#Dhanishta

[invenusworld]

chara nakshatras amongst ballerinas

when I was researching the charts of 10 of the most influential ballerinas for this post, I noticed a predominance of chara (mobile) nakshatras as well

the post was about the connection of saturn nakshatras with ballet and the classical arts, and three of the mobile nakshatras, shravana, dhanishta & shatabisha, are placed in capricorn and aquarius, saturn ruled rashis

anna pavlova — dhanishta sun, shatabhisha mercury

alicia alonsa — exalted mars in dhanishta, shravana venus

maria tallchief (a native american woman and the first american prima ballerina) — shravana sun, moon, ketu

virginia johnson — shravana sun, venus & jupiter

sylvie guillem — dhanishta venus, shatabhisha mercury

diana vishneva — dhanishta moon, punarvasu sun, swati rahu

yuan yuan tan — dhanishta sun

side note*

amongst ballerinas there is also a high prevalence of venus nakshatras and rashis, which seems self-explanatory given the beauty oriented nature of venus, as well as a prevalence of krittika nakshatra — ballerinas are constantly subjected to criticism and correction from their instructors, owing to the highly detail oriented and perfectionistic nature of ballet

krittika is all about purification and cutting out what is deemed impure and unnecessary, which ballerinas are rigorously subjected to in a quest for the ever elusive 'perfection'

all the chara nakshatras (except shravana) are situated in air signs, which is fitting as air is the element associated with movement and flight; ballerinas are meant to be 'light as a feather' and they have an ethereal quality when they move, as though they are floating on air

🤍

chara (चर) nakshatras and the art of dance 𝜗𝜚˚⋆

punarvasu, swati, shatabhisha, shravana and dhanishta are categorized as 'chara' or 'chanchala' meaning mobile, moving, shaking, etc

these nakshatras are associated with movement of all types

tyla — shravana sun, venus and mercury

natives with these placements make phenomenal dancers and are well known for their dancing skills and abilities, often coining trademark moves that are repeated by the masses

dance is essentially the rhymic movement to music — the art of movement is so fully ingrained in these natives' being that when they dance it truly feels natural, effortless and mesmerizing

bob fosse, dhanishta ascendant, is one of the most illustrious, influential and revolutionary choreographers of all time — fosse is considered to be one of the greatest musical theatre choreographers in history

a few of his most notable works include cabaret (1972), chicago (1975) and all that jazz (1979)

ann reinking, punarvasu moon was brilliant dancer, choreographer, singer, actress & bob fosse's muse

to quote dance magazine,

"Reinking’s ability to synthesize seeming opposites into seamless harmony made her a perfect vehicle for Bob Fosse’s tensile, push-and-pull choreography. And her ballet-trained body could draw the intricate details he required."

"Dancing is the personification of music, and music is an abstract expression of the human spirit"

— ann reinking, punarvasu moon, swati mercury

"I start to spin as wildly as I can. This is my favorite dance because it contains a secret. The faster I twirl, the more I am still inside. My dance is all motion without all silence within. As much as I love to make music, it's the unheard music that never dies."

— michael jackson, shatabhisha ascendant

aaliyah — dhanishta ascendant

shakira — punarvasu moon

[venussaidso]

27 NAKSHATRAS THROUGH MANY FACES

you may start to see the nakshatras next to each other subtlety inheriting the same traits from one another no matter how much in contrast their cycles are. i notice the features progress from the previous nakshatra, without completely losing the passed down blueprint. i realized this as i scrolled through this order of collages. for example, mula and jyestha honestly look the most similar to me (the whole transition from anuradha to purva ashada, actually).

Honourable mention

While Mula natives usually have elongated faces much like Purva Ashadas, it's always interesting to see the different manifestations of physiognomy of the same nakshatras. Had I done that, this thread would have been a lot longer. You would think I should have added Kendall Jenner-Emily Ratajkowski as a pair in the Uttara Bhadrapada section — but notice how they're physically set apart from other natives. There are a variety of ways a nakshatra can look on our faces, I notice this when I'll find a pair of natives who look similar but they are their own set from other natives under the same nakshatra. Keep this in mind, there isn't always a certain look.

Another addition, trine nakshatras can resemble one another. I wanted to add these final pictures to reach the image limit.

sowwrry im obsessed with magha/mula women ^.^

[marsprincess889]

Basic themes of nakshatras

May edit this later, this is as far as I understand and have observed them, and I think it's pretty nice to see them simply.

Ashwini:

Newness, freshness, the unmanifest, speed, energy, vitality, instinct, healing, fast healing, unlimited energy, self-expression, selfishness, blocking outside noise, trusting yourself, self-empowerment, unfiltered actions.

Things that remind me of Ashwini: bees, the sun, horses, two white horses, golden deserts, horses gallopping, honey, long hair flying in the wind, apples.

Bharani:

Love, death, sex, the female, the feminine, limitations, the material, fate, destiny, coming into the body, struggling against limitations, struggling against fate, mind trapped in its own hell because of the inevitable, dealing with the harshness of life, harshness of mothers and mother nature, the hierarchy, privileges and deprivations, desire, going after your true desire, the immortality of the soul, adapting to changes, passion, tragic love, bravery, facing the truth, choicelessness, nessecity, revenge, violence, gatekeeping, reduction, denial of access, conquering your fate, everlasting beauty, immortality, eternal love.

Things that remind me of Bharani: hot pink and black, darkness, roses, the yoni, gateways, keyholes, caverns, boats, rivers, the damsel in distress, fantasy, high fantasy.

Krittika:

Adam, the main character, naming things, language, rationality, precision, sharpness, criticism, the poet, the "it" person, simplicity, cleanliness, expressing oneself, selectivity, the heat, the knowledge, the light, masculine ideals, stoicism.

Things that remind me of Krittika: knives, razors, lighers, sparks, fire, hearth, cooking.

Rohini:

Eve, sugar babies, growth, receptivity, enjoyment, pleasure, unrefined, doted on, subconcious, absorbtion, sharing, union, creation, the youngest daughter, naivete, feeling no shame.

Things that remind me of Rohini: sugar, stickiness, sweetness, heaviness, red, pink, flowers, the A.I(lol).

Mrigashira:

Distraction, realization, fickleness, adventure, running away, chasing, the hunt, excitement, softness, pleasure, altering conciousness, magic substances(iykwim), curiosity, fulfillment, insatiability, teasing.

Things that remind me of Mrigashira: silver threads, deer, green forests, green and blue, running in the woods, alcohol, the moon, Shakespeare's "A Midsummer Night's Dream".

Ardra:

Disillusion, crying, lamenting, awareness of others, awarness of other's expectations, hyper-awarness of everything, intellect, the rational mind, pressures from society, rebelling against society, anxiety, hunting.

Things that remind me of Ardra: tears, water, storms, technology, teenage angst, emo culture, the rain, sad songs, dogs.

Punarvasu:

Mercy, forgiveness, permission, freedom, flying, expansion, gentleness, regrowing, realigning, returning, home, unconditional love and nurture, celebration, peace, peacefulness, centering oneself, sunlight, warmth, fostering, taking care, being taken care of, luck, unlimited fertile space, shelter, genuine kindness, believing in humanity again, cycles, patterns, seeing the cycles and the patterns, prophecies, the oracle, openness, second (and third, fouth...) chances, a comeback.

Things that remind me of Punarvasu: staying at home, pets, plants, cats, gentle rain, a bow and arrows, a target.

Pushya:

Asceticism, routines, self-restraint, servitude, control, self-control, working, working on yourself, patience, simplicity, striving for perfection, nurturing, nourishment, quiet ambition, symmetry.

Things that remind me of Pushya: milk, milkmaids, country life, milking, symmetry, goats, sheep, agriculture.

Ashlesha:

Manipulation, abuse, poison, emotional abuse, blackmail, resorting to everything for safety, protection, pent up energy, the nervous system, purity, water, sensitivity, cleanliness, energetic build-up, tension, restraint, preservation, self-preservation, virginity, feminine tactics, being "mean" for protection, lying for safety, sensuality, mother issues, agitation.

Things that remind me of Ashlesha: the color white, transparent things, cats, poisoning, snow white, Sofia Coppola films, teenage girlhood, ties, strings, knots, snakes.

Magha:

Royalty, power, ancestry, family trees, history, the past, regality, honoring the past, honoring the elders, honoring the authority, religion, tradition, customs, confidence, ego.

Things that remind me of Magha: crowns, thrones, churches, goth culture, smoke, big hair(like the lion's mane).

Purva Phalguni:

Pleasure, enjoyment, being spoiled as the feminine, loving to spoil as the masculine, procreation, sex, leisure, art, holidays, parties, exclusivity, pride, charisma, sexual dispersion, love as a method of self-expression, admiration, directness, active pursuit of your passions, indulgence.

Things that remind me of Purva Phalguni: fruits, eating fruits topless, rose gold color, the "rizz"(lol), the phallus, dramaticism.

Uttara Phalguni:

Favors from friends, family and partners, contracts, beneficial agreements, the perfect wife, likeability, popularity, friendliness, appearing cool, stoicism, beneficial arrangements, gain through partnerships, self-expression through relationships, wife/girlrfiend material, harvest, family associations, marriage associations.

Things that remind me of Uttara Phalguni: the "chads", simplicity, genuine friends, loyal companions, family business, the perfect male stereotype, the "rich heiress running away" trope, wheat, gold, power couples.

Hasta:

The earth, the veiled feminine, manipulation, denial of access, materialism, cheating, everyday matters, empowerment of women, deception, skill, seeking knowledge, wanting to be in control, activism, street-smarts, manipulation of masses.

Things that remind me of Hasta: the hand, Goddess Persephone, skilled hands, thieves, easy money, fairies, witches, scammers.

Chitra:

Crafting, building, perspective, truth, law, gems, sacrifice for your craft, vanity, stereotypes, aesthetics, the truth in stereotypes, building based on the law and the truth, the surface of things, the appearance of things, the substance reflected in the vessel, gossip, cliques, tricks.

Things that remind me of Chitra: the god Hephestos, martian gods in general, jewelry, fashion, make-up, drama, pettiness, the coquette aesthetic, pranksters, Olivia Rodrigo(ig).

Swati:

Space, the cosmos, shifting realities, love, rebellion, alternate realities, possibilities, seeing beauty in everything, inspiration, art, the cosmic egg, creation of the world, creation of worlds, microcosm and macrocosm, freedom through love.

Things that remind me of Swati: video games, the wind, plants beggining to sprout, the sword, technology, the Sims.

Vishakha:

The lightning, snapping, splitting, joining opposites, compromise, marriage, repressed anger, repressed aggression, alter egos, passion, enthusiasm, standing up for yourself and others, repression and then expression, energy, love and hate.

Things that remind me of Vishakha: lighning bolts, Zeus, Thor and other lighning gods, superhero "Shazam", celebrations.

Anuradha:

Friendship, devotion, depth, loyalty, unconditional loyalty, bonds, the occult, sex with love, numbers, gatherings, friend groups, groups, gentleness, humbleness, discipline, seriousness, organizing society, social groups.

Things that remind me of Anuradha: the color burgundy, dim lights, bunnies, "Sex Education" (tv show), sci-fi (for some reason), "The Vampire Diaries" (and very similar teen shows), frat boys, cheerleaders.

Jyeshta:

The battlefield, war, hunger, thirst, insatiability, conquering, the underdog, street-smarts, competition, strategy, extreme independence, mind games, the art of war, survival, ruling, rising above, self-reliance, wisdom, becoming the authority, the eldest, dryness, trust issues, enemies, destroying enemies, outsmarting all enemies.

Things that remind me of Jyeshta: grandmothers, owls, eagles, dry places, flags, marching, chess.

Mula:

Horror, the abnormal, the truth, the core, the center, the absorbing darkness, the black hole, the roots, violence against falsehoods, seeking the truth, seeking the cause, seeking roots, uprooting, chaos, from chaos to order, the unchanging truth, taming beasts, holding to your truth.

Things that remind me of Mula: "Phanton of the Opera", "Twilight", final girls, horror movies, dark murky green, the wilderness.

Purva Ashadha:

Art, beauty, alliances, artistry, ideals, fighting for the ideal, discrimination, exclusivity, philosophies about beauty and art, passion for love and art, attachments, secrecy, luxury, vitality, vigor, going for victory.

Things that remind me of Purva Ashadha: the sea, seafoam, goddess Aphrodite, seashells, mermaids, sirens, fans (the ones you hold in your hand lol), Arwen from LotR.

Uttara Ashadha:

Victory, loneliness, individuality, government, empowerment, independence, being looked up to, composed self-expression, ease, simplicity but regality, confidence, self-assuredness, melancholy and hardships of aloneness but contentment, stoicism, invincibility, unapologetic behavior.

Things that remind me of Uttara Ashadha: earnest people, goddess Nike, mint color for some reason.

Shravana:

Connecting everything, secret knowledge, interest in everything, reading between the lines, subconcious access, extreme sensitivity, holding the humanity together, secret agencies, percieving what others can't percieve, saving humanity, navigating, receptivity, mysticism.

Things that remind me of Shravana: Superman, Geralt of Rivia, Aragorn, King arthur, pathways, footprints, ear, color blue, spies, astrology, outcasts, fringe societies.

Dhanishta:

Celebration, celebrities, fame, visibility, aggression, agitation, action, bringing people together, idols, propaganda, wealth from fame, that which attracts attention, public image, benefits and downsides of fame, openness and flashiness, branding, movement.

Things that remind me of Dhanishta: supermodels, Princess Diana, dancing, rhythmic drums.

Shatabhisha:

Complexities, seeing everything, lurking in shadows, holding the knowledge, secrets, secrecy, hiding, technology, innovation, being ahead of your time, advising but manipulating, society, the collective, trends, the conciousness of masses, propaganda.

Things that remind me of Shatabhisha: midnight sky, stars, the seas, water reservoirs, the circle, the all-seeing eye of Sauron(lol), Lord of the Rings, rings, the movie "Stardust" (the book too), the evil advisor/black cardinal trope.

Purva Bhadrapada:

Notoriety, expansion, uncontrolled expansion, persmissiveness, growth to ruin unless restrained, fighting for your soul, the scapegoat, going against society, getting tested, the point of no return.

Things that remind me of Purva Bhadrapada: gangs, famous criminals, laziness, femme fatales, the grotesque, deserts, werewolves, the black sheep.

Uttara Bhadrapada:

Finding grace, hardships, working, inner strength, steeliness, resilience, patience, restraint, contol, self-restraint and self-control, bravery, honesty, stubbornness, fighting for your truth, perfect control, freedom through limitations, seeking a permanent foundation built on truth, working for the foundation, long-term goals, innocence, purity of soul, stillness, refinement, honor and glory.

Things that remind me of Uttara Bhadrapada: butterflies, clouds, baby blue color, Cinderella, warriors, knights, knight orders, ice, coldness, queens, ice-queen, dragons, water dragons, deep waters, deep sea and its creatures, wings.

Revati:

Ultimate freedom, creativity, wisdom, gentleness, compassion, guiding, herding, fun, laughter, mischief, lightnness, ease, finding peace, reaching the end, enjoying what you have, contentment, nurturing, open-mindedness, conclusions, gratefulness, freedom and free will, having choices, diversity, finding the truth, true wealth, parenthood, the guide, guidance, individuation.

Things that remind me of Revati: shepherds, herding, everything easy and light, the tricksters, the fool, jokes, Loki, The Joker, fish, comedy, the movie "A Fish Called Wanda", caring for everyone and everything, light and soft shades of green and blue.

[lilithiandoll]

𝓣𝓱𝓮 𝓨𝓸𝓷𝓲 𝓐𝓷𝓲𝓶𝓪𝓵𝓼 & 𝓣𝓱𝓮𝓲𝓻 𝓘𝓷𝓼𝓽𝓲𝓷𝓬𝓽𝓼

𝓐𝓼𝓱𝔀𝓲𝓷𝓲, 𝓢𝓱𝓪𝓽𝓪𝓫𝓱𝓲𝓼𝓱𝓪 🐎

ɪɴᴅᴇᴘᴇɴᴅᴇɴᴄᴇ ᴀɴᴅ ꜰʀᴇᴇᴅᴏᴍ ɪꜱ ʜɪɢʜʟʏ ᴠᴀʟᴜᴇᴅ ᴡɪ���ʜɪɴ ᴛʜᴇɪʀ ʟɪꜰᴇ, ᴛʜᴇʏ ᴅᴏɴ'ᴛ ʟɪᴋᴇ ᴛᴏ ʙᴇ ᴛɪᴇᴅ ᴅᴏᴡɴ ᴛᴏ ᴀɴʏᴛʜɪɴɢ ᴀɴᴅ ᴄᴀɴ ʙᴇ ᴄᴏᴍᴍɪᴛᴍᴇɴᴛ-ᴘʜᴏʙᴇꜱ. ᴍɪꜱᴄᴏᴍᴍᴜɴɪᴄᴀᴛɪᴏɴ ᴀɴᴅ ꜱʟᴏᴡ ᴀᴛ ᴘʀᴏᴄᴇꜱꜱɪɴɢ ɪɴꜰᴏʀᴍᴀᴛɪᴏɴ. ᴠᴇʀʏ ʟᴇᴀɴ ᴀɴᴅ ᴛᴀʟʟ ʙᴜɪʟᴅꜱ ᴡɪᴛʜ ʟᴏɴɢ ᴛʜɪᴄᴋ ʜᴀɪʀ. ᴍᴀᴊᴇꜱᴛɪᴄ ʙᴇᴀᴜᴛʏ. ᴡʜᴇɴ ᴛʜᴇʏ ᴡᴀʟᴋ, ᴛʜᴇɪʀ ꜰᴏᴏᴛꜱᴛᴇᴘꜱ ᴀʀᴇ ʜᴇᴀᴠʏ ᴀɴᴅ ᴘᴇᴏᴘʟᴇ ᴜꜱᴜᴀʟʟʏ ʜᴇᴀʀᴅ ᴛʜᴇᴍ ʙᴇꜰᴏʀᴇ ᴛʜᴇʏ ꜱᴇᴇ ᴛʜᴇᴍ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ'ʀᴇ Qᴜɪᴛᴇ ᴅᴏᴍɪɴᴀɴᴛ ᴀɴᴅ ʟᴏᴠᴇ ʀɪᴅɪɴɢ ᴘᴏꜱɪᴛɪᴏɴꜱ (ᴍᴀʏ ᴋɴᴏᴡ ʜᴏᴡ ᴛᴏ ᴍᴏᴠᴇ ᴛʜᴇɪʀ ʜɪᴘꜱ ɪꜰʏᴡɪᴍ). ꜱᴇx ɪꜱ ʀᴏᴜɢʜ ᴀɴᴅ ɪɴᴛᴇɴꜱᴇ ʙᴜᴛ ꜰᴀꜱᴛ ᴀɴᴅ ɪꜱ ᴜꜱᴜᴀʟʟʏ ᴏᴠᴇʀ ᴘʀᴇᴛᴛʏ Qᴜɪᴄᴋʟʏ, ɴᴏᴛ ᴛʜᴇ ᴛʏᴘᴇ ᴛᴏ ʜᴀᴠᴇ ᴀ ʟᴏᴛ ᴏꜰ ꜱᴛᴀᴍɪɴᴀ.

