#ESPECIALLY WITH HIS VOICE
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man-im-so-high · 9 months ago
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my friend and his very attractive friend are coming over on saturday and we just talked on the phone and played rock/paper/scissors to see who hangs up first i almost cried why was that so unnecessarily attractive???
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"Why did I do that?"
close up
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captain-mozzarella · 9 months ago
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Obi and his padawans :3
I wanted to redraw this but I thought it would be more fun if I did a continuation instead :))))
My original file was apparently too big X)
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rocksama24 · 10 months ago
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First meeting.
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To commemorate Sigewinne's banner, I made this art based of the voicelines a few weeks ago. Best of luck to everyone pulling! (I just got Furina today! ^V^)
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heyimkana · 1 month ago
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Aleks Le elevated this scene even further for me. The shivers in his voice, the way he was crying so softly at first, the quiet whimpers and then full on sobbing... Jinwoo sounds even more vulnerable here and I thought it wouldn't be possible. He really cries like a little boy baring his feelings for the first time in front of his mother.
Aleks you are truly the 🐐 thank you so much for making me cry again at six in the morning.
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plagueislost · 4 months ago
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i rewatched mha for the first time since literally middle school and YEAH ok sure ive been making a lot of anime fanart recently BUT in my defense your honor he is my son and i love him. speedpaint under the cut cause i actually bothered to export the recording this time
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vulcanette · 4 months ago
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close-up of vessel singing tmbte in brussels
🎥: edenkive
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kwillow · 3 months ago
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Oh yes, he'd be a fan (phan?) of the Phantom of the Opera. He would not exactly consider it high art, but I think he would feel a certain connection to any work that offers a sympathetic look at an ugly, rejected, self-proclaimed genius goth with severe social issues and a tendency for violent outbursts.
He would not talk about it because "really enjoys an Andrew Lloyd Webber musical" is not part of the image of sophistication and starched-collar class he wants to portray, but... he would sing the songs. In private. (So he thinks.)
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applestorms · 7 months ago
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L can be such a possessive character at times. he always strikes me as the type of person who is deeply aware of everything that he owns, both in a more literal sense and metaphorically-- like, he knows what money he has and how to use it, what resources are readily available to him and what he has to be sneakier to utilize, the habits and tendencies and emotional states of individuals and world governments both. the DN musical really puts an emphasis on the more computer-y aspects of how his brain functions, which isn't as obvious in the manga/anime but i think still works well as a way to follow his thinking. it's kinda what near does too: everything is a factor to them, every tiny detail a new opening to optimize for the best results, every person and location and object a part of a puzzle waiting to be solved. and as a part of that, L is deeply aware of every and any little thing he may or may not have control over, and exactly to what degree.
his habit of stealing titles as depicted in the LABB murders novel is such a good example of this. ryuzaki, eraldo coil, deneuve. he eats people alive and then takes their names for himself like some kind of fucked up fae or trickster god, creating new masks and personas to hide behind from the remains of the people he's devoured. i have to wonder if he would've used the title of KIRA for himself had he won-- i can hardly imagine what kind of power such a title could hold if held in his hands. of course, he could've just used the defeat of KIRA as a way to build up the L title even further, offering up the body of a dead god like perseus showing off the head of medusa. but L is so emotionally attached to the kira case, i struggle to see him allowing it to fade from existence so thoroughly as near does, even if it is only kept close on a private level...
this is part of why i think it genuinely makes a lot of sense that L's ultimate win state would include capturing light to some degree. even if the memory of KIRA somehow manages to fully disappear from the public consciousness, there is no fucking way L is letting light yagami out of his grasp. honestly, the moment that L truly loses this game is not when he starts investigating misa while still under rem's watch, not when light gets back his memories, not even when he dies, but the moment when he allows light to be freed from the handcuffs. the moment when he allows the other members of the task force to turn off the cameras and keep him from watching light and misa talk in the lobby. the moment when he gives up, lets light yagami go outside of L's personal sphere of control, is the moment when L starts the clock ticking down to the end of his own life.
this is one of the key ways in which i see light as a true equal and parallel to L, as after L's death he, intentionally or no, continues the same tradition and takes L's title for himself, twisting the two sides together into the L-KIRA amalgamation. only, the L title functions a little bit differently than every other persona or title that we see in the series-- because L's true name is L. that's all that he is. on a literal, legal, and emotional level, i don't think that L is anything more than L. he is the world's greatest detective, he's an incredible, weirdo super genius, but he does not afford himself much more than that, barely allows himself personhood or humanity outside of his work. light was the one to ultimately defeat L because he did not just put a stain on his character (as BB attempted), did not just kill him, but stole his very identity and took it for himself.
