#Dinah Soar

[diana-andraste]

Allez mourir plus loin and Dinah Soar, Bill Domonkos, 2016

[thebibliomancer]

Essential Avengers: West Coast Avengers #64: SHOW AND TELL

November, 1990

Cap, no! That's your World War II buddy, Jim Hammond! Don't hurt him, not while he's serving cake!

This is a fill-in issue. For whatever reason, Terry Kavanagh came in to write this issue, instead of the usual team of Thomases.

And it's not really a West Coast Avengers story. It's a Captain America story. Despite the cover saying he's guest starring, it's more like a couple West Coast Avengers characters are guest starring in his life.

Last times in West Coast Avengers: it is a superhero team that exists and the robot Human Torch, Jim Hammond, is a member.

But enough about him, this is a Captain America story, which is why we start with

Rick Jones getting kidnapped.

Dammit, Rick!

But specifically, this is a transmission that Captain America received, which he manages to trace to the West Coast Avengers Compound!

DUN DUN DUN!

The robot Human Torch, Jim Hammond, answers the big video screen when Cap calls to investigate.

Also, Cap commits a micro-aggression against his good robot pal bud, Jim Hammond.

"Hey, Cap, you're made of meat, why don't you try to interface with a donkey?"

You've been spoiled by Vision, who will plug his brain into any computer, Cap.

But Jim investigates and finds that the West Coast Avengers' computers were hacked and used to reroute a message from an abandoned carnival in the Midwest.

As soon as Cap gets the address, he's gone. He doesn't even bother hanging up the call.

Dammit, Cap, Tony is going to get stuck with that long-distance bill!

But it seems that some little dweeb is the one who sent the message.

I can tell it's some little dweeb because his mom comes in and yells at him that it's bedtime.

The dweeb, Stevie Wojciehowicz, sneaks out after lights out, thinking how great it is that he found a lucky, magical red rock.

Captain America arrives at some abandoned amusement park, while back at the West Coast Avengers Compound, robot Human Torch discovers that the amusement park was not the source of the signal but another relay station!

IT'S A TRAP!

Jim tells Wonder Man to cover monitor duty for him and then flies off to warn Cap, since he can't reach him on communications.

This situation is potentially very dangerous because Jim Torch also detected an energy residue similar to the crimson gem of Cyttorak. Y'know, the thing that made the Juggernaut jugger his nauts? A pretty big deal of a mystic artifact?

So, apparently some backstory. At some point, Juggernaut decided to turn his life partner Black Tom Cassidy into another Juggernaut with the gem so they could jugger together. Except, he realized that this split his own power in half so he threw the gem into space to get his full strength back.

Meanwhile, at the amusement part, copyright infringement.

Earlier there was a funhouse entrance shaped like the Joker's head.

Anyway, the amusement park has been converted into a death trap. Mannequins dressed as popular characters try to kill Cap. The normal lights and sounds have been cranked to painful. And the walls are trying to crush Cap.

Cap escapes the room just before the walls close in but winds up on a white river rapid tunnel of love. He survives going over a waterfall by riding his shield down.

Captain America: "How does anyone get by without an indestructible shield?"

And then the big, lumpy guy from the kidnapping video punches him in the head and steals said shield.

Rude.

Meanwhile, while flying to help Cap, Jim Hammond Human Torch has been struck by lightning, attacked by mirror duplicates of himself, uno reverse carded by the mirrors, and finally attacked by illusions of monsters and his Invaders friends who mess with his circuits thanks to Stevie Wojciehowicz and the Crimson Gem of Cyttorak. This just isn't his day!

But in the madness, he spots Rick Jones and chases after him. Only for both him and Cap (chasing and retrieving his shield from that big guy) to end up in the wax museum.

And suddenly the wax figures come to life and start attacking Cap and Human Torch with wax copies of the real heroes' powers.

Also, Cap and Human Torch assume each other are also wax figures because what else would they think at this point?

They both go to save Rick Jones, menaced by the big lumpy guy, so wind up fighting each other.

Just another classic Marvel Misunderstanding Fight tm.

Anyway, while the two of them are realizing that they're each other, the big, lumpy yellow guy catches Rick and pokes his eyes out.

Gruesome.

And then the Great Lakes Avengers show up, see Cap and Torch standing over a dead Rick Jones and Avengers Assemble on the two heroes.

So, the Great Lakes Avengers getting involved was foreshadowed. By having shadowy figures receive a call, allegedly from Captain America, calling them into action.

Dammit, Stevie!

Seriously, though, it's good to see that someone remembers them and still wants to use them for something. Their appearance in the Terminus Factor wasn't really much to write home about.

Jim Hammond Human Torch grabs Cap and rockets him away from the Great Lakes Avengers but Dinah Soar knocks the two to the ground. Flatman grabs Captain America and Dinah Soar keeps on the Torch.

Mr Immortal tries to flank Cap but the Torch sees it and fires a little fire blast and kinda sorta fries him into a corpse.

Human Torch: "No... It can't be... I didn't mean to kill him! I guess I just assumed... with a name like Mr Immortal... that he couldn't be..."

Cap has to explain to him that he's the kind of immortal where he gets better from fatal injuries. He is people that does not die when he is killed.

Mr Immortal pops back up during this explanation, KRAKs Cap in the head, and tries to run off with his shield.

So the Torch goes 'ok so if he can't die, then I can really brutalize him' and flame broils Mr Immortal into ashes.

There's something about people that can't die that just makes superheroes go 'oh sweet, I can get nasty!'

But there's other Great Lakes Avengers members that haven't shown up so Big Bertha suddenly appears, trying to cannonball the Human Torch.

Cap throws his mighty shield to get her off Jim but Doorman jumps out and lets the shield fly into his portal body.

Doorman's body is a portal to the next room. That's his thing. I don't know how that applies here because the shield doesn't go into the next room. It just disappears into Doorman.

Cap helps Torch heft Big Bertha off himself and throw her on Doorman. And then while the Great Lakes Avengers are incapacitated, Cap goes to inspect the dead, deceased Rick Jones and discovers, yup, that's a wax figure.

Rick was never here. It was all a ruse.

Sheepishly, the Great Lakes Avengers explain that they got a call on the Avengers computers from who they thought was Captain America, telling them that an imposter Captain America had stolen his shield and that only the Great Lakes Avengers could be trusted to retrieve it.

And to his dismay, Doorman discovers that the shield isn't where he teleported it to. Which was apparently supposed to be just to the side.

Geez, the Great Lakes Avengers finally get some screen time and it's being fooled into helping steal Cap's mighty shield.

Except Cap was one step ahead.

He noticed that the robots and wax figures at this amusement park trap kept trying to steal his shield. So he pulled an ol' switcheroo in the wax museum.

Captain America: "The Avengers will find whoever is responsible for this -- and we might want to look for the real Rick Jones while we're at it -- but, in the meantime, the perpetrator is in for a surprise when he tries to use the shield for whatever his dark purpose."

Which is show and tell.

Just like the title of the issue warned us about!

Stevie caused the Avengers all this grief because he wanted to steal Cap's shield for show and tell. And lie and say Cap gave it to him for being such a cool dude.

Unfortunately, for Stevie, he didn't notice the ol' switcheroo until now, when he pulls out the shield and sees its all melty. And alllll of his classmates laugh at him.

I'd feel bad for him if he hadn't been idly musing about killing his whole class even before they laughed at him.

So Stevie swears revenge and probably terrorizes his school with a magical red rock. Probably.

Stevie only appears in this one issue of West Coast Avengers.

That untold tale where he and the Hulk fought the Juggernaut? Never gets told. How the Crimson Gem of Cyttorak goes from Stevie back to the Juggernaut? Unknown. Whether Stevie made good on his vow to make the Avengers pay? I know about as much as you do.

I guess nobody was interested in following up on this plot thread that Terry Kavanagh established, not even Terry Kavanagh.

Next on West Coast Avengers, Grim Reaper again, oy. But first, next on Avengers, more of Rage and the hero of Chernobyl guy.

Follow @essential-avengers. Too tired to give reasons. Just imagine I said some. Like and reblog and maybe comment.

[samgirl98]

Mending a Family 45/?

Prev | Next

I want to apologize. I have no excuses for not updating. I didn't know how to bridge the chapter to move the plot forward, so I had a hard time writing. I finally decided to sit down and do it, so it's a little disjointed. I did have fun writing the little family outing, though I hate how short it is.

Anyway, thanks for waiting, and hopefully, I can finally move this along.

Jazz watched Danny, Ellie, and Jason run around the playground with a fond smile. Well, Ellie waddled more than ran. Jazz couldn’t help but feel her chest fill with love as her small family had fun. Their laughter made Jazz’s heart soar higher than Danny ever did.

Luckily, the small playground was ignored in favor of a bigger one across the forest, so the Nightingales had it for themselves.

They had decided to go out for a picnic. Jason and Jazz had gotten up early to make sandwiches and a potato salad and found a spot under a tree to eat with the kids. Jazz had watched as Danny and Ellie had gobbled up the food. Jason had to fight with Ellie while he tried to wipe her face.

“Jazz, aren’t you coming to play with us,” Danny asked.

“In a sec, I just want to finish my drink first.”

Jazz gulped down her soda and then went up to her family, “What are we doing, guys?”

“Playing tag! Dad is it.”

“Not anymore,” Jason poked Jazz, “you’re it now!”

“Hey,” Jazz said indigently as her small family ran and waddled away. She went after Danny.

“Come here, you little gremlin.”

Danny stopped for a moment to stick out his tongue and ran again.

“Why, you little! Get back here!”

Laughter rang out through the little playground as the small family chased each other. Jazz caught Danny around his waist, kissed his cheek, and declared him it.

“Eww, gross!”

Once Danny was it, he chased Jason. And round and round they went until they eventually fell to the ground, exhausted.

Ellie climbed on top of Jason’s chest and snuggled up the man.

“What am I, chopped liver?”

Ellie smiled at Jazz and then went back to snuggling up to Jason.

“Sorry, Jazz, Ellie has spoken and chose the superior option.”

Jazz snorted and picked up Danny.

“Fine, you steal my kid, I steal yours!”

“Not a kid,” Danny protested as he cuddled up to Jazz. Soon, the children’s snores filled the air. Jazz was starting to nod off, too, when Jason’s voice suddenly brought her back.

“Thanks,” he said, his voice thick with gratitude. Jazz blinked at Jason, confused.

“For what?”

“For saving Danny. For not taking him away. For staying…for—for being my sister. Thanks.”

Danny grumbled in his sleep as Jazz sat up.

“There is no need for thanks. You also saved Danny. You stayed by our side in our lowest hour. You’re my brother, and I’m glad we became a family. Now, no more thanks. We deserve each other, and we all deserve happiness.”

Jason smiled and closed his eyes. Jazz stared at the setting sun, content to be with her small family.

____

“You knew all this time,” Dick stated as he sat in front of Raven. He hoped he didn’t sound accusing.

 Raven didn’t look up from her spell book.

“Hello to you, too, Dick.”

“You knew what we went through, what I went through, and you still kept his location a secret.”

Don’t accuse, just state, don’t accuse…

“It’s what Jason wanted.”

Dick swallowed the instinctive anger that boiled under his skin. He wanted to protest, but Dinah’s voice stopped him.

Breathe, her voice said, your feelings are valid, but so are Jason’s.

If he had found out even a few weeks ago, he would’ve torn Raven a new one, consequences be damned. Now, he knew he had to give Jason his space. Jason decided whether he wanted to talk to them or not. Dick couldn’t force a relationship, no matter how much he wanted it.

It still hurt.

“Is he happy,” he couldn’t help but ask. “Is he safe?”

Raven finally looked at Dick. She smiled softly and answered.

“He’s thriving.”

Dick couldn’t help the hurt he was feeling. Why did Raven get to see his little brother, but Dick couldn’t? It wasn’t fair. He knew he was selfish, but he wished Jason could’ve found happiness with them instead of away from them. Dick felt replaced.

He took a deep breath and squashed his feelings. Was Raven looking at him with pity?

Ignore it.

“Can you give him this?”

Dick took out an envelope. It contained a picture of Mar’i and him.

“I can try, but I won’t force it on him if he doesn’t want it.”

“That’s all I can ask for.”

Dick stood up and left. He swallowed up his feelings once more and hoped his little brother would eventually decide to reconnect with them.

____

Ghost Writer grinned as he opened the box of new books he had ordered for the book club.

