#Driving Forces

[jelly-boi]

inherited will

[persona-brainrot-real]

Sae Niijima is such a good character it drives me insane a little. She's not a mother nor a maternal or doting older sister but instead a twenty four year old who was thrown into a position of responsibility that she never asked for. She loves Makoto just as much as she resents her and its so apparent every time they talk up until November. "Are you studying?" (I want you to do well) (I need you to get a job and stop making my life harder) "I'll use any method necessary to get this promotion" (Life will be easier for us) (So stop distracting me with your problems) "Focus on your future" (I know that you're capable) (I can't afford to waste my time on you, so stop wasting time on others)

Makoto is not only the sole reason she pushes as hard as she does for a promotion, for success, and the reason that she loses herself in her animosity over her fathers death, but also someone she can't stand for so long. Makoto was 14-15 when their father died. Sae was 21. As soon as she got the career she wanted and things started to look up, her stability was robbed from her and she was disillusioned with the system that her father had taught her to rely on and completely adhere to. How do you manage, the daughter of a cop, following his footsteps towards law enforcement, when you're suddenly reminded of how unfair it is? You can't quit, your little sister relies on you and she's so young and struggling just as badly with this grief. So you pick yourself up and you get moving again. You push harder, press further. You abandon your morals and your ethics because punishing criminals (guilty or not) is almost like punishing the man who killed your father.

And the whole time she's fighting for promotions, going for drinks with the SIU Director to make herself more favourable for promotions, trying to navigate being a woman in a competitive, suffocating, male-dominated field, falling behind despite doing so much where others are promoted for doing so little - all the while your little sister comes back from school and her biggest issues are so small compared to yours.

Persona 5 revolves so heavily around grief and loss and change and Sae embodies all of that so well, all of the sharp and unpleasant and jagged parts of grief.

[cubbihue]

Wait why wouldn't Timmy recommend godkids becoming a fairy like I sorta get that it's less food for fairy's or smt and that it's a long process but the way you worded it ( "knowing what he knows no he would never do that or smt) sounded like it was something else, just kinda ominous idk I'm probably just reading too into it

A claimed child must become a fairy, and fairies must have wings and floaty crowny things. To ensure true devotion to the process, the Fairy Council forbids any fairy from helping, interacting, or being near the child throughout the transformation. The child must want to become a fairy for it to be permanent.

This is the third consequence of becoming a fairy.

After going through such an experience, Timmy is very determined that no other child be taken. They say it's the knowledge that makes people go mad, but Timmy argues it's the changes itself that is maddening. He's lucky he had such a strong mental fortitude to withstand it!!

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[jadequarze]

Braius warm ups :) Cow man

[anakirui]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[idkaguyorsomething]

the convoluted doctor who lore gets extra funny when you realize that, at two separate points in the past, two different companions to two different doctors ended up running into rasputin but both came to the conclusion that he was a pretty nice and normal guy. which, depending on how you interpret the power of the doctor, is either a nice subversion of a lot of tropes of stories used in pre-soviet russia, or side-splittingly hilarious as you start imagining the master getting roped into various adventures with different versions of the doctor that he can’t fuck with yet or else he’ll destroy the timeline, forcing him to play nice with the humans as part of his 4D Time Chess Master Disguise Plan #3852

[uniworu]

obligatory greek mythology klapollo

[chloecherrysip]

Head empty, only thinking about Ultra Protective Big Brother Mario at all times and how ever since he was a literal baby who just learned to walk, his first, strongest instinct, as unthinking and instantaneous as a reflex, as breathing, has been to position himself in between Luigi and the slightest hint of danger with absolutely ZERO hesitation

(Their expressions are EXACTLY the same in the 1st and 3rd image!!!! Some things never change!!!! LOOK HOW HARD I CAN CRY!!!!!)

[itsindiana]

i think we don't talk about what the driving force behind each batcher is enough. like if u think abt it hunter often acts out of fear ( not cowardice , fear that his ppl will get hurt duh ) , while crosshair often acts out pain , tech acts with logic , wrecker with love , and echo ? echo acts out of being true hater

[wintergreenoreo]

Born to slay. Forced to drive a glorified shopping cart.

