how awfully he just behaved. He's also exhausted from being hounded by the weight of his halo and Heaven for thousands of years. Negative thought cycles in overdrive-- he's never truly believed that he deserves Crowley and he has convinced himself that maybe Crowley might be better off without him. Maybe they just don't get a happy ending and maybe Aziraphale is so tired and can't run and hide anymore and just wants it to end.
Imagine spending thousands of years in service of an organization that also doubles as family and who abused you and abandoned you and who now wants to kill you... and you so hoped that change was possible that you clung to the idea beyond a point of reason-- to the point of hurting the one you love, with whom you have the only real love you've ever known. And you know he'd forgive you in a heartbeat because he loves you and he just wants you to be safe but you can't face him because you can't yet face yourself... that's Aziraphale deciding between Crowley and the elevator.
Aziraphale can barely glance over at Crowley and when, he does, it's also The Bentley he's looking at because he's telling the car to play Crowley their song. Crowley said "no nightingales" but Aziraphale says, in response: "A Nightingale Sang in Berkeley Square." His last moment on Earth and he uses it to basically leave a suicide note for Crowley that says nothing but I'm sorry. I love you.
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Their song plays when Crowley starts the engine of The Bentley, which calls back to the first time they met in the Before the Beginning scene that began the season and showed how they started the engine of the universe together.
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Aziraphale might be trying to warn Crowley about Armageddon by sending an "engine trouble"-type of message or he might be calling back to when they first met or, as I suspect, he might be doing both but the show, at least, is referencing Before the Beginning here with this, whether or not Aziraphale intentionally is.
So, Aziraphale? He makes his choice. He gets into the elevator...
...and he swallows the fireball. Which we can see him do here:
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Or, as this was foreshadowed in S1 by the being whose own fall and subsequent arrival at the bookshop door set all the events in this season into motion:
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(The eerieness of the fake grin on Gabriel after seeing how it foreshadows S2 ending with Aziraphale's mad grin...)
Because, when all is said and done, this poor bastard really would have a death-by-swallowing-something story over here, wouldn't he? Can they just hurry up and destroy the Heaven/Hell system so Aziraphale can have food and sex in peace already, please? 😄
Aziraphale knew he'd been played and he didn't want to go through whatever came next. He didn't want to reach the top floor of Heaven because he knows that only forms of death await him there. They'll take his memories. They'll cast him to Hell. Being a demon is no picnic and Aziraphale has seen that in being with Crowley for so long. Satan is not exactly the biggest fan of Aziraphale and Aziraphale, better than most, knows what Satan is capable of. He doesn't want any part of that. He ingested a suicide pill to avoid being captured by the enemy.
Crowley gave him the pill because angels are not immune to hellfire. That's what made it a suicide capsule, right? It was supposed to kill him within seconds. It was supposed to be quick and relatively painless-- a way to escape the horrors that might await him. Even when Aziraphale is at his worst-- as Aziraphale was in their last scene in bookshop-- he is still a pure-of-heart, lovely being to Crowley because Crowley loves Aziraphale as he is-- imperfect. Just enough of a bastard to be worth knowing. It never occurred to Crowley that the capsule might fail. Why? Because Aziraphale is, always and forever, his angel.
Both Crowley and Aziraphale thought the fireball should have protected Aziraphale from pain and suffering by killing him almost instantly once he ingested it.
By that measure, Aziraphale should have burst into flames in the elevator, seconds after he swallowed the pill just after stepping inside.
But he did not.
We watch as the seconds start to tick by... and we see the realization play out on Aziraphale's face as each second that passes is another one where he's still here...
...the look gets more and more unhinged as the elevator keeps climbing until we get the slightly mad dark grin as the last shot of him before a fade to a deathly black... with Aziraphale having spent the final splitscreen since he got into the elevator on the other side of Crowley, symbolizing what's happened.
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In the elevator scene, we are watching the dawning realization play out on Aziraphale's face as the fireball doesn't work and there's only one reason why it wouldn't-- because he's no longer an angel.
