#EDDIE RETURNS

[putting-eddie-munson-in-places]

Just saw the pictures for the first look at stranger things season five - could you edit Eddie into one of them? Y’know, since he’s definitely alive and is supposed to be there :^)

the rumors are true

(he was also put into s5 here!)

[shushmal]

Steve bites back a sigh when he sees a hand waving just out of the corner of his eye, trying to grab his attention from where Steve's gazing pitifully at his drink. The club is loud, music blasting, and maybe it's a little pathetic for Steve to be at his place of work on his day off, but Robin's behind the bar and he gets free drinks. Unfortunately, the kind of guys who frequent his workplace are usually the opposite of Steve's type.

So, he's prepared, for when he looks up, to gently let down whatever club boy who's decided to shoot their shot with him tonight. They all start to look the same to him: bleached hair, glitter, crop tops and low riding pants. Men who are too much like Steve to be what Steve's looking for.

When he looks up, however, his eyes go a little wide and his lips part from around the straw against his tongue.

"Hi!" yells the guy, long hair, long legs, long fingers. He's wearing way too much leather and denim for this place, and he must be boiling under that jacket. "W-would you like to dance?"

Steve takes a longer moment to take him in: his shoulders hunched up around his ears, fingers twisting his hair nervously, eyes big and brown and beautiful.

Straightening from where he's been hiding against the wall, Steve steps up into the guy's space, watches his eyes go bigger and his face go pink. He's perfect.

"I'm Steve," he says, leaning in so he can be heard over the music. "And you don't look like the kind of guy who dances."

"Oh, I'm not," the guy says, eyes flicking around Steve's face, dropping to Steve's chest, to his thighs and back up again. "Um, sorry. I'm Eddie."

Steve grins. "Nice to meet you, Eddie."

Eddie's mouth quirks up, an giddy, boyish smile. "P-pleasure's mine," he says. "And I may be terrible at it, but I'd love to dance with you. If you'd like."

"I would like," Steve tells him. He holds out his hand, feels his heart flutter when Eddie takes it. "I'd like that very much."

[hairmetal666]

After the Russians, Steve learns three important things about himself:

Robin is the best friend he's ever had; the uncontested other half of his heart. His soulmate, the platonic love of his life, his missing puzzle piece.

He's not in love with Nancy anymore. It's really saying something that hearing those words come out of his mouth is the shock of his life. Once the drugs wear off, though, he realizes they were absolutely true. A surprising win for the Russian truth serum

Her bathroom confession...he sits with it for days. Not--not because she's a lesbian, of course not, but because. Well, Robin knows herself in a way he's never allowed himself to. And he thinks that maybe maybe he likes boys in the same way. That he always has, but never let himself acknowledge it, the way his eyes wanted to catch in the locker room, the drunken, fumbling touches between him and Tommy.

The last one...he's not sure, is the thing. How can he be sure? Like, in his mind, his imagination, he's very into it, but what if it's different in real life? And how can he even find out? He tells, Robin, of course he does, and they go to Indy, right, to a bookstore and she throws a few zines at him and he sneaks some porn (he's definitely into the porn), but that's not--it's not practical experience. And he's not ready to go to one of the bars, for sure, so he doesn't--like what's he supposed to do?

It's around this time in his bisexual spiral that the kids start hanging out with Eddie Munson, that he starts thinking about Eddie Munson. He always noticed the long, dark curls and the bright, brown eyes; the slender cut of his waist; the wry slant of his mouth as he shouted insults at the jocks; the glinting silver of the rings on his fingers--fingers that were long and callused, fingers that could grip around Steve's--

Nope, he's not going there. Even though, a little voice in his head says, he cares for Steve's kids and maybe he's not good at school but he's smart and he's also so pretty, with his pale skin and his big eyes--

No. He doesn't have a crush on Eddie Munson. Absolutely not.

And when he picks up the kids from their little dnd club and sees Munson standing against his van, he doesn't feel an electric zing in his chest, the first stirring of butterflies in his stomach; that would be crazy. They hardly know each other. It goes like this every time, and he's almost able to believe he doesn't care.

Until Eddie trips over the threshold of Family Video, stumbling on an untied bootlace and gangling his way through the front doors. The clatter catches both Robin and Steve's attention.

"Welcome to Family Video," Robin says. Steve stares.

"Uhh." Eddie's eyes flit between them, his face getting redder by the second.

Fuck, he's so cute and Steve's saying--without thinking about it, he's saying--"let me help you find a movie, man."

"Yea--sure, yeah." Eddie's hands are stuffed in the tight pocket of his jeans.

Steve takes a few steps down the closest aisle. "So, what--uh, what are you looking for?"

"Horror? Nothing in particular."

They make their way to the horror section, and it's like some insane, deeply horny demon takes over. He starts grabbing movies off the shelf, no rhyme or reason, doesn't even know what most of them are.

Eddie's staring at him with wide eyes and a raised eyebrow, and Steve just keeps grabbing tapes, is sort of doing a running commentary on titles and tag lines, and he can't stop, why can't he stop? it's like smoke is coming out of his ears. Robin is watching him from the counter with her mouth hanging open, gummy worm dangling down her chin.

"You know," Eddie grabs something from the shelf, "I think I'll just do Friday the 13th again. Can't go wrong."

And he leaves Steve standing there with half the horror section collected in his arms. He stays there while Eddie pays, face burning. It's been--well, a really long time since he's struck out so hard, and he wasn't even really trying.

As Eddie's walking out the door, his sad pile of movies shifts, then tumbles to the floor.

"You have a crush on Eddie Munson." Robin accuses.

"No!" He ducks down to collect the tapes, hoping to hide the crimson of his face.

"You do." She points an accusatory finger in his direction. "I haven't seen you this pathetic since Scoops."

"It's nothing."

"You know," she crouches down with him, "you could just, like. Try to hang out with him."

"After that? Are you kidding? I'm surprised you don't already have a new You Rule/You Suck board going."

"Oh, I do, it's up front." She jumps to her feet. "But still. You should try. And you have an easy in with the kids."

He glares at her in response, starts re-shelving all the dumb movies, and then they get busy, so the topic is dropped. He thinks about it thought. He thinks about it and he--

Instead of waiting in the car for the kids to get done at Hellfire the next time, he goes in.

