#EDIT: Of course I post this and then find information on a totally different page lol Japanese website design s2g...

[solradguy]

Absolutely fantastic Order Sol (and Jam and Ky) cosplay from 2006. Posted on the official Guilty Gear X website's community gallery. Cosplayers are Vanessa (Jam), Juan Carlos (Sol), and Lionel Lum (Ky) at Fanime 2006 in California, USA.

[inaconstantstateofchange]

Halsin and Silvanus

In the course of my recent research on Bane for a lore request fill, I found myself coming across a lot of very interesting information, previously unknown to me, about the other gods of the Forgotten Realms — in particular Silvanus. There was enough there that it inspired me to direct some extra research hours into this writeup, exploring all the reasons why Halsin is a quintessential Silvanite.

If you would like any more information on anything included here, please feel free to drop a comment or an ask, as there is truly so much that I just don’t have the space to include. (I usually end up with about 12-13 pages of source quotes before I begin one of these meta posts.)

My usual note that, as ever, these writeups will align with current 5e lore, and draw from 3.5e for additional supporting information. On rarer occasions – and always noted – I will reference 1e and 2e, but with the caveats that there is much more in those editions that is tonally dissonant with the modern conception of the Forgotten Realms, and thus generally less applicable.

Silvanus is easily one of the most misunderstood gods of the Faerûnian pantheon. This is even pointed out directly within his section of the 3.5e Faiths & Pantheons (an incredible resource if you are looking for more detailed information on the gods of the Forgotten Realms!): 

Nevertheless, most outsiders view the church of Chauntea, as patrons of agriculture, as being favorably inclined toward the expansion of civilization, while the church of Silvanus is the implacable foe of those who would settle new lands. Neither impression is correct, yet the church of the Oak Father is often perceived as little different from those faiths that venerate the Deities of Fury.¹ [emphasis added]

Silvanus is most often perceived as strictly and impassively neutral, and intrinsically opposed to civilization in all its forms. While the former is something close to true – he is a very neutral-aligned deity, albeit not necessarily in a way that matches the popular conception of the term – the latter is certainly not. Humanity (if you’ll forgive the use of the term to designate in broad strokes the non-animal denizens of the Material Plane) is another facet of nature, one given equal consideration to the rest – plant, animal, and other – by Silvanus.²

While as a whole followers of Silvanus have a preference for the wilds and the deep forests, this is by no means a concrete rule. In fact, Silvanite clergy – those known as druids – are not uncommonly found in enclaves in larger cities of the Sword Coast and beyond, including Waterdeep.² Typically these druids will “create gardenlike walled areas of wild forest within the city limits.”¹ Wherever they may find themselves, Silvanite druids work to maintain the Balance of nature around them, through education and direct action both. 

Silvanus’s dogma has much to tell us about his philosophy, and that of his followers. I’ll be splitting notable excerpts and their relation to Halsin into sections below. 

Hold your distance and take in the total situation, rather than latching on to the popular idea of what is best.¹ 

Halsin was, from the first moment I met him in-game, so notable for his calm self-possession, and the clear forethought he gave to his actions and those of others. He does not feel bound by the expectations or approval of others – as noted in the dialogue he shares with the player if they compliment his choice of successor – but instead makes his own path following the direction of Silvanus’s wisdom and will. 

Resort to violence and open confrontation only when pressured by time or hostile action.¹

This is showcased numerous times throughout the game, but perhaps best evidenced by an in-game note, from an unlikely source: the Priestess Gut. The note that you can find from her, regarding Halsin’s capture, notes the following: 

Said he thinks there's somethin' rotten inside us. Inside me. Reckons he can help get rid of the rot. I told him we don't need any help from nobody. Never did. And especially not now the Absolute's taken a shine to us.³

Despite the immediacy of his capture at their hands, and the preceding attack already lodged against himself and Nettie⁴, Halsin’s primary impulse is to attempt diplomacy, and render aid. This only changes when his length of captivity has made it clear that there will be no changing the minds of the cultists, and they must be dissuaded by stronger means.

Banish disease wherever you find it¹

The way Halsin is first introduced to the player is as a healer – and not just any healer, but a masterful one, known throughout the region, who has the best chance of being able to assist with any manner of strange ailment. It is clear in all ways, as well as in the scenario referenced in the preceding section, that this is an aspect of Silvanus that Halsin strives to embody at all times. 

Seek out, serve, and befriend the dryads and learn their names.¹

Particularly if we understand the reference to dryads here to extend to all fey spirits of nature, this gives new depth to Halsin’s friendship and devotion to the nature spirit Thaniel. Halsin, as a druid generally, and as an Archdruid in particular, would have a solemn and divinely-ordained responsibility to redress the upheaval of the Balance within the Shadowcursed lands. For that reason alone, it is no surprise that it was his primary motivation and consideration for nigh on a century. 

However, even above and beyond that, Halsin had an additional motivator. Even before he became a druid, potentially before he was exposed to the teachings of Silvanus in anything but the most vague and general of terms, he was living them out by befriending the local nature spirit, learning his name, and seeking to understand, serve, and protect him. 

Make others see the balance and work against those that would disturb it. Watch, anticipate, and quietly manipulate.¹

The primary source text I am using to draw this connection was written neither by nor about Halsin, yet I believe it still clearly reflects on him, for reasons that will become clear. This text is from a logbook recording activities of the Emerald Grove during the year 1371, 121 years prior to the start of the game’s storyline, and some years before the defining events in the soon-to-be Shadowcursed Lands. 

6 Uktar: Sent two druids, some of the newer recruits, up north. Village there has had two years of failed crops and are unlikely to survive the next winter. 9 Uktar: A group from Baldur's Gate arrived. They've set up camp on the edge of the forest. Two bears and a fox came by. Their territory has been burned out. Half the fox's cubs died. Paying this new group a visit tomorrow. 10 Uktar: Visit did not go well. After telling me where to shove it, they said they'd cut down half the forest and burn out any wildlife that dared to stick around. Claimed they were going to 'farm the land and make a new city of their own.' Time to get creative. 12 Uktar: Mudslide did the trick. Buried half their farming equipment and made the rest useless. They won't be back any time soon. Got reports of a Red Wizard in the village south of here. Sending three rangers to investigate. If they catch even a whiff of a red cloak, I'm contacting the House of Silvanus.⁵

Given the timeline, while this is unlikely to have been written by Halsin himself, it seems like a strong possibility that it was written by his master, the previous Archdruid of the Emerald Grove, who perished in the fight against Ketheric Thorm. This is supported by the clear evidence that the author was an individual in a position to give direction and command to those around them, and to make the call for how to deal with various situations. Given too what we know of the druidic leadership structure, Halsin would have been the previous Archdruid’s Second, as Kagha was his.⁶ 

This man, then, would have greatly influenced Halsin as a druid of Silvanus and as a leader both. We can presume that this watchful duty and deliberation was one that Halsin himself took over, charged with doing his part to maintain the Balance of the region around the grove.  This last point especially becomes even more significant in light of the following information, which comes not from Silvanus’s dogma, but rather from a description of his followers and traditions of worship: 

Members of the clergy work to redirect development and control populations through covert sponsorship of brigands, breeding and selective placing of predators, and other means. It is essential that such work be as secretive as possible, so that most folk view the servants of Silvanus as essentially benign lovers of trees. Wildlife breeding, nursing sick animals, and replanting trees and wild shrubs are all work that should be done as publicly as possible to support this perception – and as necessary work to redress the slipping Balance, of course.¹ [emphasis added]

It is clear from all preceding evidence, and this excerpt in particular, that the druids as a whole put far more thought and strategy into every aspect of their appearance and the perception of them than they would ever want outsiders to become aware of. Halsin himself corroborates this in-game, noting that, while druids might not like politicking, that certainly does not mean they haven’t the skill for it when called upon. 

For the sake of… well. (I have been advised by my legal counsel not to use “brevity” here.) Regardless! For the sake of my sanity and your time, I will refrain from going into further detail on specific instances that show this to be true of Halsin. I will merely encourage you, the reader, to consider the value this brings to his character and druids as a whole, and hope to encourage new appreciation for their refreshing complexity. 

In closing, I leave you with one final quote: 

Superior patience, natural knowledge, and anticipation are the hallmarks of a worthy servant of Silvanus.¹

¹ Faiths and Pantheons. 2002. p. 63.

² Dragon Magazine #412. June 2012. pp. 22-3.

³ Rancid Note. In-Game Text. 

⁴ Halsin’s Journal, Vol I. In-Game Text. 

⁵ Logbook XII: 1371. In-Game Text. 

⁶ Grove Annals. In-Game Text.

[prabhatdavian-blog]

Microsoft 365 Copilot Pages, New AI Capabilities in Apps and Copilot Agents Rolled Out

Microsoft 365 Copilot, the rebranded name for the enterprise-focused version of the artificial intelligence (AI) chatbot is getting new features. Announced on Monday, the tech giant is rolling out various improvements in Microsoft 365 apps and a new Copilot Page feature. The latter is a multiplayer AI feature that allows different users to collaborate on a project. Further, Copilot Agents, the purpose-specific mini chatbots are also being rolled out for Microsoft's enterprise clients. The company also highlighted that more new features will be introduced in the next two months.

Microsoft 365 Copilot Gets New Features

In a blog post, the company detailed the new features of the business-focused Copilot. Among them, Copilot Pages is a unique feature allowing enterprise users to collaborate. Users can create a shared space where both Copilot and humans can add and edit information for a project.

Read More About....

1. Introduction to Microsoft Excel

1.1 What is Microsoft Excel?

Microsoft Excel is one of the most widely used spreadsheet applications in the world, created by Microsoft. It allows users to organize, format, and calculate data using formulas across a grid of rows and columns. Excel is used by businesses, financial analysts, students, and individuals for tasks ranging from simple calculations to complex financial modeling.

1.2 The Importance of Excel in Modern Workplaces

In today’s data-driven world, Excel is a must-have tool. Companies rely on it for managing large datasets, running financial analyses, generating reports, and much more. Whether it’s for budgeting, inventory tracking, or data visualization, Excel is essential for enhancing productivity and accuracy.

1.3 Who Should Learn Excel?

Everyone can benefit from Excel, from students to professionals in finance, marketing, human resources, and more. Excel provides foundational skills for entering and advancing in most career fields. As your skills progress, you'll find new ways to optimize your workflow, making it invaluable for anyone looking to increase their data handling capabilities.

2. Getting Started: Excel for Beginners

2.1 Excel Interface Overview

Before diving into Excel's features, it’s essential to understand the layout. The Ribbon is the toolbar at the top, offering access to various tools. The grid is made up of rows (numbers) and columns (letters), and each intersection is a cell. Excel’s quick-access toolbar can be customized for frequently used commands.

2.2 Basic Functions and Formulas

Excel’s true power lies in its formulas. Beginners should start by mastering basic functions like SUM (to add values), AVERAGE (to find the mean), and COUNT (to count numbers in a range). These formulas help you analyze data quickly and efficiently.

2.3 Creating Your First Spreadsheet

Creating a spreadsheet involves entering data, formatting cells, and applying basic functions. Start with a simple budget, for example, by listing income and expenses and using the SUM function to calculate totals.

What is Microsoft Excel used for?

Microsoft Excel is used for managing and analyzing data, performing calculations, creating graphs and charts, and automating tasks using macros.

What are the key features of Microsoft Excel?

Excel’s key features include pivot tables, macros, conditional formatting, advanced formulas, and data visualization tools.

How can I become proficient in Excel?

Practice consistently, explore Excel’s advanced features like macros and pivot tables, and take online courses or certifications.

What industries commonly use Microsoft Excel?

Industries like finance, marketing, logistics, and education rely heavily on Excel for data management and analysis.

How does Excel compare to Google Sheets?

While both Excel and Google Sheets offer similar functionalities, Excel has more advanced features for large datasets and complex calculations.

Is it necessary to learn VBA for Excel?

VBA (Visual Basic for Applications) is essential for automating tasks and creating custom functions in Excel, making it valuable for advanced users.

[haveweclasspected]

Hello, and welcome to this classpecting poll blog!

Let’s get the rules/guidelines out of the way before we get to the fun stuff:

Rules (Respectfully)

• No Fighting- Discussion is welcome! You may absolutely argue your assessment, however, you may not devolve into outright hostility and fighting. Classpecting is highly subjective and not everyone is going to agree on an outcome.

• Respect the Outcomes- This goes hand in hand with rule 1. Classpecting is highly subjective! Just because an assessment is popular doesn’t mean it will make sense to everyone. If the poll outcomes aren’t what you would have chosen that’s ok, these outcomes aren’t canon, they’re just for fun. Tumblr polls are determined by the whims of the universe.

• Regarding Art- I may not have time/energy to draw every character’s outcome depending on the popularity of this blog. If you would like to draw an outcome that is totally welcome!

(More may be added but for now this should cover all the bases)

Submissions

If you’d like to submit a character this is the format I’d like to try and use:

•(Name) from (Media)

•(A few main personality/behavioral traits)

•(Photo is preferred but not required! It’s helpful for a vibe check/if the final result is drawn)

Classpecting

On to the fun stuff! Here’s some things to get you started:

Whether you’re a veteran classpecter, a novice, or you suck dogshit despite your best efforts (like I do) you’ll surely find something in these resources to guide you in your classpecting decisions.

Class Descriptions/Assessments

Aspect Descriptions/Assessments

Theories

Classpecting is theory based. There are several to work from: dualism, vibes, a new one proposed this year by Funk McLovin that goes off of music theory, and probably more that I’m forgetting.

Dualism Theory

Dualism is the one you are probably the most familiar with. It entails dividing the aspect wheel into opposing yet complimentary forces (Breath/Blood or Space/Time if going by what is directly opposite on the wheel, or Doom/Mind if dividing another way)(This system also works for classes.)

Vibe Theory

This isn’t really a theory in the sense of the others, but it is a popular way of determining classpect. Essentially, to do this you will take your working knowledge of the different classpects and apply that to what fits your characters vibe the best. There’s not really reading any assessments involved. You just take the vibe and run with it.

Music Theory

This is a new one proposed by @funkmclovin during the aspects SAHcon panel this year! It harkens back to Homestuck’s music-heavy lore points and takes it one step further with implementing musical scales into the classpecting process, arguing that these notes/scales can be assigned to aspects. McLovin’s panel video on aspects is a great resource for all theories as it provides a crash course on each one before getting to music theory. There will even be a part 2 on classes that I’ll link once it’s uploaded.

(This post is subject to edits as I have more to add/change on both the rules and classpect guides front)

Happy classpecting!!

[reinerispretty]

warm hands. (mako x f!reader) rewrite.

hello everyon!! a while ago i wrote a request called warm hands that got deleted by tumblr when i tried to edit the post on mobile :/ i’ve been on this hellsite for years and it still sucks but ANYWAY. as a thank you for supporting me and also as an apology for not updating lmao i wanted to repost a better version i wrote <3 much love to u and to mako

She turned to the man standing just a few feet away from her, surprised at how familiar his face had looked. His jet black hair, thick eyebrows, and golden eyes were from somewhere, but (Y/N) couldn’t place if she had dreamt about someone like him or had actually met him.

