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whenitsdarkweilluminate · 3 years ago

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Baku 2012 – Semi-Final 1

Host: Azerbaijan Slogan: “Light Your Fire!” Participants: 42 Voting method: 12-point system (50/50 system - combined) Format: 2 Semi-Finals / Grand Final = the top 10 of semi 1 & 2 + the Big 5 + host General Overview: 2012 sees Eurovision return to Eastern Europe! But there was one major issue with Azerbaijan hosting – they did not have a venue large enough to facilitate the contest. So the government funded the construction of building one – the Baku Crystal Hall. Also, there was all kinds of human rights violations and political tensions in the lead-up to this contest, because of course there was.

The presenters this year are Leyla Aliyeva, Eldar Gasimov (the “Ell” of Ell & Nikki) and Nargiz Birk-Petersen. And oh boy, this is one dry and awkwardly unfunny scripted hosting team. This year sees the return of Montenegro after a 2-year absence, while Poland takes a break. Armenia also skips this one for obvious reasons.

The 2010 and 2011 contests experimented with allowing televoting during the performances, but this year the voting window reverts back to its “normal” slot. Albania won the jury vote in this semi-final, while Russia dominated the televote, which was enough to win SF1 overall. In other news, the juries stopped Switzerland from qualifying, and we get Hungary instead. The interval act stars the Natig Rhythm Group. It's a showcase of Azerbaijani cultural music and dancing, featuring lots of high speed hand drumming. There's also some cuts to the artists dancing in the Green Room.

