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raimispiderman · 4 years ago

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From the booklet which comes with the Spider-Man Trilogy Limited Edition Collection blu-ray!

This talks about the making of Spider-Man 2, here’s the bit about the first Spider-Man movie.

Click for a transcript:

THE EVOLUTION OF A SUPERHERO

“It was truly gratifying and even a bit overwhelming to witness how strongly moviegoers around the world reacted to Spider-Man,” said director Sam Raimi. “As a filmmaker, I always want people to really enjoy my movies, and on that level, Spider-Man exceeded my expectations.”

After the triumph of the first Spider-Man, Raimi knew he had a responsibility to follow it up with a story that justified the fans’ enthusiasm and their built-in expectations for the next adventure. “There’s great interest in this movie, following the success of the first one,” he acknowledged. “For the kids who come to see it, Spider-Man is their hero. So while the job of making this movie is to provide entertainment, it is also to create a story that shows them a moral character, someone who has to make tough choices and the right decisions in order to continue to be worthy of their admiration.”

The wealth of detailed stories and characters in the Spider-Man comic book series provided a mother lode from which to cull the plot for Spider-Man 2. “The Marvel artists and writers have done a great job through the decades – I know, because I’m a big fan myself – so there’s a tremendous amount of good material to draw upon,” noted Raimi. “Finding a storyline wasn’t that difficult. It was finding the right story, the one that made for a proper follow-up installment, and provided a logical progression for the audience and a logical growth for the character. For the, I relied on the terrific storytelling instincts of my very fine producers Laura Ziskin and Avi Arad. Together with the contributions of our great writers, we found a plot line with ideas that reverberated.”

With the storyline of the new adventure locked, Arad looked forward to the reunion of the Spider-Man filmmaking family, not the least of which was Tobey Maguire. “Tobey was so happy to be Spider-Man again and to be Peter Parker,” said Arad. “As an actor Tobey relished deepening the audience’s understanding of who Peter Parker is and who is becoming,” added Ziskin. “Peter’s a man who is transition, someone who’s struggling with the choices he is making.”

Maguire added, “The theme ‘with great power comes great responsibility’ is never lost on Peter. It’s difficult to be a young man and have to sacrifice as much as he has – presumably for the greater good – and to neglect his personal desires. The struggle continues here and it’s quite complicated, because Peter’s searching desperately for a way to achieve some balance in his life.”

As Peter becomes more immersed in his dilemma, it creates a rift between him and the important people in his life. Though his love for MJ is stronger than ever, she has moved on with her life, pursuing an acting career, living in Manhattan and moving in new social circles. “In this film, Peter is off in his own world and not a reliable presence in MJ’s life,” explained Kirsten Dunst. “She still loves him a great deal, so it has become painful for her to be around him. Though they’ve both done a lot of growing up in the past two years, at the same time, they’ve drifted apart.”

Then, as if Peter’s life were not complicated enough, the situation moves from bad to worse – much worse. Enter Doc Ock.

Dr. Otto Octavius (Alfred Molina) is a brilliant scientist whose life work has been dedicated to experiments utilizing fusion as a new source of energy. Charming, vibrant and energetic, Dr. Octavius is introduced to Peter by Harry Osborn.

“This movie is the story of Peter’s life, which is out of balance, and Dr. Octavius who, for Peter, represents someone who has achieved that balance,” explained Raimi.

“Peter sees Octavius as somebody who has mastered both his gifts – in this case science, through which he can serve the good of mankind, while also maintaining a personal life, a loving relationship with his wife Rosie (Donna Murphy). This leads Peter to the conclusion that it’s possible to have both.” Dr. Octavius, with the support of his wife, has been working diligently in his home laboratory, trying to perfect his groundbreaking fusion theory. But when a demonstration of his creation goes horribly wrong, Dr. Octavius undergoes a terrible transformation – evolving into the powerful, multi-tentacled Doc Ock.

In Spider-Man 2, the talented and versatile Molina brings this powerful adversary to terrifying life. “He is a formidable enemy for Spider-Man,” said Arad. “He can climb walls faster and better than Spider-Man. In fact, there’s nothing Spider-Man can do that Ock cannot counteract.”

Doc Ock, one of the most popular villains of the Spider-Man comic book series, first appeared in “The Amazing Spider-Man #3,” which was published in 1963. He immediately became one of Spider-Man’s most formidable foes. According to comic lore, each of Ock’s limbs can move at speeds of up to 90 feet per second and strike with the force of a jackhammer. The extremely powerful tentacles enable him to lift a vehicle off the ground, pulverize bricks, claw through concrete walls and hover above his victims by rising into the air.

The filmmakers were eager to attract Molina for the central role. “We needed someone who brought a palpable reality to the part, and who was also sincere, had a great sense of humor and personal warmth,” said Raimi. “Alfred is a brilliant actor, and what he’s brought so effectively to the character of Doc Ock is the sense of him as a misunderstood man who has turned into a beast.”

Molina confessed, “I’ve always been a Marvel Comic fan because their characters are so interesting. They have problems. They’re very realistic.” From him, the mechanics behind the role of Doc Ock was a true education. “It was mind-boggling, the breadth and the imagination that went into how each of my character’s actions – flying across the room, crashing through a plate glass window, smashing a taxicab – was to be executed. It’s a unique way of filming that’s not like anything most of us get to do really. It’s a very particular way of working, and absolutely fascinating.”

J.K. Simmons also returns in Spider-Man 2 as Peter’s gruff boss at the Daily Bugle, J Jonah Jameson. “I fire Peter several times in this movie. Every time I see him, I fire him,” laughed Simmons. “And then I re-hire him because there’s always some pressing need for his services.”

Principal photography on Spider-Man 2 began on April 12, 2003, in New York City, where the production spent approximately three weeks shooting at various locations in Manhattan, Queens and Brooklyn, as well as on a Yonkers stage. From ground-level street shots to rooftops high above the city, the filmmakers efficiently utilized the time they spent in New York, giving them the opportunity to expand on the city’s unique environment, which had lent such vibrancy to the first Spider-Man.

“In the first film we established New York as a character in the movie. With Spider-Man 2, we went even further,” said production designer Neil Spisak. “We used a lot more of the city, including [photographic] plates of real buildings and real streets. Improvements in technology over the past three years enabled [visual effects designer] John Dykstra and I to marry existing buildings to scenery buildings to CG buildings even better than the first time around. It’s a much more complete experience.”

“We got more of a feeling of New York in this movie,” added Ziskin. “The movie is being shot in widescreen, which is appropriate because this is a different story, so it required a different approach.”

Production began on the campus of Columbia University in uptown Manhattan, which served as the university Peter Parker attends while he struggles with the responsibilities of his academic workload and his superhero duties. The rooftop of the Hotel Intercontinental, across from the Waldorf Astoria, was the location where Spider-Man contemplates his next move, while downtown, in the Wall Street area, another rooftop served as the “launch-pad” for the Spydercam camera, as it dipped and swooped over several blocks to replicate one of Spider-Man’s high-stakes aerial journeys through the city.

“We executed one of the longest wire shots the Spydercam has ever done,” said executive producer Joseph M. Maracciolo. “The Wall Street shot was around 2,400 feet. I’m an ex New Yorker, so I didn’t find the location shoot particularly daunting. But there are always difficulties when you’re doing wire work in New York, including the placement of the cranes on the buildings, the movement of the cast, crew and equipment, and of course, the crowds.”

“It was a challenge for us to move our production to the tops of buildings, but we couldn’t have been happier, because rooftops are Spider-Man’s world and that is his view of the city as he swings through it,” noted co-producer Grant Curtis. “It was breathtaking to see the world from 70 stories up – a world unto itself. You can’t fully really appreciate the beautiful architecture of New York’s skyscrapers from ground level. We showed some of that in the first film, but we wanted to show more of Spider-Man’s vertiginous world, and I think we really captured that with this film.”

In Spider-Man 2, Doc Ock sweeps Aunt May off her feet – literally – and takes her up several stories of a tall building. Rosemary Harris performed her stunts in a variety of harnesses, but only after she had managed to talk the filmmakers into letting her give her stunt double a rest. “I was a bit miffed at first, because my wonderful stunt double was going to do a lot of these harness maneuvers,” recalled Harris. “So I asked Sam and Laura, ‘Why not let me have a go at it?’ At first they were reluctant. But I begged them to at least let me try and they finally relented.”

Returning to Los Angeles, Spider-Man 2 shot on several stages on the Sony Pictures Studios lot in Culver City. Stage 15 was home to the Daily Bugle offices, as well as Peter’s tiny apartment and Dr. Octavius’ elaborate home laboratory. On Stage 29, the Osborn mansion, where Harry Osborn now lives, was recreated. Stage 27 housed MJ’s apartment set, a giant spider web, the interior of the Planetarium, the massive clock tower set as well as various other set pieces. A series of elevated trains were built on Stage 14, where Spider-Man and Doc Ock match wits.

One of the most elaborate sets for Spider-Man 2 was the pier set, designed by Spisak and built over the course of 15 weeks on Soundstage 30. “In contrast to Dr. Octavius’ lab, which was part of his apartment – a streamlined, organized and clean space – the pier is a maniacal, decaying, decrepit space,” explained Spisak. “It follows his character development in terms of his becoming a wilder, more dangerous and more formidable adversary for Spider-Man.”

The set, approximately 60 feet wide by 120 feet long and 40 feet tall, was constructed over a water tank and enhanced by several different components, including CG/plate work and miniatures.

“Before we built the set, we created an exact ¾ scale model of it, about 7 feet long and 4 feet wide, from drawings and blueprints. The model was extremely useful to the carpenters, who could take measurements to help them construct the full-sized pier, as well as for the miniatures team, so they could ascertain the dimensions, textures and materials that were used,” explained art director Tom Wilkins. “We shot plates down in San Pedro, where we panned from a real pier to the water. In post-production a New York background was added. We also built a miniature pier – interiors and exteriors – to complete the composition on the East River.” The art department team designed a 136 foot by 40 foot-high vinyl backing to represent Ock’s view of Manhattan through a large window at the end of the pier set. Wave machines were rigged in the water to create movement under the pier.

The production then moved to the Universal backlot for two weeks of shooting. Several city streets were transformed into a variety of New York neighborhoods including the exterior of the Lyric Theatre where MJ performances in an off-Broadway production of Oscar Wilde’s The Importance of Being Earnest. Ari’s Village Deli and Bakery became the site of an extremely complex scene involving a quiet conversation between Peter and MJ, which is interrupted by Peter’s “spider sense” – and a car careening through the plate glass window, followed by the arrival of Doc Ock.

“It was a great luxury to be able to build that set from every aspect, so that we could do everything we needed for the scene,” said Spisak. “The walls were made of french plate so that when the car smashed through it, the buildings around it were protected. We were able to design what we thought it should look like visually, then as tricks, gags and stunts became clearer, we were able to add them to the set before it was completely finished.”

“The deli was a full, 360 degree set, with a kitchen, deli counters, pastries, ceiling fans and chandeliers,” added art director Steve Saklad, who worked closely with Spisak. “We dressed the exterior streets so that you could look out of the window and see the intersection of Lafayette Street and Astor Place. It required an enormous amount of signage, billboards, street dressing, trees and traffic lights.”

For Raimi, “The diner was a complex technical scene, because it brought together so many different departments, each relying on the other to fulfil their function and communicate with each other so that each individual shot would work. We utilized mechanical effects and the stunt department had to take an automobile, spin it and flip it through the deli window, with the prop department providing the breakaway items. What made it even more complex was that we had to fly Doc Ock in, using something we dubbed the “walk rig.”

The “walk rig” was created for Doc Ock, because the character not only moves himself, but his tentacles move him around as well. When he walks on the tentacles, they support his weight, so a device was constructed to harness him and move him through space as if the tentacles were supporting him. The visual effects department also created “virtual” tentacles where practical ones weren’t feasible.

When he was in full costume, Molina’s tentacles weighed between 75 to 100 pounds, depending upon the action required for the scene. Each of the tentacles was fully articulated. In their expanded, 13-foot length, each upper tentacle consisted of approximately 76 individual pieces Each vertabra was handmade, hand molded, sanded, individually hand painted, chromed, then painted again and assembled by hand. The entire collection of Doc Ock tentacles, bases, heads and wrists, if laid end to end, would be taller than a 20-story building.

Academy Award winning costume designer James Acheson welcomed the opportunity to further explore and improve upon the already classic Spider-Man costume for Spider-Man 2. “Creating the Spider-Man suit for the first film was a real challenge since we were designing for a kind of Cirque du Soleil acrobat, someone who had a unbelievable kinetic spiraling ability,” he said. “So the suit had to be extremely flexible. For the new installment we made several improvements, though you’d have to be a real enthusiast to spot them. The colors are slightly different, and we have made subtle changes in terms of the movement inside the costume’s hood. We also adjusted the eyepieces of Spider-Man’s mask as well as certain aspects of the spider design on the front and the back of the suit.”

For Spider-Man 2’s Doc Ock, Acheson and Raimi spent close to a year collaborating with Spisak and visual effects designer John Dykstra and working with Edge FX in what began as a series of “group think” sessions, according to Raimi. “I needed John Dykstra’s input, because it was John who was going to have to handle Doc Ock’s movements in CG, so he had to be involved in designing the character, along with Jim, who was going to determine the look of the character,” recalled Raimi. “Part of the look determined the movement, and what the arms look like began to govern how it functioned. Neil was involved because Ock had to be a part of Neil’s world in the film. A great interdependence developed among the department heads in order to achieve the complex nature and physicality of the character,”

“The challenge with Doc Ock is to visually create a believable world, focusing on a man with four tentacles growing out of his back,” said Spisak. “Now, that can be a tough swallow. So, in creating Ock and his world, we needed to design and play it so that everything was credible. Ove the course of several months, it became clear what was physically possible for Ock and what would have to be achieved via CG. We conceptualized the look and only then did we deal with the physical limitations, rather than letting them stop us at the beginning.”

Added Dykstra: “It was a huge challenge to make Doc Ock come to life. His tentacles had to meet several criteria. They had to be appropriate with regard to the world Neil had created for Spider-Man and Ock. The components of the costume – the texture and the weight – had to bed something an actor could actually wear. Since using the tentacles wasn’t always practical, we had to create ‘virtual’ versions with Edge FX. In the end, integrating the tentacles into the story was a marriage of all those components and the collaboration of everyone involved.”

Spisak and his team designed and dressed more than 100 sets and locations for Spider-Man 2. “There are probably 10 enormous sets, while some are simply street corners. We covered eleven blocks in downtown Los Angeles and used many rooftops, streets and buildings in New Yorj City,” noted Spisak. “This is certainly the biggest film I’ve ever done.”

Spisak worked with director of photography Bill Pope on the color palette for the sets, and they pored over research and location pictures to inspire them for the story’s lighting requirements. “In the first film, Peter Parker was younger, less aware and just beginning to discover his new powers. That was reflected in the overall look of the movie,” said Spisak. “With this film, he has been Spider-Man for a while, so his frustration over how to deal with his life versus his duty is more complex. That’s reflected in the color palette and the tone of this film – it’s a little more sophisticated, more complicated and deeper, in terms of color and look.”

Among the tools Dykstra and his team utilized to achieve the shots presenting Spider-Man’s point-of-view, while he is soaring over the city, was Earl Wiggins’ Spydercam. During the New York portion of the shoot, the specialized camera was launched using a remote-controlled computer suspended on a cable from a Wall Street-area rooftop more than 30 stories in the air, which recorded what DSpider-Man saw as he swung over the city. The camera traveled along a line suspended over four blocks, dipping down into the street and over the tops of several blocks of vehicles and background art that had been placed for the sequence.

“We were dropping the camera and moving it up and down over the course of the shot to follow Spider-Man’s trajectory as he swings through the arch, releasing a web, and shooting a new web as he swings into the traffic below,” explained Dykstra.

“One of the successes of the first film was the empathy the audience had for the main character. He was very sympathetic,” Dykstra said, “This movie explores the character in greater depth, and in terms of the visual effects, we’re hoping to give audiences an event more intimate sense of what it’s like to be Spider-Man. In the first film, we get to fly with him. The idea here is to make the flying sequences poetic enough and evocative enough that you will get an even stronger sense of what it’s like to fly like Spider-Man.”

That approach is reinforced by Raimi, said Ziskin, “One of the really striking aspects about Sam is that he is the audience for this film. He makes the movie for the audience, identifies with the characters and is always aware of the rhythms and how each sequence will play – both to him and the other members of the audience. That makes him the perfect director for this kind of material. Also, he’s at a point in his directing career where he’s at the top of his game. He is brilliant technically, but also works extraordinarily well with the actors. Ultimately, his personal connection to Peter Parker and the other main characters is a great gift to the audience.”

“These are tough, scary times and during such periods we look to heroic stories to give us hope,” noted Raimi. “Maybe that has something to do with why the audience was so taken with Spider-Man when he first appeared two years ago. With Spider-Man 2, I truly hope that audiences will feel that they’re seeing a love story, that they’re participating in another episode of Peter Parker’s life and are seeing the challenges and conflicts he faces and how he overcomes them. I hope it will leave them feeling uplifted and exhilarated.”

#spider-man #spider-man 2 #sam raimi #avi arad #laura ziskin #tobey maguire #kirsten dunst #alfred molina #rosemary harris #jk simmons #interviews #behind the scenes #concept art #peter parker #aunt may parker #mary jane watson #doc ock #j jonah jameson #set design

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nymph1e · 4 years ago

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Okay fuck it, I gotta give in, I gotta watch through Supernatural. AFAIK, it's all on Netflix; at least I saw it on there in passing. Going into this, is there anything I should be aware of? Are there any episodes I should skip, any seasons? Should I start from season 4? I know the basic plot and concept, and I know it's very monster-of-the-week. But aside from me highkey shipping Destiel already, that's all.

Well my first piece of advice would be

but uh, let’s fucking ~GO~

If you’re actually jumping into this hellhole (why why why) don’t start at season 4. It’s tempting, but seasons 1-3 are some of the best shit in the whole show, also having context for Sam and Dean’s characters, and their relationship with the supernatural up to season 4 really highlights how fucking wild the introduction of angels is in the show. it’s basically a complete paradigm shift.

I would recommend you watch seasons 1-5 basically as is, though if you’re in a rush, season three is kinda skippable as long as you read a general synopsis. This is the original arc of the show and it shows. A friend of mine, @sammwinchestersdimples has said she’d have been fine if the show had ended there, and I can totally see her point. After season five things start to get... uhhhhh... not as good. THAT BEING SAID some really amazing seasons come later, and you’d get nowhere NEAR the Full Destiel Experience without them. What REALLY sucks is that all the seasons have good moments in them, so even if the seasons are generally bad, they’ll have episodes of GOLD. But fuck it, here’s a season-by-season breakdown.

