#December 2 2017

[fuckingstupidbracket]

like a regular bin, not even recycled or anything

[stars-in-my-damn-eyes]

In honour of the 2023 season coming to an end i post YEARLY REDRAW

[mercurialg111rl]

screaming crying throwing Up

[papering-the-wall]

Happy 2nd of DEPPCEMBER! 

(Johnny Depp) (2/31)

(Murder on the Orient Express) [2017] 

[eggmeralda]

I actually could go back to that sweet shop I worked at in summer 2022 once it becomes 2 years, for some reason when I have a really good experience I can't do it again until 2 years have passed. like out of respect for it

[doyoulikethissong-poll]

Bad Lip Reading - Seagulls! (Stop It Now) 2016

Bad Lip Reading is a YouTube channel created and run by an anonymous producer from Texas who intentionally lip-reads video clips poorly for comedic effect. Some of the channel's original songs are available on Spotify and Apple Music.

In December 2015, Bad Lip Reading simultaneously released three new videos, one for each of the three films in the original Star Wars trilogy. These videos used guest voices for the first time, featuring Jack Black as Darth Vader, Maya Rudolph as Princess Leia, and Bill Hader in multiple roles. The Empire Strikes Back BLR video featured a scene of Yoda singing to Luke Skywalker about the dangers posed by vicious seagulls if one dares to go to the beach. BLR later expanded this scene into a full-length stand-alone song called "Seagulls! (Stop It Now)", which was released in November 2016, and eventually hitting #1 on the Billboard Comedy Digital Tracks chart.

Mark Hamill, who played Luke Skywalker in the Star Wars films, publicly praised "Seagulls!" (and Bad Lip Reading in general) while speaking at Star Wars Celebration in 2017: "I love them, and I showed Carrie [Fisher] the Yoda one… we were dying. She loved it. I retweeted it… and [BLR] contacted me and said ‘Do you want to do Bad Lip Reading?’ And I said, ‘I'd love to…’”. Hamill and Bad Lip Reading collaborated on Bad Lip Reading's version of The Force Awakens, with Hamill providing the voice of Han Solo. The Star Wars Trilogy Bad Lip Reading videos led to a second musical number, "Bushes of Love", which hit #2 on the Billboard Comedy Digital Tracks chart.

May the 4th be with 71,6% of you!

[bakasurvivor]

Looking at my Steam achievements and realizing I spend new years eve 2018 playing Portal 2 for the first time instead of doing literally anything else hahah

[renthony]

Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

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Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.

14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.

15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.

16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.

18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.

19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.

20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.

21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200

22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.

25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.

26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/

27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos

28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.

29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.

33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.

37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.

38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.

39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.

40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.

41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.

42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.

43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.

44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.

46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.

47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.

49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

[dontmean2bepoliticalbut]

On 7/31/2019 Trump has a private meeting with Putin. On 8/3/2019, just 3 days after his private meeting with Putin Trump issues a request for a list of top US spies. By 2021 the CIA reports an unusually high number of their agents are being captured and/or being murdered. During the search executed at Mar A Lago the FBI find nore documents with lists of U.S. informants on them.

A Timeline

• FBI wiretapped Russian gambling ring headquartered at Trump Tower for two years - March 21, 2017

• Trump revealed highly classified information to Russian foreign minister and ambassador - May 15, 2017

• Trump, Putin Meet For 2 Hours In Helsinki - July 16, 2018

• Rand Paul Goes To Russia And Delivers Letter For Trump, Marking Our Era Of Irony - August 9, 2018

• Following the Money: Trump and Russia-Linked Transactions From the Campaign to the Presidential Inauguration - December 17, 2018

• The US extracted a top spy from Russia after Trump revealed classified information to the Russians in an Oval Office meeting - September 10, 2019

• Trump’s Loose Lips Force US to Extract Spy From Kremlin - September 10, 2019

• Was Mar-a-Lago Trespasser a Tourist or a Spy? A Judge Said Her Story Didn’t Hold Up. - November 25, 2019

• Trump downplays massive cyber hack on government after Pompeo links attack to Russia - December 19, 2020

• Russia has been cultivating Trump as an asset for 40 years, former KGB spy says - January 29, 2021

• There was Trump-Russia collusion — and Trump pardoned the colluder - April 17, 2021

• Longtime GOP operatives charged with funneling Russian national’s money to Trump, RNC - September 20, 2021

• Captured, Killed or Compromised: C.I.A. Admits to Losing Dozens of Informants - October 5, 2021

• Files Seized From Trump Are Part of Espionage Act Inquiry - August 12, 2022

• Ex-Clinton aide implies 'President of France' file found at Trump's home during Mar-a-Lago raid could be valuable to Putin as 'kompromat' - August 13, 2022

• Inventing Anna: The tale of a fake heiress, Mar-a-Lago, and an FBI investigation - August 22, 2022

• Russians used a US firm to funnel funds to GOP in 2018. Dems say the FEC let them get away with it - October 30, 2022