It would bug her the rest of the day if she didn’t say anything to him, so she had. “Excuse me,” She said, lightly touching his arm to get his attention. “Sorry to bother you, you just look really familiar to me.”

He had stared down at her silently, his brows furrowed, and in normal circumstances (Y/N) would have felt absolutely mortified...

There were dozens of libraries within Republic City, yet so far none of them had what (Y/N) was looking for. She had spent her entire day off trekking through the busy streets and bustling sidewalks, hailing cab after cab until her resources ran just low enough where she would have to be very picky about what groceries she picked this week. Sweat dripped down the back of her neck as she walked toward her destination. Summer was in full swing and it felt like the sun was after her specifically. She wiped a bead of sweat from her brow. So far, she had visited fifteen libraries, and was walking up the steps of the very last, hoping that someone inside would be able to help her with her request.

She passed through the double doors and was met with a rush of cold air that sent a chill down her spine. She must look ridiculous, she thought, as she approached the information desk. An old woman was positioned behind it, her back hunched over a book. She hadn’t heard (Y/N) approach, so the young girl rang the bell that set on the counter. The old woman jumped back, a startled expression on her lined face.

“I’m sorry!” (Y/N) exclaimed, then clasped a hand over her mouth. This was a library, she had to watch her volume in here. “Sorry,” She said again, her voice lower. “I was wondering if you could help me with something? I’ve been looking all over town for books on firebending and I can’t seem to find any.”

“We’ve got some!” The woman chirped, seeming to have recovered from her startle. She rose slowly to her feet and grabbed her cane. “Although they’re not technique books, if that’s what you’re looking for. My grandson has a great firebending academy just down the street if you’re interested.”

“Oh, no,” (Y/N) said as she followed the old woman through the enormous stacks of bookcases. “I don’t need any training, I’m just looking for a fact book or something like it.” The woman nodded and silently led (Y/N) to a very dimly lit section of the library. Just as (Y/N’s) feet began to ache from walking, they stopped, and the librarian pointed her cane up at the top shelf. It was out of her reach, but just within (Y/N’s).

“That’s the one you’re looking for,” She said, smiling pleasantly. (Y/N) looked up and found an enormous book, bound in red cloth with the Fire Nation emblem on the side. She reached up and took it into her arms, nearly toppling over at its sheer weight.

“Thank you,” (Y/N) strained herself to say. The librarian nodded once more before disappearing into the stacks of books. (Y/N) waddled herself over to a table in a more well-lit section of the library and sat down.

She had never cared much for bending. Being a nonbender herself in a nonbending family, she had watched indifferently as some of her classmates developed their bending skills. (Y/N) was always able to get through life without bending, so she had never thought of it as something important. Even probending, which rocked the city with its competitions, had never interested her.

(Y/N) sighed as she turned to the first page. To think, she was going to all of this trouble for a boy.

(Y/N’s) older brother had known Mako first, when they were just kids. Both worked for the Triple Threat Triads for a number of years. (Y/N) had remembered Mako as the serious (and slightly intimidating) friend of her brother’s that would stand outside waiting while her brother tried to convince her to cover for him. He might not have been a bender, but he was as strong as a platybus bear for a boy of fifteen, so the Triads made great use of him. (Y/N) had never liked it, but she always lied to their parents on his behalf. Sometimes, she had glared down at Mako from her bedroom window, and it seemed like some nights he frowned right back up at her.

This was all years ago, of course. Once her brother went off to join the United Forces, (Y/N) had forgotten all about Mako. It wasn’t until this past spring that she had seen him again. They had been waiting for their food outside of a soup shop. It had been the lunch hour, so (Y/N) had known they would take a while, but she didn’t mind, because she liked to people watch in order to keep herself occupied. She turned to the man standing just a few feet away from her, surprised at how familiar his face had looked. His jet black hair, thick eyebrows, and golden eyes were from somewhere, but (Y/N) couldn’t place if she had dreamt about someone like him or had actually met him.

It would bug her the rest of the day if she didn’t say anything to him, so she had. “Excuse me,” She said, lightly touching his arm to get his attention. “Sorry to bother you, you just look really familiar to me.”

He had stared down at her silently, his brows furrowed, and in normal circumstances (Y/N) would have felt absolutely mortified to be having this exchange with a total stranger, but something about him was different. She felt calm around him.

“I know you from somewhere, too,” The man said then, a small smile appearing on his face. “Did your brother used to work for-“

“The Triads!” (Y/N) finished, whispering the words excitedly because you couldn’t just shout the name of one of the leading gangs in Republic City in a crowd full of people. “You’re…Mako, right?”

“You must have a great memory, it’s been years since I’ve waited outside your house for your brother to come down.” (Y/N) laughed. “If I remember correctly, you used to give me the evil eyes from your bedroom window.” She smiled.

“That was me!” She extended her hand. “I’m (Y/N). It’s nice to officially meet you.”

“Same here,” Mako said, shaking her hand. “How’s your brother doing?”

“Very well, I think! He’s with the United Forces now, so I don’t hear much from him, but his last letter sounded very promising.”

“I’m glad to hear that.”

“How are you doing? I’ll have to write to him about you, I’m sure he’ll be so excited to hear it.”

“Oh, I’m fine. Joined the Republic City Police, so I guess I’m arresting the people I used to work with.” He shrugged.

“Beats getting arrested,” (Y/N) offered, and Mako cracked a smile.

“It sure does.” Her order was called from the counter, and (Y/N) scurried over to pick it up. When she returned, Mako had his own food in hand.

“Before you go,” (Y/N) started, and it was like the words would come out of her mouth before she had the chance to stop them. “Would you like to get a cup of coffee with me sometime? I’d love to give my brother a detailed description of what you’ve been up to.” She was never this bold, but it was like something else entirely had overcome her. He was handsome, and it was just a cup of coffee. Nothing too scary.

Mako had agreed to the cup of coffee that week and one cup had turned into three before turning into dinner. It had been nearly eight months since they met and the majority of their free time away from their jobs was spent together. Things were surprisingly easy with Mako. He was a fantastic listener and offered her the advice that she needed to hear. He had a bit of a rough shell on the outside, but (Y/N) worked tirelessly to break through it and revealed a man capable of so much love that she came to learn very few had ever actually given him it in return.

She was always completely lost when he talked about his probending days, but she enjoyed hearing him talk about his youth so much that it had set her on a course of research. (Y/N) was at the library today to better understand firebending. It was part of Mako, and she loved Mako (even if she hadn’t admitted it), so she would learn to love firebending as well.

She read for hours, until the sun had set outside and lanterns were lit within the space. (Y/N) looked up from her book, eyes heavy and dry from reading so many pages. She had only made it about halfway through the book, so she checked out the heavy title from the librarian at the front and made her way home. Mako would be working the night shift that night, so she didn’t have to worry about any interruptions.

---

Mako wasn’t quite sure what had gotten into his girlfriend. (Y/N) couldn’t bend. Not that there was anything wrong with that of course, Mako respected nonbenders just as much as benders (except for, y’know, the Amon thing), but lately (Y/N) had become a walking fountain of knowledge on firebending. At first he hadn’t thought anything of it, but as it continued on he started to sense that something was up.

The first time it had happened was on one of Mako’s days off. He had slept in late even though (Y/N) had promised to wake him up. With disheveled hair and his eyes squinting at the bright late morning light, he shuffled into the kitchen to give his girlfriend a very soft piece of his mind. She was scrambling eggs in front of the stove, turning to look back at him with a smile brighter than the sun. Mako allowed himself a smirk before his face turned stern.

“You were supposed to wake me up,” He had said, his voice gruff from having not been used. (Y/N) shrugged.

“I don’t think an earthquake could’ve woken you up,” She said in her defense. “Plus, you deserve extra sleep.” She had poked him in the stomach. “Firebenders can’t firebend if they’re exhausted.” Mako had chuckled. It sounded like the sort of thing mothers told their children in order to get them to go to bed.

But a few days later, she had mentioned something similar. They had been walking down the streets of Republic City, on their way to go visit Korra and Asami for lunch, when (Y/N) stopped suddenly in front of a store display. Mako jerked backward, unaware that she had paused.

“Do you know what that is?” She asked, looking up at him with an expression that indicated that she was testing him. Mako stared at the storefront.

“A clearance sign?” He questioned. (Y/N) had rolled her eyes.

“Not that,” She sighed, and pointed her finger at the tapestry that was hung in the back of the store. How she had spotted that from the corner of her eye, Mako had no idea, so he shrugged. “It’s the symbol of the Sun Warriors,” She explained. “They were the first firebenders, after the dragons, of course. They’re extinct now, I think.” (Y/N) smiled up at him while he raised an eyebrow at her. He cracked a smile before tugging at her hand.

“I’m about to go extinct if we don’t get some lunch.”

The biggest indicator by far had been the other night, when he was getting ready to leave for work. (Y/N) had sat on the bed as he stood in front of the mirror and buttoned up his uniform. He kept spares at (Y/N’s) place now, since he spent nearly every night there anyway.

She was looking at him with an expression he had never seen before. It was like she was analyzing him. Mako turned around as he finished the last button, but before he could speak, she beat him to it.

“How do you do it?” She asked, and Mako furrowed his dark brows.

“Do what?”

“Bending.” She looked into his eyes at this point and Mako had felt his heart swell. He had a hard time transmitting the emotions that he was feeling inside to his appearance outside. If he could, he would have melted into a puddle on the floor for this girl. In a matter of a few months she had become something to aim toward, to strive for. Catching criminals and solving cases mattered to him, but not nearly as much as returning to her apartment in one piece.

He cleared his throat. “What do you mean?”

“I don’t understand it, you know? How does it happen? Do you just think about it and it happens? Or do you have to focus?”

“A bit of both, I guess,” Mako said. “When you’re first learning, it takes a lot of focus to master a new move. But once you’ve got it, it kind of becomes second nature.” He sat on the bed beside her to put on his work boots. “It’s like writing something. When you were little, you had to think about how to hold the pen, how to form the letters, what the letters meant. Now you just know.”

“Do you have to think about using lightning rather than fire?” Mako shook his head.

“It’s different movements.” She hummed, staring down at her hands as she contemplated what he just told her. Mako checked his watch for the time. “I’ve got to head out.”

“Okay,” She said as she turned toward him. “Be safe! And don’t forget to invite Bolin over for dinner this weekend.”

Mako let out an exaggerated sigh, at which (Y/N) frowned. “I’m serious Mako,” She continued. “I’ll call Bolin myself to make sure you ask him!”

“Why don’t you ask him?” Mako asked as he packed his badge and wallet.

“It’ll mean more if it’s coming from his big brother.” Mako leaned down and cradled the back of her neck with his hand, leaning for a kiss to which she happily obliged. Mako had many favorite things about (Y/N), but perhaps his most favorite was how she smiled into every kiss he gave her.

“I’ll be sure to let him know,” Mako had said as he ran out of her apartment. If he was late again, Chief Beifong would kill him.

Mako contemplated these instances as he walked back to her apartment. (Y/N) had never expressed very much interest in bending, pardoning recent weeks. He wondered what had gotten her so curious. Perhaps she listened to a new radio show that talked about it. Mako never really listened to the radio anymore—he used to, but Bolin talked over all of the stations so he just turned it off whenever he was in the car.

He hadn’t told her that he would be coming back to her place tonight. He hadn’t entirely been planning on it, but one of the rookies was somehow put in charge of the schedule and put Mako and a kid named Lee on the same shift. Considering Mako had the seniority, he had gotten the night off, but not before completing the copious amounts of paperwork that had piled on his desk. It was nearing one in the morning, so (Y/N) would be fast asleep, but he figured she would enjoy seeing him again. Or at least, he hoped so.

To improve his chances of not facing the wrath of disturbing her slumber, Mako stopped by a late night dessert shop and picked up some of her favorites before returning on his way. When he finally opened the door to her apartment, Mako was unsurprised to find that every light was off, save for the light that peaked underneath her bedroom door.

Mako took his shoes off at the front and dropped the desserts on the kitchen counter before quietly making his way to her bedroom. (Y/N) lay curled up underneath her covers, fast asleep, with the biggest book Mako had ever seen lying beside her. He lifted the heavy book into his arms and thumbed through the pages. Each and every chapter was about firebending. Its origins, its practices, and its faults. Mako smiled to himself. So that’s how she had become a walking encyclopedia.

He changed into his pajamas and slid into bed beside her. Startled, she opened her tired eyes and furrowed her brows at him. “Chief let me go early,” He whispered to her, reaching over her body to turn off her lamp. “Go back to sleep.”

Instead she moved closer to his body and took his hands in hers. “I was reading,” She whispered slowly, as if her brain was cranking back to life. “That firebenders can control the heat in their bodies.” She placed his hands just below her bellybutton. “My cramps are really bad tonight, can you—”

Mako pulled her into his body and kissed her shoulder, spreading his hand wide so that it would cover as much surface area as possible. She hummed as she felt the warmth emanating from his hands. “Thank you.” After a few minutes, her even breathes indicated that she was asleep.

Mako wondered then if he had been the reason that (Y/N) had a newfound fascination with firebending. While he was a great detective, he was absolutely clueless. She had gotten a whole book about firebending, had shared her knowledge to let him know that she cared about something that she had never cared about before. Mako pressed his face into the crook of his neck to hide the wide smile that no one would see.

(Y/N) wanted to know more about firebending because it was part of who he was. No one had ever taken such an interest in Mako’s passions. He had figured before, but was now certain, that he loved the girl in his arms so, so dearly.

---

TAG LIST

@beifongsss , @aroyaldarknessblr , @musicalkeys , @thefandomimagines , @blondie0458 , @kairiririri , @awesomelupe , @zukosvice , @tomshollandz , @lavendercrystals , @astralsaf , @realimbo , @mycollectionofnuts , @wingeddemonclub , @gingersnap126126 , @aangsupremacy , @marvel-ing-at-it-all , @davnwillcome , @someoneovertherainboww , @sokkashonour , @breadqueen95 , @buttholland , @noodlesfluffy , @busyforkuvira , @error-loading-sorry , @bombardia , @la3divine , @just-a-teal-android , @theeavtrkyoshi , @brokennerdalert , @sukifans , @sunflower-mami ,

[remythologise]

Hello! I found your blog via you amazingly summarizing all that's going on with the spn drama. Due to my schedules, rl stuff, some of the arcs that didn't vibe with me, my availability to find a place to watch...the rollercoaster I was used to with this fandom was more me binging it in a weekend to going months to over a year without watching it. I still haven't watched the last season(but with a fandom this big it's pretty impossible not be spoiled so I more or less know what happened) BUT oh great one I ask of thee for more information if you have it...other than being busy and whatnot, I'm not really one to keep up with the actors as well. So could you also maybe do a summary of all the stans? I'im seeing terms I haven't seen before. Who is Kelios(sp?)? Hellions?? probably messed it up but like...I guess what are the name of each legion? Who do they have alliance towards? What was their desires? Que paso?!?!?!?

