#Drug patents
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Global genocide, what a beautiful choice...
In case you missed it - and a golf update seems to have knocked it off the front page - Republicans are threatening to kill millions of people in order to protect "the unborn child." No, not just pregnant women like usual, but men and children - everyone.
The US has been giving HIV/AIDS meds to people who can't afford them, internationally, for about two decades. Most of the institutions distributing these meds are Catholic. Catholics are infamously anti-abortion - to the point of allowing mothers to suffer and die, just like Republicans! This program has a requirement to spend money teaching abstinence - it was penned into law by G. W. Bush! It seems like there shouldn't be a conflict of interest between these two groups, but there is now, and there's a clock ticking down to when these people won't get the meds they need to stay alive.
I suspect our old friend "intellectual property" also has a hand in this situation. It doesn't look like we've spent any money over the last two decades on building infrastructure so these places can make their own damn meds, we just buy them premade and ship them. Actually helping these places manufacture these very expensive drugs would eat into the profits of the pharmaceutical companies that "own" them. It's much better for Gilead there if people just buy drugs and send them. We can just keep doing that forever, right? It's good PR!
Well, now we're in a position where a grandstanding, megalomaniacal political party can hold millions of orphaned children hostage while crowing that they're "saving babies". The Republican solution is that these foreigners should be "responsible" and pay for their own meds... while US companies sit on the patents and jack up the damn prices as high as the market will bear. Yeah, that'll work great.
I've already fled the States. If Democrats can't stop this from happening... You... You can't expect me to keep filling out a ballot and giving you a fig leaf of legitimacy. I found out this year that you didn't even stop stealing children at the border. You can't ask me to keep behaving like it's going to be fine and the system can heal itself if I just keep participating in it. I don't want anything to do with this. I am being dragged kicking and screaming to check a box for people who throw up their hands and refuse to help because, I dunno, maybe this time they might? And then they try to tell me this is my fault, for not being centrist enough.
I dunno what I'm gonna do. I mean, distract myself. Keep redistributing wealth by fair means and foul. And keep yelling about these things. But apart from that...?
#us politics#global politics#abortion#hiv#aids#republicans#democrats#drug patents#price gouging#capitalism#imperialism#just bad shit all around#i don't want to live on this planet anymore
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I'm all for "march-in rights" - this shouldn't be "controversial" at all. People have the right to medicine.
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The only reason they're doing this is that Biden threatened to seize their drug patents.

Absolutely wild that this is presented as something the drug companies are doing and not a law that the Biden admin passed.
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Note: there's an autoplay gif thing at the link.
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IF?
The government will give the public 60 days to comment on the new proposal before attempting to finalize it.
^^^ COMMENT vvv
#capitalism#healthcare is a human right#drug lobby#big pharma#drug manufacturers#economics#healthcare#public health#medicine#health care#patents#us politics
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I was writing this in the tags but I want to include sources. I’m gonna tell you why drugs don’t go generic right away, and I want you to know that I don’t agree with the reasoning here, but this is how the system works.
New drugs are priced so much to recoup some of the losses of research. Drug research is insanely expensive. Whether you’re talking about buffers and reagents in the lab, machines designed to give scientists highly specific information, or required animal research, it’s EXPENSIVE. I tried to pull up an example for a standard microscope but companies that make lab equipment don’t have prices on their website, you have to fill out a form to request a quote.
So, lab equipment is expensive. You also have to go through rounds of animal testing. One lab mouse can cost hundreds of dollars, depending on how it has been genetically designed to give the best research results. And spoiler alert, you need repeat results, meaning multiple mice, and then larger lab animals because humans aren’t mice and we need to be sure drugs are safe before testing them on humans. Raising and caring for lab animals also takes lots of highly trained staff, which adds to the expense. This is partially why a lot of scientists in animal research are pushing for alternative research methods, because it is more humane and more cost effective to reduce our reliance on animal models.
So it’s expensive to do research, and then you get into patent law. Drugs get 20 years of patents, although that’s from when the patent was filed - which is often BEFORE the drug hits the market. You can patent a drug and then still have several more years of development. So in practice, drugs are often on the market for less than their patent time. From the drug company’s perspective, they need to recoup their losses in that amount of time, and the high price of the name brand drug is funding the ongoing research of the next drug.
Generic drugs don’t have to go through animal or clinical trials, so companies making generic drugs ONLY have to consider the manufacturing cost when pricing their drugs. This is why they’re so much cheaper, because all they have to prove is that their drug is the same as the patented one.
Lenacapavir is STILL IN CLINICAL TRIALS, according to the source linked above. It hasn’t been approved for prevention. I believe it will probably be approved, but the point is that it’s a very new drug and still within its patent range. I’m not entirely sure when the patent was filed, but the fact is that it will have a generic eventually. Just not right now. But the reasoning for drugs being so expensive is that they’re factoring in the cost of research, not just the cost of production. I don’t like it! It’s a bad system! But that’s why it is the way it is



Source

#I am having trouble finding sources but there’s more complications as well#bc the companies can use their research that they did in the US to support approval in other countries#there are places that just do a lit review and approve drugs if the FDA approved them#but then mandate lower costs#which means that US consumers end up paying more to support the lower prices of other countries#bc we have less regulatory protection#and you have to factor in the way insurance inflates costs bc you have to go through them#I doooont remember which book I read this in though so please question my summary in these tags#like continue being angry at pharma companies because there’s no reason for things like insulin to be expensive#but every once in a while I see things like this where people are like new miracle drug but no generic!!! evil!!!#and I’m like THATS HOW PATENT LAW WORKS#YOU DONT GET TO HAVE A GENERIC WHILE THERE IS AN ACTIVE PATENT#like the real solution would be to abolish capitalism but until we get there#you have to pay the salaries of people who breed mice and manufacture microscopes and maintain microscopes for the scientists to use them#and all of that builds up to expensive drug prices#now if the company would reinvest ALL of that profit into new research I’d be much more okay with higher prices#it’s a taxing the rich problem more than it is a generic vs patent problem
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Navigating the Loss of Exclusivity: Big Pharma’s Updated Strategy
Facing the Patent Cliff Again: Can the Biopharmaceutical Sector Keep Pace with Innovation?
The biopharmaceutical sector is once again encountering a significant wave of loss of exclusivity (LOE), reminiscent of the "patent cliff" that shook the industry in the early 2010s. Key medications like Tagrisso (tagrisso patent expiration), Calquence (calquence patent expiry), and Olaparib (olaparib patent expiration) are nearing their patent expiration dates, compelling major pharmaceutical companies to respond swiftly. The issue of drug loss of exclusivity is not limited to the United States—it also impacts emerging markets such as India and Japan (india loss of exclusivity analysis, japan loss of exclusivity analysis). In response, companies are crafting more sophisticated loss of exclusivity strategies to protect product value and retain a competitive edge.
Understand how to prepare for the end of market exclusivity and protect your brand – read the full guide here: https://www.delveinsight.com/blog/navigating-the-loss-of-exclusivity?utm_source=blog&utm_medium=promotion&utm_campaign=akpr
Merck: Strengthening Through Pipeline Innovation
With the blockbuster drug Keytruda set to face generic competition—raising the question: when does Keytruda lose exclusivity?—Merck is tackling the loss of exclusivity head-on. The company is investing heavily in its pipeline, particularly in the oncology and immunology spaces. Its introduction of Cobenfy, along with advancements in next-generation checkpoint inhibitors and vaccines, underscores a strong, pipeline-driven medical strategy to mitigate loss of exclusivity and enhance long-term portfolio resilience.
AstraZeneca: Science-Led Diversification to Offset Risk
As AstraZeneca prepares for the LOE of drugs like Calquence and Tagrisso, the company is leaning into science-backed diversification. This includes robust R&D initiatives and strategic partnerships. With promising assets like Enhertu, including a subcutaneous formulation on the horizon, AstraZeneca’s loss of exclusivity pharma strategy is anchored in scientific progress. Mergers, acquisitions, and a deepening pipeline are helping to buffer the effects of pharma loss of exclusivity, while paving the way for future treatments.
Bristol Myers Squibb: Balancing Growth and Cost Ahead of Patent ExpiryWith Pomalyst loss of exclusivity on the near-term horizon, Bristol Myers Squibb (BMS) is focused on sustaining growth through disciplined cost management. Its loss of exclusivity strategy emphasizes strategic R&D realignment, effective lifecycle management, and expanding access globally. As the company navigates the anticipated revenue impact, BMS is positioning itself with a forward-looking portfolio designed to meet evolving loss of exclusivity pharma challenges.
Facing loss of exclusivity? Learn strategic responses to maintain value and competitive edge: https://www.delveinsight.com/blog/navigating-the-loss-of-exclusivity?utm_source=blog&utm_medium=promotion&utm_campaign=akpr
Looking Ahead: Innovation as a Core Response to LOE
The current loss of exclusivity (LOE) climate calls for more than defensive measures—it demands proactive reinvention. Through strategic loss of exclusivity analysis, product lifecycle extensions, and breakthroughs in next-generation drug development, pharmaceutical companies are transforming how they approach the future. In an industry where drug loss of exclusivity is increasingly frequent, sustained success will depend on agile innovation, focused investments, and a commitment to scientific reinvention.
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#tagrisso patent expiration#pharma loss of exclusivity#calquence patent expiry#loss of exclusivity strategy#loss of exclusivity analysis#addressing loss of exclusivity drug#drug loss of exclusivity#medical strategy for loss of exclusivity#japan loss of exclusivity analysis#loss of exclusivity strategies to maximize product value#loss of exclusivity pharma#loss of exclusivity#olaparib patent expiration#“”cobenfy“”#loss of exclusivity pharma strategy#enhertu loss of exclusivity#pomalyst loss of exclusivity#enhertu subcutaneous#india loss of exclusivity analysis#when does keytruda lose exclusivity
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Philippines Pharmacy Retail Market Analysis, Revenue, Growth and Future Business Challenges 2034: SPER Market Research

The pharmacy retail market represents a significant segment of the healthcare industry that focuses on the sale and distribution of pharmaceutical products. This market includes a wide range of items, such as prescription medications that require a doctor's authorization, over-the-counter (OTC) drugs that can be purchased without a prescription, health supplements that support overall wellness, and personal care products that cater to individual hygiene and grooming needs. These products are made available to consumers through various retail channels, which encompass traditional drugstores, large supermarket chains, and increasingly popular online pharmacies. The diversity of these retail outlets allows for greater accessibility and convenience for consumers seeking pharmaceutical and health-related products.