Season 6 - This is the first... “eh” season. There’s a lot of character choices made in this one that I don’t like. The plot also doesn’t quite seem to know what to do with itself and it has no real main villain... or I guess it has a twist villain? This is also the season where they start chucking in the typical “no homos” you get when a show is queerbaiting, so they can point to the no homo bits and claim the queers are delusional.

Season 7 - The absolute WORST season, imo, is season 7, and it features Cas the least out of all the post season 4 seasons. You can tell the writers genuinely tried to write Cas off here. Not to mention the main plot is completely stupid. HOWEVER this is the season where we get golden things like Cas showing up to Dean’s prayer naked and covered in bees, and the episode where Charlie (best girl) is introduced and Dean subsequently has to flirt with a dude because she, a lesbian, cannot. (Wow so straight, Dean)

Episodes Not To Skip:

6x03 - A good Cas/plot episode (spot the famous destiel quote)

6x04 - A good all-round episode, also Jackles directed it so ¯\_(ツ)_/¯

6x09 - This is one of the Batshit Episodes. Definitely watch.

6x10 - On the one hand, Cas episode. On the other, no homo, megstiel episode. Your choice.

6x11 - Good episode.

6x15 - THE ULTIMATE META EPISODE. Sam and Dean are teleported into Jared Padelecki and Jensen Ackles’ lives on the set of Supernatural and it is so batshit.

6x17 - Jolly good episode, and nice destiel content.

6x18 - Time travel episode, which is always fun.

6x19 - “Baby in a trenchcoat.” ‘Nough said.

6x20 - The Man Who Would Be King is the destiel episode. It is infamous in the fandom, and for good reason. It’s not just a good destiel episode, but one of the best episodes in the series. With banging lines like “Freedom is a length of rope. God wants you to hang yourself with it.” and “For a brief moment, I was me again.”

6x21 & 6x22 - The last two episodes are kind of must-watches after TMWWBK, trust me.

Episodes Not To Skip:

7x01 & 7x02 - follows on from s6 final. You don’t wanna skip.

7x05 - Good general episode

7x06 - Again, good general episode. Sets ups plot for the season.

7x08 - Ugh. So the A plot for this episodes invoves Becky, the insane, stalker, fandom-insert character, roofie Sam into marrying her (and it’s heavily implied they have sex - and it’s treated as a joke despite being LITERAL RAPE). BUT this is the episode where Garth is introduced and Garth is fucking amazing. So. IDEK.

7x10 & 7x11 - Plot important.

7x12 - Time travel episode! See if you can catch the bi!dean moment ;)

7x17 - Cas is back! Or is he???

7x18 - GARTH EPISODE

7x20 - CHARLIE!!!! WATCH THIS EPISODE!!!!

7x21 - Cas episode. It’s... interesting.

7x22 - The tagline for this episode is “Sam and Dean seek out an Alpha” 😭. It’s a Cas episode.

7x23 - If Cas weren’t in this episode I’d say skip it.

Season 8 - A fantastic season. If The Man Who Would Be King is the destiel episode, season 8 is the destiel season. When you watch this, DM me so I can RANT about all the amazing destiel this season. It’s also, again, a great season in general I remember watching it as it was airing it was soooo good. You have the arrival of the Bunker, you have Kevin and Charlie being awesome, some nice sprinkles of batshit episodes, BEST BOY BENNY rocks up in all his glory. Fucking epic season. Only downside it Sam’s character takes a bit of a dive. I’d recommend you watch through all of this season.

Episodes To AVOID:

7x13 - I literally pretend this stupid fucking episode doesn’t exist. Basically Dean impregnates a woman with Super Pregnancy and she has a daughter who becomes an adult within hours and then dies. The end. Everyone hated it. Man fuck this episode. Of course it was written by Buckleming.

Season 9 - Sadly, after how amazing season 8 was, and how spectactularly season 9 was set up, this season is a disappointment. It’s an ok season. It’s not bad, it’s not good, it’s just a bit all over the place.

I was going to give you the normal episode list to not skip, but looking through, most episodes this season should be watched for one reason or another. Either they’re Cas heavy, they do some interesting character building, or they feature one of the awesome side characters like Charlie or Jody.

This season is probably the height of the war in the writers’ room about destiel. Some writers want to no homo the whole thing and back way off, while other writers want to lean into it hard. So in the same season where SPOILER Cas loses his virginity to a random reaper woman and Dean kicks Cas out of the bunker to fend for himself, you also have Cas’ fatal flaw used as propaganda against him by Metatron being that he’s "in love” with humanity Dean. /SPOILER Whatever you do DON’T SKIP THE FINAL FEW EPISODES. TRUST ME.

Season 10 - Haha oh dear. This season is likely the biggest for wasted potential. You saw the end of season 9, right? You go “HOLY SHIT YES LET’S DO THIS” and then they do... season 10. They really became experts at setting up an awesome season only to fuck it up in delivery, right? Again, not a bad season, per se.

Episodes To AVOID:

9x05 - In which Dean wants to fuck a dog. I am not joking. I wish I were. Basically a spell-gone-wrong makes Dean doglike. it’s weird. it’s batshit. Not the good kind.

Season 11 - Season 11 is a pretty good season! They tried to give Dean a female love interest but Jackles said ✨No✨ and played Dean as brainwashed and uncomfortable the whole time and I love him for it. Of special note this season is the episode Baby (11x04), which is my favourite episode in the series! It’s funny, it’s heartwarming, it’s weirdly shot. I love it! We also get casifer this season which is awesome! Some episodes are skippable, but they’re generally good episodes.

Episodes NOT to Skip (ignore the 10 year special):

10x01 & 10x02 - Great episodes, Dean in this is *chefs kiss*.

10x04 - *sighs* Fan Fiction. A 200th episode that is simultaneously a love letter to fans and laughing in fans’ faces. I’ve never liked this episode for the second-hand embarressment of it all, but you should watch it and see if you like it.

10x06 - Pretty good episode.

10x07 - Jody AND Donna! Fantastic episode!

10x08 - Dadstiel rears his ugly head. I fucking love how Cas adopts two (2) kids over the course of the series and in both cases Dean eventually goes “ah fuck, I guess I gotta co-parent this thing”. Also we get some KILLER destiel this episode. hey go on a DATE and Cas tells Dean he’s a good person ^_^

10x09 - Good episode. Much destiel.

10x10 - Charlie episode!

10x11 - Teen!Dean! Need I say more?

OK so I just had a look, and you really just need to watch every episode from this point in the season on. Enjoy!

Season 12 - Another example of a TERRRIBLE season, is season 12. Season 12 is also one of the most destiel-heavy seasons in the show. You see the issue? Like, it’s got a stupid plot that makes no sense and has no fucking cohesion, but you also FINALLY have the writers going “fuck it” and all in on the destiel. After this point Dean never has another non-Cas love interest and vice versa, they stop giving us whiplash from baiting and no-homoing. IF the conspiracy theory is true, and the end of the show is shit because of executive meddling, this season is the one where the writers decided they were gonna push for destiel endgame.

I gotta tell you the truth, I skipped this season in my rewatch, so all of my memories are from years ago when it first came out. This seson was the last that I watched live (for a reason). Should you skip it? No. But I’m not well informed enough about this season that I can point out what episodes you should or should not watch.

Season 13 - Congratulations! You’ve reached the point where the show’s gotten consistently good again! (just in time for most of the audience to have already left lol). We start off with SPOILERS Dean mourning Cas like he’s lost the will to fucking live. I’m talking complete despondence, praying for Cas to come back, lashing out in anger at everything, one of the darkest points we’ve ever seen him at on the show, then pulling a 180 and being super happy the second Cas comes back. /SPOILERS They also introduce Jack, who is the SECOND child Cas decides to adopt and Dean ends up co-parenting (Sam too). In fact, Jack is explicity Sam, Cas, and Dean’s kid.

Season 14 - Another good one. My only issue is where they decided to take the plot at the end of the season. I’d recommend watching it all, regardless.

Season 15 - And so we’ve come to the end of the line. This season was... well it was actually pretty good. It started off with what we hellers lovingly refer to as the “divorce arc” where Cas and Dean have a big blow up, and Cas leaves, but that ends with Dean praying on his knees for forgiveness and a nice hug. Honestly this season you can cut the tension between the two of them like a knife, and you can tell Misha and Jensen were doing it deliberately.

I’d say watch up until 15x18, then you decide what to do with the last two episodes. If you want you can watch them to understand just why people put their conspiracy theory hats on, or you can send me another ask and I’ll rec you some post 15x18 finale fics! There’s one fic that’s a replacement for 15x20 written in script format that is particularly good.

Anyway that’s it. It’s kind of left me a little sad, to break down the show in this way. Especially coming up to season 15 nd remembering all the wasted potential. Honestly if you do decide to watch the show, good luck. I hope you enjoy it. I’m also glad you never had to be put through the bullshit false hope that came about after 15x18.

#supernatural #destiel #deancas #spn

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brinconvenient · 4 years ago

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Green Egg and Fam

You know what? I'm just gonna go ahead and do this...

So a few years back, I was talking to another trans woman who is very familiar with the DC Universe and we were trying to figure out who is Actually An Egg, and after a few suggestions back and forth, I galaxy-brained the answer. She heartily agreed and we talked about it a bit: 1. Artsy 2. Serial Monogamist who is a Relationship Disaster (Big "Do I want to Be With Her, or Be Her?" energy) 3. Becomes best friends with every ex-girlfriend 4. Noted Respecter of Women in Very Terrible and Awkward Ways 5. Chronically allergic to self-reflection and introspection, but also addicted to it in much the same way lactose intolerant people talk about how they can't give up cheese. 6. Just a complete and Utter Messy Agent of Chaos. 7. All too willing to adopt Other People's Expectations and internalize them as a Sacred Duty. 8. Just constantly Marked By Tragedy - both external and self-created.

It's Kyle Rayner, kids.

Torchbearer,

Honor Lantern,

Erstwhile Ion/avatar of the power of will

Kyle "I will be the Last of the Green Lanterns and yet keep trying to ressurect this entire Corps of Space Cops that I didn't even know existed until some Blue Dude showed up to give me jewelry and I guess marry me into the Corps? Because I guess that's just my job now and that will become my whole personality" Rayner.

After the conversation, this - the only fanfic I have literally ever written popped out of my head fully formed. It's intended to really be Chapter 1 of Several which are basically conversations between Kyle and one Ex-Girlfriend per chapter as Kyle finally accepts herself and transitions.

Eventually she reveals that the name "Ion" comes from her real name "ImOgeN" because she read Nevada and Was Impacted and she's just that extra.

But, honestly, despite getting started on the Alex chapter ages ago, I never have drawn the energy to go back and finish and/or write more, so I'm just gonna share the first chapter of what I am calling:

"Green Egg and Fam"

Putting the actual content behind the Read More because I've already rambled too long.

“It’s just exhausting, you know? Every few years it seems like I have to pick up the pieces of my life, my memory, my self and figure out who the hell I am! Every time I get a handle on things, someone or something comes along and shakes up the snow globe,y’know? I’ve tried to talk to Diana about it and, like, she’s compassionate and cares and offers sympathy, but most of the time, my whole relationship with her is just one more flake in the globe and I never know who we’re going to be to each other. Somehow, though, you’re always my favorite ex-boyfriend. It’s weird, right?”

Kyle patted Donna’s arm reassuringly. He glanced from Donna’s face to the view over Lake Michigan. There was no more beautiful view of the lakeshore than the roof of the John Hancock Building. He could just about make out the lights of the small shore towns across the lake in Michigan, and he could see the industrial Indiana towns along the round tip of the lake.

“I’m not positive I like that descriptor of our relationship, but I am happy to be some kind of constant for you,” he said with a rueful smile. “Donna, you are one of my dearest friends and I always want to be here for you. I know you didn’t need my help with Dr. Psycho here, but I’m glad I was Earthside to help you out anyway.”

They’d taken the diminutive psychic menace to the Chicago Special Crimes Unit, who had training and facilities for telepaths and telekinetics. They found this perch when Donna said she just needed a little bit to settle down before heading back to the Titans Tower in New York.

“No, I had him just about handled - a Lasso of Persuasion is pretty useful, after all - but I’m glad you swung through, all the same,” Donna said. “I’m glad to have a friend here. Psycho was really messing with my head this time. He kept dredging through my memory, pulling out bits and pieces of lives lived and people lost. He made me relive the loss of Terry and Robert and Jenny, over and over, replayed the tortures of Dark Angel, dragged me through that whole mess with the Titans of Myth, and I’m actually not sure which of any of those actually happened in this reality anymore.”

Donna’s breath was getting ragged and tears were falling down her face, twinkling in the moonlight.

“You told me about Terry and the kids when we were dating, so since I still remember them, they must still have existed and they still loved you and you still got to love them. I’m a little fuzzy on the Titans of Myth, so I can’t be sure about that stuff. But you’re here now and that’s what’s important right now. Just take a sec to enjoy this moment, this view, this night and see how you feel, ok?” he said.

They sat in the quiet, next to each other, watching the waves reflect and distort the moonbeams. Donna’s breathing calmed down and she straightened her back, half a head taller than Kyle even while sitting.

“Thank you, Kyle. I’ll be ok now, I think. I appreciate you listening. You have a good heart. If you’d only learn to actually fight without that ring, you’d make a pretty decent Amazon. Well … if you weren’t a man, of course.”

Kyle coughed and thanked the stars that Donna couldn’t see him blush. Suddenly Kyle felt like there was lava beneath his skin and he couldn’t sit comfortably.

He didn’t want Donna to catch on, so he stifled his squirming and whipped up a quick construct of a miniature green Kyle in an Amazonian uniform, breastplate, Spartan skirt and calf boots. For added effect he made sure to widen his shoulders and used Hal Jordan as a reference for a jaw far more square than Kyle’s real life chin.

“I’m not sure I can pull off the uniform. Guess I’ll stick with green and black for now. Ha!” he said. He hoped it didn't sound as forced as it felt.

“Oh I don’t know. You’ve got great legs, Kyle! Maybe you should start wearing shorts when in uniform. Besides, you had those over-the-knee boots for the longest time. I think you’d be just fine!” Donna said, laughing.

“Give me a hug, Dick just texted me to meet him in Blüdhaven. Take care and fly safe back to Oa!” she said.

After a quick, warm embrace, she turned eastward and flew off over the lake. Kyle watched her fly out of sight. He looked down and saw little Amazon Kyle, slowly spinning in the air. He drew the construct up to eye level and returned the shoulders and jaw back to his more slender and softer reality. It didn’t look that bad actually.

He’d been trying to make Donna smile, and deflect from … something before, so he exaggerated those features to highlight the incongruence, but he didn’t hate this more realistic image.

He continue to finesse the construct’s features. Like most artists, he never really considered a piece finished, he just stopped working on it. He smoothed the musculature, narrowed the shoulders a little further, pulled the hips out just a bit more, and left the waist alone. The ersatz Kyle’s face got softer still, the brow less pronounced, the nose narrower, the chin just a bit more rounded. He watched the chest muscles soften and breasts form to fill out the breastplate better.

Finally, he lengthened the construct’s hair to shoulder length, adding some wave and curls like Donna’s somehow-always-perfect hair.

And there she was. The woman who’d been haunting Kyle’s dreams as long as he could remember. Slowly spinning in the air was a woman who could easily have been Kyle’s sister, wearing Amazonian garb (or at least what he remembered from seeing Donna’s while they were dating so many years ago).

He didn’t know how much time had passed since he started fiddling with the image, and he didn’t know how long he’d spent staring at the final form. Sister. Yeah, right.

With an angry wave he flashed his hand through the construct, dissolving and dispersing the light particles that he’d given form. He hastily looked around the roof to make sure no one had seen him or, specifically, seen the construct. The burning sensation of shame returned instantly and he immediately flew into the sky until the buildings looked like so many light-speckled building blocks.

He took himself through a calming exercise he learned from Kilowog to help him center himself and sling his ring “like he wasn’t a complete Poozer and deserved to wear it.” Kilowog had no appreciation for just how hard it was for other people to feel calm when he was around. Still, Kyle found it helped when the pink giant wasn’t breathing down his neck.

“My will is strong enough to carry the torch for the entire Green Lantern Corps, I can stop these feelings. I can make all of these thoughts go away. I can stop this. I’ve got too much responsibility to keep indulging this … this nonsense” he thought, trying to ignore the sting of the tears fighting their way free to fall down his face, ignore the pain in his heart.

“I don’t want to lose my friends - what would Donna say? Would she think I was a pervert, or making fun of her somehow? I definitely don’t want to lose Hal’s and the guys’ respect. I don’t want to lose my whole life just because I’m some kind of freak. Get it together, Rayner. No one else is feeling sorry for themselves because they don’t fit in.”

He pulled a hand down his face and pointed his right fist with it’s gaudy, shining green ring on the middle finger toward the Milky Way and flew into space. He hoped the cold solitude of the transluminal conduits would help him regain his composure before he faced Guy, Hal, John and Kilowog for the Honor Lantern meeting. For the millionth time, he wished he could just be more like them, have just a sliver of their easy and effortless masculinity. They made it look so simple.

“Bet they don’t spend half their life trying to figure out what is wrong with them,” he thought. He tried so hard not to envy them, but it was really hard sometimes.

Especially nights like tonight where his resolve had failed him yet again and he gave in to his most hidden thoughts. He entered the transluminal conduit between Saturn and Jupiter and closed his eyes.

He traveled faster than light, but it still took time to reach Oa, so he tried to sleep and hoped that his dreams wouldn’t betray him again.

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irrlicht-writes · 4 years ago

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the path we choose to walk on pt.4

So this is it. Part 4, everyone. The last part! We made it to the end! Wooo! (now I have to focus on my bang again) Thank you for being with me. I hope you enjoyed the ride. Tell me what you thought! Tell me what you liked! Tell me what you hated! (be nice though) @misha-moose-dean-burger-lover @cass-said-i-love-you @professorerudite @insertdeeplyrics anyone else want on the tag list?

PART ONE | PART TWO | PART THREE

Ao3

Part 4: let the good times roll

Sam and Eileen gift a painting set to Castiel one day. Dean isn’t sure why but they say it’s because he saved their baby. Later Cas admits to Dean that he barely remembers what happened.

As it turns out, Castiel sees the world vastly different than Dean. Dean’s no art critic, nor could he detect a masterpiece in the making but to him, Cas’ pieces feel alive. There is a certain aspect to them.

Castiel paints mostly with his fingers and the faces of the people are wonky at best but still, they stare right into Dean’s heart.

“They are dead,” Cas says, “but with this, they’re alive. There was a world people cannot understand today. You have changed so much in so little time and yet it remains – you will always look at the world with wonder in your eyes.”

