#EPIC PAN REAL

[cosmicourple]

dumb A.U where Odysseus is actually jst the aspecty-but-mostly-reincarnation of a very ancient n very Eldritch Deity of shadows, shadow play, morals n haunting memories, ironic tragedy, all that creepy / unnerving cryptid stuff bla bla bla,, and. Yeah, they always kinda. knew what they were / are but never felt the need to do anything w/ the info (mostly bc their true form is in a good ol’ coma deep in the depths of the Underworld so they don���t rlly feel their ‘normal’ self + they’ve never been giving a good enough reason 2 to start using their Eldritch Entity Powers :3)

until,,,,,, Thunderbringer. Idk why only then Ody’ would decide “ight that’s it, I’ve had enough” but I’m just thinking of a cool scenario w/ Neal Illustrator’s animatic where, right in front of Zeus’s face, Ody’ stills, then transforms. In a simple swish in motion, shadows dart under Odysseus, him dropping into the shadows, then whooshing out, ink black feathery tendrils swaying close besides their his unrecognisable form, flowing up, up, up with him into the air before snapping into them, gently pulsing inside them, his now haunting humanoid! owl face as white as porcelain, hair now a smooth yet ruffled mess of thick black feathers and plumage, their all consuming eyes burning like sparks at the amusing look of horror on the King of Gods face,,,,

The First Great War was Not Good For The Woods.

The First Great War was Not Good For Pan Of Whom They Followed.

These Disruptions by The Godlings Are getting Troublesome to Deal With.

How Inconsiderate Of Them

…and then. Andthentheyfucked—-

[keeps-ache]

my computer wants to update so bad. which is a real shame,

[tanoraqui]

In Which Space Orcs are Men

[AO3] A "what if humans are space orcs" take on Dagor Dagorath. (Aka the prophecied apocalypse of Middle Earth. Scifi story accessible to non-LotR nerds!)

Elves weren't really supposed to leave Earth. That's what they told us—the Elves, that is, told people thousands of years ago, when Elves could still be found here and there. When I was born, elves were nearly as much a fairy tale as they’d been on Ancient Earth.

Elves weren't supposed to leave Earth, the Elves said in the fairy tales, and in a few old scraps of records scattered around known space. They literally weren't made for it. They could only do it if they brought Earth with them—Arda they called it, leaves or dirt, water or a rare bubble of air, perfectly preserved in a white crystal. There are tons of tales about Elves losing their lifeline jewels—their hearts, their silimirs—and roping people into epic quests to get them back before they—the Elf—faded to nothingness. 

Even the jewels weren't enough, though. That's why there are also stories about Elves who fell in love with a person or a place and stayed there until they faded, or Elves who charmed someone into following them back to Fairyland on Earth...because whatever they said, Elves didn't really live on Earth. Humans have maintained their home planet as a monitored nature reserve since like the 40th century, open only to vetted research teams and serious Human religious pilgrimages. The most confirmed accounts of Elves that exist are of their ships appearing out of nowhere, with no trace of any tech that would enable it, at random, always-changing points within 100 miles or so of Earth.

Nobody ever came back from trying to follow Elves home. Mostly Elves tried to dissuade people from trying. But there are always crazy and curious people—and Elves usually attracted those, because any Elf who left the home they were "made" for was usually crazy and curious themselves. 

Those were the stories I grew up with. There was a cave near the orphans' creche which was supposed to be haunted by a faded Elf. I didn't really believe it—like I said, the last confirmed Elf was last seen like 5,000 years ago, and not even on my planet. People have met two dozen new sentient races since then. We've discovered that reincarnation is probably real (just functionally untrackable), prompting the Pan-Religious Reform Wars. The last person to see a live Elf was still traveling via natural wormholes—they literally didn't know that you could loop pi.

.

When the Human natal sun started to turn really red, it wasn’t that big a deal at first. It’s a very important, very sad event for any species, but it happens to everyone eventually. It happened to the Hectort just after we invented interstellar flight. There were some unusual gravatic waves around Earth’s Sol, but nothing worth noting to anyone who didn’t already care for personal reasons.

Then the Elves sent us a message.

The local Parks Service picked it up, of course. I bet the Humans meant to hush it up at first—though the Centaurian government still won’t admit anything—but someone leaked it immediately on the intergalactic net. It should’ve only been famous as a joke of a hoax, but…

It was basically just a metal box with rudimentary fire-thrusters soldered on the sides. It contained two things. The first was a recording/replaying device so antiquated that the only way they got it working is that it was already playing on loop, and didn’t stop until someone disconnected it from its power source.

The message was in Ancient Bouban, which some folklorist soon announced is the latest language an Elf could know, since the last known Elf went back to “Arda.” The voice somehow sounded melodic to every species with a concept of music, from the screeching Vesarians to the deep-sea sub-sonic Thinkers, even when translated through cheap, staticky speakers. And to most species, the speaker was audibly distraught.

They said,

This is the final message from the Firstborn of Eru to the Secondborn, and everyone else. The Battle of Battles has come, and we…are losing. If there are any who remember the ancient love and loyalty which bound our peoples, if there are any heirs remaining of Thargalax the Magnificent, of Nine-Fingered Frodo, of the noble Houses of Haleth, Hador and Beor—

The speaker drew a sharp breath, there.

—by great oaths and greater friendship I bid you now to raise your swords and ride to our aid. Ride as swiftly as you can!

We will hold for another year. We will, they said determinedly. After that, it is unlikely that…

Another, shakier breath. A smile forced into a voice which would rather weep.

Fëanáro and Nienna believe there is a way to destroy the Straight Road. If we must, if it comes to it, we will do so, and trap the First Enemy here in this dying world with us. Though I don’t know about—

Hair-aristocrat! a more distant, slightly less perfectly melodious voice called, in a language so dead that they needed computers to decode it. The walls are falling, we need to go!

If you never hear from us again, and no sudden discord arises among you, you will know we succeeded, the first speaker said quickly. If otherwise…I am sorry. Either way, I bid you all only, remember us! Oh beautiful flames, remember us, as we have ever remembered y— 

There was a sudden screech of tearing metal, a defiant, musical battle-cry, and a jarring silence. Then the message restarted.

And that wasn’t even the strangest thing in the box. The strangest thing was the recorder’s power source, which was powering the whole tiny rocket mechanism as well. It was an Elf-jewel right out of a fairy tale, a fist-sized, translucent not-quite-diamond—but instead of rock or water or a much-loved scrap of plant, the only thing it held was light.

...Kind of. It isn’t normal light. It arguably isn’t light at all, as we know it—scientists now think it’s technically some sort of plasmoid aether, except it only acts like a plasmoid aether about half the time. 

It has no detectable source within the jewel. It fully illuminates whatever space it’s in, no matter how big. Its visible radiation is a frequency, the scientists say, that matches a hyper-accelerated version of what the universe must’ve sounded like in the split second after the Big Bang.

It makes people remember things, when they see it in person or sometimes even across a holo. Some remember a similar light in a strange traveler’s eyes. Others, dreamily enchanted valleys where spring never faded, or tall castles, bright swords, and stern and glorious lords and ladies. And some of us got hit with a whole lifetime of memories in one go: an identical gem on the brow of a sober forest king, friends who slipped through trees like shadows save for their merry laughter, an impossibly beautiful gold-haired maiden dancing in a glittering cavern...

(And all the pain and loss that came with them.)

And some people just remember the sight of a distant star—in another world, in another lifetime.

Reincarnation was provable but untraceable…until now. 

The Thinker ambassador on Astrolax Station 5 was the first to kick up a fuss. Most Thinkers never leave their home planet, they're too huge and aquatic. But like I said, there's always crazy and curious people. The ambassador started bellowing the second che heard the message, without even seeing the light, because, "I know him! My Wisdom! We must send aid!" That made some news, and random other people shared their own, less dramatic revelations, and soon a compilation swept the net with timestamps showing that most of them were organically independent, not just jumping on the bandwagon….

Even that might've gotten written off intergalactically. The Thinkers are big in reincarnationist circles, on account of how they claim that deep in their planetary ocean they can hear echoes of their past lives. But being mostly planet-bound means they're not really influential on a big political level. Or it would've sparked another surge of the Reform Wars, and everybody would've remembered the rock, but not the recording. Or there would’ve been a fight over this potentially infinite energy source (though that is so last giga-annum)….

But first it was shown in person to the current Director of the Admiralty of the Astral Alliance, President of the X-ee Empire and Matron of the House of S,sh, Ch’ees/i’i S,sh. I was actually there—I was Captain of her ceremonial Alliance guards, in a last-ditch attempt to salvage my career after Zanzibus. Very ceremonial, considering the X-eee have laser-proof shells and pincers and I have, what, opposable thumbs? Vestigial tusks?

I wasn’t paying attention at first, too busy being suddenly assaulted by all my own memories. So I missed the President freezing mid-step and gasping (in X-eee), “Mother.” I also missed her rising alarm call of an attempt to speak Ancient Elvish without an Elvish tongue or lips.

I sure didn’t miss her snap back to X-eee for a sharp call to attention, and everything that followed: the call to arms! The rousing of the Alliance! A tour of the galaxy, to find anyone and everyone else in whom the Light could awaken ancient memories! And for the love of X'eeh, why had nobody figured out how to get back to Fairyland with this thing yet, and every warship in the quadrant?!

If I believed in the One Behind, or in any other creator god or gods—I'm not saying I do, but if I did, if there really is something out there all-powerful and all-kind—then it'd be because out of every soul in the entire universe, the probably one in the best position to act on the Elves' message turned out to have, from a past life, two parents and a much-loved twin still in Fairyland. Like, that's insane, right?

I stayed with the Director's ceremonial guards for the whole tour, actually more than ceremonial for once—it was the weirdest mission of my life, and I've been on a lot of weird missions. Or supposedly routine missions that got weird (and usually disastrous). My friends joke that I'm cursed. S,sh requisitioned an Inquiry-class ship, so the science boffins could study the Light and jewel along the way, and we started wormholing at weft speed, hitting a new planet every week. Sometimes every day. In each major spaceport and ground-city, S,sh stood with the jewel on the highest available point and gave a recruitment speech for going to save the Elves and fight the oldest enemy of all reality. 

Honestly, it seemed a little redundant? The Astral Alliance was made for this sort of rescue mission (and for escorting trade convoys). But I was...if not happy, then sure as hell more self-certain with my ancient memories restored, and most people who joined up seemed to agree. It was mostly people who remembered, when exposed to the Light, who joined—so before long, we had a whole tag-along trail of mostly civilian ships, trying to get up to Alliance Fleet standard on the road in less than a year.

Three different religious sects tried to kill S,sh for "profaning the mysteries." Five others tried to steal the jewel because we were apparently appropriating a holy object. The boffins announced that, bar the can't-prove-a-negative possibility, the evidently sourceless Light should be counted as an infinite energy source, and at least seven different groups, ruthless financiers and sustainability idealists, immediately tried to steal it for that. And I still don't know what the rival thief-queens of Likkiliani were about, except that I got tied up upside-down from a palmdar tree for two hours trying to stop one, the other paid me 700 cron then threw me off a cliff, and in the end they recognized each other from past lives and just made out on worldwide live-holo before joining our growing fleet. 