𝓑𝓱𝓪𝓻𝓪𝓷𝓲, 𝓡𝓮𝓿𝓪𝓽𝓲 🐘

ᴠᴇʀʏ ꜱᴘɪʀɪᴛᴜᴀʟ ᴀɴᴅ ᴅɪꜱᴘʟᴀʏꜱ ᴀ Qᴜɪᴇᴛ ꜱᴛʀᴇɴɢᴛʜ. ᴛʜᴇʏ ᴅᴏɴ'ᴛ ʟɪᴋᴇ ʟᴏᴜᴅ ᴘᴇᴏᴘʟᴇ ᴏʀ ᴀɴʏᴛʜɪɴɢ ᴛʜᴀᴛ ᴄᴀɴ ᴅɪꜱᴛᴜʀʙ ᴛʜᴇɪʀ ᴘᴇᴀᴄᴇ ꜰᴏʀ ᴛʜᴀᴛ ᴀꜱ ᴛʜᴇʏ ʀᴇꜱᴘᴇᴄᴛ ʜᴜᴍɪʟɪᴛʏ ᴀɴᴅ ʜᴏɴᴇꜱᴛʏ. ᴀᴍᴀᴢɪɴɢ ᴍᴇᴍᴏʀʏ, ɪᴛ'ꜱ ᴀᴄᴛᴜᴀʟʟʏ ᴄʀᴀᴢʏ. ᴘʀᴏᴍɪɴᴇɴᴛ ᴇᴀʀꜱ ᴀɴᴅ ᴀ ꜱᴛᴜʀᴅʏ ʙᴏᴅʏ ᴡɪᴛʜ ᴀ ɢᴇɴᴛʟᴇ, ꜰᴏᴄᴜꜱᴇᴅ ɢᴀᴢᴇ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴄᴀɴ ʙᴇ ꜱᴇɴꜱᴜᴀʟ ᴀɴᴅ ᴘᴀᴛɪᴇɴᴛ ʙᴜᴛ ᴛʜᴇ ꜰᴇᴍᴀʟᴇ ᴇʟᴇᴘʜᴀɴᴛ ᴄᴀɴ ᴀᴄᴛ ᴀ ʙɪᴛ ᴄᴏʏ ʙᴇꜰᴏʀᴇ ᴅᴇᴄɪᴅɪɴɢ ᴛᴏ ꜰᴜʟʟʏ ᴇɴɢᴀɢᴇ ɪɴ ꜱᴇxᴜᴀʟ ᴀᴄᴛꜱ. ᴛʜᴇʏ ʜᴀᴠᴇ ᴀ ᴠᴇʀʏ ʜɪɢʜ ꜱᴇxᴜᴀʟ ᴀᴘᴘᴇᴛɪᴛᴇ ʙᴜᴛ ᴛʜᴇʏ ᴅᴇꜱɪʀᴇ ᴛᴏ ᴄᴏɴɴᴇᴄᴛ ᴛᴏ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀꜱ ᴏɴ ᴀ ꜱᴏᴜʟ ʟᴇᴠᴇʟ. ᴛᴀɴᴛʀɪᴄ ꜱᴇx ᴡᴏᴜʟᴅ ʙᴇ ᴛʜᴇ ʙᴇꜱᴛ ᴡᴀʏ ᴛᴏ ᴇxᴘʟᴀɪɴ ɪᴛ.

𝓚𝓻𝓲𝓽𝓽𝓲𝓴𝓪, 𝓟𝓾𝓼𝓱𝔂𝓪 🐑

ᴠᴇʀʏ ꜱᴛᴏɪᴄ ᴀɴᴅ ʀᴇꜱᴇʀᴠᴇᴅ ᴜᴘᴏɴ ꜰɪʀꜱᴛ ɪᴍᴘʀᴇꜱꜱɪᴏɴ, ᴄᴀɴ ᴇᴠᴇɴ ᴄᴏᴍᴇ ᴏꜰꜰ ᴀꜱ ᴄᴏʟᴅ ᴇᴠᴇɴ ᴛʜᴏᴜɢʜ ᴛʜᴇʏ'ʀᴇ ᴇxᴛʀᴇᴍᴇʟʏ ꜱᴇɴꜱɪᴛɪᴠᴇ ᴀɴᴅ ᴄᴀʀɪɴɢ. ᴛʜᴇʏ ᴠᴀʟᴜᴇ ᴛʀᴀᴅɪᴛɪᴏɴꜱ ᴀɴᴅ ʀᴜʟᴇꜱ, ʙᴇʟɪᴇᴠɪɴɢ ᴛʜᴀᴛ ᴇᴠᴇʀʏᴏɴᴇ ʜᴀꜱ ᴀ ʀᴏʟᴇ ᴛᴏ ᴘʟᴀʏ. ꜱᴇʟꜰ-ᴄᴏɴꜱᴄɪᴏᴜꜱ ʙᴜᴛ ɴᴏᴛ ɪɴꜱᴇᴄᴜʀᴇ, ᴛʜᴇʏ'ʀᴇ ᴊᴜꜱᴛ ᴇxᴛʀᴇᴍᴇʟʏ ᴀᴡᴀʀᴇ ᴏꜰ ᴛʜᴇɪʀ ꜱᴇɴꜱᴇ ᴏꜰ ꜱᴇʟꜰ. ᴀɴᴅʀᴏɢʏɴᴏᴜꜱ ꜰᴇᴀᴛᴜʀᴇꜱ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴋʀɪᴛᴛɪᴋᴀ ɪꜱ ʟɪᴋᴇʟʏ ᴛᴏ ʙᴇ ᴀɢɢʀᴇꜱꜱɪᴠᴇʟʏ ꜱᴜʙᴍɪꜱꜱɪᴠᴇ ᴀɴᴅ ᴘᴜꜱʜʏᴀ ɪꜱ ᴍᴏʀᴇ ɢᴇɴᴛʟʏ ᴅᴏᴍɪɴᴀɴᴛ. ᴛʜᴇʏ ᴘʀᴇꜰᴇʀ ꜱᴇx ᴛᴏ ʙᴇ ᴀɴ ᴇᴠᴇɴ ᴍɪx ʙᴇᴛᴡᴇᴇɴ ʀᴏᴜɢʜ ᴀɴᴅ ꜱᴇɴꜱᴜᴀʟ. ɪɴᴛᴏ ʟᴇᴀᴠɪɴɢ ᴍᴀʀᴋꜱ ᴏɴ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀꜱ ᴏʀ ʙᴇɪɴɢ ᴍᴀʀᴋᴇᴅ, ꜱᴄʀᴀᴛᴄʜɪɴɢ, ᴅɪɢɢɪɴɢ ᴛʜᴇɪʀ ɴᴀɪʟꜱ ɪɴᴛᴏ ʏᴏᴜʀ ꜱᴋɪɴ, ᴇᴛᴄ.

𝓡𝓸𝓱𝓲𝓷𝓲, 𝓜𝓻𝓲𝓰𝓪𝓼𝓱𝓲𝓻𝓼𝓱𝓪 🐍

ᴇxᴛʀᴇᴍᴇʟʏ ᴘʀɪᴠᴀᴛᴇ ᴀɴᴅ ꜱᴇɴꜱɪᴛɪᴠᴇ ᴛᴏ ᴛʜᴇ ᴇɴᴇʀɢɪᴇꜱ ᴀʀᴏᴜɴᴅ ᴛʜᴇᴍ. ᴛʜᴇʏ ᴇɴᴊᴏʏ ʟɪᴠɪɴɢ ᴄᴏᴍꜰᴏʀᴛᴀʙʟʏ ᴀɴᴅ ᴍᴀʏ ᴠᴀʟᴜᴇ ᴍᴀᴛᴇʀɪᴀʟ ᴛʜɪɴɢꜱ ᴛʜᴀᴛ ᴡᴏᴜʟᴅ ʙᴇ ꜱᴇᴇɴ ᴀꜱ ᴀᴇꜱᴛʜᴇᴛɪᴄᴀʟʟʏ ᴘʟᴇᴀꜱɪɴɢ. ʜᴀꜱ ᴀ ᴡᴀʏ ᴡɪᴛʜ ᴡᴏʀᴅꜱ ᴀɴᴅ ᴋɴᴏᴡꜱ ʜᴏᴡ ᴛᴏ ɢᴇᴛ ᴏᴜᴛ ᴏꜰ ꜱᴛɪᴄᴋʏ ꜱɪᴛᴜᴀᴛɪᴏɴꜱ ʙᴜᴛ ᴛʜᴇɪʀ ᴡᴏʀᴅꜱ ᴄᴀɴ ᴀʟꜱᴏ ɢᴇᴛ ᴛʜᴇᴍ ɪɴ ᴛʀᴏᴜʙʟᴇ. ᴠᴇʀʏ ꜰʟɪʀᴛᴀᴛɪᴏᴜꜱ ᴀɴᴅ ɪɴᴛᴏxɪᴄᴀᴛɪɴɢ. ʙᴇᴀᴜᴛɪꜰᴜʟ ᴇʏᴇꜱ ᴀɴᴅ ᴅᴇʟɪᴄᴀᴛᴇ ꜰɪɢᴜʀᴇ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴀʀᴇ ᴘʜʏꜱɪᴄᴀʟʟʏ ꜱᴇɴꜱɪᴛɪᴠᴇ ᴀɴᴅ ʜᴀᴛᴇꜱ ᴡʜᴇɴ ᴛʜɪɴɢꜱ ꜰᴇᴇʟ ʀᴜꜱʜᴇᴅ. ᴛʜᴇʏ ᴀʀᴇ ʜᴇᴀᴠɪʟʏ ɪɴᴛᴏ ꜰᴏʀᴇᴘʟᴀʏ ᴡʜᴇʀᴇ ᴛʜᴇʏ ᴄᴀɴ ᴇɴɢᴀɢᴇ ᴛʜᴇɪʀ ꜱᴇɴꜱᴇꜱ ᴀꜱ ᴛʜᴇʏ ᴡᴀɴᴛ ᴛᴏ ꜰᴇᴇʟ ᴇᴠᴇʀʏ ɪɴᴄʜ ᴏꜰ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ ᴀɢᴀɪɴꜱᴛ ᴛʜᴇᴍ. ʀᴏᴘᴇ ʙᴜɴɴʏ ᴋɪɴᴋ. ᴡᴏᴜʟᴅ ᴘʀᴏʙᴀʙʟʏ ᴡʀᴀᴘ ᴛʜᴇɪʀ ᴀʀᴍꜱ ᴀɴᴅ ʟᴇɢꜱ ᴛɪɢʜᴛʟʏ ᴀʀᴏᴜɴᴅ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ. ᴏɴᴇ ᴏꜰ ᴛʜᴇ ɴᴀᴋꜱʜᴀᴛʀᴀꜱ ᴛᴏ ᴇɴɢᴀɢᴇ ɪɴ ʙᴅꜱᴍ (ʀᴏʜɪɴɪ ɪꜱ ᴍᴏʀᴇ ʟɪᴋᴇʟʏ) ᴏʀ ᴀɴʏ ᴏᴛʜᴇʀ ꜱᴇxᴜᴀʟ ᴀᴄᴛɪᴠɪᴛʏ ᴛʜᴀᴛ ᴅᴏᴇꜱɴ'ᴛ ɪɴᴠᴏʟᴠᴇ ᴘʜʏꜱɪᴄᴀʟ ᴄᴏɴᴛᴀᴄᴛ ᴀᴛ ᴀʟʟ.

𝓐𝓻𝓭𝓻𝓪, 𝓜𝓾𝓵𝓪 🐕

ʟᴏʏᴀʟ ᴀɴᴅ ᴇᴍᴏᴛɪᴏɴᴀʟ ɪɴᴅɪᴠɪᴅᴜᴀʟꜱ, ᴄᴀɴ ꜱᴏᴍᴇᴛɪᴍᴇꜱ ᴄᴏᴍᴇ ᴏꜰꜰ ᴀ ʙɪᴛ ᴛᴏᴏ ɪɴᴛᴇɴꜱᴇ. ᴛʜᴇʏ ᴄᴀɴ ʙᴇ Qᴜɪᴛᴇ ᴄᴀɴᴅɪᴅ ᴀɴᴅ ᴡᴏɴ'ᴛ ꜱᴜɢᴇʀᴄᴏᴀᴛ ᴀɴʏᴛʜɪɴɢ ᴛᴏ ᴍᴀᴋᴇ ʏᴏᴜ ꜰᴇᴇʟ ʙᴇᴛᴛᴇʀ, ���ʜᴇʏ ᴛᴇʟʟ ɪᴛ ʟɪᴋᴇ ɪᴛ ɪꜱ. ᴘʀᴏᴛᴇᴄᴛɪᴠᴇ ᴛᴏᴡᴀʀᴅꜱ ᴛʜᴏꜱᴇ ᴛʜᴇʏ ʟᴏᴠᴇ ᴀɴᴅ ᴡᴏɴ'ᴛ ʜᴇꜱɪᴛᴀᴛᴇ ᴛᴏ ᴛᴀᴋᴇ ᴀ ʙᴜʟʟᴇᴛ ꜰᴏʀ ᴛʜᴇ ᴏɴᴇꜱ ᴛʜᴇʏ ᴄᴀʀᴇ ꜰᴏʀ. ᴛʜᴇʏ ᴄᴀɴ ʙᴇᴄᴏᴍᴇ ʀᴜᴛʜʟᴇꜱꜱ ᴀɴᴅ ᴄᴏʟᴅ ɪꜰ ʙᴇᴛʀᴀʏᴇᴅ ɪɴ ᴀɴʏ ᴡᴀʏ. ᴡɪʟᴅ ʜᴀɪʀ ᴀɴᴅ ꜱᴛʀɪᴋɪɴɢ ᴇʏᴇꜱ. ʙᴇɪɴɢ ɪɴ ᴀ ꜰᴏʀᴇꜱᴛ ᴏʀ ꜱᴜʀʀᴏᴜɴᴅᴇᴅ ʙʏ ɴᴀᴛᴜʀᴇ ᴍᴀᴋᴇꜱ ᴛʜᴇᴍ ꜰᴇᴇʟ ᴀᴛ ᴇᴀꜱᴇ. ʟɪᴋᴇʟʏ ᴛᴏ ʟɪᴠᴇ ɪɴ ʀᴜʀᴀʟ ᴄᴏᴍᴍᴜɴɪᴛɪᴇꜱ ᴏʀ ʜᴏᴜꜱᴇꜱ ɴᴇᴀʀ ᴡᴏᴏᴅꜱ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴀʀᴇ ᴀʟʟ ᴀʙᴏᴜᴛ ᴇᴍᴏᴛɪᴏɴᴀʟʟʏ ʙᴏɴᴅɪɴɢ ᴡɪᴛʜ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀꜱ ᴀɴᴅ ᴡɪʟʟ ʙᴇᴄᴏᴍᴇ Qᴜɪᴛᴇ ᴄʟɪɴɢʏ ᴀꜰᴛᴇʀ ꜱᴇx, ᴛʜᴇ ᴛʏᴘᴇꜱ ᴛᴏ ᴄᴜᴅᴅʟᴇ ᴀꜰᴛᴇʀᴡᴀʀᴅꜱ. ɪꜰ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ ɪꜱɴ'ᴛ ᴏɴ ᴘᴀʀ ᴡɪᴛʜ ᴛʜᴇɪʀ ᴇɴᴇʀɢʏ, ᴛʜᴇʏ ᴄᴀɴ ʙᴇᴄᴏᴍᴇ ᴀɢɪᴛᴀᴛᴇᴅ. ᴠᴇʀʏ ʟᴏᴠɪɴɢ ᴀɴᴅ ᴘᴀꜱꜱɪᴏɴᴀᴛᴇ ɪɴ ʙᴇᴅ.