A month after Jason had started it, the little club was thriving and had added two new members. They had just finished Sense and Sensibility and had decided on Pachinko. He hummed as he checked over the books and put them in a little corner.

Ghost Writer was so engrossed in taking out the books that he didn’t notice a little green tear opening in the back of his store.

@itsberrydreemurstuff @idontgetpaidenoughforthisshit @skulld3mort-1fan @theauthorandtheartist @emergentpanda-blog @jaggedheart11 @fisticuffsatapplebees @booberrylizard @fantasticbluebirdfan @thegatorsgooseoose @cyrwrites @kjoboo91 @crystallicedart @amaramizuki666 @spekulatiusmuffin @meira-3919 @kilasmess @bubblemixer @lexdamo @wonderland-daisy @mj-arts-n-stuff @amyheart19 @dolfay @the-church-grimm @undead-essence @aph-mable @lizisipancardo @purrloin77 @writer-extraodinaire @charlietheepic7 @sinfulloccultist @nootherusernameworked @coruscateselene @chaoticchange @itsberrydreemurstuff @gmkelz11 @feral-bunny31 @paroovian @thatonegaybitch68 @d4ydr34min9 @overtherose @fandomwandererer @vipower001 @thordottir45 @blackrabbitt3t @rosecinnamonbun @bianca-hooks123 @epilepticnerd @dat1angel @consouling @flamingenchiladadragon @all-mights-asscheeks @ender-reader @fuyu-bitch @ravenswife @randomafterthought @chaos-and-wtv@itsberrydreemurstuff @idontgetpaidenoughforthisshit @skulld3mort-1fan @theauthorandtheartist @emergentpanda-blog @jaggedheart11 @fisticuffsatapplebees @booberrylizard @fantasticbluebirdfan @thegatorsgooseoose @cyrwrites @kjoboo91 @crystallicedart @amaramizuki666 @spekulatiusmuffin @meira-3919 @kilasmess @bubblemixer @lexdamo @wonderland-daisy @mj-arts-n-stuff @amyheart19 @dolfay @the-church-grimm @undead-essence @aph-mable @lizisipancardo @purrloin77 @writer-extraodinaire @charlietheepic7 @sinfulloccultist @nootherusernameworked @coruscateselene @chaoticchange

[weirdraccoon]

If I can ask you for another one shot 😙.It's set quite a few years after the events of Hogwarts and mc gets pregnant with Sebastian and it turns out it's a little girl and they call her Miriam, can I ask what Fig's reaction would be? 💜💜

Sorry for the wait! Been working on this during my free time and then I was writing it here in drafts and I closed it before saving it and had to rewrite half of it 😭😭 hope it's good. I really like daddy!Seb.

MC couldn't help but chuckle at the sight of her husband.

Sebastian was cooing at the bundle of blankets in his arms, making faces and showering them with all the love and affection he had. MC's heart was soaring, and it would probably explode if she could actually see the giggling baby inside the blankets.

As it was, Sebastian claimed it was too chilly for her baby girl and proceeded to cover her and wrap her in all the blankets he could find before they had to leave for Fig's apartment.

"Who's a good baby girl?" Sebastian cooed, nuzzling the blanket, or that was what it looked like, he probably had a better view of the hidden baby in there. "Who's the best baby girl?"

"I am," MC smirked from his side, making him choke on his own laughter.

"Merlin, MC, not in front of the baby," Sebastian scolded playfully.

MC only shrugged.

They finally arrived at the building and she pulled the door open for her babies.

"Why, thank you," Sebastian grinned jokingly, making her roll her eyes.

"Just get in," MC said. "They're waiting for us."

Sebastian's grin remained in place even as he leaned to kiss her chastely.

As she suspected, their friends and former professors were already there when they entered the apartment. Aesop and Dinah were the first to notice them, so they made their way to them.

"And how's my most troublemaker student doing these days?" Dinah asked with a teasing grin, trying to peak over the blankets in Sebastian's arms.

"She's talking to you, love," Sebastian told MC.

MC scoffed and Dinah rolled her eyes.

"I'm certainly talking to you Sebastian," the old witch said. "I have to admit sometimes I miss you in my classroom but not in the castle in general."

Sebastian feigned hurt and looked at Aesop for help when it was clear MC was not going to step in.

"I understand the feeling all to well, Dinah," Aesop shrugged carelessly, glancing at the red head on the other side of the room. "I can't believe we have to see them in this reunions. How Eleazar does it is anyone's guess."

"Aw please you all love us," MC teased. "I bet you do miss us. Tha castle must be boring if the new generations don't break the rules as often."

"With ideas like that? We don't," Matilda added with a tired sigh and a warm smile. "How are you doing? Is this the new Sallow?"

"Ah yes, quit distracting us," Dinah frowned. "When are you introducing your baby?"

"Unless you expect us to wait until they're eleven," Aesop said sarcastically.

"She," MC clarified, blushing. "I was actually- I wanted to talk to Eleazar first. Grandparent privileges and all."

Dinah, much like Sebastian earlier, feigned a hurt wince and even put her free hand over her chest.

"Sebastian, what about me?"

Sebastian chuckled and Aesop shooed them off with an eye roll.

"He was in the kitchen the last time I saw him," Matilda said. "Ignore Dinah. She's had a bit too much to drink I think."

"Nah, she's fine," Sebastian grinned. "But I wasn't the one carrying this cutie pie for nine months. So, mom's the boss. For now," he added in a whisper.

"I heard that!" MC called over her shoulder.

Sebastian snickered and followed her through the crowd, avoiding their closest friends and the nosiest people. Sebastian was surprised when he noticed Ominis in a corner talking to Poppy. Now he was even more excited to show off his little girl. He'd put her in his best friends arms and call him godfather before he could protest.

The kitchen was more quiet. Eleazar was standing near the oven, whispering something to the house elf guarding whatever it was in there.

"And when they arrive I want the other elves to bring out the cake," Eleazar continued. "Champagne too, although I'm not sure if she's allowed to drink while breast feeding. Maybe champagne isn't a good idea."

"Eli! Don't talk about me breast feeding with the elves!" MC cried, red as a tomato.

Eleazar spun around so fast he almost toppled over the elf behind him. Said elf looked at MC with fear and pulled on his ears.

"The cake is not ready yet, Misus!"

"Don't worry about the cake," MC waved him off. "Eli, tell your elf to stop punishing himself and come meet your granddaughter."

Eleazar looked stunned and Sebastian giggled into the blankets that covered his daughter. MC sighed fondly and took one of Eleazar's hands to pull him close to them.

"Seb," she asked.

Sebastian straightened up, like a proud parent, and offered his baby to the man that saved MC all those years ago.

"Meet Miriam Anne Sallow, Eli," MC introduced softly.

Eleazar was staring at the baby in awe and he jolted at hearing the name. He glanced at MC and Sebastian, the stunned expression not leaving his face. Sebastian nodded knowingly and offered a warm smile.

"She's beautiful, MC," Eleazar whispered, tearing up when baby Miriam grinned gummily up at him. "Looks exactly like you."

"Well, that's the Sallow hair," MC winced. "And she could have freckles."

"Babe," Sebastian took her fidgeting hand. "Accept the compliment. She's as beautiful as her mom and everyone can see it."

MC blushed, not as hard as before, and nodded.

"I'm proud of you," Eleazar finished, giving back the baby to her dad who welcomed her into his arms excitedly. "You're doing great."

MC hugged Eleazar while Sebastian jumped from one foot to the other. MC laughed.

"Go show Ominis, Seb."

Sebastian didn't need to be told twice. He left father-daughter in the kitchen while he took his own daughter to meet her godfather.

[pooonnyboooyyy]

My Starlight Express HUMAN! Au: World plus citizens. Part one

General: Racecity, USA takes the place of the train yard and it’s centered around the 50s-60s. Racecity is the home of the Racing National Championship with it’s reigning champion being from Racecity.

-Richard “Rusty” McCoy

Rusty is 23 and is from a very religious and old fashion family. He lives with his father, Poppa McCoy (A former campion.) His mother, Belle McCoy and his brothers Fredrick McCoy(Flat-top) and Dustin McCoy (Hopper.) He dreams of winning the Championship with his father’s old racing car but is often bullied by the others. He has a major crush on Pearl

-Pearl DuPont

She is 22 and new to town and is from a rich and prominent family. She is friends with Dinah, Di, Buffy and Ashley and is often seen at the disco downtown. She is sought after by a certain new-comer in the race to be his partner, despite her promise to Rusty to be his partner.

-Derek “Greaseball” Russell

He is 26 and is the reigning champion of the National Racing Championship. He is pretty arrogant and self-centered and is the fiancé of Dinah (not to be confused with Di who is his sister’s girlfriend.) For all of his faults he is supportive of his sister’s sexuality. He is the main bully of Rusty. He is extremely proud of his diesel car engine that he says is faster than lighting. Is often seen around his fiancé and his gang. Has been undefeated for 10 years

-Gale “Greasy” Russell

She is 15 and is the little sister of Greaseball and is the girlfriend to Di. She is just under the age of qualification for the Championship but plans on playing in it next year. Her legal guardian is Greaseball and lives with him. She, like her brother is arrogant and self-centered. Works at the auto shop for some extra spending money (totally not because there’s a cute waitress at the dinner next door.)

-Dinah Campbell

She is 24 and is the fiancé to Greaseball. She works at the dinner and is a manager, she is the legal guardian of her distant cousin, Di. She is very loyal to Derek and has been his partner since she was 14 and he 16 (the partner qualifying age is 14.) Will often be seen at the disco. And will hang out with her fiancé and his gang (plus Gale)

-Dinah “Di” Humphrey

Di is 14 and is the girlfriend to Gale. She is nicknamed Di so that she doesn’t get mixed up with her Legal guardian and distance cousin who is also named Dinah. She works at the dinner where she is the newest waitress, but will often sneak out to see a certain champion’s little sister at the repair shop.

-Callum Benjamin “CB” Breaker

He is 24 and works for the McCoy’s at their scrap yard. And is a literal diagnosed psychopath who has unalived in the past sooo not the most qualified person for making sure breaks work properly. He has a type of obsession with Dinah (he’s been trying to sabotage Derek’s car so he can get with her.)

- Electra Futureman

22 and a newcomer to the Championship. He has more of a 80s aesthetic and look to him. His car is electric and is lighter than air making it more faster. Wants Pearl for his partner and travels with his own entourage (the components). Extremely full of himself and is a soar loser. Hostile towards Derek and Rusty.

What do y’all think? I decided to add both Bochum GB and Dinah and Wembley GB and Dinah because I really couldn’t decide. And I used a random name generator for both GB’s human names and used the first letter of the rest of the train’s names for the rest of it. More is to come!

Next part will be the rest of the freight trains and the coaches.

[ladykissingfish]

Deidara: If we ever have a daughter some day, let’s name her Dinah, hm.

Sasori: Why Dinah?

Deidara: So that we could take her up on one of my clay birds.

Sasori: I don’t understand, what does —

Deidara: Oh come on, Danna, hm! Haven’t you ever wanted to see a Dinah soar?

Sasori:

Sasori: The naming of our children is no longer entrusted to you.

[jpbjazz]

LÉGENDES DU JAZZ

LEROY JENKINS, VIOLONISTE DE FREE JAZZ

‘’Our music was a result of Ornette Coleman and Cecil Taylor. And we prided ourselves on taking it further, because we studied Cage, and Xenakis, and Schoenberg, and all those guys. They were the ones who broke away from the old way in classical music, so we had to study them to see how we could break away."

- Leroy Jenkins

Né le 11 mars 1932 à Chicago, en Illinois, Leroy Jenkins était issu d’une famille pauvre. Jenkins avait passé son enfance dans un appartement de trois chambres du South Side avec sa mère, sa soeur, deux tantes, et à l’occasion, un chambreur. Jenkins, qui avait été mis en contact avec la musique dès son plus jeune âge, avait raconté plus tard avoir écouté Charlie Parker, Dizzy Gillespie et des chanteurs comme Billy Eckstine et Louis Jordan durant sa jeunesse.