one of the biggest contradictions of L's character that i think you must accept should you attempt to portray him accurately is that he is both deeply detached from humanity while also having all of his work and effort and life be focused around saving it. it's one of the ways in which he is an exact opposite to light-- where light relies on humanity for external validation, to be Seen, while also looking down on it as dumb and immoral and spineless, L is so separated from it that he barely exists as a person, all the while dedicating almost every action he takes to helping it. remember: for all the emotional turmoil that wammy's house and the legacy of L may put on the kids living there, ultimately it's entire existence is nothing more than L's logical solution to his potential demise. if he dies, the world goes down with him, all of the cases that are yet to happen and he is yet to solve being left in the air. he has the foresight to set up a fail safe, but not to consider the emotional implications of what being that fail safe might feel like, how high the price of your own humanity is if you are not already alienated from it, the inability to have your own name on your gravestone-- though perhaps some of the blame also falls on watari's shoulders in this case, philanthropic old bastard that he is.
imo, playing his game really got it right in presenting L and light as one and the same, synonyms on either side of the mirror. in every action they take they are both so selfishly selfless, playing the game for themselves and their own pleasure but plastering the needs and will of humanity on top of it. L isn't invested in saving humanity for the sake of humanity-- he just likes the thrill of having the stakes raised so high. hard to shit on ryuk for wanting entertainment when the humans he finds are just the same as him.
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mallk-z · 2 years ago
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I want to see how simon’s friends back in ooo are responding to the fact that he went missing. I like to imagine that at least either finn or marceline came to check up on him since finn’s the only person he’s opened up to, and marceline is the last person he SPOKE to before disappearing off the face of the earth without warning.
So while they’re freaking out bc their friend who was last seen having a mental health crisis has gone missing, simon’s out there getting flirted at by himself while his old oc’s tag along and dunk on him constantly.
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mohntilyet · 5 months ago
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did not play a rook de riva but the image of viago trying to be a bit cute just before the battle of their lives and going “you like my furrow :) called it the thinking man’s dimple ☺️❤️🙂‍↕️😁” before teia is like “…not in public i don’t” and then, looking 0.5 cm over his beautiful gf’s shoulder. to his horror. his protege slash sibling slash subordinate has just walked up to them and definitely overheard that
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o3o-lapd-o3o · 6 months ago
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i like to imagine that as soon as the words "someone arrived today, they said they're taking you away" left calypso's mouth, odysseus "sat at the beach every day for 7 years crying for his wife & son" of ithaca immediately jumped up wiped his tears away
then swiftly (without a glance at calypso), walked over to a bush/foliage near the beach and grabbed all the stuff he had been accumulating for 7 years during his prison stay, ready for the day he can leave this place.
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merakiui · 5 months ago
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you're right and you should say it. i'm tired of pretending vargas doesn't have huge breeder balls ready to knock you up at literally the first opportunity. deranged forest woodsman vargas chasing you down in the woods to fuck his children into you NOW
Omg yes....... this is exactly the appeal!!! Just,,, Vargas hunting a bunnygirl in the woods. >_< something something living in a cabin in the woods and finding you,, and you're so much smaller and weaker compared to him. He easily picks you up by your floppy ears and just holds you up to look at you. You could sit on his back while he does his push-ups and it wouldn't even be a challenge.... aaaa poor you, shaking and struggling in his grasp,,, cottontail twitching. So nervous. He'll praise you for being a fast runner.
Or perhaps you were injured when you tried to run,,, twisting your ankle or even sustaining injuries from the hunt.... so many scattered ideas, but the end result is that you're getting fucked into the dirt on your hands and knees. Hehe maybe you're on the cusp of heat, too....... your small bunny pussy is puffy and wet with slick and so very enticing. orz orz orz me next, Vargas. Please.
Like,,,, he literally has a voice line where he talks about how he was the most handsome and strongest in his town when he was younger (and still is today)........ just,,, the idea of taking you for himself as a prize of sorts because he caught you himself, and only the strongest deserves rewards such as you!!! I AM SO INSANE ABOUT HIM. AND HIS WHOLE WARDROBE IS TAILOR-MADE BECAUSE THE CLOTHING STORES NEVER CARRY HIS SIZE!?!?!??!?!?!?! ARE YOU JOKING WITH ME RIGHT NOW............. and he can bite through a leather belt,,,, the jaw strength....... and one of his talents is hunting..... it is destiny that you're just a poor bunnygirl caught at a bad time. <3 the rugged woodsman charm is too strong......