During the results reveal, the hosts carry a golden ticket to the stage to reveal the final qualifier for some reason (which was Ireland). This lead to Jedward cartwheeling their way to the main stage. × Montenegro: Rambo Amadeus - Euro Neuro Yeah... file this one under the long list of “try-hard” joke entries I don't find amusing. I've heard that “Euro Neuro” drawing first is why the EBU ditched randomized running orders after 2012. I can see why because this is not a good opener. An eccentric, politically-charged novelty entry with horrific rapping isn't going to hook an audience in. The performance begins with Rambo acting as a cloaked, dark wizard casting a spell. Then the song becomes an anti-conservatism rant, where Rambo talks in a drunk voice and completely disregards following the beat. Seriously there's no coherent melody or flow to this. It's also accompanied by a tepid funky bassline. The chorus involves some folksy strings and background chants, but it's not that effectively catchy. The staging is also weird. There's a Trojan horse and a bunch of slogans written on banners, which are eventually used to mummify a band member. The song's message, meanwhile, advocates for a more altruistic government agenda. The lyrics contain some funny wordplay, where Rambo shoehorns the most awkward rhyming choices (“analphabetic” “dialectic”, “bicyclism” and “reumatism” in particular). The “always stay cool like a swimming pool” line is pretty ridiculous too. But musically speaking, “Euro Neuro” is a clumsy mess. Even if that's the intention, I have little reason to seek it out. ✓ Iceland: Greta Salóme & Jónsi - Never Forget Jónsi returns from 2004, as he teams up with Greta Salome, who will reappear in 2016! “Never Forget” is a melodramatic entry. The song's atmosphere is ominous and chilling, kind of like a ghost story. The booming percussion in the verses is like a thunderstorm striking or waves crashing. It's tense and turbulent. While the pre-chorus builds nicely to the climactic “free-eee-eee-ee” hook. The violin solo is another highlight, where Greta gets quite into it. And the dark blue aesthetic, as well as Jónsi serious looks into the camera, completes the haunting vibe. The chorus, meanwhile, is powered by the duet's firm harmonies. It's somewhat theatrical though, which undercuts the dark atmosphere. But Greta and Jonsi's contrasting vocals blend well together. He's more solemn, while she's more wistful. And the song is still emotionally intense overall. The lyrics tell the story of a separated couple, both of whom are dwelling on memories at night, as they await to reunite at dawn. It's a powerful performance and a polished arrangement... and it's my winner of SF1! I wish it did better at the GF. ✓ Greece: Eleftheria Eleftheriou - Aphrodisiac The song that broke Greece's top 10 streak (which started in 2004), although it did finish 9th in the televote. Perhaps “Aphrodisiac” sounded too dated and unoriginal. It encompasses an early 2000s Euro-dance rhythm, with a bouzouki thrown in for good measure. Which basically describes Helena's entries. I also get J Lo vibes at certain points. But what truly brings this down for me is how Eleftheria sounds like she's suppressing a giggle when she says the word “aphrodisiac”. It makes the song seem immature. The lyrics are pretty lazy as well. That all said, “Aphrodisiac” does deliver some dominant and irresistibly catchy hooks (thanks to the Swedish songwriters involved). Namely the thumping build-up of “over and over I'm falling”, the “oh oh oh... oh” refrain, and the bouzouki riff itself. A bop is a bop! Moreover, the song follows a highly energetic pace, as the imposing dance-pop production steamrolls by. It never becomes annoying or monotonous though. And the choreography is serviceable, with all those hair flips. The staging also goes for a beach theme, with the oyster shell in the background and the dress colours. × Latvia: Anmary - Beautiful Song This just seems so amateur. Like....what are these lyrics? The song describes Anmary's aspirations to become a famous musician. She mentions Johnny Logan's name and proclaims she'll be the next ESC winner. And that her song will be heard everywhere... yeah, so about that. I assume “Beautiful Song” is referring to itself in a meta way. The second verse is even more of a "WTF", where she says she's can't take Mick Jagger's phone call because she's too busy writing songs for Paul McCartney. It's such a hilariously bizarre lyric. She's setting the bar high for herself. But the delivery is too earnest for it to be a joke. Also... what is this staging? The backing singers just walk around aimlessly with hammy reaction shots, as if they each had a glass of wine beforehand. Anyways, “Beautiful Song” contains an easygoing, inoffensive, unmissable melody. But in an annoyingly, nursery rhyme way. The instrumental is rather plain too, but I do like the victorious synth after the “make this a worldwide hit” part. The vocal performance is alright though. This is an obvious NQ, but it gets a laugh from me. ✓ Albania: Rona Nishliu - Suus This is Albania's best result to date (5th). It's the big moment for the most underappreciated country in the contest. “Suus” is such a unique entry. Rona delivers a stunning, emotionally raw and sincere vocal performance. Her long, explosive belting notes and her high-pitched screams are polarizing for sure; and while this is a difficult song to put on repeat, I