𝓟𝓾𝓷𝓪𝓻𝓿𝓪𝓼𝓾, 𝓐𝓼𝓱𝓵𝓮𝓼𝓱𝓪 🐈‍⬛

ʟᴀɴɢᴜɪᴅ ᴀɴᴅ ꜰɪɴɴɪᴄᴋʏ, ᴛʜᴇʏ ᴀʀᴇ ᴠᴇʀʏ ᴘᴀʀᴛɪᴄᴜʟᴀʀ ᴀʙᴏᴜᴛ ᴡʜᴏ ʟᴇᴛ ᴀʀᴏᴜɴᴅ ᴛʜᴇᴍ ꜱɪɴᴄᴇ ᴛʜᴇʏ ᴄᴀɴ ᴇᴀꜱɪʟʏ ꜰᴇᴇʟ ᴅɪꜱᴛᴜʀʙᴇᴅ. ᴘʀᴇᴛᴛʏ ᴍᴏᴏᴅʏ ꜱᴏ ᴛʜᴇʏ ᴄᴀɴ ʙᴇ ᴠᴇʀʏ ᴄʟɪɴɢʏ ᴀɴᴅ ᴀꜰꜰᴇᴄᴛɪᴏɴᴀᴛᴇ ᴏɴᴇ ᴍɪɴᴜᴛᴇ ᴏʀ ꜱᴀꜱꜱʏ ᴀɴᴅ ᴀɴɴᴏʏᴇᴅ ᴛʜᴇ ɴᴇxᴛ ᴍɪɴᴜᴛᴇ. ᴄᴀɴ ᴀᴘᴘᴇᴀʀ ɪɴɴᴏᴄᴇɴᴛ ʏᴇᴛ ᴋɴᴏᴡꜱ ᴍᴏʀᴇ ᴛʜᴀɴ ʏᴏᴜ ᴛʜɪɴᴋ ᴀɴᴅ ꜱᴜʙᴛʟʏ ᴍᴀɴɪᴘᴜʟᴀᴛɪᴠᴇ. ᴀʟᴍᴏɴᴅ-ꜱʜᴀᴘᴇᴅ ᴇʏᴇꜱ, ꜱʟɪᴍ ɴᴏꜱᴇ, ᴀɴᴅ ꜱᴍᴀʟʟ ʟɪᴘꜱ ᴛʜᴀᴛ'ꜱ ꜰᴇʟɪɴᴇ ᴀɴᴅ ᴅᴀɪɴᴛʏ ɪɴ ᴀᴘᴘᴇᴀʀᴀɴᴄᴇ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴡᴀɴᴛ ᴀ ᴘᴀʀᴛɴᴇʀ ᴡʜᴏ'ꜱ ᴠᴇʀʏ ᴄᴀʀᴇꜰᴜʟ ᴡɪᴛʜ ᴛʜᴇᴍ ꜱɪɴᴄᴇ ᴀɴʏ ʟɪᴛᴛʟᴇ ᴛʜɪɴɢ ᴄᴀɴ ꜱᴇᴛ ᴛʜᴇᴍ ᴏꜰꜰ. ᴀꜱʜʟᴇꜱʜᴀ ᴍᴀʏ ʜᴀᴠᴇ ᴀ ᴍᴏʀᴇ ʜᴀʀᴅᴇʀ ᴛɪᴍᴇ ꜱɪɴᴄᴇ ᴛʜᴇʏ ᴍᴀʏ ʜᴀᴠᴇ ɪꜱꜱᴜᴇꜱ ʀᴇɢᴀʀᴅɪɴɢ ᴛʜᴇɪʀ ꜱᴇxᴜᴀʟɪᴛʏ (ᴛʜᴇ ᴍᴀʟᴇ ᴄᴀᴛ ʜᴀᴠɪɴɢ ᴀ ʙᴀʀʙᴇᴅ ᴘ*ɴɪꜱ). ᴛʜᴇʏ ᴍᴀʏ ᴀʟꜱᴏ ᴅᴇꜱɪʀᴇ ꜰᴏʀᴇᴘʟᴀʏ ᴀɴᴅ ʟɪᴋᴇᴅ ᴛᴏ ʙᴇ ᴄʜᴏᴋᴇᴅ. ᴘᴜɴᴀʀᴠᴀꜱᴜ ɪꜱ ᴛʜᴇ ʙʀᴀᴛᴛʏ ꜱᴜʙᴍɪꜱꜱɪᴠᴇ ᴡʜɪʟᴇ ᴀꜱʜʟᴇꜱʜᴀ ɪꜱ ᴛʜᴇ ꜱᴛᴀɴᴅᴀʀᴅ ᴅᴏᴍɪɴᴀɴᴛ.

𝓜𝓪𝓰𝓱𝓪, 𝓟𝓾𝓻𝓿𝓪 𝓟𝓱𝓪𝓵𝓰𝓾𝓷𝓲 🐀

ꜱᴇxᴜᴀʟʟʏ ᴠᴏʀᴀᴄɪᴏᴜꜱ ᴀɴᴅ ꜱᴏᴄɪᴀʙʟᴇ ɪɴᴅɪᴠɪᴅᴜᴀʟꜱ. ᴠᴇʀʏ ꜱᴇʟꜰ-ᴄᴇɴᴛᴇʀᴇᴅ ʙᴜᴛ ɴᴇᴠᴇʀ ᴜɴᴄᴀʀɪɴɢ, ᴛʜᴇʏ ᴊᴜꜱᴛ ʜᴀᴠᴇ ꜱᴛʀᴏɴɢ ᴇɢᴏꜱ ᴀɴᴅ ᴀ ꜱᴇɴꜱᴇ ᴏꜰ ᴘʀɪᴅᴇ. ʜᴀꜱ ᴘʀᴏʙᴀʙʟʏ ꜱᴛᴏʟᴇɴ ꜱᴏᴍᴇᴛʜɪɴɢ ʙᴇꜰᴏʀᴇ ᴀɴᴅ ɢᴏᴛᴛᴇɴ ᴀᴡᴀʏ ᴡɪᴛʜ ɪᴛ. ᴛʜᴇʏ ᴛᴀᴋᴇ ᴄᴀʀᴇ ɪɴ ᴛᴇɴᴅɪɴɢ ᴛᴏ ᴛʜᴇɪʀ ᴀᴘᴘᴇᴀʀᴀɴᴄᴇ ᴀɴᴅ ᴀʟᴡᴀʏꜱ ʀᴇᴍᴀɪɴɪɴɢ ᴘʀᴇꜱᴇɴᴛᴀʙʟᴇ. ᴀᴘᴘᴇᴀʀꜱ ᴇᴍᴏᴛɪᴏɴʟᴇꜱꜱ ᴏɴ ᴛʜᴇ ᴏᴜᴛꜱɪᴅᴇ. ʙɪɢ ʜᴀɪʀ ᴀɴᴅ ᴀ ʜᴀᴜɢʜᴛʏ ɪᴍᴘʀᴇꜱꜱɪᴏɴ, ᴇꜰꜰᴏʀᴛʟᴇꜱꜱʟʏ ᴀᴛᴛʀᴀᴄᴛꜱ ᴀᴛᴛᴇɴᴛɪᴏɴ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴀʀᴇ ɴᴀᴛᴜʀᴀʟʟʏ ᴅᴏᴍɪɴᴀɴᴛ ᴀɴᴅ ᴀʀᴇɴ'ᴛ ᴀꜰʀᴀɪᴅ ᴛᴏ ᴛʀʏ ᴀɴʏᴛʜɪɴɢ ꜱᴇxᴜᴀʟʟʏ ᴛᴀʙᴏᴏ. ᴛʜᴇʏ ʜᴀᴠᴇ ᴛʜᴇ ᴄʀᴀᴢɪᴇꜱᴛ ꜱᴇxᴜᴀʟ ᴋɪɴᴋꜱ, ɪᴛ'ꜱ ʟᴏᴡ-ᴋᴇʏ ᴄᴏɴᴄᴇʀɴɪɴɢ. ᴇɴᴅʟᴇꜱꜱ ꜱᴛᴀᴍɪɴᴀ ᴀɴᴅ ꜱʜᴀᴍᴇʟᴇꜱꜱ ɪɴ ʙᴇʜᴀᴠɪᴏʀ. ᴍᴀʏ ʜᴀᴠᴇ ᴀ ᴘʀᴀɪꜱᴇ ᴋɪɴᴋ ꜱɪɴᴄᴇ ᴀᴛᴛᴇɴᴛɪᴏɴ ᴛɪᴄᴋʟᴇꜱ ᴛʜᴇɪʀ ꜱᴏᴜʟ.

𝓤𝓽𝓽𝓪𝓻𝓪 𝓟𝓱𝓪𝓵𝓰𝓾𝓷𝓲, 𝓤𝓽𝓽𝓪𝓻𝓪 𝓑𝓱𝓪𝓭𝓻𝓪𝓹𝓪𝓭𝓪 🐄

ᴇxᴛʀᴇᴍᴇʟʏ ᴘᴀᴛɪᴇɴᴛ ᴀɴᴅ ᴄᴏɴꜱɪꜱᴛᴇɴᴛ, ɴᴏᴛ ᴛʜᴇ ᴛʏᴘᴇꜱ ᴛᴏ ʀᴜꜱʜ ɪɴᴛᴏ ᴀɴʏᴛʜɪɴɢ ᴀɴᴅ ᴘʀᴇꜰᴇʀ ᴛᴏ ᴡᴀɪᴛ ᴜɴᴛɪʟ ᴛʜᴀᴛ ᴍᴏᴍᴇɴᴛ ᴀʀɪꜱᴇꜱ ᴀᴛ ᴛʜᴇ ʀɪɢʜᴛ ᴍᴏᴍᴇɴᴛ. ᴘʀᴏʙᴀʙʟʏ ʟᴏᴠᴇꜱ ᴛᴏ ᴅʀɪɴᴋ ᴍɪʟᴋ ᴀɴᴅ ᴀʀᴇ ᴠᴇʀʏ ꜰᴇʀᴛɪʟᴇ. ꜱᴇᴇɴ ᴀꜱ ʀᴇʟɪᴀʙʟᴇ ᴀɴᴅ ᴘᴇʀꜰᴇᴄᴛ ꜱɪɴᴄᴇ ᴀʟʟ ᴛʜᴇɪʀ ᴇᴍᴏᴛɪᴏɴꜱ ᴀʀᴇ ᴍᴏʀᴇ ɪɴᴛᴇʀɴᴀʟ, ᴄᴀɴ ʜᴀᴠᴇ ᴀ ʀᴇꜱᴛɪɴɢ ʙʟᴀɴᴋ ꜰᴀᴄᴇ. ᴅɪꜰꜰɪᴄᴜʟᴛ ᴛᴏ ʀᴇᴀᴅ ɪɴ ɢᴇɴᴇʀᴀʟ. ꜱQᴜᴀʀɪꜱʜ ꜰᴀᴄᴇ ᴀɴᴅ ꜱᴛᴇᴀᴅʏ ɢᴀᴢᴇ, ᴡᴇʟʟ-ꜰᴏʀᴍᴇᴅ ʙᴏᴅɪᴇꜱ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴄᴀɴ ᴇᴀꜱɪʟʏ ɢᴇᴛ ᴘʀᴇɢɴᴀɴᴛ (ꜰᴏʀ ᴍᴇɴ, ᴛʜᴇɪʀ ʟᴏᴀᴅꜱ ᴀʀᴇ ʜᴇᴀᴠʏ) ᴀɴᴅ ᴀʀᴇ ᴍᴏꜱᴛ ʟɪᴋᴇʟʏ ᴛᴏ ʜᴀᴠᴇ ᴍᴜʟᴛɪᴘʟᴇ ᴋɪᴅꜱ. ᴛʜᴇʏ ᴘʀᴇꜰᴇʀ ᴛᴏ ᴛᴀᴋᴇ ᴛʜᴇɪʀ ᴛɪᴍᴇ ʙᴜᴛ ᴡᴏɴ'ᴛ ɢᴇᴛ ᴍᴀᴅ ɪꜰ ᴛʜᴇʏ ᴡᴇʀᴇ ᴘᴜꜱʜᴇᴅ ɪɴᴛᴏ ꜱᴘᴇᴇᴅɪɴɢ ᴛʜɪɴɢꜱ ᴜᴘ. ᴍᴀʏ ʟᴏᴠᴇ ᴛᴏ ᴘʟᴀʏ ᴡɪᴛʜ ᴛʜᴇ ᴄʜᴇꜱᴛ ᴀʀᴇᴀ. ᴍᴏꜱᴛ ʟɪᴋᴇʟʏ ᴀʀᴇ ᴠᴇʀʏ ᴠᴀɴɪʟʟᴀ ᴀɴᴅ ꜱɪᴍᴘʟᴇ-ᴍɪɴᴅᴇᴅ.

𝓗𝓪𝓼𝓽𝓪, 𝓢𝔀𝓪𝓽𝓲 🐂

ᴛʜᴇ ���ɪʀꜱᴛ ᴛʜɪɴɢ ɪꜱ ᴛʜᴀᴛ ᴛʜᴇʏ ᴀʀᴇ ᴠᴇʀʏ ꜱᴛᴜʙʙᴏʀɴ ʙᴜᴛ, ɪꜰ ʏᴏᴜ ᴘᴜꜱʜ ᴛʜᴇɪʀ ʙᴜᴛᴛᴏɴꜱ ᴇɴᴏᴜɢʜ, ᴛʜᴇʏ ᴄᴀɴ ɢᴇᴛ ᴇxᴛʀᴇᴍᴇʟʏ ʀᴏᴡᴅʏ ᴀɴᴅ ᴠɪᴏʟᴇɴᴛ. ᴛʜᴇɪʀ ᴀɴɢᴇʀ ɪꜱ ɴᴏ ᴊᴏᴋᴇ. ᴏɴ ᴛʜᴇ ᴏᴛʜᴇʀ ʜᴀɴᴅ, ᴛʜᴇʏ'ʀᴇ ᴠᴇʀʏ ʀᴇꜱɪʟɪᴇɴᴛ ᴀɴᴅ ᴠᴀʟᴜᴇ ᴘᴇʀꜱᴇᴠᴇʀᴀɴᴄᴇ ꜱɪɴᴄᴇ ᴛʜᴇʏ ʟᴏᴠᴇ ᴛᴏ ᴘᴜꜱʜ ᴛʜᴇᴍꜱᴇʟᴠᴇꜱ ᴛᴏ ᴅᴏ ʙᴇᴛᴛᴇʀ. ᴡᴀᴛᴇʀ ʀᴇᴘʟᴇɴɪꜱʜᴇꜱ ᴛʜᴇᴍ, ᴛʜᴇʏ ᴅᴏɴ'ᴛ ᴄᴀʀᴇ ꜰᴏʀ ꜱᴡᴇᴇᴛꜱ. ꜱᴛʀᴏɴɢ ᴀɴᴅ ʙᴏʟᴅ ꜰᴇᴀᴛᴜʀᴇꜱ ᴡɪᴛʜ ᴏᴘᴇɴ ᴇʏᴇꜱ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ'ʀᴇ ᴠᴇʀʏ ᴀɢɢʀᴇꜱꜱɪᴠᴇ ᴀɴᴅ ᴡɪʟʟ ᴄᴏɴꜱɪꜱᴛᴇɴᴛʟʏ ᴘᴜꜱʜ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ ᴜɴᴛɪʟ ᴛʜᴇʏ ꜰɪɴᴀʟʟʏ ɢɪᴠᴇ ɪɴ ᴛᴏ ᴛʜᴇɪʀ ꜱᴇxᴜᴀʟ ᴀᴅᴠᴀɴᴄᴇꜱ ʙᴜᴛ ᴛʜᴇʏ ʜᴀᴠᴇ ᴛʜᴇ ᴀʙɪʟɪᴛʏ ᴛᴏ ʙᴇ ᴘᴀᴛɪᴇɴᴛ. ᴛʜᴇʏ ᴍᴀʏ ɴᴏᴛ ʟɪᴋᴇ ᴘᴇᴏᴘʟᴇ ᴡʜᴏ ᴅᴏɴ'ᴛ ᴋɴᴏᴡ ᴡʜᴀᴛ ᴛʜᴇʏ ᴡᴀɴᴛ, ɪᴛ ɪʀʀɪᴛᴀᴛᴇꜱ ᴛʜᴇᴍ. ꜱᴀᴅɪꜱᴛɪᴄ ᴅᴏᴍꜱ.

