#DigitalMovement

[your-online-shop]

SKMEI Japan Digital Movement LED Light Men's Watch with Countdown, Alarm, World Time, and Date Display.

Original price : USD 32.53 Now price : USD 18.54 Featured brands | Shipped within 72 hrs. Free shipping | Free returns. Check the Link for more info : https://s.click.aliexpress.com/e/_DlcgQWZ

The SKMEI Japan Digital Movement LED Light Men's Watch is a stylish and reliable wristwatch that is perfect for everyday wear. With its digital display, this watch provides accurate timekeeping with features such as countdown, alarm, world time, and date display. The LED light feature ensures clear visibility in low-light conditions, while the 3Bar waterproof rating makes it suitable for use in the rain or during water-related activities. Additionally, the watch has a DST function and can display the week as well.

[phonemantra-blog]

The glitz and glamour of the Met Gala often overshadow the grim realities of the world outside its walls. However, this year, as the fashion elite graced the green and white carpet, the backdrop was marred by protests and a rising digital movement known as #Blockout2024. What sparked this movement, and why are celebrities finding themselves under scrutiny for their silence on the Gaza conflict? Amidst Silence on Gaza Conflict The Origins of #Blockout2024: As the Israel-Hamas conflict continued to escalate, the silence of some A-list celebrities drew criticism from online activists. Led by TikTok user @ladyfromtheoutside, the #Blockout2024 movement gained momentum, urging followers to hold celebrities accountable for their lack of action or vocal support for Palestine. Understanding the Movement: #Blockout2024 operates on a simple premise: if a celebrity fails to speak out against the devastation in Gaza, they should be blocked on social media platforms. This digital guillotine, as termed by its proponents, aims to reclaim the power of social influence and redirect attention toward those actively addressing humanitarian crises. The Role of Social Media: TikTok and Instagram became battlegrounds for the #Blockout2024 movement, with dedicated accounts listing celebrities deemed complicit in their silence. From Taylor Swift to Kim Kardashian, no A-lister was immune from scrutiny, leading to heated debates over their moral responsibility and the effectiveness of symbolic gestures. Celebrities in the Crosshairs: The Blockout List featured household names like Beyoncé and Selena Gomez, whose silence on the Gaza conflict drew ire from supporters of the movement. Additionally, attendees of the Met Gala faced criticism for their perceived tone-deafness, sparking discussions on the impact of celebrity activism. Navigating the Gray Areas: As the movement gained traction, questions arose about the criteria for inclusion on the Blockout List. Did wearing a pro-ceasefire button to the Oscars absolve artists like Billie Eilish of accountability? How should statements like "Free Palestine" from celebrities like Kim Kardashian be interpreted amidst conflicting sentiments? The Power of Consumer Influence: At its core, #Blockout2024 underscores the influence consumers wield in shaping celebrity discourse. By leveraging social media platforms to amplify their voices, activists seek to hold public figures accountable for their actions and compel meaningful engagement with pressing global issues.

[clasteph]

​On 2014, I joined a bachelor program. From that moment on, I began working on assignments frequently using paper. It's different from when I was in high school where I only wrote in the assignment book directly. The types of tasks carried out are almost all papers that must be printed to be collected to my lecturers. Each task consists of 10-15 pages. In one semester I got assignments of around 8-10 papers. Which means I printed around 150 sheets for only one semester. This happened in the first 2 years of my college so that I had used around 900 pieces of paper at that time.

Read more here about a reflection on the use of paper and digital technology in university.

[vaanibct]

Movement and Motion

Day 43 (11-10-17)

Today, I was quite disappointed because Sangeeta hadn’t seen us regarding our Project. In all honesty, I think the lecturers are kind of slacking off, in terms of providing feedback or advice. Nevertheless, we got straight to work. The walls from yesterday were already set and like we had panned, I moved one of the big TV screens in the closed space. However, Matt suggested that having it outside (in front of) the walls would be better because the participants could move around inside the space. I didn’t mind trying this idea, so after doing this, I asked a few people to test. [1]

Matt was back to interviewing people, and asked them the same questions as yesterday so that it would be considered a fair test. And like yesterday, the sounds were the same (Simon didn’t get much time to change / iterate), however, I gave the new visuals code to Kelvin to add to the Kinect and sound codes. I believe that it wasn’t the best visuals and I definitely could have done a better job, however, I didn’t get much time last night so I just changed a couple of things and added a few features to a previous code that I had already written.