do think she delivers a highly compelling performance. Just the way her voice rises and sharply cuts. It holds my undivided attention. The piano and the strings move at a depressing, methodical pace, allowing Rona to focus on every single painful word as she feels each present moment pass by. She's on the verge of tears, sounding broken and devastated. The bridge is a great climax too – with the descending piano notes, the swelling orchestra, and her whistle note. Lyrically, “Suus” sees Rona mentally process her heartbreak. The words are bleak and hopeless, and she concludes that crying is the only response she knows. And she does just that by yelling “LET ME CRY” over and over. Rona also keeps her eyes closed a lot, while standing hunched over, displaying weakness and vulnerability. Her dress, the hair bun and the hair strand snaking onto her chest is a memorable look too. “Suus” isn't the most melodic song, but there's so much emotional depth to it. ✓ Romania: Mandinga - Zaleilah I'm sorry, but this song is too cluttered and boisterous for me to fully enjoy. That “Za-la-la-la-la-lee everything everybody” hook (which I always misheard as “sudden-en-en-enly”) gets on my nerves. While the instrumentation is on the rambunctious side. There's marching band drums, bagpipes, and an accordion all moving to an antsy rhythm. And all three are noisy instruments in their own right. I also want to note that this entry came in the wake of a series of Romanian dance-pop hits sweeping across Europe at the time. Namely “Stereo Love”, “Mr Saxobeat”, and those Inna songs. “Zaleilah” is in a similar vein, with the summery vibes, the foot-shuffling rhythm, and the accordions. Although this one has Latin American music influences (including Spanish lyrics), and it sounds more like a World Cup anthem. It's like a party song performed in the streets. Still, the instrumentation is pretty dynamic. I like the drum section during the bridge and the accordion riff is hook-y. The choreo is well-executed too, where the instrumentalists provide joyful energy. There's lots of pyro on this one too lol. × Switzerland: Sinplus - Unbreakable Why does the lead singer sing like this? It's like he's channelling Alex Band of The Calling or Scott Stapp of Creed (without the brash early 00s rock instrumentation thankfully). I'm not sure if it's his accent or if he's making this funny gargling voice on purpose. Either way, it's distracting. So the song is about inspiring someone to not be their own barrier in achieving their goals. It's basically a supportive statement of “you got this”. The words themselves are pretty cliche, but the frantic chorus exudes some uplifting, invigorating energy. The rapidity of the “swim against the stream” line and the repetition of “following your wildest dream, your wildest dream” makes for passable hooks. Staging-wise, the guitarist on the right is a bit, but not in a cringey way. And there's lots of flashing lights. Ultimately, “Unbreakable” isn't the most remarkable rock song but it's endearing enough. × Belgium: Iris - Would You? BORRRRRRRRING. “Would You?” tells the story of how Iris has packed up, left her lover behind, and moved to someplace secret. And now she's wondering if he'll even care to go looking for her. Which, just sounds like she's playing mind games. She later claims it's a “two-way street”, and resigns to finding him instead. I dunno, maybe she should just accept he's not that into her? Some of the lyrics are grammatically awkward too. Beyond that, the arrangement falls flat. It's just a lukewarm piano ballad with a slight hint of country texture. It tries to build into that final chorus (with that “still I wonder...” bit), and Iris tries to make that “any other guy would do” hook land. But it all feels so underwhelming. Her performance presents a personable approach, but her vocals are too unrefined to solidify the emotion or the melody. I'd prefer something more bitter instead of this blandness. She seems shy as well? × Finland: Pernilla Karlsson - När jag blundar I can understand how this entry was overlooked, since “När jag blundar” eschews modern ESC music styles. But the song has such a peaceful, romantic and heartwarming texture to it. It's like a cozy embrace by the fireplace. The staging correspondingly involves a fire red colour scheme, as the cello and the twinkling bells set the mood. The melody (and the Swedish phonetic sounds) flow in an effortlessly pleasant way. Incidentally, I believe this is the only ESC entry of the 21st century to be in the Swedish language. The verses are more gentle and sporadic, while the chorus floats in a more continuous melody. The lack of a bridge allows that final chorus to grow, and to end on a subdued note. And the song takes me back to the older era of Eurovision. Lyrically, “När” involves Pernilla articulating what her relationship means to her via some metaphors of things that complete each other. It's a sweet sentiment, and it's a well-composed song that sounds pretty. × Israel: Izabo - Time So Israel dropped a “WTF” entry on us this year. “Time” is a psychedelic rock song that channels a bygone era. Both the song and performance feel like a slurred, hazy hallucination that warps your perception of time. In particular: the strings; the eerie chorus harmony; and the drawn-out “zmaaaaaan” hook which gives a sinking feeling. There's also a trippy visual effect where the background zooms in and out whenever the