Charlie helps them sell Cas’ art online. They sell somewhat well and Dean thinks that Cas is happy that he gets to help. Cas had said that he would’ve like to take a real job, but Dean shut him down very quickly.

Nobody would want to hire Cas – first, Cas didn’t even properly exist. And second; there would be too many days where Cas would have to stay at home. Any employer would only allow so many sick days and Dean is afraid of sending Cas to a therapist.

Even though he knows that they all probably need one, how would you even start explaining?

“Yeah, roughly 15 years ago I set off with my brother to find our dad and now our son turned into God. Oh and also we picked up this literal angel as our best friend and all of us – our son concluded who by the way was fathered by Lucifer – have died several times and then we just kind of went going.”

Yeah. No.

Not to mention all the additional bullshit Castiel would have to unpack. Dean’s been in a mental constitution once; he doesn’t really have to go there again. And he certainly doesn’t want Cas to go there – also, again.

The bees are still on Dean’s mind. He doesn’t need a repeat of that.

And anyway, the paintings are selling. And in time, they might even be able to ask for more money. Dean doesn’t really hold out hope but who knows?

Two years after Maria is born, Sam and Eileen get married. Dean knows that they’ve been discussing marriage for a long time and have never been able to decide whether it was for them or not. But then Eileen proposed and here they are.

“She asked me to accompany her with the ring shopping. I think she just wanted to use me for my fingers,” Cas says to Dean and Dean smirks.

“Do you think Jack’ll show up?”

“I don’t know. I’ve told him; and I’m sure he knows but whether or not he’ll actually show up... it would be good to see him again. But even if he can’t make it here, he’ll be watching over these two.”

They are about to begin the ceremony and Dean’s excited to be the Best Man. He’s never thought he’d get to be that for real so it feels like a dream. Maria’s supposed to be the Flower Girl but she hasn’t shown up yet.

“Cas,” Charlie rushes over to them. Cas blinks up at her, tilting his head.

“Maria doesn’t want to walk, she’s embarrassed. Do you think you can help her out?”

Maria has gotten overly attached to Cas in these past two years and Dean believes it’s just infatuation. After all, who could look into these big blue eyes and not fall for them? Dean, however, is a little bit upset over the fact that she likes Cas better than him. But he’ll just wait until Maria will appreciate cars. And that’s when Dean will win.

“Of course,” Cas replies, “come on, Miracle.”

Miracle has essentially become Castiel’s therapy dog. She follows him everywhere and makes sure he eats and drinks enough. She loves Cas to pieces and anyone who even looks at the angel wrong gets growled at.

Dean watches them walk away and gets his phone out. He knows that there is a photographer here that films things but he wants that piece for himself. And he has to go up there anyway, so he might just go now anyway.

It takes five more minutes before Cas was apparently able to convince Maria to come out – and even then, she’s getting carried. She’s holding the flower basket close to her chest and Cas encourages her to throw the petals down. Dean’s heart melts at the sight of them.

Cas stops next to the pew where Claire and Kaia are sitting and basically tells Maria to throw flowers on them. Claire laughs and playfully shoves Cas away from them. Jody and Donna are also getting petals thrown in their face. Everybody is smiling and Dean’s happy that he’s filming this.

Maria is giggling and throwing petals all over the place. “She was so stiff before,” Charlie whispers in his direction.

“She wasn’t even looking at me and now look at that. How is Cas’ gayness softer than mine?”

“You’re just intimidating.”

“Cas is an angel!”

Eileen is beautiful when she walks down the aisle. Sam next to him exhales and has the biggest smile on his stupid face.

“Mama so pretty!” Maria proclaims loudly while clapping her hands.

“Yes, she is,” Cas replies a little quieter. He has her sitting on his lap and he has a flower in his hair. Apparently Maria was supposed to give that to her mom but she had decided that it was for Cas, so now he was wearing the flower. It does fit him, Dean thinks.

The ceremony itself goes over without a hitch even though Sam almost breaks down crying twice. Dean was expecting more, if he’s honest. Maybe Sammy practised with Cas – apparently Cas is the solution to every problem.

Later, at the party, Dean holds an embarrassing speech about Sam and after, Sam dunks his head into a pie. This is fair, because Dean definitely deserves that. It’s all good, though. Cas laughs and wipes Dean’s face clean and Maria – still in Cas’ lap – giggles like it’s Christmas.

Dean dances with Eileen and Sam dances with Cas and Maria. Charlie’s taking pictures and Dean loves it. Cas can’t dance for very long and he leans heavily onto Sam but he tries his best for Sam and Maria both.

Dean loves him.

And someday, he’ll man up enough to actually say these words. He just needs a little bit longer. And Cas is here to stay. Dean’ll work up the courage he needs and then it’ll be alright.

Charlie is dancing with Maria and Eileen is sitting next to Cas. She’s taken her shoes off and is likely complaining to the angel that her feet hurt. Cas is holding the wedding bouquet now and Dean knows that Eileen will insist he keep it.

“I wish she would’ve thrown it,” Claire says and Dean wiggles his eyebrows.

“You were hoping to catch it, weren’t you?”

“Shut up.”

At the end, Jack didn’t show. The party had ended a while ago, but Dean and Castiel are still sitting on a bench outside. It’s a nice night, and Dean doesn’t want to drive home yet. There are no clouds in the sky and the stars are shining bright. Dean reckons that that’s Jack’s doing. He still wishes he would’ve shown his face.

“Don’t be mad at him,” Castiel says while leaning on Dean’s shoulder. “You know he doesn’t do that well with a lot of people.”

Yes. That is true but still – he hadn’t even come to congratulate Sam? He also still hadn’t come to meet Maria yet. Dean wonders what work a God has to do. Didn’t Jack say he wanted to be hands off?

“Don’t you miss him?” Dean asks.

“Every day,” Castiel replies.

Castiel raises a hand towards the sky and Dean sees a shooting star. But the star stops after it passes Cas’ hand.

Castiel retracts his hand and there’s a golden orb floating above his palm.

“What’s that?”

It glows brightly and it’s almost too much for Dean to look at. It compels him in the same way it tells him to stay away from it. Where did it come from? Why is it here? What’s it going to do?

“Divinity,” Castiel quietly replies and closes his hand, making the orb disappear.

“Dean, really?”

Dean sighs. He knew it was a mistake to talk to Sam about this. But he knows that Charlie would’ve squealed in his ear and honestly, Claire is still a bit too young for this to talk about it. And yeah sure, Eileen would’ve been an option but even after all this time, Dean still hasn’t improved on his signing skills.

“I know it’s stupid.”

“I didn’t say that. But have you even choked up an I love you?”

Dean is quiet.

“Oh my god, I knew it. Dean, you can’t just propose like that!”

“...shut up.”

He pockets the box inside his jacket. He doesn’t want to propose right now anyway. It’s more like a promise to himself, that one day he might be worthy of this. If – when he’ll find the words one day, he’ll be good enough for Cas. He can be.

He will be.

For Cas, the best thing that ever happened to him.

For Cas, who still thinks he’s barely tolerated.

For Cas, who sees the world as more than it is.

For Cas, who loves so much and has never been loved in return.

Their first kiss doesn’t quite happen as Dean would’ve imagined it – not that he had ever been imagining it in the first place.

Cas is watching Dancing With The Stars and he’s really fascinated. Apparently, he’s never danced before. Dean’s never told him about Garth and Bess dancing in front of the window. He wonders how they’re doing now. Maybe they’re dancing right at this moment, while Sam and Castiel are finally asleep?

“Dean, please?” Castiel’s blue eyes are pleading and Dean has a hard time saying no. Cas always asks for so little and Dean’s always liked dancing when he got a chance to do it – which sadly is not often. So he sighs and stands up from the couch, offering his hand up to Cas.

“Might I have this dance, milady?”

Cas blinks at him in question, and then looks at the outstretched hand. At last, there’s a smile stealing itself across Castiel’s face and he gently takes Dean’s hand and hauls himself up.

“Of course, my lord.”

Dean chuckles and pulls Cas flush against him. It’s been a while since they were this close together without one of them on literal death’s door. Cas is alive and warm under his hands and Dean starts swaying. He’s never danced a real dance, much less so with another man. But it’s not like Cas could dance at all, so it’s okay. And besides – it’s not about the skill, it’s about the experience. And Cas –

Cas is laughing. It’s a happy laugh and he enjoys himself. It’s truly a sight to see. It’s rare to see Cas so relaxed and Dean feels more than privileged to witness this much less be the cause of it. Dean swirls Cas on the spot and as the swirl ends, Cas stumbles forward against Dean’s chest. Dean holds him tight and it’s a good feeling.

Cas’ hair is brushing against Dean’s chin and he feels calm. He gently puts one hand on Castiel’s cheek and Cas nuzzles into it. Castiel’s hand is loosely laying on Dean’s chest and the volume of the TV playing in the background is already fading away.

Dean’s in love.

He’s in love with Castiel.

He gently directs Castiel’s face upwards and looks at the big, blue, blinking eyes.

He doesn’t understand how he got to be so lucky.

Dean bends down, just a little, and ever so gently presses his lips against Castiel’s mouth.

It’s a quiet kiss, one that doesn’t require anything.

“Dean,” is all that Cas says afterwards but Dean quietly hushes him.

“Shh,” he replies and kisses him again.

It’s easier than anything else he’s ever done.

He doesn’t remember why he was ever afraid of this.

This, right here, is where he’s meant to be.

With the TV running in the background, in his shitty apartment, in worn-out clothes, with a dog sleeping in her bed, kissing Castiel.

Sometimes things are just easy.

Dean holds Castiel tight and thankfully, Castiel doesn’t speak.

It’s the most comforting silence and Dean cherishes it.

He’s in love.

It’s a soft thing, after. Nothing changes and yet, so much is different.

He kisses Cas in the morning before he goes to work; in the afternoon when he returns; when they make dinner; when they watch TV.

It’s the easiest thing in the world.

And yet, Dean knows that Cas wonders.

I know you don’t love me.

But Dean does. He just can’t say it. If he did, then – then what would John say? Dad would judge him for this. Dad would call him a girl; and a fairy; and tell Dean that Dad hadn’t raised a gay son.

He’s still thinking about this in bed. Next to him, Cas is fast asleep, holding onto Dean’s arm. Miracle is snoring in her own doggy bed.

“I love Cas,” Dean says toneless into the dark room and is instantly overcome by anxiety. Somehow, even after all these years, he expects John to bust through the door and expose him and nail him to the cross or something.

He turns to his side and looks at Cas. The angel looks so relaxed in his sleep and Dean gently pats his hair. Cas mumbles a bit and burrows closer to Dean as if to seek warmth. Dean puts his free arm around him and pulls him as close as possible, tucking the angel under his chin.

He doesn’t know what to do. Cas deserves to be told. But whenever Dean thinks it might be the right time for it – then there’s John standing in the distance, observing and judging him. Dean knows he just has to do it, that he just has to push through. Dad is dead and nothing can happen anymore. But this fear is far too ingrained inside his brain. Maybe writing a letter would help? But somehow it doesn’t feel like enough.

Dean needs to say it.

He has to say it.

But he can’t.

He can’t.

For all his bravery, for all his courage – he can’t.

“A bird learns to fly when it falls.”

Cas is not in bed when Dean wakes up.

“Water will whittle away the mountain.”

Cas is nowhere to be found inside the apartment. Miracle is quiet.

“A flower will break through the concrete.”

Dean panics. In his panic, he runs outside.

“Long after its death, a star will remain in the sky.”

Outside it’s foggy.

But there is Cas.

Cas is standing outside, barefooted, and Dean is rooted to the spot.

There are golden orbs floating around Castiel.

Divinity, Cas had called them.

“Cas,” Dean breathes and the angel turns around.

“Hello, Dean.”

“What are those?”

“I’ve told you. Divinity.”

“Yes, I know, but what are they?”

“A burden shared is a burden lifted. Ever since I woke all the way back before time existed, a great many stars have died. And still, some remain in the sky. Did you never wonder where they go?

Their physical form shall burn from velocity, but what about the stars? What about them? Who catches them? Where do they go? Shall they forever be lost in space?

I was lost too, you know. I was lost ever since the start. Sometimes I think I remember. Sometimes I think I remember an all consuming light in the dark. Sometimes I think I remember the beginning before it ever began. Sometimes I think I remember the void, the naught.

And then, just as quickly, I lose it again.

Why did Father abandon us?

Why did He create so many of us, if none of us mattered?

Come with us, the stars whispered to me, we have no answers but mayhap we shall find them.

Why did the stars exist, if only to die? I didn’t want them to be lost and so I collected them. I found them in the void and I took them with me for I thought I might find a purpose within them. And in time, they started finding me. I became their haven, their destination.

But still, I was lost. Each time a star would find me, I think I can see the light in the void again, the end after the end. But soon these memories are gone, too, and I can only hold on to scraps. And I wonder.

What if I don’t remember at all? What if what I see are just fragments from the stars, showing me what they saw in their last moments?

Dean, you must know: time is not linear. What happens before will happen after. The end happens before the start and sometimes the beginning happens in the middle. This time, this life is just one stream amongst them all.

Some stars tell me of the end; and others tell me of the start. Maybe some tell me of the middle. And maybe some tell me of all, and all I get is the light in the void at the start.

I’ve wondered.

Why am I broken?

Why am I, of all the angels, the only one that’s cracked?

What went wrong?

Why was it only ever me? Why wasn’t perfect like the others? Why weren’t others cracked as I was?

Why was I the only one that’s ever looked to the stars and collected them?

What if Father never made me?

What if – what if I was created by something else?

And if so, what was it? And why? And why did Father allow me to continue existing? Did He perhaps just not notice? Did He perhaps just not care? Did He perhaps just think me merely another insignificant angel that He needn’t pay attention to?

What broke the connection?

Why am I the only angel to love you?

Was I whole before, perhaps, but if that was so – what shattered me? What put me back together? Where did the missing pieces go?

The light I remember in the naught – what is it? Where does it come from? Why does it matter at all, why do I care if it lights up the void or not?

Why do I cling to a light that does not matter?

I –

I’m lost, Dean.

Amidst the stars, I am lost.

From here on out, where do I go?”

Dean reaches out.

Castiel is standing there all alone, surrounded by what remains of the stars – surrounded by divinity.

He takes Castiel’s hand.

“Go with me,” he says.

“I love you,” he says.

Amidst the stars, Castiel smiles.

Dean thinks he can see the light that Castiel spoke about.

It’s a soft, shining light and it’s free.

“I don’t know if I can.”

“Why not?”

“It’s a big thing, Cas, you know? What if I fail?”

“Then we’ll fail together.”

Dean buys a corner lot. It’s very expensive. But he has a dream. He doesn’t want to work construction forever. He deserves to be happy. And Cas is here. Cas is here, and Sam is here, and Eileen is here – and everyone is here.

He’s not alone and he can rely on all these people. They want to help him; they want him to be happy. He can do this. For the first time in his life, he can do something solely for himself.

For the first time in his life, he doesn’t have to depend only on himself.

Sam hoists Maria out of the car seat. He wants to go and help Eileen out of the car but if he did, she’d kick him in the shin.

“Are there no balloons?” Maria wants to know. Sam looks up. True, there are no balloons outside.

“I’m sure Uncle Dean’s got some inside, sweetheart.”

Maria grins from ear to ear and hugs her monkey toy harder. Cas had given it to her just a few years ago. It hadn’t even been her birthday; he had just wanted to give something to his niece. Sam is glad that they get along so well. But sometimes he debates: should they tell her that Cas is an angel? It’s not a problem right now, but he and Dean and Eileen will start aging one day while Cas will not.

But, ah well, it might be best to cross that bridge when they’d get there.

“Hunter’s Rest is a nice name,” Eileen says when she finally steps next to Sam. Sam just nods. It’s true. Sam had kept suggesting Roadhouse, in Ellen’s and Ash’s and Jo’s legacy but Dean had always refused. Dean hadn’t wanted to be a copy-cat of what they’ve been.

Dean wants something that’s his own.

And Sam couldn’t be happier for him.

It was a long road, getting here, and even now he could scarcely believe it.

But the Hunter’s Rest is officially opening today.

He smiles at Eileen, takes both his girl’s hands and enters Dean’s bar.

“Uncle Dean!”

Maria yells as soon as she spots her uncle and throws herself at his middle from across the room. Dean laughs and catches her. He lifts her up and holds her on his hip.

“How’s my favourite tornado?”

She giggles and hugs him tight.

“Where’s Uncle Cas?”

“He’s still in the back, sweetheart. Be nice to him today, okay? It’s not a good day. But I know he’ll be happy to see you, so why don’t you go say hello?”

Maria nods with a solemn expression on her face. She knows about Uncle Cas’ bad days. She shouldn’t be too loud on these and she has to understand that he might not want to play as much with her. She loves Uncle Cas. She wouldn’t tell this to anyone because she knows Uncle Dean would be upset, but Uncle Cas is her favourite. There’s a glow about him that she can’t explain to anyone, but it draws her to him.

Uncle Dean puts her on the ground and she goes to find Uncle Cas. When she finds him, he smiles at her. He looks tired and sick, but he glows so brightly today.

“Hello, Maria,” he greets her.

She steps closer and climbs into his lap.

“I love you,” she says and Uncle Cas hugs her tight.

“Looks good, Dean,” Sam says to Dean in the meantime. Dean grins and pulls his brother close. He nods at Eileen who waves back.

“How are we coming along?” he asks her and she rubs her stomach.

“Good,” she replies, “the doctor says it’s two.”

“Two, huh? Man, Sammy, you dog!”

Sam laughs and Dean slaps him on the shoulder.

“Maria was really hoping for some balloons,” Sam says and Dean shrugs.

“I have some in the back, but I don’t know if I should hang them up. It’s gonna be a few hours still until official opening, you know?”

“Are Charlie and Stevie coming?”

“Yeah, Charlie’s gonna help me set up the music. The others are coming too, but Donna can’t make it. Some important thing came up but she’s gonna drop by in the coming days.”

Sam nods.

“There should be balloons,” Eileen pipes up and Dean sighs deeply.

“Fine,” he says then, “but y’all are helping me with that. I ain’t the only one blowing these things up.”

“I overheard,” Cas says as he’s rolling out of the back in his wheelchair. On his lap, there are Maria and a big load of balloons.

Dean sighs. “Why am I being set up?”

Castiel smiles at Dean. “Because balloons make everything better. We should’ve gotten glitter, too, you know? We’ll help, Dean.”

“Bad day, huh?” Sam asks him while they are placing the balloons. Dean nods.

“Last couple days actually. Yesterday was the worst; he wouldn’t even get out of bed. The day before that, he spent almost all day puking into the toilet. But he’s getting better now, I think. It’s just – I know that he’s sick. I know that these days happen and that they’ll happen again, it just – it just fucking scares me, y’know? Knowing that there’s nothing I can do, no spell to find to cure him or anything – it just makes me feel so helpless.”