Jenkins était âgé de sept ans lorsqu’une de ses tantes avait apporté à la maison un ami de coeur qui jouait du violon. Après avoir entendu le petit ami de sa tante jouer une danse hongroise plutôt difficile à exécuter, Jenkins avait demandé à sa mère de lui acheter un violon. Jenkins s’était finalement retrouvé avec une violon miniature de couleur rouge de marque Montgomery Ward d’une valeur de vingt-cinq dollars. Après avoir commencé à prendre des leçons, Jenkins s’était produit dès l’âge de dix ans à la St. Luke's Church, une des plus grandes églises baptistes de la ville, où il avait été accompagné au piano par Ruth Jones, la future Dinah Washington. Jenkins s’était éventuellement joint à la chorale et à l’orchestre de la Ebenezer Baptist Church, qui était dirigé par le Dr. O. W. Frederick, qui l’avait initié à la musique de compositeurs de couleur comme William Grant Still et Will Marion Cook. Multi-instrumentiste, Jenkins avait également appris à jouer de la clarinette, du saxophone alto, du basson et de la viole durant son enfance.

À l’adolescence, Jenkins avait étudié au légendaire DuSable High School, où il avait troqué le violon pour la clarinette et le saxophone alto, car l’école n’avait pas d’orchestre, ce qui limitait ses possibilités de jouer du violon. Au DuSable High School, Jenkins avait étudié sous la direction du célèbre ‘’capitaine’’ Walter Dyett, jouant notamment du basson et de la clarinette avec le groupe de concert de l’école.

Après avoir obtenu son diplôme, Jenkins avait décroché une bourne pour étudier à l’Université Florida A&M, où il avait décroché un baccalauréat en composition et en violon classique. Jenkins avait également fréquenté la Florida Agricultural and Mechanical University à Tallahassee, en Floride, où il avait étudié le basson. Parallèlement à ses études, Jenkins avait également obtenu un revenu d’appoint en jouant du saxophone dans les clubs locaux.

Après avoir décroché un diplôme en éducation en 1961, Jenkins s’était installé à Mobile, en Alabama, où il avait enseigné la musique (et plus particulièrement les instruments à cordes) dans un high school durant quatre ans.

DÉBUTS DE CARRIÈRE

Au milieu des années 1960, Jenkins était rentré à Chicago où il avait obtenu un emploi dans le système d’éducation public. Peu après, Jenkins avait assisté à un événement de l’Association for the Advancement of the Contemporary Musicians (AACM) mettant en vedette la musique du saxophoniste Roscoe Mitchell. Participaient également au concert Maurice McIntyre, Charles Clark, Malachi Favors, Alvin Fielder et Thurman Barker. Jenkins s’était rappelé plus tard avoir été à la fois confus et excité à l’idée de participer à une improvisation collective avec son violon. Jenkins avait alors commencé à participer à des répétitions dirigées par Muhal Richard Abrams. Il expliquait:  "it was something different, something where I could really be violinistic... I discovered that I would be able to play more of my instrument and I wouldn't have to worry about the cliches... I found out that I could really soar, I found out how I could really play." Jenkins avait continuer de répéter et de se produire avec le groupe durant quatre ans.

Jenkins avait fait ses débuts sur disque sur l’album d’Abrams ‘’Levels and Degrees of Light’’ en 1967. À la même époque, Jenkins avait commencé à jouer en trio avec les membres de l’AACM Anthony Braxton et Leo Smith, avec qui il avait enregistré l’album ‘’3 Compositions of New Jazz’’ en 1968. Abrams avait également participé à l’enregistrement. L’année suivante, le trio de Jenkins s’était installé à Paris et avait commencé à jouer avec le batteur Steve McCall avec qui il avait formé un groupe appelé Creative Construction Company. À l’époque, McCall était déjà établi en Europe depuis quelques années.

Durant son séjour à Paris, Jenkins s’était produit avec une vaste gamme de musiciens, dont Archie Shepp, Philly Joe Jones, Alan Silva (avec qui il avait enregistré l’album ‘’Luna Surface’’) et Ornette Coleman. À un certain moment, Coleman avait organisé un concert conjoint avec la Creative Construction Company, l’Art Ensemble of Chicago de Roscoe Mitchell et son propre groupe. À la même époque, Jenkins avait également collaboré à un album de Braxton intitulé ‘’B-Xo/N-0-1-47a’’ sur étiquette BYG Actuel.

En 1970, Jenkins avait quitté Paris et était retourné à New York où il avait fondé le Revolutionary Ensemble. Le groupe, qui avait enregistré un total de sept albums, avait également fait des tournées en Amérique du Nord et en Europe.

Jenkins avait expliqué plus tard qu’il avait quitté Paris parce qu’il se sentait mal à l’aise avec le fait qu’il ne parlait pas français. À son arrivée à New York, Jenkins avait repris contact avec Coleman. Il avait même vécu durant quelques mois dans le loft du saxophoniste appelé Artists House. Jenkins précisait: "We stayed downstairs... It was cold down there, where we slept. Ornette gave us a mattress but he didn't realize how cold it was." Devenu le mentor de Jenkins, Coleman l’avait présenté à plusieurs musiciens qui fréquentaient son loft (les lofts étaient d’importants lieux d’improvisation particulièrement actifs à New York à l’époque). Outre Coleman, Jenkins avait également été très influencé par John Coltrane et Charlie Parker.

Parallèlement, Jenkins avait continué de répéter et de jouer avec la Creative Construction Company, ce qui avait donné lieu à la présentation d’un concert à la "Peace Church" de Greenwich Village le 19 mai 1970. Le concert, qui mettait également en vedette Abrams et le contrebassiste Richard Davis, avait été enregistré par Coleman avant d’être publié en deux volumes par les disques Muse. Chacun des deux albums comprenait une composition de Jenkins.

À la suite du concert, Braxton s’était joint au groupe de free jazz de Chick Corea, Circle. En 1971, Jenkins avait fondé le Revolutionary Ensemble avec le contrebassiste et tromboniste Sirone (pseudonyme de Norris Jones) et le percussionniste et pianiste Jerome Cooper. Le groupe avait poursuivi ses activités durant six ans. Parmi les albums du groupe, on remarquait le disque éponyme Revolutionary Ensemble, également connu sous le titre de ‘’Vietnam’’ (mars 1972), qui comprenait une longue jam session de 47 minutes qui visait à démontrer toute l’horreur de la guerre. Le groupe avait enchaîné en décembre de la même année avec ‘’Manhattan Cycles’’ avant de récidiver trois ans plus tard avec ‘’The Psyche’’ qui comprenait une composition de chacun des membres du groupe. Également publié en décembre 1975, l’album ‘’Ponderous Planets on The People's Republic’’ avait expérimenté avec différentes textures. Si Jenkins jouait à la fois de violon, de la viole, du piano et de la flûte sur l’album, Sirone avait alterné entre la contrebasse, les percussions et le trombone tandis que Jerome Cooper avait utilisé plusieurs techniques de percussion. L’album ‘’Ponderous Planets on The People's Republic’’ est aujourd’hui considéré comme un classique.

À la même époque, sous l’influence du Jazz Composers' Orchestra de Carla Bley et Michael Mantler, Jenkins avait assemblé une formation tout-étoile composée d’Anthony Braxton, de Kalaparusha Maurice McIntyre, de Dewey Redman, de Leo Smith, de Joseph Bowie (le frère du trompettiste de l’Art Ensemble of Chicago, Lester Bowie) de David Holland, de Jerome Cooper, de Charles Shaw et de Sirone dans le cadre de l’enregistrement de l’album ‘’For Players Only’’ (janvier 1975).

Après la dissolution du groupe Revolutionary Ensemble en 1977, Jenkins avait fait une tournée aux États-Unis et en Europe. En 1979, Jenkins avait formé le Mixed Quintet, un groupe composé de Jenkins au violon et à la viole, de Marty Ehrlich à la clarinette basse, de J. D. Parran à la clarinette, de James Newton à la flûte et de John Clark au cor français.  

En janvier 1975, Jenkins avait publié ‘’Swift Are the Winds of Life’’ un album en duo avec l’ancien batteur et percussionniste de John Coltrane, Rashied Ali. 

Au début et au milieu des années 1970, Jenkins avait également joué et enregistré avec des musiciens aussi diversifiés qu’Alice Coltrane, Cecil Taylor (1970), Anthony Braxton (1969-72), Don Cherry, Carla Bley, Albert Ayler, Grachan Moncur III, Rahsaan Roland Kirk, Paul Motian, Cal Massey, Dewey Redman et Archie Shepp.

À la fin des années 1970, Jenkins avait joué et enregistré avec le pianiste et compositeur Anthony Davis et le batteur Andrew Cyrille. Au début de la décennie suivante, Jenkins avait formé le groupe de fusion Sting, une formation largement influencée par le blues qui comprenait deux violonistes (Jenkins et Terry Jenoure), deux guitaristes (Brandon Ross à la guitare électrique et James Emery à la guitare acoustique amplifiée), un bassiste électrique (Alonzo Gardner) et un batteur (Kamal Sabir). Un des meilleurs albums du groupe était ‘’Urban Blues’’ (janvier 1984), un disque qui offrait un mélange plutôt inusité de funk, d’avant-garde, de pop, de gospel, de rhythm & blues et de hip-hop.

En 1981, Jenkins avait publié l’album double ‘’Beneath Detroit’’ avec le New Chamber Jazz Quintet. L’album mettait en vedette Spencer Barefield à la guitare classique douze cordes et à la harpe africaine, Faruq Bey au saxophone ténor, Anthony Holland aux saxophones alto et soprano, Jaribu Shahid à la contrebasse et Tani Tabbal à la batterie, aux percussions et au balafon.

À la même époque, en plus de s’être classé en bonne position dans les sondages des lecteurs et des critiques de Down Beat et de Jazz Magazine, Jenkins avait décroché plusieurs bourses et commandes du  New York State Council on the Arts, de la New York Foundation for the Arts, de la Fondation Rockefeller, de Meet the Composer, de Mutable Music et du National Endowment for the Arts (1973, 1974, 1978, 1983 et 1986). Durant cette période, Jenkins avait aussi reçu de commandes d’organismes prestigieux comme le Kronos Quartet, le Brooklyn Philharmonic, le New Music Consort, le Pittsburgh New Music Ensemble, du Lincoln Center Out of Doors, de l’Albany Symphony et du Cleveland Chamber Symphony Orchestra.

DERNIÈRES ANNÉES

Les années 1980 et 1990 avaient été plutôt difficiles pour Jenkins, qui avait commencé à avoir des difficultés à se trouver des contrats pour la première fois de sa carrière. Comme Jenkins l’avait expliqué au cours d’une entrevue accordée au magazine Village Voice, le milieu du jazz était devenu beaucoup plus conservateur, ce qui avait laissé beaucoup moins de place pour le jazz d’avant-garde. Il précisait:

"Wynton Marsalis was in, and people started talking about going back to classic jazz. We couldn't play in clubs. As soon as we'd walk in, the jazz guys, the beboppers, would walk out. We'd come in and make a big sound, and they didn't go for it. They'd say, 'Oh, the noisemakers.' They wanted chord changes. Our music was a result of Ornette Coleman and Cecil Taylor. And we prided ourselves on taking it further, because we studied Cage, and Xenakis, and Schoenberg, and all those guys. They were the ones who broke away from the old way in classical music, so we had to study them to see how we could break away."

À la fin des années 1980, Jenkins avait quand même réussi à enregistrer et à participer à des tournées avec le quintet de Cecil Taylor, même si les choses n’étaient décidément plus ce qu’elles étaient.

Même s’il n’avait presque plus enregistré au milieu des années 1980 et au début des années 1990 et qu’il avait presque abandonné le jazz pour se consacrer à la composition de musique classique, Jenkins avait été très actif dans le Composers Forum, un groupe de pression de New York. Au cours de cette période, Jenkins s’était également produir en duo avec le saxophoniste Joseph Jarman de l’Art Ensemble of Chicago.

À la même époque, Jenkins avait continué de démontrer ses talents d’improvisateur, notamment dans le cadre de son album ‘’Solo’’ (1998), un enregistrement sans accompagnement dans lequel il avait revisité les oeuvres de John Coltrane et de Dizzy Gillespie. Il ne s’agissait pas du premier album solo de Jenkins, qui avait déjà publié en janvier 1977 un album live intitulé Solo Concert, qui avait été suivi en juillet 1978 de l’album ‘’Legend of Ai Glatson.’’ Jenkins avait également publié d’autres enregistrements en solo sur l’album ‘’Santa Fe’’ en octobre 1992.