[jibberjibbsart]

I saw @socially-awkward-wizard ‘s text post and I had to draw it

[steddieas-shegoes]

When Eddie is introduced to Jonathan, they both give each other a look that says “if you say anything, you’re dead” and naturally, Nancy clocks it immediately.

“What was that?”

“Nothing,” they said at the same time, only growing the suspicion.

“Seriously? Do you know each other already?”

“No!”

“Yes, but-“

They glare at each other, but Eddie speaks up again.

“He bought from me a couple times. No big deal.”

Nancy looks between them, shakes her head. “There’s something else going on. But we’ve got bigger problems.”

And they did.

For months, their problems seemed to get worse by the day. It was a great distraction.

But honestly, anytime Eddie spent more time with Jonathan, it got harder not to say how they actually knew each other: a make out session in a bathroom at a party when Jonathan was yearning for Nancy.

He told Steve eventually, had to with the way he kept finding ways to avoid being around Jonathan and Steve got suspicious.

“If he said something to you about us, I’ll take care of it. He doesn’t get to say shit about what makes us happy.”

And Eddie couldn’t have Steve lose another fight, so he told him.

“So wait. You and Jonathan…”

“Made out. Yes.”

“Like…with tongue?”

Eddie rolled his eyes. “Yeah, I remember tongue being involved.”

“And hands?”

“They were there too.”

Steve puts his hands on his hips, lifts one to wipe over his face, then settles it back on his hip. “And you liked it?”

“Considering at the time my options were Jonathan or the girl in Hellfire who insisted I wasn’t gay because I looked at her during campaigns, yeah. It wasn’t the worst thing I’ve been through.”

Steve huffed. “Yeah, but like. Compared to me-“

“Oh my god.”

“What?!”

“I cannot believe you’re jealous of Jonathan Byers. Again.”

“I’m not! I’ve never-“

Eddie raised his brows. “Never? Not once?”

“That was different!”

“That was worse.”

“I dunno, finding out your boyfriend has made out with the only other guy in Hawkins who’d be up for it is arguably worse.”

Steve pouted for hours. Eddie let him.

It was cute, alright?

And when he got over it, they made out for hours in his bed.

Steve, of course, was the one who told Nancy.

In his defense, he was very high, and Nancy had been pushing him all night, from the moment she caught wind that he might know how they knew each other.

Eddie went inside to grab them all water, and she pounced.

By the time Eddie got back, Steve was half asleep and Nancy was smirking at Eddie.

“You could’ve just said.”

“He’s never getting high for free again.”

“He’s your boyfriend.”

“He’s back to being a paying customer, too.”

Nancy laughed, startling Steve into opening his eyes. He smiled up at Eddie, no clue he’d just given up one of their secrets.

“Hi, baby. You know Nancy didn’t know about you and Jonathan?”

Eddie glanced over to see Nancy rolling on her side, laughing hysterically.

“Yeah. I’m sure that was on purpose. How about we get you to bed, superstar?”

He managed to get Steve onto the couch, where he immediately passed out.

Nancy hugged him, kissed his cheek, like she always did before leaving.

“It’s not a big deal, you know. He’s mentioned that he isn’t only into women. We’ve talked a lot about the Argyle situation.” She walked towards the door. “Steve will get over the jealousy eventually. It’s not like Jonathan wouldn’t have made out with him if he could have.”

She left before Eddie could respond.

Eddie suddenly understood exactly what Steve was feeling.

“Not gonna happen,” he mumbled to himself before joining Steve on the couch and pulling him close.

[exercise-of-trust]

is it still an incorrect quotes if it's by the author? anyway this post has been living rent free in my head for three years and it's high time i exorcised it with a sketchy lil comic.

[saucerfulofsins]

I love the juice bar scene as much as the next person. I especially love the juice bar scene in conjunction with the confession.

And yeah, the "I'm straight" is chekov's gun, and the chemistry between Eddie and father Brian too. I love the meta/spec/headcanons!

That's not what I want to talk about. Instead, I want to talk about how sensitive Father Brian has been to Eddie's needs. He offered Bobby help in the church, face to face, and that worked for Bobby because he's a religious man. Eddie went to confession, and got his grievances aired, but -

we know Eddie's relationship with the church and religion is more complex than Bobby's. It doesn't work.

And then Father Brian runs into Eddie, recognizes him although he probably only saw Eddie through the confessional's grate. He remembers Eddie's name, too. He cares! And I don't think that's a sexual/romantic thing at all - and I don't think it is religious either. Yes, religion is the context within which he works, but it's not the only context.

He's not technically on the job when he sits down at that table; he's away from the protection by the grandiose rituals embedded in going to church, confession, wearing robes. He does it out of personal care, affection for humanity; he fills the role of a social worker, a guidance counselor - and religion is one of his tools but it's clearly not his only tool. It's also his ability to observe, and to listen, and to reflect on things - putting his finger on the sore spot in ways no one else in Eddie's life has done. That takes guts, especially because he knows Eddie's in a vulnerable place.

And he does it not because he's interested in Eddie romantically/sexually - that is not the reciprocity he seeks, nor the reciprocity that fulfills him. He does it because he cares.

The setting certainly helps too. Eddie doesn't feel as intimidated, not like a fish out of water. Only his title marks Father Brian as a religious figure; he uses it to break the ice and mark himself as safe ("I am celibate"), and then finally invokes his position to speak to Eddie's Catholic guilt and get him to do something for himself.

I don't know. It just felt deeply human and caring and I enjoy that a lot, and I love how it all connects back to Eddie first realizing his Catholic guilt in 7x05.

[thelaurenshippen]

911 really is such a good reminder of the particularly kind of joy that is weekly, seasons-long shows with many episodes per season. every character gets a moment to shine even in a truncated season. the satisfaction of seeing characters grapple with stuff that happened YEARS ago. having multi-episode arcs and one-off arcs that are equally enjoyable. beach episodes (metaphorical). I know we're all saying this all the time but why can't more tv be like this

[watchyourbuck]

The ep is very serious but it’s so funny to me how everyone’s so freaked out and trying to get out of the boat and then there’s Bobby who just wants to find his wife DNFJDJSJ

[dreamsteddie]

Companion piece to my Stobin childhood friends au post because try as I might to resist it, the Steddie brain rot will take over.

Robin and Steve are thick as thieves from that first day of preschool. Their matching friendship bracelets don't fit anymore and have found homes in their "secret friendship treasure chest" which is a shoe box covered in construction paper decorations that lives under Robin's bed so Steve's parents don't throw away any of his "trash" again. They've started a tradition of making a new one for each other at the start of every year so everyone remembers they're best friends, though.