• Trump makes shocking comments about trusting Putin over US 'intelligence lowlifes' - January 31, 2023

• Russia's Prigozhin admits links to what US says was election meddling troll farm - February 14, 2023

• GOP operative sentenced to 18 months for funneling Russian money to Trump- February 17, 2023

• Trump allegedly discussed US nuclear subs with foreign national after leaving White House: Sources - October 5, 2023

• 'So appalled': What witnesses told special counsel about Trump's handling of classified info while still president - April 24, 2024

🤔🤔🤔

[nyctoaerah]

TWTWTWTWTWTW: GORE TWTWTWTWTW

Hi, I love the Yandere Gojo series! I'd like to make a request. My request: Yandere Gojo gives his non-sorcerer lover the worst punishment he's ever seen in his life because she keeps trying to run away… he makes her unable to move or run again. either amputation or broken bones. But in the end, he regrets it very much.

⋆♱⋆REMINISCENT

⋆♱⋆SYPNOSIS: Satoru loves Suguru deeply and he misses the latter so much, so how could he let go off you? How could he let a pretty little thing like you slip through his fingers when you’re literally just like suguru?

⋆♱⋆WARNINGS: Yandere (duh) bone breaking, Surgery stuff, Satoru himself is already a warning, Satoru has Capgras delusion disorder, Both Reader and Satoru ended up having shared psychosis disorder. Satosugu.

⋆♱⋆PAIRINGS: Yandere! Gojo Satoru x Fem! Non-sorcerer reader. Satosugu.

⋆♱⋆NOTE: okokok, i know that you didn’t requested satosugu anon, but there’s a reason why there’s satosugu in here, and it’s important in the plot. Hope you understand<3. Broken bones is already a bad punishment, but i’ll add a twist on it;) Hearts and Reblogs are greatly appreciated<3. Please do support me in wattpad and quotev too<3 i suck at doing angst, sooo.... Idk.. might make a part 2 though.

MASTERLIST

HE WASN’T THE MAN that you once knew, no longer the gentle soul who showered you with affection. The bond you shared over four years had been pure, filled with love and warmth, until that cursed night , Twenty fourth of December in 2017.

Satoru’s mental state appeared to deteriorate drastically ever since that day. The once warm and affectionate gaze he used to cast on you had now transformed into a cold and distant stare, devoid of any tender emotions.   

Sometimes he would blame non-sorcerers like yourself too, grumbling things under his breath like

“You non-sorcerers are the reason why suguru went spiraling”

You didn’t grasp the true meaning of this statement until you did a little digging into Satoru’s past. It was then that you realized you had been living in a state of blissful ignorance.

And after learning about his troubles, instead of scolding him for his erratic behavior and pushing him away, you chose to approach him with kindness and understanding—You felt bad, for you would mostly just yell at him for acting like that, when you didn’t knew the reason why he was like that.

You made every effort to comfort him and show him that you cared deeply for him, to show him how apologetic you are for being so ignorant. However, at times, you also confronted him with harsh truths in order to bring him back to reality. 

In these moments of brutal honesty, Satoru took notice of the uncanny similarities between you and Suguru. From the way you conducted yourself to the gestures you made, tie your hair up, everything seemed to echo Suguru’s presence.

The way you spoke, moved, the way your lips would curl up into a smile, the way you would laugh and interacted with others all carried a trace of Suguru’s aura.

And your voice, fuck, the softness of your voice was reminiscent of the way suguru’s voice would soften whenever he talks to satoru.

Despite lacking a clear physical resemblance, the essence of Suguru seemed to radiate from you in all aspects of your actions.

And perhaps, it’s the way that you managed to make him see suguru in you was what made him so obsessed with you. He saw echoes of his beloved friend in your every gesture, your every word. Sometimes, in a strange mixture of jest and earnestness, he would playfully dub you and Suguru, as if to merge the two of you into one entity. Sometimes he would joke about you being suguru’s genderbend.

You found it peculiar yet endearing at first, dismissing it as a harmless quirk borne from grief, as you had always seen it as his coping mechanism. Little did you know, this oversight would prove to be your gravest mistake.

Despite the warning signs he showed, his redflags, you somehow chose to endure it all.

And that was your biggest mistake.

His once-charming gestures now morphed into suffocating constraints, possessiveness, obsessiveness. Slowly but surely, he isolated you from the outside world, severing even the most basic ties of communication with your own family.

Your past talking stage and lovers would be either found dead or missing without any trace. The friends who once stood by your side now regarded you with wary glances, distancing themselves.

Of course, you felt a deep sense of sadness, believing there was a flaw within yourself. And seeking solace and understanding, you opened up to Satoru, shedding tears as you shared the studf that you were facing in your life. In your moments of vulnerability, he offered you comfort, reassuring you that he was all you needed and that you should distance yourself from other individuals. He warned you that these individuals posed a threat to your well-being, emphasizing that their intentions were harmful—and insisting that he was the only one that you need.