It turned out they were the Director's past life's great-grandparents, and a Canid pop princess was her niece. The Thinker ambassador was some sort of ancestor, too. Crazy extended family. 

Most people who remember just remember the sight of a star in the sky. A buddy of mine from Fleet Academy remembered looking up at it as a Human sailor. The historians—and you’d better bet we picked up some Earther historians on this mission as well!—say this jewel or one like it was probably astrologically conflated with the planet Venus by early Humans.

(The more time I spent around the jewel, the Silmaril, the more I remembered, of my first life and more. Lifetime after lifetime with bad luck dogging my steps, killing loved ones in my arms, destroying cities I was supposed to save… One restless, haunted night, I met a Rigilic in the cafeteria who’d been awake with some of the same nightmares, who’d been my dead older sister once.)

The tour was cut short when word came from the Earth system that there was a black hole growing in the center of their reddening sun. 

No, the sun wasn’t compressing into a black hole millennia ahead of schedule—one had just spontaneously manifested within it, like it’d teleported in. No, not literally—that was impossible. We were pretty sure. No, the sun wasn’t falling into it…somehow. Yet. The black hole was only 17 quectometers wide, but it was growing at an erratic but unceasing rate. If their best estimation of the pattern held, it would consume the sun 2 months before the Elves’ deadline, and the Earth 4 to 950 minutes later.

We pulled back to Earth—well, to the dwarf planet Eros, on the edges of Earth’s star system. That’s where the nearest shipyard of any note was, and we were gathering the whole Astral Alliance. This is exactly the sort of thing the Alliance is for. 

I was released back to ship duty. Zanzibus was still a black mark on my record, as was Jorab, and really everything on the AAS Endeavor…and that thing in third year of Fleet Academy… But no matter how bad my curse, I was an experienced captain and one of the best pilots in the Alliance. For this, we needed all the best.

The boffins had pretty quickly mastered limited manipulation of the Light, using modified aetheric resonators, and every day they came up with something new for us to test. They focused the Light into a laser cannon like no one has seen before. They laced it through plasma shields until a fully shielded ship glowed like a distant star. They managed to nearly replicate the Silmaril’s crystalline structure, so they could make “copies” that shone like the original for first a few hours; then, with refinement, a full week…

The one thing they couldn’t pin down with any real confidence was how to get to Fairyland. The frequency of the Light resonated with large bodies of Earther saltwater in a particular way, and models suggested that if the Light source moved horizontally along the water within a certain range of distance and velocity, the resonance would create a wormhole-like ripple in space—but wormhole-like, was the key word, and models suggested. The closest anyone had seen to that spatial distortion was in a logbook of dubious veracity from the Delta Quadrant, four hundred years ago. Alteia, my Academy buddy who’d been a Human sailor, took the Silmaril in an M-wing on a series of highly monitored test flights above the Atlantic Ocean, and space did repeatedly start to hollow in front of bom—so bo had to stop every time, rather than risk vanishing with our single, maybe-one-way ticket.

Then Earth’s moon stopped shining in the sky. Its albedo just dropped nearly to zero, from one night to the next. There was nothing wrong that anyone could figure out—nothing with the orbit, nothing with the surface rock, nothing with the artificial atmosphere. Inhabitants reported feeling colder by several degrees, but no measuring equipment recorded anything.

The black hole slightly off-center in the middle of Sol was now 844.9 zeptometers, and growing more steadily.

We didn’t have time to keep testing. We needed to raise our swords and make our ride, even if we only got one shot at it.

I was given command, for seniority, skill, and because I was the one who managed to talk S,sh out of leading the fleet herself. (If my lives had taught me anything, it was the importance of having someone, anyone, ready to be emergency backup.) Ironically, I was back on the Endeavor, with most of my old crew—though we got permission to rename the ship, in honor of the mission. A lot of people did. Alteia was now commanding the AAS Elendil on my right flank, star-friend in Ancient Elvish. That Canid pop princess had taken over a hospital ship and renamed it Rivendell. An Earth Park Ranger, of all things, remembered being my dad—briefly—and he was leading the Rangers plus my Rigilic drinking buddy on the EPSS Elfsheen. 

We weren’t sure if any ship but the one with the Silmaril would get through. The fleet numbered in the hundreds in battleships alone, not counting scouts and scuttlers. Twelve races had sent ships on top of their typical Alliance Fleet tithe, and S,sh had brought about half the full force of the X-ee Empire. We all just locked tractor beams and hoped. 

I was piloting as well as captaining, with the Silmaril between my forehorns. It was held in place by about a dozen wires and other connectors to the ship, like an old-timey pilot’s headset. We took off in orbit around Earth, as close as possible to the surface—not very close, in warships of Class S and higher, but within range of the oceanic resonance. A Likkilianian thief-queen stood at my shoulder, ready to advise if anything “Musical” started to happen.

Think about what you’re trying to get to, and why, the boffins had advised, so I did—bright-eyed kings and dancing maidens; lost friends, families, cities, planets and all. The jewel got warmer against my skin and shone brighter with every pulse of the engine, brighter than we should’ve been able to see through.

The silver-gold Light twisted and diffused as space did around us. But there was no familiar rippling wormhole boundary—instead, spacetime thinned to a curtain like driving rain, like Vesarian silver-glass.

A ghost appeared next to me. She looked like the oldest, grumpiest writing teacher at the crèche, though I knew that was only in my head.

“There you are,” she said, impatient and relieved like I’d been hiding in the sandbox again, rather than coming to class on time. Her sewing scissors went snip snip snip as she darted them around my body—and a chain on my soul faded into guiding threads.

Before she’d even disappeared again, I punched the engine and blasted through the silver-glass curtain.

Fairy tales said there’d be a peerlessly beautiful land on the other side, green with eternal spring, full of endless light and laughter. They said there’d be sunlit shores and shimmering waves, with welcoming docks for sea-ships, sky-ships and space-ships all…

We flew into the worst battlefield I’d ever seen, in any lifetime. It was more desperately vicious than Jerusalem V at the height of the Reform Wars, more ruined than Glaurung’s wake, more desolate than Zanzibus after the nuclears fell.

Either a massive supercontinent or a small moon had been shattered, leaving nothing but a roiling debris field. The brand-new meteoroids ranged from pebbles to rocks the size of a small space station, and included space-frozen corpses, forests, and what might have once been city blocks.

I gave the helm back to my Pilot Officer—zer had, I can admit, slightly better reflexes for dodging debris—and focused on captaining.

Most of the life signs were clinging to the larger rocks. There shouldn’t have been atmosphere for them, but walls of thunderstorm wrapped around every shard with even a single life sign—wind and water desperately hand in hand to safeguard the last of the Elves. The only thing visible through the impossible storms was the Light of a second Silmaril, on a meteoroid shaped like half a broken eggshell.

A corpse lay at the epicenter of the explosion—what might’ve been a corpse, if it wasn’t also shattered. The broken pieces of a massive stone humanoid, taller than my ship if it’d stood beside her, still bleeding lava so hot that it burned even in frozen space. Another titan knelt at the shards of its head, a figure of towering bark and leaves, wailing with grief even worse than the end of the world. 

A slimmer tree-woman stood with one hand on her shoulder, comforting, and the other wielding a skyscraper-sized club spiked with incandescent wildflowers. Guarding her sister’s heartbreak, she fended off a swarm of bat-sized monsters with wings of darkness and whips of flame. 

Bat-sized relative to the gods of Elves and ancient Humans. About the size of an M-wing, in flight.

Countless more of the bat-things flung themselves at the storm-bubbles, like carnivores chasing the prey hidden inside. They were fended off by an equal army of creatures with wings of light and swords of lightning, led by a towering figure who seemed to dance from one bloody battle to the next.

The biggest battle by far was the farthest away, over where the sun had been. In this dimension of stories over science, Sol was another woman-shape, smaller than the others but burning just as brightly as her star. Also just as blood-red. The light was centered on a fist she kept clenched at her chest, and instead of containing the black hole, the unseeable thing that it was here surrounded her, striking at her with a thousand hungry jaws and grasping legs, and she had only a one-handed whip of a solar flare to fend it off—

But she didn’t fight alone. A warrior tore at the Darkness’s spidery limbs with his fists, image on the cameras flickering impossibly between every hero I’d ever heard of. A snarling figure bit at it with jagged teeth, gored it with horns, shredded it with claws and talons, and generally made every ancient prey-instinct in me scream. And a queen with a crown of stars, a shield like the night sky and a sword like a streaking comet, stood dauntlessly at the sun-holder’s side. 

With all that, and with the speed of even her most exhausted strikes, I thought the sun-holder could probably have gotten away if she’d tried. But I knew how a person fought when they weren’t willing to leave a friend, and a smaller, silver figure lay at her feet, unmoving and drained of light.

But even the battle for the sun wasn’t what grabbed my eye. No—all my attention, all my guiding threads of fate and the quick temper that always used to get me in trouble, before (and sometimes after) I learned to leash it in an Alliance uniform— All of that took me straight to the fight happening orthogonal to the stone giant’s corpse.

It was another one-versus-many. Morgoth, the First Enemy of Elves and Men— Master of Lies, Maker of Chains, Sonofabitch Curser of Bloodlines—towered over even his fellow gods. His shape changed constantly, sickeningly, but it was always black-armored with eyes like dying stars that hated you personally. His maul dripped with lava and every other kind of blood.

He fought against three great gray figures who moved as one. The tallest wielded a star-studded scythe with swift, efficient strokes, and wore the dark gray of corpse-shrouds. The shortest shimmered with more colors than even a Stamotapadon could dream of, and his weapon shifted likewise. The third was the clear, clean gray of skies after rain or tears run dry, and fought with only a shield—and hit harder with it than either of her brothers.

Around their heads darted the only Elves on the battlefield, in small fliers more like sea-ships than aircraft. But they moved fluidly, pestering the Dark Lord like flies, pricking his skin and threatening his burning eyes.

Until Morgoth swung his maul with a roar of fury that traveled even though soundless space. My ship and heart both shuddered. The gray gods all staggered back, and the Elves fell from the no-longer-sky—all but their leader, more fire than flesh, who wore the third Silmaril. Morgoth caught him in one massive black hand and with sharp claws plucked the jewel away, as easily as a ripe berry from a tree—

“All power to fore-cannon and fire,” I ordered—and the jewel on my brow shone bright again as several stored months’ worth of infinite Silmaril-Light slammed into Morgoth’s chest with all the force that the best scientists in the Astral Alliance could engineer. 

He stumbled. He dropped both the jewel and the elf-king (who’d been trying to bite him). The Lady of Mercy tossed her shield to catch them, staying low and out of sight—though she needn’t have bothered. The so-called “Lord of All” had already found his next enemy.