𝓒𝓱𝓲𝓽𝓻𝓪, 𝓥𝓲𝓼𝓱𝓪𝓴𝓪 🐅

ᴏᴜᴛᴡᴀʀᴅʟʏ ᴄᴏɴꜰɪᴅᴇɴᴛ, ɪɴᴡᴀʀᴅʟʏ ɪɴꜱᴇᴄᴜʀᴇ. ꜱᴛʀᴏɴɢ ᴘʀᴇꜱᴇɴᴄᴇ. ᴛʜᴇʏ ʟɪᴋᴇ ᴛᴏ ᴍᴀɪɴᴛᴀɪɴ ᴀ ꜱᴇɴꜱᴇ ᴏꜰ ᴄᴏɴᴛʀᴏʟ ᴀʀᴏᴜɴᴅ ᴛʜᴇɪʀ ᴇɴᴠɪʀᴏɴᴍᴇɴᴛ, ɪᴛ ᴋᴇᴇᴘꜱ ᴛʜᴇᴍ ꜱᴀɴᴇ. ᴠᴇʀʏ ꜰᴀꜱʜɪᴏɴᴀʙʟᴇ ᴀɴᴅ ʟᴏᴠᴇꜱ ᴊᴇᴡᴇʟʀʏ ᴏʀ ᴏᴛʜᴇʀ ᴀᴄᴄᴇꜱꜱᴏʀɪᴇꜱ. ᴛʜᴇʏ ᴄᴀʀᴇ ᴀ ʟᴏᴛ ᴀʙᴏᴜᴛ ᴛʜᴇ ᴏᴘɪɴɪᴏɴꜱ ᴏꜰ ᴏᴛʜᴇʀꜱ ᴀɴᴅ ᴄᴀɴ ʜᴀᴠᴇ ꜰᴏᴏᴛ-ɪɴ-ᴍᴏᴜᴛʜ ᴅɪꜱᴇᴀꜱᴇ. ꜱʟɪɢʜᴛʟʏ ᴡɪʟᴅ ʜᴀɪʀ ᴀɴᴅ ꜰɪᴇʀᴄᴇ ɢᴀᴢᴇ, ᴘʀᴇᴛᴛʏ ꜱᴍɪʟᴇ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴀʀᴇ ᴛʜᴇ ᴛʏᴘᴇꜱ ᴛᴏ ʀᴇᴀʟʟʏ ʀᴏᴄᴋ ʏᴏᴜʀ ᴡᴏʀʟᴅ (ɪꜰ ʏᴋ ʏᴋ). ᴡᴏᴜʟᴅ ʙᴇ ᴛʜᴇ ᴛʏᴘᴇꜱ ᴛᴏ ᴡʀᴇꜱᴛʟᴇ ʏᴏᴜ ɪɴᴛᴏ ꜱᴜʙᴍɪꜱꜱɪᴏɴ ɪꜰ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ ᴇᴠᴇʀ ꜱᴛᴇᴘꜱ ᴏᴜᴛ ᴏꜰ ʟɪɴᴇ (ꜰᴏʀ ᴛʜᴇ ᴡᴏᴍᴇɴ, ɪᴛ'ꜱ ᴛʜᴇ ᴏᴘᴘᴏꜱɪᴛᴇ). ᴘʀᴏʙᴀʙʟʏ ᴀʀᴇ ᴛʜᴇ ᴏɴᴇꜱ ɪɴᴛᴏ ʙᴇɪɴɢ ��ᴀʟʟᴇᴅ ᴅᴀᴅᴅʏ/ᴍᴏᴍᴍʏ, ɪᴛ ʀᴇᴀʟʟʏ ꜰᴇᴇᴅꜱ ɪɴᴛᴏ ᴛʜᴇ ᴄᴏɴᴛʀᴏʟʟɪɴɢ, ᴅᴏᴍɪɴᴀɴᴛ ᴀꜱᴘᴇᴄᴛ ᴏꜰ ᴛʜᴇᴍ. ᴘʀᴏɴᴇ ᴛᴏ ʙᴇᴄᴏᴍᴇ ᴄʜᴇᴀᴛᴇʀꜱ, ꜱᴇxᴜᴀʟʟʏ ɪɴᴛᴇɴꜱᴇ.

𝓐𝓷𝓾𝓻𝓪𝓭𝓱𝓪, 𝓙𝔂𝓮𝓼𝓽𝓱𝓪 🦌

ᴇɴᴠɪʀᴏɴᴍᴇɴᴛᴀʟʟʏ ᴀᴡᴀʀᴇ, ꜱᴏᴄɪᴀʟʟʏ ᴜɴᴀᴡᴀʀᴇ. ᴄᴀɴ ꜰɪɴᴅ ᴛʜᴇᴍꜱᴇʟᴠᴇꜱ ɪɴ ꜱɪᴛᴜᴀᴛɪᴏɴꜱ ᴡʜᴇʀᴇ ᴛʜᴇʏ ᴀʀᴇ ᴏꜰᴛᴇɴ ᴜꜱᴇᴅ ɪɴ ꜱᴏᴍᴇ ᴡᴀʏ ʙᴇᴄᴀᴜꜱᴇ ᴛʜᴇʏ'ʀᴇ ꜱᴏ ɢɪᴠɪɴɢ. ɴᴀᴛᴜʀᴀʟʟʏ ɢᴇɴᴛʟᴇ, ɴᴏ ᴍᴀᴛᴛᴇʀ ʜᴏᴡ ɪɴᴛɪᴍɪᴅᴀᴛɪɴɢ ᴛʜᴇʏ ᴍᴀʏ ᴀᴘᴘᴇᴀʀ. ᴀʟᴡᴀʏꜱ ꜰᴇᴇʟꜱ ᴛʜᴇ ɴᴇᴇᴅ ᴛᴏ ʙᴇ ᴏɴ ɢᴜᴀʀᴅ ᴀʟʟ ᴛʜᴇ ᴛɪᴍᴇ. ᴇᴍᴏᴛɪᴏɴᴀʟʟʏ ꜱᴇɴꜱɪᴛɪᴠᴇ ᴀɴᴅ ᴘᴜᴛꜱ ᴍᴜʟᴛɪᴘʟᴇ ᴡᴀʟʟꜱ ᴜᴘ, ᴍᴀᴋɪɴɢ ᴛʜᴇᴍ ᴅɪꜰꜰɪᴄᴜʟᴛ ᴛᴏ ɢᴇᴛ ᴛᴏ ᴋɴᴏᴡ ꜱɪɴᴄᴇ ᴛʜᴇʏ'ʀᴇ ᴘʀᴇᴛᴛʏ ᴠᴀɢᴜᴇ. ꜱʟᴇɴᴅᴇʀ ꜰᴀᴄᴇꜱ ᴀɴᴅ ᴅᴏᴇ ᴇʏᴇꜱ. ꜱᴏᴍᴇᴛʜɪɴɢ ᴀʙᴏᴜᴛ ᴛʜᴇᴍ ᴍᴀᴋᴇꜱ ʏᴏᴜ ᴡᴀɴᴛ ᴛᴏ ᴄʜᴀꜱᴇ ᴀꜰᴛᴇʀ ᴛʜᴇᴍ, ɪᴛ'ꜱ ᴋɪɴᴅ ᴏꜰ ꜱᴄᴀʀʏ ʜᴏᴡ ᴍᴜᴄʜ ᴘᴏᴡᴇʀ ᴛʜᴇʏ ʜᴀᴠᴇ. ᴘʀᴇᴛᴛʏ Qᴜɪᴇᴛ ᴀɴᴅ ᴏʙꜱᴇʀᴠᴀɴᴛ.

ꜱᴇxᴜᴀʟʟʏ, ᴛʜᴇʏ ᴘᴜᴛ ᴀʟʟ ᴛʜᴇɪʀ ᴇᴍᴏᴛɪᴏɴꜱ ꜰᴏʀᴡᴀʀᴅ ᴡʜɪᴄʜ ᴄᴀɴ ʙᴇ Qᴜɪᴛᴇ ᴏᴠᴇʀᴡʜᴇʟᴍɪɴɢ. ᴍᴏʀᴇ ᴀɢɢʀᴇꜱꜱɪᴠᴇ ᴘᴇʀꜱᴏɴᴀʟɪᴛɪᴇꜱ ᴄᴀɴ ᴏᴠᴇʀᴡʜᴇʟᴍ ᴛʜᴇᴍ ᴛʜᴏᴜɢʜ ʙᴜᴛ ᴛʜᴇʏ ᴡᴏɴ'ᴛ ʙᴇ ꜱᴏ Qᴜɪᴄᴋ ᴛᴏ ʀᴜɴ ᴀᴡᴀʏ ɪꜰ ɪᴛ'ꜱ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ. ꜱᴇxᴜᴀʟʟʏ ᴇxᴘʟᴏʀᴀᴛɪᴠᴇ. ʙᴇɪɴɢ ꜱᴜʙᴍɪꜱꜱɪᴠᴇ ᴛᴏ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ ꜱᴏᴍᴇʜᴏᴡ ꜰᴇᴇʟꜱ ᴠɪᴏʟᴀᴛɪɴɢ ɪɴ ꜱᴏᴍᴇ ᴡᴀʏ ꜱᴏ ᴛʜᴇʏ ᴄᴀɴ ꜰᴏʀᴄᴇ ᴛʜᴇᴍꜱᴇʟᴠᴇꜱ ᴛᴏ ʙᴇ ᴍᴏʀᴇ ᴅᴏᴍɪɴᴀɴᴛ. ᴇɴɢᴀɢᴇꜱ ɪɴ ꜱᴇxᴜᴀʟ ᴀᴄᴛɪᴠɪᴛʏ ᴏɴʟʏ ᴡʜᴇɴ ɪɴ ᴀ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘ, ʟᴇꜱꜱ ʟɪᴋᴇʟʏ ᴛᴏ ᴄʜᴇᴀᴛ (ᴅᴇᴘᴇɴᴅꜱ).

𝓟𝓾𝓻𝓿𝓪 𝓐𝓼𝓱𝓪𝓭𝓱𝓪, 𝓢𝓱𝓻𝓪𝓿𝓪𝓷𝓪 🐒

ᴠᴇʀʏ ʟᴏᴜᴅ ᴀɴᴅ ᴇxᴛʀᴇᴍᴇʟʏ ᴏᴘɪɴɪᴏɴᴀᴛᴇᴅ, ꜱᴏᴍᴇᴛɪᴍᴇꜱ ᴇᴠᴇɴ ʙᴏᴀꜱᴛꜰᴜʟ. ᴛʜᴇʏ ʟᴏᴠᴇ ᴛᴏ ʜᴀᴠᴇ ꜰᴜɴ ᴀɴᴅ ᴛʀᴀᴠᴇʟ ᴛᴏ ᴅɪꜰꜰᴇʀᴇɴᴛ ᴘᴀʀᴛꜱ ᴏꜰ ᴛʜᴇ ᴡᴏʀʟᴅ, ɪᴛ ɢɪᴠᴇꜱ ᴛʜᴇᴍ ᴀ ᴄᴇʀᴛᴀɪɴ ʀᴜꜱʜ ᴏꜰ ᴇɴᴇʀɢʏ. ᴘʀᴏʙᴀʙʟʏ ʟɪᴋᴇꜱ ᴛᴏ ᴍᴏᴠᴇ ᴀʀᴏᴜɴᴅ ɪɴ ɢʀᴏᴜᴘꜱ ᴏʀ ᴏɴᴇ ᴀɴᴏᴛʜᴇʀ ᴘᴇʀꜱᴏɴ (ꜰʀɪᴇɴᴅ, ꜰᴀᴍɪʟʏ, ᴇᴛᴄ). ᴄᴀɴ ʙᴇ ᴀ ʙɪᴛ ᴍɪꜱᴄʜɪᴇᴠᴏᴜꜱ ᴀɴᴅ ᴛʀɪᴄᴋʏ ꜱᴏᴍᴇᴛɪᴍᴇꜱ ᴛʜᴏᴜɢʜ, ᴛʜᴇʏ ᴄᴀɴ ꜱᴡɪᴛᴄʜ ᴜᴘ ᴏɴ ꜱᴏᴍᴇᴏɴᴇ ɪɴꜱᴛᴀɴᴛʟʏ. ʟᴏɴɢ ꜰᴀᴄᴇꜱ ᴀɴᴅ ʟᴏɴɢ ʟɪᴍʙꜱ.

ꜱᴇxᴜᴀʟʟʏ, ᴛʜᴇʏ'ʀᴇ ᴠᴇʀʏ ꜰʟᴇxɪʙʟᴇ ᴀɴᴅ ᴠᴇʀꜱᴀᴛɪʟᴇ (ᴛʜᴇ ᴛʏᴘᴇꜱ ᴛᴏ ᴛʀʏ ᴍᴀɴʏ ᴅɪꜰꜰᴇʀᴇɴᴛ ᴘᴏꜱɪᴛɪᴏɴꜱ ᴋɴᴏᴡɴ ᴛᴏ ᴍᴀɴ). ᴛʜᴇʏ ᴄᴀɴ ʙᴇ ᴇxʜɪʙɪᴛɪᴏɴɪꜱᴛꜱ ᴀꜱ ᴡᴇʟʟ, ʙᴏᴛʜ ꜱᴇxᴜᴀʟʟʏ ᴀɴᴅ ɢᴇɴᴇʀᴀʟʟʏ. ᴠᴇʀʏ ʟɪɢʜᴛ-ʜᴇᴀʀᴛᴇᴅ ᴀɴᴅ ᴘʟᴀʏꜰᴜʟ, ᴍᴀʏ ᴄʀᴀᴄᴋ ᴊᴏᴋᴇꜱ ᴅᴜʀɪɴɢ ᴛʜᴇ ᴀᴄᴛ ᴛᴏ ᴋᴇᴇᴘ ᴛʜɪɴɢꜱ ᴍᴏʀᴇ ɪɴᴛᴇʀᴇꜱᴛɪɴɢ ɪɴ ᴛʜᴇ ʙᴇᴅʀᴏᴏᴍ.

𝓤𝓽𝓽𝓪𝓻𝓪 𝓐𝓼𝓱𝓪𝓭𝓱𝓪

ꜰᴀɪʀʟʏ ɪɴᴅᴇᴘᴇɴᴅᴇɴᴛ, ᴛʜɪɴᴋꜱ ᴀʙᴏᴜᴛ ᴛʜᴇ ꜰᴜᴛᴜʀᴇ ᴏꜰᴛᴇɴ. ʙᴀᴛᴛʟᴇꜱ ʙᴇᴛᴡᴇᴇɴ ꜰᴇᴇʟɪɴɢꜱ ᴏꜰ ꜰᴇᴇʟɪɴɢ ʟᴏɴᴇʟʏ ᴀɴᴅ ꜰᴇᴇʟɪɴɢ ᴀʟᴏɴᴇ. ʜᴀꜱ ᴀ ʀᴇᴠᴏʟᴜᴛɪᴏɴᴀʀʏ ᴍɪɴᴅꜱᴇᴛ ᴀɴᴅ ꜱᴇᴇᴋꜱ ᴛᴏ ᴅᴏ ɢᴏᴏᴅ ꜰᴏʀ ᴛʜᴇ ᴡᴏʀʟᴅ. ꜰʀɪᴇɴᴅꜱʜɪᴘꜱ ᴄᴏᴍᴇꜱ ᴀɴᴅ ɢᴏᴇꜱ ᴘʀᴇᴛᴛʏ ᴏꜰᴛᴇɴ ʙᴜᴛ ᴛʜᴇʏ'ʀᴇ ᴀᴡᴀʀᴇ ᴛʜᴀᴛ ɴᴏᴛʜɪɴɢ ʟᴀꜱᴛ ꜰᴏʀᴇᴠᴇʀ. ꜱᴍᴀʟʟ ꜰᴇᴀᴛᴜʀᴇꜱ ᴀɴᴅ ᴀ ᴘʀᴏᴍɪɴᴇɴᴛ ᴊᴀᴡ. ᴛʜᴇ ᴜɴᴅᴇʀᴄᴏᴠᴇʀ ᴛʀᴇɴᴅꜱᴇᴛᴛᴇʀꜱ.

ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ'ʀᴇ ᴘʀᴇᴛᴛʏ ꜱɪᴍᴘʟᴇ ᴀɴᴅ ꜱᴛʀᴀɪɢʜᴛ-ꜰᴏʀᴡᴀʀᴅ ᴡɪᴛʜ ᴡʜᴀᴛ ᴛʜᴇʏ ᴡᴀɴᴛ ᴀɴᴅ ʜᴏᴡ ᴛʜᴇʏ'ʟʟ ɢᴏ ᴀʙᴏᴜᴛ ɪᴛ. ᴛʜᴇʏ ᴡᴏɴ'ᴛ ᴅᴏ ᴛʜɪɴɢꜱ ᴛᴏᴏ ᴇxᴛʀᴇᴍᴇ ʙᴜᴛ ᴛʜᴇʏ'ʀᴇ ɴᴏᴛ ᴠᴀɴɪʟʟᴀ ɪɴ ʙᴇᴅ ᴇɪᴛʜᴇʀ, ᴛʜᴇʏ'ʀᴇ ꜱᴛʀɪᴄᴛʟʏ ᴍɪᴅᴅʟᴇ ɢʀᴏᴜɴᴅ ᴡɪᴛʜ ᴇᴠᴇʀʏᴛʜɪɴɢ. ᴛʜᴇʏ ꜱᴛʀɪᴠᴇ ᴛᴏ ᴘʟᴇᴀꜱᴇ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀꜱ ᴇɴᴏᴜɢʜ ᴀɴᴅ ᴡᴏɴ'ᴛ ɢᴏ ᴏᴠᴇʀʙᴏᴀʀᴅ. ᴜᴛᴛᴀʀᴀ ᴀꜱʜᴀᴅʜᴀꜱ (ᴅᴇᴘᴇɴᴅɪɴɢ ᴏɴ ᴛʜᴇ ɢᴇɴᴅᴇʀ) ᴀʀᴇ ᴇɪᴛʜᴇʀ ꜱᴛʀɪᴄᴛʟʏ ꜱᴜʙᴍɪꜱꜱɪᴠᴇ ᴏʀ ꜱᴛʀɪᴄᴛʟʏ ᴅᴏᴍɪɴᴀɴᴛ.

𝓓𝓱𝓪𝓷𝓲𝓼𝓱𝓽𝓪, 𝓟𝓾𝓻𝓿𝓪 𝓑𝓱𝓪𝓭𝓻𝓪𝓹𝓪𝓭𝓪 🦁

ʜᴜɢᴇ ᴘᴇʀꜱᴏɴᴀʟɪᴛɪᴇꜱ, ᴘᴇᴏᴘʟᴇ ᴀʟᴡᴀʏꜱ ɴᴏᴛɪᴄᴇ ᴛʜᴇᴍ ᴛʜᴇ ᴍɪɴᴜᴛᴇ ᴛʜᴇʏ ᴡᴀʟᴋ ɪɴᴛᴏ ᴀ ʀᴏᴏᴍ. ᴄᴀʀʀɪᴇꜱ ᴛʜᴇᴍꜱᴇʟᴠᴇꜱ ᴀꜱ ɪꜰ ᴛʜᴇʏ'ʀᴇ ɴᴀᴛᴜʀᴀʟʟʏ ʙᴏʀɴ ʀᴏʏᴀʟᴛʏ ᴀɴᴅ ɪꜱ ᴏꜰᴛᴇɴ ᴛʀᴇᴀᴛᴇᴅ ᴀꜱ ꜱᴜᴄʜ. ꜱᴏᴍᴇᴛɪᴍᴇꜱ ᴛʜᴇʏ'ʀᴇ ᴀ ʟɪᴛᴛʟᴇ ᴘᴏᴡᴇʀ-ʜᴜɴɢʀʏ ᴀɴᴅ ᴄᴀɴ ʟᴇᴛ ᴛʜɪꜱ ɢᴇᴛ ᴛᴏ ᴛʜᴇɪʀ ʜᴇᴀᴅꜱ ᴀᴛ ᴛɪᴍᴇꜱ. ᴡʜᴇɴ ᴛʜᴇʏ ɢᴇᴛ ᴍᴀᴅ, ʏᴏᴜ'ʟʟ ᴡɪꜱʜ ʏᴏᴜ ɴᴇᴠᴇʀ ꜱᴀɪᴅ ᴀɴʏᴛʜɪɴɢ ɪɴ ᴛʜᴇ ꜰɪʀꜱᴛ ᴘʟᴀᴄᴇ. ʟᴏɴɢ ᴀʙᴜɴᴅᴀɴᴛ ᴀᴍᴏᴜɴᴛꜱ ᴏꜰ ʜᴀɪʀ ᴀɴᴅ ᴍᴏꜱᴛʟʏ ᴛᴀʟʟ ɪɴ ʜᴇɪɢʜᴛ ᴡɪᴛʜ ʜᴜɢᴇ ꜰʀᴀᴍᴇꜱ.