According to SPER market research “Philippines Pharmacy Retail Market Size- By Market Structure, By Type of Store Location, By Type of Sales, By Type of Drug, By Therapeutic Class- Regional Outlook, Competitive Strategies and Segment Forecast to 2034” states that the Philippines Pharmacy Retail Market is estimated to reach USD XX billion by 2034 with a CAGR of XX%.
Drivers:
The growth of the pharmacy retail sector in the Philippines is shaped by various essential factors. A notable increase in the demand for cost-effective generic medications is driving sales, with generics anticipated to take a leading position in the market in the near future. The growth of prominent pharmacy chains, which are enhancing accessibility by establishing locations in semi-urban and rural areas, is also a significant contributor. Government initiatives, such as the "Botika ng Barangay" program, are facilitating the provision of essential medications at reasonable prices in underserved communities. The rising trends in health and wellness following the pandemic have resulted in a higher demand for over-the-counter products, vitamins, and supplements.
Request a Free Sample Report: https://www.sperresearch.com/report-store/philippines-pharmacy-retail-market.aspx?sample=1
Restraints:
The pharmacy retail market in the Philippines encounters various obstacles that could impede its expansion. A primary challenge is the inadequate healthcare infrastructure HIin rural and underserved regions, which limits access to pharmacies and essential healthcare services. Moreover, price sensitivity among consumers, especially within low-income demographics, presents a significant issue, as many individuals continue to find it difficult to afford medications, even with the presence of generic options. Additionally, regulatory challenges such as intricate drug pricing regulations and a sluggish approval process for new drugs influence market conditions. The prevalence of counterfeit medications in certain areas also poses a threat, eroding consumer confidence in the retail pharmacy industry.
Metro Manila (NCR) dominates the Philippines pharmacy retail market due to its dense population and advanced healthcare infrastructure. Some of the key players in this market are ApolloPlus Distributor, Doktors Generics Store, Generika Drugstores, HCT Academy, K2 Pharmacy, Lakpue Drug.
For More Information, refer to below link: –
Philippines Pharmacy Retail Market Growth
Related Reports:
United States Retail Pharmacy Market Size- By Type, By Drug Type, By End User- Regional Outlook, Competitive Strategies and Segment Forecast to 2033
Europe High Potency API’s Market Size- By Type, By Synthesis, By Therapeutic Application - Regional Outlook, Competitive Strategies and Segment Forecast to 2033
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#Philippines Chain Drugstores Market#Philippines Drugstore Market#Philippines Generic Drug Market#Philippines Hospital Drugstores#Philippines Independent Pharmacies Market#Philippines Internet Medicine Market#Philippines Major Medicine Sellers#Philippines Major Regional Pharmacies#Philippines Medicine Retail Market#Philippines Medicine Sellers Market#Philippines Online Pharmacy Retail Market#Philippines Organized Pharmacy Retail Market#Philippines Patented Drug Market
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Little did the dignitaries know that the serum placed in their wine would lead to them handing over huge sums of money to a dubious charity and supplying all financial information to their host Ms Dee'Vere. They would forever more contribute at her beck and call

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Rough on Rats: From the Office of Cynical Speculation
Since using dangerous and/or addictive compounds in patent “medicines” was common and we know Ephraim had large quantities of arsenic on his hands, I wonder how many of his other products contained traces of this dangerous element. A number of the claims made in the ads for Wells’ beauty aids and “medicines” sound remarkably similar to the effects (the crazy people during the Victorian era)…
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#1906 pure food and drug act#e.s. wells#my 52 weeks with christie#mystery#patent medicine#rough on rats#Well&039;s hair basalm
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AUs where characters in one story are put into another story (think "Beauty and the Beast except it's NaLu") can be quite good and I generally enjoy them a lot
but I will admit that it can be very funny sometimes to see who the author has put in each position because sometimes it is just WILD
#girl what do you MEAN minori is odysseus#if we're taking that as a given then haruka as penelope makes a certain amount of sense#but telemachus is toya???#and for the role of ZEUS you have selected SAKI?!?!?#what drugs are you on and where do I get some#edit: I can't stop thinking about this#this crossover is absolutely absurd#but if you're going to do it#then RUI is odysseus and NENE is penelope and ENA is zeus#telemachus is tricker but you could make a solid argument for#ichika saki an minori or kohane#mayyyybe tsukasa but that's kind of a stretch#who am I kidding#this whole thing's a stretch#patently ridiculous and probably going to live rent-free in my head for a little while#as I puzzle over it like ?????????
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Drug Patents and Drug Exclusivity
How long do drug patents last, and can you get them extended? Let's check it out!
If you've ever wondered why some drugs are more expensive than others and why you can only get certain drugs from specific pharmaceutical companies, then you're not alone.
Why are there more affordable generic versions of some drugs available but not all drugs?
Thanks to the FDA and its comprehensive guide on pharmaceutical patents, these are just some of the questions we will answer below in our drug patent FAQs.
Drug Patent FAQs Answered

A drug patent can be issued or expire at any time, regardless of the drug's current approval status. Exclusivity attaches to the drug upon approval of the drug or product as long as the statutory requirements have been met.
While some new drugs may have both patent and exclusivity protection, others may have one or the other or none at all. Exclusivity was created and designed as a way to promote a balance between new drug innovation and greater public access, which results from generic drug competition.
Developing new drugs can be not only time-consuming but also expensive. If generic versions of drugs were immediately allowed to hit the market, then drug companies wouldn't be able to recoup the financial costs associated with new drugs.
By granting limited patent and exclusivity periods, it creates a balance between promoting new drug development and giving patients better and more affordable access to generic drugs in the long term.

Drug patents are set in place by statute. The current term for a new drug patent is twenty years from the date the application was filed in the United States. There are a variety of other factors which may also affect the length of the patent.
There are extensions that pharmaceutical companies can apply for, which will enable them to recoup some of the lost time spent in the FDA approval process. This extension period covers up to five years, depending on the length of the approval proces
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Early cyberpunk has this tension between framing a well-argued skepticism of body modification rooted in concerns about bodily autonomy and corporate ownership of human bodies, and being really shitty about actual disabled people because it was predominantly written by able-bodied folks who knew fuck-all about disability advocacy and treated all that bodily autonomy stuff as a metaphor for the artist's loss of intellectual freedom under the corporate state.
I look at folks on this site pulling the whole "well ACTUALLY having cool robot arms would suck because they'd be based on proprietary technology which would be used to exploit you, and then the owners would stop supporting it and you'd be left to slowly die" routine while clearly intending it purely as an ideological gotcha against cartoons they don't like and neither understanding nor caring that they're literally just describing the daily life of anyone whose chronic medical condition is managed by patented drugs, and I'm thinking "wow, forty years and we haven't learned a damn thing".
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velvet lies
pairing: gojo x fem reader synopsis: crippling debt and possible evictions have ruined you. working two jobs with no downtime, and a five-year-old son, you really don't know the meaning of taking a break. after continuous questions about his father, you have decided to finally let your son meet his dad. only thing is, he has no idea said son exists. and to top it off, you have not a single clue about what kinds of things will transpire from this sudden revelation. wc: 11.9k tags/warnings: 18+ MDNI, smut, fluff, romance, alcohol, classism, mom! reader, lying, abuse, MAJOR angst, slow burn, exes to lovers, (mentions of) cheating, scandals, death, blood, drugs, drama, family drama, miscommunication, blackmail, unhealthy coping mechanisms , depression, manipulation a/n: dishin these chaps out series masterlist < previous chapter < next chapter
Himari is not having a good day.
First, her burgundy patent leather Saint Laurent Nano Sac De Jour bag is ruined by the help accidentally dropping it on the dirty sidewalk, she lost her favorite lipgloss, and finally, probably the worst of them all, her so-called “boyfriend” isn’t acting very boyfriendly. Sure, he took her out just last night for dinner, and sure he fucked her good when they got back to her place, but he left before she even woke up. Treating her like she’s just a dirty hooker. He’s barely even responding to her texts, letting his ringing go to voicemail. She’s confused, annoyed, and extremely infuriated. There’s no reason for him to be acting like this all of a sudden; she’s his girlfriend for crying out loud.
So why is he being so secretive and mysterious all of a sudden? Why is he almost acting like he doesn’t have a girlfriend?
The sound of her red bottom heels pacing her living room is the only thing heard in the spacious environment. Biting her French-tipped thumbnail, eyes flickering to her cell phone that lays face up on the glass coffee table constantly. She has a right to act this way, she thinks to herself. Did she do something wrong? Did she make him mad? The sharp click of her red-bottom heels echoes through the pristine silence of her living room, the noise rhythmic but erratic as her thoughts spiral. Himari continues to gnaw on her perfectly manicured French-tipped nail, her polished demeanor crumbling bit by bit. As she keeps looking back at her phone, it’s like a silent challenge she can’t seem to ignore. The empty screen glares back at her, fueling her growing anxiety. She’s his girlfriend, after all. What could she have said wrong? She doesn’t remember doing anything to upset him.
Her mind races, replaying every interaction over the past few days. The dinner last night, the way his smile didn’t quite reach his eyes. The fleeting moments of silence during their conversations, like he was somewhere else entirely. And this morning—no note, no text, no explanation. Just...nothing. She takes a seat and her nails dig into the leather armrest of her designer couch. Glaring at her phone again, willing it to light up with his name. But of course, the screen remains stubbornly dark.
No. This isn’t her fault. Satoru is the one being distant and evasive. He’s the one shutting her out. This is not her fault. Her heel taps against the floor, her frustration bubbling over. Maybe he’s testing her, she reasons. Trying to see if she’ll chase him. What a bastard.