Sam puts his hand on Dean’s shoulder.

“Dean, you’re doing great. What you’re going through – what you both are going through – is extremely stressful. I can’t even imagine. I can’t imagine all the hurdles you had to go through to get here. How scary it has to be to wake at night and see Cas being sick again. I’m proud of you, Dean. I really am. You’re holding it together so well and if – if you ever have to break, I’m here for you. We’re all here for you. You’re not alone. You’re never alone, Dean.”

Dean huffs out a laugh and turns to hug his brother.

It’s true.

Their lone journey is over.

They started with just the two of them.

But they’re never going to be alone again.

“I love you,” Dean whispers into dark hair.

“I don’t know when I fell in love. I don’t know when I realised. But I love you. I love all of you.

We’ve endured a great many things, you and I. We fell and rose together, we burned and crashed together. And in all this time, you weren’t even supposed to be there. But you were. You fought and clawed your way back to me every single time, and I’ve never even said thank you. I never once appreciated all the pain and misery you had to endure just to get back to me.

No matter what, you were there. You were there for me and Sam when nobody else was. You stayed by your side since the very beginning and you overturned everything you believed in because you started to believe in me. You had faith in me, the man without faith. And through you – you became my faith. I believed in nothing, I had faith in nothing – except you. I had faith in you. When you were gone, so was my faith gone. And when you returned, you brought it back with you.

When we met, you told me that good things do happen.

For so long, I didn’t believe you. But you were right. And know what? That good thing that would happen to me was right in front of me. And we didn’t know. Neither of us knew. Who could’ve imagined?

A man afraid of flying and an angel afraid of falling.

We really did meet in the middle, huh?

I’m sorry, Cas. I never did right by you. All your life you thought you were wrong because you weren’t like the others. You always believed that you needed to atone for your sins someway. And I – I didn’t help you. I made you think that you were expendable, that you weren’t worth anything. And I’m sorry. I’m so sorry, because I was wrong.

You’re worth everything. You matter so much, Cas – to me, to Sam, to the world. I’m sorry that all of us have fallen short. I’ll make it up to you. I’ll make it up to you for all eternity, because I love you. If you’ll have me for whatever reason, then I’m yours. And I’m never going to let go. If I lose you, I will stop at nothing to find you again.

It’s you and me. Now and forever.”

“Look for the light,” Castiel whispers into the darkness.

“Look for the light and you’ll always find me there.”

At the end of a long, long life, Dean opens his eyes.

Above him, there’s nothing but endless stretches of blue sky.

Dean sits up and looks around.

He’s in an onion field and he stands up.

He turns to the side and sees him there.

There’s a trench-coat angel standing in the onion field, surrounded by the golden orbs of stars.

The wings behind him are magnificent and have the colour of a rainbow.

Dean starts approaching him.

Behind the angel, there is a massive tree.

“Hey, Cas.”

“Hello, Dean.”

#supernatural #Destiel #castiel #dean winchester #Sam Winchester #eileen leahy #writing #spn fix it #spn 15x20 #fanfiction #hurt #hurt/comfort #dean x castiel #userpris

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itisa-profoundbond-sarandom · 4 years ago

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Destiel, Buddie: the great love patterns and one failure.

I'm going to highlight the patterns of baiting and good storytelling. Chim sounds like the Sam to Dean!Buck. Cas!Eddie and Claire/Jack!Chris.

WARNING: not a negative post, this is from a destielshipper!POV looking to something so beautiful like 9-1-1.

As someone pointed out: if Eddie was a girl they would've already get laid. Same thing with Dean if Cas was a girl.

(my gifs)

We know Dean and Buck like to get laid with many girls...and have some homo-joke-scenes with guys.

Dean Winchester being a disaster bi (since S1)

(+ Josh and roomate!Albert - I know someone ships it xD) What I really enjoyed with Buck/Abby is the meaning of the storyline. D (who likes older women also) and B always get the part of having fun, and when it comes to express their feelings, not all their crushes understand their soul and they don't always admit those with themselves.

Abby: I think I was afraid that If I came back, I would become that person again. Because I missed you. I wanted to see you. But I didn’t trust myself.

Buck: Because being there, being with me, you might lose yourself again?

Shannon: I can’t fail him again, or you and I won’t. I’m still learning how to be someone’s mother and after that maybe I can be someone’s wife.

Eddie [to Bobby]: [...] she wanted a divorce. And I’m still mad. How stupid is that? I’m agry at a dead person and at myself because I forgave her for everything, and that wasn’t enough. I wasn’t enough.

Buck [to Maddie]: You’re never the one getting left behind. You’re the one who leaves. You don’t know what’s like to watch someone you love walk away.

Dean [to Lisa]: When I do picture myself happy...it’s with you.

Lisa: You've got so much buried in there, and you push it down, and you push it down. Do you honestly think that you can go through life like that and not freak out? Just, what, drink half a fifth a night and you're good? Dean: You knew what you signed up for.

Lisa: Yeah. But I didn't expect Sam to come back. And I'm glad he's okay. I am. But the minute he walked through that door, I knew. It was over. You two have the most unhealthy, tangled-up, crazy thing I've ever seen. And as long as he's in your life, you're never gonna be happy. That came out so much harsher than I meant. Dean: It's not your fault.

Who does understand them? The best friend. Cas and Eddie are the best friends to who they talk to, they can feel judged by but it doesn't really matter (or it DOES); they trust each other and feel safe.

you gave up an entire army for one guy (dean)

thank you, for not giving up

stupid for the right reasons

maybe you could’ve come at it a little differently

The Abby-phase was very important 'cause B wanted to stop to think about just the sex part and really connect with the person, doin' romantic stuff, even VDay; feelings were in the game.

(He literally asked to the firetruck!girl to see her again...but she said no. Ali? She acted like a Lisa.)

B really tried to find someone and always felt left behind. D had two important relationships, one with Cassie (yeah, that's fun) and I liked her -but he couldn't have a black girlfriend, right(?). Always felt left behind, by his father, by his brother, his mother’ memories were a lie.

When we first see Cassie, they didn’t see each other in a very long time and they get a reunion during a case.

Much like Eddie and Shannon.

(not saying also this...but....this)

Lisa and the weird-and-bad-written-originally story with Amara...who knew Dean bc of his 'dark' side. (Amara has found Cas and Dean’s profound connection and Dean was scared by her darkness connected to his anger and loniless).

At one point Amara will find Dean thanks to Cas's heart just my reply to go fast (while Cas was possessed by Lucifer- an annoying bitch who is used as a destiel bait)

We know Buck for his autodiagnosed sex addiction with women and Eddie as a married man with a son and wife not in the picture...and the episode- I'm so sorry, but the beginning of S2 with Buddie can't be described as two hets - there are tropes.

We start to fall for them and Chim with Maddie, wait- Sam!Chim and Eileen!Maddie.

Sam and Eileen’ first episode is basically a blind date on a hunt. They flirt and make a badass duo, she's deaf and super sassy and they're so sweet together. Many start to ship it asap.

I cried with Madney asap.

What does Maddie do since Buck start talking about Chris and Eddie? Yeah.

What does happen in Fanfiction with Sam (he’s a Maddie here) and when Saileen comes back on S15?

Bros shipping their bros with their best friends, mirroring them.

Madney have Buddie patterns.

Saileen is presented as a Het!Destiel parallel...and they can kiss.

Sam asks Dean if he could start thinking about settle down with someone who understand the life, another hunter. Eileen is a hunter. Cas is an angel - the one who raised him from perdition and got lost for his beautiful soul/hunter.

I LOVE that Eddie can be just a friend to Lena and Marjan, basically (I hope not to see this ruined in the future).

Now, over the line: Dean has a mother figure in Bobby!Jody and Jody is shipped with Athena!Donna (also good friend to Dean) and he's got a sister figure in Hen!Charlie.

[Jody, Charlie]

(Jody and Donna have many daugthers figures and a spin-off who hasn't been picked bc too many poc girls, queer girls and two not young women with perfect bodies.)

Bobby!Jody helped him with his mother-plot-fiasco (that was really bad) and I loved Mary before s12.

[I'm having fun thinking about this connections, leave me alone if it'ss just a great big illusion]

I forgive you / of course I forgive you

personal space / personal space

Destiel, uncle!Sam and Jack

Destiel, uncle!Sam and Claire

*love is in the air*

oh and beside the MurphyPatterns (Klaine, Bryan&David) we do have the KripkePatterns also (Timeless, The Boys 2 3 )

One of the most loud BI!Dean eps

I’m ready for some domestic Buddie and Madney

Eileen and Cas back from the dead

Just to make you all laugh after this big movie, remember the chars:

what a destiel scene always looks like

THE END:

Yes, C*W and Fox aren’t the same, and yes producers can make the difference. all SPN writers WEREN’T the problem, directors neither, not to mention the actors.

C*W thrived on Destiel for 12 years, building a very good story that could’ve show two men accepting the love they deserved....but they failed, erasing every other (lgbtq, poc, disable) characters.

Fox doesn’t need more viewers but they WILL gain more of them showing Buddie because representation of a M/M ship with BI/PAN (I see Pan!Eddie) it’s a huge thing for TV and it matters. I always see gay love not many other possibilities, with Murphy mostly, he can make the change again.

A reminder to what C*W did

#destiel #buddie #I just want my couples to be happy

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holyhellpod · 4 years ago

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Holy Hell: 3. Metanarrativity: Who’s the Deleuze and who’s the Guattari in your relationship? aka the analysis no one asked for.

In this ep, we delve into authorship, narrative, fandom and narrative meaning. And somehow, as always, bring it back to Cas and Misha Collins.

(Note: the reason I didn’t talk about Billie’s authorship and library is because I completely forgot it existed until I watched season 13 “Advanced Thanatology” again, while waiting for this episode to upload. I’ll find a way to work her into later episodes tho!)

I had to upload it as a new podcast to Spotify so if you could just re-subscribe that would be great! Or listen to it at these other links.

Please listen to the bit at the beginning about monetisation and if you have any questions don’t hesitate to message me here.

Apple | Spotify | Google

Transcript under the cut!

Warnings: discussions of incest, date rape, rpf, war, 9/11, the bush administration, abuse, mental health, addiction, homelessness. Most of these are just one off comments, they’re not full discussions.

Meta-Textuality: Who’s the Deleuze and who’s the Guattari in your relationship?

In the third episode of Season 6, “The Third Man,” Balthazar says to Cas, “you tore up the whole script and burned the pages.” That is the fundamental idea the writers of the first five seasons were trying to sell us: whatever grand plan the biblical God had cooking up is worth nothing in face of the love these men have—for each other and the world. Sam, Bobby, Cas and Dean will go to any lengths to protect one another and keep people safe. What’s real? What’s worth saving? People are real. Families are worth saving.

This show plugs free will as the most important thing a person, angel, demon or otherwise can have. The fact of the matter is that Dean was always going to fight against the status quo, Sam was always going to go his own way, and Bobby was always going to do his best for his boys. The only uncertainty in the entire narrative is Cas. He was never meant to rebel. He was never meant to fall from Heaven. He was supposed to fall in line, be a good soldier, and help bring on the apocalypse, but Cas was the first agent of free will in the show’s timeline. Sam followed Lucifer, Dean followed Michael, and John gave himself up for the sins of his children, at once both a God and Jesus figure. But Cas wasn’t modelled off anyone else. He is original. There are definitely some parallels to Ruby, but I would argue those are largely unintentional. Cas broke the mold.

That’s to say nothing of the impact he’s had on the fanbase, and the show itself, which would not have reached 15 seasons and be able to end the way they wanted it to without Cas and Misha Collins. His back must be breaking from carrying the entire show.

But what the holy hell are we doing here today? Not just talking about Cas. We’re talking about metanarrativity: as I define it, and for purposes of this episode, the story within a story, and the act of storytelling. We’re going to go through a select few episodes which I think exemplify the best of what this show has to offer in terms of framing the narrative. We’ll talk about characters like Chuck and Becky and the baby dykes in season 10. And most importantly we’ll talk about the audience’s role, our role, in the reciprocal relationship of storytelling. After all, a tv show is nothing without the viewer.

I was in fact introduced to the concept of metanarrativity by Supernatural, so the fact that I’m revisiting it six years after I finished my degree to talk about the show is one of life’s little jokes.

I’m brushing off my degree and bringing out the big guns (aka literary theorists) to examine this concept. This will be yet another piece of analysis that would’ve gone well in my English Lit degree, but I’ll try not to make it dry as dog shit.

First off, I’m going to argue that the relationship between the creators of Supernatural and the fans has always been a dialogue, albeit with a power imbalance. Throughout the series, even before explicitly metanarrative episodes like season 10 “Fan Fiction” and season 4 “the monster at the end of this book,” the creators have always engaged in conversations with the fans through the show. This includes but is not limited to fan conventions, where the creators have actual, live conversations with the fans. Misha Collins admitted at a con that he’d read fanfiction of Cas while he was filming season 4, but it’s pretty clear even from the first season that the creators, at the very least Eric Kripke, were engaging with fans. The show aired around the same time as Twitter and Tumblr were created, both of which opened up new passageways for fans to interact with each other, and for Twitter and Facebook especially, new passageways for fans to interact with creators and celebrities.

But being the creators, they have ultimate control over what is written, filmed and aired, while we can only speculate and make our own transformative interpretations. But at least since s4, they have engaged in meta narrative construction that at once speaks to fans as well as expands the universe in fun and creative ways. My favourite episodes are the ones where we see the Winchesters through the lens of other characters, such as the season 3 episode “Jus In Bello,” in which Sam and Dean are arrested by Victor Henriksen, and the season 7 episode “Slash Fiction” in which Dean and Sam’s dopplegangers rob banks and kill a bunch of people, loathe as I am to admit that season 7 had an effect on any part of me except my upchuck reflex. My second favourite episodes are the meta episodes, and for this episode of Holy Hell, we’ll be discussing a few: The French Mistake, he Monster at the end of this book, the real ghostbusters, Fan Fiction, Metafiction, and Don’t Call Me Shurley. I’ll also discuss Becky more broadly, because, like, of course I’ll be discussing Becky, she died for our sins.

Let’s take it back. The Monster At The End Of This Book — written by Julie Siege and Nancy Weiner and directed by Mike Rohl. Inarguably one of the better episodes in the first five seasons. Not only is Cas in it, looking so beautiful, but Sam gets something to do, thank god, and it introduces the character of Chuck, who becomes a source of comic relief over the next two seasons. The episode starts with Chuck Shurley, pen named Carver Edlund after my besties, having a vision while passed out drunk. He dreams of Sam and Dean larping as Feds and finding a series of books based on their lives that Chuck has written. They eventually track Chuck down, interrogate him, and realise that he’s a prophet of the lord, tasked with writing the Winchester Gospels. The B plot is Sam plotting to kill Lilith while Dean fails to get them out of the town to escape her. The C plot is Dean and Cas having a moment that strengthens their friendship and leads further into Cas’s eventual disobedience for Dean. Like the movie Disobedience. Exactly like the movie Disobedience. Cas definitely spits in Dean’s mouth, it’s kinda gross to be honest. Maybe I’m just not allo enough to appreciate art.

When Eric Kripke was showrunner of the first five seasons of Supernatural, he conceptualised the character of Chuck. Kripke as the author-god introduced the character of the author-prophet who would later become in Jeremy Carver’s showrun seasons the biblical God. Judith May Fathallah writes in “I’m A God: The Author and the Writing Fan in Supernatural” that Kripke writes himself both into and out of the text, ending his era with Chuck winking at the camera, saying, “nothing really ends,” and disappearing. Kripke stayed on as producer, continuing to write episodes through Sera Gamble’s era, and was even inserted in text in the season 6 episode “The French Mistake”. So nothing really does end, not Kripke’s grip on the show he created, not even the show itself, which fans have jokingly referred to as continuing into its 16th season. Except we’re not joking. It will die when all of us are dead, when there is no one left to remember it. According to W R Fisher, humans are homo narrans, natural storytellers. The Supernatural fandom is telling a fidelitous narrative, one which matches our own beliefs, values and experiences instead of that of canon. Instead of, at Fathallah says, “the Greek tradition, that we should struggle to do the right thing simply because it is right, though we will suffer and be punished anyway,” the fans have created an ending for the characters that satisfies each and every one of our desires, because we each create our own endings. It’s better because we get to share them with each other, in the tradition of campfire stories, each telling our own version and building upon the others. If that’s not the epitome of mythmaking then I don’t know. It’s just great. Dean and Cas are married, Eileen and Sam are married, Jack is sometimes a baby who Claire and Kaia are forced to babysit, Jody and Donna are gonna get hitched soon. It’s season 17, time for many weddings, and Kevin Tran is alive. Kripke, you have no control over this anymore, you crusty hag.

Chuck is introduced as someone with power, but not influence over the story, only how the story is told through the medium of the novels. It’s basically a very badly written, non authorised biography, and Charlie reading literally every book and referencing things she should have no knowledge of is so damn creepy and funny. At first Chuck is surprised by his characters coming to life, despite having written it already, and when shown the intimidating array of weapons in Baby’s trunk he gets real scared. Which is the appropriate response for a skinny 5-foot-8 white guy in a bathrobe who writes terrible fantasy novels for a living.

As far as I can remember, this is the first explicitly metanarrative episode in the series, or at least the first one with in world consequences. It builds upon the lore of Christianity, angels, and God, while teasing what’s to come. Chuck and Sam have a conversation about how the rest of the season is going to play out, and Sam comes away with the impression that he’ll go down with the ship. They touch on Sam’s addiction to demon blood, which Chuck admits he didn’t write into the books, because in the world of supernatural, addiction should be demonised ha ha at every opportunity, except for Dean’s alcoholism which is cool and manly and should never be analysed as an unhealthy trauma coping mechanism.

Chuck is mostly impotent in the story of Sam and Dean, but his very presence presents an element of good luck that turns quickly into a force of antagonism in the series four finale, “Lucifer Rising”, when the archangel Raphael who defeats Lilith in this episode also kills Cas in the finale. It’s Cas’s quick thinking and Dean’s quick doing that resolve the episode and save them from Lilith, once again proving that free will is the greatest force in the universe. Cas is already tearing up pages and burning scripts. The fandom does the same, acting as gods of their own making in taking canon and transforming it into fan art. The fans aren’t impotent like Chuck, but neither do we have sway over the story in the way that Cas and Dean do. Sam isn’t interested in changing the story in the same way—he wants to kill Lilith and save the world, but in doing so continues the story in the way it was always supposed to go, the way the angels and the demons and even God wanted him to.

Neither of them are author-gods in the way that God is. We find out later that Chuck is in fact the real biblical god, and he engineers everything. The one thing he doesn’t engineer, however, is Castiel, and I’ll get to that in a minute.