As much as you wanted to believe Satoru and trust him completely, your innate intuition stopped you from fully buying into his facade. Because despite his convincing demeanor, a lingering sense of unease tugged at the back of your mind, suggesting that something wasn’t quite right.

Moreover, Satoru showed a tendency to involve himself in even the most mundane of tasks, such as brushing your hair, typically tasks you would manage alone. It seemed as though he viewed you as some kind of doll, someone he could manipulate and control at his own whim. He made sure to always be in close proximity to you, refusing to give you any moments of solitude. The only instances where he allowed you some privacy were during bathing or changing, and even then, he seemed reluctant to leave your side.

His obsession became so intense that he became insistent on your constant presence by his side, whether he was on a mission, teaching, or interacting with colleagues. His students and coworkers all recognized the unhealthy attachment, with Shoko and even Megumi expressing pity towards you for being caught in Satoru’s suffocating love. Despite the visible discomfort from all parties involved, Satoru remained unmoved, justifying his actions to keep you close at all times.

Even when Shoko attempted to reason with him and knock some sense into his fucked up mind, Satoru would manipulate the situation to shift blame onto them, for separating him with suguru—and that they’re the reason why he only has you now.

Nanami also tried to intervene by trying to convince the higher ups to arrange dangerous solo missions for Satoru in hopes of separating you two, but his stubbornness prevailed.

Maki and Nobara also attempted to intervene, even organizing girls’ nights as a means of providing you with a break from Satoru, yet their efforts were futile. 

Ultimately, the support from those aware of the situation—Nanami, Megumi, Nobara, Shoko, Maki, and others—proved futile in alleviating the troubling dynamic with Satoru. Despite their best intentions and efforts, your circumstances remained unchanged due to Satoru's unyielding obsession on keeping you with him.

Everyone knew how fucked up he was, but what can they do?

Satoru is the strongest after all.

Your parents weren’t even aware of your situation, as you were not allowed to talk or visit them.

One instance stands out in your memory, when you attempted to say that you want to speak with your parents, and he adamantly refused, claiming it was too perilous. Despite feeling frustrated at the time, you ultimately acquiesced to his wishes. The following day though, a horrifying discovery awaited you— the lifeless bodies of your parents. It was at this moment that you began connecting the dots, reflecting on the untimely death and murder of your previous partners, the gradual alienation of your friends, the look of pity his students and colleagues gives you, the persistent reasoning of people trying to separate you from satoru, his increasing control over your actions, and the coincidental deaths of those you sought to interact with. 

The realization dawned on you that all of these  events were orchestrated by Satoru himself, with the sole intention of keeping you entirely under his influence. And an overwhelming sense of fear crept into your chest, prompting you to devise a plan to escape while he was on a mission. 

----𝐘𝐎𝐔 𝐓𝐇𝐎𝐔𝐆𝐇𝐓 𝐓𝐇𝐀𝐓 𝐘𝐎𝐔 𝐂𝐎𝐔𝐋𝐃 𝐄𝐒𝐂𝐀𝐏𝐄, 𝐁𝐔𝐓 𝐁𝐎𝐘 𝐖𝐄𝐑𝐄 𝐘𝐎𝐔 𝐖𝐑𝐎𝐍𝐆

Your entire body was engulfed in pain and weariness, each muscles contracting in pain, your breaths labored and shallow as if your lungs were about to give out—About to rupture, and a searing sensation in your chest as it tightens, heaving with each labored breath you took.

Your feet were raw and bloody, multiple cuts on it from the jagged edges of rocks you have stepped on, perspiration was all over your body in rivulets, and a dry, scratchy feeling in your throat due to lack of moisture and oxygen.

Everything burned, yet you persisted in moving forward, walking a fine line between imminent collapse and the urgent need to evade getting caught by Satoru—your boyfriend.

Rather than face capture, you were willing to risk death in your desperate attempt to escape.

You’d rather die trying to escape than live without trying to fight for your freedom.

The exhaustion consuming you mattered little, all that occupied your mind was the need to break free from his grasp and his control over you.

The passage of time was a blur, perhaps an hour had passed since you began running, your energy waning as your vision blurred with fatigue. 

Lost in the vast unknown surroundings, it seemed as though you were trapped in a never-ending loop. Uncertain of your location in Japan, the isolated landscape consisted only of a sprawling mansion, trees, and barren land devoid of any signs of human life. It felt as though you had been completely cut off from civilization.

As you continued running, tears streaming down your face, your mind were spinning and every hair on your body stood on end at the sound of his voice suddenly booming.

“Hm? Is that you that i see there, [Name]?”

You froze.

“What have I told you about leaving without my permission?”

The sound of Satoru's voice sent a shiver down your spine, freezing you in your tracks. Every fiber of your being screamed at you to keep moving, to escape his reach, but the fear of his wrath paralyzed you in place.

“S-satoru.. what are you doing here...?” 

You couldn’t comprehend how he had managed to be here when he was supposed to be on a mission. Your mind raced with confusion and disbelief.

“No, what are you doing here?” He asks, staring down at you coldly.