Her jaw tightens, her perfectly sculpted features twisted in a mixture of anger and determination. Twirling a piece of her long, lusciously healthy caramel hair. No, she decides, she won’t let him get away with this. She’s not some woman he can keep on the sidelines, only to toss a crumb of attention whenever it suits him. If Satoru thinks she’ll just sit here and wait, he’s gravely mistaken. She’s Himari Nakamura for god’s sake, her parents own Tenka Couture—one of the most, if not the most sought out and luxurious fashion brand in all of Japan.
She grabs her phone and scrolls through her contacts, pausing at his name. Her thumb hovers over the call button, but instead, she opts for something more pointed—a text, again.
We need to talk. Don’t keep me waiting.
The message is curt, sharp, and dripping with the subtle implication that she’s losing patience. Tossing the phone back on the table, she exhales sharply, her chest rising and falling as she tries to reel in her emotions. But it’s no use. The uncertainty, the rejection—it’s eating her alive.
Himari’s gaze flickers to the ornate mirror hanging on the far wall, her reflection staring back at her with a mix of vulnerability and fury. She’s not used to feeling like this—out of control, discarded. Satoru has always been the one to chase, to charm, to reassure her of her place in his life.
So why now? Why does it feel like he’s slipping through her fingers?
A sudden, dark thought creeps into her mind, unbidden but insistent. What if there’s someone else?
Her stomach churns, the idea sending a fresh wave of anger coursing through her veins. No. That can’t be it. Satoru wouldn’t dare. Would he? The phone buzzes, jolting her from her spiraling thoughts. Her heart leaps, but when she sees the name on the screen, her hope evaporates.
It’s not Satoru. It’s his mother. She stares at the screen, her thumb hesitating over the answer button. What could she possibly want? She finally concedes, pushing her hair over her shoulder, and smiling. “Hello, Mrs. Gojo. What a pleasure to speak to you again.” She greets the older woman on the phone with a wave of politeness.
“Ah, yes. Himari, are you busy right now?” Satoru’s mother, Akane Gojo, replies back. Her aged voice mixed with a hint of reluctance that makes Himari want to call her a bitch. She doesn’t—she’ll never. She’s not that idiotic.
“No, ma’am. I’m not, may I ask why?”
“Well, I was wondering if you happened to know where my son is. My husband has been trying to get a hold of him all day and he isn’t answering. Is he with you?”
So, he’s not with his parents either. That’s even more shady. Just what the hell is he up to? “No, actually, I don’t know where he is. I haven’t seen him since yesterday. I was starting to get a little worried.”
Himari hears the other woman sighing over the phone, muttering something about how her son is a headache. "Well," Akane begins again, her tone sharp with a tinge of frustration, "if you do hear from him, could you tell him to stop avoiding his family? It's unlike him to ignore us like this."
"Of course, ma'am. I'll let him know as soon as I can." Himari’s voice is syrupy sweet, masking her own irritation.
"Good. Thank you, dear." There's a beat of silence before Akane continues, her tone shifting to something more pointed. "And, Himari, I hope you understand how important Satoru's family obligations are. It’s important he doesn’t forget that."
Himari freezes for a moment, the subtle jab not lost on her. "Of course, ma'am," she replies smoothly, though her grip tightens on the phone. The call ends, leaving Himari staring at the blank screen, her mind racing. Family obligations. Avoiding his parents. Acting strange. All of it points to one undeniable truth: Satoru is hiding something. Her nails drum against the glass coffee table as she processes Akane's words. For a moment, she considers whether Satoru’s mysterious behavior has to do with the Gojo Group’s business dealings. But no, he’s always managed to balance that side of his life without much issue.
This time, it feels...personal almost. She stands abruptly, pacing the length of her living room once more. If his own mother doesn’t know where he is, then who does?
Satoru, the wealthy, trust fund man that he is, has multiple places he calls homes. It’s proof of the fact that he has money, lots of it—more than what he knows what to do with. There’s the high-rise penthouse, where most people will find him. Next, the Next, the sprawling countryside estate nestled just outside the city—a retreat designed for privacy, complete with lush gardens, a pristine pool, and the kind of modern architecture that graces the covers of luxury magazines. This place, he rarely visits, but it’s there, waiting for him whenever he craves solitude away from the chaos of his social and family obligations. Then there’s the minimalist townhouse downtown, a sleek and understated property he keeps for the sake of convenience. Its location near the financial district makes it the perfect spot for impromptu meetings or when he wants to blend into the hustle and bustle of the city without drawing too much attention.
And finally, there’s the seaside villa. A true gem perched on a cliff with an uninterrupted view of the ocean. It's a home reserved for moments when life feels particularly overwhelming, a place where he can lose himself in the sound of the waves crashing below and the horizon stretching endlessly before him. Each property represents a different facet of his life: the penthouse for the public figure, the estate for the privileged heir, the townhouse for the businessman, and the villa for the man who sometimes just wants to escape it all.
Despite all these homes, none of them feel like home.
Lately, though, he’s been spending more time in places that aren’t tied to his wealth—places like a run-down apartment complex on the other side of town. It’s jarring, even for him, to walk through the cracked pavement and hear the hum of buzzing fluorescent lights in the lobby. But that’s where she is. Where they are.
After seeing that place for the first time a few days ago, he automatically felt uneasy—maybe even disgusted. That is not the kind of place he wants his son being raised, where he wants you living. It’s a place for the unsavory group of people. Sure, it’s a little thoughtless of him to think these things because everyone has different situations, like you for example. But as stated before, he’s a spoiled brat to the core. So while he didn’t outwardly show it (at least he thinks so), Satoru hates the place you and his son call home.
He’s brewing in these thoughts in his villa. Sitting on the white lawn chair, watching the pearly waves hit the shore and back. His phone’s on silent, taking pleasure in his solitude. For a second, he entertains the brief thought of being with his son and you instead. He can imagine the smile that grows on his face, watching the pretty sight in front of him. He can almost picture it clearly: the sight of you two laughing, Koji’s excited chatter, and the way your eyes soften when you look at him. It’s a nice thought, but he quickly dismisses it. You’ve made your choices, his choices for him.
Still, the image lingers in his mind. Koji, smiling up at him, full of admiration. You, guarded yet warm, offering him a smile that could mean more if he allowed himself to lean into it. The waves crash again, louder this time, and Satoru snaps out of his reverie. His fingers twitch at the side of his chair, but he doesn’t reach for his phone. Instead, he forces himself to stay present. The world he’s created for himself is simpler when it’s just him. No obligations, no questions he doesn’t want to answer. But that image of you and Koji is still there, in the back of his mind.
He doesn’t know why, sure he can imagine himself being with his son. But you too? The woman who lied behind his back for years, the woman who he doesn’t know would’ve ever told him if his best friend didn’t run into you? He sighs, a frustration that isn’t entirely his own settling in his chest. The villa’s quiet, but his thoughts are anything but. He looks out over the horizon, trying to push the feelings away, but they remain, a constant whisper in the back of his mind. What if things could be different?
But there’s no going back now. The phone buzzes again, but this time, he ignores it. He can’t afford to entertain any distractions—not now. The solitude feels safer, at least for now. He’ll drive back in a few hours, but for now, he likes it here.
“You look like you’d be a good mom.”
You falter, hands pausing around the pot of hyacinths. Giving your boyfriend a weird look, one of confusion and small disbelief. “Hah, what?”
He simply shrugs, watching you go back to fixing the displays of flowers. He’s half tempted to spout some cheesy line about how you’re prettier than the plants, but he’s already done that five times today. He watches you with that signature grin that says he knows exactly what he’s doing. “What? It’s true,” he says with a shrug, his pale blue eyes sparkling with amusement.“Yeah, you know—you got those like, instinctual mother thingies.”
“What even makes you say that?” You huff.
“I’ve seen you with kids.”
“And?”
“Andddd,” he drags the words out, dramatically rolling his eyes. “I like it, looks good.”
You can’t help but snort, shaking your head at his ridiculousness. “You’re unbelievable.”
“No, really,” he insists, his tone softening just enough to make you glance up at him again. “You’re kind, patient—except with me, obviously—and you care. It’s cute.”
Despite yourself, a small smile tugs at your lips. “You’re so weird to even be thinking about that right now.”
“Maybe,” he says, stepping closer and brushing a stray piece of hair from your face. “But I’m not wrong.” For a moment, his words hang in the air, and you find yourself wondering what it might mean—if he’s just teasing, or if he’s thinking about something more. The thought makes your chest tighten in a way you can’t quite name.
“You’re really something, Gojo,” you mutter, shaking your head as you turn back to the flowers, hoping he doesn’t notice the faint warmth creeping up your cheeks. “We’re nineteen and you’re immature.”
“Something amazing, obviously,” he replies without missing a beat, his grin widening. And just like that, the moment lightens, though his words linger in the back of your mind long after he’s stopped teasing. “And I’m not immature—at least not too much.”
You hum, rolling your eyes. “Debatable.”
He leans on the counter again, his head tilted as he watches you with that annoyingly familiar mix of mischief and curiosity. “Debatable? Come on. I’m the perfect blend of maturity and charm. Like... the top-tier boyfriend package.”
“Top-tier, huh?” you say dryly, a small smile tugging at the corner of your lips despite yourself. “Is that what you call forgetting our coffee date last week?”
“That was one time!” he protests, holding up a hand like he’s pleading his case in court. “And I made up for it, didn’t I? Flowers and donuts. And sex.”
“Uh-huh, right, right.” You dismissively respond.
“You know, someday you’re going to look back at nineteen-year-old me and think, ‘Wow, I was so lucky to date this guy.’”
“Or I’ll think, ‘What was I thinking?’” you counter, though your smile gives you away.
Satoru laughs, his hand brushing against yours for just a moment as he reaches for the pot of hyacinths. “Nah, you’ll think, ‘Man, this guy’s been stealing my heart since day one.’”
You roll your eyes again, but the warmth in your chest lingers. Even if you won’t admit it, a small part of you wonders if he’s right.
You sigh this time, brushing your hand over the petals of the purple hyacinth. Its fragrance fills the space between you two, sweet and heavy, like the weight of the moment you’re trying to ignore. “You’re way too confident, you know that?”
“I prefer the term self-assured,” Satoru counters, but there’s something softer in his tone now. Less teasing, more genuine. He leans a little closer, his eyes fixed on you like he’s trying to memorize this moment. “And hey, don’t act like you don’t love it.”