ꜱᴇxᴜᴀʟʟʏ, ᴛʜᴇʏ'ʀᴇ ᴀʟꜱᴏ ɪɴᴛᴇɴꜱᴇ ʙᴜᴛ ɪɴ ᴀ ᴏᴠᴇʀʟʏ ᴄᴏɴꜱᴜᴍɪɴɢ ᴡᴀʏ. ᴛʜᴇʏ ᴡᴀɴᴛ ʏᴏᴜ ᴛᴏ ᴍᴀᴛᴄʜ ᴛʜᴇɪʀ ᴇɴᴇʀɢʏ, ᴛʜᴇʏ'ʀᴇ ɴᴏᴛ ɪɴᴛᴏ ᴛʜᴇ ᴏᴠᴇʀʟʏ ɢᴇɴᴛʟᴇ ᴏʀ ᴠᴜʟɴᴇʀᴀʙʟᴇ ᴛʏᴘᴇꜱ ᴏꜰ ᴘᴀʀᴛɴᴇʀꜱ (ᴛʜᴇʏ ɴᴇᴇᴅ ꜱᴏᴍᴇᴏɴᴇ ᴡʜᴏ ᴄᴀɴ ᴍᴀᴛᴄʜ ᴛʜᴇɪʀ ꜰʀᴇᴀᴋ). ᴅᴇꜰɪɴɪᴛᴇʟʏ ᴅᴏᴍɪɴᴀɴᴛ ᴀɴᴅ ᴡᴏɴ'ᴛ ᴇᴠᴇʀ ᴛᴇᴇᴛᴇʀ ᴏꜰꜰ ᴛʜᴀᴛ ʀᴏʟᴇ. ᴛʜᴇʏ ᴄᴀɴ ᴍᴀᴋᴇ ʏᴏᴜ ꜰᴇᴇʟ ꜱᴘᴇᴄɪᴀʟ ᴛʜᴏᴜɢʜ.

(I know y'all were waiting for this post for a bit but here it is :) I hope you enjoyed reading it and comment down below if anything resonates.)

[aprettymacrocosm]

🖤🫧✨𝒞𝓊𝓇𝓋𝒾𝓃ℯ𝓈𝓈 𝒾𝓃 𝒶𝓈𝓉𝓇ℴ𝓁ℴ𝓰𝓎...

(𝐋𝐢𝐤𝐞 𝐰𝐢𝐭𝐡 𝐚𝐥𝐥 𝐨𝐟 𝐦𝐲 𝐩𝐫𝐞𝐯𝐢𝐨𝐮𝐬 𝐰𝐨𝐫𝐤 𝐭𝐡𝐢𝐬 𝐢𝐬 𝐚𝐥𝐥 𝐛𝐚𝐬𝐞𝐝 𝐨𝐟𝐟 𝐨𝐟 𝐦𝐲 𝐨𝐰𝐧 𝐩𝐞𝐫𝐬𝐨𝐧𝐚𝐥 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞, 𝐢��� 𝐲𝐨𝐮 𝐜𝐚𝐧 𝐫𝐞𝐥𝐚𝐭𝐞 𝐢𝐦 𝐠𝐥𝐚𝐝 𝐢 𝐠𝐚𝐯𝐞 𝐲𝐨𝐮 𝐬𝐨𝐦𝐞 𝐢𝐧𝐬𝐢𝐠𝐡𝐭! 𝐚𝐬 𝐚𝐥𝐰𝐚𝐲𝐬 𝐭𝐚𝐤𝐞 𝐰𝐡𝐚𝐭 𝐫𝐞𝐬𝐨𝐧𝐚𝐭𝐞𝐬 𝐚𝐧𝐝 𝐥𝐞𝐚𝐯𝐞 𝐰𝐡𝐚𝐭𝐞𝐯𝐞𝐫 𝐝𝐨𝐞𝐬𝐧𝐭! 𝐎𝐭𝐡𝐞𝐫 𝐚𝐬𝐩𝐞𝐜𝐭𝐬 𝐦𝐚𝐲 𝐰𝐚𝐫𝐩 𝐭𝐡𝐞 𝐞𝐟𝐟𝐞𝐜𝐭𝐬) ☆ℰ𝓃𝒿ℴ𝓎...

(𝑷𝒍𝒆𝒂𝒔𝒆 𝒅𝒐 𝒏𝒐𝒕 𝒕𝒂𝒌𝒆 𝒕𝒉𝒊𝒔 𝒔𝒆𝒓𝒊𝒐𝒖𝒔𝒍𝒚, 𝒂𝒍𝒍 𝒑𝒍𝒂𝒄𝒆𝒎𝒆𝒏𝒕𝒔 𝒉𝒂𝒗𝒆 𝒕𝒉𝒆 𝒄𝒂𝒑𝒂𝒃𝒊𝒍𝒊𝒕𝒚 𝒐𝒇 𝒂𝒄𝒉𝒊𝒆𝒗𝒊𝒏𝒈 𝒕𝒉𝒆𝒔𝒆 𝒕𝒓𝒂𝒊𝒕𝒔. 𝑨𝒔𝒕𝒓𝒐𝒍𝒐𝒈𝒚 𝒅𝒐𝒆𝒔 𝒏𝒐𝒕 𝒇𝒖𝒍𝒍𝒚 𝒅𝒆𝒕𝒆𝒓𝒎𝒊𝒏𝒆 𝒚𝒐𝒖𝒓 𝒃𝒐𝒅𝒚 𝒔𝒉𝒂𝒑𝒆!!!)

',☾︎ 𝑱𝒖𝒑𝒊𝒕𝒆𝒓 𝒊𝒏 𝒔𝒂𝒈𝒊𝒕𝒕𝒂𝒓𝒊𝒖𝒔 𝒂𝒏𝒅/𝒐𝒓 𝒍𝒊𝒃𝒓𝒂: 𝑯𝒆𝒓𝒆 𝒂𝒓𝒆 𝒔𝒐𝒎𝒆 𝒐𝒇 𝒕𝒉𝒆 𝒎𝒐𝒓𝒆 𝒐𝒃𝒗𝒊𝒐𝒖𝒔 𝒑𝒍𝒂𝒄𝒆𝒎𝒆𝒏𝒕𝒔. 𝑻𝒉𝒆𝒔𝒆 𝒑𝒍𝒂𝒄𝒆𝒎𝒆𝒏𝒕𝒔 𝒄𝒂𝒏 𝒓𝒆𝒔𝒖𝒍𝒕 𝒊𝒏 𝒕𝒉𝒊𝒄𝒌𝒆𝒓 𝒕𝒉𝒊𝒈𝒉𝒔 𝒂𝒏𝒅 𝒃𝒖𝒕𝒕𝒔 𝒆𝒔𝒑𝒆𝒄𝒊𝒂𝒍𝒍𝒚 𝒘𝒊𝒕𝒉 𝒔𝒂𝒈𝒊𝒕𝒕𝒂𝒓𝒊𝒖𝒔 𝒂𝒏𝒅 𝒍𝒊𝒃𝒓𝒂 𝒔𝒊𝒏𝒄𝒆 𝒕𝒉𝒆𝒚 𝒓𝒖𝒍𝒆 𝒐𝒗𝒆𝒓 𝒕𝒉𝒆 𝒉𝒊𝒑𝒔, 𝒃𝒂𝒄𝒌𝒔𝒊𝒅𝒆, 𝒂𝒏𝒅 𝒕𝒉𝒊𝒈𝒉𝒔...

(𝑱𝒖𝒑𝒊𝒕𝒆𝒓 𝒊𝒏 𝒍𝒊𝒃𝒓𝒂 𝒎𝒂𝒌𝒆𝒔 𝒇𝒐𝒓 𝒔𝒐𝒎𝒆 𝒈𝒐𝒓𝒈𝒆𝒐𝒖𝒔 𝒍𝒂𝒅𝒊𝒆𝒔!)

',☾︎ 𝑱𝒖𝒑𝒊𝒕𝒆𝒓/𝒎𝒐𝒐𝒏 𝒊𝒏 𝒄𝒂𝒏𝒄𝒆𝒓: 𝑻𝒉𝒆𝒔𝒆 𝒑𝒍𝒂𝒄𝒆𝒎𝒆𝒏𝒕𝒔 𝒄𝒂𝒏 𝒈𝒊𝒗𝒆 𝒘𝒐𝒎𝒆𝒏 𝒂𝒏𝒅 𝒎𝒆𝒏 𝒍𝒂𝒓𝒈𝒆𝒓 𝒃𝒓𝒆𝒂𝒔𝒕𝒔 𝒐𝒓 𝒎𝒐𝒓𝒆 𝒃𝒓𝒆𝒂𝒔𝒕 𝒕𝒊𝒔𝒔𝒖𝒆 𝒕𝒉𝒆𝒏 𝒂𝒗𝒆𝒓𝒂𝒈𝒆, 𝒄𝒂𝒏𝒄𝒆𝒓 𝒓𝒖𝒍𝒊𝒏𝒈 𝒐𝒗𝒆𝒓 𝒕𝒉𝒆 𝒄𝒉𝒆𝒔𝒕. 𝑻𝒉𝒆 𝒎𝒐𝒐𝒏 𝒂𝒍𝒔𝒐 𝒉𝒂𝒔 𝒔𝒐𝒎𝒆 𝒊𝒏𝒇𝒍𝒖𝒆𝒏𝒄𝒆 𝒊𝒏 𝒕𝒉𝒆 𝒑𝒉𝒚𝒔𝒊𝒄𝒂𝒍 𝒃𝒐𝒅𝒚, 𝒕𝒉𝒆 𝒎𝒐𝒐𝒏 𝒃𝒆𝒊𝒏𝒈 𝒅𝒐𝒎𝒊𝒄𝒊𝒍𝒆 𝒊𝒏 𝒄𝒂𝒏𝒄𝒆𝒓..

(𝑰 𝒂𝒍𝒔𝒐 𝒘𝒂𝒏𝒕 𝒕𝒐 𝒎𝒆𝒏𝒕𝒊𝒐𝒏 𝒔𝒊𝒎𝒊𝒍𝒂𝒓 𝒆𝒇𝒇𝒆𝒄𝒕𝒔 𝒘𝒊𝒕𝒉 𝒍𝒊𝒃𝒓𝒂 𝒎𝒐𝒐𝒏)

',☾︎ 𝑺𝒂𝒈𝒊𝒕𝒕𝒂𝒓𝒊𝒖𝒔 𝒂𝒏𝒅/𝒐𝒓 𝒄𝒂𝒏𝒄𝒆𝒓 𝒂𝒔𝒄𝒆𝒏𝒅𝒂𝒏𝒕𝒔: 𝑯𝒂𝒗𝒊𝒏𝒈 𝒕𝒉𝒆 𝒎𝒐𝒐𝒏 𝒂𝒔 𝒕𝒉𝒆 𝒄𝒉𝒂𝒓𝒕 𝒓𝒖𝒍𝒆𝒓 𝒄𝒂𝒏 𝒎𝒂𝒌𝒆 𝒇𝒐𝒓 𝒎𝒐𝒓𝒆 𝒑𝒍𝒖𝒎𝒑 𝒂𝒏𝒅 𝒔𝒐𝒇𝒕 𝒄𝒖𝒓𝒗𝒆𝒔, 𝒕𝒉𝒆 𝒉𝒊𝒑𝒔 𝒂𝒏𝒅 𝒃𝒓𝒆𝒂𝒔𝒕𝒔 𝒃𝒆𝒊𝒏𝒈 𝒎𝒚 𝒓𝒐𝒖𝒏𝒅 𝒂𝒎𝒅 𝒄𝒊𝒓𝒄𝒖𝒍𝒂𝒓 𝒊𝒏 𝒔𝒉𝒂𝒑𝒆. 𝑯𝒂𝒗𝒊𝒏𝒈 𝒋𝒖𝒑𝒊𝒕𝒆𝒓 𝒘𝒊𝒍𝒍 𝒎𝒂𝒈𝒏𝒊𝒇𝒚 𝒆𝒗𝒆𝒓𝒚𝒕𝒉𝒊𝒏𝒈, 𝒕𝒉𝒊𝒔 𝒓𝒆𝒔𝒖𝒍𝒕𝒊𝒏𝒈 𝒊𝒏 𝒕𝒂𝒍𝒍𝒏𝒆𝒔𝒔.

(𝑾𝒉𝒆𝒏 𝒂𝒔𝒑𝒆𝒄𝒕𝒔 𝒂𝒓𝒆 𝒎𝒂𝒅𝒆 𝒕𝒐 𝒑𝒍𝒂𝒏𝒆𝒕𝒔 𝒍𝒊𝒌𝒆 𝒗𝒆𝒏𝒖𝒔, 𝒎𝒂𝒓𝒔, 𝒐𝒓 𝒕𝒉𝒆 𝒎𝒐𝒐𝒏 𝒃𝒚 𝒋𝒖𝒑𝒊𝒕𝒆𝒓 𝒊𝒕 𝒄𝒐𝒖𝒍𝒅 𝒓𝒆𝒔𝒖𝒍𝒕 𝒊𝒏 𝒍𝒂𝒓𝒈𝒆 𝒎𝒖𝒔𝒄𝒍𝒆 𝒎𝒂𝒔𝒔 𝒘𝒊𝒕𝒉 𝒎𝒂𝒓𝒔 𝒇𝒐𝒓 𝒆𝒙𝒂𝒎𝒑𝒍𝒆.)

',☾︎ 𝑽𝒆𝒏𝒖𝒔 𝒅𝒐𝒎𝒊𝒏𝒂𝒏𝒄𝒆 𝒐𝒓 𝒂 𝒗𝒆𝒏𝒖𝒔 𝒔𝒊𝒈𝒏 𝒓𝒖𝒍𝒊𝒏𝒈 𝒕𝒉𝒆 𝒄𝒉𝒂𝒓𝒕 (𝒂𝒔𝒄𝒆𝒏𝒅𝒂𝒏𝒕): 𝑻𝒉𝒆𝒔𝒆 𝒄𝒂𝒏 𝒈𝒊𝒗𝒆 𝒔𝒐𝒎𝒆𝒐𝒏𝒆 𝒂𝒏 𝒉𝒐𝒖𝒓𝒈𝒍𝒂𝒔𝒔 𝒇𝒊𝒈𝒖𝒓𝒆, 𝒕𝒉𝒆 𝒉𝒊𝒑𝒔 𝒂𝒏𝒅 𝒄𝒉𝒆𝒔𝒕 𝒃𝒆𝒊𝒏𝒈 𝒓𝒐𝒖𝒈𝒉𝒍𝒚 𝒕𝒉𝒆 𝒔𝒂𝒎𝒆 𝒔𝒊𝒛𝒆.

.▪️𝒱ℯ𝒹𝒾𝒸:▪️.

',☾︎ 𝑴𝒓𝒊𝒈𝒂𝒔𝒉𝒊𝒓𝒂, 𝒂𝒔𝒉𝒍𝒆𝒔𝒉𝒂, 𝒑𝒖𝒏𝒂𝒓𝒗𝒂𝒔𝒖 𝒊𝒏 𝒕𝒉𝒆 𝒍𝒖𝒎𝒊𝒏𝒂𝒓𝒊𝒆𝒔: 𝑺𝒊𝒏𝒄𝒆 𝒕𝒘𝒐 𝒐𝒇 𝒕𝒉𝒆𝒔𝒆 𝒂𝒓𝒆 𝒊𝒏 𝒄𝒂𝒏𝒄𝒆𝒓 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒐𝒕𝒉𝒆𝒓 𝒕𝒘𝒐 𝒂𝒓𝒆 𝒔𝒆𝒓𝒑𝒆𝒏𝒕 𝒏𝒂𝒌𝒔𝒉𝒂𝒕𝒓𝒂𝒔 𝒊𝒍𝒍 𝒅𝒐 𝒕𝒉𝒊𝒔 𝒊𝒏 𝒕𝒘𝒐 𝒑𝒂𝒓𝒕𝒔. 𝑾𝒊𝒕𝒉 𝒕𝒉𝒆 𝒎𝒊�� 𝒐𝒇 𝒎𝒆𝒓𝒄𝒖𝒓𝒚 𝒂𝒏𝒅 𝒎𝒐𝒐𝒏 𝒊𝒏𝒇𝒍𝒖𝒆𝒏𝒄𝒆 𝒕𝒉𝒆 𝒉𝒊𝒑𝒔 𝒂𝒏𝒅 𝒃𝒓𝒆𝒂𝒔𝒕𝒔 𝒐𝒏 𝒂 𝒔𝒎𝒂𝒍𝒍 (𝒎𝒆𝒓𝒄𝒖𝒓𝒚) 𝒇𝒓𝒂𝒎𝒆 𝒄𝒐𝒖𝒍𝒅 𝒃𝒆 𝒑𝒓𝒐𝒏𝒐𝒖𝒏𝒄𝒆𝒅.