camera cuts to the dancing couple. And the LED screens feature some Salvador Dalí-esque liquid clocks. This quirky staging is completed by a lackadaisical keyboardist, an animated guitarist, and water drumming. Lyrically though... “Time” is a bit disturbing. The singer asks for more time as things are happening too soon. Between the “you're the man in my playground” line, the “I will obey” and “why are you pressuring me” comments, and the second verse suggesting he's being used.... the implications seem very dark. The singer's voice also sounds demented. Otherwise, the song has a consistently moving forward pace, and it's kinda catchy. × San Marino: Valentina Monetta - The Social Network Song (Oh Oh – Uh - Oh Oh) The birth of PC music? Lol. This song's production is filled with scratchy, digitized computer sounds to seem less human. The studio version also uses excessive auto-tune. The lyrics, meanwhile, address modern-day Internet addiction and how it's changed our communication habits; among other issues. The track was composed by Ralph Siegel, but the execution is too campy to render this as an “old man doesn't understand youth” situation. Instead, it's a harmless joke entry and Valentina has fun with it. She literally types on a laptop on stage (LOL). And the computer references are laughable, like “do you wanna play cybersex again?” or “click me with your mouse” or “you're loggin' in...”. The backing members are also dressed in random costumes from cheerleader to doctor to airplane captain. And then there's the camera and phone props, and floating profile pictures on the LED screen. The song itself has a bubblegum-pop flair to it as well, namely in the “uh oh” hook. It's one of the better joke entries this year. We will see Valentina three more times after this, including the next two contests.... a true sign that San Marino has limited options. ✓ Cyprus: Ivi Adamou - La La Love The production on “La La Love” is as 2012 as it gets. It sounds like something RedOne would've given to J Lo around this time. Although I should note that it was co-written by Alex P (along with some other Swedish songwriters), who was working closely with RedOne back then. But yeah, this type of commanding, robust dance-pop was a guaranteed recipe for a banger in 2012. From the squeaky beat in the verses, to the percussion claps that build anticipation in the pre-chorus, to the bustling, water-sloshing beat in the chorus... this song's arrangement is pretty standard. The drum breakdown in the bridge is a nice touch though. And there's no shortage of hooks here. From the “i-i-i” stutters; to the perk-ups of “in the air / take it there”; to the “oh-OH-oh” bit in the pre-chorus. And of course the titular “la la la la la”s... which there are plenty of. The choreography involves Ivi swaying on a bench made of books. But the dance moves during the bridge is the best moment. She has confident stage presence too. ✓ Denmark: Soluna Samay - Should've Known Better “Should've Known Better” is like a homage to late-90s soft rock/adult pop. It's sonically reminiscent of Paula Cole or Jewel or Lisa Loeb or something. Plus the “like Sahara misses rain” lyric seems oddly similar to that line from “Missing” by Everything But The Girl. Anyways, the melody flows smoothly. The backing vocalists add a sense of comfort, while making the melody sound richer. And the song exudes a bittersweet tone. Lyrically, “Should've Known Better” offers an introspective and mature perspective, where Soluna is sad her relationship is over but she accepts that it can't work anymore. Her lover is living aimlessly and lacking in stability, which leaves her feeling neglected and stranded. It's too one-sided to be healthy. The “Sometimes we have to lose a part of us to find the truth” line sticks out to me. The staging is weird on this one though. Soluna is dressed like a sea captain mixed with a Marshall? The cellist is casually wearing a purple hoodie. And the drummer overdoes it with her fake playing, although her enthusiasm kinda sells it. It's another entry I wish did better in the final, but the staging probably ruined its chances. ✓ Russia: Buranovskiye Babushki - Party for Everybody After 3 years of middling results, Russia is back in the top 2! They also match “Dancing Lasha Tumbai” as the highest that a novelty entry has placed in Eurovision. It's easy to see why though. “Party For Everybody” is so memorable and adorable. It involves six Russian grannies dressed in traditional attire, lightly dancing to a modern dance-pop beat, while looking forward to a visit from their children, as a giant oven spins in the background. It's just so wholesome yet absurd. Their harmonies aren't the cleanest, but the “amateur” vocal adds charm, and they're having the time of their lives on stage anyway. Including some banter in the bridge. Although it bothers me when the one granny grabs the cookie tray without wearing oven mitts. Musically, “Party” begins as a Russian folk song, but then it abruptly switches to that heavy dance-pop production. It's such a stark contrast to the traditional vibes of everything else, but that's kind of why it works? Because it's unexpected. Although there is Russian instrumentation present still, most noticeably during the bridge. The beat is a little too abrasive and eager for my liking (particularly those cutting transitions into the chorus). It's arguably overproduced. But the chorus is effective, thanks to the