“All ships, move forward and join shields,” I ordered, and met his burning stare though the viewscreen. “Then broadcast me on all external frequencies.”

The wires on my forehead shimmered as we shifted Light-flow to the shields—and to my right, so did the Elendil, and to my left, the Cosmian Blade, and all around us the Minas Tirith, the Elfsheen, the Muse, the Rivendell, the Heart of Zanzi, the Longbottom Leaf… They were still soaring out of the silvery distortion behind me, tractor- and Silmaril-towed: sleek Rigilic eels-of-prey and Centaurian cruisers full of Humans eager to fight for their homeworld, Betan mine-ships and Canid X-M-wings and my own Hectoan starlighters, a full third of the X-ee navy with their X-eee–shaped six-engine dreadnoughts, and hundreds more. 

“This is Captain Pel Cinia, once Túrin Turambar, of the Astral Alliance ship Gurthang,” I said. My words were broadcast from every ship on every frequency in every language that the people of Arda might know, as the Fleet assembled from forty-plus different worlds flew into position. Our Light-infused shields blazed and locked together, until we formed a seamless wall right in the Enemy’s face, with the Elves and their other allies safely behind us.

I’ve never felt more proud to recite the most cliché line in the Fleet:

“We got your distress call. We’re here to help.”

[gtinthepot]

MASTER LIST OF GIANT/TINY CONTENT

Disclaimer, I have not looked up everything on this list and most of it was suggested from others. I cannot promise the accuracy of the content. Suggestions for the list are more than welcome, leave a comment on the post for people to browse through after checking to see if its on the list already :)

I’ll be editing and adding to it here and there, so some reblogs of the post might be outdated. I suggest clicking on the source /main post to get the newest version. The old list can be found here.

7 deadly sins

A bug's life

Aaahh!!! Real Monsters (some episodes)

Adventure time

Alice in Wonderland

Alvin and the chipmunks

Amour de poshe (the girl in his pocket)

Animorphs: #24

Ant bully

Ant man (1 and 2)

Antz

Archies weird mysteries (one ep)

Army of darkness

Art Attack

Arthur and the Invisibles

Athena complex (webcomic)

Attack of the 50 foot cheerleader.

Attack of the 50 Foot Woman

Attack of the puppet people

Barbie and the nut cracker

barbie movies (look up specifics)

Barbie Thumbelina

Beastars

Beatle juice

Berserk

Big man japan

Bottle Fairy

Bramble the mountain king. (video game)

Brave little tailor (mickey mouse)

Bugs life?

Captain America: Civil War

Card captor sakura (one ep and some scenes)

Christmas Stories: The Tin Soldier is a good one.

Clifford the big red dog

Cuphead: Don’t deal with the Devil (mostly with certain bosses)

Darby o’gill and the little people

David the Gnome

Disenchantment

Dollman

Downsizing

Dr cyclops

Dr who (one ep: into the dalek)

Dragon ball

Dungeon meshi (a few chapters)

Ella Enchanted

Elusive people.(video game)

Epic

Ernest and Celestine (more of a mini-giant/doll-sized tiny size dynamic)

Fairytale: a true story (1997)

Fantastic Planet

Fantastic voyage

Ferngully

Final space episode 5

Frame arms girl.

Futurama (some episodes)

Gelias and the giant

Gen V

George shrinks

Gods of Egypt

Godzilla

Grandpa in my pocket

Gravity falls (one episode)

Grounded (video game)

Guardians of the Galaxy (vol. 2 more so than the first one)

Gulliver's Children (webtoon)

Gullivers travels (1939, 1977, 2010) as a well as a mini-tv series

Happily Ever After: Fairy Tales for Every Child: Aladdin

Happily Ever After: Fairy Tales for Every Child: Season 2, Episode 2 thumbelina

Happily Ever After: Fairy Tales for Every Child: The shoemaker and the elves

Helmecrons

Help I shrunk my friends

Help I shrunk my parents

Help I shrunk my teacher

Here come the littles

Hilda

Honey I blew up the kid

Honey I shrunk the audience ride at Disneyland

Honey I shrunk the kids

Hornby sets

How to Keep a Mummy ( Miira no Kaikata)

Inch high private eye

Innerspace

Invincible (Some episodes)

It takes two (game)

Jack and the Beanstalk

Jack and the Beanstalk: The Real Story

Jack the giant slayer

Jackie Chan Adventures (one episode)

Jaimes and the giant peach

Jitsu wa watashi wa (mostly the 4th episode)

Journey 2 The Mysterious Island

King kong

Kubo and the two strings

Land of the giants

Legoland

Lilo and Stitch the series (two episodes)

Little (Grrl) 

little nightmares 1 and 2 (game)

Littles

Lord of the rings

Macross sequel shows (-anime-)

Mars attacks!

Mickey and the bean stalk

Micro Machines

Micro Ventures

Militsioner (Video game)

Minami-Kun no Koibito (2015)

Minish cap (video game)

Moana

Modest Heroes Kanini and Kanino (Short film)

Monster (video game)

Monsters Vs Aliens

My hero Academia (some episodes)

My Little Lover

My Miniature Manual (webtoon)

My Monster Secret (specifically one character)

natsume yuujinchou

Nau-lmg

Night at the Museum

Nils holgersson

Ok Ko! lets be Heroes season 3 episode 9 Planet Vacation

One Punch Man (some episodes)

Onward (a few scenes)

Osmosis Jones

Ozzy and Drix

Pans labyrinth

Paper mario sticker star (Video game, two levels)

Peter pan

Pikmin 1, 2, and 3 (game)

Pinocchio

Pokemon sun/moon anime second season (one ep)

Ponyo

Rainbow Magic

Ratatouille

Rick n morty (one episode)

Robotech (-comic series; new ones-)

Robotech (season one/The Macross Saga) (-anime-)

Robotech Remix (-comic series-)

Super Danganronpa 2 (video game, final boss)

Shadow of the colossus (video game)

Shrunk the family (Onnelin ja Annelin talvi)

Small blessings (webcomic)

Small Lands Survive The Wilds (Video game)

Small soldiers (1998)

Smallfoot

Smurfs

Smurfs lost village

Snorks

Spirit of wonder: The shrinking of miss China

SpongeBob SquarePants (the wumbo episode)

Steven universe

Stormlight Archive (-book series; has tiny fae people-)

Strange days at blake holesy high (one episode)

Strange magic

Stuart Little

Sugar apple fairy tale.

Super giant robot brothers.

Tales to Astonish (comics)

Ted Hughes

Tentacular. (video game)

The 3 worlds of gulliver

The 7th voyage of sinbad

The amazing colossal man

The bee movie

The BFG

The bfg 1989

The borrowers (1973, 1993 1997, 2011)

The Borrowers (Arrietty)

The Borrowers exhibition at the Hancock Museum

The Boys (some episodes)

The dwarf and the giant 1901

The Fantastic Planet

The hobbit

The hulk

The incredible shrinking man

The incredible shrinking woman

The Indian in the cupboard

The iron giant

The iron man

The Journey.

The Last Guardian (video game)

The Last of the Huggermuggers by Christopher Pearse Cranch

The Little Bits

The littles

The magic school bus

The nut cracker

The owl house (one episode)

The phantom planet

The Rescuers

The return of the Borrowers 1992 and 1993 tv series

The Secret of Nimh

The secret world of Arrietty

The Selfish Giant by Oscar Wilde

The simsons (one episode)

The storyteller (one ep)

The Suspicion and #42

The Sword in the Stone

The tale of the princess kaguya

The ultimate avengers (1 & 2)

Thumbelina

Time loader. (video game)

Tinkerbell and The Great Fairy Rescue

Tinkerbell and The Pirate Fairy

Tinkerbell movies

Tinykin. (video game)

Tom and Jerry

Tomb thumb

Townsmen VR. (video game)

Toy story

Transformers

Transformers (old series)

Troll hunter

Troll in central park...??

Trolls

Trolls band together

Ultraman cosmos

Underdogs

Unravel. Porcelain tales. (video game)

Valkyrie Drive Mermaid (one episode.)

Village of the giants

Violet Goes to The Beach (webtoon)

VR Giants. (video game)

We’re Back! A dinosaur story

When the Dolls Woke (book)

Wild Kratts

Wild, wild planet

Wiplala

Wrath of the Titans (one scene)

Wreck it ralph

Yarn (video game)

Zootopia

[racheyace]

Do you possibly have a list of the G/t movies and/or shows? I've been looking for stuff to watch and would love to know what good stuff you've come across!

Okay so I've compiled a list from my poster and from more that have popped into my head as I wrote them down, fairly sure there's even more, but these are the ones I know well, if you know of any more please comment, I'd love to add to the list, there's actually so much out there when you really think about it!

Anyway enjoy and I hope I've listed at least some that you haven't seen before

Gt in media list:

Percey Jackson and the Lightning Theif (Literally a 3 minute scene toward the end of the movie but a great scene!)

Gulliver’s Travels (2011 Jack Black)

Gulliver’s Travels (1996 film)

Black Adam (The Atom smasher is a size shifter kinda like ant man)

Ant Man (Ant man and wasp, ant man quantomania, all three of these movies are great!)

Avengers Civil War (Airport scene)

Earths Mightiest Hero’s (Tv show featuring ant man and the wasp with great gt scenes)

Help! I shrunk my teacher (This movie is in another language however I have been able to find an English version pretty sure on YouTube)

Help! I shrunk my parents (Again in another language but should have English version on YouTube)

Help! I shrunk my friends (Now this one I haven’t been able to find with English version or English subtitles so if you find one please share, but visually even better than the other two in regards to gt!)

Tinkerbell and the great fairy rescue

Disney’s Thumbelina

Disney’s original animated Peter Pan as well as Return to Neverland (Tinkerbell gt scenes)

Ella Enchanted

The Borrowers (1973) A little old but super cute!

The Borrowers (1992) Pretty sure this is a mini series or at least 2 or 3 short films and it is great!

The Borrowers (1997) Classic movie, great visual effects, epic cast, amazing gt!

The Borrowers (2011) Another great remake of the movie, a little more modern

Alice in Wonderland – Whether it be the Disney animation or the Johnny Depp remakes, great gt scenes in this also, I personally like the live action remake

Hook – Oh my god is this movie great! Julia Roberts plays Tinkerbell and Robin Williams as an adult Peter, the chemistry and gt interactions in this are amazing!

Wiplala (Also known as Help! I shrunk the family though not from the same series of movies as the other Help! Movies I mentioned above) This is also found in a different language though English versions are available on youtube – Totally underrated movie and has amazing gt all the way through!

Barbie as Thumbelina (For a kids movie this has a super cute story and great gt enemies to friends vibes)

Jack the Giant slayer

Peter Pan (2003 live action) One of my favourites and I rewatch this a lot! Poor tink gets grabbed a lot sometimes gently and sometimes not so gently!

Honey I shrunk the kids

Honey we shrunk ourselves

Honey I blew up the kid

The Secret World of Arrietty (Another one of my all time favourites and rewatches!)