2- 𝑰 𝒂𝒍𝒔𝒐 𝒎𝒆𝒏𝒕𝒊𝒐𝒏 𝒎𝒓𝒊𝒈𝒂𝒔𝒉𝒊𝒓𝒂 𝒂𝒏𝒅 𝒅𝒉𝒂𝒏𝒊𝒔𝒉𝒕𝒂 𝒂𝒔 𝒘𝒆𝒍𝒍 𝒏𝒐𝒘 𝒔𝒊𝒏𝒄𝒆 𝒎𝒂𝒓𝒔 𝒘𝒐𝒎𝒆𝒏 𝒄𝒂𝒏 𝒃𝒆 𝒗𝒆𝒓𝒚 𝒄𝒖𝒓𝒗𝒂𝒄𝒆𝒐𝒖𝒔 𝒏𝒂𝒕𝒖𝒓𝒂𝒍𝒍𝒚, 𝒎𝒂𝒏𝒂𝒈𝒊𝒏𝒈 𝒕𝒐 𝒃𝒖𝒊𝒍𝒅 𝒎𝒖𝒔𝒄𝒍𝒆 𝒊𝒏 𝒕𝒉𝒐𝒔𝒆 𝒂𝒓𝒆𝒂𝒔 𝒆𝒂𝒔𝒊𝒍𝒚 𝒊𝒇 𝒏𝒐𝒕.

🔵💎𝐓𝐡𝐚𝐭𝐬 𝐚𝐥𝐥 𝐟𝐨𝐫 𝐧𝐨𝐰!<3💎🔵

[numbersandstars]

Top 17 Most Mysterious Nakshatras

Purva Bhadrapada: The Dark Magician. Natives' boiling energy and their curiosity about the other worlds make them extreme in their spiritual practices. Depending on their level of maturity, they can fall into harsh malevolent practices. Natives usually have a lot of occult knowledge and most importantly, they can contact otherworldly entities, especially the aliens. They are connected to graveyards and some saints.

Ardra: The Ascetic Monk. Natives' power lies in their intense emotions. Their emotions can make them so tough they can ignore physical pain. They are healers, hermits. They tap into the energy of nature, mostly mountains and forests. They can predict the weather, they are able to bring rain. They can perform extreme spiritual practices.

Ashlesha: The Hypnotic Witch Queen. Sensitivity is natives' power. They can sense anything in their surroundings, hence a strong intuition. They can dive into the human soul and spot any weaknesses. They can read your mind. They are very magnetic. Natives should trust their Vastu/Feng Shui abilities and their healing skills.

Mula: The Exorcist. Natives have a strong root chakra, which makes them invincible. Thus, they are more sensitive to the telluric currents, the caves, the ruins and the ancient temples. They often deal with negative spirits and when they are well prepared, they can expel them. Natives are usually interested in the occult and they often do research in that field.

Shravana: The Wise Wizard. Natives' gift lies in their connection to the Source and their absorption ability. They can get glimpses of their past life memories, which help them in their current lifetime. For example, they can remember some bits of a language they used to speak in a previous life and use it in their job today. They can perceive guiding voices and see spirits. They easily sense their environment.

Shatabhisha: The Druid. Natives' mind is their strength. They are highly connected to nature, hence their healing abilities. They see things people do not: they are excellent at discovering occult secrets through many disciplines, such as medicine or astrology. They can invent new ways in their field, such as healing naturally. They can get involved in secret societies.

Jyeshtha: The Sorcerer King. Natives know the power of the occult too well. If they are scared of it, they cover themselves with protective talismans and do specific prayers. Or, if they do not, they perform strong rituals or they get involved in occult societies in order to gain power... But there is a price to pay.

Magha: The Archmage King. Natives' strength lies in their connection to their ancestors and their knowledge. They can dream of their ancestors and receive their messages. But because they can contact them, they can have out of body experiences, sometimes they can even have a near-death experience. Natives usually chase spiritual knowledge and occult powers and they end up mastering them very well.

Hasta: The Fortune Teller. Natives' power lies in their hands and words. They can be very good at palmistry, tarot card reading, healing (especially with hands)… Their mantras and spells are always highly effective.

Uttara Bhadrapada: The Mystic. Natives' strength lies in their connection to the atmosphere and clouds. That is why they are able to bring rain. They tap into rain and water's energy. Their spiritual practice is deep and their devotion to their Gods make them stronger... And threatening if they choose the wrong side.

Revati: The Psychic. Natives' power lies in their connection to the other worlds. They can have astral traveling experiences; they can contact the dead, the divinities; they can receive messages from beyond and become prophets.

Ashvini: The Healer. Natives' strength lies in their vitality and their connection to the other worlds. When they are in the medical field, they can perform miracles. They can discover secrets on life and immortality. They can be good at channeling spirits.

Bharani: The Ancient Patroness. Natives' power lies in their connection to the other worlds and their raw strength. They can connect to other planes and ghosts. Natives feel linked to the pyramids (in Egypt and/or from other places), some tombs of saints and the primordial feminine energy (shakti).

Purva Ashadha: The Regenerative Healer. Natives' strength lies in their incredible restoring vigor. Their energy is such that they can invigorate anyone around them, as well as crumbling activities. Natives do wonders with a pendulum.

Anuradha: The Seer. Natives’ power lies in their faculty to see and receive light as well as perseverance. In the deepest mud of people’s minds, using a coded chart, natives can find out people’s benevolent nature and their shameful secrets. Natives are hard working and patient. They keep so many secrets. That is why they can be very good at numerology, astrology and other occult sciences.

Dhanishta: The Element Master. Natives' strength lies in the natural elements and directions. They can become experts in Vastu or Feng Shui and fix a home. They are good in alchemy, reading pulses and other more spiritual practices.

Purva Phalguni: The Enchanted Fairy. Natives' power lies in their huge amount of luck. A problem happens, a native smiles and it is gone. They can be interested in the occult, usually the traditional knowledge, such as mantras, astrology, and palmistry.

[conceptionsofconciousness]

The Essential Fundamentals of all 27 Nakshatras

Every Nakshatra has a specific theme that represents what it is about. This post embodies short descriptions of each Nakshatra to give a quintessential understanding of their natures.

Ashwini Nakshatra is revered as "The Star of Beauty and Speed."

Ashwini is known giving natural strength, health, and beauty. Natives of this Nakshatra possess a quick, energetic nature that infuses them with a vibrant zest for life. Those influenced by Ashwini have a gift for enhancing the beauty and speed (vitality) of others through medicinal miracles and infusing life into them against all odds and reason.

Bharani Nakshatras is revered as "The star of bearing and supporting new life."

Bharani is known for its nurturing qualities. This Nakshatra symbolizes the act of giving birth to creativity and newness into life. Those born under the Bharani are believed to possess a deep sense of responsibility and dedication towards nurturing a creation's existence, even if it entails personal sacrifices and struggles. Much like the process of childbirth itself, Bharani represents the laborious journey of bringing forth newness into the world, characterized by both the pain and joy that accompanies such a transformative experience.

Krittika Nakshatra is known as "The star of insight."

Krittika natives possess a unique talent for breaking down complex concepts into smaller, more manageable components. With a keen eye for detail, they are able to unravel intricacies that may elude others. These individuals excel at dissecting information and gaining a thorough understanding of intricate subjects. Their precise and methodical approach allows them to navigate through intricate systems with ease, making them masters of subdividing the most challenging of tasks.

Rohini Nakshatra is known as "The star of procreation, creativity, and fertility."

Linked to the moon and the deity Brahma, Rohini embodies the daughter of Lord Brahma, who was the source of his inspiration to bring life into the world. Individuals born under this nakshatra are believed to have an exceptional imagination, brimming with creative thoughts and ideas that foster life and innovation.

Mrigashira Nakshatra is referred to as "The star of searching."

Mrigashira people are often described as eternal seekers, perpetually in pursuit of something just beyond their grasp. They embody a relentless curiosity and an insatiable thirst for knowledge or pleasure, propelling them to explore every possible avenue in their quest for fulfillment. Like a restless deer darting through a dense forest, Mrigashira natives are renowned for their agility in navigating through ideas and concepts, always in motion as they chase the next spark of inspiration or joy.

Ardra Nakshatra is known as "The star of destruction."

The karmic journey of those born under this Nakshatra is characterized by a unique energy dedicated to paving the way for new growth and transformation. Their karmic life aim finds themselves dismantling, destroying, and unlearning old patterns, making room for fresh opportunities and creativity to thrive. Similar to a powerful storm that sweeps away debris, Ardra natives excel at breaking down barriers and obstacles, moving forward with clarity and purpose. Their presence is dynamic and intense, yet ultimately acts as a catalyst for positive change and evolution.

Punarvasu Nakshatra is known as "The star of repetition."

Much like a recurring cycle, those born under this Nakshatra karmically find themselves revisiting situations or opportunities, each time bringing a fresh perspective or renewed energy. These natives living the lesson of learning about how smaller patterns fall within larger ones.

Pushya Nakshatra is often referred to as "The star of devotion and blossoming."

Pushya embodies the significance of maintaining steadfast faith and commitment to core values. This nakshatra imparts the karmic lesson that when we truly believe in our cause, we are on the journey to flourishing and growth. Much like a delicate flower that requires devotion and care to blossom, our dedication to our beliefs and values can guide us towards a life abundant with fulfillment.

Ashlesha Nakshatra is revered as "The Star of Embrace."

Ashlesha is renowned for its deep emotional attachments and intense desires. Individuals with Ashlesha Nakshatra exhibit a fervent clinging to what they love, never letting go easily. There is a profound sense of responsibility towards their loved ones, demonstrating loyalty and dedication that is unmatched.

Magha is known as "The star of gifted power."

The karma of Magha is associated with qualities and abilities that are inherited from one's ancestral family line. Those born under Magha are believed to possess innate gifts and head starts in life, due to the progress they have carried over from a past life. These gifts can be bestowed on them from their family line and passed down. In general, these individuals may find success and recognition coming to them more easily than others, and may excel in areas where they invest minimal effort.

Purva Phalguni is celebrated as "The star of love, romance, and the foundation of good relations."

Purva Phalguni imparts the karmic lesson of recognizing the importance of romantic pleasure while also respecting all aspects of life beyond mere sensual satisfaction. It underscores the value of practicing nobility and exercising restraint to prevent succumbing to excess, lust, and the ensuing suffering that can result from neglecting these virtues.

Uttara Phalguni is frequently hailed as "The Star of Commitments and Marriage."

Uttara Phalguni is linked to karmic lessons focused on embracing love amidst the challenges and ups and downs of unions. Individuals born under Uttara Phalguni are believed to excel at resolving differences and fostering enduring love and intimacy in their relationships.

Hasta is known as "The star of awareness and dexterity."

Hasta Nakshatra symbolizes the deep connection between the mind and hands. It emphasizes the importance of being present and fully engaged in the reality of the world around us. Through karmic lessons, Hasta teaches us that our hands have the power to create wealth and resources through our skills and expertise. It inspires us to wake with the light each day, filled with determination to tackle our goals and ambitions.

Chitra Nakshatra is renowned as "The star of brilliance."

Those of Chitra Nakshatra are distinguished by its capacity to generate complex and innovative designs. Individuals born under this nakshatra are endowed with an innate talent for crafting detailed and multifaceted artworks, whether in technology, architecture, or any other design field. They excel at refining and enhancing existing concepts, demonstrating their profound knowledge and expertise in these areas.

Swati Nakshatra is often referred to as "The star of becoming an individual."

Swati embodies the significance of departing from societal norms and expectations to fully embrace one's distinct identity. This nakshatra inspires individuals to carve their own path and stand out amidst the crowd, even if it requires defying the norm. It serves as a reminder that while nurturing our individuality and uniqueness is crucial, we must also acknowledge our place within a broader collective and aim to foster a connection with the world around us.

Vishakha Nakshatra is revered as "The star of being one-pointed."

Vishakha Nakshatra people are distinguished by their unwavering dedication and decisiveness, steadfastly adhering to their chosen path and goals. Similar to a sailor navigating through turbulent waters, those influenced by Vishakha Nakshatra remain on course until they reach their destination, employing all necessary means to surmount obstacles and challenges.

Anuradha Nakshatra is renowned as "The star of deep devotion."

Those of Anuradha are propelled by an intense sense of love, passion, and commitment, viewing these values as the pinnacle of existence. Tenderness, romance, and affection act as the compass in their lives, molding their actions and decisions with genuine sincerity. Those with Anuradha Nakshatra deeply respect agreements, promises, and laws, understanding the significance of adhering to these values across all aspects of life.

Jyestha Nakshatra is renowned as "The star of the foremost and best."

Jyestha people are often driven by a strong desire for power, prosperity, and a lifestyle filled with enjoyment. They possess a natural strength and determination to excel, using their skills and strength to protect their loved ones. However, the karmic lessons associated with Jyestha Nakshatra caution against becoming overly proud of achievement and position, as this can ultimately lead to their downfall.

Mula Nakshatra is revered as "The star of roots and origins."

Mula represents a profound spiritual journey and a quest to grasp the true essence of existence. Individuals born under Mula are motivated to explore beyond the surface, researching and searching towards revealing the hidden truths of the universe. They are compelled to shatter illusions and liberate themselves from the constraints of superficiality, aiming to establish a connection with the fundamental essence of everything.

Purva Ashadha is renowned as "The star of invincible waters."

Purva Ashadha Nakshatra symbolizes the flowing waters of immense strength and power. These waters have the capability to slice through and obliterate anything in their path, yet they also radiate a soft and cooling essence that renders them both pleasant and bearable.

Uttara Ashadha Nakshatra is often referred to as "The star of ultimate invincibility."

Uttara Ashadha is a true karmic powerhouse, radiating an aura of unbeatable power and strength. Individuals born of this Nakshatra tap into a wellspring of qualities and skills bestowed onto them by the divine. They are driven by an ambitious, relentless drive, pooling resources and gathering social support whenever necessary to achieve a vision or common goal.

Shravana Nakshatra is renowned as "The star of listening."

Shravana embodies the significance of acquiring knowledge and understanding through attentive listening. Individuals born under this nakshatra are endowed with the karmic gift of receptiveness and open-mindedness, enabling them to broaden their wisdom and power. By engaging in active listening without prejudice, they can gather invaluable information and insights, which in turn fosters personal growth and success.

Dhanishta Nakshatra is revered as "The star of sound and action."

Dhanishta personifies the profound karmic insight that the power of sound is of utmost importance. Those born under this nakshatra hold the conviction that all that is heard, received, and comprehended through listening should be applied practically. This belief underscores the significance of not just listening attentively but also acting on the insights gained, going on instinct, and not questioning what must be done.

Shatabhisha Nakshatra is revered as "The star of hundreds of healers or cures."

Shatabhisha Nakshatra is linked to the karma of healing and curing society through enigmatic distant methods of observation. It is regarded as a guardian, overseeing all activities, and evaluating individuals or society with fair and objective perspectives. Individuals born under the influence of Shatabhisha Nakshatra possess the ability to initiate movements and drive change in the face of injustice, should it be deemed worthy of correction.

Purva Bhadrapada Nakshatra is often referred to as "The star of the blessed step."

Purva Bhadrapda is believed to guide individuals towards spiritual enlightenment by highlighting the transient nature of physical existence. Those born under this nakshatra embark on a journey towards understanding the impermanence of life, which leads them to value moments and experiences deeply, recognizing the preciousness of time. This insight enables them to view the world with a critical eye, allowing them to fully embrace the present moment and focus on actions that foster personal growth and the realization of ultimate wealth - which is the recognition of life's fleeting nature.

Uttara Bhadrapada Nakshatra is revered as "The star of the latter blessed steps."

Uttara Bhadrapada embodies a deep karmic acceptance of life's inevitable endings. Individuals born under this nakshatra grasp the spiritual importance of embracing change and transformation, recognizing that death is an inherent part of life. This acceptance fosters a profound sense of inner wealth and prosperity, as people fully embrace the new state of being that emerges from relinquishing the old.

Revati Nakshatra is revered as "The star of prosperity and wealth."

Revati carries significant karmic significance in the pursuit of resources, highlighting the importance of steering clear of greed and fostering compassion by sharing wealth with those in need. Individuals born under this nakshatra are believed to possess a unique ability to guide the lost, utilizing whatever resources they have at their disposal. By aiding others in achieving their goals and getting to a destination, Revati individuals can, in turn, accumulate greater prosperity through "good karma" earned.

Nakshatra Notes Masterpost (Link collection of more detailed paragraph descriptions of all 27 Nakshatras, both positive and negative traits)

[inanaincarneetinsidus]

Vedic/ Sidereal observations

- If you have any proeminent Jyestha placement please go buy an evil eye protection, it can be any jewelry with eye imagerie on it not only the classic cristal one that we often see but make sure that it is very visible on you.

The evil eye that is often projected on jyestha is basically a curse, people see your potential even though you crawl in dirt like a scorpio you see. They observe your resilience evolving in a state without resources and fear what you may become once you acquire this abundance, so they manifest your failure DON'T EVER TELL ANYONE YOUR PLANS even if they are family idc

- If you are one of those that went through rahu/ketu antardasha as an adolescent/young adult saturn mahadasa don't got nothing on you , I would say that first the energy of Saturn is difficult because it requires you to actually put in the work: you can not escape it, however when you finally submit and accept it you will often harvest the fruits of your efforts.