Your fingers are still against the stem, and for just a second, the air shifts. His words hang between you like a thread, fragile and thin, threatening to snap. “You’re exhausting, Gojo,” you murmur, your voice quieter this time. But there’s no bite to your words, only a faint ache you can’t quite name.
“And yet, you keep me around,” he says softly, his grin faltering into something smaller, more vulnerable. His hand brushes against yours again, deliberate this time, and your breath catches. His longer fingers interlacing with your own, bringing the back of your hand up to plant one kiss, then another, and another to your skin—slowly making his way up your arm.
“Sometimes I wonder why,” you admit, a half-hearted laugh escaping you as you shake your head. The pot in your hands feels heavier than it should, your grip tightening just slightly. Reveling in the warm feeling of his lips, a small breath of air leaving you.
He doesn’t answer right away, and when you glance up at him, you find his gaze steady on yours. There’s no mischief now, no playful grin. Just him. Just Satoru. “Maybe it’s because we fit,” he says finally, his voice almost a whisper. “Even if it’s messy or complicated... it feels like it’s supposed to be this way.” His lips are now on your shoulder, marking up to your neck; to which he spends extra time at.
Your chest tightens, and you quickly look back at the flowers, pretending to adjust the display again. “You’re talking like we’re some kind of fairytale, Satoru.” Your hand lets go of the pot, settling it back on its shelf. Cheeks beginning to heat up and you do your best to hold in the pathetic mewl that threatens to leave your mouth when he sucks just a little too sharp.
“Maybe we are,” he replies without hesitation, and there’s a sincerity in his voice that makes your heart ache. But fairytales don’t last, you think, the thought clawing at the edges of your mind like a dark shadow. You don’t say it out loud, though. Instead, you force a small laugh, pushing the heaviness aside.
“You’re too much,” you murmur, shaking your head again, eyes closing shut.
Satoru watches you for a long moment before leaning up to your ear. You feel his grin returning, though it doesn’t quite reach his eyes this time. “Maybe. But you love me anyway.”
You don’t respond, but the silence that follows feels louder than it should. Somewhere in the back of your mind, you know this moment—this version of you and him—is fleeting. Like the flowers in the pot before you, it’s beautiful, but it won’t last forever, especially with how…different you two are. You don’t tell him that, though. Instead, you smile faintly, keeping your eyes on the flowers, and let the moment linger just a little longer. Letting him continue to worship your skin in kisses, reaching your lips in a magnetizing way that always leaves you begging for more. It’s your own way of letting yourself bask in the simplicity and intimacy of one another, pushing back the brutal thought that this could all change.
Preparing yourself for the worst, the inevitable because you’re too afraid to admit to yourself that you’re already playing a dangerous game, already biting off more than you can chew.
The weight of your unspoken fears settles heavily in your chest, threatening to suffocate the fragile warmth between you. Still, you cling to it—this fleeting moment of love—as if holding on tightly enough might make it last. Satoru reaches out again with his other hand, his fingers ghosting over yours, but this time it feels different. Less playful, more deliberate, like he knows something you’re too scared to confront. His touch sends a shiver down your spine, a reminder that he’s here now, that you’re here now.
But for how long?
You glance up at him, catching the faint crease between his brows, the way his lips twitch as though he’s searching for the right words. Or maybe he’s feeling the same quiet dread you are, that bitter knowledge that life has a way of pulling things apart, no matter how tightly you try to hold them together.
“You okay?” he asks, his voice quieter now, almost hesitant. His teasing bravado is gone, leaving only raw sincerity behind.
You force a smile, one you know doesn’t quite reach your eyes. “Yeah. Just... thinking.”
“About?” he presses gently, his gaze unwavering, his thumb moving across your cheekbone gently.
“Nothing,” you lie, your fingers brushing over the petals again, grounding yourself in their softness. “It’s nothing.” Satoru doesn’t believe you, you can tell by the way his eyes narrow slightly, but he doesn’t push. Instead, he leans back, his shoulders relaxing as he shifts the conversation.
“Y’know,” he begins, his grin returning, though softer now, “if you ever get tired of the flowers, I’m always available for career advice. I’m an excellent life coach.”
You laugh despite yourself, the sound thin but authentic. “Yeah? What’s your first piece of advice?”
“Marry rich,” he quips, winking, but the joke falls a little flat. “Meaning me, baby,” he adds, bringing you close by an arm to your shoulders, kissing your temple. You shake your head, but the laughter fades too quickly, leaving you both in the quiet again. The thought returns, sharper now, that this could all slip through your fingers.
And maybe that’s why you let yourself lean into him just a little more, let the edge of your shoulder brush against his. It’s why you kiss him back when he leans back into your lips. It’s not much, but it’s your way of holding onto this moment, even as the inevitability of its end looms over you like a storm cloud. Because deep down, you already know the truth: you’re playing with fire, and it’s only a matter of time before the flames consume you.
You already know a man like Satoru Gojo would never stay with someone like you.
You jolt upright at the sound of your blaring, very annoying alarm. Quickly turning it off, you give yourself a moment to blanky stare at your sheets. Rubbing your eyes. Were you really just dreaming about that? Or no, it wasn’t a dream—but a memory. A distinct, longing feeling begins to pool in your gut. The kind that makes you feel numb and unresponsive, the kind you get when you just dream about some mystery man you fell in love with but can’t remember his face. You shake your head, trying to push the feeling away as you swing your legs over the edge of the bed. The room feels colder than usual, the early morning light barely filtering through the curtains. It’s a struggle to move, the weight of that memory—no, that ghost of a feeling—pressing down on you.
Satoru.
What once was.
The way your chest tightens, the ache that feels both familiar and unwelcome, tells you everything. You can almost hear his voice, playful and warm, teasing you like he always used to. You can almost feel his touch, fleeting but deliberate, like he was trying to leave a mark without you noticing.
God, why now? For what reason? You’ve long been over him, haven’t you? No doubt he has, considering he’s more than likely dating someone right now. You wonder when—or if—he’ll tell you. He has to, right? Because if this woman will possibly be around your son in the future, you have to know who she is, just like she has to know who you are. And if she and Satoru perhaps get married in the fu—
You quickly stop your train of thought.
You run a hand through your hair, trying to shake it off. There’s no time for this. You have too much on your plate to sit here drowning in nostalgia. The rent. Koji. Work. Life doesn’t pause just because your subconscious decided to dig up a piece of your past you’ve tried to bury. But the feeling lingers, refusing to let go. You stumble into the bathroom, splashing cold water on your face in the hopes that it’ll snap you out of it. For a second, it works. The chill jolts you awake, and you grip the edges of the sink, staring at your reflection.
“You’re fine,” you mutter under your breath. “It’s just a memory.” But your reflection doesn’t look very convinced.
Busying yourself with your other life and mom responsibilities proves to work, the thought of your dream this morning and Satoru in general being pushed to the back burner. You rather it be this way, it’s easier to function.
“I’ll probably be a little late to pick you up from school today, Koji.” You tell your son, hand clutching his as you make the way to his school. The morning is colder, having dressed him in a puffy jacket, a beanie, scarf, and cute mittens you crocheted when you had the passion.
He looks up at you, bottom lip jutting out into a frown. “Why?”
You sigh, not sure how to explicitly explain that you’ll be putting in an extra hour today at the cafe so you can scrounge up as much money as you can for the money due this Friday—in two days from now. It really feels impossible, but you’ll find a way. “Mama has to work a little longer today, I’m sorry.”
Koji’s frown deepens, his small brows furrowing as he kicks a pebble along the sidewalk. "It's okay, Mama. I can wait." His words are simple, but the way he says them—the way he tries to be understanding beyond his years—makes your heart ache. You hate this. Hate that he even has to think like this. He should be carefree, worrying about which dinosaur to play with or what snack he’ll get after school. Not whether his mama is working herself into the ground.
You’re feeling extreme guilt again. Wondering and worrying that you’re making him grow up too fast. But tons of kids stay a bit later at school when waiting for their parents to pick them up, don’t they? You force a smile, squeezing his hand gently. "Thank you, baby. You're such a good boy."
His face lights up at the praise—as always. He starts talking about what he’s looking forward to in class today. You nod and hum along as he chatters, trying to match his energy, but your mind is already elsewhere. Two days.
You’re running out of time, and no matter how many hours you squeeze into the day, it doesn’t feel like enough. You’ve thought about asking for help, swallowing your pride just this once, but the options are limited. The last thing you want is to open that door with Satoru, and there’s no one else who can offer the kind of money you need.
By the time you reach the school gates, you’re exhausted—mentally more than physically. Kneeling to adjust Koji’s scarf and beanie, you kiss his cheek and give him your warmest smile. "I’ll be there as soon as I can, okay? I promise. I love you."
"Okay, Mama. I love you too," he says, his grin wide and trusting as he hugs you tightly before running off to join his classmates. You stand there for a moment, watching him go, before turning and heading toward the café. Each step feels heavier than the last, the weight of your reality pressing down on you.
Two days. And not a second to waste.
But just because things never seem to go right for you, Mr. Ito comes out from the classroom, standing by his door. “Oh, Ms. Y/N? Good morning.”
Jesus Christ, can he just take a fucking hint. You’re literally walking away. However, you put on a facade of politeness and turn around to face him, holding back a scowl at his ever-present smile. “Good morning, Mr. Ito.”
He spares a quick glance into his growing room of children before stepping away and closer to you. Instinctively, you take a small one back. “How are you today?”
“I’m great.”
“That’s good to hear,” he nods, clasping his hands behind his back. His eyes do a quick scan of you, and you could almost swear you see his smile widen—like he’s appreciating the sight. Dirty bastard.
You suppress a shudder, keeping your expression neutral. This obviously isn’t the first time Mr. Ito has made you uncomfortable, but you’ve learned to play nice for Koji’s sake. After all, the last thing you want is to make things awkward between your son and his teacher. “I’m sorry, Mr. Ito, but I really need to get to work,” you say, shifting your weight to one foot, hoping he gets the hint.