Halfway through first grade (Robin got to start school a year early like the Buckleys hoped) things are going great for Robin. She gets to bring books home from the library and their teacher complimented her drawing of a robin and she helped Steve pass his spelling test last week, so as far as she's concerned this is the best year ever.

Right up until Eddie Munson transfers to their school.

At first, Robin doesn't know that Eddie will be her arch-nemesis. When he's introduced to the class, all she really thinks about him is that he looks a little funny but seems nice. He's got really big eyes and he's taller than most of the other kids with long, gangly limbs. His hair is shaved down to his head, but there are other boys in class who are the same. He gets placed at the table group to the left of them in the chair closest to Steve's.

She very quickly forgets about him as the day continues as normal. Robin thinks math block is boring, she'd much rather read her books or play with Steve at recess but her parents said knowing your shapes is important, so she pays extra special attention. That's why she doesn't catch the little wave Steve, ever the social butterfly, gives to the boy across the way or the way Eddie's eyes go even bigger and a soft blush steals across his cheeks.

What she does notice is when Eddie comes up to them in the last few precious minutes of recess slightly sweaty and out of breath holding a little white daisy.

"Hi! I'm Eddie, I'm new!" he says, shouting really, looking directly at Steve.

"Oh, hi Eddie! I'm Steve, this is my bestest friend, Robin." Steve replies.

"Like the bird?" Eddie asks.

"Yeah! They're orange."

"And I hate orange!" Robin buts in, not willing to be left out of the conversation

"Yeah, it's really sad. They should be blue, that's Robin's favorite color." Steve says, real disappointment creeping into his voice. "Who's that for?" he asks, pointing to the forgotten daisy.

"Oh! It's for you! I was out all recess looking for the best one in the field. They kind of match your shirt!' Eddie says proudly, referencing Steve's polo with the yellow body and white sleeves. It's one of his favorites.

"Really? That's so nice, thank you!" Steve exclaims as he takes the little flower into his hands.

Robin's mom says that sometimes when you want to be someone's friend, it's good to start by giving them something nice. Robin's mom says that she should try and make more friends, maybe some girls instead of just Steve, but when Robin tries to talk to the other girls in class, she gets nervous and clams up. She thinks she might be allergic to them. Plus, why would she need more friends when she has Steve, who is worth at least three normal friends.

Steve gets along with everyone, he lends people erasers and pencils and shares his blocks with the other kids when he's allowed to bring them out of his cubby, but no one is his best friend like Robin is.

No one has ever given Steve flowers before, though. That feels like an extra special kind of gift that someone would give if they wanted to be really good friends, and Robin doesn't want that. Steve is her best friend, he doesn't need another one.

"Steve, we gotta go get in line before all the other kids! We don't want to be last!" she blurts out, grabbing Steve by the hand and dragging him across the asphalt to where the teachers are getting ready to call everyone to get in line before Eddie can catch up.

Once they've got their places, she looks back at Steve behind her to see he's turned around. She peaks her head around him and sees him smiling wide at an equally smiley Eddie who's about 5 kids behind them, each of them waving happily at each other.

Oh yeah, Robin is going to have to keep an eye on him.

[stevesbipanic]

For the lovely @withacapitalp happy birthday Liam hope you have the best day today!!!!

Steve had been pacing around the apartment all morning. Well, pacing wasn't really the right word, Eddie would describe it more like having the same zoomies their cat Toothpaste has at 3am.

You see today was–"It's Robin Day, Eds!" As his lovely boyfriend had practically screamed in his ear at 5am. "And it will still be Robin day when you return from your job at a normal waking hour, babe."

Eddie had hoped the jog would've gotten some of the energy out of Steve's system but he seemed more hyper on his return, at least he'd brought Eddie coffee.

"Love, Robin isn't even on the plane yet."

"I know, but it's today, Eds."

Steve looked so bright it made all of Eddie's sleepiness fade away. It had been hard, living away from Robin. They'd all shared an apartment when she went away for college but by the time she got a job in New York, Steve and Eddie were not only dating finally but settled into Chicago life.

They spoke every day of course, Robin and Steve never missed a nightly catch up of the day's events, Eddie didn't even know what they'd talk about once they were in the same state again. Eddie knew Robin would always be Steve's number one and he loved that about him.

There was one other thing about today though. "Sweetheart, you know it's not just Robin Day, right?"

Steve looked confused at his boyfriend, kind of like the way a puppy looks when you move his toy.

"What could be more important about today than that."

Eddie began humming a specific tune wrapping his arms around Steve's waist. "Oh, right, my birthday, 24 isn't exactly a big deal Eds," Steve said rolling his eyes.

Eddie laughed, "Your birthday is the reason Robin's coming, sunshine, plus after the number of times we've both almost died I think every birthday is a big deal."

Steve nodded his head and returned the embrace Eddie had been giving him, "True, you think you're gonna have a quarter life crisis in August, Mr 25?"

Eddie grinned, "Oh yeah, I think imma buy a guitar and start a band." Steve laughed, while Corroded Coffin never got famous they got relatively well known in the local scene, Tuesdays were now a regular gig at The Squire downtown.

"Four hours til she lands," Steve said kissing Eddie's cheek and running upstairs to make sure the guest room was ready for the tenth time. "Still not on the plane yet!" Eddie called up laughing.

Four and a half hours later their loving room was filled with laughter and joy once more. "And then the guy asked the flight attendant for another ginger ale and Steve this man was looking green and you know how I don't deal with sick people well I'm surprised I survived the flight at all," Robin rambled filling Steve in on her flight from hell.

"Honestly, you should just move back here, save yourself the flight," Steve joked. Robin glanced at Eddie, one little birthday surprise they hadn't told Steve yet.

"Actually, my contract is ending in two weeks, and um, they offered to extend it at...their Chicago office."

Steve was frozen, if Eddie didn't know better he'd think Vecna had returned from the dead to finish them off after all these years. Then the screaming started.

"YOU'RE MOVING BACK TO CHICAGO!"

"I'M MOVING BACK TO CHICAGO!"

Pretty soon everyday would be Robin Day and with his boy looking that happy Eddie wouldn't want it any other way.

[hairmetal666]

Eddie stands at the edge of the ruined, stinking field, heart somewhere down by the soles of his feet. He watches the grey vines creep across the rotten earth, bracketing the blackened and split pumpkins.