Parmi les albums néo-classiques de Jenkins, on remarquait ‘’Lifelong Ambitions’’ (mars 1977) avec Muhal Richard Abrams, une improvisation électronique de vingt et une minutes avec Richard Teitelbaum et George Lewis aux synthétiseurs dans le cadre de l’album ‘’Space Minds/ New Worlds/ Survival America’’ (septembre 1978), le Quintet No 3 pour violon, cor français, clarinette et clarinette basse (enregistré avec Marty Ehrlich), l’album ‘’Mixed Quintet’’ (mars 1979) et la pièce ‘’Free at Last’’ publiée sur l’album ‘’Straight Ahead/ Free at Last’’ (septembre 1979) mettant en vedette le violoncelliste Abdul Wadud.

Toujours dans les années 1990, Hans Werner Henze, le directeur artistique du Munich Biennial New Music Theatre Festival, avait chargé Jenkins de composer un danse-opéra intitulé ‘’Mother of Three Sons’’ (1991), une oeuvre qui faisait une sorte de synthèse entre les danses africaines, le jazz d’avant-garde et le folklore d’origine africaine. L’oeuvre, qui racontait l’histoire d’une femme qui tentait de donner naissance à des fils parfaits en copulant avec les dieux, s’appuyait sur la collaboration du chorégraphe et réalisateur Bill T. Jones et de la livrettiste Ann T. Greene. L’oeuvre, qui avait été présentée en grande première à Aachaen en Allemagne en 1990, avait également été interprétée par le New York City Opera en 1991 et le Houston Grand Opera l’année suivante.

Jenkins avait poursuivi son exploration de la musique classique dans les années 1990 et 2000 avec des oeuvres comme ‘’Fresh Faust’’ (1994), un opéra de jazz-rap (dans lequel il revisitait la légende de Faust) qu’il avait composé pour l’Institute of Contemporary Art de Boston, et ‘’The Negro Burial Ground’’ (1996), une cantate produite par la troupe The Kitchen et qui avait été présentée par l’Université du Massachusetts à Amsherst. Basée sur un livret d’Ann T. Greene, l’oeuvre traitait de la pierre tombale d’un esclave du 18e siècle qui avait été découverte en 1991 sur une propriété de Wall Street. Parmi les autres oeuvres majeures de Jenkins, on remarquait ‘’Editorio - The Three Willies’’ (1996), un opéra multimédia qui avait été présenté au Painted Bride de Philadelphie ainsi que ‘’Coincidents’’, un opéra basé sur un livret de Mary Griffin. L’oeuvre avait été présentée à la Roulette de New York.

Même s’il enregistrait beaucoup moins, Jenkins avait fait paraître d’autres albums dans les années 1990, dont ‘’Themes and Improvisations on the Blues’’ (1992), qui mettait en vedette des cordes, des cuivres, de la contrebasse et du piano sur quatre pièces. En 1993, Jenkins avait enchaîné avec un album en concert intitulé ‘’Leroy Jenkins Live!’’ qui comprenait à la fois une section rythmique traditionnelle et des synthétiseurs.

À la même époque, Jenkins avait également participé à une réunion du Revolutionary Ensemble. En 1998, Jenkins avait enregistré avec le multi-instrumentiste Joseph Jarman de l’Art Ensemble og Chicago l’album ‘’Out of the Mist’’, un enregistrement qui combinait la musique africaine et asiatique au jazz, en passant par la musique classique européenne contemporaine. Par la suite, Jenkins avait prolongé sa collaboration avec Jarman en formant le trio Equal Interest avec la pianiste Myra Melford. Le groupe avait publié un album éponyme en 2000 qui refétait les intérêts de chacun de ses membres. Le critique du magazine Down Beat, James Hale, avait écrit au sujet de cet album:  "Jarman's devotion to Buddhism dovetails with Melford's interest in music for the harmonium, while Jenkins thrives on developing thematic patterns that span musical cultures from East Asia to Appalachia. Together, the three create music that defies categorization beyond the beauty and humanity that suffuse all of it."

En 2004, Jenkins avait formé le groupe Driftwood, un quartet qui comprenait Min Xiao-Fen au pipa, Denman Maroney au piano et Rich O'Donnell aux percussions. Le groupe avait publié l’album ‘’The Art of Improvisation’’ en octobre de la même année. En 2005, Jenkins avait retrouvé le Revolutionary Ensemble avec qui il avait publié deux albums live: ‘’The Boundary of Time’’ (mai 2005) et ‘’Counterparts’’ (novembre 2005). Le groupe avait publié son dernier album studio en juin 2004. Intitulé ‘’And Now’’, l’album comprenait une composition de vingt et une minutes du batteur Jerome Cooper.

Au cours de sa carrière, Jenkins avait collaboré et fait des tournées avec de nombreux chorégraphes. Il avait également fondé un groupe d’improvisation basé sur la World Music. En 2004, Jenkins avait été lauréat d’une bourse de la Fondation Guggenheim. Il avait aussi joué comme musicien-résident dans plusieurs universités américaines, dont les universités Duke, Carnegie Mellon, Williams, Brown, Harvard et Oberlin. Également professeur, Jenkins avait enseigné la musique dans un high school de Mobile, en Alabama, de 1961 à 1965, puis dans les écoles de Chicago de 1965 à 1969.

Leroy Jenkins est mort d’un cancer du poumon à New York le 24 février 2007. Il était âgé de soixante-quatorze ans. Au moment de sa mort, Jenkins travaillait sur deux nouveaux opéras: une histoire du quartier South Side de Chicago, et ‘’Minor Triad’’, un drame musical sur les artistes de jazz Paul Robeson, Lena Horne et Cab Calloway. Jenkins vivait à Brooklyn au moment de son décès. Jenkins laissait dans le deuil son épouse Linda Harris et sa fille Chantille Kwintana. Le dernier membre survivant du groupe Revolutionary Ensemble, le batteur Jerome Cooper, est mort en 2015.

Influencé par plusieurs styles musicaux allant de la musique afro-américaine au bebop en passant par la musique classique européenne, Leroy Jenkins, qui avait été un des principaux leaders du  jazz d’avant-garde durant quatre décennies, n’avait jamais cessé de se réinventer. Comme l’avait déclaré un critique du San Francisco Chronicle, "Jenkins is a master who cuts across all categories." Au cours de sa carrière, Jenkins avait publié une douzaine d’albums sous son propre nom.

©-2024, tous droits réservés, Les Productions de l’Imaginaire historique

SOURCES:

‘’Leroy Jenkins.’’ Wikipedia, 2024.

‘’Leroy Jenkins Biography.’’ Net Industries, 2024.

RATLIFF, Ben. ‘’Leroy Jenkins, 74, Violinist Who Pushed Limits of Jazz, Dies.’’ New York Times, 26 février 2007.

SCARUFFI, Pierro. ‘’Leroy Jenkins.’’ Piero Scaruffi, 2006.

[aboutzatanna]

Still annoyed by how the latter half of JLD portrayed Zee as an incompetent leader who made some  outright dumbass decisions while in charge.   

As a palate cleanser, here are some tidbits from Justice League of America Vol 1  Annual #1 written by Paul Levitz and Len Wein and pencilled by Rick Hoberg and her decisions weren’t disastrous.

This was from the period where Zee was elected chairwoman of the League: 

Oh hey look, it’s Commissioner Gordon on the Watchtower, you don’t see that every day. What could he be there for?   

(This is from the period where Batman left the League to form the Outsiders but given that he formed the Outsiders to do *more* crime fighting, the fact that Gordon had to go to the League because he couldn’t get in touch with Batman is doubly ironic.)  

Also, pretty cool how Gordon is known and respected even by the JLA.   

So Zee splits the team into groups and they go investigate the missing artists. Not everyone is too keen on her calling the shots though:  

Why Ollie? Why? Sadly, Ollie doesn’t do much in this annual besides whining and being a jerk.  

But turns out she was right and it turns out Destiny is pulling out nightmares from artists brain and materializing them in to the real world.   

Diana on the other hand, is more supportive Zee’s decisions:  

Oh hey look! It’s John Stewart!   

John teaming up with the League during the Satellite era was rare but always welcome. As a DCAU fan, he will always by *my* Green Lantern.      

After confirming Destiny’s involvement, Zatanna, Red Tornado and Elongated Man chase him into the Dreaming (a much less exciting place before Neil Gaiman joined DC):    

One of the main sub plots of the annual is Zee’s sometimes mentor/detective Ralph having a crisis of confidence:    

Zatanna summons the rest of the League and they head to confront Destiny at his HQ:  

Also shout out to penciller Rick Hoberg here; the League is flying or running towards their target but he gives each member a distinct pose that reflects their personality. Zatanna and the Hawks are soaring through the air while John and Red Tornado are darting through the air laser focused on their target while Firestorm’s pose falls somewhere in the middle.  (Also it’s funny how the Atom is on Firestorm’s shoulder seemingly rooting for him to go faster.)  Even the running poses are different from each other; Flash’s pose looks like a homage to his debut comic cover, Diana is more casual while Aquaman looks more determined whilst Ollie looks like he is oogling Dinah who seems to be doing her best to ignore him.   

The League takes the fight to Dr Destiny’s HQ but it doesn’t go as planned:  

He defeats the League in a way that makes me think the League all probably collectively agreed to never speak of again:  

 “So how did Destiny take down all of you again?”

“Yep, giant monster.” 

“Giant monster.”

“He had big fangs.”

“Don’t forget the horns.”

“And the spikes.”

“Practically untouchable.” 

“It was too powerful for us to even comprehend!”

(I’m also going to head canon this as Destiny having more power in the Dreaming.)

Unbeknownst to him however, Ralph has managed to free the original Jack Kirby Sandman, Garret Sanford.  Side note: He is the guy who passed the mantle to Hector Hall who was the Sandman who was being manipulated by Brute and Glob before being “freed” by Neil Gaiman’s Sandman.    

Destiny’s characterization here; his hatred for the League, unable to dream which in turn turned him into a withering husk because of it and usurping the power of Sandman has echoes of his story arc in Gaiman’s Sandman. The latter was more impactful but I wonder if he drew inspiration from this annual?   

Sandman calls in the cavalry in the form of Superman

and takes on Dr Destiny again and in probably one of the funniest moment of this annual:   

So how did they escape?  

Ralph: The MVP.   

Later, the League offers membership to Sandman who turns it down.  Also, turns out Superman’s dreams are special:   

So there you have it; Zee was a competent chairman, Ralph got his confidence back by being the MVP, John Stewart finally got some lime light  and Superman dreams about ~peace~.    

Honestly, wouldn’t mind a variation of this story but with the League meeting Morpheus.    

[thewarriorspecial]

Greenhill High (CH1 - Dream Job)

*Archive Edition* Previously only linked to AO3, full work now available under the cut.

Read on AO3

Rating: Teen | Guy Gardner/Kyle Rayner, Hal Jordan, John Stewart, Dinah Lance, Oliver Queen, Wally West, Katma Tui

Additional Tags: Alternate Universe - High School, Alternate Universe - Canon Divergence

A little something special for @hobicat!

Kyle Rayner just landed his dream job. He's the new Art Instructor at the brand new Greenhill High. His boss takes him around the campus and he meets one of the other faculty members.

Kyle’s grateful for the time Principal Lance has taken out of her day to show him around the enormous campus and help him get acclimated. For a small suburb outside of Star City, Greenhill boasted an enormous campus at its high school. 

He had felt trepidatious the day of his interview as he parked his Camry in the visitors lot located between a nine-hole golf course and a domed football stadium. Much like a luxury apartment complex, he had to be buzzed in by a security guard. When the big double doors opened, he entered a foyer that looked more like it belonged in a concert hall. The next set of doors were flanked by a box office and the guard station. When Kyle opened that second set of doors and saw the two million dollar theater he was floored. 

“Wow,” he breathed, looking at the ornate auditorium; still as striking as the first time he had seen it.

“Mr. Queen personally oversaw every detail. In a lot of ways, this is his school. That theater is his baby,” Principal Lance says proudly.

“Some kind of investment project?” Kyle asks, a bit suspicious.

“He’s invested in the students and their futures. We’ve lost a lot of small schools outside of the city. Some classrooms are cramming as many as sixty kids to a room. We’ve got room for them all here.” Principal Lance pauses, sharp eyes sweeping the gorgeous theater. A small group of students are following a middle aged instructor as he explains the complicated system of pulleys that control the movement of the curtains. “We’ll catch up with Mr. J’onzz during his office hours. Follow me.”

Kyle follows his new boss through the wide hallways, peeking into the large classrooms. Some are fairly spartan; rows of tables and seats, overhead projector, long stretches of dry erase boards. Other rooms are well stocked, colorful, inviting. It looks more like a private college than a public high school. 