“Oh, of course,” he replies, though he doesn’t move away. “I just wanted to tell you how impressed I am with Koji’s improvement with his behavior. He’s such a bright boy, and so polite too. A testament to your parenting, I’m sure.”
There’s something about the way he says it—too smooth, too rehearsed—that makes your stomach churn. You force a tight-lipped smile. “Thank you. Koji works very hard.”
“Yes, well, if you ever need to discuss his progress or anything else, my door is always open. Even outside of school hours,” he adds, his tone far too suggestive for your liking.
Didn’t he already say this line before? Your grip tightens on your bag, but you keep your composure. “That’s kind of you, Mr. Ito. Have a good day.” Before he can respond, you turn on your heel and walk away, heart pounding. The nerve of that man. You’d always sensed something was off about him, but lately, he’s been crossing more lines, and you’re starting to feel trapped.
It’s not like you can pull Koji out of the school—this is the best option you can afford right now. And confronting Mr. Ito? That could easily backfire, making Koji’s time in class unbearable. As you walk to work, the weight of your problems feels heavier than ever. The looming eviction notice, the landlord’s constant pressure, and now, Mr. Ito’s thinly veiled advances.
Two days.
You shake your head, forcing yourself to focus. You don’t have time to worry about Mr. Ito or anything else. Right now, all that matters is making it to Friday.
“Did you yell at her?” is the first thing Suguru asks. After not seeing his best friend for a week, Satoru would’ve thought he’d have something else to say. However, he can imagine he just wants to get down to the point after he sent the black-haired man a message about seeing you for the first time again.
“No, I didn’t.” Satoru cooly responds, finger tapping along the glass rim of his overly sugar-infested coffee. Suguru takes a seat across from him, giving his friend an analytical glare. Satoru’s dining room, save for the weird tension of words having yet to be spoken.
Suguru leans back in the chair, crossing his arms. "So, what did you do then? Stare at her like a creep?"
Satoru's lips twitch into a smirk, but there’s no humor in it. "I talked to her, obviously."
"Obviously," Suguru repeats, the sarcasm thick. He glances at the untouched plate of food in front of him. "And how’d that go?"
Satoru shrugs, the motion too nonchalant to be genuine. “She was...surprised. And emotional, but I can’t really blame her for that.”
"Emotional, huh?" Suguru raises a brow. “Did she apologize?”
Satoru nods.
"I’m guessing you didn’t hold back."
"Why should I have?" Satoru snaps, his voice sharper than he intended. "She’s lucky I didn’t do worse, she honestly deserves every single fucking thing I told her, and more.”
Suguru doesn’t flinch at the outburst. Instead, he lets the words hang in the air, his silence more pointed than anything he could’ve said. Satoru sighs, pinching the bridge of his nose. “I didn’t yell at her, okay? I barely even argued. I just...listened and answered.”
"And what did she say?"
Satoru hesitates, his eyes drifting to the cityscape visible through the floor-to-ceiling windows of his penthouse. “She told me why she kept it a secret, how she felt, and whatever.” Satoru's jaw clenches, the memory of seeing you cry filling him with dread—like it used to way back then. He’s surprised he was that receptive to it, especially that quickly. Luckily, he held back the almost innate urge to bring you into your arms and comfort you. Because again, you don’t deserve his comfort right now.
Suguru pauses, letting his own curiosity win over. “Well…why did she do it?”
There’s a moment of still quietness while Satoru thinks over the other man’s question. Satoru’s gaze remains fixed on the cityscape, the towering buildings blurring as his thoughts churn. His chest feels tight, a cocktail of emotions he doesn’t have the energy to name swirling in his gut. Anger, hurt, guilt—they’re all there, fighting for dominance. “She didn’t give me a chance,” Satoru mutters, his voice barely above a whisper. “She decided for me. Like I didn’t deserve to know. Like I wouldn’t have...tried.” He swallows hard, the lump in his throat making it difficult to speak. He’s never been good at this—this vulnerable, messy part of himself. The part that cares too much, that aches too deeply. “I’m angry,” he finally admits, his fingers drumming against the table. “I’m so fucking angry at her for thinking so little of me. But at the same time... I…I think I get it. It was the rejection she was scared of, the first failed attempt, she didn’t want Koji growing up like me, she…she didn’t think I was ready, either. She said she was trying to protect us all.” His words are low and hushed, even reciting them making him feel as if he needs to spill his guts. “She doesn’t deserve it, she doesn’t deserve my understanding, my empathy for her, she…she doesn’t deserve anything. I shouldn’t feel bad for her, I shouldn’t. But I do for some fucking reason, and it’s making me so fucking confused.”
Suguru doesn’t interrupt, letting him vent. Satoru’s words come faster now, spilling out like a dam breaking. “And now, I’m just...stuck. Stuck between being pissed off at her and hating myself for thinking she’s right.” He runs a hand through his hair again, tugging at the roots as if the pain will ground him. “Because she was right, wasn’t she? I wouldn’t have been able to handle it. I would’ve run. I would’ve hurt her in ways she didn’t deserve.”
The admission tastes bitter on his tongue, and for once, Satoru doesn’t try to mask it with bravado or a joke. “But now,” he continues, his voice softer, tinged with something vulnerable, “I just keep thinking about Koji. About all the time I lost. About how I don’t even know how to be a dad, let alone his dad.”
Suguru leans back in his chair, arms crossed, his expression unreadable. “Do you want to be his dad?”
Satoru doesn’t answer immediately. His thoughts drift to Koji’s small, curious eyes, the way the boy had looked at him with a mix of wonder and wariness. The way they got along so well, so quickly. The way the boy was so excited to teach his dad about dinosaurs, to play with him, to his infectious laugh when Satoru lifted him high up in the air. “I don’t know how to,” Satoru finally admits, his voice breaking slightly. “But I want to try.”
Suguru nods slowly, his gaze steady. “Then that’s a start.”
Satoru exhales, the weight on his chest lifting just slightly. But even as the conversation eases, the storm in his mind rages on. Because no matter how much he wants to move forward, the shadows of the past—and the fear of screwing up—loom large. And the fact that he doesn’t know how he can get resolve things with you. How is he just supposed to co-parent and see your face so casually after what you did?
Is he supposed to just remain cordial? Closed off? Or should he try to fix things?
But what things even need fixing, there’s nothing between you two. There’s no “them” anymore. There hasn’t been for years. And if there were, shouldn’t that be your job? This entire situation is your fault. You should be the one begging on your knees for forgiveness, you should be groveling for the fact that you kept his son a secret. He’s justified, isn’t he? In being cold? Closed off? In letting you feel every ounce of the pain you caused him?
The bitterness twists in his chest, a dark, venomous thing that urges him to lash out, to make you feel as helpless and raw as he does. For a fleeting, horrifying moment, the thought slithers in: You should be the one who’s grateful that he didn’t do anything extreme like try to take Koji away from yo–
What the hell are you saying?
He feels convicted suddenly, wanting to punch himself for even daring to think such an evil thing. Is he that angry? Petty? Does he want to get back at you that bad that he’d threaten to take away your kid from you? The thought makes his stomach churn, the self-loathing hitting him like a punch to the gut. His grip on the edge of the table tightens, knuckles whitening. He’s not that kind of person. He’s not that cruel. No matter how angry, how hurt he feels, he couldn’t do something so vile.
He’s just not. But he just feels so conflicted and…unsure about everything.
But the anger doesn’t vanish—it just twists into something deeper, more insidious. He feels so troubled, so lost in the storm of emotions that he can’t tell which way is up anymore. And yet... amidst all that chaos, there’s another image. One that keeps replaying in his head like a stubborn melody.
Because he could see it—see how your eyes lit up with a motherly joy after Koji called your name for attention, how you smiled instinctually when seeing your son, how your voice softened so perfectly it practically pulled him in too. He sees the way your face relaxed when Koji tugged at your sleeve, the way your whole being seemed to light up just from hearing his voice. The joy, the pride, the pure, unfiltered love that radiated from you—so natural, so raw, it made him pause.
And for a split second, Satoru forgot the anger, the betrayal, the hurt. He only saw you. You, as a mother. You, as Koji’s mother. Somewhere in the muddled mess of his thoughts, an ache blooms. Not just for the time he lost with Koji, but for the life he lost with you. Because no matter how hard he tries to deny it, part of him still remembers the way you used to smile at him like that. And the other part of him wonders if he’ll ever see it again.
The war in Satoru’s mind is relentless, his thoughts ricocheting between anger and guilt, blame, understanding, and even longing. Every time he tries to land on a conclusion, another surge of emotions pulls him in a different direction.
Satoru clenches his jaw, his finger now still against the coffee glass. “I didn’t know about Koji.”
“No, but you knew about her.”
The words hit harder than Satoru wants to admit. He doesn’t respond, and Suguru doesn’t push, though the weight of his stare lingers. After a moment, Suguru sighs. “Look, man. If you’re serious about making things right, about stepping up and being a father, you can’t go back. Sure, you just met the boy, but it’s up to you and her to make sure you make up for the time you lost with him—to create even more memories with him. You have to prove you’ll be there for him.”
Satoru looks up at him, his eyes shadowed with something Suguru rarely sees in his best friend—doubt. “And if it’s too late?”
Suguru gives him a small, sad smile. “Then you make sure it’s not.”
It’s around nine at night, the convenience store’s ambience slowly drifting you into a sleepy state before you catch your head upright. It sucks having to force yourself to stay awake, already on your third cup of coffee today with two espresso shots. At this rate, you don’t know if you’ll be able to sleep, but it’s better that than not getting through your days at work. If anything, you can try melatonin again, even if that is just a blatant scam.
Scrolling on your phone through Indeed, Zip Recruiter, and LinkedIn. You hate seeing the same few jobs that say they’re hiring, but ghost you. Or the jobs that you seem completely too unqualified for that it makes you self-concsious. You’re aware you didn’t finish college, very aware. A part at you constantly eats away at your soul, mind running to the loud thoughts of “what if”. What if you finished college? What if you didn’t have Koji? You quickly push that idea away, feeling mad at yourself. You wonder if it’s bad of you to think about never being a mother—if other parents do that too.