"This can't be happening again," Steve says next to him. There's nothing in his voice, in his expression.

And Eddie doesn't know what to say because it is happening, the Upside Down is creeping into Hawkins, Vecna defeated or not.

"We have to tell the others," is Eddie's response. He doesn't know how he sounds normal when his heart is breaking, when Steve's blankness is killing him.

They walk back to Eddie's van in heavy silence. He can't read what Steve is thinking and that's--they're not something, not yet, but they spend all their time together and it's right there, under the surface, and--

He always knows what Steve is thinking, now. Can read his face like Tolkien wrote it, no matter what's happening, but right now it's empty, unreadable, unfathomable, untouchable King Steve risen from the grave.

The drive back to Hop's cabin is silent. Eddie doesn't even turn on music, his brain can't take it.

Cars fill the cabin's driveway, everyone in attendance, everyone waiting. On the porch, they hear the TV, the tinny whirr of lightsabers. It all stops when they push open the door, movie paused, conversations broken off, every face turned in their direction.

Neither of them speaks. Looking at all these faces, the kids, Nancy, Jonathan, Robin, Hop and Joyce, the hope and trust, and he can't--he can't.

"Well?" Joyce prompts. She's working a kitchen towel between her fingers.

He nods as Steve says, "it's back."

Eddie expects an outcry, horror, an explosion, but it's quiet. Quiet enough he can hear Steve's soft breaths next to him. Quiet enough he gets to watch as the news hits on each face in the room. It's like a punch every time.

It's so much different from planning the fight against Vecna. There was so much energy, drive, to get it done, to defeat the Upside Down forever. There wasn't silence, not ever, no faces painted with grief. Even when things were at their worst, an undercurrent of hope buoyed the group.

"Are you sure?" It's Nancy who breaks the silence, of course it is.

"It's the tunnels all over again," Steve answers.

"El?" Hopper asks. "Have you--?"

Will and El are looking at each other, Eddie's sure that no one else in the room exists for them.

"We haven't felt anything." El finally says.

"Nothing?" Mike's eyes flick between them.

"Not since Vecna," Will says.

"It's--it feels--" El waves at the back of her neck.

"Blank." Will finishes.

"Blank isn't gone," Erica says.

Dustin hums, eyes distant. "So, it went dormant."

That gets all the kids going, arguing and shouting over each other, and it isn't long before everyone is involved.

Eddie throws himself into it, grateful to be back in a familiar place of planning, discovering what they're up against, fighting. They're at their best like this, all of them, and it takes the edge off the fear eating up his insides.

He doesn't really get a chance to talk to Steve one-on-one, but Eddie's aware of him always, catches the moments in between bickering with Mike and shouting with Dustin and whispering with Robin where he goes distant, empty, just like at the field, just like in the car.

Eventually, everyone trickles home for the night, Hop's cabin emptying until it's just the Byers, Hoppers, and Steve. And since Eddie goes wherever Steve is--

Steve stands at the window in their room, back to Eddie. His shoulders are rigid, and Eddie is--he's scared in a whole new way. Steve is--he's strong, he keeps them together, he. They look to him to be brave, to be the first to jump, and--

"Steve?" Eddie comes up next to him.

His eyes are squeezed shut, fists clenched.

"Sweetheart?"

Steve opens his eyes, tears track down his cheeks. "I don't think I can do this again," he sobs. "I don't think--" He presses his fists to his eyes, like he's trying to force the moisture back inside.

Eddie grabs his wrists, gentle, murmurs, "it's okay, it'll be okay, I've got you."

"How can it be okay?" Steve asks. His face is wrecked and Eddie's heart shatters. "This was supposed to be over, Eddie. We were supposed to be done with fighting, we beat Vecna. So, tell me how it's going to be okay."

He freezes, unsure how to respond. In the end, "you're right," he says. "it's not okay. And I don't want to pretend that it is. It fucking sucks. We did the work already. We shouldn't be right back here like it never happened."

"But we are," Steve sniffles.

"But we are. And you know what?"

"What?"

"We're going to get through this. Just like we did the last time."

"We almost lost you last time, Ed. We almost lost Max. What if--what if--" Steve's eyes fill again. "I can't do this without you," he sobs.

Eddie doesn't hesitate, pulls Steve into his arms, holds him as tight and close as physically possible. "You won't." Eddie soothes. "You won't. I'll be right here with you. I promise."

"How can you know?"

Again, there's only one answer for that. "I don't. But I know I'll never leave your side willingly. None of us would. And I know that we're going to fight--all of us--like we always do."

"How can you have so much hope?" He asks. "After everything?"

"It's hard," he answers. "I'm terrified. But I know I have you, and Robin, and Dustin, and Wayne, and--everyone. We fight for each other, you know?"

"We keep going because we have to," Steve says.

"Yeah, sweetheart. We protect each other and this godforsaken town, no matter how much it sucks."

Steve's laugh is husky and short. "It sucks so much."

"Real trash heap of a place."

"And that's without the alternate dimension and monsters."

"I think we've got a really strong ad campaign for the Hawkins tourism board." The giggle that escapes from Steve is the sweetest thing Eddie's ever heard.

Later, the lights off, Steve pulls him close. "I'm so glad I have you," he whispers, fingers trailing through Eddie's curls. "You give me something to hope for."

[stagefoureddiediaz]

We’ve been looking at this all wrong the entire time...

So my brain is a weird place that I don’t fully understand, but sometimes it connects dots and I figure something out that has been staring us in the face the entire time! Lets just say it explains so many things - right down to the very pointed use of tommy calling Buck Evan!

This all stemmed from me looking at colour theory and costuming for Buck and Eddie (and by extension Tommy) season 7 again, because I was going to try write the buddie costume metas for episodes 9 and 10 that I never managed to get done before we started season 8 I will hopefully get to those posts, but this post - while technically about Tommy and his costumes (yes me ant Tommy person writing a post on him I know!) it does also look at the costuming for Buck and to a lesser extent Eddie more widely across the season and what the colours used actually mean - getting some distance and some time on the season has been a blessing!