“The uh, library is kinda small,” Kyle remarks. Principal Lance turns to the room with its short shelves and colorful carpets. The far corner is full of smiling, brightly colored stuffed animals. 

“Oh, that’s our Early Childhood Development center. Mr Harper brings children from elementary schools and even orphanages here for story time and puppet shows.”

“That’s really cool!” 

“I think you’ll be really happy here, Mr. Rayner.”

“You can call me Kyle.”

“I do insist on the formality. It helps the students build character,” Principal Lance smiles.

“Oh, right. Yes, ma’am.”

“Speaking of the events for our students, there is someone I’m excited to introduce you to. You’ll be working with Coach Gardner to develop your Art Therapy program.”

Kyle’s eyes widen and his heart soars. This must be a dream. “I’m sorry, Coach Gardner?”

“That’s right. Our football coach has a background in psychology. His experience and insights with individuals with behavioral support needs has been invaluable.”

“Oh, that’s awesome,” Kyle lies. He pictures some meathead jock trying to tell him what to do. He’s awash with memories of fistfights, stolen lunches, and slurs. 

They round the next corner and head down a long hallway. At the end, a set of large glass doors lets s good amount of sunlight in and Kyle can smell fresh cut grass. A blue sign on the wall indicates the locker room to the left and stadium seating to the right. Principal Lance’s cell phone rings. 

“Excuse me, Mr. Rayner I have to take this. Coach Gardner’s office is at the back of the locker room. Are you comfortable introducing yourself?”

“Yeah, no problem.”

“So sorry, I’ll be just a moment.” Principal Lance ducks into one of the classrooms to answer her phone, leaving Kyle to stew. He looks down at his feet and sighs. He’s not the smallest sixth grader anymore and this guy has his job to think about too. Maybe he’s nice. Probably dumb, but everyone here has been really nice and focused on the kids so far. The job posting said Batchelor’s required but Master’s preferred so maybe he was one of those rare smart jocks. 

Kyle steels himself and pushes the door to the locker room open. No time like the present. As he enters, he hears two muffled voices and he stops. 

“Well, I don’t wanna freak ya out comma but, when ya let a cut like this go for tew long, ya actually can’t get stitches. So we’re gonna patch ya up. If ‘at bleedin’ don’t stop, we gotta take yew to a real hospital, okay?” a grown man’s voice speaks softly with an odd accent.

“I can’t,” says a child’s voice.

“Was’wrong? Scared? I’ll go with yew.”

“No, you don’t understand.”

“Wha’don’t I understan’, buddy? Yew know yew can tell me an’thin.” Kyle cringes. Is this guy trying to talk around a jawbreaker?

“They’re gonna ask questions, Guy. If I say too much, they’ll figure it out.” 

Kyle peers around the lockers. A stocky, thirty-something redhead is kneeling in front of a lanky young boy—maybe fifteen. A bloodstained towel rests on the bench where the boy is sitting. The redhead is cutting a length of gauze and wrapping it around the boy’s bloody knuckles. 

“Aw, you an’ Bobby been friends your whole lives,” Kyle parses out the man’s words around the accent, “He’s the smallest kid in your class. It’s not surprise you’d stick up for him.”

“Dad’s a cop. He’s gonna figure it out,” The boy shakes his head, “I can’t hide it from him forever. And I’m—I’m tired of hiding. I’m tired of fighting.”

“It’s a fight worth winning,” Guy says as he finishes taping the gauze down.

“You met him. You know how he is. What am I gonna do when he turns on me? What do I do when he finds out?”

Guy’s sky blue eyes snap up to meet the boy’s, his expression stern, “You come get me. No matter what happens, Tommy, you will always have me. And I know all too well how much it hurts to get the holy hell beat out of you by someone you love.” 

Tommy nods as he tests out his wrapped hand. “Alright.”

Guy pats the boy’s knee and stands up. “Let’s get you to Math on time today. If your grade goes any further down the shitter you’re gonna get pulled off the team.”

“But—”

“No buts. Go see Mr. Stewart about Calculus, he’ll get you straight.”

Tommy smiles, and that makes Guy smile.

“With Math. Now go on. We’ll see you at practice.”

Tommy jumps up from the bench and throws his arms around his Coach, “Thank you.”

Guy gives the boy a good squeeze, patting his shoulder, “Anytime, buddy.” 

The boy grabs his backpack and dashes out of the locker room.

Kyle waits a moment before stepping out and clearing his throat, “Hi, um, are you Coach Gardner?”

“The one and only,” the redhead crows as he spins around. He’s got a smile that lights up the whole room and Kyle is floored by the clear blue of his eyes. He grabs Kyle’s hand with one of his big paws and gives it a firm shake. Kyle feels dizzy. “And you’re…” Guy prompts, still wearing his friendly grin.

“Oh, uh,” Kyle can’t believe he has to think about his own name, “Kyle. Rayner. Mr. Rayner, I guess,” Kyle’s laugh sounds as awkward as it feels and he feels fifteen again; small and lost and stupid.

“I guess that makes me Guy, and you Kyle, and us partners then.”

“Sure,” Kyle smiles, “Partners.”

[originaltyphoonkryptonite]

Chapter 17: Unexpected Guests

Zella pov

Alfred went with the guests to make sure that everything was set up while the wedding photos were taken. Leslie offered to take Little Conner in case Oliver wanted to pose with Dinah. He accepted and she just stood to the side with Bruce and Gus until it was their turn. I should have known that Jason, Roy, and Wally were up to something. The first photo was suppose to be of me and Dick but it would seem those troublemakers had other ideas. They pushed Dick out of the way and Jason even lifted me up into his arms while Wally and Roy stood by him. The photographer got the shot of Dick stumbling forward a bit as I was already being lifted into Jason's arms.

Gus started laughing as Dick straighten himself and turned towards us. The three then started run with Dick chasing them. Tim face-palmed while Damian glared at them in the background. Standing behind the photographer, Steph and Cass were giggling with M'gann while Artemis shook her head. Bruce had covered his face with one hand while Oliver patted his shoulder as Dinah laughed at them and telling the photographer to make sure to get a good shot of Bruce.

When Dick caught up to us, he grabbed me and glared at the troublemakers. The photographer captured all of that. So what happened next was that the bridesmaids had it to where they each were holding up Dick and looked like they were taking him away. After that Dick and I finally got our photo because Gus told Jason, Wally, and Roy that they would get no cake if they pulled anything else. The next few photos were me and the bridesmaids and Dick with the groomsmen. Cippia was in my group's photos. As for the last photo, it was where all of us where in it, including Bruce, Gus, and Cippia.

Once done, we head to the ballroom of the Manor. Everyone else went in first while we waited for our turn. We were then announced as Mr. and Mrs. Grayson by Alfred since we thought he would be best for M.C. Once we were seated, the reception begins. At one table sat Oliver, Dinah, their son, Bruce, Barry, Clark, Lois, and Iris. Another table had Lucius, Luke, Duke, Alfred, Gus, and Leslie. For one table, that held the Batboys, Batgirls, and Jon. Damian and Tim were not next to each other but Jon was seated by Damian just in case his Super-strength was needed. At the last table was members or former members of the Team. Dick and I got our own table. The starters were spinach balls with dipping sauce.

Once everyone had their fill, Alfred thanked the guests for coming before motioning to Wally to give his speech while the servers cleared the empty plates.

Wally stood up from his seat and started with, "Thank you all for coming to Dick and Zella's wedding. Which let's be honest, we all thought would never come with this guy.", he said while pointing at Dick who gave him a mock glare as the guests laughed. "Not to mention with someone like Zella. I mean she is the opposite of what Dick has dated so maybe that's why I think she is the best choice he could have made. Hope they have a long and happy marriage." The guests clapped at Wally's words before Dick stood up to say his speech.

He then turned to me before saying, "You are my light, my inspiration. Sometimes I watch just the smallest things you do and think I am the luckiest man alive. I've listened to my heart beat, felt it trapped in the cage of my ribs. But now I think of it like a robin.", he pauses as the crowd chuckles at his choice of bird. "Flying to you, to be joined with you, my heart soars with yours. Together our hearts take wing. I love you utterly, completely and madly: I love the way you look at me. I love to gaze into your eyes. It is only natural that I should always be with you as your husband. I love you Zella Lilith Grayson, with all of my heart, mind, and soul.", he said before finishing with a kiss on my lips.

Dinner was then served and it was a wonderfully prepared Mushroom Wellington by Gus and Alfred.  For dessert, it was a cookie bar. That was Dick's idea since he loves Alfred's cookies. When his brothers heard that Alfred would be making a ton of his cookies, it was hard to keep the boys out of the kitchen. Cippia had to stand guard until the big day to make sure no one would eat all the treats.

Once dinner was done, Dick lead me to the dance-floor and we had our first dance. I smiled as I heard the song that played.

"The song we danced to at our first gala.", I said as I just swayed in his arms as 'Looking Through Your Eyes' played on.

"That and I love looking into your eyes.", he said with a cheeky grin.

"Hush you."

"Make me."

"If you insist.", I said before I kiss him.

I heard people taking pictures of us kissing and smile as I break away. Dick had a dazed look on his face as we finished our dance.

We decided that the dance floor could be open to everyone after Dick and I had our dance since he didn't exactly wanted to dance with Bruce for the parent dance. I stood to the side as people partnered up for a dance. Gus then asked me for a dance so we did just a bit away from the others. He lead me to a area that was slightly hidden from sight from the others and near a door that lead into the driveway of the Manor.

"Coast is clear.", Gus said to a pillar after he stopped dancing.

I was about to ask him what was going on when out stepped a blonde girl about Jason's age in a simple dark blue dress, simple diamond bracelet, and silver heels.

She smiles when she sees me and walks until she stops right in front of me.

"Hi....Big sis.", she says with a sheepish smile.

"A-Aileen?", I asked shocked. "But how....are you here?"

"Yeah.....It's great to see you. Sorry I missed the actual wedding but I am still glad I got to make it to this part. I heard about the wedding from Grandpa.....he sent me a letter and I just knew it was my chance to talk to you after all these years."

Gus just smiles when I look at him before turning back to Aileen.

"But, aren't you,"

"Nope. Not mad at all.", she interrupts me. "In fact, I was never mad about what happened."

I just stood there shocked.

"What happened that night was my fault and my fault alone. I knew about your powers and yet I did such a stupid thing. I should have known better then to disappear and then startle you like that. Mother  told me how you ran away when I woke up and I never got to say sorry. She also wouldn't let me look for you or even listen to me about how it was my fault."

She took a deep breath before speaking again,"So.....think you can forgive your dumb sister?"

I said nothing as I just hugged her with tears in my eyes. "You have nothing to feel sorry about, Lina."

"I missed you calling me that nickname.", she said as she hugged back with tears also in her eyes.

"Aileen Leora Douglas!", was said angrily behind us, causing end of the hug.

Turning to look, we see Nora Douglas, our mother standing in the doorway with a very displeased look on her face.