It’s just a simple thought. You don’t regret Koji, you never could or would. Still, you can’t stop thinking at time about how life would be if you had a child later on in life. If you had a stable job, life, everything. Would things be better—different? Would Koji have been happier?
The thoughts gnaw at the edges of your mind as you sip from the coffee cup, the bitter liquid doing little to soothe the ache growing in your chest. The sinfulness hits you almost immediately, sharp and unforgiving. It feels wrong to even entertain the idea of a life without Koji, like some kind of betrayal to the tiny, beautiful soul who depends on you.
But you’re tired—so, so tired. And sometimes, when the weight of it all feels like too much to bear, those questions creep in, uninvited and insidious. They don’t mean you love Koji any less. You know that. Still, the mere existence of the thoughts makes you feel like a failure, like you’re not doing enough or being enough. You scroll through the endless job listings again, each rejection or impossibility hammering another nail into the coffin of your hope. A lump forms in your throat as you stare at the screen. Your hands tremble slightly, whether from exhaustion or the overwhelming sense of inadequacy, you’re not sure.
Again, you shake your head, forcing the thoughts away, but they linger like a shadow you can’t quite shake. Koji’s smile flashes in your mind, bright and pure, his laughter echoing in your memory. He’s your light, your anchor in the chaos. No matter how hard things get, you always find your way back to him. But even as you remind yourself of that, the doubts creep back in. Are you enough for him? Are you giving him the life he deserves? You hate that your answer feels so uncertain.
The soft hum of the convenience store's fluorescent lights pulls you back to the present. You set your phone down, closing your eyes for a moment as you press your palms against your forehead. You want to cry but know you can’t afford the luxury of breaking down, not here, not now.
The truth is, no matter how much you love Koji, you feel like you’re drowning. You’re just too good at treading water, keeping your head barely above the surface, to let anyone notice.
And so, you lose focus on your phone and exist in the present. You can’t change the past, but you can change your now, and your future. That starts with working hard, harder than you ever thought you could. The people who rise to the top, the people like Satoru, they fight for what they have. It’s a dog eat dog world out here, and you’d be damned if you let someone else best you.
You’re the ruler in your own life, not Satoru, not money, not evictions, nothing. It’s you. It’ll always be you. You’ve been working since you were fourteen, practically emancipated because your own sorry excuse of parents couldn’t have been more bothered.
That’s another thing that’s your driving force. Just like how you didn’t want Koji to grow up like Satoru, you didn’t want him to grow up like how you did either. You would never—ever—be like them. You pledged that, took an oath. Sure, things aren’t looking very good right now. But you’re strong, resilient, smart. You will get through this. For Koji, and for yourself.
Hard workers get what they worked for. You’ll be there soon. Patience is a virtue, and slow and steady wins the race.
Almost two hours have passed, once again putting in an extra hour. Right in the middle of ringing up some drunken college girls who came in for snacks, your phone in front of the register rings. You look down, it displays a number you know by heart. Mumbling a ‘have a good night’ to the girls who stumble their way out, you take the liberty to answer; not before you take a deep breath in, however.
“Hello?”
“Hey.”
“Um…hey. Can I help you?”
“I’m coming over tomorrow.”
You pause for a moment, the phone pressed tightly to your ear as Satoru's words register. It takes a second too long for you to find your voice again, the casual confidence in his tone throwing you off balance. “Tomorrow?” you repeat, trying to keep your voice steady despite the sudden swirl of emotions his call stirs. “Okay, why?”
He scoffs. “Because I want to see him,” Satoru says simply, as if his answer explains everything.
Your lips purse, a mix of frustration and anxiety bubbling to the surface. “Satoru, it’s not that simple—”
“It is that simple,” he interrupts, his voice calm but laced with a sharp edge. “I haven’t seen him in a few days. I’m not waiting any longer, I want to see my son.”
Your grip tightens on the phone as your free hand balls into a fist at your side. The words you want to say die in your throat, the late hour and your sheer exhaustion making it hard to form a coherent argument. “I…I–I have work tomorrow, he has school.”
“So I’ll come over when he’s out of school,” he counters, his tone softening slightly but still resolute. “Look, I’m not trying to fight with you. I just want to see my son. We’ll figure the rest out as we go.”
You glance around the empty store, the harsh fluorescent lights casting long shadows. The reality of the situation presses down on you, the fact that this is something you’ll have to get used to, have to allow. Because he deserves it. “Fine,” you say quietly, your voice almost a whisper. “He’s off at 2:30, we get home around 2:40, you can be there by that time.”
“I’ll text before I get there,” he promises, though the nonchalant way he says it doesn’t do much to ease your questionable nerves. “See you tomorrow.”
The line goes dead before you can respond, leaving you standing there in the dim light of the convenience store, the phone still pressed to your ear. Tomorrow. You set the phone down, your hands trembling slightly, unsure as to why. It’s just the fatigue. Or maybe it’s the fact that Satoru is officially back in your life, his face will be a regular occurrence now.
He’s here for Koji. That’s all. Don’t look into it.
When you slug back home, the first thing you do—after paying Sana—is count your money. Mr. Sato needs around four thousand dollars, you’re still fucking short.
“Nine-hundred.”
“Thousand.”
“Two.”
“Three.”
A thousand short, plus another hundred for the utilities. And he needs it by Friday. It’s Wednesday.
On a scale from one to ten of how screwed you are, you’d give yourself an eleven. It’s hard to even admit that to yourself, feeling your hot tears wet the green paper in frustration. Gritting your teeth so hard you can hear the creaking of your muscles in your ears, a ringing noise following after. You sit there, staring at the bills fanned out on the table like they’re mocking you. The tears won’t stop, blurring the numbers, but you know them by heart. A thousand short for rent, a hundred for utilities, and nothing left for groceries or the babysitter fees piling up in the back of your mind.
You take a deep breath, willing yourself to calm down, but it’s like trying to hold back a tidal wave. The frustration spills over, hot and suffocating, as you swipe the money off the table in a fit of anger. The bills scatter across the floor like fallen leaves, and for a moment, you just sit there, trembling in the silence. “Goddamn it,” you mutter under your breath, clutching your head as if that’ll stop the spiral of thoughts. You can feel the panic rising, the way it always does when you’re this close to breaking. How are you supposed to keep everything together when the universe seems hell-bent on tearing it apart? You can already feel your migraine coming back like an old friend, feeling its twisting and pulling on your brain.
Koji’s soft footsteps break through the haze, his small voice pulling you back to reality. “Mama?”
You hastily wipe at your face, trying to compose yourself as you turn toward him. He’s standing in the doorway, clutching his favorite stuffed animal—a tattered little bear you bought second-hand years ago. His big eyes are filled with concern, and it breaks your heart even more. “Hey, baby,” you say, forcing a smile you don’t feel. “What’s wrong? Can’t sleep?”
He shakes his head, padding over to you and climbing onto your lap without a word. His tiny arms wrap around your waist, and for a moment, the world doesn’t feel as heavy. You stroke his hair, letting the quiet stretch between you. “Mama’s just tired,” you murmur after a while, hoping he doesn’t ask too many questions.
Koji looks up at you, his brows furrowed in a way that reminds you so much of Satoru it’s almost painful. “Are we okay?”
The question hits you like a punch to the gut, but you nod, brushing a stray strand of hair from his face. “Of course we are, baby. Don’t worry about a thing, okay? Mama’s got it all under control.” It’s a lie, but it’s one you tell for his sake. Koji doesn’t need to know how close to the edge you really are. And you’d never let him know just how close you are from sinking completely, he’s too young, too innocent.
After a few minutes, he’s able to drift off to sleep in your arms, you stare at the scattered bills on the floor, your mind racing. Tomorrow, Satoru will be here. Maybe—just maybe—you can ask him for help. The thought makes your stomach churn, pride and desperation warring inside you. Are you even allowed to? What would he say?
But what choice do you have?
You need this place, no matter how ragged or disgusting Satoru—or anyone for that fact may think it is. It’s home. Home to you, and home to Koji. You’ve stopped caring about what others thought og you a long time ago. It still comes back, of course. Especially in your most vulnerable, most small of moments. And when it hits you, you realize how much you didn’t miss the feeling. You desperately wish you can just give absolutely zero fucks all day, everyday.
That might be impossible.
As long as you just hold it down, you’ll be good—you think.
For Koji, for Koji.
Walking Koji home the next day from school, you’re focused on checking the time of your phone; surprised when the young boy suddenly rips from your grip and runs forward. Instantly, you look up and call out for him in a hurry. “Koji! Do—”
“Papa!”
Satoru, who’s waiting outside your apartment door, crouches down to your son’s height, arms held out with a wide smile on his face. Koji melted into his embrace, small arms wrapped around his father’s neck. Satoru hugged the boy, running a hand up and down his back slowly. “How was school, my big boy?” “Good! We learned about plants, and I drew a sunflower!” Koji exclaims, his words tumbling over each other in excitement as he pulls back slightly to look at Satoru's face. His little hands grasp Satoru’s jacket, his wide eyes sparkling with pure joy.
Satoru’s expression softens even further, a rare glimpse of unguarded tenderness crossing his features. “A sunflower, huh? That’s my favorite flower. Did you know they always turn toward the sun?”
Koji nods eagerly, his grin spreading even wider. “Yeah! The teacher said that too. I wanna show you my drawing when we get inside!”
“Of course. I can’t wait to see it,” Satoru says, ruffling Koji’s hair before standing to his full height, the boy still clinging to his leg like a koala. His gaze shifts to you, his smile faltering just a fraction as his expression becomes unreadable. “Hey.”
You stand a few steps away, your heart caught in your throat. Watching the two of them together feels like a punch to the chest—bittersweet and raw. You manage to swallow the lump in your throat and force a polite smile. “Hey.”
Satoru takes a step closer, his tone light but his eyes piercing. He simply nods in response.
You hesitate, the words catching in your throat. But there’s an ache beneath the surface, a mix of guilt, resentment, and longing you can’t quite shake. Koji looks happy, that’s all that matters. You step forward to unlock the door. “I have my other job to get to,” you say finally, keeping your tone neutral. “Do you think you can watch him until his babysitter comes?”
Koji rushes in, but Satoru lingers, looking at you. “Who’s his babysitter?”