“Are you.. trying to run away?” He questioned you as he stepped closer to you.

Your breath hitched, throat constricting as you looked up at him with wide eyes, not knowing what to say.

“I-i..”

“I-i wasn’t i swear—”

You were left speechless as you were suddenly shoved you down, causing your head to hit the ground with a sickening thud. Blood trickled down your forehead as a cry of pain escaped your throat. 

His gaze bore down on you with a chilling intensity, sending shivers down your spine.

“You’re trying to leave me..”

“I trusted you,” he whispered shakily.

“How could you? I made sure to go back as soon as possible after my mission was finished so that you won’t be in danger... And now you’re running away and putting yourself in danger?”

Out of nowhere, his hand tightly gripped your throat, squeezing with such force that it became difficult to breathe, leading to a sensation of suffocation and a blurred vision.

“S-satoru n-nnh! L-let go!”

Struggling to break free, you frantically attempted to pry his fingers off your neck, letting out choked screams in the process. Your body thrashed around violently, desperately trying to fend him off by kicking in all directions. 

“You’re really just like suguru... always trying to resist..” 

“I trusted you,” he whispered unsteadily, his voice cracking.

“But what have you done?” he asked shakily.

His pupils trembled like leaves in a fierce wind, his entire frame quivering with an unsettling intensity. Those piercing sapphire eyes bore into you, sending shivers down your spine in the dim, eerie stillness of the forest.

“L-let go p-please satoru!” You begged.

“P-please. A-ahn.. let g-go, ‘Toru, please,”

“T-toru, haaah, i-i c-can’t breathe”

He seemed to pause at that when you called him “Toru.” 

And slowly, his grasp slackened, leaving you gasping for precious breath as your lungs desperately clawed for every molecule of air.

You coughed, again and again and again, and he just watched you.

When you finally managed to catch your breath, you turned to look at him, your face contorted in anger abd fear.

“Y-you’re crazy satoru,” Your voice emerged hoarse and jagged.

“You’re crazy, i swear” You rasped as you dragged yourself away from him, only for him to close the distance.

 “Crazy?” he repeated.

“Yes, crazy for love.” His fervor seemed to border on mania.

“Yes I’m Enamored, Suguru.” he professed with an almost unsettling zeal, his voice now carrying a hauntingly romantic lilt as though the torment he inflicted on you was an act of devotion.

Your breath hitched.

“What...?” your eyes widened.

“I’m not... Suguru...” Your voice faltered, delicate lips quivering. Pain pulsed through every fiber of your being, urging you to run away, yet how could you escape from one so consumed by his own distorted reality? Satoru appeared to be in a haze, his eyes vacant and unseeing—He was in his delusional state.

“Suguru, let’s go home..” Satoru mumbled.

You swallowed thickly. You were about to make a dumb move, but fuck, he really needed to snap out of it.

Gently, you cupped his face between trembling hands, hoping your tender touch might pierce the delirium and make him snap out of it.

“Please, ‘Toru, focus on the sound of my voice. It’s not suguru, it’s me”

But he remained ensnared in his twisted visions, oblivious to reality.

“...Satoru... ‘Toru, listen to me. I’m not suguru.”

“I’m not him. I’m [Name], your girlfriend...”

Again, and again and again, you tried to convince him that you’re not suguru.

“I’m [Name], the one that you met at the bakery that you liked so much... And i’m not suguru ”

You phrased it in different words.

And yet...

He was still lost in it.

“What are you saying suguru?”

Dread constricted your heart, each moment bringing you closer to the brink. To flee would surely send him into a frenzy but to stay would probably result in suffering. 

“Don’t say things like that... Suguru”

he whispered.

“I still haven’t forgave you for running away.” He uttered, and a pit formed on your stomach.

“I’m [Name], not suguru—Toru... Please, fuck, snap out of it”

He ignored you as he gently caressed your cheek before guiding your head towards his for a kiss. Your heart pounded as your lips met, the sharp sting of his teeth on yours making you whimper.

“S’toru... Stop...”

When he didn’t stop, you reacted by biting his tongue hard, making it bleed. Surprisingly, this did not deter him; instead, he released a soft moan of pleasure. 

“Oh fuck... You’re still the same as always, suguru.”

You gasped as he finally pulled away from the kiss.

“Sa-Satoru... What the fuck..?” You shrieked. Why the hell did he said that? Does this meant that... He was in a previous relationship with Suguru? Did he used you as a rebound? No, fuck, he sees suguru in you.

You understand it now.

“I’ll make sure you don’t do it again,” He whispered.

“Huh?”

“Make sure that you don’t massacre a whole ass village again so that they won’t separate you from me...”

Slowly, deliberately, his other hand drifted downward toward your ankle. Your heart drops as you felt him do that.

Oh fuck, he’s not planning on snapping your ankles, is he?

“Satoru, no, no, no, no, no!”

You strained against his crushing hold, but could only witness in horror as his fist closed around the delicate bones.