The Real Ghostbusters

Season 5’s “The real ghostbusters,” written by Nancy Weiner and Erik Kripke, and directed by James L Conway, situates the Winchesters at a fan convention for the Supernatural books. While there, they are confronted by a slew of fans cosplaying as Sam, Dean, Bobby, the scarecrow, Azazel, and more. They happen to stumble upon a case, in the midst of the game where the fans pretend to be on a case, and with the help of two fans cosplaying as Sam and Dean, they put to rest a group of homicidal ghost children and save the day. Chuck as the special guest of the con has a hero moment that spurs Becky on to return his affections. And at the end, we learn that the Colt, which they’ve been hunting down to kill the devil, was given to a demon named Crowley. It’s a fun episode, but ultimately skippable. This episode isn’t so much metanarrative as it is metatextual—metatextual meaning more than one layer of text but not necessarily about the storytelling in those texts—but let’s take a look at it anyway.

The metanarrative element of a show about a series of books about the brothers the show is based on is dope and expands upon what we saw in “the monster at the end of this book”. But the episode tells a tale about about the show itself, and the fandom that surrounds it.

Where “The Monster At The End Of This Book” and the season 5 premiere “Sympathy For The Devil” poked at the coiled snake of fans and the concept of fandom, “the real ghostbusters” drags them into the harsh light of an enclosure and antagonises them in front of an audience. The metanarrative element revolves around not only the books themselves, but the stories concocted within the episode: namely Barnes and Demian the cosplayers and the story of the ghosts. The Winchester brothers’s history that we’ve seen throughout the first five seasons of the show is bared in a tongue in cheek way: while we cried with them when Sam and Dean fought with John, now the story is thrown out in such a way as to mock both the story and the fans’ relationship to it. Let me tell you, there is a lot to be made fun of on this show, but the fans’ relationship to the story of Sam, Dean and everyone they encounter along the way isn’t part of it. I don’t mean to be like, wow you can’t make fun of us ever because we’re special little snowflakes and we take everything so seriously, because you are welcome to make fun of us, but when the creators do it, I can’t help but notice a hint of malice. And I think that’s understandable in a way. Like The relationship between creator and fan is both layered and symbiotic. While Kripke and co no doubt owe the show’s popularity to the fans, especially as the fandom has grown and evolved over time, we’re not exactly free of sin. And don’t get me wrong, no fandom is. But the bad apples always seem to outweigh the good ones, and bad experiences can stick with us long past their due.

However, portraying us as losers with no lives who get too obsessed with this show — well, you know, actually, maybe they’re right. I am a loser with no life and I am too obsessed with this show. So maybe they have a point. But they’re so harsh about it. From wincestie Becky who they paint as a desperate shrew to these cosplayers who threaten Dean’s very perception of himself, we’re not painted in a very good light.

Dean says to Demian and Barnes, “It must be nice to get out of your mom’s basement.” He’s judging them for deriving pleasure from dressing up and pretending to be someone else for a night. He doesn’t seem to get the irony that he does that for a living. As the seasons wore on, the creators made sure to include episodes where Dean’s inner geek could run rampant, often in the form of dressing up like a cowboy, such as season six “Frontierland” and season 13 “Tombstone”. I had to take a break from writing this to laugh for five minutes because Dean is so funny. He’s a car gay but he only likes one car. He doesn’t follow sports. His echolalia causes him to blurt out lines from his favourite movies. He’s a posse magnet. And he loves cosplay. But he will continually degrade and insult anyone who expresses interest in role play, fandom, or interests in general. Maybe that’s why Sam is such a boring person, because Dean as his mother didn’t allow him to have any interests outside of hunting. And when Sam does express interests, Dean insults him too. What a dick. He’s my soulmate, but I am not going to stop listening to hair metal for him. That’s where I draw the line.

Where “the monster at the end of this book” is concerned with narrative and authorship, “the real ghostbusters” is concerned with fandom and fan reactions to the show. It’s not really the best example to talk about in an episode about metanarrativity, but I wanted to include it anyway. It veers from talk of narrative by focusing on the people in the periphery of the narrative—the fans and the author. In season 9 “Metafiction,” Metatron asks the question, who gives the story meaning? The text would have you believe it’s the characters. The angels think it’s God. The fandom think it’s us. The creators think it’s them. Perhaps we will never come to a consensus or even a satisfactory answer to this question. Perhaps that’s the point.

The ultimate takeaway from this episode is that ordinary people, the people Sam and Dean save, the people they save the world for, the people they die for again and again, are what give their story meaning. Chuck defeats a ghost and saves the people in the conference room from being murdered. Demian and Barnes, don’t ask me which is which, burn the bodies of the ghost children and lay their spirits to rest. The text says that ordinary, every day people can rise to the challenge of becoming extraordinary. It’s not a bad note to end on, by any means. And then we find out that Demian and Barnes are a couple, which of course Dean is surprised at, because he lacks object permanence.

This is no doubt influenced by how a good portion of the transformative fandom are queer, and also a nod to the wincesties and RPF writers like Becky who continue to bottom feed off the wrong message of this show. But then, the creators encourage that sort of thing, so who are the real clowns here? Everyone. Everyone involved with this show in any way is a clown, except for the crew, who were able to feed their families for more than a decade.

Okay side note… over the past year or so I’ve been in process of realising that even in fandom queers are in the minority. I know the statistic is that 10% of the world population is queer, but that doesn’t seem right to me? Maybe because 4/5 closest friends are queer and I hang around queers online, but I also think I lack object permanence when it comes to straight people. Like I just do not interact with straight people on a regular basis outside of my best friend and parents and school. So when I hear that someone in fandom is straight I’m like, what the fuck… can you keep that to yourself please? Like if I saw Misha Collins coming out as straight I would be like, I didn’t ask and you didn’t have to tell. Okay I’m mostly joking, but I do forget straight people exist. Mostly I don’t think about whether people are gay or trans or cis or straight unless they’ve explicitly said it and then yes it does colour my perception of them, because of course it would. If they’re part of the queer community, they’re my people. And if they’re straight and cis, then they could very well pose a threat to me and my wellbeing. But I never ask people because it’s not my business to ask. If they feel comfortable enough to tell me, that’s awesome. I think Dean feels the same way. Towards the later seasons at least, he has a good reaction when it’s revealed that someone is queer, even if it is mostly played off as a joke. It’s just that he doesn’t have a frame of reference in his own life to having a gay relationship, either his or someone he’s close to. He says to Cesar and Jesse in season 11 “The Critters” that they fight like brothers, because that’s the only way he knows how to conceptualise it. He doesn’t have a way to categorise his and Cas’s relationship, which is in many ways, long before season 15 “Despair,” harking back even to the parallels between Ruby and Cas in season 3 and 4, a romantic one, aside from that Cas is like a brother to him. Because he’s never had anyone in his life care for him the way Cas does that wasn’t Sam and Bobby, and he doesn’t recognise the romantic element of their relationship until literally Cas says it to him in the third last episode, he just—doesn’t know what his and Cas’s relationship is. He just really doesn’t know. And he grew up with a father who despised him for taking the mom and wife role in their family, the role that John placed him in, for being subservient to John’s wishes where Sam was more rebellious, so of course he wouldn’t understand either his own desires or those of anyone around him who isn’t explicitly shoving their tits in his face. He moulded his entire personality around what he thought John wanted of him, and John says to him explicitly in season 14 “Lebanon”, “I thought you’d have a family,” meaning, like him, wife and two rugrats. And then, dear god, Dean says, thinking of Sam, Cas, Jack, Claire, and Mary, “I have a family.” God that hurts so much. But since for most of his life he hasn’t been himself, he’s been the man he thought his father wanted him to be, he’s never been able to examine his own desires, wants and goals. So even though he’s really good at reading people, he is not good at reading other people’s desires unless they have nefarious intentions. Because he doesn’t recognise what he feels is attraction to men, he doesn’t recognise that in anyone else.

Okay that’s completely off topic, wow. Getting back to metanarrativity in “The Real Ghostbusters,” I’ll just cap it off by saying that the books in this episode are more a frame for the events than the events themselves. However, there are some good outtakes where Chuck answers some questions, and I’m not sure how much of that is scripted and how much is Rob Benedict just going for it, but it lends another element to the idea of Kripke as author-god. The idea of a fan convention is really cool, because at this point Supernatural conventions had been running for about 4 years, since 2006. It’s definitely a tribute to the fans, but also to their own self importance. So it’s a mixed bag, considering there were plenty of elements in there that show the good side of fandom and fans, but ultimately the Winchesters want nothing to do with it, consider it weird, and threaten Chuck when he says he’ll start releasing books again, which as far as they know is his only source of income. But it’s a fun episode and Dean is a grouchy bitch, so who the holy hell cares?

Season 10 episode “fanfiction” written by my close personal friend Robbie Thompson and directed by Phil Sgriccia is one of the funniest episodes this show has ever done. Not only is it full of metatextual and metanarrative jokes, the entire premise revolves around fanservice, but in like a fun and interesting way, not fanservice like killing the band Kansas so that Dean can listen to “Carry On My Wayward Son” in heaven twice. Twice. One version after another. Like I would watch this musical seven times in theatre, I would buy the soundtrack, I would listen to it on repeat and make all my friends listen to it when they attend my online Jitsi birthday party. This musical is my Hamilton. Top ten episodes of this show for sure. The only way it could be better is if Cas was there. And he deserved to be there. He deserved to watch little dyke Castiel make out with her girlfriend with her cute little wings, after which he and Dean share uncomfortable eye contact. Dean himself is forever coming to terms with the fact that gay people exist, but Cas should get every opportunity he can to hear that it’s super cool and great and awesome to be queer. But really he should be in every episode, all of them, all 300 plus episodes including the ones before angels were introduced. I’m going to commission the guy who edits Paddington into every movie to superimpose Cas standing on the highway into every episode at least once.

“Fan Fiction” starts with a tv script and the words “Supernatural pilot created by Eric Kripke”. This Immediately sets up the idea that it’s toying with narrative. Blah blah blah, some people go missing, they stumble into a scene from their worst nightmares: the school is putting on a musical production of a show inspired by the Supernatural books. It’s a comedy of errors. When people continue to go missing, Sam and Dean have to convince the girls that something supernatural is happening, while retaining their dignity and respect. They reveal that they are the real Sam and Dean, and Dean gives the director Marie a summary of their lives over the last five seasons, but they aren’t taken seriously. Because, like, of course they aren’t. Even when the girls realise that something supernatural is happening, they don’t actually believe that the musical they’ve made and the series of books they’re basing it on are real. Despite how Sam and Dean Winchester were literal fugitives for many years at many different times, and this was on the news, and they were wanted by the FBI, despite how they pretend to be FBI, and no one mentions it??? Did any of the staffwriters do the required reading or just do what I used to do for my 40 plus page readings of Baudrillard and just skim the first sentence of every paragraph? Neat hack for you: paragraphs are set up in a logical order of Topic, Example, Elaboration, Linking sentence. Do you have to read 60 pages of some crusty French dude waxing poetic about how his best friend Pierre wants to shag his wife and making that your problem? Read the first and last sentence of every paragraph. Boom, done. Just cut your work in half.

The musical highlights a lot of the important moments of the show so far. The brothers have, as Charlie Bradbury says, their “broment,” and as Marie says, their “boy melodrama scene,” while she insinuates that there is a sexual element to their relationship. This show never passed up an opportunity to mention incest. It’s like: mentioning incest 5000 km, not being disgusting 1 km, what a hard decision. Actually, they do have to walk on their knees for 100 miles through the desert repenting. But there are other moments—such as Mary burning on the ceiling, a classic, Castiel waiting for Dean at the side of the highway, and Azazel poisoning Sam. With the help of the high schoolers, Sam and Dean overcome Calliope, the muse and bad guy of the episode, and save the day. What began as their lives reinterpreted and told back to them turns into a story they have some agency over.

In this episode, as opposed to “The Monster At The End Of This Book,” The storytelling has transferred from an alcoholic in a bathrobe into the hands of an overbearing and overachieving teenage girl, and honestly why not. Transformative fiction is by and large run by women, and queer women, so Marie and her stage manager slash Jody Mills’s understudy Maeve are just following in the footsteps of legends. This kind of really succinctly summarises the difference between curative fandom and transformative fandom, the former of which is populated mostly by men, and the latter mostly by women. As defined by LordByronic in 2015, Curative fandom is more like enjoying the text, collecting the merchandise, organising the knowledge — basically Reddit in terms of fandom curation. Transformative fandom is transforming the source text in some way — making fanart, fanfic, mvs, or a musical — basically Tumblr in general, and Archive of our own specifically. Like what do non fandom people even do on Tumblr? It is a complete mystery to me. Whereas Chuck literally writes himself into the narrative he receives through visions, Marie and co have agency and control over the narrative by writing it themselves.

Chuck does appear in the episode towards the end, his first appearance after five seasons. The theory that he killed those lesbian theatre girls makes me wanna curl up and die, so I don’t subscribe to it. Chuck watched the musical and he liked it and he gave unwarranted notes and then he left, the end.

The Supernatural creative team is explicitly acknowledging the fandom’s efforts by making this episode. They’re writing us in again, with more obsessive fans, but with lethbians this time, which makes it infinitely better. And instead of showing us as potential date rapists, we’re just cool chicks who like to make art. And that’s fucken awesome.

I just have to note that the characters literally say the word Destiel after Dean sees the actors playing Dean and Cas making out. He storms off and tells Sam to shut the fuck up when Sam makes fun of him, because Dean’s sexuality is NOT threatened he just needs to assert his dominance as a straight hetero man who has NEVER looked at another man’s lips and licked his own. He just… forgets that gay people exist until someone reminds him. BUT THEN, after a rousing speech that is stolen from Rent or Wicked or something, he echoes Marie’s words back, saying “put as much sub into that text as you possibly can.” What does Dean know about subbing, I wonder. Okay I’m suddenly reminded that he did literally go to a kink bar and get hit on by a leather daddy. Oh Dean, the experiences you have as a broad-shouldered, pixie-faced man with cowboy legs. You were born for this role.

Metatron is my favourite villain. As one tumblr user pointed out, he is an evil English literature major, which is just a normal English literature major. The season nine episode “Meta Fiction” written by my main man robbie thompson and directed by thomas j wright, happens within a curious season. Castiel, once again, becomes the leader of a portion of the heavenly host to take down Metatron, and Dean is affected by the Mark Of Cain. Sam was recently possessed by Gadreel, who killed Kevin in Sam’s body and then decided to run off with Metatron. Metatron himself is recruiting angels to join him, in the hopes that he can become the new God. It’s the first introduction of Hannah, who encourages Cas to recruit angels himself to take on Metatron. Also, we get to see Gabriel again, who is always a delight.

This episode is a lot of fun. Metatron poses questions like, who tells a story and who is the most important person in the telling? Is it the writer? The audience? He starts off staring over his typewriter to address the camera, like a pompous dickhead. No longer content with consuming stories, he’s started to write his own. And they are hubristic ones about becoming God, a better god than Chuck ever was, but to do it he needs to kill a bunch of people and blame it on Cas. So really, he’s actually exactly like Chuck who blamed everything on Lucifer.

But I think the most apt analogy we can use for this in terms of who is the creator is to think of Metatron as a fanfiction writer. He consumes the media—the Winchester Gospels—and starts to write his own version of events—leading an army to become God and kill Cas. Nevermind that no one has been able to kill Cas in a way that matters or a way that sticks. Which is canon, and what Metatron is trying to do is—well not fanon because it actually does impact the Winchesters’ storyline. It would be like if one of the writers of Supernatural began writing Supernatural fanfiction before they got a job on the show. Which as my generation and the generations coming after me get more comfortable with fanfiction and fandom, is going to be the case for a lot of shows. I think it’s already the case for Riverdale. Correct me if I’m wrong, but didn’t the woman who wrote the bi Dean essay go to work on Riverdale? Or something? I dunno, I have the post saved in my tumblr likes but that is quagmire of epic proportions that I will easily get lost in if I try to find it.

Okay let me flex my literary degree. As Englund and Leach say in “Ethnography and the metanarratives of modernity,” “The influential “literary turn,” in which the problems of ethnography were seen as largely textual and their solutions as lying in experimental writing seems to have lost its impetus.” This can be taken to mean, in the context of Supernatural, that while Metatron’s writings seek to forge a new path in history, forgoing fate for a new kind of divine intervention, the problem with Metatron is that he’s too caught up in the textual, too caught up in the writing, to be effectual. And this as we see throughout seasons 9, 10 and 11, has no lasting effect. Cas gets his grace back, Dean survives, and Metatron becomes a powerless human. In this case, the impetus is his grace, which he loses when Cas cuts it out of him, a mirror to Metatron cutting out Cas’s grace.

However, I realise that the concept of ethnography in Supernatural is a flawed one, ethnography being the observation of another culture: a lot of the angels observe humanity and seem to fit in. However, Cas has to slowly acclimatise to the Winchesters as they tame him, but he never quite fit in—missing cues, not understanding jokes or Dean’s personal space, the scene where he says, “We have a guinea pig? Where?” Show him the guinea pig Sam!!! He wants to see it!!! At most he passes as a human with autism. Cas doesn’t really observe humanity—he observes nature, as seen in season 7 “reading is fundamental” and “survival of the fittest”. Even the human acts he talks about in season 6 “the man who would be king” are from hundreds or thousands of years ago. He certainly doesn’t observe popular culture, which puts him at odds with Dean, who is made up of 90 per cent pop culture references and 10 per cent flannel. Metatron doesn’t seek to blend in with humanity so much as control it, which actually is the most apt example of ethnography for white people in the last—you know, forever. But of course the writers didn’t seek to make this analogy. It is purely by chance, and maybe I’m the only person insane enough to realise it. But probably not. There are a lot of cookies much smarter than me in the Supernatural fandom and they’ve like me have grown up and gone to university and gotten real jobs in the real world and real haircuts. I’m probably the only person to apply Englund and Leach to it though.

And yes, as I read this paper I did need to have one tab open on Google, with the word “define” in the search bar.

Metatron has a few lines in this that I really like. He says:

“The universe is made up of stories, not atoms.”

“You’re going to have to follow my script.”

“I’m an entity of my word.”

It’s really obvious, but they’re pushing the idea that Metatron has become an agent of authorship instead of just a consumer of media. He even throws a Supernatural book into his fire — a symbolic act of burning the script and flipping the writer off, much like Cas did to God and the angels in season 5. He’s not a Kripke figure so much as maybe a Gamble, Carver or Dabb figure, in that he usurps Chuck and becomes the author-god. This would be extremely postmodern of him if he didn’t just do exactly what Chuck was doing, except worse somehow. In fact, it’s postmodern of Cas to reject heaven’s narrative and fall for Dean. As one tumblr user points out, Cas really said “What’s fate compared to Dean Winchester?”