Aziraphale has been sauntering vaguely downward for the season and maybe for awhile before then. He's been letting the darkness in, more and more, throughout all of S2. We have been watching his fall happen. The 'falling from a great height into a pit of boiling sulphur' part of falling? Ceremonial. An aftermath of sorts-- an additional punishment. It awaits Aziraphale when he gets off the elevator in Heaven but it's something we likely don't really need to see and never have seen in the show yet because that's not actually the main point of a fall. By the time you're literally falling from a great height, you've actually already fallen.
Aziraphale's determined-- but also just really half-mad-- final grim smile in the elevator over his understanding of what's happened is both the pain of thousands of years of religious trauma and abuse-related misery and a bit of completely unhinged I'm gonna burn this place to the fucking ground fury.
Aziraphale swallowing the capsule also parallels Gabriel having to "consume" The Fly to open it. The Fly went through Gabriel's eye and allowed him to "see"-- it give him realization and understanding by returning his memories to him. For Aziraphale, he swallows the fireball and it also gives him a kind of sight-- realization and understanding of what's happened and what's to come... all of this also in the moments before his memories (and, so, his sense of self/his life) will likely be taken from him.
(For a time-- he'll be fine eventually. *mantras* South Downs Cottage, South Downs Cottage...)
"And from his mouth go burning lamps and sparks of fire leap out." The Job quote on the matchbox. The matchbox contained the fly-- it's the equivalent to the ball bearing containing hellfire. Works now on several different levels but one of them then is: And from his mouth (Crowley's mouth/the kiss/the fireball/Aziraphale swallowing the fireball)...
...go burning lamps (the light that goes out in the bookshop when Aziraphale is in the elevator)...
...and sparks of fire leap out. Several meanings:
Literal sparks-- in that Aziraphale can now spit hellfire, like how Crowley did in his body in Heaven in S1.
Sparks of fire leaping out, in the sense that Aziraphale has made the leap-- he is a demon now.
Lastly, though... sparks of fire leap out... as in, Hell (and Heaven) hath no fury like this very, very, very pissed off Angel of the Eastern Gate whose whole thing is freeing those imprisoned by corrupt systems...
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Visually paralleling the elevator with a grey wall behind him and light/darkness alternately striping Aziraphale is the 'Aziraphale and God' scene in 1.03, setting up its sister elevator scene in 2.06, where Aziraphale realizes that he has been tempted by Satan and has fallen. (Ironically, a realization about having fallen that happens while going Up in an elevator.)
God: "Aziraphale. (dryly) Angel of the Eastern Gate. Where is the flaming sword I gave you, Aziraphale?"
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Aziraphale, unintentionally foreshadowing the fuck out of the plot:
"...must have put it down here somewhere."
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Yeah. 😉 Give 'em hell, Aziraphale.
Bonuses:
The awning of a new age/Dawning of a New Age joke. An understanding/a daybreak that begins a new era...
"Oh, listen, I think it's about to happen-- the 'awning' of a new age." Yes, indeed, Crowley. A dawning of a new age was imminent...
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...and, finally, if you substitute 'Aziraphale' for his parallel of 'Job' in these sentences, Bildaddy summarized the season endgame quite nicely in 2.02:
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back2bluesidex · 5 months ago
Text
Hard Luck - JJK & KTH (18+) - Prologue
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◆ Pairing: CEO Jungkook X Fem employee Reader X Legal advisor Taehyung. 
◆ Summary: You have a good face, a nice body, a fat amount saved in your secondary bank account, a stable job that you love, loving friends and family, you are good in bed. You have almost everything other than a good luck in love. Sleeping around with random dudes don’t feel enough when your friends are getting married and having kids. If you are being honest, you have started getting bored of this prolonged singlehood already. 
Your last light of hope fades away when your work crush, aka the hot guy from the legal department, Kim Taehyung (with whom you might or might not have slept once, okay! twice!), asks you to set him up with your work best friend (who, apparently, is the most asked out woman of the company). But what you don’t know is that the CEO of the company has taken a liking to you and has set out on a mission of winning your heart. 