The Iron Giant (Again just amazing and one of my favourites!)

The Indian in the cupboard (So sweet with a lot of really powerful messages)

The Littles (Kids tv show and just all around great gt!)

The incredible shrinking woman (I personally didn’t enjoy this movie as much as I thought I would but still great gt scenes)

The incredible shrinking man (Again didn’t love this but it is also very old, great special effects for its time)

Fern Gully (Another all time favourite!)

Fern Gully 2 the magical rescue (Not as great as the first one but still pretty good as far as gt goes with more interactions with humans)

Epic! (one of the newer gt animations with a fantastic cast, didn’t like that the human’s move so slow but from a scientic viewpoint that does make sense)

Tom Thumb (This is fairly old and a musical, but has some excellent scenes for its time)

George shrinks (A kids tv show I grew up watching, all around amazing)

Jack and the beanstalk: The real story (Fantastic movie, though it may be a mini series, I can’t quiet remember but great gt again!)

Attack on Titan (this is an anime series, it’s also really good in the fact that one of the humans, well a few, but the main character can become a titan and helps to protect his city and his friends, now this show is not for the weak stomach, the titans are quite disturbing and there is a lot of vore and gore so fair warning)

Dinosaur (Disney movie – gt found family the tiny lemurs take in a dinosaur and raise him as their own, inspired my most recent story)

Transformers (There are many of these and can be hit and miss with regards to gt, but its there)

Sugar Apple Fairy Tale (Another anime, actually just started this and its fantastic in regards to gt)

Night at the museum (All three movies as they all include our favourite tiny cowboy and roman)

Robotech (I’ve been told this is great as it contains giant mech people and some gt scenes)

Land of the Giants (TV series, it’s fairly dated but well worth a watch)

Downsizing (Starring Matt Damon, I personally didn’t like this film, it had so much potential and just missed the mark but there is some great gt in it)

Monsters Vs Aliens! (I can’t believe I almost forgot this movie and it’s not in my gt media poster ahhhh! Amazing gt all the way through, one of my favourites!)

Dwarfina (Such a cute tv series, it is in another language but I was able to understand a fair bit, following the series on youtube can be confusing but it is so worth the effort, the story is so sweet with amazing gt and romance)

My little lover (A Japanese series, though I believe there is an english dub, I’ve heard there is a remake now out but I’ve not seen it, the original is fantastic though!)

Okay I’m gonna list a few more below, they all have the same sort of vibe, I didn’t personally enjoy them they were like on the cusp of pornography but for the sake of the gt in media list I’ll put them here:

Attack of the 50 foot cheerleader

Attack of the 50 foot woman (There is two of these, an older one and a remake)

Attack of the 60 foot centrefold

The 30 foot bride of candy rock

The Amazing colossal man

Village of the giants

[justcressida]

How Do Record Of Ragnarok Characters Deal With Turkish Women?

(The reason why the reader behaves annoyingly towards the Greeks is because of the confusion of food and culture)

(Actually, they can't cope, but that's a secret. Also, the nationalist cat in me is acting, don't blame me)

THOR

You look at his damn face and think he's calm, right? You're absolutely wrong.

You're not much different from a pair of rabid dogs. Thor isn't much of a social God, and no one can figure out how this guy came together with a chaotic leg.

He saw a lot, he didn't think he would be surprised by anything for the rest of his life... Until I met you.

You howled as you gave the middle finger to the Greek Gods??? Like a real wolf??

Really, truly in his immortal life, he had never been so surprised. He wasn't very interested in races, but when he learned that the Turks were descended from wolves, that strange gesture made sense

He observed that he was a very passionate person. You were proud to be proud of your culture and treated your ancestors with great respect.

You also said that you were going to make him eat a weird thing called kebab once and if he didn't like it you would shove the skewer used to cook the dish called kebab up his ass??

LOKİ

A scary couple that you have to run away from no matter what.

Similarly, he found you eating fish and grinning wickedly in front of Poseidon. You were eating while looking Poseidon in the eye, and Hades had to intervene to prevent Poseidon from killing you

FOUND IT VERY FUN

You are such a chaotic couple. Even Loki is sometimes very afraid of you, though. I mean, what madman would have a big 'National Anthem' painting made in the room and then have the entire Scandinavian Pantheon read it at knifepoint?

Whenever he doesn't like any Turkish food, you recite an epic of Turkish profanity to him, so he has learned to go to your senses.

Your favorite activity is to make people hell with life.

You speak so much Turkish that he knows all the Turkish swear words thanks to you.

BUDDHA

The love of his life.

Buddha always does whatever he wants, similarly you are the perfect couple as your favorite activity is breaking the rules.

Because his stomach is a black hole, you and your whole family are constantly cooking a lot for him. Your possessive attitude towards food surprises him a little, but at the end of the day, he doesn't care much because it's profitable.

You drive him crazy by speaking in Turkish. Really... You grin wickedly after saying a lot of Turkish things to kill him out of curiosity.

.... After a while, he ate so much lahmacun that his stomach hurt for a long time.

POSEİDON

The funny thing is that you do everything to drive Poseidon crazy, and what's even funnier is that you're married.

He might actually laugh if he stopped freaking out because of your disrespect, but for Atlantis' sake, why look at the sirens and "If we cut this, we'd make 2 pounds of anchovy pan... I'm craving it." What do you need to say?

(In Atlantis, everyone runs away from you because they're afraid you'll grill them)

He decided to stay away from you because you broke the painting 'Gençliğe Hitabe' to Apollo in his head.

... He is scared and aroused.

APOLLO

You broke a painting in his head and told him, and you said 'Yavşak piç'

He later found out that it meant "Squirrel bastard" and was defeated because of your audacity.

No one knows how you came together, but they're most surprised that you treat Apollo like shit.

"How are you today, little bitch?"

Although Apollo was partially accustomed to your chaotic behavior, what surprised him was that you loved each other by beating each other. When your best friend hit you on the buttocks in front of everyone, you tore her hair out and then hugged each other on the floor???

Also did you love each other by swearing???

Strange, but Apollo liked it

[downbadspanishlad]

WARNING: Some of the following content may be slightly triggering due to discussion of abuse and trauma. Please don't read further if reading about that stuff could possibly hurt you! You're valid!

Masculinity in Baldur's Gate 3:

As a trans guy who didn't have friendly male rolemodels growing up, the male companion characters in Baldur's Gate 3 mean so much to me.

While Astarion is clearly my favorite, I have a huge amount of love and appreciation for all the companion characters (male and female). But it's the several types of masculinity the male companion characters have that offer something for male and/or masculine folks like me to aspire to (in some way or another).

Disclaimer: I've unfortunately not had the time to interact much with Minsc, therefore I won't be including him in this post, but he seems like a lovely and cool dude overall, so please don't take his absence as a sign of me not liking him.

Astarion:

Astarion's interest in murder/violence and being mean at times are definitely not things to aspire to, but I do understand why he does what he does. His trauma is no excuse for his actions, but they do explain a lot (He also becomes much kinder as you progress through his story, revealing that he's actually a pretty kind hearted dude that puts up a rough exterior as a method of defense).

I really like Astarion for a lot of reasons. The first reason is the fact that he is a masculine character that is ALSO an explicitly queer, slightly effeminate man with trauma.

In terms of being "explicitly queer," I mean this clip from this video:

As someone who doesn't neatly fit into the stereotype of being a "MANLY man", let alone society's expectations of what it means to be a "real man," Astarion's effeminate nature is something I deeply appreciate. 

(Note: That's not me trying to insinuate that trans guys me aren't 'real men.' It's solely about commenting on how men who are trans, hell - even cis dudes who are gender non-conforming, are often told they're 'not real men').

Astarion's very theatrical in his demeanor, and it's one of the things I love most about him. He's hilarious, he's fun, and he's able to be the way he is without being shamed and emasculated for it. I grew up and currently live in an area where being as theatrical and fun as Astarion is something that can get you shamed or even physically hurt for not being "man enough" in that way. 

I've also often felt very insecure in my masculinity for being queer and possibly being "not masculine enough" for people. Don't get me wrong - being gay is epic (and gay people are epic), but it has absolutely nothing to do with a person's gender or how they express themselves. Toxic masculinity, however, is something that suggests otherwise, and I'd be lying if I said I'd never felt insecure in my masculinity because of my sexuality (I admit that it's something I'm still working on too). But that's exactly why I love the fact that Astarion lives in a world where he can be as flamboyant, expressive, and as queer as he wants while still being seen as masculine.

I also love that bi/pan erasure is (overall) not a thing regarding the ladies of the BG3 fandom. Astarion is especially popular amongst the girls and the gays, and I think that's EPIC! I really love that Astarion lives in a world where he doesn't have to worry about people saying that his sexuality isn't a real or valid thing. It's really awesome, and I love that the women of the BG3 fandom (straight and LGBT) are completely cool about it.

And I definitely don't want to equate my trauma with anything Astarion has been through (especially as someone who isn't a survivor of sexual violence or physical abuse), but I also really love Astarion as a character because I find a lot of comfort in how Astarion's trauma is dealt with in his story.

So long as you (the player) treat him with the respect and dignity he deserves, Astarion is never shamed or made to feel "less than" for his trauma. The story of his trauma is treated with proper respect and care, and I absolutely love that. 

He makes me feel less alone and weird for how my own experience with abuse has left me with inner demons that I've yet to overcome. Like him, I experience night terrors due to my trauma. It's a very scary thing to deal with. And as a man, it makes me feel very small, ashamed, and pathetic. But seeing Astarion go through it and not having that be something he's shamed for is something I deeply appreciate. I know he's fictional, but seeing a character as cool as him going through that too makes me feel less alone and weird for it.

Wyll:

Wyll is a close second favorite character of mine. He's just an awesome, epic, badass guy! He's the kind of man I aspire to be. He does everything he can to help others, he cares deeply about doing what's right, he's a huge nerd/dork, and he's got the biggest heart amongst the companion characters (which says a lot in my opinion since he's got Karlach and Halsin as stiff competition for that category). He's very cool and lovely, and I really hate seeing how underappreciated he is as a character.

I absolutely love the meme of people saying that Wyll was the only origin character to dust himself off and head back to doing what he was doing before getting kidnapped and infected by the mindflayers. This man is too selfless and rad to take a break from teaching the tiefling children in Emerald Grove.

I do want to give credit for this meme to this cool dude called Azeem (aka Black Purist).

As well as this post here on Tumblr.

Gale:

I'll admit, I didn’t really care for Gale at first. But the more I got to know him, the more I realized that this dude is (most certainly) on the spectrum. That's not a canon thing, but I absolutely believe that he is. It's not a bad thing either (and I say that as someone who is also autistic). Honestly, realizing that many of his traits are autistic recontextualized certain things about him and helped me like him way more.

I'm not happy to admit this, but I think I didn't like Gale much at first because he reminded me a lot of myself (due to his autistic characteristics). That's some internalized ableism that I need to work on lmao. Anyways, after doing some self-reflection and giving his character a proper chance, I realized that Gale is actually really cool.