[bamboomusiclist]

9/20 おはようございます。A. K. Salim / Afro-Soul Drum Orgy PRLP7379 等更新しました。

Maxine Sullivan / Leonard Feather Presents Maxine Sullivan 1956 FSR-732 Dinah Washington / Wise Woman Blues RR1313 Bob Florence Limited Edition / Soaring BOSCO3 Booker Ervin / the Song Book Prst7318 Stanley Turrentine / Let It Go as9115 Hampton Hawes Trio / at Montreux jas-4002 Dizzy Gillespie / Have Trumpet Will Excite Mgv8313 Duke Pearson / Introducing Bst84276 A. K. Salim / Afro-Soul Drum Orgy PRLP7379 Herbie Mann / & Jasil Brazz Rbir401 Paul Humphrey / America Wake Up Bts66 Elizeth Cardoso Ciro Monteiro / A Bossa Eterna De Elizeth E Ciro CLP11466 Deep Purple / Fireball 1C0381575621 Rolling Stones / Through The Past Darkly skl5019 Fairport Featuring Dave Swarbrick / Gottle O'Geer ilps9389

[schoje]

Com entrada gratuita, o Festival da Canção de Balneário Camboriú vai movimentar o Teatro Municipal Bruno Nitz de 25 a 27 de novembro. Disputam o evento 30 composições de estilo livre, originais, inéditas e com música e letra em língua portuguesa. O festival, que está na 10ª edição, premia canções de autores maiores de 18 anos e residentes em Santa Catarina. Na quinta-feira passada (11), foi sorteada a ordem de apresentação dos artistas (confira a programação completa no fim do texto). Serão duas semifinais (25 e 26 de novembro) e a final (27 de novembro). Os três primeiros colocados ganharão dinheiro e troféu. Já melhor intérprete, melhor instrumentista e autor da melhor letra receberão troféu. Nos três dias, o festival começa às 20h. A capacidade de público será reduzida em 30% por causa da pandemia. Também deverão ser cumpridas as medidas sanitárias para evitar a disseminação da Covid-19. O evento tem como novidade nesta edição a figura de uma madrinha, que será a cantora Karinah. A artista faz sucesso no país cantando com ícones do samba. Karinah vai se apresentar na final do festival. PROGRAMAÇÃO 25 de novembro, quinta-feira - a partir das 20h Cerimônia de abertura Show de abertura: Laura Schadeck e banda Apresentação de 15 canções classificadas (veja abaixo) Apresentações de dança: Space Dance Studio Julio Leduc – Instrumental Anúncio de cinco canções finalistas 26 de novembro, sexta-feira - a partir das 20h Show de abertura: Maykow Santos - Show Acústico Catarinense Apresentação de 15 canções classificadas (veja abaixo) Apresentação da cantora Marilice Caldat Show de encerramento: Maykow Santos - Show Acústico Catarinense Anúncio de cinco canções finalistas Sorteio da ordem de apresentação das canções finalistas 27 de novembro, sábado - a partir das 20h Final Show de abertura: Banda Maria do Cais Apresentação especial da Madrinha do Festival, Karinah Apresentação das 10 canções finalistas Apresentação de dança: Grupo Charruas Show de encerramento: Banda Maria do Cais Cerimônia de premiação ORDEM DE APRESENTAÇÃO DAS COMPOSIÇÕES CONCORRENTES NAS DUAS SEMIFINAIS Dia 25/11 1. Marcos Kelm Do Nascimento – Baile Do Cola Atada 2. Alberto Damian Montiel – Vento De Luz 3. Laura Tereza Tomasini Schneider – Meu Sonho 4. Maison Jacinto Freitas – Vou Deixar Pra Lá 5. Rafael Bodanese Cogo – Estilo Beija-Flor 6. Gabriel Virtuoso De Oliveira – O Mundo Cabe Em Nossas Mãos 7. Amanda Zaions Cadore – Arrebentação 8. Noemi Da Silva Carvalho – Não É Preciso Ter 9. William Molin – Nós Vamos Vencer 10. Leandro De Oliveira Nakagawa – Quando Isso Tudo Passar 11. Gandhi De Oliveira Martinez – Um Dia Normal 12. Leonardo Schmitt Vieira – Morada De Sonho 13. Bárbara Trelha Oliveira – Cartas De Wether 14. Jorge Heleno Fidélis Pereira – Não Quero Mais Andar Sozinho 15. Augusto Da Silveira – Uma Ilha Dia 26/11 1. Jose Guanaes Sepulveda – Arritmia 2. Mauricio Coldebella – Livianito 3. Roberta Kelly Da Costa Arantes – Mamãe Lavadeira 4. Priscilla Dinah Costa Lourenço – Espelhos 5. Gustavo Dos Santos Merisio – Paz Interior 6. Ricardo Batista Dos Santos – Só Um Estranho 7. Robson Coldebella – Canção Pra Matear Com Deus 8. Elisa Maria Cordeiro – Deusa Música 9. Glenio Marques Pinto – Verso 10. Juan Daniel Isernhagen – Tenho Confiança Na Gente Do Sul 11. Victor Hugo Praun – Poder Do Amor 12. Edegar Soares Rodrigues – Meu Canto 13. Daniel De Miranda – Alguém 14. Moises Peteffi – Malabarista De Primeira 15. Mario Rodrigo Jacinto Freitas – Distopia ___________________ Fundação Cultural de Balneário Camboriú (47) 3267-7011 Diretoria de Comunicação Jornalista: Silvana de Castro Foto: Celso Peixoto/Arquivo PMBC (47) 3267-7022 www.instagram.com/prefeituradebc  FOTOS Fonte: Prefeitura de Balneário Camboriú

[thebibliomancer]

Essential Avengers: The Terminus Factor - Second Half

1990

WAR of the GARGANTUAS

Is that the proper plural? Huh.

Halfway into the Terminus Factor I still don't know what factor that is. I guess the real circumstance, fact, or influence that contributes to a result or outcome was the friends we made along the way.

Shrug.

In the first half of this annual event, we covered the annuals for Captain America, Iron Man, and Thor. The Captain America annual had Terminus spore launch out of a volcano and infect some fish. When a town and an Iron Man ate the fish, they became rabid. Captain America lured them up a mountain where the cold cured the infection.

BUT: in the Iron Man annual, Iron Man and Machine Man fought a bear that was also infected by the Terminus-tainted fish. No longer weak to cold, the two heroes have to defeat the Termini Bear with some molten metal. After much struggle to defeat just that one bear, they discover that dozens of other animals have been affected.

In the Thor annual, Iron Man asks Thor to protect San Francisco from a big group of Termini. Thor brings Hercules and then ditches him in San Fran to go out into space and beat up on the original Terminus for a while. Thor gets exposition dumped on and Mjolnir stolen, which OG Terminus uses to return to Earth. Meanwhile, Hercules tries to stop a bunch of Termini that have invaded a nuclear power station to eat tasty radiation. He's not able to stop them before they all combine into one new Terminus. Just in time for OG to arrive.

And that's where we are. The Terminus spores infected animals which ate titanium and radiation and merged into a new Terminus but also the original is back.

Let's get these gargantuas warring.

So where have the West Coast Avengers been while all of this has been happening? Back at home.

Specifically, Hank Pym has been using lasers to bring the robot Human Torch back to life after Evil 'n Crazy Wanda turned him off.

After flaring up like that, Jim Hammond Human Torch turns down the temp and asks if somebody could tell him the date. Only, he has a tendency to wake up decades later.

Jim is told that he hasn't been offline that long and brought up to speed on the Wanda situation. Wanda is fine, Magneto and Immortus were dealt with, and she's taking some time to rest with Quicksilver watching her.

Speak of the devil, Quicksilver shows up and tells everyone there's an emergency summon from Hercules in San Francisco.

Quicksilver: "He claims to have been battling hordes of metallic beasts he calls Termini -- and to need our help. He said Iron Man was familiar with the creatures."

Quicksilver offers to go along and help, despite not being active with the Avengers. And Machine Man offers to help too - he's still upset that they killed his good friend, Imposter Peter Spaulding.

Everyone runs off to a Quinjet, leaving robot Human Torch to muse "Out of cold storage for two minutes -- and we're off and running! My new life as an Avenger promises to be anything but dull!"

In the Quinjet, Quicksilver remembers more of Hercules' message. That the Termini have merged into a single 150 foot tall one. And that it has started fighting another giant guy called Terminus.

That kind of feels important, Quicksilver!

Hercules: "By the Medusa's serpentine locks!"

You can say that again, Hercules!

Although... impressive and terrible sight as it may be to have two giant men fighting through the city... I can't help but notice that compared to the more bestial new Terminus, OG Terminus kind of has a pouting baby face.

Also, the Terminuseses have words.

OG Terminus: "So, wormling -- you are the SPAWN of Terminus -- the MANY who are become the ONE. I have returned from far space, having slain a THUNDER GOD and incorporated his HAMMER into my own body! -- To learn WHICH of us shall inherit the vengeful mantle of our long-dead creator race!" New Terminus: "Then you should have stayed hidden behind some darking star, Terminus -- 'FATHER'! For you have journeyed all this vast distance -- only to face OBLITERATION at the hand of your 'SON'." OG Terminus: "HAVE I? We shall see!"

And New Terminus rips off his tail to use as a lance. Alas and for shame. I kinda liked that New Terminus had a tail. Set him apart from the OG while giving him an equivalent of the lance to use.

Also, is this just the Terminus lifecycle? Based on stuff that happens in this issue and based on how Terminus spreading his spore inside Earth was described last time, I'm pretty sure we can conclude he's never gotten around to trying to reproduce.

And if reproduction means that you have to fight whatever new Terminus wins the race to eat lots and grow big, then I can see why Terminus hasn't spored all over other planets.

Honestly, it'd be more interesting if Terminus wasn't the original Terminus. That this process has happened many times over long eons but since every Terminus seems to have implanted memories, each one just continues on the Terminus mission.

Also, if Terminus is an anti-Celestial weapon that goes to planets that the Celestials have tinkered with and ransacks the place, you'd think that making more Terminuses by sporing the planet before he leaves would be standard procedure. It'd make him like a virus. More and more Terminuses, spreading throughout space and trying to undermine the grand Celestial plan.

But I don't get the indication that's what's up. I think there's only ever been one Terminus, minus the faker the Avengers fought in the Savage Land, and that this is the first time Terminus has bothered to spore.

Anyway, the West Coast Avengers Quinjet lands nearby, to Hercules' elation.

Hercules: "Mayhap they can take me to some vantage point whence I can enter the fray."

I love Hercules and his priorities.

Iron Man asks where Thor is, since he was supposed to be here. And Hercules has to relay that Thor fucked off into space and that OG Terminus has boasted that he killed Thor and ate Mjolnir.

Hank Pym points out that the enchantments on Mjolnir should have prevented that. Like some kind of pedantic nerd, speaking for the readers.

Hercules hand-waves the complaint by saying Terminus is "no ordinary foeman."

Everyone got that? No writing letters complaining about it!

Iron Man laments that he couldn't stop the Termini when they were spores or robot animals. US Agent tells him to stop crying, they're Avengers and they'll bring down those giant space men! He doesn't know how! He just knows that the problem will get solved and the Avengers will be involved!

As it happens, Hank Pym has an idea. He takes out a pair of tiny lenses from his pockets of mystery and then enlarges them to be each bigger than a man.

Then instead of explaining what his plan is, he tells the Avengers they'll see when both are in position.

Hank has Iron Man and Machine Man take one lens southwest of the new Terminus. And Wonder Man and robot Human Torch fly the other to the south southeast of original Terminus.

Meanwhile, the rest of the Avengers get in the Quinjet.

Hercules is hype to be fighting alongside the Avengers again. Not sure how he came back from blowing up along with the High Evolutionary but I'm glad he's here.

Wasp is more negative about the situation but US Agent tells her "The G-Man who appointed me to watchdog this combo want those two Kong-types wasted, so that's what we're gonna do -- period. Somehow."

I wonder when Walker had the chance to get orders from Washington in the middle of all this mess. Maybe he's just speculating.

Also in the Quinjet, Quicksilver comments how fortunate it was that the Avengers were able to find such a capable leader as Hank Pym.

Which just makes Hawkeye bitterly think that he's the one that founded the team and nobody has asked him to become the leader again.

My guy, you ragequit the team. And went to go manage another team. Who I assume you're currently neglecting.

The two lens teams arrive in position. Then there's a bright flash of light and the two Terminuses start moving past each other.

Hank Explains It All. Those lenses create reflection images of the opposing Terminus so both are pursuing mirages.

Which isn't going to fool them for long but it should buy time.

And by won't last long I mean. Like. A page. The more bestial new Terminus switches to more cosmic senses and realizes the ruse.

He immediately turns on Wonder Man and robot Human Torch in a rage and blasts the lenses to smithereens.

Wonder Man zooms up and punches new Terminus in the teeth. He manages to knock out a tooth. Robot Human Torch throws some fireballs. To no effect.

Human Torch figures new Terminus must still have a weakness but it's not fire and ice anymore. He creates a bunch of Human Torch fire duplicates to buy time while he tries to figure it out.

Meanwhile, standing on the wing of the Quinjet, Hercules remembers taking down the fake Terminus in the Savage Land and figures he can handle new Terminus the same way.

He jumps from the Quinjet to strike new Terminus in the chest and hopefully rip open his armor but womp womp he just bounces off.

And since he bounced right in new Terminus' path, US Agent says someone will need to do a distraction so Hercules has time to get his senses and get out of the way.

Wonder Man decides to do the distraction because US Agent is kinda out of his depth here.

If you wanted to get US Agent to try something stupid, apparently the best way is by telling him not to.

The Agent jumps from the Quinjet and lands on new Terminus' back. Where he can't do anything at all except try to hang on. Idiot.

Wonder Man: "I learned some time ago, Torch -- the US Agent may be something of a blowhard -- but he's a brave blowhard."