The overall testing was okay because only three people tried out this iteration. And since I was on recording duty again, I had a chance to see their facial expressions. Yesterday, I noticed the change in people’s emotions / reactions to the visuals and sounds as they had been introduced to this idea for the first time with very little information about it. Here are some of the changes in the participant’s facial features from yesterday and today, and my observations…

James: started feeling quite happy and enthusiastic to see what our experience is about. In the end, he still seemed quite happy, but maybe confused as to know what the point of our Project was.

Michael: started off quite confused and not knowing what he was “supposed” to do. He also acted a bit awkward. At times, he was surprised by the sounds generated and ended the experience feeling almost the same as the start.

Aimata: started feeling a bit curious as to what the visuals and sound actually did. She seemed happy throughout her experience time.

Bligh: started feeling a bit nervous as he didn’t know what he was doing. He seemed a bit happy and focused at times by the visuals and sound generated.

Tim (left) and Kale (right): both seem to have the same facial expressions at the start and the end of their experience. But they did seem surprised / curious as to what they could do with their physical movement.

Eden: seemed happy and surprised by the visuals. She also had similar feelings when she started and ended her experience.

Talia: started off confused but I could see the change in her emotions quite instantly as she was very happy to understand how her hand movements were changing the visuals. She was also one of the most enthusiastic participants and curious to find out the purpose of our project.

Matthew: seemed a bit focused at the start as he was figuring our how to control the visuals on the screen and the sound. He felt quite happy later on.

Carol: felt confused (and shy) at the start as she didn’t know what she was doing. I don’t think she found the experience quite satisfying as she seemed confused and unenthused by the end.

Rachel: same as others, started off feeling confused not knowing what she was meant to do. She spent time figuring out what the sound and visuals did and was happy by the end.

I was firstly surprised to see confusion on the participant’s faces because, although they didn’t know much about the Project, it seemed quite straightforward that the idea was to physically move in order to digitally move the visuals. However, I guess that not knowing how the visuals and sound were being produced and what they meant could be confusing. And I think due to this, people didn’t spend too much time on the experience. The average time spend by our participants was about 1-1.5 minutes, which can be improved as we iterate our idea.

I also noticed people started getting happier by the end of their experience. I think this could mainly be due to them knowing what they can actually do with the sounds and visual elements by then. For some people, their facial expressions didn’t change much overtime but they could be feeling something else internally, which I couldn't have known.

Personally, I wanted to see surprise on people’s faces, because I feel like that’s when we’ve really achieved our mission of evoking emotions. I just really like when people make a “surprised face” because it just gives me sense of success. For me, the surprised face means that we’ve taught someone something new or we’ve impressed someone with our talent or skill. I feel this way because many times, the emotion of surprise evoked in me by watching and listening to a famous singer sing on stage, which in my opinion means that I’m influenced by their voice, it has touched me emotionally and that’s the purpose of a song or an artist. Also, many times, I’ve been surprised when I’ve learned something new, even if it is from a friend / classmate, but that means that their aim of telling me something I didn’t know previously has been accomplished. So, this is why I mainly wanted to surprise the people / audience because, in a way, we’re teaching them about movement in the physical world causing movement digitally.

“There is nothing more exhilarating than to find out something for the first time – something that may have existed for over a billion years, but was never known before.” ~ Margaret Robinson [2]

To me, this quote supports my point of view because it states that finding something new, that we didn’t have prior knowledge or experience of, is a great feeling. And this is what we want our audience to feel - like we’ve encountered them with something they haven’t tried before.

While we were prototyping, Shades had gone to Queen Street and K Road to look for the dome and clothing racks. We hadn’t found one in the right size in either materials yet so the search was still on. She did come back with a few more options, but I feel like we now need to just start constructing, somehow.

After Shades returned, she tested the dome she had bought yesterday. It didn’t work well, in my opinion, because the sound was too quiet. However she said that it could be due to the small amp, and the sound may work better with a bigger amp. But still, I didn’t think that the bowl was big enough, and we need quite a large dome for the sound to have an effect on the participant. But, for the time being, this is our best option - and good news is that it passes the test for “being light enough to be hung from the ceiling.”