I really appreciate how straightforward Gale is as a communicator. The dude puts everything out in the open, for better or worse. He has no ulterior motives and does his best to make his intentions very clear. Love him or hate him, Gale is a dude you're not afraid of (unless you're a bad guy or something).

I also appreciate how passionate the man is about the stuff he's dedicated his life to (magic, which is most certainly his special interest). Gale is also very kind and open-minded, a good example of this being what he has to say about Astarion's vampirism.

Overall, Gale is an excellent man, and I really appreciate the sort of masculinity that his character represents.

Halsin:

So long as you save him and the Emerald Grove, Halsin is totally chill with you from the first moment you meet him. He's very kind, upfront, and non-judgemental, which is pretty cool.

I also really appreciate how much he cares about consent. Halsin is polyamorous, and if he expresses romantic interest in the player character and the player character happens to already be in a relationship, he makes sure to not pursue anything without the expressed consent of both the player character and their partner. 

I know caring about consent is a bare minimum thing to do, but unfortunately there are still a lot of people irl who don't care about it, which is why I greatly appreciate how Halsin (and also BG3 as a game) treats consent as an essential, inherent part of romantic and sexual relationships. Very cool, indeed!! 😎💖🌟💫

[twistedtummies2]

Top 6 Epic Mickey Characters

Today is the release of the new “Rebrushed” Edition of a game I loved a ton growing up: “Epic Mickey.” I was OBSESSED with this game when it came out way back in 2010, and at the time it came out, it was treated as a big deal! There was a ton of merchandising and advertisement for this title, more so than you would get for most Disney games, and it’s not hard to see why: the game promised to provide a different kind of adventure for Mickey Mouse, with a darker tone and a focus on more obscure Disney characters and old cartoons. Nowadays, in hindsight, I feel the game could have gone even further than it did (and, apparently, the creators WANTED it to go further than it did, but either due to budget constraints, corporate meddling, or a bit of both, they couldn’t), but I still have a huge soft spot for it. It’s probably my favorite thing to feature Mickey Mouse as a heroic character, and it still has a notable cult following. Ironically for a game that focused on the obscure and the forgotten, the game itself sort of faded into obscurity for a while; despite the release of two sequels (namely a console follow-up called “Power of Two,” and a portable spin-off called “Power of Illusion”), the franchise sort of fizzled out pretty quickly, and for a long time it was seen as naught but an unusual footnote in the history of Disney and its presence in gaming. To celebrate the return of this game to store shelves (and, I believe, online distribution), I decided to do a quick rundown of my Top 6 characters from the games. Why Top 6, you may ask? Simple: because after six, it all gets kerbobbled. It’s harder for me to choose and rank characters beyond that point, simply because who I favor among them changes depending on my mood and how recently I’ve revisited portions of the game. My Top 6, however, have consistently been my Top 6 - both in terms of choices and ranking - pretty much from day one, and I don’t think will ever change, so they’re the ones I feel most comfortable discussing. Also, I’m going to attempt to avoid spoilers with this list, so I’m going to keep focused as much as possible on the first game, with less emphasis on the sequels. (Fortunately, all six characters appear in the first game, though some of the Honorable Mentions are from later titles.) I'll also try to avoid giving away too many of the twists in the plot, for those who will be playing Epic Mickey for the first time via this Rebrushed Edition. With that said, let’s dive into the Wasteland! These are My Top 6 Favorite Characters from Epic Mickey!

6. Pete.

What many people may not realize about Mickey’s famed arch-enemy is that Pete is actually the single longest-lasting recurring Disney character in history. Pete doesn’t just predate Mickey himself, he even predates Oswald the Lucky Rabbit: the character first showed up as a recurring villain in the silent animation/live-action hybrid “Alice Comedies,” with his first appearance dating back to 1925. That’s a whole three years before Mickey, and two years before Oswald! It’s therefore not entirely surprising to see Pete in the Wasteland, especially since the character has had so many different guises and roles throughout his long history…a fact that Epic Mickey takes humorous advantage of. You see, there isn’t just ONE Pete in the Epic Mickey universe. Oh, no. There are no less than FOUR. “Pete Prime” (the one picture here) is Big Bad Pete, who appears to be the town sheriff of Mean Street. Next there’s Small Pete, who lives in the Gremlin Village and is comically dressed up like a little Dutch girl doll. Then there’s Petetronic, who is basically what you’d get if Pete cosplayed as Commander Sark and is the head of Tomorrow City. Finally, there’s Pete Pan: a parody of Peter Pan who flies around Ventureland, mostly spending his time annoying the Wasteland’s version of Captain Hook. Interestingly, most of these Petes seem to be relatively nice characters, rather than real menaces to toon society…but be careful: a character with such a long and checkered past may not always be trustworthy.

5. Gremlin Gus.

Of all the characters left stranded and forgotten in the Wasteland, the Gremlins are easily the most obscure of the bunch. The characters were conceived in the mind of Roald Dahl - the author best known for his works of children’s literature, such as “The BFG” and “Charlie and the Chocolate Factory.” Dahl wrote a story simply called “The Gremlins” that was going to be transformed into a Disney movie…but for various reasons, the film never came to pass. The book itself has fallen into utter obscurity, and the scrapped project is largely unknown by even the most ardent Disney fans: I, myself, only knew of the Gremlins prior to Epic Mickey because of a paper ad for a re-release of the book in the early 2000s. In “Epic Mickey,” however, the Gremlins are a major part of the universe: since the movie was never really a thing, and the book is so little-known nowadays, the creators of the game were able to create their own twist on the Gremlins unique to this world. They are essentially the custodians of the Wasteland, performing a variety of jobs and services to keep the place ship-shape. The most prominent of them all is their leader, Gus. Gremlin Gus is a sort of “Papa Smurf” figure for the Gremlins, and acts as Mickey’s guide through the games, providing bits of advice and various hints along the rodent’s journey. Think of him along the lines of the Cheshire Cat from the American McGee’s Alice games, or one of Link’s many companions (such as Navi, Midna, or Fi) from The Legend of Zelda. In the first game, the vocal effects for Gremlin Gus were provided by veteran voice actor Bob Joles. In “Power of Two,” Gus was given a proper speaking voice, provided by none other than the Dread Pirate Roberts himself, Cary Elwes…and I can’t help but think such casting is why they perhaps gave Gus a few TOO MANY lines in the sequel, buuut that’s another story for another time.

4. Mickey Mouse.

I debated whether or not to give Mickey a place in the ranks of his own, for various reasons, but after some deliberation…yeah. I think he’s earned it in this case. As I said in the preamble, this is probably my favorite thing made to feature Mickey himself, and Mickey is part of that. This is one of those rare occasions where the premise of the story largely results from Mickey’s own actions and inactions, rather than the machinations of some other scoundrel: it is due to Mickey’s own foolery that the Phantom Blot and the Thinner Disaster are created. It is due to Mickey’s popularity that Oswald and several other characters in the Wasteland are forgotten to begin with. Now, Mickey has to essentially remember and salvage the very things that are in ruin because of him. The game plays around with this idea of saving and destroying through its chief mechanic: the magic paintbrush Mickey uses can destroy things by shooting streams of hyper-acidic thinner, or create through use of an enchanted paint. Different obstacles can be overcome by different uses of the two tools, and some can be dealt with in multiple ways: choice is a key factor of Mickey’s story, as well as the player. Originally, the game makers wanted to go even further with this idea, with the player’s decisions making Mickey more good or more evil throughout the story, but while the final result may be toned down from their initial schemes, I think it still works brilliantly. Mickey is still the fun-loving hero we all recognize, but there’s that little bit of mischief and extra depth to the character present because of this idea of choice and the way he’s depicted. The sequels continued these ideas, with choice remaining a major part of the story in “Power of Two” once more, and paint and thinner still being equally useful in “Power of Illusion.” Bottom line: move over, Kingdom Hearts. THIS is how you make Disney’s most recognizable rodent into an action-ready gaming star.

3. The Phantom Blot.

This character is the main antagonist of the original Epic Mickey, and has been referred to by multiple names: Shadow Blot, Storm Blot, King Blot, or simply “The Blot.” Whatever you call this character, I’ll always refer to him as “The Phantom Blot,” since that is who the character basically is meant to be. In Disney comics and cartoons, the Blot has been an enemy of Mickey Mouse for many years - dating back to the 1940s, in fact. Typically, he’s depicted as a campy supervillain; a costumed criminal mastermind garbed in an inky cloak and cowl. However, in “Epic Mickey,” the Blot is reimagined as something far more monstrous: a creature made of ink, accidentally formed by Mickey when he meddled with some magic in Yen Sid’s workshop, the Blot is the cause of all the misery going on in the Wasteland. This Blot eventually turns out to be bigger than a castle, and able to send out swarms of “bloticles” to literally drain the life from the Wasteland. The Blot is intelligent, but not complex: he has no purpose other than to destroy, and longs to take Mickey’s heart, since only toons with hearts can leave the Wasteland. With that power, he can venture forth and continue to devour other worlds of their energy and life. I had heard of the Phantom Blot before Epic Mickey, but I really didn’t know much about the character: this radical reinvention, for a kid, was quite the introduction. And while I’ve since looked into the ACTUAL Phantom Blot and found great joy in his exploits, I still enjoy this reimagining. In my opinion, the Blot is one of the best video game villains of all time; more a force of cruel nature than anything else, he is a terrifying beast few players will ever forget.

2. The Mad Doctor.

So, here’s something interesting to note: out of all the “forgotten” characters featured in Epic Mickey, I actually knew almost all of them when the game came out. Some of them I knew pretty well, others I didn’t but I had at least heard of before the game’s release. The one exception to this rule was this guy: the Mad Doctor. The Doc was the titular antagonist of the Mickey Mouse cartoon “The Mad Doctor” from 1933 - one of the few Disney cartoons that’s actually managed to fall into the public domain. Many consider it to be one of the darkest Mickey cartoons ever made, and in “Epic Mickey,” the infamous mad scientist has not mellowed much with age. It’s explained that the Mad Doctor, when he first came to the Wasteland, was seemingly a friendly figure, and became an ally to Oswald. He was considered one of Oswald’s best friends, in fact. However, it’s ultimately revealed that the Mad Doctor was always just as wicked as he was in the cartoon; biding his time till he could make a grab for power. When the Blot came to the Wasteland, in the wake of the Thinner Disaster, the Mad Doctor turned on the good people of the kingdom, creating an army of cartoon cyborgs called “Beetleworx” (part toon, part machine) to help conquer everything. There’s a lot more I could say about the Mad Doctor that makes him interesting - especially in regards to the sequel games and a few twists in the launch title - but since I’m trying to avoid spoilers, I think it’s best I save a lot of that for another time. Suffice it to say, this was a great introduction to a great villain and a great cartoon, and I’m glad that Epic Mickey was able to give a little bit more attention to the Mad Doctor for modern audiences.

