#Disclaimer apple

[maysshortmoviereviews]

Disclaimer (2024 - )

Follows Catherine Ravenscroft, a television documentary journalist whose work has been built on revealing the transgressions of long-respected institutions.

An absolutely dreadful and banal production. The only positive aspect is Cate Blanchett's character's apartment, which is quite pretty; otherwise, the story is unoriginal and drags on endlessly. There are cheap sex scenes that add nothing to the sad storyline, so I didn’t feel compelled to stick around until the end. I have better things to do with my time than to waste it hoping this show would improve. It’s just a pretentious pile of rubbish

[wildfire072]

Louis Partridge from the 2024 Apple TV+ series ‘Disclaimer’. He’s absolutely stunning.

[whatmakesyoulove]

Cate Blanchett as Catherine Ravenscroft, Disclaimer. (Dir. Alfonso Cuarón)

Catherine Ravenscroft, a television documentary journalist whose work has been built on revealing the transgressions of long-respected institutions.

[greatcateblanchett]

Disclaimer* Chapter I - To my son, Jonathan. Written and directed for the screen by Alfonso Cuarón

Chapter II | Chapter III | Chapter IV | Chapter V | Chapter VI | Chapter VII

[themostexquisitelady]

HOYEON by kim heejune for who what wear, 2024

[athena-xox]

Ok this isn’t directed to any of yall because I have faith that at the very least eah tumblr can accept that like royals were most definitely not in the right

But like to the people who have wholeheartedly said that raven not becoming the evil queen takes away from apples choice and makes raven just as bad ( a side from that just being idiotic) like would you say that if the positions were shifted a bit

Say Apple doesn’t want to be the next Snow White, wether this is because she wants to find organic love, she’s a lesbian, she’s ace or she just simply doesn’t want to, but Daring still wants to be the Prince Charming. And he wants to marry Apple.

Is this still taking away Daring’s choice? Is this unfair to Daring?

Most people who defend apples every action (note this is not like the Apple defenders I’ve talked about in the past who I disagree with because they try to excuse Apple for why she promoted in rebel propaganda, like no these are people who genuinely believe that Apple was right (not justified but like completely correct) and so were the royals) are literally misandrists so they probably will actually realize that scenario two is wrong and wether or not the connect the dots to the first scenario is out of my hands

And people who go “yeah it’s darings right to marry Apple” are misogynist predators who wouldn’t be defending Apple in the first place and if this is you please block me and never interact with me again because I don’t plan on associated with future (or current) felons 😀😀

[mundaneandmagicalcreature]

Disclaimer (2024) | 01.07 VII

[cherubinhell]

"It's too milky. The tea is too... too milky."

Nancy Brigstocke » Disclaimer, Ⅲ

[holyblanchett]

Cate Blanchett serving body tea at the camerimage closing ceremony today.

[twistedappletree]

[skulandcrossbones]

[everyframeapainting20]

In the final shot of "Disclaimer," Cuaron frames Catherine and Nicholas in a serene living room suffused with soft, natural light. The space is intimate and expansive, suggesting the emotional distance between them has shrunk to a tender, delicate closeness. The muted colors and airy curtains evoke a sense of release and healing. The placement of Nicholas, played by Kodi Smit-McPhee, and Catherine, played by Cate Blanchett, facing one another on the sofa signifies a pivotal shift: from avoidance to acknowledgment, from silence to conversation. The bright, white light streaming in underscores the thematic resolution — the truth, however painful, has set them free, leaving the past’s shadowy specters behind. This final tableau crystallizes the journey: once lost in a maze of fear and repression, they now sit in a shared moment of grace, no longer strangers but a family trying to mend.

[whatmakesyoulove]

Cate Blanchett as Catherine Ravenscroft, Disclaimer. (Dir. Alfonso Cuarón)

The point of Disclaimer thus far has been about unreliable narration and how stories shift based upon perspective, and how the truth can be warped to match the reality someone wants to see. (V)

[greatcateblanchett]

Disclaimer* Chapter VI - Only death is irrevocable.