pauses that follow “come on and dance”, and the “boom boom”s. And the verses use repetition well, culminating in that “žon žon žon” hook. ✓ Hungary: Compact Disco - Sound of Our Hearts Looks like we're in the dubstep era of pop music now. For a genre that can sound very harsh and unpleasant at times, I generally prefer when it's used in a more subtle, unobtrusive, brooding way like it is here, or on Muse's “Madness” to reference a non-ESC example. The background dub creates a dark atmosphere for “Sound of Our Hearts”, matched by some black outfits on stage. The beat moves at a firm and taut pace, with the production peaking in the second verse. The keyboard notes, the stadium rock chorus, and the “oh oh” climax are some other highlights on this track. It's almost like a Coldplay single. But the overall song is lacking something. It comes off a bit... uneventful? The melody doesn't really build to an anthemic moment until that aforementioned “oh oh” ending. And lyrically, “Sound of Our Hearts” is a cliche message about peace, unity, and the power of love. The modernized production prevents it from seeming corny or contrived, though. And the singer does deliver that “zeal” mentioned in the chorus. × Austria: Tracks**ttaz - Woki mit deim Popo This is so trashy. I'm not surprised Austria placed last in the semi-final. The song involves two dudes rapping in a German dialect, as they walk into a strip club and get horny over the ladies shaking their “popos” (bums). They're more presumptuous than flirtatious though. And the lyrics are too... unabashed and objectifying to be sexy. The amount of hubris and self-importance is something else. They really think they're the s**t. The name “Noodle Soup Gang” will stick in my mind though. Also the staging is a bit shocking. There's three ladies pole dancing and twerking, while the ballcap guy gets distracted by them. It also goes for a night club aesthetic, including some glowing light strips on everyone's clothing. As for the music, “Woki” incorporates a “jittery motor” dance-pop production, similar to the Klaas remix of “Infinity 2008”, alongside some squeaky synths in the verses. More notably, the audience gets to shout along “OOH OOH” during the chorus, alongside a double percussion clash. Everything about this entry – the production, the rapping, the staging – is so aggressively in-your-face. But I don't entirely hate it? ✓ Moldova: Pasha Parfeny - Lăutar Moldova delivers a zany and engaging choreo routine here. Between the robotic marionette limb movements, the fist shaking, the slithering like a worm on the floor, and the mini-tantrums... the backing dancers are hilarious to watch. They supply the appropriate campy energy. Their lampshade-shaped dresses stand out too. As for the song, “Lăutar” channels a carnival entertainer theme in its instrumentation and lyrics. Pasha is a trumpeter who's entranced by fiddler girl he met a wedding (the song's title literally translates to “fiddler”). The lyrics imply that there's a significant class/wealth division between the two, but his trumpet playing charms her anyway. The instrumental correspondingly includes a trumpet riff, as well as a fiddle moment in the bridge. Moreover, the “YOU... HAVE NEVER... BEEN TO MY SHOW” hook is pretty instant, with that stop/start trick. And the chorus employs a bouncy rhythm. Otherwise, the line “...how looks the trumpet” is another example of awkward English grammar tonight. But yeah this entry is lighthearted in the best ways. ✓ Ireland: Jedward - Waterline So Jedward closes out another semi-final. Last year the twins finished in 8th place, but this time they will fall 11 spots lower than that – which is a sign of diminishing returns. I mean, the boys just repeat the exact same gimmick from 2011. They energetically jump around the stage as if on a sugar high while wearing the gaudiest outfits imaginable (this time it's silver and gold plated armour) and subject us to their limited vocal skills. Except this year there's a water fountain on stage to represent a lyrical metaphor (there a bunch of water metaphors in this one). But also, “Waterline” is simply a weaker song than “Lipstick”. The latter became a guilty pleasure bop because of its heavy, intimidating synths making a strong presence. But the melody on “Waterline” is so bland and flat. And the chorus ends on an anticlimactic hook (ie. the “down as the big one” part, which lacks emphasis). The rapid, jogging dance-pop beat maintains some energy, but it's not enough to compensate for Jedward's vocal flaws. They were never THAT funny of a joke act to begin with though. My Ranking: 01. Iceland: Greta Salóme & Jónsi - Never Forget ✓ 02. Albania: Rona Nishliu - Suus ✓ 03. Denmark: Soluna Samay - Should've Known Better ✓ 04. Finland: Pernilla Karlsson - När jag blundar 05. Cyprus: Ivi Adamou - La La Love ✓ 06. Moldova: Pasha Parfeny - Lăutar ✓ 07. Russia: Buranovskiye Babushki - Party for Everybody ✓ 08. Greece: Eleftheria Eleftheriou - Aphrodisiac ✓ 09. Hungary: Compact Disco - Sound of Our Hearts ✓ 10. Switzerland: Sinplus - Unbreakable 11. San Marino: Valentina Monetta - The Social Network Song (Oh Oh – Uh - Oh Oh) 12. Romania: Mandinga - Zaleilah ✓ 13. Austria: Tracks**ttaz - Woki mit deim Popo 14. Israel: Izabo - Time 15. Latvia: Anmary - Beautiful Song 16. Ireland: Jedward - Waterline ✓ 17. Belgium: Iris - Would You? 18. Montenegro: Rambo Amadeus - Euro Neuro The 10 qualifiers all make sense though.