1. Oswald the Lucky Rabbit.

Oswald was the main reason I got so interested in Epic Mickey so long ago, and was, in fact, more or less the reason the game happened to begin with. One of Walt Disney’s earliest creations, Oswald - who was the inspiration for not only Mickey himself, but also Bugs Bunny of WB fame in real-life - was the world’s first major cartoon star. After copyright issues led to Walt Disney breaking away from Universal Studios, and forming his own company, Oswald rapidly declined in popularity, and eventually pretty much vanished off the face of the Earth. In the real world, when Disney bought the rights to Oswald back from Universal many years later, this immediately transitioned into using him in a big (marketable) way, which led to the idea of Epic Mickey. Warren Spector (head of the team behind the game) became interested the instant Oswald was mentioned, being a huge animation buff, and as production went on, Oswald became a richer and richer character. In early concepts of the game’s story, he was actually going to be one of the main villains of the story, but by the time the game came out, he had transformed into the secondary protagonist. In the fictional story of the games, Oswald is the ruler of the Wasteland…but unlike others who are more or less happy with their existence, Oswald’s feelings of dejection have steadily consumed him. He is portrayed as Mickey Mouse’s long-lost brother; he resents the fame and fortune Mickey got, while he was basically left to rot. He is so obsessed that he creates a place called Mickeyjunk Mountain, where he spends countless hours brooding over his failures and his lost family, surrounded by remnants of Mickey’s fame that span decades; everything from bubble gum machines to NES game cartridges. The adventure in the Wasteland gives Mickey a chance to not only connect with his past and save the world, but to reconnect with and save Oswald, too. It’s the relationship between Oswald and Mickey, beyond all else, that makes the games so powerful, and Frank Welker - who provided Oswald’s vocal effects/voice in all the games - gives probably one of my favorite performances in his entire career. And keep in mind, this is the guy who played characters like Megatron, Garfield, Mr. Mxyzptlk, Fred AND Scooby from various takes on Scooby-Doo, and more “creature voices” than you can shake a stick at. To call this among his best is saying a LOT. For both his fictional prominence and historical significance, it’s no surprise that I name Oswald the Lucky Rabbit as My Favorite Epic Mickey Character. Case closed.

HONORABLE MENTIONS INCLUDE…

The Three Little Pigs.

Horace Horsecollar.

Gremlin Prescott.

Clarabelle Cow.

Captain Hook.

[wulfhalls]

May I say something potentially controversial about Denis’ Dune & Zendaya’s portrayal of Chani? I completely agree with you on the topic of her being a perfectly average actress (or however you phrased it), but I wonder if she perhaps also wasn’t helped by Denis’ desire to make Dune as epic as it can get. I feel like he’s so laser focused on the visual beauty of the story he’s telling that it sometimes felt jarring to scale back and focus on more intimate, emotional beats. Not that it was always the case, but certain paul/chani scenes felt a little.. removed? flat?? To me?? Like “ah yes we’re a man and a woman. We fall in love. Bc that’s what we do 🫥. Anyway back to long pans of Jordan”

Idk, I might be crazy. Maybe I’m crazy. I just. Couldn’t sense any attraction between paul & chani (and I wanted to!! I like both actors!! I’ve SEEN them act that out successfully in others films!! )

Also, please don’t hunt me down I am a hardcore denis dunehead those movies fundamentally rearranged me I’m just out there wondering how you might feel about this?

no well yes i don't disagree that the paulchani scenes felt a lil flat but imma be real imma be honest I never really cared about this relationship all that much so. like I do think tho compared to other big franchise productions he did strike a better balance of making the relationship central enough to be believable without it being to overbearing regardless of the fact if I personally found it compelling u know? I do think overall chani as a whole was more interesting than in the books tho with denis positioning her as an ideological counterpoint to paul. the whole loving a prophet u don't believe in thing making them in general much more interesting than ur average blockbuster couple. but yeah like I said I wasn't that invested in them. be it here or in the books I was and am laser focused on the freak fam of it all lmao but yeah timmy and zendaya have more chemistry off screen than on tbh

[hello-nichya-here]

Some Peter Pan 2003 edits, enjoy.

(Nichya, do you agree with me by thinking this movie is the few examples of a live action Disney remake being as good if not better than the original?)

I agree and there's a very good reason why that is the case: it wasn't made by Disney, but by Universal, who wanted to be more loyal to the original story - and like Jason Isaac's himself said, that was the thing that made this movie so different from most adaptations of it.

I'm gonna be real, I used to hate basically every version of Peter Pan, mainly because of the Disney cartoon being my introduction to the story. I just never understood why Wendy liked him, or why he liked her, or how Neverland was in anyway special/different from any generic "Magic place", or why I should care if any of these characters leave it behind or stay. And keep in mind, this was coming from a child that was all about the Disney formulas. Peter Pan, as a concept, just REALLY felt hollow to little me.

... And then I watched this movie.

Let me tell you, 6-year-old Nichya was OBSESSED with this movie (and with Jason Isaac as Hook). 24-year-old Nichya too, even more so actually, because EVERYTHING ABOUT IT is perfect - including the thing that aged "poorly", aka the special effects.

Neverland doesn't really look real and that's good. The dated effects, the epic music and the very colorful lighting make it look like a place that could only exist in dreams, so when Wendy and her brothers are in awe of it, I totally get it. Today's tendency of films in which every scene look super dark and/dull makes me appreciate it even more.

The lighting also does wonders for the storytelling, showing Peter's magical connection with Neverland as it changes based on his emotional state, or in moments like Wendy seeing Hook for the first time, with the extra focus on his eyes - you can practically hear the book quote of Wendy being fascinated instead of frightened.

Speaking of the book, the fact that this adaptation had the guts to go with THE thing that could end making it far too corny and silly, aka the "kiss" Wendy has on her lips and that shows she's starting to grow up and become interested in romance is SUCH an important plot-point and key aspect of her character arc, and is delightful to see an adaptation that goes "We already have a magical land, fairies, mermaids, and a boy that stays a kid forever. How is the 'kiss' going to make it less realistic? It's fantasy already!"

And I love, love, love how they make sure we know who Wendy is outside of romance (a storyteller that wants adventure, a child that is both really mature and responsible, but also activelly trying to escape that role, someone who is very motherly but has a ton of anxiety about the prospect of eventually being the adult in charge) - but without ever downplaying how much her romance with Peter means to her.

He was the boy that was giving her everything she was looking for at the moment: friendship, adventure, excitement, and, more importantly, a way to escape any responsibility she didn't want - forever. He really is the hero she had been waiting for, and that, as a consequence, makes her realize that growing up and eventually having a family is not that scary after all, as long as she finds the right person, someone who understands her and that she trusts.

Obviously, she doesn't want to get married and have a ton of kids NOW, but she wants the promise that this will happen - when they're ready for it, when they're older. But Peter Pan is no ordinary boy. It's not just that he's too immature to fully embrace his feelings for Wendy right now, and could truly allow himself to love her later. He is NEVER going to reach that point, he's far too afraid to allow himself the chance to even try. And that breaks Wendy's heart.

And it breaks Peter's heart too, because he WANTS to be loved, and he already cares for Wendy in a way he never cared about anyone else. But because of who he is, she, and everyone else, will inevitably leave him. Because ALL children grow up. He is the only one who was blessed, and cursed, to be the exception.

He'll never be a husband and father. He will never be someone's child or sibling. He's the true lost boy, out of reach forever. He is truly free from everything and everyone, but the price is the knowledge that, sooner or later, he will find himself completely alone time and time again. And Wendy, the girl he loves, will one day either forget him or grow old and die - after having lived a full life with someone else, because Peter couldn't, and wouldn't, grow old with her.

He's doomed to be lonely forever... just like Hook. But unlike Hook, when he is immature and selfish (like when he closes the window at Wendy's house in the hopes that she'll believe her parents stopped waiting for her and her siblings), he does it out of pure desperation, because he's a child that genuinely doesn't know any better.

Hook however, is coming from a place of malice. When he "pursues" Wendy, he does out of jealousy that Peter managed to find true love, while he will never have that. He does it to steal that from him, to hurt him, to make him endure the pain of knowing that, of all people that could have replaced him in Wendy's heart, he was the one who did it.

And, of course, while he never really does anything to Wendy, the constant implication that, at any second, he might, looms large. Their dynamic is inherently predatory, with Hook exploiting the fact that Wendy is mature enough to want a romantic connection, but is still too naive to understand all the implications behind it, and, more importantly, that no adult that wants to be with her like that could possibly be someone she's safe with it.

He is an intriguing, tragic figure like Peter and thus can "seduce" her rather easily too (the fact that Jason Isaacs is really fucking hot doesn't hurt either), but he is doing it through constant manipulation, reminding her that she can never have the boy she actually wants and exploiting her childish need to have some form of petty revenge against him for it, by "befriending" the person he hates the most in the whole world.

But there's another thing that brings her closer to Hook: the fact that, despite being the complete opposite of her father, he still LOOKS like him, is the real adult authority figure around, and he is offering her advice and comfort when she experiences her first heartbreak. He represents both her adolescent impulse to rebel, to proove she's grown already, and her childlike instinct to just run to the arms of her parent and let him call the shots because she's afraid of making mistakes and wants someone who can tell her what to do, how she's supposed to act.

There is a recurring theme through the movie of Wendy's mostly innocent fantasies being read through an adult lenses (see the teacher's concern and offense at the drawing of Peter above her in bed - because he's FLYING, not touching her in anyway). Much like when she was the "mother" of the Lost Boys, when she is by Hook's side, Wendy is a child playing pretend. But the threat Hook poses is very real and his intentions are downright evil. Because Wendy ran away from the flawed, but well-meaning adults she could trust, she walked right into the trap of a very dangerous man that is taking advantage of her need for a protector, a mentor.

And that's why the kiss scene is the perfect climax for the movie, as it concludes three character arcs at once. It shows us Wendy choosing true love, however fleeting, instead of Hook's lies, and indulging in one last childhood fantasy before growing up. It gives Peter the only form of closure he could ever have, knowing that even if he can't be with Wendy, he will always be "the one" for her and won't ever be forgotten, just like he won't ever forget her, because they mean too much to each other. And Hook is forced to accept that, because he can't connect with anyone without manipulation, which could never last, his life truly is void in a way even Peter's never would be.

So yeah, it's a great movie with serious guts, and everyone else can just quit trying to make a new adaptation, reboot, sequel, prequel or whatever because they're never getting anywhere near this level of quality.