Im not going to go into it in detail, but, broadly speaking the show has given each character a signature colour - this doesn’t mean they wear it all of the time - but they do wear it a lot of the time and especially in key scenes - characters can have more than one key/ signature colour, and it can change and develop over time. We can ignore season 1 because it was a pilot season and very often shows won’t choose to establish a signature colour for a character (911 s1 is all over the place from a costuming perspective - because they had several designers working across the 10 episodes but since s2 we’ve had much more continuity with Alayna Bell-Price at the helm for most of it). So for example Athena’s signature colour is mostly black with white and khaki green also in the mix. She’s moved away from that subsequently - wearing less black and more white/creams but both colours are still staples of her wardrobe.

Eddie we all know mirrors Athena from a costuming perspective - his signature colours are also black and khaki green with some white/cream as well. The khaki green was much more dominant than the black to begin with - which played into his military past -  that had evened out on the black and khaki front whilst the cream had stayed fairly steady, but now we’re also starting to see a little bit more of it as well as some darker blues. this mirrors Athenas own journey t healing - the more she heals the less Khaki we see and the more white/cream - Eddie is starting to follow the same path from a costume perspective. 

Bucks signature colour has always been blue, but he also wears a fair amount of yellow and grey, so those are his three colours. He obviously wears a lot of other colours, especially white, but white has its own specific use in Bucks costumes that sits separately from his signature colours. 

We all know about yellow/ blue and green blue colour theory - I’ve gone on about it enough (especially yellow blue colour theory and its queer coding) and others such as @lover-of-mine have as well. Well both yellow/blue and green/blue continued to play out in season 7, I’m not going to go into them in too much detail - there are posts on my pinned post that cover that much better and I want to get to the good stuff (and I know you all do too!) 

We do need to remember that Buck and Eddie very very rarely wear blue and green in scenes together - if Eddie is in green Buck won’t be in blue, and vice versa - this is because of the ties to blue/green being Buck and Eddies break up colours - the colours they wear opposite their respective girlfriends when the relationships are ending. This is a little less set for Eddie - who actually wears white/cream much more when he’s ending relationships than blue or green - but the one time he has actively done the breaking up he was in green.

As I was starting to do a bit of work on the 7x9 and 7x10 metas, I ended up going back and looking over the Buck and Eddie costumes for the season as a whole, and how Tommy fit into all of that as well - as we’ve all been billing him as Eddie lite.

While I do still think there is an element of Tommy being Eddie lite, I don’t actually think that is what the show has been doing -that concept is a bit of a red herring. I’m sorry that this is likely to get a bit convoluted and wordy - but my brain is  still reeling and incoherent so bear with me - I hope it all makes sense.

Right this post is super long so the rest is going below the cut! I hope you enjoy!

Because I was looking for Eddie and Tommy parallels in the costuming for the season, I had been looking at the choice to put Eddie in red/black for his dinner date with Kim and Buck being in green for the scene at Bucks loft, and the fact that back in 7x04 Tommy had been dressed in the same colours - a red henley which was shot with black giving it a red/black colour way. I naturally started looking at the other Eddie - Tommy costume parallels - and there are plenty - lots of the khaki green we see Eddie in - playing into Tommys own military background.

These are Tommy’s scenes - where he wasn’t in uniform of some description (which is a good chunk of his scenes to be fair) 

7x04 

at the hangar - white tee, greenish stone coloured shirt and a tan jacket with stonewash jeans

at the court - light grey marl cut off hoodie and bright blue shorts

at Bucks loft - red/black short sleeve henley and stone wash jeans

7x05

at the restaurant -dark khaki green shirt (I would also like to point out the blue green colour theory here with the addition of tommy having a blue phone case - which is relevant later I promise!)

coffee meet up - light grey henley and navy blue hoodie with mid wash jeans

7x06

karaoke club - navy blue short sleeved henley

7x10

light grey marl tee and greenish denim shirt 

So what you can see from this is that besides the use of henley’s, the only time we get actually get direct reference to Eddies costuming is through the use of khaki green and his first outfit at the hangar. There is of course the direct parallel of the red/black colour way I spoke of before, but, beyond that if you look you’ll see that Tommys outfits actually parallel Bucks far far more. I would even argue the Henley’s are more similar to Buck than Eddie - because they are short sleeved and Eddies are invariably long sleeved.

Bucks colours are blue and grey - and so are Tommy’s - particularly in scenes that are 1-1 with Buck. What I’m trying to get at and will explain is that this has never ever been about Tommy being Eddie lite - this is all about Tommy being Buck - Buck’s subconscious if you will. (I know you all this I’m completely mad at this point - but stick with me!) I have a lot to say about all of this which will explain the why of it all and how we ended up here so we’re going to go through it Tommy costume by Tommy costume!

Lets start with the hangar scene - the most Eddie like Tommy looks throughout the entire season. this is very much intentional - this is about the red herring of it all, but it is also about Eddie (I’m not discrediting anything we’ve talked about regarding Tommy being Eddie lite etc - it is all relevant - but that’s what makes it such a good red herring!) and about Buck being an unreliable narrator. This is in part why we also still see Buck in his too short trousers and his white sneakers. This is his journey (the sneakers), but he’s still trapped in his old self at this moment in time - but aware that he doesn’t fit his skin anymore (as an aside I will be writing a post about Bucks trousers and their changing fit throughout the seasons at some point soon!)

Script wise the key lines are plentiful - the entire scene is full of double meaning. We get Buck stating that he is ‘happy where he’s at’ and Tommy’s response of ‘you’re thinking of changing things up’. viewed through the idea that Tommy is a version of Buck, this then plays out as an internal conflict - a battle about wanting what you already have - being happy with what you have, but also wanting to change things.

Eddie saying ‘you aren’t thinking of leaving us are you’ and Bucks response ‘I’m keeping my options fluid.’ Eddie needing reassurance that what they have isn’t going to change, while Bucks reply is about him not really being sure of himself - of who he is - keeping his options open because he’s figuring out if he wants to change - the line is said to and directed at Eddie so its about Buck keeping his options open about possibly changing their dynamic - becoming something more, even in the face of Eddie not wanting things to be different.  Tommy stating in this scene that Buck doesn’t need to leave the 118 to get certified to fly - that its something he could do for fun on his days off - becomes even more loaded through the internal monologue lens - Buck considering how he can stay at the 118 and have the joy, fun and benefits of ‘flying’ when he isn’t at work - that he could fly with Eddie (Eddie going flying with Tommy to do something fun and date like is a very literal visual metaphor for Bucks internal monologue - showing him what it could be like if he changed things up). There not being three tickets - only two is also important - its again a metaphor this time about how if Buck and Eddies relationship changes - it would only change for the two of them - it would become a relationship that doesn’t have room for another in it. When I say that’s about Chris not being involved it sounds really harsh, but the reality is Chris cannot be a a part of Buddie - he cannot be a part of something romantic. it isn’t saying Chris isn’t important or central to Buck and Eddie - simply that he cannot be a factor in a romantic relationship - that has to be just between Buck and Eddie alone - its kind of about Eddie (and also to a certain extent the same is true for Buck) not being able to hide behind Chris anymore when it comes to Buck.