“Sana, she usually comes a few minutes before I leave, but if you’re here I can go earlier.” You walk in, arm brushing against his that sends an uncomfortable tingle down your spine—one you ignore forcibly.
He follows in, closing the door behind him. Standing a bit awkwardly around the living room, watching you hang your coat and purse up. “I didn’t know you worked two jobs,” he says, almost like he’s not sure if he should be voicing out this small curiosity of his.
You pause mid-motion, fingers lingering on the hook of your coat rack. For a moment, you consider not answering, brushing it off with some noncommittal remark. But the weight of his gaze is palpable, pressing down on you until you finally sigh and turn around to face him. “Yeah,” you say simply, your voice flat. “Bills don’t pay themselves.” There’s an edge in your tone, one you don’t intend but can’t quite help. His eyes narrow slightly, and for a moment, you think he might argue, but instead, he just nods, his expression unreadable.
“Why didn’t you tell me?” he asks, his voice quieter now, almost hesitant.
You let out a dry laugh, shaking your head as you move to the small kitchen area to grab a glass of water. “Tell you? What would that have changed, Satoru? Would you have swooped in and made it all better?”
His jaw clenches, his hands flexing at his sides before he crosses his arms over his chest. “Maybe I would have. But you never gave me the chance.”
You set the glass down harder than you meant to, the sound of it hitting the counter echoing in the silence. “You don’t get to say that,” you snap, turning to face him fully. “You don’t just show up now and act like you care about how I’ve been keeping things together.”
“I do care,” he shoots back, his voice rising slightly. “You think I wouldn’t? That I don’t give a damn about you—Koji?” The small correction doesn’t get missed by you.
“You didn’t care enough to stay,” you bite out before you can stop yourself.
The words hang in the air, sharp and cutting. His expression falters for just a moment before his face hardens, a wall going up that you recognize all too well. God damn it. Why do you keep bringing up the past and your shitty breakup?
“That’s not fair,” he says, his voice low. “You made that decision for the both of us.”
Your breath catches, and for a moment, you can’t speak. The two of you stand there, the room thick with tension, until a small voice interrupts.
“Mama?” Both of you turn toward the hallway, where Koji stands in the hallway, tilting his head. Holding his colored paper of a sunflower in his hands. “Are you fighting?”
Your heart aches at the sight of him, his small frame dwarfed by the weight of the conversation he doesn’t understand. You put on a smile, crouching down to his level. “No, baby. We’re just talking, that’s all.”
Satoru steps forward, his face softening as he kneels next to Koji. “Yeah, buddy. We’re not fighting. Everything’s okay.”
Koji looks between you both for a long moment before nodding, though his expression still carries a hint of worry. “Okay,” he turns to Satoru. “Here Papa, my drawing.”
The two move to the couch, Satoru listening with fascination as Koji talks and talks and talks. His father doesn’t seem to mind, however. Occasionally touching his cheek or pushing hair out his face as if to remind himself this is real, that this is his son. You look away and go to your room, locking the door as you begin changing into your uniform for the convenience store. In a few minutes, you’re out and putting your shoes on. Satoru and Koji are now discussing video games.
“I’m heading out now, baby.”
“Alrigh—”
“Okay, Mama.” Koji cuts off Satoru, to which the latter is glad because why the fuck did he just almost respond to you? He knows you weren’t talking to him, he knows you wouldn’t ever call him baby again, but it just felt so natural and instinctual.
Strange.
He watches you come on over to give Koji a hug and kiss, awkwardly clearing his throat in the seat beside his son; looking away like he’s intruding on something. And so you won’t see the odd flush to his pale cheeks.
“I’ll watch him, don’t call the babysitter.”
You pause mid-motion, your arms still loosely wrapped around Koji. Slowly, you pull back, giving your son a soft smile before turning your attention to Satoru. “Are you sure?” you ask, your tone careful, guarded. “I don’t want to inconvenience you.”
Satoru scoffs lightly, waving a hand in dismissal as he leans back in his seat. “It’s not an inconvenience. I’m his dad, remember? I can handle one night.” His words feel heavier than they should, loaded with the unspoken history between you two. You don’t miss the slight edge in his voice, though he keeps his expression neutral.
Koji, oblivious to the tension, beams up at his father. “Can we watch that superhero movie, Papa?”
Satoru grins, ruffling Koji’s hair. “Of course, big guy. Popcorn too. But after you finish your homework.”
You hesitate, your eyes flickering between the two of them. It’s hard to argue when Koji looks so happy, his excitement practically radiating off him. Finally, you nod. “Okay,” you say, grabbing your bag and coat, walking over to the door. “Just... don’t let him stay up too late.”
“Got it,” Satoru replies, his tone almost flippant, though there’s a hint of seriousness beneath it. You linger for a moment longer than necessary, your hand hovering on the doorknob. There’s something about leaving the two of them together, about seeing Satoru slip so naturally into this role, that stirs something warm in your chest.
“Alright,” you murmur, more to yourself than to him. “I’ll be back around twelve.” With that, you step out into the cool evening air, the door clicking shut behind you. You exhale, trying to shake off the strange mix of emotions swirling in your chest—wary, relief, maybe even longing.
Inside, Satoru watches the door for a beat longer than he should. Then he shakes his head, turning back to Koji with a forced grin. “Alright, champ. Let’s see what homework you have today.” But as Koji chatters excitedly, Satoru can’t help but feel the weight of your absence pressing down on him, more than he’s willing to admit.
It’s around eight at night now. Satoru took the liberty of making some dinner for Koji, but after sifting through your bone empty pantry and refrigerator, he orders take out. The two are watching Spiderman: No Way Home. His arm is slung around his son’s shoulders, the two sharing a bag of fries. He can almost feel Koji starting to drift off, the sensation of his body sinking further into his side makes him smile subconsciously. However, that small, tender moment is broken when there’s a sudden pounding at the door.
Satoru looks back over the couch, confused as to who the hell could be trying to see you at this time of night. A hookup? Boyfriend? No, no. Don’t think that.
He looks back down at Koji who’s giving him an equally confused, but tired face. “Is that Mama?”
“No, don’t think so, little man.” You said you’d be back by twelve, it’s only eight. That’s weird. “Stay here, okay? I’m gonna go see who it is.”
Koji nods, Satoru gently laying him on his side and grabbing a fuzzy throw blanket to tuck him in with. He stands with a small grunt, walking over to your front door. He peeks through the hole and sees a man he’s never seen before, Old, ugly, and hairy. He scoffs. The hell do you want? He unlocks it, opening up and coming face to face with the man.
Mr. Sato regards Satoru with surprise and confusion, bushy brows furrowing. “Where’s Y/N?” he asks, tilting his head to try and get a look over his shoulder.
“She’s at work.” Satoru replies, on guard and a hint of firmness in his voice. “You need her?”
“Correct.”
“And who are you again?”
“The landlord.” Mr. Sato says, heavily huffing as he gazes back up at Satoru. His frown deepening when he feels his neck angle up. “Do you know when she’ll be back?”
“Late.” Satoru simply mutters, arms crossing. “Gotta come back another time.”
“I can’t,” Mr. Sato gruffs. “I need to talk to her about the money now.”
Satoru’s jaw tightens at the mention of money, and a flicker of realization crosses his sharp features. He leans against the doorframe, casually intimidating, his sheer presence making the older man falter for a second. "Money?" Satoru repeats, his tone cool but laced with an edge. "What money are we talking about here?"
Mr. Sato straightens, trying to regain his composure despite the younger man's imposing demeanor. "Rent," he clarifies, his voice firm, though his eyes avoid Satoru's piercing gaze. "She’s late on payments. Again. I’ve already given her an extension, but this can’t keep happening. I gave her until Friday but something came up and I need it now.”
Satoru’s eyes narrow slightly, his posture shifting. Late on payments? He processes the words, his mind jumping to the extra hours you’ve been working, the tired look in your eyes, the way Koji’s jacket was patched up with care but still clearly worn. The pieces click together uncomfortably.
"How much does she owe?" Satoru asks, his tone still calm, though the intensity in his eyes makes the landlord hesitate.
"That's between me and her," Mr. Sato replies gruffly, puffing out his chest as if to assert some authority in this lopsided interaction.
Satoru doesn’t miss a beat, his expression hardening. "Well, she’s not here, so now it’s between me and you." There’s a beat of silence, tension thick in the small space.
Mr. Sato shifts uncomfortably under Satoru’s gaze, his confidence wavering. “Four thousand,” he finally admits, his voice lower. “I told her I need it by Friday, but things changed. She said she’d have it.”
Satoru lets out a slow breath through his nose, his jaw clenching as he processes the number. Four thousand. A drop in the bucket for him, but for you? It might as well be a mountain.
“If she doesn’t have it, I’m gonna push forward with the eviction, I already have possible renters lined up with a more stable income.”
Eviction? And from a place this shitty? Satoru’s jaw clenches, eyes raking over the older man. “Well, she’s not here.”
“Then let me call her.”
Satoru’s eyes narrow, a flicker of something dangerous sparking in his gaze as he steps fully into the doorway, his towering frame casting a shadow that swallows the smaller man in front of him. The landlord, suddenly aware of the shift in the air, takes a half-step back. "You’re not calling her," Satoru says, his voice low and measured, carrying an edge sharp enough to draw blood.
Mr. Sato frowns but falters slightly, the confidence in his stance wavering. "Look, this isn’t personal. It’s business. If she can’t pay by the deadline, I have no choice but to move forward. That’s how it works."
Satoru tilts his head, a ghost of a smirk pulling at the corner of his lips, but there’s no humor in it—just a cold, calculated edge. "Business, huh? Funny thing about business—it’s always personal when it’s someone else’s life you’re messing with."
"She’s late. I’ve been lenient," Mr. Sato protests, though his voice is quieter now, almost defensive.
Satoru’s smirk vanishes, replaced by an icy glare that feels like a physical weight. "Lenient? Let me tell you something. You don’t come here throwing around eviction threats like you’re some kind of god deciding who stays and who goes. That’s not how this is going to play out."
Mr. Sato scoffs with a scowl, arms crossing. “Listen here, I don’t know who you are, or who you think you are. I don’t give a damn about that. All I care about is having the money, right here,“ he holds his palm out. “Right now.”