“If you do that, i’ll never forgive you— AHHH!”

A strangled scream caught in your throat as you felt the unmistakable snap of your ankle splintering beneath his strength.

White-hot pain lanced up your leg and your vision blurred with tears of misery. Before you could process the pain of the first break, his hand was upon your other ankle. You knew what was coming yet were powerless to prevent it. Another sickening crack reverberated through your shattered nerves as satoru callously contorted the joint beyond its limits. Bone fragmented, muscle tore, and ligaments ripped apart, leaving your legs crippled and limp.

----𝐓𝐇𝐄 𝐖𝐎𝐑𝐒𝐓 𝐏𝐔𝐍𝐈𝐒𝐇𝐌𝐄𝐍𝐓 𝐘𝐎𝐔 𝐂𝐎𝐔𝐋𝐃 𝐄𝐕𝐄𝐑 𝐑𝐄𝐂𝐄𝐈𝐕𝐄 𝐈𝐒 𝐋𝐈𝐕𝐈𝐍𝐆 𝐓𝐇𝐄 𝐋𝐈𝐅𝐄 𝐎𝐅 𝐀𝐍𝐎𝐓𝐇𝐄𝐑 𝐏𝐄𝐑𝐒𝐎𝐍

His fingers pressed insistently beneath your chin, a mixture of gentle caress and firm control as he meticulously groomed your hair, each stroke designed to emulate the exact style of Suguru’s locks.

Tying it back partially, he sought to replicate every minute detail, ensuring you bore an eerie resemblance to his obsession—Suguru. But the true horror lay in his pervasive fixation upon you as Suguru incarnate. He paid face surgeons to sculpt and mold  your face until the reflection in the mirror bore a warped semblance to Suguru’s features, he would drape you in Suguru’s attire and bestowing upon you the very essence of his fucking bestfriend.

And the worst of it all? he managed to find suguru’s daughters and practically forced you to take care of them—like the way suguru would take care of them. Even suguru’s daughters were horrified — yet they were too scared to even refuse.

All of the horrors that he had made you go through broke you completely.

“Perfect,” he murmured with a self-satisfied hum, stepping back to survey his handiwork.

You just sat there, disoriented, and feeling hollow as an empty shell.

Stripped of your true identity and coerced into being someone else you weren’t. The drugs he administered clouded your mind, the brainwashing eroding your sense of self until you could no longer discern who you are. The only thing you knew is that you’re suguru.

It was a bad punishment, real, real bad punishment.

Your identity was snatched, and you were no longer yourself.

He furrows his brow, observing the silence that hangs between you.

“C’mon speak, suguru.” he urges, his gaze piercing into yours.

“Isn’t it perfect?”

Suddenly, a flicker of realization dances in his eyes as they narrow, scrutinizing the subtle yet noticable difference between your eyes and suguru. The shift is imperceptible to most, but to him, it is a glaring anomaly that demands attention.

A smirk curls onto his lips

“Seems like we need to adjust those eyes of yours as well, huh? Don’t you agree, suguru ?” 

Satoru sighed as his calloused fingers tangled themselves in thick ebony locks, pulling your motionless form taut against his chest. An ichor-cold sense of wrongness had settled itself deep in his marrow, its barbs tearing at his insides. 

His beloved Suguru was already here... But... Where is his [Name]?

“Nanako and Mimiko would be upset to see you like this suguru...”

​​​​​RING

RING

Satoru blinked at the sudden shrill clamor emanating from his phone—and he realized that someone was calling him, still cradling your form  against his chest with a singular hand. He took the device from his trousers one-handed, calloused fingers opening his phone.

When at last the lock screen dissolved into view, an icy shiver seized his marrowed bones. 

It was you—in your normal self, kissing him in the cheek, and you two looked very happy.

Why did suddenly felt wrong?

...

... It felt wrong...

So, so wrong.

Why did nostalgia for your genuine self now claw so vehemently at the fissures in his heart, when only Suguru had the right to reside there?  

[polish-art-tournament]

sculptures round 2 poll 1

Smok Wawelski (The Wawel Dragon) by BRONISŁAW Chromy, 1969:

propaganda: This is a famous and beloved statue outside of Wawel Castle (pronounced Vavel) in Kraków. The story of Smok Wawelski goes that he'd been eating all the animals (and people?) in Kraków so the king ordered his sons to kill him, but obviously the dragon is very dangerous. The princes tricked him by filling animals with tar and leaving them out. He ate them and when he tried to breathe fire, his insides burned up. There is a second version that says a cobbler tricked him into eating a tar-filled sheep and the tar made him so thirsty he drank the Wisła (the Vistula, the river that runs through Kraków) until he burst.