Fundamentally its all tied back to his death in season 6 (we even get the being struck by lightening reference from Buck just to bring that aspect home) and subsequent resurrection and rebirth  (post linked on my pinned post if anyone wants to read it!). we have to keep at the front of our minds that Buck has died and that is still playing on his mind - its still influencing who he is and who he is becoming and it was all throughout season 7 - even if it wasn’t obvious or stated.

The basketball costume is actually the one that has always stood out for me - Its the most Buck outfit of all Tommys outfits. The bright blue shorts especially. 

So in that scene, which we know is supposed to read as being from Bucks view point, not only are we getting golden haloed super happy bouncy Eddie - Eddie the way Buck sees him -  but Buck is also projecting and seeing Tommy in the place he (Buck) has always existed in. It’s a visual representation of what Buck talked about with Maddie and Tommy replacing him in Eddies life.  Its unreliable narrator buck in visuals he’s seeing Eddie replacing him with Tommy - occupying the same places Buck has and more - from the calendar to the basketball court.

But that’s actually wonderful, because not only does it give us information on how Buck views himself (as expendable/replaceable) and how he thinks others view him - because if he thinks he’s similar to Tommy (which for a purely visual stand point he is - Lou looks more like Oliver than Ryan) but it also gives us information about the reality of how much Buck is actually intwined in Eddies (and Christophers) life - its telling us that Buck is in fact on Eddies calendar (and therefore fridge - fridge magnet theory for the win!) and how much space and conversation he occupies in the Diaz’s everyday life.

So he isn’t actually seeing Eddie in Tommy at all - he’s actually seeing the version of himself he doesn’t think he is but wants to be in Tommy. The version of himself that takes Eddie to vegas etc - that’s the Buck that Buck wants to be - the one openly flirting with Eddie and taking him on dates etc. That’s why the vegas fight is so seemingly ott (especially when you think about the fact Tommy and Eddie have known each other a week or so at most by this point) its the grand gesture Buck wishes he could be making.

All of this also makes Bucks ‘attack on Eddie’ more telling (it’s still the boy pulling the girl he likes pig tails in the playground concept) because Eddie is being receptive to all of these advances by Tommy - adding further weight to the Buck being jealous of and threatened by Tommy. 

Tommy is this version of Buck swooping in and doing all this stuff that Buck wants to be doing (subconsciously still at this point - willful ignorance be winning) but either didn’t know how to or didn’t know Eddie if would be receptive to. Remembering that this is all Bucks viewpoint of things its essentially Bucks brain showing him what dating Eddie would be like and Buck being Buck misunderstands what his brain is telling him (forever misunderstanding the assignment).

There is a second aspect to this and it ties into Tim’s comments about the hamster wheel Buck has a been stuck on and it being time he got off it - the hamster wheel is actually multifaceted and has more than one meaning. The most important is that the hamster wheel hasn’t ever been about his relationships or about the women he’s dating (or men now). The hamster wheel he’s stuck on is actually the fact that he’s built this strong relationship and family with Eddie and Chris - (you don’t find it son you make it) and its something safe and stable and predictable in his life. Getting off that hamster wheel is about being brave and moving that relationship - that family dynamic onto the next level - removing the platonic aspect of their family and making it a fully formed family for real - romantic love and all - so the ‘platonic’ family is the hamster wheel he actually needs to get off of. 

The other aspect of Tommy actually being Buck and the hamster wheel of it all is that hamster wheels are solitary pursuits - the implication is that Buck is the one standing in his own way - and coming back to the basketball game we see that played out in the moment where Buck tries to literally run through Tommy - only you can’t act out at yourself, and Tommy is a literal solid unmoving barrier and Buck won’t get past himself by just trying to bulldoze his way through.

This all then plays into the final Buck and Tommy scene of the episode - in bucks loft. I already spoke above about the red/black of it all, but now with the added concept of Tommy being A version of Buck things start to become more interesting. The red/black of it all is a warning (and the poker date red/black velvet suit and eddies red and black suit from s6 actually play into this as well!) - its dark romance - ‘forbidden’ dangerous romance or love. So for Eddie and his date with Kim that meaning is very self explanatory. The two season 6 suits are also fairly self explanatory - for Eddie again its the dangers of looking for romance that isn’t on your own terms and for Buck at the poker game its about the danger of falling in love with the person you are when you aren’t being truly yourself. Tommy being a version of Buck and this concept is a little more murky - essentially is about a similar thing to his poker suit - with a twist - its about the danger of seeing more value and loving a version of yourself that ‘used to exist’ as well as a version of yourself that you think will make you more attractive to others.

We do also need to Talk about Bucks costume here as well - the fact that it fits him almost perfectly - he’s in well fitted if slightly loose jeans and a navy shirt that isn’t tight with buttons not clinging on for dear life (to the same extent). The colouring is still on the dark side - so its not entirely positive - much in the same way that other scenes with buck in a dark navy shirt are moments where things go a bit askew for Buck (think the  taylor ‘I kinda love you for it��� scene from s5 as an example). The implication is that - before Tommy comes along Buck is at his most content with who he is - he’s fitting into his skin better than he has in a long while but it’s not perfect. This is key, firstly because of how the scene unfolds and secondly, because of how he is then costumed from here on out for the rest of the season.

I do also want to mention the yellow blue colour coding in this scene and that is mostly done through the lighting - Buck is in blue and the light behind him is always yellow - he is surrounded by yellow light. In contrast - Tommy is barely touched by the yellow light - not until Buck starts to figure things out - then we get him briefly touched by the yellow light - the rest of the time he is lit very cooly - which is in contrast to the warmth of the loft - and further plays into the idea of Tommy being a stand in for Evan - Evan who isn't loved and accepted in the same way Buck is - Evan who Buck needs to learn to love.