Simon had also brought in his “Excellent Garment Rack” (😂) that he had at home, so we could test it for the screen. Although the size was too small, it was still useful to look at because we could do a test on it to ensure that it works well with how we want to project the visuals on the screen. But, we’re still on a lookout for the clothing rack - Shades said that the “Industrial Garment Rack” she looked at yesterday seems like the best option.

Overall, I feel like our progress could have been much better today, however, we finished a part of the prototyping. Shades said that she would also talk about the change in facial expression and emotions of the participants, in her Blog post. Now, I think that we should start looking into the final ideas for the sounds and visuals, after iterating and exploring options of course. I want us to have the final version of these aspects finished in hopefully 2 weeks so we have extra time to make changes to the code if needed or adjustments to the overall presentation.

Tomorrow is Thursday, and like every Thursday for the past four weeks, I don’t want the curse to occur. What normally happens is that we go downhill by the end of every week and since the time is crucial at the moment, I want our energy levels to stay high and work as hard as we have been. The weeks are slowly decreasing and we still have a heap of things to accomplish, so I want us to complete everything we can in the designated time, mainly because I don’t want to get stressed and cry at the last minute (which I know will end up happening anyway). Since Sangeeta didn’t manage to see us today, I think we need to talk to James tomorrow and ask for advice on our progress, as well as ideas for the Booth.

References: [1] https://youtu.be/r7OmllLv4Ho [2] https://www.cam.ac.uk/women-at-cambridge/chapters-and-themes/chapter-1-the-achievements-that-matter-most-and-why [3] https://eight2late.wordpress.com/2013/11/27/organisational-surprise-and-its-relevance-to-project-management/

————————————————————————————————————————

[signnabil-blog]

#lights #chandlier #multiculturalism #digitalpainting #digitalartist #digitalmovement (at Genting Highlands)

[beearaba-art]

Is it Friday, yet? #digitalvibes #digitalmoves #digitalart #digitalwork #artwork #art #artcurator #artbyaraba #beearabaart #barabaart #artlover #drawing #digitaldrawing #artenthusiast #artistflow #africanartist #femaleartist #ghanaianartist #westafricanartist https://www.instagram.com/p/CFQuPVxFQQn/?igshid=1di0dx6977vvs

[bitcoinvaultteampanama]

The hashrate coffe (talk show) la nueva serie PRÓXIMAMENTE 😊 🔑 Mitos y verdades de BTCV 🔑 Proyecciones de BTCV 🔑 Futuro de la minería 🔑 Una mirada a los exchanges #bitcoin #hashrate #digitalmovement https://www.instagram.com/p/CCq9eojnnN6/?igshid=c7kwdeqhsmb8

[pza314]

#selfie #Photoshop #art #selfportrait #artist #nycart #nyc #artist #photography #technology #digitalart #digitalpaint #digitalartist #digitalmovement. #design #expression #chelseafashionfilmfestival #fashion #creativity #confusion #conceptualphotography #contemporaryart #surrealism #expression #experimentalart https://www.instagram.com/p/BoxWpjIHuAb/?utm_source=ig_tumblr_share&igshid=csjnlr89yqgc

[le-sabi]

Please don't forget about PAINT NIGHT this week! The event is catered: there will be Hors d'oeuvres, mimosas and desserts. 🍤🍹🍰🍡 Friday, November 17, 2017 8pm-12am https://colorwave2017.eventbrite.com 💙💜💚❤💗💓💕💖💞💘💌💋💐🌸🌷🌹🍁 #PaintNightMontreal #Montreal #Mtl #Events #TGIF #Repost from Osmond 👇 We will be hosting an intimate night of painting led by our featured artist Tanisha Mapp. Tanisha will direct our guests with instructions to paint the themed painting. Each guest will have there own workstation (tools,canvas and paint) Our guests will be able to take home the finished product. This event is catered and will offer Hors d'oeuvres, mimosas and desserts. November 17 2017 8pm-12am Lemonade 1350 Mazurette suite 224 H4N 1H2 Adm:$40 Tickets are exclusively available at Https://colorwave2017.eventbrite.com For more info please contact Osmond 514-885-8059 Sheldon 514-726-9595 Rodger 514-516-2286 Jamal 514-898-6549 Bobby 515-886-5775 #colorwave #girlsnight #art #paint #montreal #digitalmovements #unrulybrothers #painting PLEASE SHARE OUR POST

[bestadviceuk]

eConveyancer partners with Haysto

eConveyancer partners with Haysto

eConveyancer has embarked on a new panel management partnership with specialist mortgage broker, Haysto. The agreement gives Haysto white-labelled access to a dedicated list of eConveyancer panel firms, as well as access to additional benefits through its platform. Platform features include DigitalMove, which brings together key stakeholders in the homebuying and selling process in a digital…

[lmortgages158]

ULS launches Homebuyer Protection product into eConveyancer and DigitalMove

... of cover on conveyancing fees, £750 worth of cover on valuation and survey fees and £500 worth of cover for mortgage and arrangement fees.

