#Digico

[techartspodcast]

FREE GIVEAWAY: Enter to WIN a FREE LumiNode from Luminex | PODCAST: Networking & Lighting with Anthony Stofflet | ARTICLE: Education & Training | ARTICLE: Techs and the Great Commission | KNOWLEDGE UPGRADE & FREE GEAR STARTS BY CLICKING THIS LINK https://conta.cc/44vZboy #FREE #GIVEAWAY

[drmacoffee]

Shiny new beast! Such a delight to get my head around this! #digico #livesound #goodtimes (at Cambridge Junction) https://www.instagram.com/p/CnUZLa0IcLl/?igshid=NGJjMDIxMWI=

[smash-or-pass-headphones]

just noticed your banner picture is of dt 770s on an x32 and I a. want you to know ain't no one mixing on 770s in a live environment (they're way too hot and also absorb sweat) and also b. if you're throwing speakers in there you should start throwing consoles up. lemme see that Yamaha m7cl. that a&h si expression 3. that fuckin Digico SD9 (this is essentially like wanting to fuck, idk, someone everyone agrees on fuckability for)

Tbh the banner pic is just an image I found online and thought it looked sexy, so it was a good fit for this blog.

As far as including speakers in the polls, it's meant more as just a once-in-a-while fun thing. I'm still primarily focused on headphones and ear buds, but occasionally other things with a driver that makes sound can be eligible.

Technically, consoles don't fall under that category (unless they have built-in speakers), but I do see your point. I might consider it.

[patiencesinners]

Rock legends Panic! At The Disco bid their farewell with a bang during their epic Viva La Vengeance Tour across Europe and the UK. 🫶

A pair of DiGiCo Quantum 7 consoles for front-of-house and monitor mixing duties, supplied by Eighth Day Sound, ensured the final tour was a success!

"The Quantum7 is a workhorse console. It sounds great, has fast processing, and is fun to mix on. It’s very intuitive and reacts exactly the way I want it to.” said FOH engineer Spencer Jones.

You can read the full article here: https://bit.ly/3s4WZpp

#DiGiCo #Quantum7 #FOHEngineer #MonitorEngineer #AudioConsole

[financepulse]

$HMC Capital: HMC Capital shares fall 11.3%, impacted by DigiCo's stock performance post-IPO.

[leprivatebanker]

DigiCo REIT in tepid debut after marking Australia's biggest IPO in six years

[fontcanyon]

Digico Metals Font

[jedidiah24497]

Week 6: SCO Liang Wern Fook's Composition Showcase, 6-8 June, Esplanade Concert Hall

For this project, we were only tasked to do the recording. Esplanade crew would handle the mics, as they were amplifying the orchestra and singers. After their FOH and monitor engineer handled the signals, they would pass them to us by means of a stage box.

Day 1: We bumped in as per normal, setting up behind the stage left door just like we did for BHSO. Due to the number of channels SCO requested (~90+), we needed two lines of 64 channel, 96khz MADI. Alongside our regular audio rack, we had a separate Sound Devices 970 to expand our MADI capability. Unfortunately, there were delays that led to us only working around the afternoon. This represented 1/4 of the total rehearsal time. When Esplanade crews had finally setup all the mics and were ready to transmit us the audio, I was told to connect to the split output of their Digico SD rack. However, there was no signal coming in, which was problem 1. Also, the 970 would not establish word clock sync, no matter how i tried to connect it within the rack. Due to these issues and my lack of expertise with the equipment, we were unable to resolve the issues in time for Day 1, and could not check levels for the incoming audio. Ultimately, this was resolved after the full-timers came to help in the evening. The SD Rack needed to have a setting on its panel changed, and word clock sync was established by reconfiguring BNC cables between our rack, their rack and the 970.

Sounddevices 970 providing an extra 64 channels over MADI, 24 bit/96khz

Day 2: There was a rehearsal in the morning, however we were unable to capture anything useful due to numerous problems in the setup. Between the troubleshooting and LX plots (nobody else onstage), we took the time to settle our own issues. We routed one output from the 970 into the back of the MTRX to use as a sync, since we could see the same channel being recorded with a latency between the MTRX and 970. Then, there was a passage where the suona section would stand up and makes sound effects with their mouthpieces. With the existing mics, this would have been completely lost in the recording. Hence, we setup a high stereo bar with two 2011s on wireless to capture this moment.

After the troubleshooting and LX plots, vocal styling etc, it was time for the full run at night. To our horror, ProTools simply would not start the recording. This was while the full run was ongoing, and they obviously would not stop for us. After a frantic scramble to find out the issue, we discovered that us downscaling to 48khz recording instead of the usual 96khz was the issue. Again, an extremely counterintuitive problem, as 48khz meant that the files were a mere half the size of 96khz files, and logically should cause less problems for any piece of technology out there. Fortunately, we could still record a fragment of the full run after changing the session settings and upscaling the files.

Day 3: The second round of troubleshooting commenced, as not all of the channels were plugged into were they were supposed to be. I primarily helped to check the audio, not an easy feat given the sheer channel count and the convoluted channel listings. Ultimately, we were able to iron out all the kinks before the actual show. With all the groundwork being laid, the only thing left to do was the regular concert work (score-reading,concert timing etc) and the strike.

Learning Points: This was by far the most complex setup with the biggest number of critical issues. Even for the full timers, some of these problems were completely unexpected. We also had many areas where we would co-operate with the crew, despite us not being involved in the setup. Additionally, having the esplanade screw, SCO team and us all working together was a fulfilling experience.

Troubles aside, I learnt how Esplanade's sound system worked, and how my company could expand their track count even more, by bringing a relatively simple, small device.

Composer Liang Wern Fook

[ekachailighting-blog]

At the Ritz Carlton Samui,

We provided lighting and sound and AV systems for a private party

L'acoustic K2 speakers

Digico SD10 FOH

ให้ปอยดูแลนะคะ💃 Poy

Tel & WhatsApp +66(0)81-372-0694

EkachaiLighting@gmail.com

💯% satisfaction, hassle free guaranteed 😉👍

[pixelaart]

Digico WordPress Theme + Installation Service + License

[techartspodcast]

THE TECH ARTS PODCAST: Networking and Lighting with Anthony Stofflet FREE GIVEAWAY ALERT: Enter to WIN a free LumiNode from Luminex! https://www.digitalgreatcommission.org/resources/networking-lighting #Lighting #Networking #ACLighting

[normaherry2]

[cas-tosh]

digico

quantum 852

entire line integrating with milan/meyers

[alec-osc]

Working on adding DiGiCo consoles to Cue View

[financepulse]

$DigiCo Infrastructure REIT: DigiCo Infrastructure REIT shares continue to slide, dropping 6.8% to A$4.24 after Australia's largest IPO in six years.

[chaps-pa1]

Speaker Hire London.

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Microphone hire

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Party equipment hire London 

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Pa sound system 

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