If we look at the script for this scene, it also fits in perfectly with the idea of Bucks internal monologue.  Tommy and Eddie being ‘buddie’s’ making perfect sense is a literal aside to the audience telling them that Buddie makes perfect sense - but it is more than that. This is where I have to bring up the ‘Evan’ of it all. I know a lot of us shudder with horror because of the fact Tommy only ever calls Buck ‘Evan’ and how both jarring and rude it is. How it shows how little Tommy knows Buck. We’ve always known it was being done intentionally. Well, if we view the use of Evan through the lens of Tommy being a version of Buck and things become clearer.  Because Tommy is basically the old version of Buck - the Buck who existed before he knew Eddie - before he joined the 118. And this is where the choice to bring back Tommy specifically for this role becomes a really smart one - because ‘Evan call me Buck Buckley’ was Tommys replacement at the 118. Tommy who has a problematic past that has never been dealt with on screen. This isn’t about the nature of the problematic past. This is the show playing on the idea of Buck’s software upgrades - before Buck 1.0 there was Evan, and using who Buck replaced at the 118 as a plot device to actually dig into Evan more so that Buck can deal with, accept and move on from Evan and become who Buck is meant to be.

Tommy saying he couldn’t replace Buck furthers this - because Buck cannot go back to being Evan - Evan can never replace Buck. invoking Christopher adds weight to this - because Chris never knew Evan - he’s only ever known Buck and Buck is ‘his Buck’ and irreplaceable. Tommy then stating his jealousy is about Evan feeling the lack of family that he grew up with - the recognition that as Buck he has made a family for himself - Bucks assertion that Tommy (Evan) was a part of it is valid - because without Evan Buck couldn’t build the family he has. The entirety of this conversation is about Buck choosing to ‘get to know’ his past (remember this is coming of the back of Buck crossing out the ‘LEY’ on his nameplate in s6 and his struggles with his parents acceptance in that season before the lightening strike), choosing to learn about Evan and embrace him as a part of Buck.  

Bucks assertion that he was ‘trying to get [Tommys] attention and it being exhausting’ is part of that as is the confusion Tommy expresses. The choice for Buck to use the word ‘exhausting’ - it’s Bucks subconscious trying to get his own attention - its his subconscious telling Buck that he’s exhausting himself by not listening to what his inner voice is saying. It’s of course a play on Buck being called exhausting by other people (and is perhaps why he doesn’t have the confidence to listen to that inner voice) and that also plays into the Evan of it all and how Buck views himself. Tommys confusion also plays into that - bucks own mind is confused - it was getting ready to ‘pursue’ Eddie but now we’re pivoting into what is essentially self love.

The continued bringing up of Eddie also makes sense with the contact of Tommy being alt Buck - because Eddie Eddie Eddie fills Bucks heart and mind - Both Evan and Buck recognise Eddies importance if not his full relevance in this moment. The resulting kiss then becomes less about Bucks bi awakening (I am not diminishing the importance of that in any way shape or form - its a vital aspect of Bucks journey) and more about Bucks decision to pursue loving himself - this ties into his statement ‘it wasn’t about me wanting to leave the 118 - it was about wanting to get to know you’ - its about Buck wanting to get to know himself - on the other side of his death and resurrection. It’s a continuation of his comments about Natalia ‘seeing him perhaps better than he sees himself’ - it’s about Buck starting to see himself better now he’s died and essentially been reborn and bout Buck now being in a place where he feels ready to confront that idea of being reborn and becoming someone new.

At the restaurant in 7x05 we have Tommy in an Eddie colour, but in a shirt that is much more Bucks style. There is also the green/blue colour play with Tommy stating Buck isn’t ready and Tommys ‘mismatched’ clothing bears that up - the play is on Bucks lingering confusion and uncertainty about what he wants - is it the Eddie side of things we’re pursuing the self love of Evan aspect we’re looking to explore? The entire scene is not just about Bucks first ‘date with a dude’ its also about Bucks fumbled attempts at self love - at not getting it right - its why Bucks outfit doesn’t fit him- why they’re now too big and baggy (I wrote about this in my costume meta for that episode - which like all the other costume posts can be found linked on my pinned post).  The innuendo about closets and Buck going into masculine bro mode is as much about his nervousness about being on a date with Tommy and being seen as it is about the fact that a man practicing self love is still taboo and so often met with derision - hiding that you are pursuing that is a kin to hiding queerness - at the start - until you get to a good place with it.

We side step into the Buck and Eddie loft scene briefly to look at Bucks confession to Eddie - I could write a whole thing on Eddies acceptance of Buck and its importance - but that is for a different post that isn’t already a million words long! what I want to mention in this scene is the why Buck can’t stop thinking about Tommy of it all - how it is essentially establishing the idea that Buck is starting to listen to himself.  He can’t stop thinking about Tommy because it isn’t Tommy he can’t stop thinking about it’s actually himself - Evan - in a learning to love himself and embrace who he is and was kind of way - all being done through a bi lens. it is essentially about Buck doing the thing he needs to do to be ready for a forever relationship with Eddie - which is love and accept himself - all of himself and acknowledging that to Eddie.

Buck switches back to better fitting clothes for the coffee date - and tommy is now dressed back in Buck colours and no trace of anything resembling Eddie in sight - making it clear that Buck has chosen to pursue himself. To get himself to the place he needs and wants to be first - the line about not knowing what it is he’s ready for but being ready for something is key - its a very self love line, but it also puts a very clear time frame on things - it makes it clear that Tommy is not endgame - because Bucks choosing self love and embracing and understanding ‘Evan’ isn’t his end game but a part of his bigger journey - a part of becoming who he needs to be to achieve what he actually wants - to get him to his endgame.

Then we have the Karaoke - brief scene(s). There isn’t really a huge amount in these scenes. But I do want to point out two things - the awkwardness of Buck and Tommys hug - and how that plays into the tentative nature of Bucks self love journey - and also Eddies behaviour towards Tommy - and the way it was very very clearly a lot cooler than we saw in 7x04.

We all jumped on the Petty Eddie train - and I agree there is an element of that. But - there is also the fact we are not seeing that scene through Bucks eyes - its through external eyes and we are therefore seeing the actual reality of Eddie and Tommys friendship - in that it isn’t this heightened date like - flirty new love type relationship - its simply two people who are loosely friends. Its remarkably normal and no threatening - only furthering the entire purpose of 7x04 being from Bucks viewpoint and Tommy being an alt Buck rather than an alt Eddie. It also therefore serves to further establish the Buddie of it all (but we all already knew that!). Tommy is still in Buck colours and the short sleeved henley is still something I would put more into the Buck costume camp than the Eddie one - especially in this season! 