Hi there! 'Some of the arcs that didn't vibe with me' me emotionally quitting Supernatural in Season 7 after they killed Castiel 😂 Anyway I totally get it, I went through the same culture shock mid-last year when I got back into SPN and tried to find where fandom was at! There's really a LOT of lore and content after 15 years though so I'll just do the broad brushstrokes based on my impressions and personal stereotypes PLEASE remember this is oversimplifying groups and individuals to tendencies and I'm very biased! Also important that there are sub-factions within sub-factions - again, I'm simplifying here!

I've also linked to the 'Super-wiki' in terms of some definitions because the Super-wiki has pages for them where the Fandom-wiki does not. Great introduction actually - only in the Supernatural fandom. There are two Supernatural wikis. One, through curation and twitter activity, supports BiBro/Wincest factions and does not support Destiel users. One is more neutral or Destiel-friendly (I don't know that the Fandom wiki has a personality/social media presence per se). You cannot make this up. There is a factional war... within use of fandom wikis.

Destiel faction

People who primarily ship Dean/Cas, love Castiel and (often, although not always) Jack, and the 'found family' of Supernatural as well as the brothers, and like the post s3 seasons too. Hated 15.19 and 15.20 for killing Dean and ignoring the other characters/narrative arc of the show. Nicknamed 'Destihellers' by the Wincest faction as a derogatory term, 'reclaimed' and shortened as 'Hellers', a nickname they use affectionately to describe each other. See more info on nicknames here.

Sometimes also ship ‘Cockles’ (the ship between Misha Collins and Jensen Ackles) although generally speaking they're more respectful of the wives of the actors than J2 shippers, who are notoriously responsible for... a vast series of insane-fan misdemeanours. Historically most were also good at keeping RPF to themselves and not harassing celebrities with it directly, although recently, particularly with younger twitter fans, that has not been the case.

Sub-factions:

The ‘Desticule’ or ‘Destiel tumblr’ - general grouping of Destiel-shipping tumblr users around 20-30 years old, usually LGBT+, most who came back to the show post-15.18 after leaving it for various reasons including getting sick of the queerbaiting. Funniest bitches alive etc. and responsible for the best text posts you’ve ever seen. Can also start stupid discourse and in-group drama when they’re bored.

'POLOL' - People of Lots of Letters, a discord group (of tumblr and twitter users) that ran on the assumption Andrew Dabb was playing a hugely intricate game of 3D chess to do with gnostic symbolism among other things, and would make Destiel canon. Have since had their own factional sub-wars and fallen apart a bit. Some of their meta was and is good and interesting! Some of it was wildly off the mark. Now generally insist that Dabb/the writers were all pushing for Destiel canon and the network is entirely to blame.

Twitter fans (TikTok edition) - younger fans around 18 and younger who (FOR REASONS BEYOND ME) started watching the show around 2018-2020. Definition of 'stans'. Tend to be very loud and aggressive on twitter when Events Happen, which like. I do get, because they've grown up in a completely different media environment and this kind of Dinosaur Politicking around LGBT+ issues is beyond them. Fancam central. Anyway stream #CASTIEL for clear skin!

Twitter fans (AO3 edition) - older fans around 30+ who kept going with the show but either don't have a large tumblr presence or just prefer twitter. A lot of fic writers, GISH-ers, and BNFs in this group. Some of them are very cool and reasonable in their opinions, some of them act like the younger stans. Some of them too accepting of what happened wrt 15.19-20 in my opinion, because, in contrast to the younger twitter stans, they grew up expecting Destiel to NEVER be canon or respected. 'Can't believe we got this far' etc.

Multiship faction

Multishippers or shippers of things not as large as the two main behemoths . Sub-factions based on shipping, e.g. Megstiel and Sastiel. I don't think these groups are very large though, and seem to have very little influence in the Discourse.

Wincest faction

LARGE overlap with the 'BiBro' faction and their opinions, which I'll get to. Ship Sam and Dean romantically. Often pretend to be BiBros on places like twitter and reddit in order for outside groups to take their opinions more seriously. 'Wincesties' etc. are derogatory nicknames given by the Destiel faction.

Sub-factions:

Multiship fans - ship Sam and Dean but respect Castiel/the 'found family'. Politically overlap with the faction of multishippers, I think. I don't have a lot of insight on this group of people honestly, but I know they exist.

Bronlies - the typical BiBro and 'Wincest' shippers most people think of, twitter user 'Kelios' is one of the would-be ringleaders of this faction - typically tend to be older white midwestern women. Historically have been pretty nasty on twitter (leading to Robert Berens, writer who made Destiel canon, occasionally subtweeting Kelios). Also tend to ship 'J2' - and take it very seriously as a legitimate thing that is really real. This is called 'tinhatting'.

BiBro faction

People who think the show should JUST be about the brothers, love Supernatural s1-3 and everything after it should have been just like Supernatural s1-3. Hate Castiel, Jack, and the 'found family'. Largely loved 15.20. Go to literally any comments section on any Supernatural article and You Will Find Them complaining about how the show should just be about the Brothers. Tend to be older, straighter, and more conservative/Republican (and male) fans. (I am aware that the definition of 'BiBro' used to refer to people who just liked the brothers but there's no definitional difference now in the discourse.) The Wincest and BiBro faction are generally much more wealthy than the Destiel faction (they being younger and more diverse/queer/left-leaning in general) and would be the biggest revenue generators at conventions etc.

Sub-factions:

Reddit bros - literally anyone who visits r/supernatural. Well, that's not fair - there are people who post reasonable opinions on there, but it's pretty rare and they get downvoted a lot. Like to talk about 'toxic Destiel fans' 'ruining the show' and how Dean is a straight man who is straight and could never possibly be gay. Might even think the confession was platonic despite all evidence to the contrary. I'm Not Homophobic I Have Gay Friends, But No Gays on MY Show!

Old Guard - group of older fans who overlap strongly with the Wincest faction, but might not necessarily ship Wincest.

GA faction

'General Audience' - These are the group of audience members that aren't 'online' so to speak; most watch the show on TV as a Casual Viewing Experience (are therefore also sometimes referred to as 'casuals'. Mostly their opinions tend towards BiBros, but they have a vast range of baffling views thanks to being Not Online and usually Not caring about Supernatural that much or thinking that deeply about it.

Sub-factions:

People who simply watch Supernatural on TV and then don't think about it very much after that.

I said they weren't 'online' but that's not entirely true; I'd probably classify people on Supernatural Facebook Groups as GA, along with friends of friends who post statuses about how 15.20 was a neat finale that wrapped up the series.

Conclusion

Supernatural is famously the show that appeals to both Republicans and Democrats, literally All Orientations, so there's a WIDE range of factions. However, most warring online boils down to Destiel vs. Wincest/BiBro - the war that started in Season 4 and has simply never ended. In terms of the 'actors' and their stans, in general, Wincest/BiBro fans love Jared, like Jensen, and dislike Misha. Destiel fans love Misha, like Jensen, and dislike Jared. Of course as with everything, there are variations and this is just a generalisation. But that's the summary of it, from my perspective!

This didn't even get into Sam girls, Dean girls and Cas girls. God. Anyway.

Hope that answered your question, anon!

[izzyspussy]

how different is writing an actual book as opposed to writing fanfiction besides the obvious (og characters/backstories/plots)? Bc publishing my writing is something i’ve always wanted to do, but i’ve never felt compelled to be in depth with metaphors/subplots/motifs, and I’m sure they show up but in a natural way? Does that make me a less efficient author for just wanting to create vs putting together a puzzle? I’ve always liked books with plots to be clear and forward, while leaving room for dissection as like an extra activity vs something thats necessary, if that makes any sense, and I feel like that reflects in my own writing and I can’t tell if that makes it less — and for lack of a better word — good. Ik this is a lot, but generally if you’ve got any tips regarding the process and importance of some aspects of professionally writing, id greatly appreciate it <3

Hi, anon! Thanks for asking, let's see what I can do for you for some answers! ♥

How different is writing a book compared to writing fanfiction?

In my personal experience the biggest difference - just in writing, not editing, publishing, etc - writing a book versus writing fanfiction is actually with characterization. If you have a fully developed character in your mind from knowing what happens to them it can be kind of difficult to write them pre-development and have them change on-page. In fanfiction, usually you already have your starting point with the character and you only have to worry about how to get them where you want them.

(And also you usually can't use lyrics for your titles lol.)

In Depth Subplots & Motifs (& Foreshadowing, etc)

These things are super hard and can be very complicated, so don't worry too much if they're not your favorite thing to work on!

I think at least in regards to motif, if you're really writing from a genuine place it pretty much takes form as you go. Sometimes in the plotting stage you have only the "point" or you have only the fun delivery mechanisms - the characters, plot, setting. Whatever little pieces you start with, in this particular case most of the time the easiest way to figure out the shape of everything else is to just dive in and let it happen.

I also do that a lot with fanfiction, actually, because often it's a total accident. @kedreeva has a post about why sometimes you can realize you have to rework your plot only to find that what you've already written already supports your new direction. I think pretty much everything said there can apply just as readily to motifs and to the purpose your story is meant to fulfill for the audience, or for you. I don't remember any exact words from the post though so I don't think I could find it lmfao. It might be a ways back in my /writing-process tag, but maybe they have easier access to it and can share it again, in which case I'll come back and add the link.

As for subplots, those are really fucking hard and there's not much else I can really tell you about 'em. However! You don't always necessarily need a subplot. They can add extra depth to your characters and to your world, or they can emphasize your main plot, but frankly good character development alone can do those things just as well. It can be a little difficult to get a full novel if you don't have a subplot, but not everyone is a novel writer and that's good! Not everyone is a novel reader either.

Metaphors are also mostly for good flavor. Depending on your subject matter and your style, you might not need them either. Off the top of my head I don't think Steig Larsson (Girl With The Dragon Tattoo) used many metaphors in his series, and that mostly just made the content feel more grounded. It's not for every reader (some might call it 'dry' or 'dense' or something like that) but for some people that's their preference!

You do of course need some background and flavor text other than just A, B, and C things happened, of course, but they can be in any style or amount of detail that you prefer. Your editor and test readers will let you know if something doesn't make sense or seems incomplete.

Does that make me a less efficient author?

If you're writing fiction, it's not really about efficiency! It's about being engaging. Stephen King and J.R.R. Tolkien both spend pages upon pages giving textbook-like information on their worlds or on character backstory that I personally would have said to cut if I was their editor, but again some audiences prefer that kind of read!

If you think it's more interesting/important/fun to spend time on literal description versus making your work fit an aesthetic, then that's what will be interesting/important/fun for the audience you'll find eventually.

The only thing you can really do to find a style that you are satisfied with and is readable is to practice, share your work, be open to critique (when appropriate ofc), and read a lot.

Other Tips

In fanfiction having an editor, beta-readers, critique partners, and maintaining a group of peers is all really kind of optional and honestly even above and beyond. In publishing that is 100% not true. You absolutely need an editor and test readers, and you need to keep up with other people in the industry and especially in your genre and/or publishing method (traditional, indie, self). Mutually assured success is necessary - not a nice extra - in publishing. You have to be willing to spend time on others' work and to accept the value of their input on yours if you want to make good art and reach an audience.

Again, thanks for sending in an ask. I hope this helped!

♥ Jack

I'm an award winning author. AMA!

[tuneford]

I wanted to add to this to potentially give more context.

Matthew Robinson seems to have conducted the lecture at McLean Hospital, for the weekly McLean Forum lecture, the lecture being titled “Social Media and the Rise of Self-Diagnosed Dissociative Identity Disorder.”

Link to video/audio of lecture (+ an archive of it).

Here’s a YouTube comment on a video responding to the lecture: “Your response was spot on and well said. Thank you. As a therapist who treats folks with DID and other related disorders I was appalled at the audacity to diagnose total strangers over videos without any context. I've heard from colleagues that several people had panic attacks or became suicidal after watching...” link to video response

I personally don’t have the energy to watch the lecture, but I’ll also add a summary someone else has made (from a different YouTube comment on the same video) which hopefully gives some more context (of course there is bias to this because everything has bias, but I think it may be helpful - I’m adding this comment because I haven’t watched the lecture):

“If you don’t realize it, he is saying only his inpatients and ones like them have real DID, but he also says if you have DID, symptoms don’t happen very often, they are too subtle to notice most of the time, nobody is open about their DID symptoms, everyone with DID is hiding their DID, everyone is basically only sad all the time, everyone is overtly traumatized and frightened all the time, and everyone is ashamed and embarrassed of their DID all the time.

Then he says you only switch if you are severely traumatized, and do not rapidly switch but we know the DSM requires that the frequency of identity disturbance is “recurrent” and DID-specific systems cause “clinically significant distress or impairment in social, occupational, or other important areas of functioning.” So this seems like there must be a Goldilocks zone of not too much dissociation or switches, but not too little either (yet there can be no up beat or happy moments). So to oversimplify, “unless you switch all the time you won’t get a DID diagnosis, and if you do switch all the time you don’t really have DID because switching in DID is rare.”

Finally, this guys’ examples are all people that have been diagnosed, supposedly. His point is people are self diagnosing because of social media, which they are, depending on how you define “self-diagnosis.” But some degree of “self-diagnosis” is natural, especially if you have overt symptoms or co consciousness or years of DID-acknowledging and addressing therapy, and he seems oblivious to the fact that he is only giving examples of reportedly diagnosed systems.”

-

Edit: Please don’t harass the guy involved or try to doxx him or anything along those lines. I made this post to give more information that I was able to find from a basic internet search and the information about the lecturer was from the mclean hospital website page itself.

The anger some folks experiencing around the situation definitely makes sense but also harassing the guy won’t make the situation better - specifically because systemically there’s issues with how professionals treat people with MPD/DID/OSDD (some even still don’t believe it exists) and how they are taught to, the ableism surrounding all of that is not specifically an individual issue.

I ironically came to ur blog to talk a little bit about people who claim to care about DID but obviously don't and saw u talking about that presentation, lol. I haven't watched that, but that seems very bad??? I would not want that happening to me.

yeah it was really disheartening to hear about. i'm glad the video was taken down.

i wish i could provide better context for anybody looking at my blog who doesn't know what i'm talking about lol but i'm way too out of it from covid to put any kind of comprehensive post together. but like My Understanding Is: a lecturer gave a presentation at mclean hospital about presentations of DID on social media and the rise in self diagnosis, to my understanding it also touched on topics like imitative DID, malingering and factitious disorders. it used clips from content creators without their permission, some who are self dxed with DID, some who are professionally diagnosed. people who were included in the presentation without their consent are now receiving harassment.

quotes ive seen from the video (that may be taken out of context) suggest the presenter referred to specific content creators by name to imply they may be malingering

[thewritinggrindstone]

Who Is Your Main Character, Anyway?

Over the last six months, I have noticed a recurring problem in every fiction manuscript I’ve edited and a few other nonfiction projects to boot. It’s a problem that’s both made editing significantly more difficult than the task otherwise might be and it’s killed all of these potentially entertaining novels dead, so permit me to ask you a question:

Who is your main character?

No, really. I’m serious. Do you know who your MC is? Can you point at a single character and definitively say, “Yes, this is my MC”?

If not, you—and your story—might be in trouble.

