#Director: Ridley Scott

[marthajefferson]

"Holiness is in right action and courage on behalf of those who cannot defend themselves, and goodness."

David Thewlis as GOD*/Hospitaler KINGDOM OF HEAVEN (2005), dir. Ridley Scott

*David confirmed the 'God theory' on ig

[videoevil]

A L I E N

[tightjeansjavi]

I told myself I would not talk about gladiator 2 again but are you telling ME that we could have gotten a Pedro character getting married?? BECAUSE HOW ELSE DO YOU EXPLAIN THE FLOWERS HUH?? WHY WOULD GETA BE SPRINKLING THESE SAME FLOWERS OVER LUCILLA EXPLAIN YOURSELF RIDLEY SCOTT!!!

[lascitasdelashoras]

Ridley Scott - Alien

[389]

[wildsaltair]

every time I reread the original 1998 Gladiator screenplay I am. filled with so many thoughts

[schlock-luster-video]

On September 11, 1982, the director's cut of Blade Runner debuted in the United States.

[napoleondidthat]

Director’s Cut: Duc d’Enghein

Okay….

Well way to go Caulaincourt. The men all exchanging glances is how all we all are watching this movie: All WTF is this for real??

Lol@Josephine randomly sitting in on a state meeting and their god awful dialogue. Oh my God! I’m screaming!

Josephine: You are letting your hate direct you.

Napoleon: One day you will regard this action as good policy and will kiss me with your mouth you said those words from. Go to bed.

You died just reading that, didn’t you?

[spaceintruderdetector]

For Scott—first and always an artist and graphic designer—de¬ termining the look of BLADE RUNNER was the most important task he had to face. Perhaps no other director is as concerned with the background of a scene than Scott, who builds a dense, kaleido¬ scopic accretion of detailing within every set in a process hecalls “layer¬ ing.” Just as top record producer Phil Spector created his famous “Wall of Sound” by overdubbing countless singers and instruments, Scott takes a set and crams it with information, adding and adding props and details until the audi¬ ence is overwhelmed by the sum of the parts. “To me,” Scott said, “a film is like a 700-layer cake.” 1982

Cinefantastique Volume 12, Numbers 5 & 6 ( 1982 July & August) : Cinefantastique : Free Download, Borrow, and Streaming : Internet Archive

[hollywoodoutbreak]

In 1979, director Ridley Scott introduced Alien, a sci-fi horror masterpiece that has captivated audiences for generations. Scott's vision continued to shape the franchise with the prequels Prometheus and Alien: Covenant. Now, a new chapter unfolds with "Alien: Romulus."

Although Scott didn't direct this latest installment—he's a producer—his influence is undeniable. Co-Writer and director Fede Alvarez highlights Scott's invaluable guidance and support throughout the creative process.

Alien: Romulus is now playing in theaters.

[dareduffie]

costars this kiss scenes that. the real question is how do the Directors not fall in love with their actors

[evyripley]

I checked off all of these in all seriousness. I think all of this is valid for this video.

[sherryholmes]

I might go insane the way I am replaying the deleted scenes with Caracalla and Geta

[tightjeansjavi]

listen, if we don’t get this fit in the directors cut…I’m sueing

[raurquiz]

#happybirthday @Sir_RidleyScott #ridleyscott #director #producer #gladiator2 #Napoleon #TheLastDuel #HouseofGucci #Alien #Prometheus #Covenant #themartian #bladerunner #thelmaandlouise #gladiator #Legend #Hannibal #KingdomofHeaven #RobinHood #ExodusGodsandKings #AlltheMoneyintheWorld

[pitchtreats]

AI SCI-FI FILM TREATMENT STUDY IN MIDJOURNEY

Fusing the futuristic elements of sci-fi with the dark world of Neo-noir, this project harnesses the spirit of Ridley Scott's visionary filmmaking and the evocative nature of Orwellian literature. Exploring questions about society, identity, and morality, I dove in to Midjourney to bring forth a story that challenges conventions and invites audiences to reflect on the delicate balance between technology and humanity. In a world where we can no longer tell human from AI, mystery and suspense thrive. Who can you trust? How can you tell the real from the synthetic?

Building a believable fantasy world must be grounded in truth and practicality. The stark truth of our carbon footprint on nature, intertwined with the unsettling pace of unethical technological advancement serve as a north star to create a realistic portrayal of our world in the not-so-distant future. Atmosphere, weather, humidity, precipitation and perspiration bring smell and taste to breathe life into an emotional boiling city of humans and cybernetic organisms. 

Source: https://www.behance.net/gallery/175468185/Generative-AI-Sci-Fi-Film-Study-Midjourney

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