Ketu does not work like that at all, your current actions don't actually matter in a ketu ruled period it is your past karma that is resurging, Ketu will take away everything that you actually have not only material possessions but also intellectual ones: opinions, your self-image relationships, everything that makes you appreciate the material world, you cannot truly try to girlboss your way out of a ketu dasa the best thing that you can do is SURRENDER, meditate, be introspective, journal, practice yoga and pick a solitary sport and allow yourself to contemplate life

- Saturn in the 4th house, conjunct moon, or in cancer will destroy the health of the mother, pls it is not a norm at all most of the time saturnbin the 4th/cancer will indicate that the mother was very strict and austere

- Mercurials and Martians shouldn't expect empathy from anybody sadly, I don't know why but society seems to agree on the fact that they do not deserve to be understood, taken with softness and respect one thing I think it is due to is the fact that they often appear as very stoic, they keep their emotions often to themselves conserving a very cold even bitchy appearance so people often treat them badly based on this impression, they are often met with the 'you think you are better than us ?' anyway

-I've seen many western astrology post saying how many celebrities have scorpio moons right and it make so much more sense when you see that most of them have their moon in sidereal libra rashi, since saturn is exalted in libra, and saturn is the one who grant tangible material abundance, libras have a natural understanding of how to manifest that abundance: they know how to manipulate the material world, using Māyā.

- Ketuvians how about stoping to hide under the guise of disgust and admit that all you really want is to be included and cared about ?

-Purva Ashada men will have the most long, luscious hair ever beyond that they are often stunning and they conserve a kind of androgynous appearance if often they physique is very masculine with hard features they will have the softest voices, most delicate manners ever, it would be so cool to see them take care of a pet. On a darker side this nakshatra is very recurrent in cult leaders even fictional ones lol

-Dhanista and Revati would do great in bellydancing since both of these nakshatras have instruments associated with them, rhythm is innate to their functioning.

- Rohini women are so funny to be around when they get over their insecurities, they are sometimes so insecure it's just hurtful for me to see that, they will break off their bonds with people especially other women over jealousy and not realize that they are the problem, acting like pick mes, making subtle diss and wonder why they are left alone at the end ! If everybody as a problem (as in you are in an argument ) with you and you are not nodal (ketuvian or rahuvian) you are probably the problem 🤷🏾‍♀️. A little introspection shouldn't scare you 😙 that's how you grow as a person

- I strongly admire Anuradha people, their resilience is unmatched like their bone structure, the most gorgeous faces like they were sculpted by Michael Angelo himself

- Mars and Jupiter are bestfriends so you will notice that in real life most bestfriends have this combination of placements or they can have Venus/Saturn too as these two planets are also best friends

- Purva Phalguni/ leo men are so vulgar lol, they scare the hell out of me, Venusian men in general they act like they will eat you alive 🥲

- Rahuvians deal with a lot of mental issues I've seen mostly chronic depression that can lead to suicide in some cases 😕 if you have proeminent rahu placement, try get more in touch with you ketu placement it has helped me a lot, for example ketu in the first house: self-care, protect your energy and your space do not allow anybody to enter it, take extra care of your body exercise, meditate. Ketu in the 6th house: put yourself at the service of other people, in the 11th house: force yourself to join a community, an organization etc

- I've recently saw an interview of Mia Khalifa and she talked about her childhood and her struggles with her weight and turns out she has a Virgo moon in hasta, it made realize how much Virgo women often struggles with their alimentation in general, they have many toxic behaviors regarding the consumption of food and many many of them have had ED or still have it. It's crazy to see that when the constellation of Virgo symbol is an ear of wheat so it associated with bread and eating in general and the natives of this sign have abnormal behaviors towards food.

[starsandsuch]

The Top “MEAN GIRL” Placements In Astrology 💄🎀👱‍♀️

Considering the most popular films & tv shows, with the quintessential “mean girl” character. I gathered the birth chart info of the actresses who played these characters.

Here’s the TOP 5 key placements that were seen in multiple charts of the actresses that played these roles.

*Using Vedic Sidereal Astrology*

Considering: Sun, Moon, Ascendant and Atmakaraka placements

#1 MRIGASHIRA NAKSHATRA

Mrigashira seemed to dominate in the archetypal “mean girl” roles. With this being a Mars ruled nakshatra these natives are naturally assertive and provocative. They simply aren’t afraid to say really blunt things, and speak harsh truths. They’re extremely intelligent and have sharp mental dexterity. They identify the intellectual weakness in others and exploit it cleverly. They’re great at being “mean” yet seeming to get away with it most of the time. They’d insult someone right to their face without them even knowing it. They always have witty clapbacks and comebacks, making them comical when delivering insults.

Perhaps most famous “mean girl” character of all time: Regina George played by Mrigashira moon native: Rachel Mcadams is a good case study on Mrigashira’s brand of “mean”. In the movie she is admired and fawned over by many despite being a mean girl. People just accepted it and even were eager to be treated badly by her. This is due to the natural charm and magnetism these natives have that make their not-so-nice behavior seem forgivable.

#2 VISHAKA & SWATI NAKSHATRA

Almost every other actress had Sidereal Libra in their big 3 or as their Atmakaraka. Libras as mean girls?!! (Shocking 😳😂) Mainly in Vishaka & a few in Swati. We can’t forget Libras have Aries in the 7th house, so the way they interact with people can be blunt, direct and sharp. These natives often have a controlling nature they keep well concealed. They especially seek to control the social networks they’re apart of. They have a way of obtaining control and influence, through their charming demeanor. They lower people’s defenses and often have ulterior motives toward moving upward socially. They had a two faced nature to them.

If these mean girls felt wronged in anyway, they’d stop at nothing to achieve revenge while simultaneously arising of the “fan favorite” of any feud their apart of. These natives often had fierce feuds with other women, arising jealousy and rage from them. Or being the girl other girls just hated for some reason. Except they’d own it and still be popular bc of it.

#3 MARS DOMINANCE

This seemed to be the most common planetary type to be a mean girl. Almost every actress considered either had Mars in their 1st, Mars conjunct a luminary, mars ruled nakshatras , or a mars ruled sign (Aries or Scorpio) as their big 3.

Mars dominance being common isn’t surprising considering the nature of mars is blunt, direct, ruthless. Mars represents violence, many mean girl characters usually partaking in “verbal violence” against they’re victims. Mars natives are competitive and feel comfortable in positions of power, control and influence.

#4 SIDEREAL CAPRICORN

Mostly Dhanishta and Shravana nakshatra was a common placement. Saturn is innately controlling, restrictive and judgmental. These mean girls were mean and took pleasure in it. We can’t forget there’s a sadistic nature to Saturnian energy. They were cold and intentional with their meaness and oftentimes didn’t feel remorse of whether or not they hurt someone.

These were mean girls who were extremely beautiful, so even if people didn’t like them, they were still lauded for their beauty. A lot of the characters played were the quintessential rich girl, or girl who has a rich dad etc. So they had socioeconomic power as well.

#5 PURVABHADRAPADA ATMAKARAKA

This one was unique because it was most common as the Atmakaraka placement instead of big 3. Mainly being in the Aquarius rashi. This nakshatra has a lot to do with the act of “punishment” and committing austerities. Natives having this as their AK kept a check and balance book of who wronged them, then exacted revenge on people they felt deserved it.

These were mean girls who’d go blind with rage, blind with power. Growing increasingly more ruthless as time went on. They start off being portrayed as a nice girl, but eventually be revealed as a nice girl but with diabolical motives. Since it is a Jupiter nakshatra, the uncontrolled growth theme so relevant in this nak particularly, was displayed in these natives who had it as their AK. Being mean with no filter, being mean to any and everyone, knowing they couldn’t be stopped.

HONORABLE MENTIONS:

+ ARDRA was another key nakshatra, many of the actresses were on the cusp of Mrigashira/Ardra. Sidereal Gemini overall seemed to be prominent. Ardra was often the ostracized mean girl, the girl who was feared more than anything. Didn’t mind playing the villain and getting revenge on people who were once mean to her in the past.

+ REVATI repeated a lot as well. Given the Mercury rulership of this nak, these mean girls were humorous and funny with their insults. Their motive for their meanness was revenge, or insulting who they thought deserved it most. They’re one of the more fearless mean girls , giving the aura of “who gone check me ?” 💁‍♀️ . A lot of their characters were considered “b!tchy” for no good reason. They also a lot of the time acted on their own without a mean girl “posse”.

+ SIDEREAL SAGITTARIUS mainly Uttaraashda and Mula were common placements of mean girls. These were girls who were arrogant and haughty, often depicted as being not too bright. They were bratty and sassy, usually displaying a straightforward attitude of sharpness. These characters were unapologetically mean, not two faced like other mean girl types.

+KETU GIRLS this one makes sense since Ketu is very similar to mars. Blunt, mindless, aggressive anger is seen here. Usually depicted as a “air headed” mean girl.

-starsandsuch✌️💕

[seriallover]

Why certain people capture the spotlight?⭐️

1. The luminaries, the Sun and Moon naturally draw attention in a birth chart. People with strong Sun or Moon placements tend to light up any room they enter, effortlessly standing out.

Just like everyone loves capturing the beauty of a sunrise or the glow of a full moon, those with these placements have a magnetic energy that people can’t help but notice.

It’s almost like they’re always in the spotlight, which is why they often feel the need to look their best.☀️🌕

Beyoncé, Purva Phalguni Sun, Chitra Lagna and Venus.

Michael Jackson, Magha Sun and Shatabhisha Lagna.

Bella Hadid, Purva Phalguni Moon and Lagna.

There's not much to say about Beyoncé and Michael that isn't already well-known—they're icons in their own right, the biggest stars of our time. Bella Hadid has become the most photographed model off-duty and in 2022, she was named Model of the Year.

Gia Carangi, often hailed as the first true supermodel, paved the way for all the other supermodels that followed. She had a Shravana Sun and Lagnesh, with Hasta as her Lagna and a Shatabhisha Moon.

Britney Spears, Shravana Moon, was one of the most photographed stars for a while. The crazy amount of media attention even led to harassment and really affected her mental health.

Gisele Bündchen, Pushya Sun and Purva Phalguni Lagna, the only "Ubermodel"-that means being more than a supermodel.

Lauren Hutton, Pushya Moon and Lagna, holds the record for the most Vogue covers—26 in total.

I previously explored about how lunar-dominant people often achieve significant success on social media.

2. Chitra Nakshatra, known as the "Star of Opportunity," carries the Shakti of "accumulating merit." The word "Chitra" translates to "wonderful" and "pleasing to look at," as well as "illusion."

The deity of this nakshatra is Tvastar, the celestial architect who designed the universe. The symbol of Chitra is the "pearl" or "bright jewel," symbolizing beauty and uniqueness.💎💍

"Chitra" also means "picture," so individuals with this nakshatra are often naturally photogenic. 📸Tvastar, as the creator of Maya (illusion), grants those under Chitra the ability to craft captivating personas, making them talented models, photographers, actors, and successful on social media.

Kim Kardashian, Chitra Sun, built a career centered on her image. As one of the first influencers, she's become one of the most prominent and influential figures on social media. In 2015, she released “Selfish”, a book featuring a collection of her selfies.

Cindy Kimberly, Chitra Moon and Shravana Lagna, shot to fame because of her striking beauty. Her big break came when Justin Bieber posted about her on his Instagram. Now, she’s a major beauty influencer and a well-known model.

Anna Nicole Smith, Chitra Sun and Hasta Moon, made a name for herself as a model, completely based on her image. She was once one of the most photographed women in the world, and photographers loved working with her, often saying she was one of the easiest and most exciting people to capture on camera.

The thing with Chitra individuals is that, because of Tvastar, the celestial craftsman, their features often become iconic. For instance, Kim drew the attention to the BBL, Cindy’s nose has become a major inspiration for many women, and Anna Nicole brought attention back to curvy bodies at a time when the "heroin chic" look was in vogue, reminiscent of Marilyn Monroe's era.

3. Dhanishtha🌟 Shakti is "power to give abundance and fame," meaning "the most famous," "the most heard of." This nakshatra is recurring in the charts of people who usually marry famous individuals, making them well-known as well, often attracting more attention than their partner.

Princess Diana, Dhanishtha Moon and Magha Lagnesh, was the most photographed woman in the world, holding the record for the most sold-out paparazzi pictures, including one that sold for 6 million dollars.

Marilyn Monroe, Rohini Sun, Dhanishtha Moon, and Ashlesha Lagna, was also one of the most photographed women of her time.

4. Shatabhisha, meaning "hundred stars" and represented by a veiled star and an empty circle, is a nakshatra ruled by Rahu. ⭕️

This nakshatra is associated with illusion, the power to effect radical change, innovation, the foreign, esoteric influences, and trends. The empty circle can also symbolize the idea of a cult or community, like the Navy for Rihanna.

Rihanna, Shatabhisha Sun, stands out as one of the most influential artists and fashion icons. She has consistently set trends in the fashion world, with her style serving as an inspiration to many. Recently, her maternity looks have redefined how celebrities approach their appearance during pregnancy, bringing a stylish twist to the norm.

Demi Moore, Lagnesh in Shravana and Jupiter in Shatabhisha in the first house, set a trend for nude pregnancy photoshoots. At the time, this was quite controversial, but it has since become a common practice not just among celebrities, but also for non-celebrity women.

Elizabeth Taylor, Sun in Shatabhisha, was also a major target for paparazzi. George Hamilton once remarked:

"I remember when the word 'paparazzi' came along, and it just meant a bunch of guys who were all photographers looking for Elizabeth Taylor. Desperately looking for Elizabeth Taylor! And that was the beginning of paparazzi. They were not going for glamour anymore. They were going for the destruction of glamour."

[bouquetface]

Future Spouse Based on Nakshatra - Pt. Three

Please read the following for accuracy:

Check for which nakshatra of your dakarkaka.

You may want to check the nakshatra of your Venus (for wife) and Jupiter (for husband) as well.

You may want to read for your moon & AatmaKaaraka nakshatra to see if the traits apply to you.

DISCLAIMER: Keep in mind accuracy is influenced by the ENTIRE natal chart. Planet, sign & house + aspects made all impact accuracy.

DHANISHTA:

General traits:

Full, downturned lips. Youthful looking. Slightly bushy eyebrows. Prominent hairstyle - often longer, wavy, usually lighter.

Strong sense of responsibility.

Often it said they will become wealthy. They are good at research and analysis. They can offer helpful insight - out of the box type thinking.

Strong pull towards art. Deep love for music, film, literature, dancing etc. Interests in history or mythology are likely too.

Likely to have a successful marriage. Late marriage and having kids later in life has been noticed.

Negative traits:

Tend to be inconsiderate - they will almost do anything to get to their desires.

May lie or withhold information for personal gain. Loose/bendable moral compass.

PURVA ASHADA:

General traits:

Often beautiful. Women tend to be thicker. Sensual & soft appearance. Bow shaped lip. Men tend to have a bright appearance.

Influential people. Polite people. Well liked.

Appearance can create haters for no reason.

Supportive. Loyal to friends. Humble.

Humorous. Often their style of humour is overlooked &/or misunderstood.

Likely to have many children (3 or more. Depends on entire natal chart though as well as partner’s chart)

Negative traits:

Do not like suggestions/advice. Do not like being told what to do.

Some tend to have a superiority complex. This isn’t for no reason though. They often are attractive and/or have status in life. This creates enemies making them defensive. Their mindset can become “you need me, I don’t need you”

Women tend to harbour resentment for men due to negative experiences.

Likely to have negative experiences with authority figures as well (ex: bosses, parents or older siblings).

BHARANI:

General traits:

Oval or Oblong face shape likely. Thin to medium lips. Unique look. Stand out in a crowd. Reasons vary: Tall, eye-catching style, shape facial features etc.

Creative. Clever. Materialistic.

Fast moving and/or fast thinking.

Spontaneous. Loyal to friends.

Child like nature. Nurturing side. Deeply cares for animals and humanity. May not feel comfortable expressing this.

Generally it is believed these individuals have long lives.

Negative traits:

Impatient. Impulsive. Lacking discipline. Some are self destructive.

Prone to being overbearing. Those who have kids tend to become very anxious about their children’s life & health.

KRITTIKA:

General traits:

Pointed chin. Naturally thick eyebrows. Natural thin lips. Round, large captivating eyes. Aspect to Saturn can create a bony & tall body type. Men tend to be muscular. Traditionally handsome.

Materialistic. May like to collect.

Respectable. Determined. Well known within their circles - for good or bad reasons.

Confident. Leader.

Straightforward person.

Negative traits:

Critical of others & themselves.

May lack patience. Impulsive side. Repressed aggression.

HASTA:

General traits:

Usually thin arched eyebrows. Thin to medium lip. Diamond face shape likely. Generally tall with small & soft features.

Appears unattached. Adaptable.

Often gains wealth at a later age.

Charming, creative & calm demeanour. Makes them attractive & admired.

Tend to have more daughters than son. (Depends on entire natal chart though as well as partner’s chart)

Negative traits:

Competitive side. Not necessarily a negative because it keeps them motivated.

Can be overindulgent.

Have a controlling side to them.

PURVA PHALGUNI:

General traits:

Medium to full lips. Soft square fade shape likely. Smaller forehead, big/lots of curly hair. Many baby hairs. Hard to tame hair.

Youthful. Often active hobbies/interests.

Charming. Open minded.

Love & appreciation of art. Creative.

Intelligent. Leader.

Negative traits:

Vindictive when upset.

Hates being uncomfortable.

May desire to be center of attention.

Lack of motivation can make them become careless or lazy.

[cutiepieloves131]

Vedic Observations #3

✶⋆.˚ Rohini, Mrigashira, Ashlesha, and Uttara Bhadrapada are very prominent in dancers. They tend to be flexible, fluidity, and hypnotizing type of dancers and I've also noticed that a lot of them can do flips and tricks. It all makes sense since they're all connected to snakes. 🐍

✶⋆.˚ I absolutely love and adore Bharani women so damn much, they're so motherly and protective! My mother is a Bharani Sun and she's highly respected by those close to her and people, even men tried to get with her including past partners. Tifa Lockhart from Final Fantasy VII a Bharani Sun, is a prime example of what I'm talking about. (She's my favorite character and to my mom too!)