Okay this transcript is almost 8000 words already, and I still have two more episodes to review, and more things to say, so I’ll leave you with this. Metatron says to Cas, “Out of all of God’s wind up toys, you’re the only one with any spunk.” Why Cas has captured his attention comes down more than anything to a process of elimination. Most angels fucking suck. They follow the rules of whoever puts themselves in charge, and they either love Cas or hate him, or just plainly wanna fuck him, and there have been few angels who stood out. Balthazar was awesome, even though I hated him the first time I watched season 6. He UNSUNK the Titanic. Legend status. And Gabriel was of course the OG who loves to fuck shit up. But they’re gone at this stage in the narrative, and Cas survives. Cas always survives. He does have spunk. And everyone wants to fuck him.

Season 11 episode 20 “Don’t Call Me Shurley,” the last episode written by the Christ like figure of Robbie Thompson — are we sensing a theme here? — and directed by my divine enemy Robert Singer, starts with Metatron dumpster diving for food. I’m not even going to bother commenting on this because like… it’s supernatural and it treats complex issues like homelessness and poverty with zero nuance. Like the Winchesters live in poverty but it’s fun and cool because they always scrape by but Metatron lives in poverty and it’s funny. Cas was homeless and it was hard but he needed to do it to atone for his sins, and Metatron is homeless and it’s funny because he brought it on himself by being a murderous dick. Fucking hell. Robbie, come on. The plot focuses on God, also known as Chuck Shurley, making himself known to Metatron and asking for Metatron’s opinion on his memoir. Meanwhile, the Winchesters battle another bout of infectious serial killer fog sent by Amara. At the end of the episode, Chuck heals everyone affected by the fog and reveals himself to Sam and Dean.

Chuck says that he didn’t foresee Metatron trying to become god, but the idea of Season 15 is that Chuck has been writing the Winchesters’ story all their lives. When Metatron tries, he fails miserably, is locked up in prison, tortured by Dean, then rendered useless as a human and thrown into the world without a safety net. His authorship is reduced to nothing, and he is reduced to dumpster diving for food. He does actually attempt to live his life as someone who records tragedies as they happen and sells the footage to news stations, which is honestly hilarious and amazing and completely unsurprising because Metatron is, at the heart of it, an English Literature major. In true bastard style, he insults Chuck’s work and complains about the bar, but slips into his old role of editor when Chuck asks him to.

The theory I’m consulting for this uses the term metanarrative in a different way than I am. They consider it an overarching narrative, a grand narrative like religion. Chuck’s biography is in a sense most loyal to Middleton and Walsh’s view of metanarrative: “the universal story of the world from arche to telos, a grand narrative encompassing world history from beginning to end.” Except instead of world history, it’s God’s history, and since God is construed in Supernatural as just some guy with some powers who is as fallible as the next some guy with some powers, his story has biases and agendas. Okay so in the analysis I’m getting Middleton and Walsh’s quotes from, James K A Smith’s “A little story about metanarratives,” Smith dunks on them pretty bad, but for Supernatural purposes their words ring true. Think of them as the BuckLeming of Lyotard’s postmodern metanarrative analysis: a stopped clock right twice a day. Is anyone except me understanding the sequence of words I’m saying right now. Do I just have the most specific case of brain worms ever found in human history. I’m currently wearing my oversized Keith Haring shirt and dipping pretzels into peanut butter because it’s 3.18 in the morning and the homosexuals got to me. The total claims a comprehensive metanarrative of world history make do indeed, as Middleton and Walsh claim, lead to violence, stay with me here, because Chuck’s legacy is violence, and so is Metatron’s, and in trying to reject the metanarrative, Sam and Dean enact violence. Mostly Dean, because in season 15 he sacrifices his own son twice to defeat Chuck. But that means literally fighting violence with violence. Violence is, after all, all they know. Violence is the lens through which they interact with the world. If the writers wanted to do literally anything else, they could have continued Dean’s natural character progression into someone who eschews the violence that stems from intergeneration trauma — yes I will continue to use the phrase intergenerational trauma whenever I refer to Dean — and becomes a loving father and husband. Sam could eschew violence and start a monster rehabilitation centre with Eileen.

This episode of Holy Hell is me frantically grabbing at straws to make sense of a narrative that actively hates me and wants to kick me to death. But the violence Sam and Dean enact is not at a metanarrative level, because they are not author-gods of their own narrative. In season 15 “Atomic Monsters,” Becky points out that the ending of the Supernatural book series is bad because the brothers die, and then, in a shocking twist of fate, Dean does die, and the narrative is bad. The writers set themselves a goal post to kick through and instead just slammed their heat into the bars. They set up the dartboard and were like, let’s aim the darts at ourselves. Wouldn’t that be fun. Season 15’s writing is so grossly incompetent that I believe every single conspiracy theory that’s come out of the finale since November, because it’s so much more compelling than whatever the fuck happened on the road so far. Carry on? Why yes, I think I will carry on, carry on like a pork chop, screaming at the bars of my enclosure until I crack my voice open like an egg and spill out all my rage and frustration. The world will never know peace again. It’s now 3.29 and I’ve written over 9000 words of this transcript. And I’m not done.

Middleton and Walsh claim that metanarratives are merely social constructions masquerading as universal truths. Which is, exactly, Supernatural. The creators have constructed this elaborate web of narrative that they want to sell us as the be all and end all. They won’t let the actors discuss how they really feel about the finale. They won’t let Misha Collins talk about Destiel. They want us to believe it was good, actually, that Dean, a recovering alcoholic with a 30 year old infant son and a husband who loves him, deserved to die by getting NAILED, while Sam, who spent the last four seasons, the entirety of Andrew Dabb’s run as showrunner, excelling at creating a hunter network and romancing both the queen of hell and his deaf hunter girlfriend, should have lived a normie life with a normie faceless wife. Am I done? Not even close. I started this episode and I’m going to finish it.

When we find out that Chuck is God in the episode of season 11, it turns everything we knew about Chuck on its head. We find out in Season 15 that Chuck has been writing the Winchesters’ story all along, that everything that happened to them is his doing. The one thing he couldn’t control was Cas’s choice to rebel. If we take him at his word, Cas is the only true force of free will in the entire universe, and more specifically, the love that Cas had for Dean which caused him to rebel and fall from heaven. — This theory has holes of course. Why would Lucifer torture Lilith into becoming the first demon if he didn’t have free will? Did Chuck make him do that? And why? So that Chuck could be the hero and Lucifer the bad guy, like Lucifer claimed all along? That’s to say nothing of Adam and Eve, both characters the show introduced in different ways, one as an antagonist and the other as the narrative foil to Dean and Cas’s romance. Thinking about it makes my head hurt, so I’m just not gunna.

So Chuck was doing the writing all along. And as Becky claims in “Atomic Monsters,” it’s bad writing. The writers explicitly said, the ending Chuck wrote is bad because there’s no Cas and everyone dies, and then they wrote an ending where there is no Cas and everyone dies. So talk about self-fulfilling prophecies. Talk about giant craters in the earth you could see from 800 kilometres away but you still fell into. Meanwhile fan writers have the opportunity to write a million different endings, all of which satisfy at least one person. The fandom is a hydra, prolific and unstoppable, and we’ll keep rewriting the ending a million more times.

And all this is not even talking about the fact that Chuck is a man, Metatron is a man, Sam and Dean and Cas are men, and the writers and directors of the show are, by an overwhelming majority, men. Most of them are white, straight, cis men. Feminist scholarship has done a lot to unpack the damage done by paternalistic approaches to theory, sociology, ethnography, all the -ys, but I propose we go a step further with these men. Kill them. Metanarratively, of course. Amara, the Darkness, God’s sister, had a chance to write her own story without Chuck, after killing everything in the universe, and I think she had the right idea. Knock it all down to build it from the ground up. Billie also had the opportunity to write a narrative, but her folly was, of course, putting any kind of faith in the Winchesters who are also grossly incompetent and often fail up. She is, as all author-gods on this show are, undone by Castiel. The only one with any spunk, the only one who exists outside of his own narrative confines, the only one the author-gods don’t have any control over. The one who died for love, and in dying, gave life.

The French Mistake

Let’s change the channel. Let’s calm ourselves and cleanse our libras. Let’s commune with nature and chug some sage bongs.

“The French Mistake” is a song from the Mel Brooks film Blazing Saddles. In the iconic second last scene of the film, as the cowboys fight amongst themselves, the camera pans back to reveal a studio lot and a door through which a chorus of gay dancersingers perform “the French Mistake”. The lyrics go, “Throw out your hands, stick out your tush, hands on your hips, give ‘em a push. You’ll be surprised you’re doing the French Mistake.”

I’m not sure what went through the heads of the Supernatural creators when they came up with the season 6 episode, “The French Mistake,” written by the love of my life Ben Edlund and directed by some guy Charles Beeson. Just reading the Wikipedia summary is so batshit incomprehensible. In short: Balthazar sends Sam and Dean to an alternate universe where they are the actors Jared Padalecki and Jensen Ackles, who play Sam and Dean on the tv show Supernatural. I don’t think this had ever been done in television history before. The first seven seasons of this show are certifiable. Like this was ten years ago. Think about the things that have happened in the last 10 slutty, slutty years. We have lived through atrocities and upheaval and the entire world stopping to mourn, but also we had twitter throughout that entire time, which makes it infinitely worse.

In this universe, Sam and Dean wear makeup, Cas is played by attractive crying man Misha Collins, and Genevieve Padalecki nee Cortese makes an appearance. Magic doesn’t exist, Serge has good ideas, and the two leads have to act in order to get through the day. Sorry man I do not know how to pronounce your name.

Sidenote: I don’t know if me being attracted aesthetically to Misha Collins is because he’s attractive, because this show has gaslighted me into thinking he’s attractive, or because Castiel’s iconic entrance in 2008 hit my developing mind like a torpedo full of spaghetti and blew my fucking brains all over the place. It’s one of life’s little mysteries and God’s little gifts.

Let’s talk about therapy. More specifically, “Agency and purpose in narrative therapy: questioning the postmodern rejection of metanarrative” by Cameron Lee. In this paper, Lee outlines four key ideas as proposed by Freedman and Combs:

Realities are socially constructed

Realities are constituted through language

Realities are organised and maintained through narrative

And there are no essential truths.

Let’s break this down in the case of this episode. Realities are socially constructed: the reality of Sam and Dean arose from the Bush era. Do I even need to elaborate? From what I understand with my limited Australian perception, and being a child at the time, 9/11 really was a prominent shifting point in the last twenty years. As Americans describe it, sometimes jokingly, it was the last time they were really truly innocent. That means to me that until they saw the repercussions of their government’s actions in funding turf wars throughout the middle east for a good chunk of the 20th Century, they allowed themselves to be hindered by their own ignorance. The threat of terrorism ran rampant throughout the States, spurred on by right wing nationalists and gun-toting NRA supporters, so it’s really no surprise that the show Supernatural started with the premise of killing everything in sight and driving around with only your closest kin and a trunk full of guns. Kripke constructed that reality from the social-political climate of the time, and it has wrought untold horrors on the minds of lesbians who lived through the noughties, in that we are now attracted to Misha Collins.

Number two: Realities are constituted through language. Before a show can become a show, it needs to be a script. It’s written down, typed up, and given to actors who say the lines out loud. In this respect, they are using the language of speech and words to convey meaning. But tv shows are not all about words, and they’re barely about scripts. From what I understand of being raised by television, they are about action, visuals, imagery, and behaviours. All of the work that goes into them—the scripts, the lighting, the audio, the sound mixing, the cameras, the extras, the ADs, the gaffing, the props, the stunts, everything—is about conveying a story through the medium of images. In that way, images are the language. The reality of the show Supernatural, inside the show Supernatural, is constituted through words: the script, the journalists talking to Sam, the makeup artist taking off Dean’s makeup, the conversations between the creators, the tweets Misha sends. But also through imagery: the fish tank in Jensen’s trailer, the model poses on the front cover of the magazine, the opulence of Jared’s house, Misha’s iconic sweater. Words and images are the language that constitutes both of these realities. Okay for real, I feel like I’ve only seen this episode max three times, including when I watched it for research for this episode, but I remember so much about it.

Number three: realities are organised and maintained through narrative. In this universe of the French Mistake, their lives are structured around two narratives: the internal narrative of the show within the show, in which they are two actors on a tv set; and the episode narrative in which they need to keep the key safe and return to their own universe. This is made difficult by the revelation that magic doesn’t work in this universe, however, they find a way. Before they can get back, though, an avenging angel by the name of Virgil guns down author-god Eric Kripke and tries to kill the Winchesters. However, they are saved by Balthazar and the freeze frame and brought back into their own world, the world of Supernatural the show, not Supernatural the show within the show within the nesting doll. And then that reality is done with, never to be revisited or even mentioned, but with an impact that has lasted longer than the second Bush administration.

And number four: there are no essential truths. This one is a bit tricky because I can’t find what Lee means by essential truths, so I’m just going to interpret that. To me, essential truths means what lies beneath the narratives we tell ourselves. Supernatural was a show that ran for 15 years. Supernatural had actors. Supernatural was showrun by four different writers. In the show within a show, there is nothing, because that ceases to exist for longer than the forty two minute episode “The French Mistake”. And since Supernatural no longer exists except in our computers, it is nothing too. It is only the narratives we tell ourselves to sleep better at night, to wake up in the morning with a smile, to get through the day, to connect with other people, to understand ourselves better. It’s not even the narrative that the showrunners told, because they have no agency over it as soon as it shows up on our screens. The essential truth of the show is lost in the translation from creating to consuming. Who gives the story meaning? The people watching it and the people creating it. We all do.

Lee says that humans are predisposed to construct narratives in order to make sense of the world. We see this in cultures from all over the world: from cave paintings to vases, from The Dreaming to Beowulf, humans have always constructed stories. The way you think about yourself is a story that you’ve constructed. The way you interact with your loved ones and the furries you rightfully cyberbully on Twitter is influenced by the narratives you tell yourself about them. And these narratives are intricate, expansive, personalised, and can colour our perceptions completely, so that we turn into a different person when we interact with one person as opposed to another.

Whatever happened in season 6, most of which I want to forget, doesn’t interest me in the way I’m telling myself the writers intended. For me, the entirety of season 6 was based around the premise of Cas being in love with Dean, and the complete impotence of this love. He turns up when Dean calls, he agonises as he watches Dean rake leaves and live his apple pie life with Lisa, and Dean is the person he feels most horribly about betraying. He says, verbatim, to Sam, “Dean and I do share a more profound bond.” And Balthazar says, “You’re confusing me with the other angel, the one in the dirty trenchcoat who’s in love with you.” He says this in season 6, and we couldn’t do a fucken thing about it.

The song “The French Mistake” shines a light on the hidden scene of gay men performing a gay narrative, in the midst of a scene about the manliest profession you can have: professional horse wrangler, poncho wearer, and rodeo meister, the cowboy. If this isn’t a perfect encapsulation of the lovestory between Dean and Cas, which Ben Edlund has been championing from day fucking one of Misha Collins walking onto that set with his sex hair and chapped lips, then I don’t know what the fuck we’re even doing here. What in the hell else could it possibly mean. The layers to this. The intricacy. The agendas. The subtextual AND blatant queerness. The micro aggressions Crowley aimed at Car in “The Man Who Would Be King,” another Bedlund special. Bed Edlund is a fucking genius. Bed Edlund is cool girl. Ben Edlund is the missing link. Bed Edlund IS wikileaks. Ben Edlund is a cool breeze on a humid summer day. Ben Edlund is the stop loading button on a browser tab. Ben Edlund is the perfect cross between Spotify and Apple Music, in which you can search for good playlists, but without having to be on Spotify. He can take my keys and fuck my wife. You best believe I’m doing an entire episode of Holy Hell on Bedlund’s top five. He is the reason I want to get into staffwriting on a tv show. I saw season 4 episode “On the head of a pin” when my brain was still torpedoed spaghetti mush from the premiere, and it nestled its way deep into my exposed bones, so that when I finally recovered from that, I was a changed person. My god, this transcript is 11,000 words, and I haven’t even finished the Becky section. Which is a good transition.

Oh, Becky. She is an incarnation of how the writers, or at least Kripke, view the fans. Watching season 5 “Sympathy for the Devil” live in 2009 was a whole fucking trip that I as a baby gay was not prepared for. Figuring out my sexuality was a journey that started with the Supernatural fandom and is in some aspects still raging against the dying of the light today. Add to that, this conception of the audience was this, like, personification of the librarian cellist from Juno, but also completely without boundaries, common sense, or shame. It made me wonder about my position in the narrative as a consumer consuming. Is that how Kripke saw me, specifically? Was I like Becky? Did my forays into DeanCasNatural on El Jay dot com make me a fucking loser whose only claim to fame is writing some nasty fanfiction that I’ve since deleted all traces of? Don’t get me wrong, me and my unhinged Casgirl friends loved Becky. I can’t remember if I ever wrote any fanfiction with her in it because I was mostly writing smut, which is extremely Becky coded of me, but I read some and my friends and I would always chat about her when she came up. She was great entertainment value before season 7. But in the eyes of the powers that be, Becky, like the fans themselves, are expendable. First they turned her into a desperate bride wannabe who drugs Sam so that he’ll be with her, then Chuck waves his hand and she disappears. We’re seeing now with regards to Destiel, Cas, and Misha Collins this erasure of them from the narrative. Becky says in season 15 “Atomic Monsters” that the ending Chuck writes is bad because, for one, there’s no Cas, and that’s exactly what’s happening to the text post-finale. It literally makes me insane akin to the throes of mania to think about the layers of this. They literally said, “No Cas = bad” and now Misha isn’t even allowed to talk in his Cassona voice—at least at the time I wrote that—to the detriment of the fans who care about him. It’s the same shit over and over. They introduce something we like, they realise they have no control over how much we like it, and then they pretend they never introduced it in the first place. Season 7, my god. The only reason Gamble brought back Cas was because the ratings were tanking the show. I didn’t even bother watching most of it live, and would just hear from my friends whether Cas was in the episodes or not. And then Sera, dear Sera, had the gall to say it was a Homer’s Odyssey narrative. I’m rusty on Homer aka I’ve never read it but apparently Odysseus goes away, ends up with a wife on an island somewhere, and then comes back to Terabithia like it never happened. How convenient. But since Sera Gamble loves to bury her gays, we can all guess why Cas was written out of the show: Cas being gay is a threat to the toxic heteronormativity spouted by both the show and the characters themselves. In season 15, after Becky gets her life together, has kids, gets married, and starts a business, she is outgrowing the narrative and Chuck kills her. The fans got Destiel Wedding trending on Twitter, and now the creators are acting like he doesn’t exist. New liver, same eagles.