Fun fact, those are not extra arms but rather extra heads. Also, you can text the dragon to ask him to breathe fire, and then he does. He gets thousands of texts a day.

about the artist: When I was a kid, I was sure this statue was the actual Smok Wawelski that had somehow carbonized over a thousand years, but alas no, a guy made it in 1969 out of bronze. Bronisław Chromy was an artist, a professor, and Dragon Mother. He passed away in 2017.

submitted by @slaviclore

Sailor monument by Ryszard Chachulski, 1980 (Grunwald Square in Szczecin):

propaganda: Every december he is dressed as santa claus! [photo link]

[michaelnordeman]

Eurasian red squirrel/ekorre. Värmland, Sweden (December 2, 2017).

[zelda-heritage-posts]

Remakes and re-releases count!

Official mainline list:

The Legend of Zelda - August 22, 1987 - NES

Zelda 2: The Adventure of Link - December 1, 1988 - NES

The Legend of Zelda: A Link to the Past - April 13, 1992 - SNES

The Legend of Zelda: Link's Awakening - August 6, 1993 - Game Boy

The Legend of Zelda: Ocarina of Time - November 21, 1998 - N64

The Legend of Zelda: Majora's Mask - October 26, 2000 - N64

The Legend of Zelda: Oracle of Seasons and Oracle of Ages - May 13, 2001 - Game Boy Color

The Legend of Zelda: Four Swords - December 2, 2002 - Game Boy Advance

The Legend of Zelda: The Wind Waker - March 24, 2003 - GameCube

The Legend of Zelda: Four Swords Adventures - June 7, 2004 - GameCube

The Legend of Zelda: The Minish Cap - January 10, 2005 - Game Boy Advance

The Legend of Zelda: Twilight Princess - November 19, 2006 (Wii) / December 11, 2006 (GameCube)

The Legend of Zelda: Phantom Hourglass - October 1, 2007 - Nintendo DS

The Legend of Zelda: Spirit Tracks - December 7, 2009 - Nintendo DS

The Legend of Zelda: Skyward Sword - November 20, 2011 - Wii

The Legend of Zelda: A Link Between Worlds - November 22, 2013 - Nintendo 3DS

The Legend of Zelda: Tri Force Heroes - October 23, 2015 - Nintendo 3DS

The Legend of Zelda: Breath of the Wild - March 3, 2017 - Nintendo Switch

The Legend of Zelda: Tears of the Kingdom - May 12, 2023 - Nintendo Switch

[avaf00rd]

Leah Williamson relationship HC

A better fic will be out soon hang tight.

This is a scrap I made.

I would barely classify these as head cannons as they are very long. They are just about your relationship in general☺️

————————————————————————-

-you and Leah were best friends and crazy close when you first joined Arsenal in 2017. When you left to go to Barcelona in 2019 you both felt like a huge part of your lives were missing. When you came back to Arsenal in 2021 you both realised you were in love and started dating

-you always praise Leah for being the most fashionable person you know. You weren’t terrible yourself but you were always getting her to help you with what to wear daily

-whenever you two go to events together Leah will always make sure you get to the after party. Your pretty good at calling it a night often, which means Leah is dragging you for more drinks more often that not

-you, Leah and Alex Scott were sort of a trio. Sure Leah and Alex were a tad closer. But you had all been on multiple trips together

-your the cook of the house. She can’t go much further than toast. She tried to make frozen chicken one time for you both, but it ended up breaking the oven due to a weird setting she turned the oven on to.

-when she did her ACL you were in tears for her. When she walked off, She told you to get a goal for her. You didn’t in the end which made you sick to your stomach. You felt terrible and was just as devastated as Leah.

-your Australian. So bringing Leah over to your home was your favourite thing.

-Christmas in your house was amazing. You both decked out the house completely and danced and sung to Christmas songs all December.

-when buying your first house together. You had the biggest say. You had great taste is properties to buy so you kind of found a flat online and showed Leah. She said yes so you immediately booked an inspection. You got that flat two days later.

-You also bought all the furniture one night when you were both on international break and got it delivered to where Leah was. She was a bit shocked when she FaceTimed you after coming home to 45 delivery boxes.

-your taste in movies was so divergent. She liked the more fantasy movies like lord of the rings and Harry Potter. She also loved horror. Which was terrible for you. You loved romance movies, you’re either making Leah watch that or some stupid documentary you heard of.

-you were a huge dog person. And Leah already owned a dog when you first moved in together, but you had 2. So now it’s a crazy house 24/7.

-you love being together in the kitchen, listening to music and goofing around with a good bottle of wine. You both turn on old love songs and slow dance around the kitchen.

-she made you late to most trainings. Due to her stuffing around in the mornings. It got even worse when she cut her bangs

-one afternoon you were both chatting on how she used to have a fringe as a child. You said she would suit one (but you think she suits anything). So of course 2 weeks later she texts you to let you know she’s going to the hairdresser…

-Leah can be kinky asf. Come on we all know this

-sometimes after dinner you will beg her to play on the piano for you. She’s actually outstanding at it and you’re so proud of her. You will take your wine glass over and sit on the seat next to her while she plays.

-you tried to convince her to get Santa photos with the dogs. Which she very quickly declined.

-you were very good at makeup. You became obsessed with it as a teenage girl. So you find yourself doing Leah’s a lot for nights out and events. Even just doing a big look for fun.