But wait… Taehyung might have started developing feelings for you in the process of receiving your help!!!
◆ Chapter Summary: First time is a turn-of-events. Second time is... what?
◆ Theme: Romance, drama, light angst, my poor attempt of humor, fluff and eventual smut. office romance au. co-workers to lovers au.
◆ Warnings: implied smut, drinking. NSFW!!!
◆ Word count: 700
◆ Minors and karens are not allowed in this blog
◆ Taglist is open (till 3rd July, 12 am edt). So, you can comment down if you want to be tagged (only if you have your age mentioned in your bio). you can also dm me if you don't want to make your age public.
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When the first time it happened - both of you were drunk. 
Much to your dismay, it was one of those cliched turn-of-events that you hate with your full chest. 
Not that you didn’t know who Kim Taehyung is but still company gatherings are basically incomplete without “I am x from x department. Looking forward to working with you.” 
So you smiled at him politely, when he approached you, all while trying not to appear too flushed as the rich timbre of his voice grazed the back of your neck.
If he saw heat creeping up to the tip of your ears, he didn’t say anything. 
And then everything happened in a flash. At one moment he was offering to drop you home saying that he had called in a designated driver and the next moment, he was pushing your body against your bedroom door, kissing you as if he had waited the entire evening just for this. 
“I wanted to do this! All evening!” Taehyung confirmed, grunting when your tongue trespassed into his mouth. His words were tangled, you understood those nonetheless. 
“You wanted to kiss me all evening? You didn’t even know who I was.” you teased him as you hand did an exceptional job in undoing his necktie and removing his button-up within a few seconds. 
His hand roamed all over your body as if he didn’t know where to start from. 
“Umm.. So what? I knew your face. We have seen each other a couple of times in the elevator, cafeteria, once in a meeting too!” Taehyung replied upon scratching his memory, his hands finally started unzipping your dress, “it is a part of why I approached you today.” 
You knew you should never feel giddy during these kinds of situations. He could, very well, be saying those things only to get inside your pants. But the little flutter in your stomach was beyond your control. 
Taehyung is, after all, known as the most handsome man in the company and he is completely deserving of that title. 
He is all about dark hair, siren eyes, tall and towering weight, lopsided smiles that can turn into full boxy ones if you match his vibe. 
You won’t be exaggerating if you say that he is the most good looking human you have ever witnessed in your life. And a man as handsome as him saying that he intentionally approached you, strokes your ego for sure. 
When he left your apartment the next morning after he made sure that you had his number saved in your phone as “taetae”, your heart was gone alongside him.
As a result, the second time comes more naturally. And this time none of you have a drop of alcohol in your system, which means you have to take the full responsibility for your actions. 
Taehyung hands mold against your smaller frame so naturally that it surprises you. It’s impossible to hold someone so intimately after having sex just once. 
But he does it. 
He holds you, kisses you, presses your body on his as if he means it all. You give him access without thinking much. 
“Never thought a harmless coffee invitation would turn out this way.” Taehyung mumbles as he nips on the skin of your throat. You moan his name as sweetly as possible. 
“You sure, you didn’t plan for this?” oh! You love to tease him. 
“You caught me.” he bemoans as his fingers unbutton your shirt hastily. 
Then you don’t say anything and let him do his thing. 
He takes you to his bedroom, lays you down on his immaculately made bed and makes love to you. 
Yes. it was not just fucking but he actually makes love to you. 
It was more vanilla than anything you have ever experienced before and you like it this way. Soft moans and groans fill his lavender scented bedroom. 
Taehyung spills into the condom much before you are even close. So, goes down on his knees and eats you out and in turn makes you cum. 
Very few men that bedded you were this considerate. 
Hence, that flutter in your heart is back. 
Things can’t go wrong if you take it slow right?��
(Unbeknownst to you… things are going to go very wrong.) 
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