I have to add an adendum: as of this morning, Sunday 11th, don’t ask me what time that is in Americaland, Misha Collins did an online con/Q&A thing and answered a bunch of questions about Cas and Dean, which goes to show that he cannot be silenced. So the narrative wants to be told. It’s continuing well into it’s 16th or 17th season. It’s going to keep happening and they have no recourse to stop it. So fuck you, Supernatural.

I did write the start of a speech about representation but, who the holy hell cares. I also read some disappointing Masters theses that I hope didn’t take them longer to research and write than this episode of a podcast I’m making for funsies took me, considering it’s the same number of pages. Then again I have the last four months and another 8 years of fandom fuelling my obsession, and when I don’t sleep I write, hence the 4,000 words I knocked out in the last 12 hours.

Some final words. Lyotard defines postmodernism, the age we live in, as an incredulity towards metanarratives. Modernism was obsessed with order and meaning, but postmodernism seeks to disrupt that. Modernists lived within the frame of the narrative of their society, but postmodernists seek to destroy the frame and live within our own self-written contexts. Okay I love postmodernist theory so this has been a real treat for me. Yoghurt, Sam? Postmodernist theory? Could I BE more gay?

Middleton and Walsh in their analysis of postmodernism claim that biblical faith is grounded in metanarrative, and explore how this intersects with an era that rejects metanarrative. This is one of the fundamental ideas Supernatural is getting at throughout definitely the last season, but other seasons as well. The narratives of Good vs Evil, Michael vs Lucifer, Dean vs Sam, were encoded into the overarching story of the show from season 1, and since then Sam and Dean have sought to break free of them. Sam broke free of John’s narrative, which was the hunting life, and revenge, and this moralistic machismo that they wrapped themselves up in. If they’re killing the evil, then they’re not the evil. That’s the story they told, and the impetus of the show that Sam was sucked back into. But this thread unravelled in later seasons when Dean became friends with Benny and the idea that all supernatural creatures are inherently evil unravelled as well. While they never completely broke free of John’s hold over them, welcoming Jack into their lives meant confronting a bias that had been ingrained in them since Dean was 4 years old and Sam 6 months. In the face of the question, “are all monsters monstrous?” the narrative loosens its control. Even by questioning it, it throws into doubt the overarching narrative of John’s plan, which is usurped at the end of season 2 when they kill Azazel by Dean’s demon deal and a new narrative unfolds. John as author-god is usurped by the actual God in season 4, who has his own narrative that controls the lives of Sam, Dean and Cas.

Okay like for real, I do actually think the metanarrativity in Supernatural is something that should be studied by someone other than me, unless you wanna pay me for it and then shit yeah. It is extremely cool to introduce a biographical narrative about the fictional narrative it’s in. It’s cool that the characters are constantly calling this narrative into focus by fighting against it, struggling to break free from their textual confines to live a life outside of the external forces that control them. And the thing is? The really real, honest thing? They have. Sam, Dean and Cas have broken free of the narrative that Kripke, Carver, Gamble and Dabb wrote for them. The very fact that the textual confession of love that Cas has for Dean ushered in a resurgence of fans, fandom and activity that has kept the show trending for five months after it ended, is just phenomenal. People have pointed out that fans stopped caring about Game of Thrones as soon as it ended. Despite the hold they had over tv watchers everywhere, their cultural currency has been spent. The opposite is true for Supernatural. Despite how the finale of the show angered and confused people, it gains more momentum every day. More fanworks, more videos, more fics, more art, more ire, more merch is being generated by the fans still. The Supernatural subreddit, which was averaging a few posts a week by season 15, has been incensed by the finale. And yours truly happily traipsed back into the fandom snake pit after 8 years with a smile on my face and a skip in my step ready to pump that dopamine straight into my veins babeeeeeeyyyyy. It’s been WILD. I recently reconnected with one of my mutuals from 2010 and it’s like nothing’s changed. We’re both still unhinged and we both still simp for Supernatural. Even before season 15, I was obsessed with the podcast Ride Or Die, which I started listening to in late 2019, and Supernatural was always in the back of my mind. You just don’t get over your first fandom. Actually, Danny Phantom was my first fandom, and I remember being 12 talking on Danny Phantom forums to people much too old to be the target audience of the show. So I guess that hasn’t left me either. And the fondest memories I have of Supernatural is how the characters have usurped their creators to become mythic, long past the point they were supposed to die a quiet death. The myth weaving that the Supernatural fandom is doing right now is the legacy that will endure.

References

I got all of these for free from Google Scholar!

Judith May Fathallah, “I’m A God: The Author and the Writing Fan in Supernatural.”

James K A Smith, “A Little Story About Metanarratives: Lyotard, Religion and Postmodernism Revisited.” 2001.

Cameron Lee, “Agency and Purpose in Narrative Therapy: Questioning the Postmodern Rejection of Metanarrative.” 2004.

Harri Englund and James Leach, “Ethnography and the Meta Narratives of Modernity.” 2000.

https://uproxx.com/filmdrunk/mel-brooks-explains-french-mistake-blazing-saddles-blu-ray/

#transcripts #supernatural #supernatural podcast #<60mins #this is first and foremost a podcast about cas and misha collins

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msmarvelouswinchester · 4 years ago

Text

Never Gonna Lose You

Summary - Even with Chuck's danger hanging over the heads of the Winchesters and the Reader, preparations for Dean and Reader's wedding start in the bunker

Pairing - Dean x reader, Sam x reader (platonic)

Warning - Fluff, just pure tooth rotting fluff (yeah ik it's highly unlike me) and maybe a bit of swearing

Word Count - 1.5k

A/N - This is the sequel to Don't Wanna Lose You as requested by @miss-nerd95 (I finally wrote it)

This is the first time I have attempted to write a fic with a wedding ceremony in it so I hope it turns out okay. (Also if there is any rule wrong in the wedding ceremony, please let me know because I wrote the rules of the ceremony after I saw it on the internet and from movies).

Spn divider by the amazingly talented @talesmaniac89 (if you can, check out her blog. She is so good)

"Hey! I came back to the bunker to find it empty. Where were you both?"

You were trying your best to stop the large smile that was threatening to spread on your face.

"We were uh..out", you gave Sam an innocent smile.

"Oh no. No I don't want to hear about my brother's sex life", Sam scrunched up his face in pure disgust.

"Get your mind out of the gutter Sammy because we have some news", Dean said with a stupid grin on his face.

"Please don't tell me Y/N's pregnant because I can't handle a mini Dean right now in the bunker", Sam said.

"What no! I am not pregnant-"

"We're getting married!" Dean declared proudly.

"What? That's great! Congratulations you guys", Sam literally ran towards you both and pulled you and his brother into a bone crushing hug.

"That's enough Sam", Dean groaned.

Sam let go of you both, "So when's the wedding? Where's the ring? Show me the ring".

"When did you become so girly Sammy?" Dean teased Sam which resulted in him getting a glare from the younger hunter.

"I'm just very excited for you both. Welcome to the Winchester family, Y/N. I am very happy for you Dean but Y/N not really, you could have done a lot better", Sam smirked.

"Ow", Sam yelped when his brother smacked his head.

"So when's the wedding? Did you tell Cas and Jack? Where will be the wedding?" Sam started to fire different questions at you.

"Hold your damn horses, Sammy. I don't know when's the-"

"We are getting married next week," Dean said, cutting you off mid-sentence which made your eyes go wide.

"Next week?" You exclaimed, "Dean are you crazy? We can't get married next week! There is so much to do! It's a goddamn wedding! Decorations, dress, catering - are you out of your mind, Dean Winchester?"

"We'll manage, sweetheart. It will be fine," Dean tried to assure when he saw you had already started panicking.

And damn did he make sure it was fine. The week went by a blink of an eye. With every passing day you were growing more anxious even though Dean did his best to make this the perfect wedding.

Growing up as a hunter, you never thought marriage was in your cards. You always thought that you would be long dead even before you meet the man of your dreams but it all changed when you met Dean.

Your meeting with Dean was out of pure luck. Your car had crashed into his when you were on a run from a monster. They immediately found out that you were hunting the same nest of vampire that they were. They were quite taken aback when you told them that you were a solo hunter.

Although as much as Dean was furious at first because you damaged his beloved Baby, you and him slowly became good friends. So when Sam invited you to live with them, you agreed without any second thoughts. Sam was like the younger brother you never had but Dean was another story. After several months of dancing around the fact that you both had feelings for each other and also because of Sam’s annoyance, Dean decided to ask you out.

Now, today as you looked at your reflection in the mirror, tears started to well up in your eyes. You never thought you would be able to see yourself like this - wearing a beautiful white gown as your would-be husband takes a stand at the altar, waiting for you to walk down the aisle.

“All done, sweetie,” Jody said as she put the final touches to your makeup and hair, “you look beautiful.”

You took a final look at yourself in the mirror. Your eyes travelled south, eventually finding the beautiful engagement ring on your hand. Dean had given it to you on the same night he had asked you to marry him. The ring was perfectly kept in the pocket of one of his coats - he wanted to ask you for a long time but he always would chicken out at the last minute until that night. After he had put the ring on your finger, Dean had pulled you close, whispering “I love you” into your ear a thousand times. That night had ended with you and him in bed, entangled up with each other, panting and mumbling ‘I love you’s into each other's ears.

You smiled when you remembered the soft memory from that night.

“Jody, just don't let me fall while I walk down the aisle,” you said, standing up. Claire and Alex helped with the gown.

“Oh honey, I won't let you fall but if I do Dean will be there to catch you. That boy will always catch you before you hit the ground,” Jody said.

Jody Mills, you met her after you became a permanent resident of the bunker. She was a good friend of the Winchesters but she was more like a mother to you than a friend. She was there whenever you needed to talk. She supported you always so when Dean asked you about who will walk you down the aisle, you went straight to Jody’s house and asked her the question. She was surprised but eventually agreed, with tears in her eyes.

“We're ready,” Donna poked her head into the room and said.

Alex and Claire walked out of the room before you.

You linked your right arm with Jody’s, taking a deep breath, you tried to calm down your racing heart.

“Let's do this.”

You walked out of your dressing room and started to walk towards the garage where the wedding crremony was being held.

When you reached the garage you saw a carpet was spread out for you, with flowers sprinkled over it. You looked up and saw Claire and Alex standing on the side, Jack standing there with your wedding bands. The few guests you had invited - Bobby, Charlie, Rowena, Donna sitting at the front. You saw Sam standing beside Dean, he had a black tux on. He was looking right at you with a small smile on his face. Just beside him, stood Dean, a soft smile playing on his lips.

You started to tear up when you saw him. This was all you ever wanted - to spend the rest of your life with the man you love, your soulmate.

You walked towards Dean, Jody letting go of your arm. He extended his hand at you. You took his hand and stood beside him. You looked up at Dean, your eyes locking with his jade ones. His eyes were moist and you were yourself trying not to cry.

“You look beautiful,” he said softly, a shy smile playing on your lips.

“Should we begin?” Cas asked. You had asked Cas to officiate your wedding because who would be better other than an angel?

You and Dean nodded.

Cas began the ceremony but you weren't paying attention to what he was saying. You were too mesmerised in Dean's eyes. You mind wandered off to all the times you had spent with Dean, hunting with each other or just spending a lazy day in bed with him.

You were broken from your thoughts when Cas asked if you wanted to say your own vows. You both nodded and Dean started to speak.

“Y/N, five years ago, when your car crashed into mine I didn't know then that I would be standing at here with you today. I love your coffee obsessed, nerdy self who is also a badass hunter who doesn't take any bullshit from others. Being with you brings the best out of me. I promise that I won't let anything happen to you ever even if I have to walk through fire to keep you safe. I promise I will never take you, us for granted. I promise to love you as you love me, through all hardship, darkness, and pain to reach for our joys, our hopes, and always with honesty and faith and lastly I promise to never make fun about how much you love the Harry Potter books.”

You wiped the tears that were now rolling down your cheek. “Y/N.” You heard Cas say your name and you started to speak.

“Dean, today when I woke up I had to catch my breath to believe this is real, that I am really marrying my true love, my heart's desire, my soulmate. I couldn't make myself believe that it was all real and not one of Chuck's plans, but after seeing you standing here, waiting for me, all my doubts flew out of the window. I promise to always love and cherish this relationship even when you are annoying me. I promise to always protect you and keep both of us from harm's way. I promise to always love and support you. I promise to always leave the last slice of my pizza for you and lastly I promise to not roll my eyes everytime you say a stupid movie reference.”

Tears were now flowing freely down your cheek. You didn't even bother to wipe them. You looked at Dean and saw him sniffling. His green eyes clouded with emotions. He mouthed “I love you”.

“It's time to bring in the rings,” Cas announced and

Jack walked in with the rings, “Y/N and Dean will now exchange rings to symbolize their commitment. Dean now you may take Y/N’s hand in yours and repeat these words after me.”

Dean repeated the words after Cas with a grin on his face, and took the ring from Jack, putting it on your finger.

“Y/N, please take Dean's hand and repeat these words.”

You repeated the words after Cas, with a smile playing on your lips. You smile got bigger when you took the ring from Jack and put it on Dean's. You and Dean said your I do's, your heart heavy with emotions.

“I now pronounce you husband and wife. Dean you may kiss your bride now,” Cas said and for the first you noticed, he had a big smile on his face too.

Dean pulled you into a kiss, the first kiss as husband and wife. You immediately melted into the kiss. Cheers erupted throughout the garage but you didn't pay any attention to them. You were finally married to Dean, the love of your life and that was what mattered the most. Dean finally let go of you and looked at you with a stupid grin on his face.

“Hey Mr. Winchester,” you whispered.

“Hey Mrs. Winchester,” Dean said.

“We are married.”

“We are married, sweetheart,” Dean sighed.

“Now let's go save the world,” you smiled.

“Let's go save the world, together.”

Forever taglist - @donnaintx @devil-in-my-boots @amandamdiehl @miss-nerd95 @foxyjwls007

Dean/Jensen Taglist - @akshi8278 @mrsjenniferwinchester @jensengirl83 @defenderrosetyler

#supernatural #dean winchester #jensen ackles #jared padalecki #sam winchester #spn #supernatural fanfic #dean winchester fic #dean x reader #sam x reader #dean winchester x y/n #dean winchester x you #sam winchester x reader #sam winchester x you #spn fic #spn fanfic #supernatural fic

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captainshazamerica · 3 years ago

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The redhood nightwing fight scenes look like they're gonna be dope af like thats all I'm thinking about how awesome the fight scenes are (hopefully) gonna be (I'm already finding it difficult to see this jason as redhood cuz he's like literally a child but I dunno what age he redhooded in the comics so??)

I had no idea tim was even gonna be in it !?! Can I please get some kind of recognition from the batboys that they actually view each other as brothers and family! 😢

Someone needs to kill the joker It'd be kinda interesting if old bruce killed joker and it'd be nice if that was the last thing he did as batman buuuttt then again it'd be a nice touch if dick killed joker for jason, it would personally be disappointing if joker was just let live not gonna lie i really want bruce to kill him and that be the reason he gives up being batman because he failed to protect jason and then he broke his no killing thing so he just hangs up the cape

we are getting FEAR TOXIN yassssss cue awesome nightmare ish fearscapes (no idea if that's an actual word but that's what I call when you get to see everyone's fear hallucination)

Kory I love you, I do ship dickkory however I feel like she's too good for dick and should marry me instead lol I wanna see how donna is still alive? and I know there's people who are like ughh hank dawn go away already but I really freakin like hank and dawn as characters even though their suits are ridiculous did they break up last season I can't remember? Hank needs a break poor man someone give him a blanket and a hug and let him sit the fuck down everybody leave hank alone

That line where babs is like don't try be your father and dick is like excuse me what you saying there Commissioner Gordon, that will never not be funny 😅😅😅

I ain't in love with this show it has so much potential it could be so lit but I do like it anndd they got suits now whoop!

Wait is this my previous Titans anon? (The one where we ranted about Jason, or the one thinking they hadn’t seen S2 but went to watch it and realized they had? Or are you the same person? xD )And if so are you the same one who asked for the comic and fic recs? Just wondering in terms of if I’m talking to one person or not hahaha

But ahh I got so excited when I saw I got an ask about this 😍

Omg the nightwing red hood fight already got me so stressed lol. It looks great but ahh angst! But I think Jason is like 19ish in most versions when he comes back? Though tbh I forgot what age Jason is in this , I’ll have to see when i rewatch it soon. Curran, the actor, is actually 23, he just looks super young/short. He got pretty buff though. But yeah, that is an unfortunate thing wi the them rushing it already but also, I’d rather have it like this than if they were gonna spread it out through the seasons then it gets cancelled or something (poor Gotham s5, RIP). I think he was the PERFECT robin jason Todd though. Like I love his acting and portrayal of Jason(“Titans are back bitches!” classic Jason), he just is young looking and short. Gosh I still wanna know if they are going with the Lazarus pit for Jason or not! But like that also begs the question of whether they are doing a time skip cause normally Jason is dead for like 2-3ish years, but it doesn’t look like it from the trailer.

And yes, I’ve been looking forwards to Tim!!! While the trailer didn’t show it, the actor was on set a lot over these last couple of months (I’ve been keeping up with their instagrams xD) and seemed super close with the cast! I can’t believe the first look we got if Tim was him nearly crying, though that look already won me over, I love him and he is my son now. But RIGHT! That’s all I want, is the bat bros platonic love, gosh dang it😭 that’s all we want DC😭

BRO! OLD MAN BRUCE KILLING JOKER WOULD BE FREAKING PERFECT. Dang it! Now I’m gonna be so disappointed if that doesn’t happen 🤣gosh it would be perfect, and normally I would be like it’s Bruce, they would never do that, BUT, this show does that kind of “edgy” stuff anyway so if it’s ever gonna happen(without the Batman who Laughs plot line happening(which would make a perfect dc animated movie btw)), it would happen in this show, especially with what was shown in the trailer with him giving Batman up. Man, now my hopes are up for that xD though I wouldn’t mind if Dick killed him. I would be shocked though if they had the balls to actually kill off joker though, dc seems to refuse to do that :/

Omg I squealed at the scarecrow part omg. Dr freaking Crane is a big reason I spiraled down this entire fandom tbh. Like literally a year ago I got obsessed with him for some reason and that led into the Bat hole where I am currently WAY deeper than I ever would have thought 😂 and while I’m not hyper fixated on him anymore, I still love him so much and is my 2nd fav rogue, and it mainly started with Jonathan 🥺 we barely even see his face and I am already in love with the casting, the voice is perfect. And I LOVE when villains have to help the heroes, that is like one of my fav tropes ever omg, I was really hoping they were gonna do that to him. I hope he is in it for more than one episode tho. And oh lordy, like those poor Titans need even more trauma in their lives and now fear gas is in the equation. Oh no, I bet poor Gar is gonna get hit cause they just love to torture that poor boy. And tbh I hope the fearscapes(perfect word for it) will be better than most of the Gotham ones, those seemed a tad cheesy tbh

Lmao about you and kory😂 she is too good for him, but also, this Dick needs someone who can kick his ass and get his head out of his martyr butt 😂 tho tbh, I’m still not fully sold on Dickkory, Like I don’t hate it but I don’t LOVE it in many versions, like they can be cute but no strong feelings, the Original Teen Titans cartoon is like the only exception, I def ship those 2

Omg I low key forgot Donna “died”😂🤦🏻‍♀️ I feel like I knew it wouldn’t last so it didn’t have a big impact on me lol. Like I had/have a feel raven is gonna bring her back. I wanna know what happened to Rose/Joey! Like are they not gonna be in it at all? Especially with Jason going off the deep end?!