-the girl couldn’t ride a bike to save her life. So you always tried to help teach her . She would somehow always say yes, Even if it was just an excuse to get a good laugh out of you.

-you and your Matilda’s team played in the World Cup and came fourth after being knocked out by her country in the semis. Your heart ached that you couldn’t finish it for your country, but it ached just the same at the fact that your girlfriend couldn’t lead her country to the grand finals like she had always dreamt of.

-every night you slept with your head tucked into the crook of her neck, arms cuddling onto her torso. It was just the best way both of your bodies melted together.

-sometimes she tried to take you on golfing dates. The first time she did, she told you she was good. Like the powerful Leah Williamson would. You were humble and said you would need her help. But when you swung your shot you actually made a great one and it had Leah’s jaw on the floor.

-you both had your first photo shoot together in 2020 just before covid. And you lived very minute of it. Now you have done heaps for brands like Calvin Klein, bikini brands, and more together, you both now being known for your hot couple photo shoots.

-you were both completely clumsy. The worst thing was when Leah and you had to screw a window nail tighter. Don’t ask why. But you apparently weren’t holding it properly. Causing it to fall out the other side of the frame. Completely shattering into the pool.

-though you were always chasing after her for outfit inspiration. You both looked phenomenal wherever you went. You would both be shot on camera court-side of a basketball game, on vacation or at dinner in the best outfits and hair.

-you though she was the hottest girl you had ever seen in your life. You had only had boyfriends who play football in your life before Leah. So you always blamed Leah for being gay.

-her love for country music was one of the things that made you fall in love with her. Along with her charming personality

-you were a striker for arsenal. When you scored in a game, you would do your celebration jump with your fists in the air and always try to look for Leah, to see if it was her arms you could jump into first. And she was always there, screaming at you for your goal with her arms wide open.

-your a bottom most of the time. But sometimes you switch it up and she lives for your dominant side.

-you suffered a severe back injury in 2022 while in Australia. You were scared you would never play again. Leah was on the next plane out to Australia, even though she was told not to. Just so she could sit next to your bed and hold your hand for hours.

-seeing Leah back in training after doing her ACL. With the brightest smile on her face, made your heart melt every time.

[mydaddywiki]

Kirby Smart

Physique: Husky Build Height: 5'10" (1.78 m)

Kirby Paul Smart (born December 23, 1975) is an American football coach and former player. He is the current head football coach at the University of Georgia, his alma mater. As head coach, he led the Bulldogs to back-to-back national championships in 2021 and 2022.

Handsome, solid body, nice dick sucking lips (dsls) and if you look closely you will note that he has a ferociously furry arms. So he's possibly hair. I must of had blinders on before because I never realize how hot Kirby is. I don’t know why I haven’t notice him til now. Oh I know, I haven’t seen a Georgia game in who knows how long. Now I’m going to change that.

Born in Montgomery, AL, and grew up in Bainbridge, GA. Smart began his playing career at Bainbridge High School and went on to play college football at the University of Georgia. Smart graduated from the Terry College of Business in 1998 with a bachelor's degree in finance. He went undrafted in the 1999 NFL draft and signed a free-agent contract with the Indianapolis Colts. He spent the 1999 preseason with the team but was cut before the start of the regular season. In 2003, Kirby attended Florida State University for graduate school.

Smart began his coaching career with the University of Georgia in 1999, Valdosta State in 2001, and at Florida State while pursuing a master's degree from 2002 to 2003. Smart then spent one season under head coach Nick Saban in 2004 before following to Miami Dolphins in 2006 then to the University of Alabama in 2007. On December 1, 2015, it was "reported" that Smart had been hired as the next coach for Georgia.

Again married… aren't all the hot ones? He pretty much seems to have lived and breathed football his entire life, when he wasn't marrying his college sweetheart, Mary "Beth" Elizabeth Lycett (awww) and having three kids. There isn't much else I can say about him. He's good looking and I'd love to fuck him until his head caved in. Well, he would probably disagree.

Head Coaching Record Overall: 100–17 Bowls: 9–2 Tournaments: 5–1 (CFP) National 2 SEC (2017, 2022) 6 SEC East Division (2017–2019, 2021–2023)

Accomplishments and Honors Awards: George Munger Award (2017) 3× SEC Coach of the Year (2017, 2021, 2022) Broyles Award (2009) AFCA Assistant Coach of the Year (2012) First-team All-SEC (1998) Second-team All-SEC (1997)

[37sommz-archive]

✼. THRU SPACE 'N TIME | PROFILE.

Born in Gold Coast, Australia on December 23, 1999, Michaela Sommers was introduced to the world of motorsports from a early age. Her father, Tobias, and his younger brother, Travis Sommers, were avid Formula racing fans who idolized the likes of Senna, Schumacher, and Lauda. The motorsports bug skipped over Sommers' older sister, Samantha, before biting her at the mere age of six. By her ninth birthday, Michaela was competing in karting championships along the Australian east coast.