#eurovision #eurovision song contest #eurovision 2012

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tasksweekly · 5 years ago

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[TASK 197: TATAR]

In celebration of May being Asian American Heritage Month, there’s a masterlist below compiled of over 160+ Tatar faceclaims categorised by gender with their occupation and ethnicity denoted if there was a reliable source. If you want an extra challenge use random.orgto pick a random number! Of course everything listed below are just suggestions and you can pick whichever faceclaim or whichever project you desire.

Any questions can be sent here and all tutorials have been linked below the cut for ease of access! REMEMBER to tag your resources with #TASKSWEEKLY and we will reblog them onto the main! This task can be tagged with whatever you want but if you want us to see it please be sure that our tag is the first five tags, @ mention us or send us a messaging linking us to your post!

THE TASK - scroll down for FC’s!

STEP 1: Decide on a FC you wish to create resources for! You can always do more than one but who are you starting with? There are links to masterlists you can use in order to find them and if you want help, just send us a message and we can pick one for you at random!

STEP 2: Pick what you want to create! You can obviously do more than one thing, but what do you want to start off with? Screencaps, RP icons, GIF packs, masterlists, PNG’s, fancasts, alternative FC’s - LITERALLY anything you desire!

STEP 3: Look back on tasks that we have created previously for tutorials on the thing you are creating unless you have whatever it is you are doing mastered - then of course feel free to just get on and do it. :)

STEP 4: Upload and tag with #TASKSWEEKLY! If you didn’t use your own screencaps/images make sure to credit where you got them from as we will not reblog packs which do not credit caps or original gifs from the original maker.

THINGS YOU CAN MAKE FOR THIS TASK - examples are linked!

Stumped for ideas? Maybe make a masterlist or graphic of your favourite faceclaims. A masterlist of names. Plot ideas or screencaps from a music video preformed by an artist. Masterlist of quotes and lyrics that can be used for starters, thread titles or tags. Guides on culture and customs.

Screencaps

RP icons [of all sizes]

Gif Pack [maybe gif icons if you wish]

PNG packs

Manips

Dash Icons

Character Aesthetics

PSD’s

XCF’s

Graphic Templates - can be chara header, promo, border or background PSD’s!

FC Masterlists - underused, with resources, without resources!

FC Help - could be related, family templates, alternatives.

Written Guides.

and whatever else you can think of / make!

MASTERLIST!

Bibigul Tulegenova (1929) Tatar / Unknown - opera singer, actress and teacher.

Sofia Gubaidulina (1931) Volga Tatar / Russian - composer.

Kadriye Nurmambet (1933) Crimean Tatar - singer.

Nesrin Sipahi (1934) Crimean Tatar - singer.

Era Ziganshina (1944) Tatar - actress.

Selda Bağcan (1948) Crimean Tatar / Turkish - singer-songwriter, guitarist, and music producer.

Rosa Syabitova (1962) Tatar - TV personality.

Iraida Yusupova (1962) Tatar / Russian - composer.

Aydan Şener (1963) Tatar - actress, former model, Miss Turkey 1981 and a beauty contestant in Miss World 1981.

Renata Litvinova (1967) Volga Tatar / Russian - actress, director, and screenwriter.

Nailea Norvind (1970) Tatar, Dutch, Russian / Norwegian, Swedish, French, German - actress.

Chulpan Khamatova (1975) Volga Tatar - actress.

Elvira Misbakhova (1975) Volga Tatar - violist and violinist.

Dinara Sadretdinova (1976) Tatar - actress and TV presenter.

Zemfira (1976) Volga Tatar, Bashkir - singer.

Akasya Asıltürkmen (1977) Tatar, Laz - acting coach, film, stage, television and voice actress.

Alsou (1983) Volga Tatar / Bashkir - singer and actress.

Jamala (1983) Crimean Tatar / Armenian, as well as Ukrainian and Russia - singer, actress and songwriter.

Lyasan Utiasheva (1985) Volga Tatar, Russian, Polish / Bashkir - TV show host, socialite, and former individual rhythmic gymnast.

Irina Shayk (1986) ¼ Volga Tatar, ¾ Russian - model and actress.

Aida Garifullina (1987) Volga Tatar - soprano.

Dina Garipova (1991) Tatar - singer.

Evelina Mambetova (1991) Crimean Tatar - model.

Irina Sharipova (1992) Tatar, Russian, Ukrainian / Uzbek - model and Miss Tatarstan 2010.

Nabiilabee (1993) Tatar, Russian, Algerian, Turkish - youtuber.

Elvira T (1994) Volga Tatar - singer.

Elmira Abdrazakova (1994) Tatar / Russian - model and Miss Russia 2013.

Aybüke Pusat (1995) Crimean Tatar - actress, ballet dancer, model and Miss Earth Turkey 2014.

Zulya Kamalova (?) Volga Tatar - singer.

F - Athletes:

Rauza Islanova (1948) Tatar - tennis player.

Alfia Nazmutdinova (1949) Siberian Tatar - gymnast.

Galima Shugurova (1953) Tatar - gymnast.

Nellie Kim (1957) Tatar / Sakhalin Korean - gymnast.