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ofqueensandwitches · 6 months ago
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Hilarious how both Hwang Inyoup and Byeon Wooseok still play high schoolers in their thirties.
Meanwhile Kwak Dongyeon and Bae Inhyuk have played grownups well in their thirties since they were only twenty.
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coldranger · 1 month ago
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Mouse trap my beloved sillies. These doodles are basically Hunted trying to teach Oppy how to be more critter-like so he can be more nimble but Oppy absolutely girlfails every step of the way
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Hunted is just my silly goofy, no thoughts head empty son when he's not being actively chased down
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anghraine · 2 months ago
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I know it's well-understood at this point that Kirk/Spock is much more of a nerd4nerd ship than a nerd/jock thing, but it's just been kind of percolating around my mind that both of them aren't just space nerds but space nerds who were personally bullied.
Like, 18-year-old Kirk was targeted by an older bully who combines "total asshole" with "the most grating man in existence":
MCCOY: Well, yeah, I'm beginning to feel a little bit picked-on, if that's what you mean. KIRK: I know the feeling very well. I had it at the Academy. An upperclassman there. One practical joke after another, and always on me. My own personal devil. A guy by the name of Finnegan. MCCOY: And you being the very serious young— KIRK: Serious? I'll make a confession, Bones. I was absolutely grim, which delighted Finnegan no end.
This was five years after Kirk survived a genocide, btw, and likely well before his stint as an Academy instructor known to be strict and demanding (which is the period the "stack of books with legs" description of him comes from). By the time he's 33, fifteen years after all this, it turns out one of his deepest fantasies is just beating the shit out of his bully, but only if he can do it According To The Rules (the replica of Finnegan sneers, "Always fight fair, don't you? True officer and gentleman, you").
Spock, meanwhile, is viciously targeted by his Vulcan peers for being biracial from at least age 5; he's described as being tormented by other boys by that age, and "at home nowhere except Starfleet." I think he'd have been 18 or 19 when he left for Starfleet and it's... the least bad of his options, but he seems to have spent his entire career among humans and being persistently subjected to raw racism and profound disrespect for his culture at every turn.
Like, their histories of being metaphorically shoved into lockers are not identical or anything, but I think it's interesting that they both have them.
#i feel like kirk and mccoy are generally seen as more temperamentally aligned despite kirk being emotionally closer to spock#spock representing cold logic and kirk and mccoy as the passionate emotional ones#but i feel like a) spock is wildly emotional just repressed. and coolly utilitarian in philosophy. and usually undemonstrative.#b) mccoy is highly intelligent and sometimes VERY much the voice of reason#(not typically cool rationality but certainly reason - he puts together clues that the others don't see on multiple occasions#he's not as easily derailed by obscuring details or over-cerebral analysis paralysis as the other two imo)#c) but mccoy sometimes struggles with the really big emotional shit and spock is more on kirk's emotional wavelength there#(this is especially obvious in conscience of the king and turnabout intruder but not only there - in both mccoy resists seeing#the full horror of the violations of the most basic rights that kirk has endured while spock is much more sensitive to those things)#and d) kirk is emotionally expressive but typically more cautious and measured in judgment than either of the others#more likely to formulate positions in terms of philosophical principles than mccoy's kneejerk sense of decency#(which sometimes is exactly what's needed and sometimes disastrously lacking in rigor and reflection)#or spock's often brutally utilitarian focus on outcomes that runs roughshod over... like. everyone.#that's why kirk is the mediator; he's not at the exact midpoint in every dispute#but broadly his personality and strengths/weaknesses fall pretty evenly between spock and mccoy#(interestingly i think this is especially noticeable with kirk's infamous seductions - which are rarely motivated by simple desire#they combine the focused perception and expressiveness of mccoy and the brutally self-denying calculations of spock#when sylvia exclaims that he seems warm and passionate but his mind is cold it's like... yeah. softly lit femme fatale james t kirk#it's like the unholy side of kirk's overall approach borrowing pretty equally from both mccoy and spock)#ANYWAY the point is that i don't think kirk is actually more similar to mccoy than he is to spock#and in particular his tendency to repress the horrors and focus on useful concrete action are very akin to spock#long post#anghraine babbles#star peace#otp: the premise#c: who do i need to be#c: i object to intellect without discipline#star trek: the original series#anghraine's meta
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