For reference’s sake, some of the novels I’ve edited since June 2019 include:

A collection of sci-fi short stories tied together with alternating chapters of an extremely and alarmingly abstract, philosophical variety

A contemporary novel revolving around health problems, corrupt management, and struggling teachers in a NYC school

A contemporary novel set in a heavenly courtroom that functioned as a soapbox for the author’s opinions on the current state of the US government

An urban fantasy set in modern-day NYC with trolls, fairies, dragons, and other fantastical beasts

I also edited a memoir about life in Crete during WWII that was told via a progressing series of anecdotes.

All five of these projects, which sound so different from the outside, share the same issue: The author didn’t understand the need for a main character.

But why is a main character important? In fact, isn’t it possible to have more than one MC? I hear the arguments: the MCU doesn’t have a single MC, and look at how utterly lucrative that series has been.

Fair point, and I’ll touch on multi-POV later, but for now, bear with me and treat the idea of a main character as one of the fundamental storytelling rules. And like all rules related to writing, you need to know how it works before you can effectively break it.

So what is a main character?

The typical main character in a novel is, at their very core, the character who both:

Has the highest stakes in the story’s climax

Goes through the most dramatic change themselves (positive/negative arc), or has the most dramatic change on the world around them (flat arc)

If either element is missing from the character, chances are they aren’t actually the MC.

Why is this important?

It’s important because if you don’t consciously determine who your MC is, you’re far more likely to be swayed by other characters who pop up and their respective stories. Suddenly one character has severe anxiety due to a crummy upbringing and all but vanishes after they begin recovering after a failed suicide attempt. Another is stealing medication from the locked nurse’s office to deal with a problem that isn’t quite important enough to actually receive mention in the novel. Yet another character becomes a mouthpiece for a topic the author is passionate about but doesn’t actually tie into the novel’s plot or theme. Suddenly there are characters crawling out of the woodwork, all interesting and unique and playing important enough roles that the author becomes distracted with the shiny and the tantalizing and doesn’t quite realize that they’ve completely failed to mention a character isn’t a human at all and indeed is a troll until page seventy-three. Oh, and there’s no climax to the novel either. Huh. How did that happen?

One consequence of an author failing to identify their main character is that failing to do so often leads to an unfocused story. POVs hop from character A to character B to character C to character D, and somehow we find ourselves at character M before finally circling back around to character A, whose story... I no longer quite remember—or care about, because character G was fascinating and I want to get back to them.

Another consequence is that POV oftentimes is distributed unevenly throughout the story. A concurrent issue I’ve noticed cropping up is the use of omniscient POV in these troubled manuscripts. While that’s a topic for another post, I will say that a lack of main character + omniscient POV = stories that are notoriously difficult to edit effectively because it’s one thick layer of confusion on top of another thick layer of confusion. Trying to determine what the authors want out of those stories requires a frankly outrageous amount of effort compared to a story with a single main character and a limited POV because the editor has to spend so much time and energy guessing what the author truly wants.

On top of that, I’m going to take a wild guess and say that most authors don’t want to tell an unfocused story. Sure, we might want to obscure some facts, might want to leave the occasional little mystery for the reader to enjoy puzzling out, but we want our writing to be understood. We want it to resonate. And it’s difficult for a story to resonate when half its notes are atonal and the other half are outright missing.

Step 1 is to identify who your main character is. Step 2 is to determine what characters are masquerading—temporarily or completely—as the main character. In the contemporary novel set in the school I mentioned above, there were at least eight initial contenders for the role of main character, all with their own unique stories and all with significant POV time, but only one character had any bearing on the climax, and it was a character who didn’t appear until almost a third of the way into the novel but got less POV time than several other characters. This doesn’t work.

This doesn’t work because the reader assumes, particularly in genre novels (excepting romance), that:

the first character we meet, and

the character whose POV opens the novel

is going to be the main character. This isn’t a hard-and-fast rule, and there are absolutely exceptions—such as The Great Gatsby, in which the MC and the narrator are two totally separate characters—but this post is about identifying MCs in particular. Narrator vs MC is a topic for another day.

(In conventional romance novels, the POV is split fifty-fifty between the two love interests. This post doesn’t really apply to conventional romance, but it’s still not a bad idea to check yourself once in a while to make sure you don’t have any characters who are trying to worm their way into being the MC when they shouldn’t be.)

Some of the problems I’ve encountered in the five projects I mentioned above include:

A POV that skitters from character to character, even to characters who have no arc or bearing on the overall plot whatsoever

An unfocused climax or a total lack of climax

Numerous subplots that never resolve and/or never have any bearing on the climax

Significantly lowered chances that the reader will bond with or care about any of the characters

Unsatisfying character arcs and/or plots

Plots that wander to places they never should have gone

Subplots of subplots that have nothing to do with the main character and/or climax at all

Painfully boring scenes that serve no purpose

The author bending the characters and plot to A Message rather than allowing either to exist naturally

The author not understanding what is truly important or interesting in their story

Stories that try to cram way too much information into a single book

The exclusion of details that are vital to understanding the overall story

Before throwing the unfinished book aside, the reader asking the two deadliest possible questions: So what? and Who cares?

That’s a rather terrible and terrifying list, isn’t it? All because each author never chose a single main character for their novel.

So I ask again: Who is your main character? Are they present from as close to the beginning of the story to as close to the end of the story as possible? Are they the most changed (or do they cause the most change around them) of all the characters in the story? Are there other characters around them who have plots or subplots that don’t tie into either the climax or the main character in any way? Is there another character who has more of an effect on the climax than your current labeled MC? More POV time or overall focus?

If you don’t have a main character to anchor your story around, the chances of it wandering, drifting away on every little eddying breeze that comes along, stumbling into dead ends and boring climaxes and unsatisfying character arcs grow with each added word. So challenge yourself to nail down a single main character. Wrap the entire plot around them, tight enough to choke them if you must. Get your facts straight; tie every detail back to them. You might find extraneous loose threads you can pluck out, be they characters or plot elements—but you might also find areas that are weak and need building up. You might even find both coexisting in the same story, because writing is sometimes just like that.

And once you know how to identify and use your main character, you can begin adding other elements to your story, elements that can create a bit of breathing room wherever necessary, all without the story losing its focus or meandering away from you into an area that leaves your reader—or editor—baffled at best, furious at worst.

 That said, of course it’s possible to have more than one MC, but with each MC you add to a single novel, the more work you’re creating for yourself, because each MC needs to have equal stakes in the climax and, preferably, an equal amount of attention throughout the story. Conventional romance, with its lack of a single MC, works because the climax hinges on the two characters who have received equal attention (via POV time and word count) up to that point. They both stand to win—and lose—the same thing, namely their mutual happy ending. Adding in a third main character is possible but tricky. Four? If you can do it, you’re a better plotter than me, friend, and I salute you.

A note: yes, subplots are a great way of adding extra characters or situations to a story that don’t necessarily run through the main plot. Ideally, though, most subplots should be resolved as close to the climax as possible to give the entire climax that added oomph. Again, there are exceptions, and it’s often a per-story situation, but a story can only handle so many notes being played before the sound of it gets muddy. Plot accordingly, and don’t lose sight of who the main character is.

Another note: yes, the MCU doesn’t have a single main character. Even some of the MCU films don’t have a single main character, particularly the Avengers flicks, and discussing how to handle a story that has multiple MCs is not really what I wanted to focus on today. Summarized, those stories are possible but tricky. Please notice the way very few of the MCU main characters get introduced in the big team-up films. Most of the characters get their own films or get introduced as side characters in those films so the audience has to do less work initially investing in them when there is more than one main character present.

[vinceaddams]

Op got any advice on finding sources for 18th c mens fashion? (most of the things i get are for women And That Aint Me Goal)

(edited lots of times because I keep adding more stuff, but there’s bound to be more that I’ve forgotten, and I fear this is not very well organized)

Oh boy I sure do!!! (I assume you mean sewing and wearing it?)

It is, unfortunately, pretty hard to find resources for 18th century mens fashion on the internet. (Note to self: make more tutorials.) But as I’ve been doing it for some years I do have a list of useful stuff!

My first piece of advice is to get yourself a copy of Costume Close Up. It’s my most used reference book, and my sewing is SO MUCH BETTER since getting it. The first half of the book is women’s garments and the second half is men’s garments (11 mens garments, all quite nice, with pattern diagrams and pictures), and it goes over the construction in fantastic detail. It explains so, so much. 18th century clothing construction is completely different from modern clothing construction, but once you learn it it’s quite straightforward, and lends itself far better to hand sewing in a lot of places.

(Really, I cannot stress enough how totally different it is. If you haven’t done any modern sewing before then that’s fine, you’re probably in a better starting place to learn 18th century ones than I was! I took a 2 year college fashion course where I learned modern construction techniques, and about 95% of what I learned there is irrelevant to 18th century sewing.)

One place Costume Close Up is a bit lacking is in the shirt chapter, because the shirt it features had the cuffs and collar replaced in the early 19th century and has no ruffles, so there’s no mention of sleeve buttons or how to put ruffles on. 

Here I originally had links to a bunch of questions I’d answered, but I’ve answered a lot more since I first posted this, so I made an FAQ page.

For hair, I really recommend getting a copy of The American Duchess Guide to 18th Century Beauty. Yes, it’s only got tutorials for women’s styles in it (because it’s a companion to their dressmaking book) BUT all the techniques are easily transferable to mens hairstyles! And it has recipes for powder and pomatum and stuff! ‘Tis a good resource, with much good insight into 18th century hair.

I’ve got a blogspot sewing blog where I post about my sewing projects in a lot more detail, so I’ll leave links to some of the more informative of those ones:

 In which I talk about shirt ruffles.

In which I talk about the pattern of my 1730′s coat, and a little bit about the construction.

In which I talk about the construction of my 1730′s coat in excessive detail with about 50 photos.

And the post on how I made my 1730′s waistcoat.

And the 1730′s breeches construction.

A similarly detailed post for my 1790 black & white coat.

And one for my yellow striped 1780′s-90′s waistcoat.

This waistcoat post has some decent construction photos too.

This is a very tiny post about a queue bag with not many pictures, but I’ll leave a link anyways because a queue bag is an important accessory.

(But be suspicious of any posts earlier than 2018, because a lot of my construction is much less good before that. The further back in the archive you go the less idea I have of what I’m doing.)

(Photo by Hailley Fayle)

I have a youtube channel, which doesn’t have many videos because I am very slow, but I do have some tutorials and sewing videos, and try to cover things as clearly and thoroughly as I possibly can. I have posts on my blog with extra information & links for some of these videos. And written instructions for a couple of them, but I don’t usually do both.

As of the most recent edit of this post I have videos on death’s head buttons, cloth covered buttons, sleeve links, hand sewn buttonholes, machine sewn shirts, and hand sewn leather gloves.

If you want to do embroidery I recommend getting a copy of 18th Century Embroidery Techniques by Gail Marsh. Much like Costume Close Up, it explains everything! How an 18th century embroidery shop worked, how to transfer a design and stretch it in an embroidery frame, and all the necessary stitches and techniques. It has chapters on the many different kinds of embroidery and I really need to try them because I have only made 2 embroidered waistcoats and neither of them have proper 18th century embroidery. (I find the metal embroidery chapter especially intriguing, and have a bunch of metal embroidery supplies bookmarked on etsy. Did you know you can still get metal spangles and purl and all that stuff?! I’d really like to try crewel too. I love those big bold wool flowers.)

18th Century Fashion in Detail from the V&A is a fabulous book that I recently acquired. Not a pattern book, but a very good inspiration book. It has detailed photos of many many garments (about half of them are menswear) and line diagrams of what the entire garment looks like. The variety of embellishments shown there is mind boggling. There’s a lot of amazing embroidery, of course, but there’s also a painted waistcoat, one trimmed with strips of dyed green rabbit fur, and one with a pattern of decorative holes punched in it to let the lining show through! The introduction also details how the various businesses that made up the clothing industry worked.

Fitting & Proper - A book with patterns & construction details similar to Costume Close Up.

A Glimpse into 18th Century Tailoring - Another book with pattern diagrams & construction details, also fairly evenly divided between men’s and women’s garments. The text is printed in two columns, with Swedish on one side and English on the other.

(While I provided internet links for the books I mention, I strongly encourage you to order books through your local bookstore if you can.)

Other useful links:

The Cut of Mens Clothes 1600-1900 - a book of patterns that’s available online as a free pdf and also another better quality pdf (and somehow, magically, still hasn’t been taken down for copyright infringement. Which is good because it’s out of print and expensive! Go download it right now!!) This is VERY HELPFUL for pattern drafting and I’ve used it a lot! It hasn’t got much on construction though.

LACMA Pattern Project - More patterns on grids that you can scale up! I look forward to trying their c. 1790 cutaway coat one.

I should write a post sometime about how I scale up patterns to fit me. I basically trace out a little diagram of the pattern pieces, measure myself, guess at how big the various pieces ought to be based on that, and draw them up full scale on a big roll of stiff brown paper. An unprofessional method, I think, but it works surprisingly well for me. (Though that might only be because I’ve had years of practice… my earlier patterns were not good.) I usually mock them up in old sheets or very shitty thrift store fabric to make sure that they fit.

Burnley & Trowbridge - they have some good historical sewing tutorials on their youtube channel. Lots of little videos about certain techniques and things, and also a men’s shirt sew along, and a work cap one.

Neal Hurst’s youtube channel - He’s a tailor & collections curator at Colonial Williamsburg, and has some videos on sewing techniques, and some very long livestreams where he chats with various experts about particular topics.

Tips and tricks to make hand sewing easier.

Making linen buckram

False buttonhole tutorial

How to set in buckram interfacing (video)

Functional buttonhole tutorial (video)

Quick little post about how I made some metallic buttonholes, which is something I need to cover more thoroughly someday.

How to make bird’s eye thread buttons for shirts. That’s just one kind though, a lot of earlier 18th century ones seem to have Dorset knob buttons, and Dorset wheels are also on a lot of shirts (though mostly later ones I think.)

Gina B Silkworks has a lot of videos and books, workshops, etc. about various kinds of passementerie buttons, some of which are 18th century.

Video of some stretches to do to prevent damage to your hands

The Historical Sew Monthly Challenge - This isn’t specifically an 18th century thing, but it’s something I’ve been participating in (to various degrees) since 2013, and it’s actually what prompted me to make my sewing blog. I find it to be good motivation to finish things, and the people who run it are really lovely.

18th century notebook - pages of links to extant clothing, organized by kind of garment.

18th Century Material Culture - Lots of… slide shows I guess? They’ve got a bunch of pictures of specific garments all collected together, anyways. But I’m a tad suspicious of them because their coats page has a few sleeved waistcoats on it, and sleeved waistcoats are very obviously not the same thing as coats.

Here’s a link to my pinterest. I know a lot of people hate pinterest but I find it to be an excellent way to organize my historical reference pictures. (Oh my god I just noticed I have over a thousand pins on the extant 18th century waistcoat board?) Beware of pinterest captions in general though, there’s a LOT of mislabeled stuff floating around there. Thank goodness we have reverse google image search.