✶⋆.˚ The nakshatras that's the most sexualized in society and in the world are Rohini, Bharani, Ashlesha, Purva Phalguni, and Purva Ashadha. The opposite sex tends be obsessed or lust over their looks, body, and appeal. For example Lugi Mangione whose a Bharani Sun and Purva Phalguni moon is accused of shooting the CEO of UnitedHealthcare has been going viral since 2024 because of his attractiveness and several of Luigi's fans are even going as far to leak his nudes.

✶⋆.˚ When it comes to Martial Arts, you'll mostly see a lot of Martial Artists have Krittika, Rohini, Ardra, Pushya, Ashlesha, Vishakha, Anuradha, Jyestha, Mula, Shatabhisha, and Purva Bhadrapada in their big three.

✶⋆.˚ I calculated the birth charts of 24 popular fashion designers and the four nakshatras that tied 1st for Sun, Moon, and Ascendant was Shatabhisha, Rohini, Ashlesha, and Bharani.

✶⋆.˚ Chitras are candidly one of the most fashionable nakshatras out of the bunch. They're very good at detail and knows what goes together or not. It's not surprising that a ton of fashion designers have Chitra in the three, big six, along with Rahu and Ketu. These are the kings and queens of designing.

✶⋆.˚ Dhanistha natives are not only famous but also trendsetters too! Even after their death they still remain memorable and talked about all around the world, *ahem* Marilyn Monroe a Dhanistha moon. They really are iconic stars and beauties, Dhanistha men and women are the definition of walking celebrities even if they're regular people others will see them as someone to be admired.

✶⋆.˚ Rohini is the epitome of beauty and magnetism. This is truly one captivating star, these natives are so beautiful and effortlessly seductive. They naturally attract attention from everyone and have people simping over them all the time. Rohinis are always chosen for things and tend to be exceptionally popular among masses for their sex appeal, charm, and enchanting looks. (Also Spellbinding Eyes! 👀✨️)

✶⋆.˚ Moon ruled nakshatras (Rohini, Hasta, and Shravana) posses a natural talent in gathering everyone together just like the Moon itself, it's mesmerizing glow attracts billions with ease. Millions of individuals easily looks up and admires them to a large amount that it can cause cult like followings, they have a massive influence over the masses and this can lead to big time fame.

[kerinna]

S*x Work/K*nks of Dominant Types

Moon Nakshatra: Cuddlers, Possibly Mommy/Daddy roleplayers

Mercury Nakshatra: Whips, chains, BDSM, leather

Venus Nakshatra: Choking, Hitting, Biting, blood sharing

Jupiter Nakshatra: Praise Kinksters, Dominants

Saturn Nakshatra: Submissives

Sun Nakshatra: Voyeurs

Mars Nakshatra: Just intercourse. Hours.

Rahu Nakshatra: Masturbate. When they're with other people, they'll need guidance because they act as if they're brain shuts down when they see a sexual organ.

Ketu Nakshatra: Pay em or barter. You want s*x with them, offer to fix their plumbing or something. Clean the house. Yadda yadda.

Each Nakshatra as well has their own preference, but this quicker to post 👍

Also, for people that may want to go into s*x work one day.

[multidimensionalguidance]

Aquarius ♒️ placements be like…

[lilithiandoll]

𝓥𝓮𝓭𝓲𝓬 𝓞𝓫𝓼𝓮𝓻𝓿𝓪𝓽𝓲𝓸𝓷𝓼 #2 (18+ Warning)

ᴬˡˡ ᵗʰʳᵉᵉ ᴹᵃʳˢ ⁿᵃᵏˢʰᵃᵗʳᵃˢ ᵃʳᵉ ᵃᵍᵍʳᵉˢˢⁱᵛᵉ ⁱⁿ ᵈⁱᶠᶠᵉʳᵉⁿᵗ ʷᵃʸˢ ⁻ ᴰʰᵃⁿⁱˢʰᵗʰᵃ ⁱˢ ᵃᵍᵍʳᵉˢˢⁱᵛᵉ ʷⁱᵗʰ ʰᵒʷ ᵗʰᵉʸ ᵐᵒᵛᵉ ⁱ��� ˡⁱᶠᵉ, ᶜʰⁱᵗʳᵃ ⁱˢ ᵃᵍᵍʳᵉˢˢⁱᵛᵉ ʷⁱᵗʰ ʰᵒʷ ᵗʰᵉʸ ᶠˡᵃᵘⁿᵗ ᵗʰᵉⁱʳ ᵃˢˢᵉᵗˢ, ᵃⁿᵈ ᴹʳⁱᵍᵃˢʰⁱʳˢʰᵃ ⁱˢ ᵃᵍᵍʳᵉˢˢⁱᵛᵉ ʷⁱᵗʰ ʰᵒʷ ᵗʰᵉʸ ᵃᵗᵗᵃⁱⁿ ᵏⁿᵒʷˡᵉᵈᵍᵉ. ᶜʰⁱᵗʳᵃ ᵃⁿᵈ ᴹʳⁱᵍᵃˢʰⁱʳˢʰᵃ ᵃʳᵉ ᴹʳⁱᵈᵘ ˢᵒ ᵗʰᵉʸ ᵃʳᵉ ᵍᵉⁿᵉʳᵃˡˡʸ ᵍᵉⁿᵗˡᵉ ᵇʸ ⁿᵃᵗᵘʳᵉ ᵇᵘᵗ ᵃʳᵉ ᵃᵍᵍʳᵉˢˢⁱᵛᵉ ⁱⁿ ᵒᵗʰᵉʳ ʷᵃʸˢ.

ᴰʰᵃⁿⁱˢʰᵗʰᵃ ⁱˢ ʳᵘˡᵉᵈ ᵇʸ ᵗʰᵉ ᶠᵉᵐᵃˡᵉ ˡⁱᵒⁿ ˢᵒ ᵗʰᵉʸ ᵃʳᵉ ᵒᶠᵗᵉⁿ ᵖᵘʳˢᵘⁱⁿᵍ ˡᵉᵃᵈᵉʳ⁻ˡⁱᵏᵉ ᵖᵒˢⁱᵗⁱᵒⁿˢ, ᶜʰⁱᵗʳᵃ ⁱˢ ʳᵘˡᵉᵈ ᵇʸ ᵗʰᵉ ᶠᵉᵐᵃˡᵉ ᵗⁱᵍᵉʳ ˢᵒ ᵗʰᵉʸ ᵃʳᵉ ᵒᵘᵗʷᵃʳᵈˡʸ ᶠⁱᵉʳᶜᵉ ᵃⁿᵈ ˡᵒᵛᵉ ᵗᵒ ˢʰᵒʷ ᵒᶠᶠ ʷʰⁱˡᵉ ᴹʳⁱᵍᵃˢʰⁱʳˢʰᵃ ⁱˢ ʳᵘˡᵉᵈ ᵇʸ ᵗʰᵉ ᶠᵉᵐᵃˡᵉ ˢᵉʳᵖᵉⁿᵗ ˢᵒ ᵗʰᵉʸ ᵃʳᵉ ᵗʰᵉ ᵐᵒˢᵗ ˢᵘᵇᵗˡᵉ ᵒᵘᵗ ᵒᶠ ᵗʰᵉ ᵒᵗʰᵉʳ ᵗʷᵒ. ᴾᵘʳˢᵘⁱᵗ ⁱˢ ᵃ ᵐᵃⁱⁿ ᵗʰᵉᵐᵉ ʷⁱᵗʰ ᴹᵃʳˢ ⁿᵃᵏˢʰᵃᵗʳᵃˢ.

ᴬˡˡ ᴹᵉʳᶜᵘʳʸ ᴺᵃᵏˢʰᵃᵗʳᵃˢ ᵍᵉⁿᵉʳᵃˡˡʸ ʰᵃᵛᵉ ᵖᵉᵗⁱᵗᵉ ᶠᵉᵃᵗᵘʳᵉˢ ᵃⁿᵈ ᵃ ˢˡⁱᵐ ᵇᵘⁱˡᵈ ᵇᵘᵗ ᵗʰᵉⁱʳ ʸᵒⁿⁱ ᵃⁿⁱᵐᵃˡˢ ⁱˢ ʷʰᵉʳᵉ ᵗʰᵉʸ ᵈⁱᶠᶠᵉʳ ⁱⁿᵈⁱᵛⁱᵈᵘᵃˡˡʸ.

ᴬˢʰˡᵉˢʰᵃ ʰᵃᵛᵉ ˢᵐᵃˡˡ ᵃˡᵐᵒⁿᵈ ˢʰᵃᵖᵉᵈ ᵉʸᵉˢ, ᵃ ˢˡⁱᵐ ⁿᵒˢᵉ, ᵃⁿᵈ ˢᵐᵃˡˡ ˡⁱᵖˢ ˡⁱᵏᵉ ᵃ ᶜᵃᵗ ⁽ᴱˣ: ᴮʳᵃⁿᵈʸ ᴺᵒʳʷᵒᵒᵈ⁾

ᴶʸᵉˢᵗʰᵃ ʰᵃᵛᵉ ᵈᵒᵉ ᵉʸᵉˢ, ʰⁱᵍʰ ᶜʰᵉᵉᵏᵇᵒⁿᵉˢ, ᵃⁿᵈ ᵃ ˢˡⁱᵐ ᵃⁿᵈ ˢᵐᵃˡˡ ᶠᵃᶜᵉ ˡⁱᵏᵉ ᵃ ᵈᵉᵉʳ ⁽ᴱˣ: ᶠᴷᴬ ᵀʷⁱᵍˢ⁾

ᴿᵉᵛᵃᵗⁱ ʰᵃᵛᵉ ᵇᵉᵃᵈʸ ᵉʸᵉˢ ᵗʰᵃᵗ ᵃʳᵉ ᶠᵃⁱʳˡʸ ʷⁱᵈᵉ⁻ˢᵉᵗ ᵃⁿᵈ ʰᵃˢ ᵗʰᵉ ʳᵒᵘⁿᵈᵉˢᵗ ᶠᵃᶜᵉ ᵒᵘᵗ ᵒᶠ ᵗʰᵉ ᵒᵗʰᵉʳ ᵗʷᵒ ᴺᵃᵏˢʰᵃᵗʳᵃˢ ˡⁱᵏᵉ ᵗʰᵉ ᵉˡᵉᵖʰᵃⁿᵗ ⁽ᴱˣ: ᴿʸᵃⁿ ᴰᵉˢᵗⁱⁿʸ⁾

(18+ Warning)

ᴿᵒʰⁱⁿⁱ ᵃⁿᵈ ᴹʳⁱᵍᵃˢʰⁱʳˢʰᵃ ᵃʳᵉ ᵖʳᵒᵇᵃᵇˡʸ ⁱⁿᵗᵒ ᵃⁿʸᵗʰⁱⁿᵍ ᵗʰᵃᵗ ᵈᵉᵃˡˢ ʷⁱᵗʰ ʳᵉˢᵗʳⁱᶜᵗⁱᵒⁿ ⁽ᵇᵒⁿᵈᵃᵍᵉ, ʰᵃⁿᵈᶜᵘᶠᶠˢ, ˢⁱˡᵏ ᵇˡⁱⁿᵈᶠᵒˡᵈˢ, ᵉᵗᶜ.⁾

ᴷʳⁱᵗᵗⁱᵏᵃ ᵃⁿᵈ ᴾᵘˢʰʸᵃ ᵃʳᵉ ⁿᵒᵗᵒʳⁱᵒᵘˢ ᶠᵒʳ ˡᵉᵃᵛⁱⁿᵍ ᵐᵃʳᵏˢ ᵒⁿ ᵗʰᵉⁱʳ ᵖᵃʳᵗⁿᵉʳˢ ⁽ᵇⁱᵗⁱⁿᵍ, ˢᶜʳᵃᵗᶜʰⁱⁿᵍ, ˡᵉᵃᵛⁱⁿᵍ ʰⁱᶜᵏᵉʸˢ⁾. ᴷʳⁱᵗᵗⁱᵏᵃ ⁱˢ ᵐᵒʳᵉ ˡⁱᵏᵉˡʸ ᵗᵒ ᵈᵒ ᵗʰⁱˢ ʷʰⁱˡᵉ ᴾᵘˢʰʸᵃ ⁱˢ ᵐᵒʳᵉ ˡⁱᵏᵉˡʸ ᵗᵒ ᵉⁿʲᵒʸ ᵇᵉⁱⁿᵍ ᵐᵃʳᵏᵉᵈ.

ᴰᵉᵉʳ ʸᵒⁿⁱˢ ⁽ᴬⁿᵘʳᵃᵈʰᵃ ᵃⁿᵈ ᴶʸᵉˢᵗʰᵃ⁾ ᵃʳᵉ ᵗʰᵉ ᵐᵒˢᵗ ˢᵉˣᵘᵃˡˡʸ ᵉⁿᵗⁱᶜⁱⁿᵍ ᵃⁿᵈ ᵖʳᵒᵇᵃᵇˡʸ ᵉⁿʲᵒʸ "ᵗʰᵉ ᶜʰᵃˢᵉ" ᵐᵒʳᵉ ᵗʰᵃⁿ ᵃⁿʸ ᵒᵗʰᵉʳ ⁿᵃᵏˢʰᵃᵗʳᵃ, ᵉˢᵖᵉᶜⁱᵃˡˡʸ ⁱⁿ ᵇᵉᵈ.

ᴴᴼᴺᴼᴿᴬᴿʸ ᴹᴱᴺᵀᴵᴼᴺ: ᴹʳⁱᵍᵃˢʰⁱʳˢʰᵃ

ᵀⁱᵍᵉʳ ʸᵒⁿⁱ ᵐᵉⁿ ⁽ᶜʰⁱᵗʳᵃ ᵃⁿᵈ ⱽⁱˢʰᵃᵏᵃ⁾ ᵃʳᵉ ᵐᵒʳᵉ ˡⁱᵏᵉˡʸ ᵗᵒ ʰᵃᵛᵉ ᵃ ᵖʳᵃⁱˢᵉ ᵏⁱⁿᵏ, ˡᵒᵛᵉ ᵗᵒ ᵗᵃᵏᵉ ᵗʰᵉ ˡᵉᵃᵈ ⁱⁿ ᵇᵉᵈ, ᵃⁿᵈ ʰᵃᵛᵉ ᵐᵃˢˢⁱᵛᵉ ᵉᵍᵒˢ.

ᴹᵒⁿᵏᵉʸ ʸᵒⁿⁱˢ ⁽ᴾᵘʳᵛᵃ ᴬˢʰᵃᵈʰᵃ ᵃⁿᵈ ˢʰʳᵃᵛᵃⁿᵃ⁾ ᵃʳᵉ ᵗʰᵉ ᵐᵒˢᵗ ˢᵉˣᵘᵃˡˡʸ ᵛᵉʳˢᵃᵗⁱˡᵉ ⁱⁿ ᵇᵉᵈ ᵃⁿᵈ ᵃʳᵉ ᵐᵒˢᵗ ˡⁱᵏᵉˡʸ ᵗᵒ ᵗʳʸ ᵐᵃⁿʸ ᵈⁱᶠᶠᵉʳᵉⁿᵗ ᵗʸᵖᵉˢ ᵒᶠ ᵖᵒˢⁱᵗⁱᵒⁿˢ.

ᴬˢʰˡᵉˢʰᵃ ˡⁱᵏᵉˢ ᵗᵒ ᶜʰᵒᵏᵉ ᵗʰᵉⁱʳ ᵖᵃʳᵗⁿᵉʳ ᵈᵘʳⁱⁿᵍ ˢᵉˣ ʷʰⁱˡᵉ ᴾᵘⁿᵃʳᵛᵃˢᵘ ˡⁱᵏᵉˢ ᵗᵒ ᵇᵉ ᶜʰᵒᵏᵉᵈ.

ᴴᵒʳˢᵉ ʸᵒⁿⁱˢ ⁽ˢʰᵃᵗᵃᵇʰⁱˢʰᵃ ᵃⁿᵈ ᴬˢʰʷⁱⁿⁱ⁾ ᶜᵒᵐᵉˢ ᵒᶠᶠ ᵃˢ ᵃˢᵉˣᵘᵃˡ ᵇᵘᵗ ᵗʰᵉʸ ˡᵒᵛᵉ ʳⁱᵈⁱⁿᵍ ᵖᵒˢⁱᵗⁱᵒⁿˢ.

(I could totally do an entire post on the sexual nature and instincts of the yoni animals if y'all want that)

[venusiastro]

Astrology Observations VII.

Krittika nakshatra is the most skeptical about spirituality and religion. Being the first sun ruled nakshatra Krittika is sharp and cutting with truth and anything of a lunar or devotional nature doesn’t innately attract them. They tend to accept their reality more than most.

On the other hand, Uttara Ashada is naturally very conscious about religion and spirituality and may have more inclination to practice the more physical acts of devotion or enlightenment such as yoga or meditation.

Dhanishta is truly their own brand of original, they have a funny and open way of expressing themselves that is truly captivating to others. They’re very honest about who they are and that’s what magnetizes others to them.

Dhanishta women have a very “succulent” and “rich” aura to them. It’s as if you want to take a bite out of their presence because it’s so warm and nourishing. Their internal softness and warmth bleeds through their external power and creates an intoxicating presence that can only be felt.

Mercury ruled women are rather mysterious and elusive. They’re extremely multi-faceted and internally rich they can be hard to pin down and get to know truly, they can put on many hats and are also very protective of their energy.

Shravana men are sensitive and artistically inclined particularly to music and singing.