Sure. But it doesn't matter if he's brave if he's putting himself into bad situations just to prove he can and then is an active hindrance to the group effort.

And he is.

He falls off Terminus and has to be saved by Wonder Man.

Meanwhile, Wasp has been left behind to fly the Quinjet. But she decides, eh auto-pilot, and abandons ship. She uses her shrinking to fly underneath New Terminus' armor but just finds him hollow and full of seething energy.

Wasp quickly nopes out of there.

Meanwhile, more Terminus yelling.

New Terminus: "I have wasted time enough -- being led astray by these insignificant human mites. He led me inland -- while my parent was lured seaward -- but I shall swiftly reach him -- and then -- AND THEN -- !"

Now the two Terminuses are heading back at each other.

OG Terminus takes a shot at the Quinjet that Hank Pym and Hawkeye are in. The jet goes into a crash and Hawkeye and Hank Pym have to bail on Hawkeye's sky-cycle.

Hank Pym: "We lose more Quinjets this way!"

I feel like it has become more common recently.

Hawkeye quips that having to replace all these Quinjets is probably responsible for a couple of Tony Stark's bankruptcies.

Terminus is about to walk on a mountainside road heading to Big Sur so Hawkeye shoots a rocket arrow at the big lug. It doesn't do any damage but it does get his attention.

Another lance blast grounds the sky-cycle and then Quicksilver has to NYOOM by to save Hank and Hawk from being Terminally stomped.

Quicksilver is very proud of what a useful boy he is but Hawkeye is just wondering if he can get Tony Stark to pay for him to get a new sky-cycle. And Hank is like good job us, we stopped him from stepping on traffic by making him try to step on us!

Iron Man and Machine Man swoop in for a last ditch effort to keep the OG Terminus from advancing. But Iron Man's "repulsor rays are doing him as much harm as a water pistol" and Machine Man doesn't have anything more potent in his arsenal so he's not even trying. And New Terminus is similarly unfazed by the robot Human Torch's fireballs.

Nothing the Avengers can do can keep the Terminuses from a big, explosive clash.

US Agent says who cares, Let Them Fight. But Hank Pym argues that if Terminus came back to Earth just to fight his grown up son, there's a reason behind it.

AND ALSO, two giant space men punching each other is causing the ground to shake. And California already has enough problems with that!

OG Terminus: "The energy expendirue of us both is now at its PEAK, Terminus-spawn. You have inherited my programming -- and thus you know what that MEANS!" New Terminus: "YES -- !"

OG Terminus knocks New Terminus' lance from his hands and then throws his own lance away. OG knocks new to the ground and then blasts him with some kind of energy.

... Then New Terminus shrinks and OG Terminus eats him.

Yes. Yes, I just said that and yes, it did happen.

Then Terminus glows, explodes, and evolves.

Yeah, remember how all those mini-Terminuses fought each other and then globbed into bigger Terminuses? Well. That. Is. Apparently. How. Terminus. Evolves. Into. Bigger. Terminus? Ultimate Terminus?

Although, if you got two stage-5 Terminuses to fight, you could probably get a Super Ultimate Terminus, or something.

Again, I wonder why Earth is the first time Terminus spread his spores. It seems a natural part of his development is to make more Terminuses and have them merge to get bigger Terminuseses.

Lot of questions being raised. For example: how will the Avengers fight Ultimate Terminus when they couldn't even handle a pair of stage-4s?

Hopefully, by calling in more Avengers. Because Iron Man called the East Coast team and let them know what happened and that Ultimate Terminus is heading East for some reason.

So the two teams are going to meet in the middle and try to kick his ass.

To be concluded... RIGHT NOW.

DESTROY ALL MONSTERS!

You're behind the times, cover. There's only one of them now. One ate the other and then they merged. Like Buu.

Also, way to spoil that Thor isn't dead! Geez!

So, after Terminus ate Terminus and became what several people insistently term Ulterminus or Ultra Terminus, he ditches California and heads East towards St. Louis.

The East and West Coast Avengers teams rush to try to intercept him but know that the big guy just flies faster than a Quinjet. Cap even grouses that they need to update the staple jet for the 90s.

Hank Pym, based on very little evidence, correctly guesses that Ultra Terminus is headed to St. Louis because he wants to eat America from its rough midpoint.

Since Terminus is We Have Galactus at Home.

The West Coast team has Hank Pym, Wasp, Hawkeye, Hercules, US Agent, Machine Man, Iron Man, robot Human Torch, and Wonder Man.

The East Coast team has Captain America, Sersi, Starfox, Vision, Quasar, She-Hulk, and Captain Monica Marvel with her powers restored.

Sersi thanks her for 'tagging along' which Monica objects to, since she's an Avenger too.

Quasar: "The Captain's got a point, Sersi. After all, she was not only an Avenger, but team leader, long before you and I were signed on." Sersi: "And I was an Eternal, Quasar, while both of your ancestors were apes. So what else is new?" Captain Marvel: "I'm not here to play dueling credentials with either of you."

Inside the East Coast's team jet, Captain America is also perturbed that the closest team to St. Louis is... the Great Lakes Avengers.

Captain America: "Lord help us --"

Hey, now, that's not fair. They've been in action a grand total of one times and they really did a good job with it. Sure, they're a goofy bunch but they're not really worth an eye roll at this point!

Honestly, I'm just happy to see them being used. Byrne introduced them with great fanfare and then never really used them for much. And then he left the book but before he did, he had Hawkeye ditch them to come hang out with the West Coast Avengers again.

The poor Great Lakes Avengers are just so excited that they got called into action by Hawkeye and assume that means the real Avengers finally accept them.

The team finds Ultra Terminus floating above St. Louis. Unfortunately, while the GLA is using Big Bertha's private jet and not a Quinjet, legally it counts as a Quinjet and so gets destroyed.

Terminus just. Grabs it while it's jetting past. Leaving the fuselage skrunched in his hand and the jet engines continuing on their journey unburdened.

The Great Lakes Avengers bail out a Doorman portal in the side of the plane and poor Dinah Soar has to lower herself, Big Bertha, and Mockingbird down to the Gateway Arch.

Somehow, after bailing out of the plane, Mr Immortal, Flatman, and Doorman wound up hanging from Ultra Terminus.

Mr Immortal even managed to be hanging from Terminus' helmet and blows him a raspberry.

Which gets him clapped between two giant hands.

Mr Immortal's whole thing is that he's immortal so he laughs it off. Sure, he was basically salsa for about ten seconds but eh, he's got lives to spare.

Ultra Terminus decides he's done with "this superfluity of idiocy!" and decides to focus on the task at hand. He puts a force field around himself and prepares to EAT AMERICA.

(Mr Immortal got dropped but his girlfriend Dinah Soar catches him and flies him down to the arch.)

Mockingbird is just starting to despair that the Great Lakes Avengers failed to save the world when Hawkeye (and the West Coast Avengers) show up. And ever the guy who knows just what to say, Hawkeye tells her she did a good job as a delaying action, which was all he was expecting, honestly.

Mockingbird: "What do you mean -- 'delaying action'? Is that what our new group is to you -- so much cannon fodder?" Hawkeye: "Now look, Bobbi, I --" Mockingbird: "You probably took all the credit for training them, too -- after you dumped us for the West Coast crowd!"

She's right to be pissed.

The only reason why she was leading these goobers is because Hawkeye was depressed after he rage quit the West Coast team. And then he decided, without consulting her, that they were take over the Great Lakes Avengers. And then the instant it looked like he could slide back into his leadership role on the West Coast Avengers, he ditched the Great Lakes Avengers.

But time and place. As Wasp is quick to remind Mockingbird.

Hank Pym repeats his theory that Ultra Terminus is going to use his lance to drain the entire continent of North America of energy and elements. And when the East Coast team suddenly shows up, Vision seconds his theory.

A dude as big as a double-sized Ultra Terminus would require a good plan to deal with, even with threeish Avengers teams. Unfortunately, Vision estimates Terminus will finish preliminary yum yum eat 'em up probing in a few seconds. There's no time for planning, only for rushing in and punching.

Aw, Dinah got into the big group shot! Proud of her!

Also, I only just noticed that the two coastal Avengers teams initialed their Quinjets.

Meanwhile, out in space, Thor isn't dead. It takes a little more than being stranded in space to kill this tough Asgardian son of an Odin. However, he is stranded in space, which isn't an ideal circumstance.

Luckily, Thor somehow managed to angle his body to slightly influence his trajectory when Terminus yeeted (yote?) him into space. So instead of drifting forever, like some dumb Terminus, Thor collides full force with a small planetoid and gets knocked the fuck out.

Look, this is actually an improvement on his situation.

Back on Earth, the strong, flying fighty guys try to get to Terminus but are held at bay by his force field. The slim comfort is that by forcing him to send more energy out of his lance, they've delayed him starting his meal.

But the energy is shaking St Louis so the non-flying or less-punchy guys are saving people from the effects. Captain America and US Agent blocking falling rubble and directing people where to flee. Wasp blasting falling rubble into smaller rubble. Robot Human Torch doing the same thing. She-Hulk holding up an entire building so people can evacuate.

You know, hero stuff.

Meanwhile, the other heroes have been making not a lot of impact. The punchy guys can't get close enough to punch. And Sersi's powers don't work on Terminus because if they worked we wouldn't have a plot.

Quasar finally suggests that they just try doing what he did last time. Which was that he used the Quantum Bands to create a platform under Terminus and then Quasar and Captain Universe Spider-Man yeeted (yote?) Terminus into space.

I have no idea why that wasn't the first thing he suggested trying. Sure, they don't have Captain Universe Spider-Man but they've got a lot of muscle available between Starfox, Quasar, Sersi, Iron Man, Wonder Man, uh maybe Machine Man can help too. Point being, it's worth a try.

So they try.

And, no. Nothing. Dang it. This Terminus is twice as big as the one Quasar fought and thanks to the square-cube law many times more massive. And growing more massive as Ultra Terminus has basically ignored the heroes trying to push him off the planet. Instead, Ultra Terminus has started eating North America and has grown one hundred feet taller already.

Meanwhile, space.

Thor recovers from landing headfirst on a planetoid, finds that there is a slight atmosphere, and so climbs up on a cliff and starts saying... something.

Back on Earth, the Avengers are back to trying to find a way past Terminus' force field so they can punch him. Honestly, they'd be happy even drawing attention since that might mean he stopped eating America so fast.

Quasar: "Ants! He's treating us like ants -- not even worthy of his notice -- !"

Captain Marvel tries... uh... well, apparently she has new powers. She can surround herself with a "dimensional interface" which lets her fly really fast, hit really hard, and not splatter from the impact. So she flies really fast at Ultra Terminus and hits him really hard... and bounces off.

Wonder Man wrestles Terminus' thumb, trying to get him to drop his lance... but gets flicked away.

Quasar suggests that all of the Avengers hit Terminus at the same time in the hopes that they'll overwhelm his force field.

Sersi: "You sure that will work?" Quasar: "No -- but the situation's getting desperate!" Sersi: "Sounds good to me!"

Oh, wow, they really are just trying anything. What's there to lose?

Everyone hits him as hard as they can and, hey, something happens!

Terminus gets yanked up into the sky and everyone that was part of that last desperate attack gets yanked up too.

Weird.

Hercules mentions that he heard Thor's voice as Terminus et al were getting carried away, although nobody else did. The greek god says that it sounded similar to a prayer Thor made (off-panel) as the two gods were heading to California.

Hank Pym theorizes that Thor was reciting a rune-spell to influence Mjolnir, which Terminus had absorbed. Which seems plausible and everyone just accepts this as the answer.

Terminus and co (Quasar, Wonder Man, Machine Man, Captain Marvel, Iron Man, Sersi, Starfox) get pulled through space towards where Terminus had been stranded at the beginning of all of this.

Thor worries about his friends that got pulled along by his rune-spell and worries that they'll die when they collide with the planetoid. Because Thor's entire plan was to summon Mjolnir back to him and Terminus with it and just slam Terminus into a space rock as hard as possible.

It may have even worked before Terminus merged with Terminus.

Unfortunately, it just knocks Ultra Terminus for a loop. But at least the Avengers that got pulled along on this adventure didn't slam into a space rock as fast as possible.

And with them around, there's extra hands to help Thor with his new plan.

While Ultra Terminus tries to absorb the shattered remnants of that planetoid that he just broke with his face, Thor and the Avengers work together to pry the lance out of Ultra Terminus' hand. Then, Quasar quantum-jump boosted throws the lance further than Terminus can summon back.