The more you look at reference pictures the more you’ll develop an eye for what looks “right”. 

There are probably more things that I’m forgetting at the moment, but if I think of them I’ll edit this post & add them.

Some places to buy stuff (Not at all a complete list, and your best options will vary depending on where you live. I live in Canada so most of these are North American.)

Puresilks - They have an incredibly huge variety of silk, especially taffeta. (Which reminds me, stay away from slubby dupioni if you’re looking to be historically accurate!) I’ve ordered from them a few times and have always been pleased with the quality.

Silk Baron - never bought anything from them but I’ve heard they’re good?

Pure Linen Envy - Reasonably priced linens, and they’re right here in Canada for once! Their summer breeze weight is my favourite thing to make shirts out of, though the featherlight works for even finer shirts, and they have some heavier ones that are great for summer outerwear, buckram, waistcoat backs, etc.

Cotton Lace - As the name suggests, they sell nothing but cotton lace.

Renaissance Fabrics - Wool, linen, silk, and some other stuff. I have two pieces of wool from them and it’s nice. And they will send you up to 4 swatches for free!

Burnley & Trowbridge - I got the buckles for my breeches & stock from them, and many of my button blanks. They have fabric and ribbon too, among other things! (And a few books, I should get the little one about tailoring techniques next time I order something from them.)

Wm. Booth Draper - They carry much the same stuff as Burnley & Trowbridge.

American Duchess - They mostly do women’s shoes, but sometimes they do mens. Their stock doesn’t stay the same all the time. They have some stockings that work for menswear too.

Sock Dreams - I don’t know if they realize it but they have quite a few passably 18th century stockings! (And they’re more affordable than reproduction silk ones.) The O Woolies are perfect for an everyday 18th century look, but they also carry a lot of vertical stripes - something that was very popular in the 1780′s and 90′s! You see them a lot on fashion plates, but sometimes you see horizontal stripes too. And occasionally other patterns.

Delp Stockings - I’ve never bought anything from them before, but they have a lot of historical stockings.

LBCC Historical - cosmetics. I have their white foundation, liquid rouge, and lip stain and they’re good! They last forever too, you only need the teeniest little speck. (A word about the white face paint though - it looks lovely in dim lighting but terrible in bright sunlight or camera flashes.) Darkened eyebrows were part of 18th century makeup too, and for that you can just burn the round end of a clove and use it like a pencil.

I realize that a lot of the things on this list are fairly expensive, so you ought to have a good hard think about how much 18th century sewing you want to do before investing in them. Since this is my One Big Thing that I spend the majority of my free time on, and since I wear much of what I make for everyday, I feel okay about buying some expensive supplies now and then. And I do try to be very economical with my good fabric, and use all my scraps, just like they did in the 18th century! This isn’t to say you can’t make nice things with cheaper supplies though. I have several wool things made from picked apart thrift store skirts, and some plain cotton things that are somewhat inaccurate but still good. The selection at my local fabric store isn’t very good, but nice things do turn up occasionally.

Some general advice:

Trust the overall shapes of historical patterns, even if they look weird to your eyes. They aren’t supposed to fit the same way modern clothes do. A lot of movie costumes look “off” because they add modern amounts of ease to the clothes.

Just as you cannot always trust movie costumes or pinterest captions, you should be aware that the styled outfits on museum mannequins sometimes get things very wrong also.

Proportions are also super important in patterns! Look at portraits and observe how big things are in relation to other things, and where they sit on the body.

If you make your patterns out of stiff paper, like I do, you can punch holes in the pieces and hang them on shower hooks. This makes them easy to store because you can put several patterns on a coat hanger and hang them up in the closet. I also was taught to not add seam allowance to my patterns, which means when you trace around them that line is your stitching line.

Label your pattern pieces. Do it. Write the date you made the pattern and what the pattern is for on every single piece. (I admit this is something I’m still bad about) You may think “Oh, I’ll remember what this is for” but then 6 months later you’ll find 4 different unlabelled breeches patterns and have no idea which is the one that actually fits you properly.

Wipe down the work table before you set your sewing on it, especially if your fabric is a light colour, and even more especially if it’s a table that multiple people use. Wash your hands before doing hand sewing, and wash your ironing board cover once in a while too. Clean your iron when it gets gunky.

On that note, you should also keep your sewing machine clean and well oiled. The manual will tell you what to do.

Machine sewing and hand sewing are both good! I do both in most of my projects, in varying amounts. A lot of 18th century techniques are much much better done by hand, but I don’t see any problem with doing some machine sewing (instead of the backstitch or running stitch) on certain construction seams that aren’t visible, especially for shirts. (I should note that while I do strive for accuracy in most of my projects, I am not a reenactor.)

Facebook groups can be a great resource sometimes, but you’ll also find people telling you completely untrue things thinking they’re being helpful, so don’t trust anything without sources. And there are also a few assholes who hate fun, so just remember that miserable grumpy old reenactor men aren’t the boss of you and you should sew things that make you happy.

It’s best to use cheap fabric for your first few attempts, because you won’t be brilliant right away, but don’t be afraid of expensive material forever! It’s so much nicer to work with nice materials, and you should use them instead of hoarding them.

Here’s a post of some of the garbage I made when I was first trying to sew clothes. Don’t be discouraged by your early attempts! Keep sewing, we all have to start somewhere! With years of practice I’ve gotten so much better, and so will you!!

It’s hard to find good lace these days, and if you can only find shitty lace then plain organdy ruffles are always a better choice. I’ve tried putting bad lace on shirts and sadly there’s no way to hide its badness.

A few accessories can make a world of difference in how “complete” your ensemble looks. Gloves, hats, watch chains, muffs, fans, a walking stick if you can get one. All good things to add!

Good luck with your sewing! Have fun and remember to wax your thread and use a thimble!

[tinkerd]

Interview with www.achuka.co.uk

See Original post here: https://www.achuka.co.uk/blog/meet-an-illustrator-14-david-litchfield/

Meet An Illustrator 14 – David Litchfield APRIL 17, 2021 BY ACHUKA  self-portrait © David Litchfield

ACHUKA is thrilled to have David Litchfield as the 14th guest on Meet An Illustrator, an informal weekend feature introduced this year.. Do visit the backpages  to read the responses from previous guests.

The Bear And The Piano, David’s debut picture book, was published just 5 years ago, but he is already established as one of the UK’s leading illustrators and picture book creators. That debut title won Waterstones Illustrated Book Prize in 2016. Much more recently he has come to attention as the cover illustrator for David Almond’s Bone Music:

The Bear And The Piano became a trilogy with publication in 2019 of The Bear, The Piano, The Dog And The Fiddle and, this year, with the third title The Bear, The Piano And The Little Bear’s Concert.

A particular favourite of ACHUKA’s is Lights On Cotton Rock:

His 2021 publishing year kicked off with illustrations for A Shelter for Sadness by Anne Booth

and the paperback edition of Rainbow Before Rainbows by Smriti Halls is published this coming week:

Next month (May 2021) we can look forward to Pip And Egg written by Alex Latimer:

and, as we hear below, there is lot lots more to come.

As a child, what were the first illustrations you remember being pleased with?

I think that it was a drawing of a panda. It was in primary school and we all had to draw one. We then put them all on the wall and I remember feeling a bit arrogant and quietly smug that my panda was definitely one of the best ones on that wall.

Who/what inspired you when you were young?

Again at primary school our teacher sat us all down and read us Where The Wild Things Are. I remember being absolutely blown away by Maurice Sendak‘s drawings and characters and totally felt transported away from the reading mat in that classroom to that dreamy monster island. Mr Sendak and Albert Uderzo were absolutely the two biggest influences on making me want to draw every day.

Who inspires you today?

Still mainly Sendak and Uderzo. But I love finding out about new illustrators. There are an infinite amount of styles and techniques and approaches to drawing and I love being surprised by how different people create a spread or tell their stories. My current 2 favourites are Sydney Smith and Frances Ives. They both have such a free and natural style. They are amazing.

Did you study art/illustration?

I actually studied Graphic Design at Camberwell College of Art. Graphic Design felt like the most sensible career choice in the art world. I loved the course and I met some great people there. But I was really shocked at how little drawing was involved. I think more than anything that course showed me how much I really loved to draw and that I just wasn’t a Graphic Designer.

What is your favourite artist tool/product?

It sounds obvious but a pencil and a sketchbook. My absolute favourite part of a project is when it’s just me, a pencil and a sketchbook and I am just letting the idea develop by scribbling and experimenting and making a mess.

Where do you buy your art supplies?

I have two favourite shops here in Bedford. One is called the Arc which sells all kinds of incredible arts supplies and exotic paints and brushes etc. I also like Coleman’s which is obviously more of a standard stationary shop. But I don’t know, I like their pens. I spend far too much money on pens.

What software/apps do you use?

I only really use Photoshop. I tried to get my head around Illustrator but I’m just not that technically minded to be honest. I have had a play with Pro Create but my kids keep stealing my iPad so I have not had enough time to learn it yet.

What was your first commission?

My first commission happened when I was 13 years old and I drew a poster for a local comic shop. They paid me in comics. My first proper paid commission was with The Beano comic. I think that it was in  2013 or so when the editor Michael Stirling found my drawings online. For a few weeks I drew the illustrations that accompanied a poetry section in the comic. It was amazing to be drawing for a comic I had been in love with for most of my life. I will forever be grateful to that team for giving me that opportunity.

What are you working on at the moment?

I am just finishing drawing a pretty epic book written by Gregory Maguire. After that I’m so happy to be working on another ‘Earth’ book with Stacy McAnulty. I love drawing these books, and I learn so much about our planet too. After that I’m starting a beautiful book with the writer Nell Cross Beckerman which is going to be a total stunner. Towards the end of the year I’m creating artwork for my next author/illustrator book too.

Which is all very exciting. I always feel like I’m being very vague when I don’t give too much info but I’m never sure how much I’m actually allowed to say. What I can tell you is that my author/illustrator book is going to be a Christmas story set in Victorian times.

Twitter or Instagram? Instagram I think. I love Twitter but Instagram just feels a lot friendlier. Also as an illustrator it is a great, visual medium to share work on. I have also found so many new great artists from this site.

Coffee or tea?  

I love coffee. But I have had to cut back a lot. I was getting the jitters because I drank it so much. Now I just have two cups a day. And only in the mornings.

Cat or dog?  

Oh my goodness Dog. Dog every time. I always had dogs growing up. They were my best friends. We got a dog last summer. I was adamant that my two boys should have a dog growing up. My wife wasn’t that convinced I don’t think but now that we have one she loves her as much as we do.

Grape or grain? 

Hmmm, both good, but I would have to say grape.

Sunrise or sunset? 

Sunset. I don’t know if it’s a getting older thing but I love sitting in my garden as the sun starts to go down. It’s like a magic time of the day where everything is winding down and becoming peaceful.

What do you listen to when you are working?  

Mainly loud rock music.  But I’ve also started to listen to a fair few podcasts. My favourite ones at the moment are ‘Pod Save America‘- helps me get my head around American politics, which I can sometimes find quite baffling from time to time- and The Force Center – which is a massively geeky Star Wars podcast which has none of the snark and negativity of other fandom type discussions. I recommend it if you are a Star Wars nerd like me.

Where can we follow you on social media? I’m on twitter: @dc_litchfield Instagram: @david_c_litchfield

I also have a blog at:

tinkerd.tumblr.com

and a Facebook page at

facebook.com/davidlitchfieldillustration

-but to be honest I do keep forgetting to update that one.

[unproduciblesmackdown]

comet, moon, pluto, aquila, protostar

Thank You vm

Comet- What are you currently frustrated about?

lmaooo oh you know at any given time i’m weaving this rich tapestry of continual frustrations lol.....i’d say i’m in an Upswing Period of [simmering frustration levels closer to the surface] lately too lol like earlier in the week i pushed through a day or two there more casually but then it was like ah jeez here comes the malaise. more specifically today, even just before sitting down to answer this, i emerged from the bathroom to find there was a “dog has pooped inside despite having been outside within the last 10 min” shituation, which was wonderful.....annoyed from Waking by “smh at not being able to adjust my nocturnality, still frustrated about the near success of last friday being thwarted by the dead of night hammering debacle,” & regular Antagonizing Audio issues, aka being stressed by both the [loud, alarming] type sound & the [gross textural misophonia hell] type.....earlier i was like “where is the dish sponge” (still don’t know) & went to get a new, packaged one which had been in a drawer, but that one was gone too, good that there’s no pressing need to wash dishes rn i guess.....still struggling with the “well i guess i’m trying to put myself out there Socially” attempt to find relevant public discords, being generally overwhelmed as actually talking to randos in a group is A Lot & in theory it’s like well you meet someone Specific you’d enjoy talking to & branch off from there but unfortunately you can’t just skip to that step, also i do not genuinely Expect to get to that step either way, also i am not easily finding servers in the 1st place b/c it’s like, well i talk about Interests but what am i interested in? who knows. don’t do art “seriously” enough to rly wanna discuss it much, thought abt Language Learning but one i found wants you to have a verified account lmao like, no thanks. in theory i enjoy Socializing some but in practice it is sure a trial & i have not said anything to anyone anywhere yet, just a “well, not sure what else i could do here situation,” in theory take up an In Person hobby / group to make it all easier but that’s not happening. which, i was also Frustrated remembering oh right i spent a year as measured by my personal age in 1 location, both Pandemic & other [society] problems, & speaking of Interests & Hobbies not having them, i was also >:| over something having kicked in my Math Sensibilities (aka that i like math) & wondering like, would i have enjoyed getting more into math / some particular application, who knows, same but also even more so re: other things i get the sense i’m quite Into, like learning languages & ~performing arts~, which, i at least took math / math related classes into college level courses, which is not true for those other things (took a Language Class: never, took a theatre / drama class: for 1/4 of the schoolyear in 7th grade, & prior to that, just did a scene or two of a play in english class 4th grade, & the approx decade extracurricular of ballet, which is related but of course a different thing. anyhow, annoyed that i Simply Do Not Know & hardly see opportunities to find out on the horizon, although who knows.....which is related to being frustrated about [Society] some more like, thinking about “boy how different would it be if people were guaranteed the right to Essentials For Life like housing, food, medical care, both electricity & the internet Now A Days...” like, agonizing What If there, it is all so unnecessary that It Is Like This......just now someone made an unnecessary Post lmfao thank you xkit.......oh right, i was Frustrated, with an emphasis In Aro / Ace, about Media & Life, what else is new & then, you know, musings on The Theoretical Future & One’s Personal Past that would become even more of a like, audioscape: therapy session topic, these are frustrating things. and all of this answer has been stuff i remember getting Frustrated about in the past 24 hours. Also!!! that last night i was like, i want to play scrabble, so i looked up an online game but the Computer settings are a nightmare like, as far as i could tell the Difficulty settings were mostly attuned to Average Word Length but it was like, yeah you’re playing against this opponent given this effective total familiarity with the most obscure / archaic shit in the scrabble dictionary, not even simply the like, q words / two letter words ppl might happen to know specifically for the purposes of scrabble. there was also no “new game” button?? just had to refresh the page? smh. oh lmfao! also! you Know i was frustrated thinking about Billions, the series / interest that antagonizes you, jokes on you when you hone in on the Quant where it’s like, is he just meant to be the guy who sucks, plus he’s got depression....suppose they do at least handle him w/some sympathy / nonzero Care for this Char acter, but smh at sighing about [bracing yourself for anything promising (cough riawin) to spiral into disaster one way or another, whether it turns into a joke or plot device or just something introduced / built up / demolished for ambient drama/conflict].....what else is new. the periodic cycles of Billions Thoughts lol. was just frustrated at a video’s Editing Cadence basically lmfao. i also find it grating when the word “the jab” is used in tweets re: vaccination, which i just saw, presumably in the same sort of way where i automatically dislike the phrase To Be Fair or referring to food/eating with “fill / filling” or any variants lmfao, or earnest use of the description “hearty”......some words i hate the sound of no matter what, some i hate to hear used in a particular phrase / context......need to simply stop doing things in the middle of answering this b/c it will inevitably involve Frustrations lmfaooo. oh also i was annoyed to wake up to a clear sky. where’s that overcast atmosphere

Moon- Are you currently reading any books? If so, what book(s)?

i am not, but i’ve been considering it! just inconvenient b/c a) i gotta like, choose what book/s to read, & b) i have to read via laptop, which is kind of a pain, & c) like with everything, i always tend to basically read stuff all at once, but i’m also a slow reader lmao, so it’s like, okay, i’m probably basically devoting days on end to Reading Through whatever.....