[kindred-spirit-93]

*camera pans out* maybe the real odyssey was the epic we made along the way...

mr jalapeno is going to be the death of me omfg

hlater suckerz ✌

[kvalenagle]

Okay, I've been summoned to Tumblr by cute Satra and Lei fan art, so I should probably introduce myself and my books. Hello! I'm Vale, and I write creature fantasy as K. Vale Nagle. If you like interesting gryphons, you're in the right place: aquatic diving petrel/fishing cat gryphons, poisonous hooded pitohui/tiger gryphons, pretty gyrfalcon/snow leopard gryphons, intimidating Haast's eagle/saber-toothed tiger gryphons, soggy sandgrouse/sand cat gryphons, and a lot more. My series are epic fantasy using mostly real (though sometimes extinct) animals, free of humans but full of queer characters, intrigue, large battles, and ecological apocalypses. My cover art is by Jeff Brown, with interior graphite pieces by Brenda Lyons and gryphon chapter headers by Kittrel (whose chibi hearts you may have seen). I also have a short story collection (best read anytime after Starling, book three) with a beak-cute lesbian gryphon love story with terror birds, a Gryphon vs. Nature blizzard apocalypse tale, a Christmas-y story, and something pretty close to zombies. I've also written a full novel set in the world of Dire by John Bailey called Coldbright which can be found in the Tales of Feathers & Flames anthology. If you like GryphIns but you want something with more mystery, almost horror, as told through the eyes of a snarky little opinicus and his dire gryphon ex-boyfriend, it's a great read this time of year. I love and appreciate all the fan mail, fan fiction, fan letters, and people reaching out about this series. I'm a little slow replying, as I started writing the series right after getting diagnosed with a catastrophic autoimmune system. The treatments are pretty intense, and it's easiest for me to spend my time and energy writing. I used to have a few pen names across several genres, but for the most part, all of my energy goes into finishing up GryphIns. I'm married to dragon author Glenn Birmingham, so if you've seen us posting pictures of our cats and thought it's strange they share a name, they're the same cats. And that's about it. Just a queer author writing gryphony books when I'm not walking my cat. A few common answers to questions: Q: There are sometimes typos in social media, why is that? A: Catastrophic APS means I've had a stroke (and associated memory loss), so when a copy editor isn't coming up behind me, there'll be doubled words and typos from time-to-time. I used to worry about them, since they don't look good if you're an author! But I'd rather reply to fan letters and kind posts. I think if you've read my author notes at the back of my books, you know to expect a few doubled words here and there. Q: When you say a queer author, what do you mean? A: Since people ask about own voices and I have a lot of lgbtqia+ characters in my books, I'm pan, demi, trans, and genderfluid. I'm lucky enough to have a lot of queer friends and first readers who make sure I don't mess up any characters. Q: When's the next GryphIns novel coming out? A: Some years, I spend a lot of my time fighting health insurance battles, and it slows me down. Pridelord (#8) is currently in line edits. It's twice as long as Eyrie and three times as long as Coldbright, so it's a pretty big book! It shouldn't be too much longer. You'll know it's just about time because you'll hear James Scott Spaid talk about narrating the audiobook. Q: How many books will there be in GryphIns? A: I'm famous for underestimating how many books it takes to finish a series. My other pen names all wrote short stories and standalone novels, so my proposal for GryphIns originally had five books. Jeff Brown is wrapping up the cover for Saberbeak (#9) and Nighthaunt (#10). If I end up needing one more book to finish, though, don't be too surprised.

[bearpillowmonster]

Epic Mickey: Rebrushed

I'm an Epic Mickey stan, I would've bought this whether I played it or not, just to support it because I've always wanted more. (mainly, for Oswald!) But so much was planned for this franchise, including a movie and an Epic Donald spinoff.

CHANGES

Looking at this is night and day especially for a dark setting. The graphics weren't bad on the Wii, they were just, well, on the Wii. (which ran at max 720p) And while that's still feasible, it's so nice to see everything smoothed out and relit. They didn't have to go as far as messing with the actual fidelity of it or the custscenes but they make it known what a movie it would've been and we lost boys.

The addition of sprinting, dashing and butt stomping is really what this game needed because the first Epic Mickey was a Wii exclusive and I loved playing it when I first got into it but I found it had faded since then. I came back maybe a year or two ago to try and play it again and I just couldn't bring myself to. I like platforming and the platforming in this game sucked, it wouldn't control right, I felt like I was jumping in a straight line, like barely any momentum. It wasn't quite there for something you do a lot of. And if you fall in the thinner, there's very seldom a platform to catch you so dying sets you back and then you had to walk back so sprinting is just a complete clutch.

You also had aiming to deal with as far as the Wii remote- This review is for the Switch version, yeah, I knew that it would run a little worse than the other consoles but now I have the experience to talk about specifics and I wanted to play it on the go. The darkness I mentioned can be adjusted, not just in brightness but in color and style for color deficiency. You cannot shake the joycon to spin.

There is a choice to use motion controls when you're spraying but that's the only time it comes up, you already have to have the button pressed down and even then you can just use the analog stick, it's really good either way, no complaints. You can also set it if you're standing still and press the down arrow. The framerate…could dip and there was a time or two where it'd get stuck, the load times can be long (but you don't see a loading screen often) it's just weird to me that the game is a remaster of a game from 2010 and actually has the biggest file size on my Switch and even with all that size, has longer loading screens than comparable titles like Super Mario Odyssey.

And this is especially important for this game because you sometimes have to traverse back and forth between Ostown and Mean Street and whatever to get the side quests done (and sometimes main) and every time you have to speedrun the same pathway level (projector) to get there and each time you jump in or out is a loading screen. Seeing as this is labelled as a remake and not just a remaster, they very well could've made a fast travel. There were some instances like that where the sequel had the feature that I wanted and was hoping that it'd be updated in here like so many remaksters are doing now, Last of Us and Horizon for example.

The one thing that did carry over is that you've probably seen the different skins that you get with either preorder or purchase, there are a few unlockable ones as well. They fit well with the 2.5D levels (Brave Little Tailor for 30s cartoons, Steamboat for 20s). There is a photo mode, it's not as customized in the 2D levels but I definitely had fun with it if you can't tell.

It's the same game but it's not one-to-one, for example, the locations of the power boxes are different in Os-Town, scenes like this look different.

Which is a downgrade in my eyes but some of them are very neutral, like the health bar

…that's a choice, I guess, there was no real need to change it. It definitely makes things more textured and seem a little less rough, look at this platform where you find Pete Pan.

Sometimes more detailed and lush, but sometimes it takes from the scene. Little stuff like goo dripping from the ceiling removed, sometimes it's the overall colors and vibes of a level to either lighten or darken. I can't say whether I like one or the other totally more.

THE GAME

Let's talk about the meat because it's 60$ so I'm going to treat it like it as if it was a brand new game, plus I never reviewed the original and I don't talk about it enough so here we go. I'll cover thinner mode in some other post, this is more or less hero mode.

It's a reasonable amount of hours and honestly time as been gracious to it, whether it be the growing cult status or the fact that it's on other consoles other than the Wii because while the combat still leaves a little to be desired, the gameplay overall is a lot more refined in my eyes.

There are times where your paint can't reach an item, it's not a bad limitation but still in sight, it tells you what's reachable by turning green. But this is especially precise and annoying for the ending with the bloticles. I don't get what it is with games and popping bubbles.

Oswald is in this a lot less than I remember, I always thought of him as making mischief for a level but he kind of shows up just to show you your end goal. Towards the second half he appears a lot more though. It's kind of cool how it's all a Alice Through The Looking Glass type thing and Oswald is the White Rabbit. And all things forgotten, Atlantis, Tron…no Black Cauldron (which fits perfectly) and no Treasure Planet though everything that is popular is all mechanical, an artificial imitation and the way Smee is colored makes it look like the concept art, all inverted from the way we know and it's just-

I really like the idea of having different endings correlating to how you played. When I first played this, I tried to hundred percent it first round and paint absolutely every nook and collect every item and to be honest, I found myself doing a lot of the same stuff I did when I started, it's funny, I have the same thought processes but I've come to the conclusion that if I waste my time on just one collectible, it won't be as fun and I won't want to play it anymore and it's been this long so let me finish it. But there are obvious rewards for either path, one of the first I could tell was having a gremlin in a catapult and a chest on the switch. Remove the chest and it launches the gremlin, remove the gremlin and it locks the chest. There are times you can just thinner brush most things and it'll show a negative outlook on the world itself. You can either clean up your mess with paint or take out the trash and destroy it like it never happened.

There are a lot of things to collect and I had fun just looking in every corner though I found that they seem kind of half-and-half, some going by the wayside like the pins and some being cool like the concept art.

[mtgc858]

Part 2!

Most likely cause I'm brain dead but yippie!

—————————————————————

Swingy

He's the loud hyper one of the group that would wake everyone up with pans to either annoy them or wake them up early for breakfast.

He is the brother of Kevin and KC Glow.

He's a loud hyper dude that loves his bros and music.

Legit will sing old 80 songs while driving.

D.Ivaders

A game console that is alive lol idk.

Maybe another mascot of the band lol.

Doo Doo

Another creature/mascot that also is KC Glows childhood friend.

He started off as a childhood toy but turned into a living creature (somehow we don't know but probably Aliens)

Is a firby, not headcanon just fact.

He's very gentle and far nicer then most people think of him at first.

8-bit

A 2d videogame Charater that got taken out of his game by a alien(not MJ btw) and now lives in the real world)

It took him awhile to get use to the 3D world and the new friends he got and slowly is making himself 3D in appearance.

He can only make 8-bit sounds at the moment but is learning English and how to talk.

KC Glow

THE BOY HIMSELF, Is the sunshine of the group and the kindest one of them,he is the youngest also and innocent.

A creature 100% (Inspired by @0xeyedaisy , more overly a kind of dragon(my design).

He dyes his claws to match his brothers coloring and has Kevins diamond tear mark and Swingys triangle earring as face paint markings on his face.

He's besties with everyone on the group and knows how to cheer them up.

Use to be a huge fan of the band when a bit younger and when his older brother Swingy joined as he got to meet El Cool P which made his day, before El Cool P then let him on the group right there and completely shocked him and made him super happy lol

El Cool P

I got a lot for this man LMAO)

The man himself, he's the lead singer and leader of the band, he's a bit confident about himself and like he said in the song "I'm a star" and he is.

He loves the attention and fans as he enjoys signing autographs,even some of the other bands autograph at times before he was told off about it lol.

Even though he has a bit of a ego, he does care about the others and has comforted them a lot before, he especially has a soft spot for KC Glow and sees him as a younger brother he never got but keeps it deep inside.

He doesn't like when others sees him upset or down cause he doesn't want others to worry about him especially cause he wants to be seen in a better light, not in a dark lit room crying.

Made the band to show his love for music,80's theme and robots.

Rarely takes his hat off, also has straight long hair but keeps it tied up mostly under his hat.

Loves lizards and dinosaurs.

Has ADHD(self Incert)

Memphis

The seemingly quiet guy at first but very hyper and loud when you know him.

Can't control his volume when talking(like me) and can be very loud when talking(like me).

A backup singer for El Cool P and sometimes sings his own parts in some of their CDs.

He sang URFO in the au and did the music video lol just it was hard to tell lol.

Jogg D

The oldest of the group and the dad figure for most of them.

He is plus size and a cuddly dad.

Has a calm gentle voice when singing and humming.