Nobody comes close to the amount of cunt they brought to the grid.

[sky-is-the-limit]

Ah, Kyle Garrick and his filthy mouth.

You'd never expect it, really. A man with such a collected demeanour, silent but lethal and always so put together, to open his mouth and get your panties transparently wet within seconds.

The moment he'd pick up your weakness for his mellifluous voice, he'd take advantage of it. It would be shameless and obscene how he wouldn't care who was around or if you were in public. A perfect balance between praise and degradation.

He'd get off of the idea that he could get you squirming and desperate in plain sight, trying your best to appear nonchalant to his hypnotic timbre dripping like honey in your ear and yet always failing to conceal it from him.

It would always start with a sweet compliment, a hand on your waist to keep you close, his fingertips playing with the hem of your dress, like a predator messing around with his prey before finding the perfect moment to attack.

"You look so beautiful tonight, love. Can't wait to have that lipstick smudged all over my cock later on." He'd take his sweet time, caressing your bare thighs and trail his hand higher and higher until he could feel the slick soaking up the soft material.

All the gasps and whines for him to be discreet would only fuel his desire even more, chuckling and mocking your attempts at keeping it together like it'd be a contest of who would break first.

"Ah, don't act all shy now with me, darling. Afraid your colleagues will find out what a good, obedient little slut you are for me?" It'd be the gentle touches, really. He'd take his sweet time covering every inch of naked skin before him, feeling your skin all hot and bothered under his touch, soft kisses on your neck and his eyes swallowing you whole.

"You know what you have to do, baby. Just say the word." Please. That's all it would take for him to drag you to the nearest bathroom and bend you over the sink so he'd have you staring at your reflection in the mirror. Hair dishevelled, your tits bouncing out of your dress and Kyle with his hand around your throat, pounding into you merciless.

The movements would get too intense, too fast. All because he'd take your attempts to keep quiet as a challenge. "Too much- Kyle-" Too skilled for your own good. His long fingers stroking your clit, his hand occasionally leaving your neck to pinch and massage your sensitive nipples and hips slamming against yours to ruin what took you almost two hours to put together.

"It's not too much if you can still talk, right angel?" That would be his favourite result. Your inability to think straight, just incoherent words falling out your mouth while you taste the saltiness of the tears smudging your mascara. He'd relish in fucking you dumb.

"Now, fucking take it like the good little whore you are."

[segacity]

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[getyinyusedtoit]

"speak normally"

[cubbihue]

To Peri and Jordan, it might he better at looking into making Dev a Fairy. I mean, he's a neglected kid so desperate for fatherly love that he TEAMED UP with Anti Faries, and nearly mamaged to take over Fairy World completely just for a chance that his father would love him.

There's no telling that a Anti Fairy might try going after him again, and use him again, and have the events repeat. Least as a Fairy Dev could be monitored more. He's arguably a unique case like Timmy is; if not one that can warrant more danger if not careful. (Plus I don't think the memory spell worked on him considering he always wears sunglasses)

Despite your pleas, your ask has gone unanswered.

We can't be spoiling the future to our dear itty bitties! That'd be just so rude!!! No, no we can't have that! Not when the future is already set in stone!! Not when it's unavoidable! Not when the consequences must come to pass and pass they shall!!

Soon, Dev will attempt to take over Fairyworld. He will have his memories wiped. The human world will forget about Fairies. And someone will have to bear responsibility for it.

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[haine-kleine]

a bit disheartening seeing so many people talk about Touya getting a better ending that Shigaraki and Toga because... he really didn't.

[fabledteeth]

thinking about loz and getting emotional because like. this all started because there was a boy in the sky who lost his childhood best friend and was willing to do whatever it took to get her back. and now, over tens of thousands of years and multiple timelines later, she’s still falling from the sky and he’s still chasing her. when he wakes up and remembers nothing, he still chases her voice. and when he remembers everything and she’s falling again, he finally catches her