Then something weird happens.

Ultra Terminus apparently is very energy inefficient. Since he didn't get to finish his meal on Earth, his body starts cannibalizing itself for energy.

Which, for some reason, causes Ultra Terminus to collapse into a black hole. Which Thor summons Mjolnir out of.

Mjolnir apparently can just survive and escape black holes. Thanks to the enchantments on it. Neat.

With his hammer back in hand, Thor is able to gather the dispersed atmosphere from the destroyed planetoid and create an air pocket for the Avengers.

Iron Man compliments Thor's plan coming together. Getting Mjolnir eaten so he could use it to pull Terminus into space? Probably definitely the plan all along. Don't look at the previous issues and think wow he doesn't look like things are going according to schedule.

Then, the Avengers head back to Earth.

That's one Terminus factored.

So in terms of a big Avengers crossover annual event... Hm... I'd say it was stronger in the first half. When the characters were having to figure out the rules to Terminus' weird life cycle. Termini spores possessing animals and making them aggressive was an interesting turn for a giant metal space dude to take.

But I don't think it gelled well with the Terminus lore exposition dump in the Thor issue. If the guy could always spore, why is this the first time he tried? His evil progenitor race is both central to his motivations and also incredibly thinly sketched.

The first two issues played up the idea that every Terminus life cycle stage would have its own weakness but apparently being thrown into space is a shared weakness between a fully grown Terminus and an Ultra Terminus. And even though it was set up in advance, Thor yanking Terminus into space through the Mjolnir he ate really is just repeating how Quasar and Spider-Man beat him.

Also, if Ultra Terminus doesn't eat for five seconds, he turns into a black hole. Weird survival tactic there.

Also also, this is a minor complaint but I wish that the teams had more of a chance to interact and hang-out. This is the first time we have the West, East, and also Great Lakes Avengers together. And the Great Lakes Avengers basically fade out of the plot as soon as the real Avengers arrive. Not a good use of your Great Lakes Avengers!

I do think it was better than Evolutionary War and Atlantis Attacks. It cleared the low bar. But it didn't reach the level of great. Ah, well, there's always next year to try again.

Next time, more West Coast Avengers.

Follow @essential-avengers because if you don't, Terminus may shoot his spores inside another volcano. We can't prove he won't. Like, reblog, and comment. All that stuff prevents Terminuseseses.

[steelcityreviews]

REVIEW: An American Hymnal: Forgiving and Healing Through Music...

He who is devoid of the power to forgive is devoid of the power to love…. - Dr. Martin Luther King Jr.

Music provides humanity with many things: a universal language, a range of emotional responses, and, for many, a light in the dark. Terra Bruce Productions understands how music functions in our every day lives and how to channel it into not only a history lesson but a deeply personal story dealing with the importance of forgiveness as well.

The show introduces us, rather abruptly, to Father Paul Barry (in a captivating performance by Connor Lucas) who has left his home in Ireland to move to America, determined to help others. On the busy streets of Chicago he encounters Dinah, an unforgettable jazz singer (and a beautiful and layered performance by Ruth Acheampong), leaving Paul with a decades long lasting impression. We follow their journeys through melding various genres of music from gospel to rock and roll of the 50’s and 60’s, and face the injustices of society throughout, many of which still resonate strongly to this day.

Director Courtney Brown and the creative team behind An American Hymnal showcase some of the best use of projections I have witnessed in ages. The projections set the scenes beautifully from the stained glass of a church to the devastating fires of the Chicago riots (which targeted black urban areas following the assassination of Dr. Martin Luther King Jr. in 1968). These projections do not detract from the efforts of this exceptionally talented cast who work fluidly to transition scenes and keep the story moving. At times, the stage at Theatre Aquarius almost feels too big for the more intimate moments between characters, but it also demonstrates how isolating and empty moments in life can be and the staging utilizes this well overall.

As we journey with Father Paul, we are introduced to several familiar songs like Morning Has Broken (best known by Yusuf/Cat Stevens), His Eye is On the Sparrow (a stunning gospel song recognizable from Sister Act 2: Back in the Habit), Only You by The Platters and the powerhouse performance of I Believe (a pop song from the late 60’s, envisioned here as a march and protest song). There are some standout moments from Steve Maloney as the rockabilly baritone Carter Johnson (who channels an entertaining heartthrob Elvis vibe) and the ensemble continuously shines in the aforementioned I Believe and The Three Bells, among others. There are no small parts within this show and the ensemble proves it throughout as they dance, sing, play multiple characters and change set pieces effortlessly. Bravo.

The leads Lucas and Acheampong are both exceptional in their own right. Lucas is gut-wrenching in his moments of despair. His soaring tenor was impressive in several songs (especially during His Eye is On the Sparrow which gave me chills) and Acheampong’s stubborn dreamer energy is authentic and inspiring with her incredible vocal prowess in I Believe and Wade in the Water.

The audience will connect with several of the themes here, the strongest being that of learning how to forgive and perhaps even more importantly, to be forgiven. There’s no escaping the religiosity of it all but forgiveness goes beyond monotheism and takes a very hard look at how to move on and learn from one’s mistakes, hardships and loss. The musical selections only hammer these themes home and are carefully reprised in the second act, taking on new and more profound meanings.

An American Hymnal is a deeply moving and impactful history lesson reflecting on moments that still resonate today. It also provides wonderful connections regarding how music shapes and changes throughout history. It reminds us that without gospel, we would never know rock and roll. Without mistakes, we would never know forgiveness. Without loss, we would never truly understand or appreciate love. All these things and more make this new musical a must-see. The only true criticism I have is that it isn’t playing in Hamilton, ON for more than 3 days. I highly recommend seeing this show. You will not be disappointed.

FOR TICKETS AND MORE INFORMATION, PLEASE VISIT:

THEATRE AQUARIUS BOX OFFICE

[ashi7462gupta]

Navigating Liquid IV Side Effects and the World of IV Therapy: Your Complete Guide

Navigating Liquid IV Side Effects and the World of IV Therapy: Your Complete Guide

In recent years, the popularity of IV therapy has soared, offering individuals a convenient and effective way to address various health concerns, from hydration to nutrient deficiencies. However, as with any medical intervention, it's essential to understand potential side effects and weigh them against the benefits. Let's explore the realm of IV therapy, including Liquid IV side effects, available treatments, and where to find IV therapy near you.

Replenish 360

A Division of Palm Desert Resuscitation Education, LLC

"Renew the body, refresh the mind, and restore performance"

73700 Dinah Shore Drive, Suite 107, Palm Desert, CA 92211

Phone Number: (760) 422-3114

Email: replenish360ivtherapy@gmail.com

Instagram: replenish360

Understanding Liquid IV Side Effects: What You Should Know

Liquid IV is a well-known hydration product designed to replenish electrolytes and fluids rapidly. While many users experience positive results, it's crucial to be aware of potential side effects. Some individuals may experience gastrointestinal discomfort, such as nausea, vomiting, or diarrhea, after consuming Liquid IV. Additionally, allergic reactions are possible, especially in those with allergies to specific ingredients. It's essential to read the product label carefully and consult with a healthcare professional before use, particularly if you have any underlying health conditions.

Exploring IV Therapy: A Comprehensive Approach to Wellness

IV therapy involves administering fluids, vitamins, minerals, and other nutrients directly into the bloodstream via an intravenous drip. This method allows for rapid absorption and can be customized to address individual needs. IV therapy is commonly used to rehydrate the body, boost energy levels, support immune function, and promote overall well-being.

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Finding IV Therapy Near Me: Your Go-To Resource for Hydration Solutions

If you're interested in exploring IV therapy, finding a reputable provider nearby is essential. A quick search for "IV therapy near me" can yield a variety of options, including wellness clinics, medical spas, and mobile IV therapy services. It's essential to research providers, read reviews, and inquire about their qualifications before scheduling a session.

Delving Into IV Hydration: Replenishing Your Body From Within

IV hydration therapy involves delivering fluids directly into the bloodstream to address dehydration and restore electrolyte balance. This method is particularly beneficial for individuals who are dehydrated due to illness, exercise, travel, or excessive alcohol consumption. IV hydration therapy can provide rapid relief from symptoms and help restore overall hydration levels.

Discovering Hydrate IV: Your Source for Customized Hydration Solutions

Hydrate IV is a leading provider of IV hydration therapy, offering a range of formulations tailored to individual needs. Whether you're seeking basic hydration, immune support, athletic performance enhancement, or hangover relief, Hydrate IV has you covered. Their team of experienced professionals can help you select the right IV therapy blend for your specific goals.

Unveiling the Myers Cocktail: A Popular IV Therapy Blend

The Myers Cocktail is a well-known IV therapy blend that typically includes a combination of vitamins and minerals, such as vitamin C, B vitamins, calcium, and magnesium. This cocktail is often used to boost energy levels, support immune function, and alleviate symptoms of various conditions, including fatigue, migraines, and fibromyalgia.

Exploring IV Drip Therapy: Convenient Hydration Solutions On Demand

IV drip therapy offers a convenient way to receive hydration and nutrients without the need for oral intake. Whether you're recovering from illness, preparing for a strenuous activity, or simply seeking a wellness boost, IV drip therapy can provide rapid hydration and replenishment.

Finding IV Drip Near Me: Accessing Hydration Solutions Wherever You Are

With the increasing demand for IV therapy, finding "IV drip near me" has never been easier. Many providers offer mobile IV therapy services, allowing you to receive treatments in the comfort of your home, hotel room, or office. This convenient option ensures that you can access hydration solutions whenever and wherever you need them.

In conclusion, while IV therapy offers numerous benefits for hydration and overall wellness, it's essential to be aware of potential side effects, particularly when using products like Liquid IV. By understanding the risks and benefits of IV therapy and choosing reputable providers, you can safely enjoy the hydration and health benefits that IV therapy has to offer.

[chetan742kaushik]

Replenish360: Pioneering IV Hydration Therapy in Salton Sea

In the heart of Salton Sea, where the desert's sun beats down relentlessly, finding effective hydration solutions becomes paramount. Amidst the arid landscapes, Replenish360 emerges as a beacon of hope, offering cutting-edge IV hydration therapy at 73700 Dinah Shore Drive, Suite 107, Palm Desert, CA 92211. With a commitment to wellness and revitalization, Replenish360 is revolutionizing the way residents and visitors approach hydration in this unique environment.

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IV therapy has gained immense popularity in recent years, and for good reason. It provides a direct and efficient method of delivering essential nutrients, vitamins, and fluids directly into the bloodstream, bypassing the digestive system for rapid absorption and maximum effectiveness. In the saline depths of Salton Sea, where temperatures soar and dehydration lurks at every turn, this innovative approach to hydration is nothing short of transformative.

At Replenish360, we understand the diverse needs of our clients, which is why we offer a comprehensive range of IV therapy options tailored to address specific concerns and goals. Whether you're seeking to replenish electrolytes, boost immunity, enhance athletic performance, or simply rejuvenate your body and mind, our experienced team is here to guide you towards optimal wellness.

Our signature Myers Cocktail is a popular choice among locals and visitors alike. Named after the late Dr. John Myers, this blend of essential vitamins and minerals is designed to combat fatigue, enhance energy levels, and promote overall well-being. With the saline sea breeze whispering outside our doors, indulge in the ultimate revitalization experience with our Myers Cocktail infusion.

But our offerings extend far beyond the Myers Cocktail. From customized vitamin drips to liquid IV hydration, we leverage the latest advancements in IV therapy to address a myriad of health concerns and objectives. Whether you're recovering from a night of revelry at the Salton Sea Beach Club or preparing for an endurance hike through the nearby desert trails, our tailored IV treatments are designed to keep you feeling your best.

Convenience is key, which is why we're proud to offer IV therapy near you in Salton Sea. Located at 73700 Dinah Shore Drive, Suite 107, Palm Desert, CA 92211, our state-of-the-art facility provides a serene oasis where you can relax, recharge, and replenish your body from the inside out. With our phone number (760) 422-3114 and email replenish360ivtherapy@gmail.com readily available, scheduling your appointment has never been easier.

As you embark on your journey towards optimal wellness, trust Replenish360 to be your partner every step of the way. Follow us on Instagram @replenish360 to stay updated on our latest offerings, promotions, and wellness tips. Together, let's unlock the transformative power of IV hydration therapy in Salton Sea and beyond.

Website :   https://www.yourcprmd.com/replenish360/salton-sea-iv-hydration-therapy/