Liliya Nurutdinova (1963) Tatar - middle-distance runner.

Sariya Zakyrova (1964) Tatar - rower.

Venera Zaripova (1966) Tatar - gymnast.

Lisa Marie Varon (1971) Tatar, Jewish, Puerto Rican - wrestler and bodybuilder.

Svetlana Ishmouratova (1972) Tatar - biathlete.

Guzel Manyurova (1975) Tatar - wrestler.

Amina Zaripova (1976) Tatar - gymnast.

Gulnara Samitova-Galkina (1978) Tatar, Russian - middle-distance runner.

Yana Batyrshina (1979) Tatar, Jewish - gymnast.

Gulfiya Khanafeyeva (1982) Tatar - hammer thrower.

Dinara Gimatova (1986) Volga Tatar gymnast.

Dinara Safina (1986) Tatar - tennis player.

Aliya Garayeva (1988) Tatar - gymnast.

Kamilla Gafurzianova (1988) Tatar - fencer.

Luiza Galiulina (1992) Tatar - gymnast.

Albina Khabibulina (1992) Tatar - tennis player.

Ganna Rizatdinova (1993) Kazan Tatar / Unknown - gymnast.

Aliya Mustafina (1994) Volga Tatar / Russian - gymnast.

Elizaveta Tuktamysheva (1996) Tatar - figure skater.

Kamilla Gainetdinova (1997) Tatar - ice skater.

Rozaliya Nasretdinova (1997) Tatar, Russian - swimmer.

Karina Sabirova (1998) Tatar - handball player.

Cüneyt Arkın (1937) Crimean Tatar, Nogai - actor, director, and producer.

Orhan Gencebay (1944) Crimean Tatar - musician, bağlama virtuoso, composer, singer, arranger, music producer, music director, and actor.

Bari Alibasov (1947) Tatar - producer.

Igor Yourievitch Bogdanoff (1947) Tatar / Unknown - television presenter and producer.

Grichka Yourievitch Bogdanoff (1947) Tatar / Unknown - television presenter and producer.

Albert Asadullin (1948) Tatar - singer.

Enver İzmaylov (1955) Crimean Tatar - guitarist.

Aleksandr Bashirov (1955) Siberian Tatar - actor, director and screenwriter.

Serdar Ortaç (1970) Tatar - singer, songwriter and composer.

Akhtem Seitablayev (1972) Crimean Tatar - actor, screenwriter, and film director.

Remy Auberjonois (1974) Tatar, Ashkenazi Jewish, Russian, German, Scottish, English, French, Italian [Corsican] / Swiss, French - actor.

Maxim Mehmet (1975) 1/4 Crimean Tatar, ¾ Unknown - actor.

Sergey Zhukov (1976) Tatar - singer.

Cihan Kaan (1976) Crimean Tatar, Turkish - musician, filmmaker and author.

Marat Basharov (1976) Tatar - actor and TV host.

Ilshat Shabaev (1978) Tatar - dancer, singer, and choreographer.

Timati (1983) Volga Tatar / Ashkenazi Jewish - hip hop recording artist, record producer, actor and entrepreneur.

Eldar Djangirov (1987) Volga Tatar, Russian - pianist.

Eldar Gasimov (1989) Tatar, Azerbaijani - singer.

Kamil Larin (?) Tatar - actor.

M - Athletes:

Shamil Tarpishchev (1948) Tatar - tennis player.

Atik Ismail (1957) Tatar - footballer.

Vagiz Khidiyatullin (1959) Tatar - footballer.

Rustyam Fakhrutdinov (1963) Tatar - footballer.

Djamolidine Abdoujaparov (1964) Crimean Tatar - sprinter.

Marat Ganeyev (1954) Tatar - cyclist.

Marat Kabayev (1961) Volga Tatar - footballer.

Radion Gataullin (1965) Tatar - pole vaulter..

Talyat Sheikhametov (1966) Crimean Tatar - footballer.

Kamil Mingazow (1968) Tatar - footballer.

Ravil Sabitov (1968) Tatar - footballer.

Ravil Gusmanov (1972) Tatar - hockey player.

Erdinci Septar (1973) Crimean Tatar - rugby player.

Ilshat Fayzulin (1973) Tatar - footballer.

Ruslan Nigmatullin (1974) Tatar - footballer.

Oleg Saitov (1974) Tatar - boxer.

Vadim Sharifijanov (1975) Tatar - hockey player.