Swagtastic

Scooter

Chaotic, the most chaotic of everyone in the group, mostly cause he would most definitely have Peanuts voice and personality from Jeff (forgot his last name but the guy with the puppets lol).

Will laugh at your pain.

The loudest of them and the most overwhelming.

Has either a panting laugh, a loud gasp laugh or a wheezing laugh depending on the situation.

Is easy to get angry and pick fights.

Lil Blaze

Chill,cool,epic man.

He is besties with KC Glow especially with the fact Lil Blaze knows about KC's pretty eyes then the rest(besides his brothers of course).

Is Scooters twin brother despite not being identical.

Can speak Spanish for the group if they need a translator or a angry mom figure to tell them to shut up lmao.

And that's all! Phew that was a lot but worth it!

[alterworldstudios]

Mouseverse chapter 4

After some time had passed, and the sun began to rise, Oswald slowly stirred from his dreamless sleep, grumbling and mumbling. His body hurt all over, almost as though something had ripped it apart from the inside. "Ow... Shit.. What was that.." the memory of why he passed out was faded, everything dizzy with a hazy green. He couldn't quite remember what caused him to faint, but knew it had to do with something stressful, given how his heart was still thumping erratically in his chest.

Sighing, he slowly got up, rubbing the sleep out of his eyes, as he looked around his apartment.

Strangely, his apartment seemed to have been cleaned up, the once ragged carpets and furniture looking like new. "Wha... How? Why is it...!" His ears suddenly shot up as he heard a commotion in the kitchen. Confused and a bit alarmed, he grabbed the pizza cutter from his hat, and tip toed his way over.

Holding his breath, he looked into the kitchen. His worried face quickly shifted to shock, as what he saw seemed too crazy to be true, yet it was, his gaze locked on the familiar figure of a certain mouse.

The mouse hummed to himself as he used a magic paintbrush to clean the kitchen, singing some kind of song about "friends", he wasn't aware of Oswald's sudden entry, until he heard the surprised rabbit silently mutter " holy shit"

He jumped, turning to face the rabbit, as he seemingly froze in place. Silence filled the air, until the mouse nervously chuckled. "Ahaha... Uh... Hi there!" He said with a sheepish wave.

"...who the hell are you?" "O- oh uh, I'm uhh.... A figment of your imagination! Yea! Uh- this is a dream! You're dreaming! Uhhh... Bye now!" The mouse suddenly took of running, though didn't get very far as he suddenly ran into a hanging pan, falling to the ground with a cartoonish thud. "Owww...

Alarmed, Oswald hesitantly ran over to him. " uh..you ok?" He said, as he held his hand out to him. "Uhh... Let me ask the birds flyin overhead then ill get back to ya..." The mouse mumbled. Oswald sighed, and helped the mouse up, leading him to the couch. "uh.. Thank ya... Haha..." "anytime.. I guess... Now... Mind telling me something?" The mouse looked up at him with a confused, dazed expression. "What's up?" "..who are you? Why do you look like Mickey?"

The mouse froze, and chuckled nervously. "Uhhh.. I'm just.. A figment of your imagination?" Oswald gave an unamused glare. The mouse gulped, realizing that Oswald wasn't gonna buy his bluff, so with a heavy sigh, he pulled out his brush, twirling it in the air. Oswald was confused by this at first, but his confusion quickly turned to surprise and amazement, as the brush formed a map made of stars and paint.

"My name is mickey, but you may call me epic! Now I'm not one for introductions, but given how you are aware of me being here.. Well! Allow me to blow your mind!!!" "Huh?-" epic pulled him aside, the map quickly zooming out to form a tree of some kind, one who's fruits were mini galaxies. "Woahhhh..."

"this is the map of the multiverse!! Your world is one little blip in a system of hundreds, thousands, billions and zillions of universes!!! And its my job as well as many others to make sure that your world is safe and sound!!!" "I... What?" "Oh uh.. Shoot, in simpler terms, you're basically one in... A trillion, give or take, of different Oswald variants?" Oswald still wasn't following, it was a lot to process all at once... "Gosh, I'm real sorry, I-i'm not the best at explaining things, I just get too excited and-" "you're.. Telling me this stuff.. Why???" Epic blinked, taken aback at Oswald's sudden question. "Well uh... Because! Your world is in danger!" Epic taps the tree, it quickly zooming back in on Oswald's world. Oswald could see his world drifting peacefully in its space.. Though, A strange purple shadow seemed to be looming over it. "What's that?" "That my friend, is uh... Something that is trying to destroy your world. Me and a few others were dispatched to this location to try and stop it from happening!.. However there's a slight problem." "Huh? What's the issue?" "Uhhh... Wellllll usually we find the Mickey of a world in order to inform them of the incoming danger, but for some reason, we hadn't been able to locate em!.. Atleast that's what I've been telling king and sorcerer" "who and who?-" "doesn't matter at the moment, what I'm getting at is, is that uh.. You're.. Basically this worlds Mickey's replacement? Because the actual mickey is dead?.. Congratulations? Aha..."

Oswald froze. He didn't like the sound of that, not one bit. "What do you mean by that, exactly? Don't tell me I gotta fight whatever that purple blob thing is!!!" "Well uh... Yes, ya do, pal... B-but don't worry!!! I'll make sure you're good and ready to take them on!!!" Oswald looked like he was about to faint. "O-oh no- don't panic!! I swear everything is gonna be A-ok!! Besides, uh, the blot is usually very small! Especially if the Mickey is.. Already.. Dead?.. Haha?... Please don't faint I'm begging you-" Oswald took a few steps back, wavering from the news. Him? He has to fight some world destroying entity? Does this.. Other mickey even know who he is? He can't even stand up for himself! Let alone stand up for others. How can a pathetic rabbit like him possibly have any hope in saving the world?... "...we're all royally fucked" "h-hey watch the language-" "how can i!? I mean look at me! Do I look like I can possibly go up against that thing!? I'm just some- weak pathetic excuse for A rabbit who has two left feet and the worst luck you'll ever see! We're all FUCKED!!!!" he tugged at his ears in fear, epic could see droplets of ink and paint drip from them, wincing a bit at the strange condition. But that didn't matter right now, not when this Oswald was in the midst of a panic attack. "we're all dead and buried! Old news! Done! Finished!!! I-if I'm supposed to be the one to stop them then- we're all just.. Doomed!...doomed..." He fell to his knees, tears welling up in his eyes, the stress getting to him. However.. Just as his moment of lunacy seemed to have no end in sight.. He was suddenly hugged by epic. "W.. What?.. Why're you-" "shhhh shh... Its ok... Its gonna be ok.."

Oswald was taken aback. This mouse was.. Helping him? Why? They didn't know each other, clearly, only having just met. and yet.. The kindness the mouse was sharing to him.. It reminded him of something.. A memory he had almost forgotten.. A memory of an old friend.

Tears in his eyes, his ears twitching slightly, he slowly, but surely, hugged epic back, crying into his soft fur.. He needed this, clearly.

"There there, let it all out.. I promise ya Ozzie.. Things are gonna be just fine.." "... How can you be so sure..." "...cuz I know that you have the makings to be an amazing hero, no matter what people may have said to you, or whatever mental scars you may have that effect you so badly.. You'll be ok Ozzie, you've got this!.. And ill be with ya every step of the way, you won't have to do this alone.. I promise."

Oswald looked back up at him, as epic softly cleaned the tears from his eye's. "there we go.. Now c'mon, lets get ya all cleaned up and prepared for what's to come, alright?" "...alright..."

[artsimpourtzi]

Hey, so would love to hear your thoughts about Monza. I understand why Oscar made that T4 move and I somewhat understand why MCL played it out the way they did (we have two No.1 drivers), but objectively it’s hilarious they are literally pissing away the WDC.

I’m not too invested in McLaren or LN/OP so it’s been entertaining to watch it pan out, but I know that’s your team so probably a lot more stressful.

I just know next year is going to be epic if MCL and RB stick to their current form.

Haha yes, I'm loving it and hating it right now, my team is baaaaack but they aren't being very smart. Imagine the scenes in December though if we get a double, for the first time since I was 4 years old... dare I dream???

The thing is that it's been painfully obvious for too long now that both championships are winnable, but for whatever reason the team is acting like we're still underdogs. I get it to a degree, we were scraping the bottom of the barrel 18 months ago, and we didn't start this year as championship challengers (which is big and I will get back to this later), but at some point since Miami it should have properly clicked and I fear this hasn't happened yet (yes even for the WCC). Which in the end worries me about fumbling both.

Monza is the prime example about this. I will say that almost objectively, the let them race in lap 1 and T4 overtake threw away the 1-2. So it's not just the WDC that took a hit, but also the WCC, because we can't discount either RB or even Ferrari from making a comeback. The thing is, I don't want to see team orders where Oscar gifts Lando a position (like people asking why they didn't switch them in the end, please be for real that would be ridiculous). I just ask that we do what every other team does, and protect the team standing when we are most vulnerable, which is the start. It comes back to a continuous issue we have, which is strategy and kind of seeing the big picture of the race.

Of course if we impose such common sense team orders, inevitably, the team will also be supporting Lando's championship bid. Because regardless of what people say online (why is it so common to devalue his achievements? I don't get it), he has been consistently the top driver at McLaren, outqualifying and outracing Oscar more often than not. He's also been much more consistent in taking the fight to the other teams' top drivers when in position to do so (even if unsuccessful like in Austria). Oscar with the exception of Monaco and Spa, has only been able to get just ahead of Lando when he has outraced him, not more (the best example of this is Monza and also Zandvoort, where in both cases he lost out to a Ferrari, and with Lando's position showing how differently he could handle a race at the front, and with a known strength which is his tire management). Which makes sense, he is much less experienced (though I hope he can show soon that he can sort the qualifying to a higher level, it's been kind of unnoticed how lopsided the H2H is, and basically it's the fact Lando has had the start issues that has masked it but that will only last for so long).

So in my opinion it's kind of a case where if they truly commit to getting the WCC they will also commit to the WDC and vice versa, and the issue so far is we don't see full commitment on either. Letting them invite an opponent between them and then letting them race each other in a high deg race isn't not thinking Lando can be champion, it's amateur hour on maximizing points for the WCC. Painful for me.

Now why are they so reluctant to manage races and set priorities? There are many theories around which I find dumb: no, no way there is a clause in Oscar's contract (why agree to that for an unproven driver?), and no, no way mclaren is throwing a WDC now because they see Oscar as their future WDC. I do think inexperience and a strategy department in need of an overhaul are mostly to blame. My current conspiracy theory as a little something extra is that exactly because they didn't start the year as championship challengers, and they gave preference to Lando in the beginning to maximize points (which they had every right to do), now it's not so easy to sell to Oscar's camp (including Mark "not bad for a number 2 driver" Webber) that based on the standings Lando, and not he, has a valid championship bid that can be supported by the team.

The problem is that as I explained, unless they commit to that, both championships are very precarious to a late surge from another team...