#Edwin Austin Abbey

[random-brushstrokes]

Edwin Austin Abbey - Titania, illustration for Act II, Scene ii, A Midsummer Night (1893)

[venustapolis]

The Quest and Achievement of the Holy Grail (Edwin Austin Abbey, 1895)

[illustratus]

Crusaders Sighting Jerusalem by Edwin Austin Abbey

[literaryvein]

L. V., i found this poem in a local paper's obituaries

[twirld]

The Play Scene in Hamlet, Act III, Scene II (detail, 1897) Edwin Austin Abbey

[the-evil-clergyman]

Ye Hag, from Selections from the Poetry of Robert Herrick by Edwin Austin Abbey (1882)

[luminous-void]

Edwin Austin Abbey, The Wind, 1895

[from-a-spiders-web]

Richard, Duke of Gloucester, and the Lady Anne, 1896 Edwin Austin Abbey

[psikonauti]

Edwin Austin Abbey (American,1852-1911)

The Bridge, 1898

Oil on canvas

[ourstaturestouchtheskies]

Within the Tent of Brutus: Enter the Ghost of Caesar; Julius Caesar, Act IV, Scene III – Edwin Austin Abbey // Bad Blood – Taylor Swift

Happy Ides of March! 🗡

[random-brushstrokes]

Edwin Austin Abbey - Figure Study, possibly for Margaret and Faust (ca. 1892)

[karrova]

Richard, Duke of Gloucester, and the Lady Anne, 1896

Edwin Austin Abbey

[illustratus]

Within the Tent of Brutus: Enter the Ghost of Caesar, Julius Caesar, Act IV, Scene III

by Edwin Austin Abbey

[sassafrasmoonshine]

Edwin Austin Abbey (American, 1852-1911) • The Queen in Hamlet • 1895 • Pastel on paperboard • Illustration for the play Hamlet, by William Shakespeare

Edwin Austin Abbey was an American painter and illustrator who identified with the British Pre-Raphaelites. He was an Anglophile, whose subjects were almost always British. Edwin Abbey's Shakespearean works influenced late Victorian stage productions.

[i-love-this-art]

Edwin Austin Abbey / "King Lear," Act I, Scene I" / 1898 / Metropolitan Museum of Art

[queer-ragnelle]

It’s so important that we appreciate Edwin Austin Abbey (painted the Galahad murals in the Boston Public Library) and William Morris (published an Arthurian poetry collection) and Vincent Van Gogh (you know the one) were early supporters of Howard Pyle’s artwork.