Pluto- If you could meet anyone, alive or dead, who would you meet?

another classic Fascinating Answer of “i dunno” lol, i’ve never really had a go to answer for this or anything that’s particularly leapt out.....plus re: how i tend to feel nervous with on the spot socializing, the concept of like “if you could have dinner with someone” is too much lmfao like, a waste of time, i’d simply Be Nervous my way completely through it. the only way i could think of things is like, here i go giving someone an interview, i guess, and whomst tf would i feel Prepared to talk to lmfao. relevant to interests it’s like well of course you could ask w. roland things the in depth secret jared questions, or Any questions about quant n billions, but then it’s also like, well, there’s the questions I already have an answer for lol & either you have the same answer or i have a mini monologue, not like i don’t speak in mini monologues all the time if i have something to say at all, and my Questions go like that too lmfao, a disaster already trying to ask people about pertinent Information......never able to think of things re: people who have died, i suppose there’s fun answers re: like, getting lost / unknown Historical Info......when it comes to meeting people i don’t really consider it much in advance b/c i am nervous about everything & aware that any interacting is a Challenge lmfao. whenever these things actually happen, it’s hardly always a disaster, but i’m just improvising in the end. also, i could meet people i actually know but have never met, i.e. you, who i talk to but we are Virtual & Pandemic’d & etc & so on. but i suppose that’s kind of a given lol

Aquila- Do you prefer to read books or watch movies?

i think movies are less Involved for me, like, even if it takes me 3x their runtime (or longer) to watch any videos thanks to getting distracted & stuff, still quicker than i read a book, & unless i’m watching something for the first time and/or really wanting to properly pay attention, i can do other things while putting a movie on, whereas if i’m reading that’s the One Thing i can be doing. but overall i’m like “media, what media” whichever format lol like. haven’t consumed things, don’t often think of specific works i want/plan to consume, don’t often get around to it, etc. classique.....

Protostar- Give a random fact about yourself.

speaking of classic, me struggling to recall 101 info about myself or answer not that out there Questions, but when it’s like “alright hater what are you disgruntled about now” it’s like, Deep Inhale lmfao, but [are you okay? Is Anyone].jpeg on that one as well, we are out here......uh i’m sure i’ve said it before but i’m around 5′11″? maybe 6 ft tall but that might be overdoing it. sort of Average Tall but i am always literally looking down on people lmao.....and bumping my head into a low hanging light fixture around here.....

[planet-crait]

A Saltier analysis of the Art of Star Wars Rebels (Part 2)

So…..after my initial post you can find here more issues with the book where pointed out to me/I just sat looking through it noticing even more issues so….consider this a part two to my original post going over even more issues I have with the Art of Star Wars Rebels. Obviously there will be salt so if you enjoyed the book a lot and don’t want that view tainted please don’t click on below the cut. Also beware major spoilers for Rebels. 

So first off we’re going to kick off with talking about some items that were very strangely missing from the book. Now full disclosure @findswoman​ really was the one who noticed this issue but it seriously deserves mention and I am stunned I missed it but, why are Loth cats and Loth Bats not ever mentioned in the book? 

Loth Cats are a near constant presence within the series, they play some minor roles even in destroying a droid and helping distract guards. Loth bats similarly inspire the gliders that the kids use to rescue Hera! Said gliders make it into the book

Why aren’t the loth bats, the inspiration for said gliders, even in the book as well?

Another potentially controversial criticism I have is for the cover for the deluxe edition itself. 

Some people may love it which is fair but personally I am not as fond of it as I am of the original cover. I get that they were trying to get a feel of the holocron in the cover but it just doesn’t vibe with me at all and I feel like they could have done something more special for the deluxe cover. 

Speaking of holocrons, they do not get a proper showcase within the art book. Here is the page where it is mentioned and notice how it talks about the map, not the holocron itself. 

Hell, you barely see it in the image in the book! Why? The holocrons are a big deal in the show, why are they not getting showcased when items that only make an appearance in one episode do? Even if other media showed off the holocrons, this is the art of Star Wars Rebels, if it was important to the show, it deserved a place in the book. Instead they waste space on things that were not important or even really shown in the show. Like Tatooine gets two full pages in the book:

Some of those images almost look like shots from Episode 4 which brings back the question of what the heck is this doing here? (Which I found myself asking way too much when looking through this book). Again this book should be a celebration of Rebels, not all of Star Wars. Those pages could have been used to show off key elements from the show that for unknown reasons got cut from the book. 

There is just a lot of what feels like filler or wasted space in the book, for example Rex, Obi-wan, Vader, Yoda, Bo-Katan and Palpatine get two pages devoted to their characters while other main characters from the show get only one page or only half a page like in Choppers case. Zeb, Kallus, and Hera also all do not get their alternate season designs shown off in the book while Kanan, Sabine and Ezra do. Hell Rex even got an extra half a page to show off designs that never made it into the show and seemingly only exists to push Filoni’s headcanon that Rex was there with Han Solo. 

Why are the main characters not allowed to be the unashamed stars of this book? Why did the editors feel the need to waste space with characters who are not the stars and have their spot to shine in other media? Original characters for this show should get full and multiple pages for their characters, not characters who have appeared in other media and probably appear in other art books. 

If other side characters like Tristen and Usra Wren or Ketsun where getting these full or two pages I wouldn’t be quiet as annoyed because they are all original characters for the show, but those characters only got half a page while again, characters from other media like Saw and Mon Motha got a full page. I will say this until I am blue in the face but the original characters created specifically for Rebels should have been the true stars of this book, instead they are getting gypped and the short end of the stick while other characters the team thinks is more popular are given the spotlight. (I am not showing the pictures because, as is, this post is getting ridiculously long but I will happily share them in a reblog if anyone wants to see this).

They even included characters who never appeared in the show in the book

This is the very definition of wasted space. This page could have been used for undercover Chopper designs or season 3 or 4 of Hera and Zeb designs or one of the many many things that never made an appearance in the book that by all accounts should have been like Kanan’s lightsaber or Zeb’s bo-rifle. Instead we get stuff of Director Krennic.

Even things that had their fair share of content, still managed to miss the mark in some cases. 

The Ghost in total has about six pages devoted to it which even includes concept art for it that was never used which is not a problem at all. In fact I love that! This is what I bought the book for, to see concepts and art for things that were at some point going to be in the show but were cut for one reason or another. The book would have benefited if it contained way more concept art for things like this like for example what Filoni imagined Lasan to look like or other concept designs for Zeb or hell talk about Kallus’s early days when he was originally a Chiss. Interesting stuff like that which wasn’t explored in the show but still exciting and interesting. 

My big issue with the Ghost sections (yes sections) is that instead of putting everything related to the Ghost together for some reason the pages are split into two different sections within the book. 

(Don’t ask my why they decided to throw concept art of the millennium falcon to go with that little tidbit instead of more concept art for the Ghost, just know this is on my shitlist too)

These are pages 48 through 51 of the book. The next time the Ghost appears is way later near the end of the book

Pages 150 and 151! Some of the split concepts for things can be explained by the fact that the book is split into several sections: Beginning, middle, and end of the show. However this does not give a satisfactory explanation as to why the Ghost’s concept art is split across two sections and not even evenly! Why not put all of the information for the Ghost all together in one section so if someone was looking for something specifically for reference or something they don’t have to look through the whole book to find it because the info is all over the place?  Directly following the later pages is the Phantom II so maybe the logic was they didn’t want to just toss the Phantom in without any other context? Which….doesn’t work cuz the Ghost honestly feels thrown in for no real reason. The Phantom II being separated from the Ghost and The Phantom would have been fine because the Phantom does come in later so it being in the section devoted to later parts of the series would have been fine. 

Of course, I can’t really say there is a section for the Phantom, that one image you saw back on page 50? That is the only reference the original Phantom ,something that was in the show for two seasons, get’s. One image and maybe a second but it feels more like an image of the back of the Ghost and not one of the Phantom. Meanwhile the Phantom II get’s two pages entirely to itself. Why the difference? Both ships were in the series for two seasons, why not some images of the inside of the Phantom or more shots from different angles? Why does only the Phantom II get these?

I really cannot fathom why they skimped out on one ship and gave two pages to another when both had equal importance. 

Now I mentioned before that the layout of the book may have influenced the decision to split the pages talking about the Ghost, but personally I am not a fan of the layout of the book. It makes things confusing and doesn’t flow well. Here is the table of contents:

At a glance this seems fine and a nice nod to the series having four seasons, but notice there are no sub categories like textbooks that have key concepts in the chapter and what page they start on. So if you wanted to focus on character models? You would still have to spend a lot of time flipping through the sections to find what you were looking for. Personally I would have rather the book be divided by content: Characters, props, and environments. That way all things that are alike would all be group together instead of broken up into four sections across the book. Of course other art books could be laid out like this and people may like this method. This particular point is a bit more nitpicky and me being a person who was far more interested in character concept art then anything else. 

I briefly touched upon this in my part one analysis of the book, but this issue rears its ugly head again in the issue of things not getting good labeling leaving the reader having to read the mini paragraphs or searching the book to figure out what it is or what is going on. 

Want to know where this is?

Or this?

Or even this?

Me too, too bad the book can’t be bothered to tell you anything about these. When I was searching for anything to tell me what these images among many others in the book where, I noticed this

Which for a bit I couldn’t figure out what  it was, notes accidentally left in? Some obscure reference to what it was supposed to be? Looking at other pages I noticed repeat notes that looked the same so I was starting to get even more confused until when looking through the cover pages, I finally spotted this:

Which okay fine they shorthanded the artists names in the credits right be the art….but then I noticed that not every piece of art in this book has any sort of credit along with the fact that quite a few have no label for what it's supposed to be. And while one could argue that those places are iconic enough to be recognized I have to disagree. Not everyone knows or follows all Star Wars Media that is a fan of the show. Not everyone has a great memory of the episodes within rebels or places that most would think are familiar. There is no reason to not put in a small label next to the artist credit so fans know what it is supposed to be. I could guess or try to look it up but I shouldn’t have to, the book should tell me what it is!

Even worse is the inconsistency on if an artist gets credit for the art they made. Like this one here:

No credit or anything, we have no clue who created this piece or why there is nothing here to indicate who did, and that is not fair to the person who created this piece. (I checked the next page as well even and there was nothing)

Also yes that image above the artist’s credit is another concept art from episode 4 which was slapped on there for who knows why. Again this should have been more art from Rebels. This is not, nor should it be, the art of Star Wars. It is the art of Star Wars Rebels. No concept art from other media has any business being in this book. 

So many aspects of this book feel rushed or slapped together with no real rhyme or reason even though it was delayed in its release and then released early! Why? It just doesn’t make any sense and isn’t fair to the fans of this show who adored it and wanted to get this book to learn more about the show that for many fans, including myself, got me into Star Wars. We deserve more respect than this. 

This book truly feels like a quick cash grab, not the thank you to the fans of the show it should have been. 

Again I cannot stress this enough, if you like the book that is fine. But you cannot blow off and ignore the voices of people who are not satisfied with this book and expected so much more from it then it gave us. 

[georgetownuniversitypress]

Darcy Lear: What will you take back to the face-to-face language classroom post-pandemic?

Like so many educators who’ve moved first to emergency remote teaching then to something more like online teaching, I have been overwhelmed by the information coming at me. At first, I eagerly attended all the Zoom workshops I could to get over the learning curve. Then I settled into a holding pattern that fit within my comfort zone for the online venue. Now I try limit my time on Zoom to the hours I am teaching or otherwise engaging with students.

Once the clutter and confusion cleared a bit, I was able to start to look ahead toward a return to face-to-face teaching. And what I’ve realized is that emergency remote teaching reminds me of some of the most important basics of language education—things I want to take back to the in-person classroom as soon as that is possible.

Here are a few of the things I am doing now that I want to keep doing post-pandemic:

1.     Keep it simple—technology edition

Just because you can doesn't mean you should. And just because a technology exists, doesn't mean you should incorporate it into your classes—especially during forced online teaching due to a pandemic.  

I have necessarily added the online teaching platform used by my campus: Zoom. Otherwise, students and I are using the same tech we've always used—the campus online learning system and the publisher's online textbook and workbook materials.  I know Flipgrid and Flippity and Padlet and Panopto and Quizlet and twelve different recording and transcribing options exist. I believe that some are great pedagogical tools and have true potential in the language classroom. But not now. There have been enough learning curves during the pandemic.

Takeaway Don't use bells and whistles gratuitously. Identify your problem first, then solve it using technology if and only if it meets your needs.

2.     Keep it simple—curriculum edition 

Simplify, simplify, simplify. Are high-stakes tests feasible in the new venue? Do I really need 8-10 course components? Are my own pedagogical materials consistent across different documents and platforms? 

The first two questions were a pleasure to address when we were first forced online in spring 2020: high-stakes chapter tests and the final exam were eliminated and replaced by low-stakes daily online quizzes (this is stuff we've known is better for a long, long time). These were 5-10 item assessments closely tied to content covered in that day's class. I told students, "If you can't complete those quizzes without resources, that's a red flag for you. Did you miss class and so it makes sense that it was hard? Do you need to brush up on a grammar point? Do you need to meet with me outside of online class? Did you forget to do the online homework (from which some quiz items are copied and pasted)?" This is what assessment is for—to measure student progress and see if they are ready to move on.

In the meantime, students’ course-long blogs and research projects formed the kind of project-based portfolio assessment we also have known for a long, long time is a better way to assess student learning than a lot of our old-school achievement tests (the kinds of tests people are fretting over how to administer securely online while ‘monitoring cheating’).

I folded some course components, such as recorded TalkAbroad conversations, into students’ portfolio projects so that students reported on them within the regular blog posts they were doing instead of in separate assignments.  

