#EXCEPT HER VOICE

[autrizzm]

thinking about how if lucy gray’s story took place way later down the line, say the 60-something hunger games, or if dr. gaul had a hand in the punishment rather than dean highbottom, the capitol might have punished her for cheating as well as coriolanus. and how best to do that? make her an avox. cut out her tongue or fuck up her vocal chords so she can never sing again. can you imagine how much that would destroy her

[finelythreadedsky]

your tags. yeah. it's not that they are progressive or feminist or even written by women -- but they are doing something with women that is complex and worth paying attention to, and in many cases they are the reason we have a version of a particular woman's story at all

yeah that's one of the marketing conceits of the myth retelling novel industrial complex that bothers me, it's the framing as if no one has ever paid attention to these female characters who are buried unnoticed in the myths when often the most complete or the most authoritative version of the character's story that survives from antiquity is in tragedy, a genre that is notoriously interested in bringing female characters out of the house and putting them on stage in active roles, and in using those female characters to explore issues of gender and the place of women in contemporary society.

like to a certain degree it makes sense for the homeric women who don't appear in (extant) tragedy, like briseis or the hanged women in odyssey 22, but we have stories where clytemnestra and deianira and medea insist on make narrative space for themselves to tell their own stories from their own perspectives, refusing to be silent about the violence their society inflicts upon women and the lasting damage it does. they're called aeschylus' agamemnon and sophocles' trachiniae and euripides' medea. and maybe you want to retell those stories for modern audiences, changing things or emphasizing different aspects of them! and that's great! but framing it as if they've been ignored and their stories are as-yet-untold is just not accurate, and it's a cheap way to paint your work as innovative and subversive.

[mollyeep]

can u guys just STOP HEARING VOICES

[kiddokori]

[moxie-girl]

when an indie studio makes a better disney princess than disney?????

almond blossom my beloved…

anyways go watch the art of murder on YouTube it’s rly good 👍

[mrmeepsmadmind]

his horns (finials) (idk)(ears)(whatever) shaking... the jumping ??? the struggling 😭 the off center twitching ..he is PISSED. AWF !!!!!!

[anonymouscheeses]

I'm gonna be shitting and screaming and starting fights if Sera becomes a villain. I can't take sibling angst, Sera loves Emily I swear guys believe meeee.

[tapestryundone]

quiet is right handed and always holds the blade in his right hand as a result. he is tied to the narrative that the narrator constructed through the blade and no matter what happens in any runthrough the knife will always end up in his hand at least once no matter what he does or what he truly wants

the princess is always chained by her right hand. no matter what, she is always bound to the cabin and the narrative that the narrator constructs. tsm is represented through countless arms and yet the princes is always placed in a basement with her right hand shackled

both quiet and the princess are trapped in the construct, parallel to one another. the knife is to the long quiet as the chain is to the shifting mound

in the prisoner chapter, if quiet becomes chained then he must lose the knife. there is no purpose to overlapping ones shackles, he just trades one for another

anytime that the princes recieves the knife, she becomes free of her chain. there is no purpose to overlapping ones shackles, she just trades one for another

the knife and shackles are equivalent, and both must be shed in some way for the shifting mound and the long quiet, or the princess and quiet/hero

at the heart of the shifting mound, the princess will always be free. the shifting mound is free to choose anything she wants. shes waiting for you to choose. the apotheosis establishes that she could destroy the construct if she so chose, but if the long quiet doesnt break free with her, destroying the construct will destroy him, too. she is free of her shackle but she has a choice between leaving with the long quiet or killing him- mirroring that the long quiet has a choice between leaving with the shifting mound or killing her. only that the shifting mound made her choice, and that is that no matter what happens, she will not destroy the long quiet

at the heart of the shifting mound, quiet has the choice to take the knife and give into the narrators script- to abide by it or return to its beginning and reread the story all over again- or to abandon his own shackles and free himself from the story the narrator wove

effectively, the chain and the blade must be abadoned in some way for the two to be free. with or without reaching the heart of the shifting mound, neither can be free until the remnants of the construct are abandoned, until their unique tether to the construct is left behind

and if the two are a palindrome, then the letter in the center is the cabin- a structure that exists for both of them and is a construction of the narrator that they both influence differently but in equal amounts. they both have been built around it and feom it, very literally, and the chain and blade are both offshoots of it that the narrator uses to control them

[crystallizsch]

okay twst iago shushhhhh leave me aloneeeee

ANOTHER extremely rough concept- and she's a professor oc for PE i guess???

[virgothozul]

Ok. I have listened to the people. I have watched the thing. It is very wholesome.

Kazu comes home. He is hopeless and tipsy. And he swings between excited and wasted.

[officialzevran]

[wavesoutbeingtossed]

Way to go tiger, higher and higher, wilder and lighter

[mollysunder]

We don't really talk about how on Jinx's artbook she's crossed out Vi, Sevika, and Ekko's eyes out like they're dead.

First we've got Vi. We can tell it's Vi because of the bangs and "Fat Hands" moniker right below. The ponytail threw me off at first, but now it's been confirmed that Vi will grow out her hair throughout s2 so it falls together.

Then we've got Sevika looking like an "ogre", as Jinx would call her. You can even make out Sevika's new bob cut, it's around the eyes, and darkened at the left side and top. (Why does Jinx always have to take a shot at Sevika? *sigh*)

Finally there's Ekko, which doesn't need justification thankfully. Ekko looks kind of angry (a little offended) in a funny way, the context is probably not not going to be funny at all.

I can't say for sure that all the crossed out eyes really means that Vi, Ekko, and Sevika will die, it's just that the only characters depicted from Jinx's perspective with eyes like that are either dead, inanimate, or both.

The crossed out eyes could mean that Jinx gets to a point with all these characters where instead of hearing them she's projected her own inner voice onto them, permanently coloring her perspective on their relationships. Or maybe they're just dead to her, metaphorically speaking. There's a lot of options.

[taldigi]

anyway I think it's an actual crime they cannot kiss in canon

[michyeosseo]

She is not allowed to go. Quickly, call her back.

Zeng Li as SHEN MUYUE

THE LEGEND OF SHEN LI (2024) 1.23

[themightymoose]

Hailey Dilmore you will always be famous <3