Despite her natural aptitude for racing, Michaela recalls facing discrimination for both her race and gender quite early on while karting. Despite the negativity that would swirl around her reputation, the young driver would win her first national championship at the age of twelve with plenty of rumors circling concerning her future in the sport. Sommers would attempt to enter her first international competition, but was barred from entry after her father lost his job in the summer of 2012.

Without much hope, Michaela would step back from racing for nearly six months before eventually deciding to join her uncle who had moved to England after his marriage just years prior. Travis then became Michaela's manager, working endlessly to ensure his niece would be able to continue climbing the karting ladder. Shortly after her move to England, her uncle would connect with Australian F1 driver Mark Webber who would travel to watch her race in a regional competition in 2013. Stunned by her potential, Webber helped the young girl to catch the attention of a racing team competing in the Ginetta Junior Championship alongside future McLaren teammate Lando Norris. Sommers' transition to racing cars would prove successful, securing a junior championship at just 14 years old.

Sommers would continue working through the ranks, receiving extensive media attention and comparisons to Lewis Hamilton as a teenager. Spending one year at the Formula 3 level, Michaela would race for British team Jagonya Ayam in 2015 finishing fifth in the championship and second in the rookie cup, both below Charles Leclerc. Her performance would catch the attention of Italian team Prema Racing who signed her to development for higher formulae alongside Pierre Gasly for the 2016 season.

Despite an average result, ending her rookie season in sixth place, Prema would resign the Australian who would be simultaneously be selected to join the Ferrari driver development program for the 2017 season. That same year, Sommers would wrap up her Formula 2 season in second place, once again behind Charles Leclerc.

Eventually, Michaela would finally secure a Formula 2 championship in 2018 while signing on as a reserve driver for Ferrari. Her official Formula One debut came after Sommers signed on to be Alfa Romeo's second-seat driver for the 2019 season, securing one-point in her debut race before finishing her rookie season in eighth place.

✹.⠀⠀،،⠀THE BASICS.

birth name: michaela jeanette sommers alias: mickey sommers date of birth: december 23, 1999 zodiac sign: capricorn hometown: gold coast, australia ethnicity: australian & xhosa nationality: australian, south african languages: english, italian weight: 121 lbs (55 kg) height: 5'7" (169 cm) dominant hand: left family: tobias sommers, miriam sommers, samantha sommers faceclaim: tinara westbrook

✹.⠀⠀،،⠀THE FORMULA CAREER.

01. GINETTA JUNIOR CHAMPIONSHIP (2014). ✼.⠀team: jhr developments ✼.⠀number: #72 ✼.⠀teammates: alex sedgwick, dan zelos, jamie chadwick, senna proctor ✼.⠀highest race finish: 1st (x7) ✼.⠀championship standing: 1st

02. FORMULA THREE (2015). ✼.⠀team: jagonya ayam ✼.⠀number: #54 ✼.⠀teammates: gustavo menezes, ryan tveter ✼.⠀highest race finish: 1st (x1) ✼.⠀championship standing: 5th

03. GP2 SERIES (2016). ✼.⠀team: prema racing ✼.⠀number: #20 ✼.⠀teammates: pierre gasly ✼.⠀highest race finish: 1st (x3) ✼.⠀championship standing: 6th

04. FORMULA TWO (2017). ✼.⠀team: prema racing ✼.⠀number: #2 ✼.⠀teammates: charles leclerc ✼.⠀highest race finish: 1st (x5) ✼.⠀championship standing: 2nd

05. FORMULA TWO (2018). ✼.⠀team: prema racing ✼.⠀number: #3 ✼.⠀teammates: nyck de vries ✼.⠀highest race finish: 1st (x7) ✼.⠀championship standing: 1st

06. FORMULA ONE (2019). ✼.⠀team: alfa romeo racing ✼.⠀number: #37 ✼.⠀teammates: kimi raikkonen ✼.⠀highest race finish: 4th (x1) ✼.⠀championship standing: 7th

07. FORMULA ONE (2020). ✼.⠀team: alfa romeo racing ✼.⠀number: #37 ✼.⠀teammates: kimi raikkonen ✼.⠀highest race finish: 3rd (x2) ✼.⠀championship standing: 7th

08. FORMULA ONE (2021). ✼.⠀team: mclaren ✼.⠀number: #37 ✼.⠀teammates: lando norris ✼.⠀highest race finish: 1st (x1) ✼.⠀championship standing: 4th

09. FORMULA ONE (2022). ✼.⠀team: mclaren ✼.⠀number: #37 ✼.⠀teammates: lando norris ✼.⠀highest race finish: 1st (x2) ✼.⠀championship standing: 4th

10. FORMULA ONE (2023). ✼.⠀team: aston martin ✼.⠀number: #37 ✼.⠀teammates: fernando alonso ✼.⠀highest race finish: 2nd (x7) ✼.⠀championship standing: 3rd

✼. view:⠀navigation page⠀⸻⠀join the taglist⠀⸻⠀request.