By the time the spring 2020 course started, there were three major course components: textbook content, an online blog, and a research project. There were a total of 5 grading categories: daily quizzes, daily blog posts, in-class mini-presentations, a course-long research project, and a final presentation of the research project.

A single thread ran through the entire course so that the work to prepare for class led smoothly into the synchronous class period, which was followed by homework and assessments that reviewed all the content before repeating the cycle. Even though this is how it’s supposed to always work, it felt more focused and streamlined than any face-to-face course I've taught in recent memory.

In cleaning up my pedagogical materials, I developed a kind of check list: Do I even need to keep this content? Is there a way to fold this material into something else (portfolio assessments, online quizzes)? Do I use the names I have for assignments consistently? Do they make sense? Why were assignments described as "personal readings" in course documents and grade book columns years after they'd become "blog entries" in practice? Ditto for "documents 1-5" that were really "research project" components. Getting ready to engage in emergency remote teaching forced me to revisit a lot of content that worked inside my own head but didn't make a lot of sense to anyone else, something I know is an issue when designing pedagogical materials, writing instructions, writing academic articles—you name it!

Takeaway Can I simplify logistics for students? Can the various bits and pieces be streamlined so it makes more sense to students and flows better for all of us?

3.     Keep it simple—classroom edition

As the teacher, do most of your work outside of class. With emergency remote teaching, most of my time was dedicated to planning before class, then grading and meeting with students after. In the online class sessions, I mostly just set up activities for students then hang out and listen to them interact. Occasionally, I interrupt to correct or explain, but mostly I wait for students to self-correct or reach out to me for clarification. I’ve noticed a lot more self-correction when I gave students the time and space to do it—well, Zoom did that for me.  

This experience has reminded me of the kind of planning and preparing required of a novice teacher.  I set up my lesson plan, re-visit it after a day or so, then run through it before class starts to make sure I have everything ready to go on my laptop: 

Is the ebook opened to the first page I'll     reference? 

Do students have the link to the Google doc I'll     ask them to use? 

Do I have the PDF opened and ready to click     on? 

Is the PowerPoint presentation launched?

Do I know when I'm going to use breakout rooms     and how many I will need?

At the beginning of each class, I share my screen to show students the lesson plan and run through the major topics as well as assignments that are due soon. It begs the question: why haven’t I been sharing my lesson plans with students all along?

Getting everything set up seems to take more time and energy than the Zoom session itself, but in the Zoom session I also shed the novice teacher and settle into the role of experienced teacher.  

As soon as a Zoom class ends, I go back into planning mode—I post the day's lesson plan and homework online for students to reference, then I prepare the first draft of the next session's lesson plan.  Before I polish the next plan, I spend a lot of time grading—reading/watching students' work, making individual comments on it, and checking their progress with online activities and assessments. In the process, I make sure the homework and quizzes align well with the class sessions (something I haven't dedicated enough time to in face-to-face teaching over the past decade or so). 

Takeaway Be transparent with students. Make most of your work happen in the prep and follow-up so class time can focus on smooth student activities.

4.     Let students learn by doing: Be the guide on the side, not the sage on the stage

Zoom is a horrible venue for "teacher at the front of class soliciting responses from individual students"—but so is a classroom if your goal is for students to build communicative competence in the language. But in classrooms it's very easy to fall into old-school patterns of the teacher doing too much of the talking. Online teaching—where everyone is disembodied and there are awkward pauses combined with people talking over each other—forces me to abandon any remnants of the Atlas complex. If I'm talking on Zoom it's very obvious I'm delivering a lecture or a teacher presentation.

I do talk to the whole group at the beginning and end of each Zoom session, with some teacher-like explanations peppered throughout the entire course. But most of the time spent on Zoom has been students in breakout rooms interacting with each other in Spanish—sometimes discussing textbook content in groups, sometimes preparing brief presentations to give to the whole class, sometimes with student discussion leaders who are formally assessed on their performance. I pop in but try to leave myself on mute.  

Takeaway Find a way to put myself "on mute."

5.     Be flexible and go easy on yourself and others 

Right now we’re in a pandemic, but in "normal times" there are always some individuals who are navigating crises. We don't need to know the details, but we can make interactions with us easier instead of harder—extend deadlines, take late work, allow students to make up tests, and be understanding when they have to miss class. 

Takeaway Nobody needs a punitive work or learning environment—ever. Be flexible. Go easy on yourself and others.

Darcy Lear has a PhD in Foreign and Second Language Education from the Ohio State University and teaches Spanish at the University of Chicago. She regularly gives presentations on teaching strategies to departments around the country and has developed languages for special purposes courses at several institutions. Lear is also a career coach, helping people to position themselves to use their language skills in rewarding careers. She is the author of Integrating Career Preparation into Language Courses.

[annoying-lucy]

Evan Evagora did an AMA involving the Star Trek Shitposting Facebook Group - the questions and answers below were copy/pasted direct from the collated master post. Evan is a member of the group, who participates under an unknown pseudonym.

———————————————

AMA Master Post!

Thanks so much to Evan Evagora for taking time out of his day for our AMA earlier. To make the questions and answers easier for ya'll to find, here they all are together below.

Q: How does my love of cats compare to Elnor?

A: Im actually more of a dog person, there was a scene that had Elnor and spot 2 unite briefly but unfortunately it didn’t leave the editing room

Q: How familiar was I with Star Trek before and did I have to do research?

A: I grew up with TNG, I’d have to say either worf, Guinan or Q are my favourite characters. And I was given episodes to watch that were to help with information before filming Picard

Q: How was I prepped to deal with the crazy fans?

A: I got told to join Star Trek shitposting 😉. Not but in all seriousness, it was Jonathan Frakes who gave me advice on entering the world of fandom from the other side and he said it’s been nothing short of a pleasure

Q: So if Hugh had survived would they have made out?

A: what happens on the cube stays on the cube

Q: My favourite moment of s1

A: getting to slice that romulans head off

Q: How did I hear about Star Trek shitposting?

A: most of the crew is either a part of the group or knows about, one of the amazing hair and make up ladies got me into I think my first or second day

Q: If I had to be Tuvixed with someone excluding elnor?

A: mirror verse Elnor, nah worf to be honest

Q: What is something I’d like to do in season 2

A: Id like to see Elnor and spot 2 together

Q: How am I passing my time woth quarantine?

A: ama for the gronp! Nah I’ve just been reading, writing and also the contact I’m having with the fans too has really helped a lot

Q: If I had to quarantine with any of my costars who would it be and why

A: I’d go with hardy treadaway he’s got the nicest place

Q: What am I hoping to see in Elnor’s future

A: Inner peace, contentment and possibly shorter hair?

Q: Am I intimidated by working on a show with such a big fan base?

A: no I grew up with Star Trek, you’re really in a bubble of filming when you’re making the show, it all didn’t really hit home until the first trailer at San Diego

Q: Would I consider playing Elnor as non binary

A: I’ve seen a lot of debate and discussion about not only my character but others in the series, if there is something that connects you with a character on this show and it resonates with you, even if it’s shown, not shown or hinted at I’m all for it. I am not for the constant belittlement, bullying and criticism of not only the characters on the show but also other fans. It really does break my heart reading comments where people aren’t welcoming of one another, because that is the whole reason why Trek has bought so many together and by spewing these disgusting cruel words out your not only showing the world you don’t understand the meaning behind the show, you also are destroying the thing that makes us all love it

Q: Is there Australia on romulas

A: yeah they have a down under I’m sure of it. No the accent can easily be explained with, Elnor left romulas at a young age, moved to a planet with different species and languages spoken so that influenced his accent

Q: Have I seen Elnor fan fiction and art?

A: yeah some of it has been really amazing! And some others have been...creative

Q: How excited am I to make home movies with my action figures?

A: my plan is to buy everyone’s, make them record audio and then film shit using the dolls and their voices

Q: Are you playing animal crossing?

A: I’ve preordered it because they’ve sold out here in aus, but in playing civ 6 to pass time and Mario party

Q: Did I get to try Romulan ale?

A: no I wish, I’m kind of hoping for a scene next year where Elnor gets drunk for the first time

Q: What character did I wish would appear in our show?

A: one word, one letter Q

Q: What’s my background have I been acting long?

A: Picard was my third acting gig, and the first project to release, so I have got some experience acting and I have previous work but it has either just aired or is going to next year

Q: Please my friend choose a charity you would like us to donate to

A: food bank

Q: Favourite ninja turtle

A: it’s always been Raph and always will be

Q: Do I know much about Elnors background

A: I know things that haven’t been mentioned yet, but also given his character is new and season 1 just finished, hopefully some of those things are explored

Q: How would o feel about the fan theory that Spock is my father

A: I mean, I’m not really sure, I can always shoot Ethan a message and ask him what he thinks too

Q: Which classic episode trope would I like to see?

A: mirror universe

Q: Can we look forward to more ninja representation?

A: is Elnor not enough? ☹️

Q: Were there any particular characters I drew inspiration from, any elves?

A: there’s a particular group of people I think Elnor might have been inspired from. Can I just say how cool it would be if Elnor is just cosplaying as an elf because Picard left him a copy of Lotr when he was young

Q: Would I be open to exploring Elnors sexuality in s2 and what would it be?

A: I am totally open for that, and as for Elnors sexuality, I’m not sure he’s only 17 he’s just left his planet and gone off on an adventure where he openly knew the success may lead in his death or others he hasn’t had time to figure himself out so seeing his sexuality explored would be amazing

Q: What stories did you hear about working on precious trek series from the OG actors?

A; So we found out Michael Dorn used to muddle his lines up because he was normally the last close up of the day. They used to put bets on to see how many takes he’d have to do. All I must add in very fun spirits nothing ever malicious or mean

Q: My long term career goals

A: id like to keep pursuing more roles I’m acting, I’m a big writer and have some projects I’m looking at getting created but right now I’d say I’m just here to learn and grow

Q: What do I write?

A: right now I’m working on three screenplays and two pilots most of the stuff I’ve written is just sitting on my hard drive just waiting to be used

Q: Ever fried an egg, buttered and vegemite'd some toast and eaten it like a sandwich?

A: what I just read, scared the crap out of me, I love vegemite but the most I’ll do is add cheese to it

Q: What is one of my favourite stories about s1

A: Jeri Ryan and I had a scene together in the borg cube (what a queen she made!) it was shooting at night and I think it was the final shot of the day, we couldn’t keep a straight face and just laughed through about fifteen takes

Q: Are you a big fan of fandom besides Trek?

A: Star Wars, lotr, the magician series Raymond e feist, a song of fire and ice series, avatar last air bender and legend of Korra (would love to play zuko) and of course Batman (fav Jason Todd as the hood)

Q: Could I see myself playing Elnor for six or seven years?

A: as long as there’s a good story that myself and fans will enjoy, but if it didn’t meet my expectations no. And also hopefully the writers and creators would want to

Q: My top TNG eps are in no particular order

I borg, all good things, tapestry, the measure of a man and all good things

I’ll also add I borg especially because it’s just cool seeing where Hugh began and how he ended up

Q: How did I land the role of Elnor?

A: I was on a break from filming Fantasy Island (a movie based off the old tv show) and I was home for pilot season which is when they cast for shows, I had two weeks of daily auditions before I was due to fly back and start filming again, two days before I was meant to leave I got an audition for Picard, the script had a code name and Elnors name was Kbar on it, but I was told it was Star Trek. I went into the room and thought I didn’t do a very good job, then I flew to film and two days later I was told I’ve made a list of people being considered, after a few more auditions and a couple of phone calls from producers and everything I found myself on a plane to LA five weeks later

Q: Have I made friends among the cast?

A: no, we tried really hard to become friends, but unfortunately we ended up becoming a family instead. Everything we say in interviews about us getting along is all true and not fake. I’m the newest to acting out of everyone so I was kind of of shocked to find out that how close we all are isn’t necessarily how it will be when I shoot other projects, so I think we just got lucky or they casted really well

Q: Have the Picard people seen your memes?

A: yes I’ve shown them the memes from the page, I’ve shown everyone including Patrick we find most of them funny (some shocking)

Not shocking in a bad way

Unexpected I should say

Q: How do I feel about the ears?

A: I wore them so much they came up in my dreams, but they were the easiest thing to apply onto me

Q: Which non tng character would I like to see return?

A: I wouldn’t mind seeing the doctor

Q: The most relatable Star Trek character?

A: Look for me growing up it was Wesley, i just picked anyone who was the young one. And I grew up with my sisters and was always being told I’m either wrong, an idiot or just to shut up

Q: Did I have previous martial arts experience before the show?

A: I have a background in boxing which helps when it comes to movement, reflexes and just all around fitness for stunts. I didn’t have any sword fighting experience before we began training for the show however

Q: How do you think being raised by an order of women affected Elnor?

A: I think it gave him a healthy understanding of not only the strength and resilience of women but I think he understands not only gender equality but just equality in general and I think that’s directly to do with growing up in a sect of all female warrior nuns

Q: What is a type of meme you would like to see more of in the group?

A: I love all the memes in the group, I hardly like any of them now incase someone figures out who I am though ahahah

Q: Favorite recent memes?

A: See my comment below

[heyktula]

Closer, Chapter Two: Aware - Bonus Features

(I'm sorry about the chapter titles, lolsob. They are, in fact, "Risk", "Aware", "Consensual", and "Kink", plus a surprise title for the fifth chapter.)

((Okay, fine, I'm not nearly as sorry as I should be.))

Chapter two of Closer, the first installment in Somewhere in Canada (the Terror kink AU)... is now up! What is wordcount! (Apparently shit to me, since this chapter is three times the length of chapter one!)

Same deal as last week--technical notes first, story notes after, line notes to finish it all up. (Although I still blame Edward, a number of this week's line notes are Jopson's fault, and he's a lying liar on a number of occasions, the terrible sweetheart.)

Alright, here we go.

Technical Considerations:

Chapter Length: So, this story was intended to be much shorter than it is. Initially, the fic was a one-off. After all, it's only taking place over a weekend, how long can it be? (lolsob--sixty k, as it turns out, and that's with a significant number of hard cuts. I cringe for the future Fitzier, because the winter conference is longer than the summer one.)

Initially, I'd followed the same chapter structure I used in one of my earlier fics--one day = one chapter. Obviously, that worked fine for Friday, but didn't work for Saturday or Sunday, both of which I've split into two chapters. I still feel like the chapter length is a bit obnoxious--I prefer a 7k chapter, and chapter two is 15k, but it's the best place to make the cut, I think. I considered a cut after Edward's talk got derailed by Hickey--but that would have left Edward in a really ugly headspace for a week while everybody waited for the next chapter, and I didn't want to let him chill there knowing that Jopson is gonna make him feel better, like, immediately.

Hard Cuts: One thing I really like about the source material for The Terror is that it uses hard cuts liberally, and something about that feels like it frees me up to do the same in my own work? So I cut the things that don't matter to the story, even when they're things that I care about. (That rope suspension scene with Sophia and Gore and Dundy was real good, but Edward did not give one single shit about it, and thus, it is not on the page.  Similarly, we didn't get dragged through any of the other panels, etc, that were happening throughout the day, and the one panel we actually did attend, Edward is giving by rote, without thinking about anything he's saying, because Jopson! is! there! oh! god!)