The final Tommy scene and costume is the date at Bucks loft and the conversation about daddy kink. I still don’t like this scene (which has a lot more to do with execution and the script than the actual daddy kink of it all) but I am much more sanguine about it now that I understand what it is setting up.

Bear with me here I probably won’t make sense, but with the knowledge that Tommy is actually buck lite - a less good and developed version buck (Evan and in part the version of Buck that Buck himself thinks he is) the daddy kink scene actually becomes about setting up Buck addressing his past and his actual real daddy issues - because bucks past self sees his worth in those issues and without them it means both Evan and Buck have no worth. Buck confronting and dealing with them and choosing to forgive and move on means the end of Buck and Tommy because Tommy is no longer needed - he has served his purpose and Buck would be ready to start his future - Evan stays in the past and Buck completes his rebirth and closes his lightening strike arc.

Onto Bucks season 8 journey - Bringing Gerrard in to Bucks arc rather than the others who have far more connection to Gerrard now begins to make much more sense. Tommys past under Gerrard actually echoes Bucks past - in different ways and to vastly different degrees, but the parallel is there.  S1 Buck being a play boy and sleeping around and not treating women especially well (objectifying them etc) because of his own hang ups - is a pale echo of Tommy being closeted and racist sexist and homophobic under Gerrard. Like I said before - Buck is a pale imitation to Tommy here and that’s intentional (more in a sec) because once Tommy is under the wing of Bobby when he takes over the 118 we see him begin to grow and change. Buck follows the same pattern - Bobbys guidance pulls him away from his destructive behaviours and sets him onto the right path (Bobby is arguably the birther of Buck - Look I could write a whole thing off the back of my death and resurrection of Buck post about Bobbys role as God - the heavenly father - in Bucks life and how that is the overarching theme of Bobby and the show but I don’t have the time tbh!) to ‘redemption’.

Bucks behaviour is very intentionally not as bad as Tommys behaviour, because if Tommy is the plot device meant to essentially represent Bucks subconscious and how he views himself, then the reason we haven’t been shown Tommy atoning for any of his past sins and behaviours is because Buck hasn’t forgiven himself for his own. Buck is his own worst critic and will self flagellate to a ridiculous degree - and again with him being an unreliable narrator - he views his past indiscretions as being the equivalent of Tommys - therefore in his mind he hasn’t yet done enough to deserve absolution (Buck and Bobby being father and son in this as well!). 

Which brings me to s8 and the return of Gerrard and what Bucks arc is going to be (this is slightly incoherent and not fully formed - I’m still percolating!). Gerrard being central to Bucks arc - and Bucks push back is imo going to be about Buck taking a good look at himself and recognising/ facing up to and accepting his past. And that actually does come down to the daddy issues of it all. Because if Bobby is as good as Bucks dad - and allowed him (and his subconscious in the form of Tommy) to develop and grow - then Gerrard is Phillip Buckley (obviously a heightened more terrible version of reality in the same way Tommy is a much worse version of Buck) who parented Evan through apathy and taking the easy route - we saw Evan pushing back against Phillip in Buck Begins and being rewarded for it and thus establishing Bucks self destructive and self sacrificing pattern of behaviour. Acting out and getting hurt got him attention - so Buck acting out against Gerrard is this reduced and will ultimately have the same results just in an essentially more destructive way.  This is is a good thing - because this is about Buck recognising that he is worth and acting out etc is detrimental to him progressing as a person - its going to actively prevent his self love journey to flourish (and this is why in part I maintain my belief that Tommy is going to, if not encourage Bucks behaviour, then at least tell him to go along with Gerrard demands - for an easy life and also part of why I don’t think we’ll see a huge amount of Tommy - at least to begin with - until we get to a point where Buck is really motoring on the self love journey and getting to the point where he needs to do some pre break up face to face conversations that move him forward!).  It’s about forgiving and accepting his father for how Evan was raised - Bucks arc is going to be about forgiving himself and allowing himself to be happy, and he cannot do that if he doesn’t go through the Gerrard stuff - which is essentially a type of therapy. That’s also where I think the golf comes into it - it’s a metaphor for Buck building bridges, gaining understanding and accepting his past with his father - the metaphor of the driving range being the idea of standing side by side and performing the same thing, but landing in different places. There is also the concept of improving ones self and choosing to not repeat the mistakes of the past.

It also means the thing Tim said about Buck and Tommy becoming more comfortable with one another makes much more sense, and why he’d flip the question to talk about Eddie and about Eddie feeling a bit left out in the cold but not out in the cold! Buck is becoming more comfortable with himself and while he’s doing that and learning to be happy etc as I described above. Eddie is going to feel left out - because this is about Buck not Eddie - because it’s about Buck being ready for forever with Eddie - and Eddie ultimately cannot be a part of that journey - Buck has to do it for himself in the same way that Buck cannot help or be there while Eddie goes through his reckoning with the Catholic Church, and faiths place in his life and also dealing with the ghost of Shannon and his mother issues(because he has those and they are all set up to go in s8 - Chris being in Texas really sets that up nicely!

Bahaha Tim I’ve finally figured out your question answering methods and how they tell us all we need to know!! 

All this to say - Tommy is actually alt Buck - not Eddie lite (I mean he is still also that but it’s a bit of a red herring) he is a plot device for the biggest thing about Buck as a character and it all means Buddie here we come!

Thank you so so much if you have read this epic piece of waffle - I hope you enjoyed and I truly look forward to hearing all your thoughts on this and to you being as insane about it as I am!

Tagging some people who asked (and some who didn’t but might be interested anyway!)

@spotsandsocks @exhuastedpigeon @lover-of-mine @fruityfirehose @leothil

@bewitchedbewilderedbisexual @theladyyavilee @livingwherethesidewalkends @craigyxo

@izzysbeans @buddiediaz118 @inell @hotshotsxyz @winterskydragonx

[livelovecaliforniadreams]

5x11 | 8x5

[mintcakeart]

I saw this and went full brainrot fugue state, so have some Stobin+Kas!Eddie, as a treat

[kingdowager]

college age reddie!! they should've been at the club (together) saw posts for the reddiesance 5 year anniversary and had to draw them. rotating them in my mind