Lmao, hawk and dove’s suits😂 I think they did break up, I’ve only seen the series once through tbh, planning to rewatch before S3 tho(and try to force my mom to watch it tho she is convinced everything DC is too dark for her lmao), yeah, I don’t mind them, like I don’t want the focus on them but like they deserve to be happy/need a break, omg yes! That boy needs to be wrapped in a blanket and given a break, that grumpy boy is TIRED. Let him rest!

Lmao! That babs line is so great😂

I’m just so excited for all this live action Batfam content, considering the live action movies NEVER give us Batfam 😭(we aren’t talking about the 80’s/90’s live action robin lmao)

Also so sorry this was so long 🤣🤦🏻‍♀️

#long post #Titans #titans season 3 #Titans S3 #Titans speculation #speculation #predictions #Meredith gets an ask #anon #ask #asks #Jason Todd

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aerielz · 4 years ago

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1, 3, 8, 9, 12!!!!! and like. any others because i love talking tww with you! also i assume your really stressed with finals and school and life, so this is a reminder from a friend that you’re going to be okay! it will all be over soon, and you have so much strength and intelligence that you can surely handle this<33 so yeah, here you go- distraction AND reassurance, hope this helps🥰

At some point you're going to make me cry, okay? You’re the best!!!!! I also love talking tww with you, and it really does help. Finals have been killing me, and I really needed this!

On to the answers!

[Under the cut because I really went for it. and I mean... I went for it. check the last answer if you want just the headcanons, everything else for unpopular opinions, lmao]

1: favorite episode(s)

Ohhhhhhooooo boy. There’s an endless list. I think I can name a season’s worth of them, but here’s ones I can pull from the top of my head:

Crackpots and These Women: and here’s some of my rationale behind the choice. but yeah, I could go on and on about this episode.

Nöel: listen, I’m a basic bitch who’s in love with Josh Lyman, okay, is that simple. But. yeah, like, no. here’s the thing, there’s a reason why everyone won Emmys for this one, ok. the writing is freakishly good, and Bradley Whitford can draw nuance from a fucking comma. that episode is absolutely off the charts when it comes to just about any aspect of the filmmaking. it’s what happens when everyone involved decides to live up to their potential. it’s one of those I need to reign myself in, otherwise I'll just go full analysis and there’s no end to that meta lmao

The Steakhouse Filibuster: the way this episode works is... pure fun. I'm a writer and it doesn’t turn off and I will start taking about structure unless I shut up now, so. also, DONNATELLA MOSS, who I'm, also, in love with.

Hartsfield’s Landing: “You're a good father, you don't have to act like it. You're the President, you don't have to act like it. You're a good man, you don't have to act like it. You're not just folks, you're not plain-spoken. Do not - do not - do not act like it!” “I don't want to be killed.” "Then make this election about smart, and not. Make it about engaged, and not. Qualified, and not. Make it about a heavyweight. You're a heavyweight. And you've been holding me up for too many rounds.” This exchange carries a lot of meaning for me. it’s about being who you are in spite of outside opinion, and this idea has been hitting me like a truck, these last couple of months.

Holy Night: [cries in JD shipper language]

Commencement: hands down the best episodes this show has ever produced, season finale notwithstanding. but I'm biased, because they used Angel, and I loved that song. also: DONNATELLA MOSS.

The Supremes: everything Debora Cahn ever wrote for this show deserves more love. This episode is a work of art, and. like. Glenn Close, man. also: DONNATELLA MOSS. are we sensing a theme, perhaps?

No Exit: THIS EPISODE HURTS SO GOOD. And for many reasons, including the fact that we get cj and donna’s scene. I'm queen of unpopular opinions when it comes to this show, tbh, and this is just one of them. It’s one of those really serious episodes that happened post-sorkin that gave the actors a chance to shine through the lens of a more poignant drama. Janel is so good here, I can’t stress that enough.

King Corn: [more cries in JD shipper language. louder]. I love how they stress just how much Donna is growing by paralleling her routine with Josh’s. She’s on his level now, they’re on the same boat. Not just that, but we see the toll the distance takes on both of them. It’s distance makes the heart grow fonder in perfect visual form. writing-wise, it’s impeccable. and since I actually like the direction the show took after Sorkin left, I really like this one.

Freedonia: Eli Attie’s creative is paralleled by none short of Vince Gilligan (of breaking bad fame). After he arrived on the show the political content got to a whole new level, and under his writing we finally got to see josh being the genius political operative we were always promised he was. I mean, the chickens. the damn chickens.

The Cold: the writing and the kiss and the FUCKING BEAUTIFUL SHOTS OF JOSH AND DONNA FRAMED BY LIGHTS and the kiss and the acting and the kiss and [crying] the kiss.

3: favorite ship

There are ships that we love for a few months and then let go. Then there’s ships that stay with you long after you watched the show. Then there’s ships that change your life. Then there’s what JD did to me.

But Andy/CJ killed me and continues to kill me, and you’ve successfully convinced me to ship the shit out of the OT3, too.

8: scene you watch over and over again

To be honest, while watching the show I had the remote on my hands and watched everything that made me laugh or just mildly happy multiple times before even allowing the episode to play through.

I mean, the kiss from the cold... I literally just kept replaying it when I got to it. I watched it like seven times before even continued to watch the rest of episode. not just that, but also the shots of them looking at each other at the end.

Also: cj and the turkey. cj and toby and the dead brother. donna and the chicken. that scene in which toby lays his heart out for will about writing because honestly that just too close to home and the recognition hurts but like in a nice way.

But, for real. This entire show was me pausing every five second to rewatch something.

9: plot you pretend didn’t happen

Bartlet giving the go on killing a foreign leader, because political assassination does not sit well with me (ʘ‿ʘ✿)

12: headcanons

ok now you really want me to stay here the whole week. here’s a small list:

- unpopular opinion: josh was actually in love with Amy for a second, there. which is why he’s learned so much from the debacle that was their relationship.

- remember when sam once said “I never knew how much smarter than me he is” when he has to step in for josh as DCoS? that’s when he realised that Donna can keep up with Josh. Which is why he knew, before everyone else, that Donna would leave Josh eventually.

- I can’t remember if this is cannon, but I'm 100% sure josh never even thought of taking the bar. sam will never be over teasing him about it.

- after so many bad christmases, josh really doesn’t like it. but he starts reevaluating his opinions after they he gets married to donna. getting to see the kids light up at both Hanukah and Christmas year after year... let’s just say family has this way of making things feel better.

- cj regularly gets called to guest lecture at Columbia. she regularly declines. but she does accept once. and it changes everything (YOU KNOW WHAT I’M TALKING ABOUT ALEENA).

#the west wing #az talks tww #az answers #aleena has a tag

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surveys-at-your-service · 4 years ago

Text

Survey #351

“the writing on the wall / a psalm of napalm / abandon all hope, but try to stay calm”

Do you have bad posture? Oh yeah. Are your eyes sensitive to sunlight? VERY. How many miles can you run without stopping? An astonishing zero miles. Who is the most attractive person you know personally? My high school friend Alon, probably. Have you ever dated someone who was very vastly different from your “type”? No. When was the first time you said "I love you" to a significant other? When I dated my first real boyfriend Jason at 16. I actually said it very early in because I thought I was "supposed" to, and I did REALLY like him. How old were you when you first lived alone? If you’ve never lived alone, how old do you think you’ll be? I haven't yet, and idk. What do you wish you had been better prepared for? Ha, adulthood. Is there anything about you (physically) that you think turns people off of you right off the bat? My weight. Do you know anyone with a semicolon tattoo? I have a semicolon butterfly tattoo on my wrist, and while it's very subtle, my Mark tat features a semicolon, too. It's outlined by a quote he's said ("you are important, never forget that"), and the "i" is a semicolon. Idk if I know anyone else with one. Have you ever overdosed on a drug? Once accidentally, once purposefully. Have you ever kissed a guy you didn’t want to kiss? Yes. Who was the last guy you cuddled with? Girt. What is something you’ve had a toxic reaction to? The breakup with Jason. In the last picture taken of you, how did you pose? I just tilted my head, smiled, and gave a peace sign, haha. Mom wanted to show my sister how I looked with a dozen wires and other shit attached to me for my sleep study. Have you ever made a fake Facebook account? If so, why? No. If you were an Eevee, what would you wanna evolve into? Probably Espeon? They're so, so majestic and beautiful. I'd love to feel like that, lol. What flavor was the last piece of gum you chewed? Raspberry lemonade. Did you ever used to watch the show Teen Titans? Nah. When you were in school/if you are in school, do you actually share your grades with your parents? If you got/get a bad grade, do you hide it from them? My mom always stayed up-to-date with my grades. I never really had anything to hide. Have you ever been the designated driver? Once or twice, yeah. Were you obsessed with Webkinz when they first came out? "Obsessed" is an understatement. I was that kid with dozens upon dozens. They were pretty much my favorite thing. Who do you subscribe to on YouTube, if anybody? Oh Jesus, looooots. Are you wearing nail polish right now? What color? No. Neon colors, or pastel? Pastel. Are you currently pregnant? Do you wish you were/weren’t? I'm not and have zero desire to be. Have you ever had a dog? A good number of them throughout my life. Is there any drama going on right now in your life? No. Does your hair fall out a lot? No. What’s your favourite type of bird? Barn owls. I also love ravens and crows. How many friends do you have on Facebook? 126. What was on the last sandwich you ate? Pb&j. What sort of music did you listen to when you were in high school? The same as I do now: metal and its various subgenres. Have you ever gotten back together with an ex? No. How far away is the closest store to your house and what is it? I'm actually unsure which is the closest. We live in a cul-de-sac with a bunch of houses, and the street opens into just outside the main city, so there's a lot of stores. What is your favourite Thai dish? I've actually never tried Thai food. How many contacts do you have in your phone? Very few, but I don't feel like counting. Are there any candles in your bedroom, and what scent are they? No. What pet names do you use with your significant other? I'm single. Do you have to wear a name badge where you work? I don’t have a job. Can you hear anything right now? Yeah, I'm watching Gab Smolders play Skyrim. It's a game I've always wanted to play myself. Is there anybody else in the room you’re currently in? No. What’s the name of the store you usually get your groceries? Walmart. Does your house have a porch/balcony? It has a very, very small porch. What is your mother’s first name? Donna. Did you have a tree house as a kid? No. Are you afraid of speaking to large audiences? I'm terrified of it. Have you ever cried from being so mad? Oh yeah, it's very common for me to cry when I'm mad. Have you ever taken a bath with someone? As a kid, yes. Do you have any brothers? One older one. Does your family use coasters? Is anyone in your family excessively tidy? No. Do you wear pajamas to places other than at your house? Ha, yeah, just depends on where. Do you take showers in the morning or at night more? Morning. I used to be ALL about night showers, but I just love how refreshing they are in the morning. It's a good start to the day. Do you snore? Steal the covers? Roll around in your sleep? I steal the covers SO bad and roll around a lot. God bless whoever marries me. You see the person you fell hardest for. What do you do? I can guarantee I'd be a total deer in headlights and probably tear up or just straight-up cry. Have you been/are you depressed? It's nowhere near as bad as it was once upon a time, but I honestly am depressed these days. Who is the one person you can completely be yourself around? I only feel entirely "safe" doing that around Sara. Are your popups blocked on your computer? Yeah. Are your parents night owls or morning birds? My mom's a total night owl. She absolutely hates sleeping because it's "such a waste of time" to her, but of course she does it anyway. I haven't lived with my father since I was like 16, so idk what he's really like with this stuff now, but I'd call him an early bird, particularly because his job has him up early anyway. Do you have high blood pressure? No; my blood pressure is actually extremely low, so much so it scares every doctor who hasn't treated me before. It's a medication side effect and seriously sucks, because I am absolutely always light-headed and dizzy. Have you ever pumped gas? No. Are you affectionate? Very. What would a perfect yard look like for you? Hmmm... I'm going to include things I know I won't realistically have for maintenance reasons, but what's ideal. I would loooove love love at least one really big tree with maybe a birdhouse and like a bat box (is that what they're called?), and I'd love tons and tons of flowers to feed bees and other wildlife. A koi pond would be amazing, but that's one of those things I know I won't actually have. A pool would be really nice, preferably inground, and having a spot in the shade would be perfect. Some berry bushes would be cool, and grape vines... Man, I'm really fantasizing now, haha. What is a topic that you have just recently become interested in? Nothing very recently, but I'd say the most recent would be uhhhh tarantulas, though that's been a thing for many months now. What is a feel-good song that you’ve been listening to lately? None lately, anyway. I can tell you "Jump" by Van Halen is the staple "feel-good" song for me, though. What are some things you enjoy seeing pictures of? Meerkats... Mark... more meerkats and Mark... oh also meerkats and Mark... Is there anything you are scared/awkward about talking about in life? Don't talk to me about sex. Has a pet ever stolen food from you as you were eating it? AS I was eating it, no. What is the weirdest compliment you have ever been given? I have no idea. What’s stronger - your upper or lower body? Jesus, I couldn't tell you. I'm just weak, period. Women tend to have more lower body strength, so I GUESS maybe that, but given the fact my legs are horribly weak, I don't know. My arms aren't strong, either. Are you very careful with your technology (phone, laptop, etc) or do you take risks that could damage them? I try to be mindful and careful, but you could say the way I pick up my laptop sometimes is risky. Have you ever been in the newspaper? What for? I think so, as part of my graduating class? But that would be a LOT of people... so I actually don't know. I have this faint memory of being in it with other people, but idr. Would you say that the area you live in is particularly picturesque? Ew, no. What is your favorite type of cat? One does not simply pick ONE favorite kind of cat. I love Persians, Ragdolls, Siamese, sphynxes, bengals, Abyssinians, and I could go on and on. If you had your way, what color(s) would you dye your hair? I have A LOT of colors I want to dye my hair, but the ones I'm currently most interested in are pastel pink, creamsicle orange, and lilac. Do you like seafood? If so, what is your favorite? If not, what is your favorite type of food? I only like shrimp. What religion/spiritual path intrigues you the most, if any? Paganism. It's the one I think is closest to what I believe in, and I just find it all very interesting. I love the nature focus. Would you ever consider getting dreadlocks? Nooooo. How many times is your cartilage pierced in your ears? None anymore. :( I miss all my piercings that closed while hospitalized. Have you ever had a pet bird? Nah. It'd be cool, but I don't want one enough to actually get one. Do you like dinosaurs? I looooove dinos. They were my obsession as a kid. My first dream career was even a paleontologist. Do you like going for long walks with friends? If my legs worked like a healthy fucking human's, I would love to do that again. I would literally collapse if I tried to go on a long walk now. Do you miss anyone from school? I miss a lot of people from school. I'm thankful for Facebook for that, but even that's not enough, really. What is your favorite flavor of Jolly Ranchers? Watermelon, I think? Was there a strawberry one? How are your parents right now? I'm assuming Dad's fine, and Mom's okay, just stressed as she always is. Can you take naps, or does it make you feel horrible? Man, I love naps. They're like, mandatory for my existence, lol. If you celebrate Christmas, do you get a real tree or an artificial tree? A fake one. Have you ever been told you were a good writer? Yeah. Do you watch music videos? No. Do you own an account on Club Penguin? Haha awww, remember the worldwide heartbreak when that site shut down? Anyway, I did as a kid. Do you like lemonade? Sure do. Was your first kiss perfect? To me it was. How do you feel about the first person you kissed? I feel a lot of things about him. As of right now, how do you feel about your future? Nervous. Who is the last person you ran into unexpectedly? *shrugs* Is sex something special, or just for fun? It has to be something special for me personally. Do you follow fashion? If so, why? Not at all. Have you ever played a real pinball machine? No. Do you like the smell of BBQs? I love the smell, but don't like the food. Do wasps scare you? Yes. Are you currently trying to get over someone? I mean, yes and no. I don't think I'll ever be fully over Jason, but I feel like I'm as "over him" as I'll ever be, maybe. I hope I can even further let him go, but we'll just have to see. Have you ever dated someone with longer hair than yours? Yes. Have you ever worn flip flops in the snow? HA, oh yeah. If it's only a dusting, I don't care at all. I pretty much always wear flip flops. How old were you when you met your first love? I was 15. If you could have one more pet, what? JUST one? Probably a Brazilian Black tarantula, ideally. I technically want a western hognose snake more, but given I already have a snake, in this hypothetical situation, I'd take the spider. Would you rather have an owl or a snake? Ha, speaking of snakes. A snake, even though I adore owls. What do you order at Chic-Fil-A? I don't give my business to Chick-fil-A. They're reigned by homophobic, transphobic pieces of shit that have given monetary contributions to anti-LGBT foundations, including most disgustingly those that support conversion therapy. I admittedly looooove their chicken sandwiches, but I just can't in good conscience go there. Have you ever been addicted to cigarettes? No, given I've never smoked and will never. Which do you use more? Facebook or Instagram? Facebook. Did you enjoy your past relationships? Yeah. Do you like '80s music? '80s metal is great. Something you would NEVER buy? Drugs. Have you ever questioned your sexuality? I first questioned if I was bisexual in middle school, 8th grade I think, but I went into denial about it given I was Christian at the time. Looking back, there were many clear signs of me liking girls too, I just didn't notice them until a few years ago when I came out as bi. Do you like Star Wars? No. What is the best thing about life? Experiencing love, both platonic and romantic. Are you superstitious? No. What show/concert have you gone to that you didn’t like much? I haven't experienced a bad concert before, but then again I've only been to one. Is sex a must in your life? Nah. Have you watched porn alone before? I've never watched porn period. I have absolutely no desire to watch two random people go at each other. What do you think about weed? It should be legal everywhere, but treated similarly to alcohol in that there are legal repercussions to doing certain things, like driving, under the influence. There are just too many benefits for many health conditions to ignore. Have you read the entire Bible before? No. I've started to before, but I didn't get far.

#survey #surveys #questions #lyrics: ''apex predator'' by otep

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