Story Considerations:

Goodsir: Like, of course Goodsir moved to Canada. I don't think it was for Silna, necessarily--and she would have been super unimpressed with that if it had been--but it wouldn't have been not for Silna either. I just think he really loved it here on his first visit, and that was it for him--he came home, he missed Canada, he went back, and he stayed. I'm sure he's in the process of getting his citizenship, and in the meantime, he's going out for hikes and taking pictures of elk and going ice-fishing and organizing kink conventions and generally just having a wonderful time living his best life, and I love that for him.

(And if he's on the receiving end of Silna's strap in increasingly regular frequency, I love that for him too.)

The Tozer-Little Experience: So, outside of the joplittle, which was my primary reason for writing the fic--I also have, like, the world's biggest soft spot for Solomon Tozer. And the dynamic that I ended up developing for Tozer and Little in this fic is a hell of a lot of fun, because it's deeply intimate, and steeped in years and years of shared experiences, but it's platonic at the same point--or, at least, what constitutes as platonic for them, which is more intimate and open than you would see for a lot of male friendships. (I'm putting a pin in the discussion of feelings as feelings relate to their friendship, but we'll come back to it in a few more chapters.) If you asked either of them to describe an ideal partner for the other person, they could both do it, and they've got all kinds of stories about each other, which Tozer shares easily and at length, and Edward keeps his goddamn mouth shut about.

That easy camaraderie between them is, I think, why the takedown panel goes so wrong so quickly.  Tozer has no reason to suspect anything is different than it has been any other time, and Edward isn't admitting how much he's obsessing over Jopson, so he's also just stubbornly pretending things are fine. I don't think that Tozer had any intention of letting Edward win, no matter how good Edward thinks his chances are, because it's Tozer's panel, and goddamn it, if Sol's going to all the effort to give a talk, he's gonna try to get his dick sucked as part of the aftermath, am I right, lads?

(Conferences that I've been to are hyper-careful about bodily fluids, and for good reason--so if blood is a possibility, everything should be tarped off and proper protective gear should be used, and Edward visibly bleeding all over everything would have been a Very Bad Look. Thankfully, it wasn't as bad as it could have been.)

((Also, just as a side-note, can we talk about Tozer's quick transitions between "shit, fuck, Little--", "and that is a takedown!", and "do not bleed in here, don't fuck this up for me, I don't know what the fuck your dumb ass was doing"? Because I love that Tozer's first reaction is "holy FUCK are you OKAY" and then he immediately takes control of the room to finish his talk, and then leans in to threaten Nedward. As though the threat is gonna take away the part where your first reaction was being horrified that you clocked him in the face, Sol.))

The Jopson-Little Meet Cute: Okay, fine, I guess it's not really a meet cute when one of you is bleeding into a sink, and the other one of you snuck into a takedown panel late in the hopes of seeing your crush and gets the bonus experience of watching your crush totally get hit in the face. But, whatever. They'll work with it.

One of the things I love about this scene is that the balance of power is exactly the opposite of where it would normally be--Jopson is the one controlling the scene here, through service, and Edward is the one that's following Jopson's lead. Jopson is, in canon, a caretaker, primarily, and I set this scene up so that he would shine, and I think he does that effectively here. Edward is the kind of guy that gets easily rattled when things don't go the way he expects them to, and it's indicative of their compatibility that he unwinds so easily for Jopson.

Also, I appreciate the hell out of Jopson gently bullying the topic of conversation around to giving talks, so that he could just slide his own talk under the door to gauge Edward's reaction. After all, if one is a trans man, and one's crush is a transphobe, better to find out before this goes any further. Between us, Jopson was reasonably sure things would be fine--after all, as Blanky notes later, he's had his face in Edward's blog*, and I'm pretty sure Edward went through his blog a while back and edited all his posts for gender- and trans-inclusive language, and left a footnote indicating he'd done so--but it was important for Jopson to make sure everything was on the table, and Edward's meandering discussion of the requirements for giving presentations was as good an in as any.

*Jopson clearly didn't know who Edward was by name on Saturday morning, but knows by Saturday afternoon. There's any number of ways he might have found out Edward's name, but I suspect he talked to someone** who had attended the power play panel he was on with Tozer earlier that day.

**I have a candidate in mind for this, but we'll get back to it later.

The Rough Physical Play Panel: Well, when that went wrong, it went real wrong, huh?

I think one of the things I'm enjoying so much about writing a modern Terror AU is that it lets me explore Hickey in more detail, because canon!Hickey just makes me so goddamn furious (the motherfucking BOOTS, he took James' BOOTS, and then EVERYTHING ELSE, and I CAN'T) that I can't even delve into him right now without wanting to throw things. But I can dig into him here, because I have the protection of this, you know, not being canon.

One of the things I really love about Hickey is that I think, one hundred percent, that he's exactly the kind of person that pays attention to the things you're interested in, and that makes it easy to start a friendship with him. I can guarantee that he knows every single item Tozer has ever stocked in his booth, and how well each of those items sells. I also know for sure that he's read every single post on Edward's blog, and can talk intelligently about any of them. However, Hickey is also exactly the kind of "friend" that will use that information against you at the drop of a hat if it benefits him in any way--and I can guarantee that the temptation was irresistible for Hickey here, because not only is it an excuse to deliberately trigger Edward's anxiety in front of a room full of people right immediately before those people leave the room, thus guaranteeing it's the last thing on their minds--but it's an opportunity to do so in front of the guy that Edward has been interested in all weekend. From Hickey's perspective, it's for Edward's own good--any idiot can see that Jopson is way out of Edward's league, and the sooner Edward stops making an ass of himself, the better it'll be for everyone involved. (I would also argue that  if any of their friend group "deserve" to have more status in the community, Hickey feels that's him, so any attempt by Edward to "rise above" by, say, associating with someone linked to Crozier, is going to be viciously stamped out.)

The miscalculation here, of course, is that Hickey has misread Jopson just the same as everyone else has misread Jopson. We'll come back to why this mistake is important next week, I think.

(It's unfortunate we didn't get the good version of the panel, with the demo, because it's very good--Edward picks a random audience member, demonstrates the consent negotiation in front of everyone, and then walks through an entire gamut of activities, the intensity of which varies depending on how the person he's chosen is enjoying it. This is the way that I had my first exposure to this type of play, and watching the talk was a goddamn delight--and there's nothing that makes someone look competent more than them just improvising an entire talk on the spot.)

Dungeon Setup: So, again, because Canada, every dungeon I've ever been in has separated the drinking section from the fun section for safety reasons. Usually they're in separate rooms, though I've been in a couple dungeons where the drinking section runs along one wall of the fun section. Because this is my fic, and I'll improve it if I want, I went full bore on this and created that second-floor lounge that's open to the dungeon below, so you can stand up there and drink and watch the dungeon from above (or you can sit up there and drink with Hickey, but yuck).

The showcase performance thing isn't something I've seen at a kink conference before--I borrowed that from burlesque conventions I've been to because I needed it for the upcoming Fitzier fic. I kinda wish Edward had paid attention, I feel like that was a really good rope suspension scene. But, he was standing too close to Jopson, and thus, nothing else mattered.

Also, is it really a dungeon if it doesn't heavily rely on Enigma's music? I don't think I've been in a dungeon once without hearing Return to Innocence or Sadeness, and at this point, if I hear either of those pieces outside of the context of a dungeon, I get really nostalgic for dungeons.

(I guess while we're talking about setup, I'll also confirm that pretty much everybody* is staying on-site here--the hotel has a bunch of space set aside for the kink conference, and as long as people booked their rooms quickly, their hotel rooms are also in the same venue, so there's no need for transport, or going outside, or anything like that. Poor Nedward can have his meltdown about collars without needing to call a cab once.)

*I know a certain repressed somebody who has opted not to stay at a hotel full of perverts, but, uh. I mean, it's a Choice, but maybe sit with yourself a second, John.

Line Notes:

“Dude,” Tozer says, swinging his duffel bag off his shoulder and booting it under the table. “I had the most repressed guy in my talk this morning, it was fucking brilliant.”

Hi, Irving.

Edward can’t quite tell what Jopson is talking about, they’re too far apart for him to be able to eavesdrop. He wishes he was over there, though. Listening.

They're talking about you, Edward. Jopson knows who you are by this point, and he is three hundred percent telling Blanky about your blog right now.

He hasn’t paid attention to the specifics, because it’s not his talk, and it doesn’t matter.

Except it does matter, Edward, because one of those times the door opened and Jopson came in.

Jopson takes another step forward, his hands down at his sides, palms facing Edward. “I saw what happened,” he says. His voice is gentle, low. Hypnotic.

I appreciate Jopson approaching Edward like Edward is a wild animal that's going to spook at any moment, because Edward is, in fact, a wild animal that's going to spook at any moment.

“One of the better quality sessions I’ve seen this weekend,” Jopson says.

Thomas Jopson, you are a lying liar. It is the first day of the convention, and this is the first instance in which you've left your booth for any significant length of time.

“—you must see there are gaps. I was thinking, maybe, there’s another conference in six months...”

I can guarantee that this is a conversation that has been had with Francis in slowly increasing levels of volume, and I can also guarantee that Francis has been very supportive of Jopson wanting to fix those gaps. I would also side-eye the length of time (none) it took Jopson to pull up his fully-completed notes for a talk that Edward notes later is ready to go, and doesn't need any alterations. (Anyone taking bets on whether or not Goodsir has seen this? Yeah, I wouldn't bet against it either.)

It’s only after Jopson’s left that Edward realizes his black handkerchief is still on the edge of the sink.

Remember that conversation we had last week about the hanky code? Good, because Edward doesn't.

“Don’t wanna have a discussion about feelings if we don’t have to,” Tozer says gruffly.

Translation: if your eyes are wet because I smoked you in the face, then we'll have that conversation, but for fuck's sake please provide me with literally any other explanation--oh, thank fuck, I forgot about your septum piercing, perfect, good, onwards.

(I'd argue that Edward's probably all up in his feelings from Jopson's talk, BUT both of them are talking around everything in this scene, so I guess we'll just let them have that.)

They’re walking down the hall, and literally anyone could walk past Edward right now—fucking James Fitzjames could walk past Edward right now—and there is no way in hell he would notice, because Jopson is right there...

James Fitzjames, "that online guy" and most recognizable kink celebrity, would be So Offended by this, and it would be good for him.

They’re walking side-by-side, Jopson just a fraction behind Edward, and Edward can’t tell if it’s on purpose.

Jopson knows how to sub--it's on purpose, Nedward.

(I should note that this isn't at all a requirement for subbing--but it's part of how Jopson, in particular, submits, and since that's how he wants to interact with Edward, that's how he's behaving now.)

—not a blog post from five years ago that he’d kept up because there’s hardly any information out there and he wanted to make sure that people were aware of the risks and safety concerns, and—

And, I mean, also because you like to do this, Edward. Let's not beat around the bush here, you're not writing entire blog posts about things you have an academic interest in for safety reasons, although it would be totally valid if you did. But you aren't. You wrote an entire post about how to safely fit your fist into someone's ass because you did a lot of research as to how to do it safely and then subsequently did it on multiple occasions.

“It’s right there on the blog post,” Jopson continues, fingers clenched on his notebook. “The exact same blog post you’re citing has the answers to the questions you’re asking, and it’s disingenuous of you to…to purposefully derail his panel and pretend that the answers aren’t right there.”

If Edward was thinking critically about any of this instead of just bluescreening, he'd realize that it's Significant that Jopson knows this without consulting his cellphone, which he hasn't needed to do here, because his hands are still on his notebook, which means that Jopson either a) sought out this post specifically, b) made it multiple years back in Edward's blog archives, or c) both AND remembers it in detail.

But, he's Edward, and he's not thinking about shit right now except possibly how nice it would be if the building just randomly caved in on top of him. Not everybody else. Just him.

Jopson’s posture relaxes slightly as he exhales. “I was wondering about aftercare,” he says. “What you would normally recommend.”

Translation: Reassure me that you know what the fuck to do with me after we've just done everything that you've been talking about, because I AM DOWN TO DO THIS RIGHT NOW.

“Fucking peckerhead,” Tozer says, straightening up and rolling his shoulders, his eyes flashing. “I needed him to do some goddamn work.”

Yeah, well, Hickey’s got no fucking work ethic, so I dunno what the fuck you were thinking, Tozer. Duty owed, indeed.

It’s the guy that was watching Tozer. His eyes are burning with fanaticism. “It’s not too late,” he repeats. “Your crisis is an opportunity to repair yourself.”

Irving, sweetheart, buddy. You are at a fetish convention. Nobody here is interested in repairing themselves, and neither are you or you would not be here.

“Penny for your thoughts,” Jopson says. He’s still behind his booth, which is entirely too far away from Edward. “And Blanky’s due back any minute, so unless you want an interrogation over what you’re planning to do with the collar, you might want to come over to my side and look at books instead, I promise I won’t give you the third degree about anything.”

JOPSON, you are a LIAR. You fully intend to give him the third degree about everything, you just want him physically closer to you while you do it.

He’s not quite close enough to hear the conversation, but he is close enough to watch the way Jopson’s hands move in front of his body as he speaks, realizes after a moment that he’s signing. Realizes a few moments later that the words he’s saying aren’t English—and only then because it’s a different rhythm than Jopson usually speaks in, a little more halting, less fluid.

Francis' crash course in Netsilik went alright, apparently! I'm sure Jopson is disappointed in himself for not being fluent, but Silna will confirm to Francis that Jopson tried hard.

“We’re acquainted,” Jopson says carefully. Then adds, “It’s been a bit since I’ve spoken to her.”

LIAR, Jopson, you were literally in a deep conversation with her YESTERDAY. Edward, of course, does not notice this, even though he observed said conversation. (*cough*himbo*cough*)

Jopson shrugs, the motion a little self-deprecating. “That’s it. I’ll be finished then.” He sets his jaw, looks away. “I imagine we’d need to be more concerned about your availability than mine.”

Bold of you to assume that Edward "anxiety" Little actually checked his Fetlife messages and sorted out any play dates with anybody in advance.

Blanky grins at him. “That’s more like it. If you’ve got a couple minutes to wait, I’ll cut back the extra leather on the straps here for you.”

A number of people who make collars leave extra length on the straps in case it's needed. In this case, Blanky knows it won't be, so it can get trimmed back before Edward even leaves the booth. (Also, the Edward Little energy of Edward dropping a bunch of money on collars for Jopson, and then immediately freaking out and sticking them back in his hotel room?)

As an aside, considering Blanky is #teamjoplittle, I would give so much to see the content of the inevitable groupchats that are happening right now.

Phew. That's it for this week! Chapter three, Consensual, goes up next Friday! See you then! And if you have questions or anything in the meantime, you can always drop me an ask on tumblr or Curious Cat. I know I didn't cover everything, even in this long-ass entry, cuz there's a fuck of a lot of stuff going on in the foreground, much less the background. I honestly don't mind if you ask, it's totally cool. :)

See you next week!