[china-press]

程序员挺身救世—瑞士应用程序力抗新冠病毒

/瑞士，2020年3月21日/ – 瑞士的兩家公司 Noson AG 与 DigitalMove Consultants GmbH 合作，创建了一个网页应用程序 http://fluradar.org 来应对全球性的新冠病毒爆发。

原因是很多人轻忽疫情而照常出門，覺得生活不該受影响。這是因为他们无法看到全体的局势。结果，防疫假成為许多人与朋友家人一起外出享受好天气的野餐假期。全球各地的政府对这种情况都很頭疼，因为已經建议公民避免與他人近距離接触，彼此保持安全距离并注重基本个人卫生。这对于风险最高的老年人来说尤其重要。但这些该建议很少被遵循。

两名创业家程序员 Saso Nikolov 和 Karl Kieser 为了向社会大众教育并宣传，因此开发了网页应用程序 http://fluradar.org。此应用会提醒你是否近距离接触病毒感染者，但是会保护个人匿名隐私，不会记录任何个人身份数据。该应用程序可在全球范围内使用，功能强大：

实时通知附近是否有感染者

100％匿名

100％瑞士出品

免注册即可使用

不存储个人数据

集成有关卫生和安全规范的视频

关于Noson AG

NOSON是一家瑞士初创公司，致力于开发符合人体工程学的高质量鼻扩张器，以帮助运动员改善其性能并治疗呼吸系统疾病的患者。有关Noson的更多信息，请访问：https://noson.ch

关于 DigitalMove Consultants GmbH

瑞士公司DigitalMove Consultants创建营销以及复杂业务解决方案的网页应用程序。尤其对于数字化转型，DigitalMove创建面向过程的解决方案和基于网页的应用程序。更多相关信息，请访问https://digitalmove.ch

联系

姓名：卡尔·基瑟 (Karl Kieser) karl@noson.ch Noson AG

姓名：萨索·尼克洛夫 (Saso Nikolov) s.nikolov@digitalmove.ch DigitalMove Consultants GmbH

from WordPress https://www.topicnews.cn/pr/swiss-web-app-fluradar via IFTTT

[wwwdjblastercom]

One word: #strawberries 🍓. The vibe was nice. @msloislane514 got my foot and I think @grimloq74 was gonna throw me 😂. Family vibes. Love Vibes. @mrkilla1 Mawd. Thank you @psyndragon for catching the moment. Yuuuuuuuuuup . . #RunWidIt #Dj #Mawd #Vibes #Strawberry #dj #onefoot #fete #party #drunk #love #dayparty #djblaster #therealdjblaster #yuuuuuuuuuup #riverside #montreal #digitalmovements (at Riverside St-Henri) https://www.instagram.com/p/B2CM4sQj5fG/?igshid=1cvo6af2do9f

[sebastian-greenwood]

Hey DigitalMovers thanks for the follow! #thankyou #sebastiangreenwood

Hey DigitalMovers thanks for the follow! #thankyou #sebastiangreenwood

— Sebastian Greenwood (@sebastiantruth) February 26, 2017

via Twitter https://twitter.com/sebastiantruth #sebastiangreenwood http://ift.tt/28orzGm

[le-sabi]

Can we do this all over again, this weekend?? 😍💜💛 Repost @psyndragon Thank you @hiphopyoga101 for the journey using yoga and hip hop. Thank you @jebunns and @djbobbypayne for the tunes. Thank you for the tasty wine courtesy of @thenourishing Thank you for the great face painting @lovelyliplash3000 Thank you #digitalmovements for the vibes. Thank you @pureroyaltyessentials for the messages for our guests. Thank you @rocknredinc that was a hugh part of this event also🔥 Thank you all for letting me take your photo. I'm going to make an album in the future on facebook. #theglowupmtl Come to #jamjam for more!!🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