Chapter I | Chapter II | Chapter III | Chapter IV | Chapter V | Chapter VII

[supercalifragipopculturevomit]

FINALLY caught up on TV shows I follow and watched new ones I’ve been meaning to check out…

Only Murders in the Building, season 4 (Hulu) – a perfect blend of crime, mystery, comedy, and heart: this is a certified comfort show. I don’t know how it keeps managing to expand the universe of such a niche podcast, but four seasons in, it’s still at it. And it doesn’t feel like a hasty expansion—something created out of popularity and demand—because all this time it’s actually been laying the ground for a much bigger arc. Steve Martin and Martin Short together are comedic gold—that’s a given; but Meryl Streep and Martin Short?? That’s an on-screen and off-screen pairing I didn’t know I needed.

Disclaimer* (Apple TV+) – this one’s difficult to discuss without spoilers but all you really need to know is it’s a psychological thriller written and directed by Alfonso Cuarón with Cate Blanchett at the helm. Parts of it feel clunky, with decisions made to force a narrative and serve a specific number of episodes, but if you can suspend your disbelief for that, it’s a meaty watch—heavy and triggering but also has you looking inwards and questioning your own prejudices. There is a gut punch of a line in the finale that will haunt you for the rest of your days, but it is worth watching the entire miniseries for.

Nobody Wants This, season 1 (Netflix) – here’s where they’re wrong: EVERYBODY WANTS THIS… everyone who was a teenager around 2005, anyway. My teen idol, Veronica Mars, with my teen crush, Seth Cohen, in a television rom-com?? 17-year-old me would have imploded from sheer joy and jealousy. Apparently, this isn’t the first time Kristen Bell and Adam Brody have played romantic partners, but since I didn’t reach the fifth season of House of Lies, this is the first time I’m seeing them together. And they are as adorable and as sexy together as you would expect them to be. The biggest surprise was how sharp the script is—this breed of rom-com is rare in this day and age.

The Franchise, season 1 (HBO Max) – this is a satirical comedy that pulls the curtain on the crazy shit a film crew—if they’re as unlucky as the Tecto team—has to put up with in the making of a superhero franchise. Would I have watched this if Daniel Brühl wasn’t in it? Maybe not. But I wouldn’t keep watching it if it wasn’t worthwhile. Created by the people behind Veep and Succession, it’s wickedly funny in a blink-and-you-miss-it kind of way. So, yeah, best watched with subtitles on.

Slow Horses, season 4 (Apple TV+) – in some ways this is your typical British spy thriller that has nail-biting action, an unexpected mole, and a tragic death but, in many ways, it isn’t. The spies are losers who aren’t easy to root for, but against all odds, they somehow always save the day. It’s ridiculous and brilliant and hilarious and I love it so much. On its fourth season, it proves that it still has much to offer—might be its strongest yet—with little seeds they’ve planted early on finally bearing fruit. Easily the most underrated show on this list.

The Day of the Jackal, season 1 (Peacock) – you know that episode in The Office (US) where they’re debating if Hilary Swank is hot or not? I had a similar one in my mind the entire time watching this—but with Eddie Redmayne on stand. Don’t get me wrong, I’ve always liked him, I think he’s a phenomenal actor, but the most I would have ever described him was cute. This role had me seeing him in a whole new light though—not too different from when Benedict Cumberbatch took on the role of Sherlock. I don’t know if they’ve cast the new 007 yet but this could be the audition tape that puts him in the running. He’s SO GOOD that it’s easy to forget you're rooting for the villain. Redmayne’s Jackal has the steely precision of Jason Bourne, the disguises of Ethan Hunt minus the camp, and the sharp fashion and globetrotting lifestyle of a young and contemporary James Bond—what’s not to like? And, fuck yes, he’s hot.

[chickenbyday]

Catch Me

An @aftg-mixtape fic for WitheredCarnelians.

Kevin Day/Jeremy Knox/Jean Moreau | M | 5k

Summary:

Kevin spends the summer finding everything he's ever wanted, and the fall realizing he could never hope to keep it. In the winter, he realizes he has to try.

Read on ao3!