Satoru chuckles lowly, but there’s no warmth in the sound—it’s laced with something menacing, something dangerous. His eyes, usually glinting with mischief, now burn with icy resolve as he steps closer, forcing Mr. Sato to look up at him again. "Who I think I am?" Satoru repeats, his voice soft but unnervingly steady, like the calm before a storm. "Let me make one thing clear—you don’t get to care about anything except what I tell you to care about. And right now, you’re going to care about backing the hell off." Mr. Sato’s scowl falters, his mouth opening to retort, but Satoru raises a hand, cutting him off before he can even start. "Because if you don’t," Satoru continues, his tone dropping lower, a subtle, menacing edge creeping in, "I’ll make sure you have a lot more to worry about than late rent. Understand?"
The landlord stiffens, visibly uncomfortable now, though he tries to hide it with a scoff. "You threatening me? That’s illegal, you know."
Satoru smirks again, but it’s colder this time, a predator toying with its prey. He leans in just enough that his towering presence feels suffocating, his voice dropping to a near whisper. "Illegal? Oh, I know all about what’s illegal. But see, the thing is, I don’t need to do anything illegal to make your life a living hell. A call here, a visit there… You’d be surprised how quickly someone like you can lose everything they’re so desperate to cling to. You should really care about who you threaten, this is my son and his mother you’re talking about.”
The unspoken promise in his words hangs heavy in the air, and for the first time, Mr. Sato’s bluster cracks. He shifts uncomfortably, glancing around as though expecting someone to step in and save him. Satoru straightens, his piercing gaze never leaving the man. "Take the money," he says simply, pulling out wads of cash from his wallet—carelessly tossing them at him, "and don’t let me see you again. Ever."
For a moment, it looks like Mr. Sato might argue, but the weight of Satoru’s presence, the absolute certainty in his voice, crushes whatever resistance he might have left. With a grunt, he snatches the money, shoving it into his pocket. "This isn’t over," the landlord mutters, but his voice lacks conviction as he turns to leave, his shoulders hunched under the invisible weight of Satoru’s words. Satoru watches him go, the cold fury in his expression lingering even after the door clicks shut. He exhales sharply, running a hand through his hair, the tension in his body slowly unwinding.
Not over? Satoru smirks to himself, shaking his head. "Senile bastard doesn’t know what he’s saying.” He turns back toward the living room, his eyes softening slightly as they land on Koji, still sleeping soundly. The weight of his own actions sits heavily on him, but he pushes it aside. There are more important things to worry about—like making sure you and your son never have to deal with scum like that again. But also, finding some way to talk to you about this eviction.
Would you have ever told him? Would you have asked for help? Are you going to continue to keep secrets from him, even though they directly affect his son—affect you?
The sound of hurried footsteps, practically running footsteps, sounds throughout the long corridor. Ignoring and maneuvering out the way of the office employees who regard the person with confusion and annoyance. There’s a singular focus in their movement, a sense of urgency that prickles the air. The familiar, large doors of the office are in line of sight, to which the person rushes inside. The grand, imposing doors of the executive office burst open. Usually, he’d knock and wait, but not this time.
Inside, Yamato Gojo sits at the head of a polished, expansive table, his wife, Akane, poised elegantly at his side. Around them, a small group of sharp-suited businessmen turn toward the intrusion, their murmurs of surprise quickly silenced by Yamato’s cold, calculating glare.
The informant can barely get the words out, stumbling over. “M-Mr. Gojo! I have—there’s—I—!” Their face pale and slick with sweat. Words fail them at first, a garbled mess of syllables spilling out in their panic. Finally, they manage to force out, "M-Mr. Gojo! You need to see this!"
Yamato leans forward, his eyes narrowing as he motions for the informant to come closer, his long fingers curling in a beckoning gesture. The air in the room seems to thicken as the informant, trembling, hurries forward and hands over a tablet. Akane leans in as Yamato taps the screen, her expression calm and unreadable—at least, until her eyes land on the image.
The sound of shattering glass cuts through the room like a gunshot as Akane’s wine glass slips from her hand, crimson liquid pooling across the pristine floor. Her gasp transforms into a piercing shriek that sends a chill through everyone present.
Because on the screen, displayed in haunting clarity, is an image that chills the air in the room: their son, unmistakably, embracing a younger version of himself—while your figure stands to the side.
a/n: uh ohhhh
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I think people delude themselves about how effective intellectual property is. In the pure world of intellectual property you can patent a discovery and sell it for all the value it adds, or use it to make that much profit, but in reality the value of intellectual property corresponds very loosely to how much value it adds.
It's relatively easy to read a few books and write a pop history book about a topic which makes ten times as much money as what the academic history books made, even though those books may each have taken 10 times as long by more skilled workers, and amount to the vast majority of the work that went into your book. The incentive structure is clearly wrong if you want books like your pop history book to be made about more topics.
If you do basic research that leads to an important new drug being developed 20 years down the line, you will get nothing- the organisation that actually gets the patent is the one that does the last step. And many kinds of valuable research don't lead in any immediate way to a marketable product in the first place.
The reason the neoliberal argument fails here is because people are getting patents intellectual property that doesn't just capture the value they added, but all the work others put into the idea before them, which no intellectual property was awarded for. So there is a huge incentivise to focus on the last mile, the marketable part, to the neglect of everything else, even though that's most likely to be the part that anyone could have done.
The neoliberal might reply that this is actually a problem of incomplete property rights- the neoliberal's model works if the basic research was patentable too, so that the person who brings it to market pays for the basic research, gets paid the value of the market product, and pockets the difference- the value they added. But the reason that isn't done is that a world like that would be unlivable. It would be impossible to get any research done because the web of how ideas feed into each other isn't simple, and the negotiation of how much to pay for each idea would be arduous. This is why patents cannot work in the 'ideal' way they do in economic models, and why they will inevitably have this serious flaw in the real world.
The neoliberal might argue that this is a problem solved by universities- universities can do the basic research, which becomes commons, and the researchers are paid salaries because paying them based on their value added would be impossible, and the applied research is done by businesses, who are paid their value added, because it's close enough to the market that that is possible. Aside from neoliberals cutting universities, the problem with this is that it allows private companies to capture the value of research done by universities if there are only a few ways to apply that research effectively. If a company uses X basic research to make Y product, and there are no profitable alternative ways to apply X to make a competitor product, the company hasn't just been given a monopoly on Y, they've been given a monopoly on X- they have captured a piece of the commons, created by a university researcher for the good of everyone, and they're extracting rent from it. This also creates a strong incentive for reinventing the wheel, because if you can turn X into Y in a way different enough to fall outside of that patent, you get half of that economic rent.
Additionally there is no clear delineation between basic and applied research, so there is a balance that must be struck between not letting things too basic be patented, as that would be devastating to all the research that might build on it, while allowing applied research to be patented. But it is difficult to tell early on how far an idea could be taken, and patent assessors are generally not well placed to do that, so it is easy for them to hamstring any attempts to build upon a crucial idea for the duration of the patent- 20 years in the UK. Potentially this creates an incentive to veer away from more basic lines of inquiry.
And there is no such thing as a terminal creation, that there is no point in trying to improve, so counting research as applied and giving a patent is still cutting off the possibility of future improvements being made for 20 years, except by people at that company. This is particularly devastating with arts and writing, where works want to iterate on each other rapidly. Maybe someone made some important discovery, but they're a bad writer, so you want to rewrite their article so that people will actually read it, but you can't do so because that would undermine the incentive to read the original article, the copyright of which is owned by the publisher, so it's illegal- and has to be for the intellectual property regime to function, stifling the spread of ideas.
This capturing of value added by others isn't the only problem. Monopolies are an inefficient way for industries to be organised, leading to higher prices, so less sales, meaning less people are able to actually make use of the innovations, both applied and basic. The number of people who can access a drug is slashed to make sure the value from those who do access the drug can be captured by the market. But even when there are several variations of a product, patented by different companies, this creates the same problem, because of fixed costs- the companies have to charge above the marginal cost to make back their investment, reducing the number of people who can access the product. And this is a drastic effect when the marginal cost is often near zero.
This of course exacerbates inequality, and means that there is a strong incentive to create innovations that are aimed at the affluent, not the poor. Invent Ozempic, not a cure for malaria.
And finally there's the problem of the institutional structure actual people are innovating under. In theory everyone is a lone inventor-entrepreneur who chooses what they research and gets paid by their results, and aims to maximise profit. But really people are employed by a corporation, and when they discover something the shareholders capture most of the value, not them, so after this elaborate, expensive, destructive system to create a financial incentive for innovation, a tiny fraction of it gets passed on to the actual innovators, in the form of increased chance of a promotion or pay rise. And yet the innovations still get made, so clearly this is enough, or people are motivated by the desire to make the world a better place, not just money. Either way the patent system we have is patently excessive.
And if you aren't a researcher at an existing company and you want to get any money at all for your discovery, you're going to have to found a company yourself to extract the surplus- an arduous task, and one that you might not be any good at, and that in any case will take you away from making further discoveries. To be rewarded as an engineer you must remake yourself as an entrepreneur, or accept that someone else is going to take most of your reward. And it may be half your lifetime before you get that reward.
There are additional problems with access to educational resources, incentives for black/grey markets, deadweight loss from litigation, etc. but this is more than enough to show intellectual property is very inefficient at incentivising innovation. So when alternative models are also criticised for being flawed, economically inefficient that shouldn't kill those alternatives- because it would take a lot for them to be as flawed as the existing system.
A panel of experts awarding a payment for a discovery might get its value drastically wrong- but so might investors buying a start up, so might an unwilling, untalented entrepreneur failing to price their product correctly and losing money from their creation. And at least they can go on inventing/writing/innovating instead of changing careers, and the valuation will be based on opinions of people who know what they're talking about, and based on the value of their innovation to everyone, not just the wealthy. There might be political pressure to reduce the value of payments, but there's also political pressure to cut university funding- at least it would mean there is some connection between output and compensation for university researchers, and there isn't an incentive gradient driving people out of basic research and into applied research, and at least all of the value of the payment would be going to the actual innovator.
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