Ruslan Sydykov (1975) Tatar - footballer.

Ruslan Batyrshin (1975) Tatar - hockey player.

Rustam Valiullin (1976) Tatar - biathlete.

Enver Ablaev (1977) Crimean Tatar - freestyle skier.

Ruslan Chagaev (1978) Tatar - boxer.

Mikhail Koklyaev (1978) Tatar / Russian - strongman competitor, powerlifter and boxer.

Rafał Murawski (1981) Lipka Tatar - footballer.

Ruslan Valeyev (1981) Tatar - footballer.

Eldar Nizamutdinov (1981) Tatar - footballer.

Evgeny Muratov (1981) Tatar - hockey player.

Danis Zaripov (1981) Tatar - hockey player.

Ildar Fatchullin (1982) Tatar - skier.

Marat Izmailov (1982) Tatar - footballer.

Rustam Khudzhamov (1982) Crimean Tatar - footballer.

Server Djeparov (1982) Crimean Tatar - footballer.

Ruslan Zainullin (1982) Tatar - hockey player.

Renat Mamashev (1983) Tatar - hockey player.

Denis Abdullin (1984) Tatar - hockey player.

Rustem Kalimullin (1984) Tatar - footballer.

Renat Yanbayev (1984) Volga Tatar / Russian - footballer.

Grigory Shafigulin (1985) Volga Tatar - hockey player.

Renat Sabitov (1985) Tatar - footballer.

Marat Anvaryevich Safin (1985) Tatar - footballer.

Diniyar Bilyaletdinov (1985) Tatar - footballer.

Ilshat Bilalov (1985) Tatar - hockey player.

Enver Lisin (1985) Tatar - hockey player.

Marat Bikmaev (1986) Volga Tatar - footballer.

Rafael Batyrshin (1986) Tatar - hockey player.

Rinat Ibragimov (1985) Tatar - hockey player.

Ildar Amirov (1987) Tatar - footballer.

Ersan İlyasova (1987) Crimean Tatar - basketball player.

Rinar Valeyev (1987) Tatar - footballer.

Ildar Hafizov (1988) Tatar - wrestler.

Inal Aflitulin (1988) Tatar - handball player.

Pele Koljonen (1988) Tatar - footballer.

Rafael Akhmetov (1989) Tatar - hockey player.

Rizvan Ablitarov (1989) Crimean Tatar - footballer.

Artur Yusupov (1989) Volga Tatar - footballer.

Ilýa Tamurkin (1989) Tatar - footballer.

Dinar Khafizullin (1989) Volga Tatar - footballer.

Batyr Akhmedov (1990) Tatar - boxer.

Ruslan Amirov (1990) Tatar - footballer.

Lenur Temirov (1990) Crimean Tatar - wrestler.

Ilmir Hazetdinov (1991) Tatar - skier.

Viktor Minibaev (1991) Tatar - diver.

Ansel Galimov (1991) Volga Tatar - hockey player.

Ruslan Nurudinov (1991) Tatar - weightlifter.

Ruslan Mingazow (1991) Tatar - footballer.

Denis Alibec (1991) Crimean Tatar - footballer.

David Belyavskiy (1992) Tatar - gymnast.

Ruslan Zhiganshin (1992) Tatar - ice dancer.

Stanislav Galiev (1992) Tatar - hockey player.

Emil Galimov (1992) Tatar - hockey player.

Ilgizar Safiullin (1992) Tatar - steeplechase runner.

Daler Kuzyayev (1993) Tatar - footballer.

Redvan Memeshev (1993) Crimean Tatar - footballer.

Ravil Netfullin (1993) Tatar - footballer.

Albert Yarullin (1993) Tatar - hockey player.

Nail Yakupov (1993) Volga Tatar - hockey player.

Eduard Gimatov (1994) Tatar - hockey player.

Kamil Mullin (1994) Tatar - footballer.

Timur Khabibulin (1995) Tatar - tennis player.

Elmir Nabiullin (1995) Volga Tatar - footballer.

Atila Septar (1996) Tatar - footballer.

Rifat Zhemaletdinov (1996) Tatar - footballer.

Timur Zhamaletdinov (1997) Tatar - footballer.

Akhmed Alibekov (1998) Crimean Tatar - footballer.

Edris Fetisleam (1999) Crimean Tatar - tennis player.

#tatar fc #asian fc #poc fc #fc list #rph #task: 197 #task: tatar

15 notes · View notes