#Debler

[cece050]

Mis huesos no lloran lágrimas

Solo tequila y mezcal

Se desató mi garganta

Canta y traga charanda

Ahora que no estás

[citlalya1311]

*CHÚ*

IDK, yesterday's thingy kept me thinking on this xd

(I found that audio randomly and then said "THEEEEM!")

*c regresa a su esquina xd*

[kimberlyharrisus]

Looking For Well Hydrofracturing Services Haliburton ON? Contact Debler Well Drilling

Debler Well Drilling offers Well Hydrofracturing Services in Haliburton ON. A hydrofracture is completed when there is a well with insufficient water. This procedure pumps water down the well under extreme pressure to fracture the rock. Contact us today.

[angelodante666]

Rabia, sobre mi cuerpo el peso de la venganza, no puedo olvidar el dolor. Grito, y paso a paso vuelvo hasta nuestro antiguo edén, que en ruinas se convirtió. ¡Basta! Aún me atormenta el recuerdo de su llanto, que yo no pude apagar. Almas que en su mirada solo reflejan odio y crueldad.

[malvido-photography]

. Débler en el Gabonak In Hell 2020 . 📸ＩÑＩＧＯ ＭＡＬＶＩＤＯ Photographer . 📲 CONTRACTS IN DM . 🌐 www.ＭＡＬＶＩＤＯ.es . #debler #gabonakinhell #donostiasansebastian #metalband #heavymetal #singer #cantante @debler_oficial #malvido #basquecountry https://www.instagram.com/p/B8YDrFjqv8j/?igshid=l2avo0wc9x1x

[ladyiinblue]

"No quiero que una lágrima se apodere de mi esta vez inundado de miedos mi ser" #Debler #RosasColorMarfil #Rosa #Roja #Marchitandose #Ma #VenConmigoAlCieloQueTePrometí (en Leganés)

[lamaisongaga]

BACK IN TIME: LADY GAGA APPEARS ON THE VIEW IN LEVER COUTURE, WING & WEFT GLOVES, VERSACE

Lady Gaga made an appearance on “The View” right on the day of her “Born This Way” album release date. The songstress sported black head-to-toe and you’re about to find out who designed each piece invididually!

Lady Gaga turned up in a strapless black hair corsage dress with high-and-low hem from Berlin-based label LeVer Couture’s Special Edition 2010 collection. Love, love, LOVE this look!

Major point for the accessorizing. This black & gold lucite cross chain necklace that she used as a headpiece around her pony tail is vintage Christian Lacroix she found at Resurrection Vintage.

Gaga also wore vintage cat-eye shaped frames with gold and black trim by Charme, model 7089. She got them from Vintage Frames Company.

The Italian-American fashionista also wore the golden Atlas bangle by Tiffany & Co. featuring Roman numerals all around.

Her black lace-up leather driving gloves were custom-made for her by Wing & Weft Gloves and Berlin-based accessory designer Silke Debler.

Gaga also wore two different rings on her left hand. One is the Cartier 18K yellow-gold Panthère ring with peridot eyes, onyx nose and black lacquer spots.

Gaga also wore two pieces by Madrid-based jewelry house Nicol’s. Firstly, the two finger snake ring in yellow-gold with diamonds is from their most emblematic “Safari” collection...

...and the Paloma gold bracelet with precious stones from their Art Deco-inspired collection.

The chunky anklet, which is actually a bracelet, is a vintage Versace piece that was gifted to her by a Japanese fan (similar version pictured).

Gaga’s leather belt with Medusa emblems is another vintage Versace. 

The final Versace piece is this vintage studded black leather purse with Greek key strap and Medusa emblem.

For the occasion, she opted for custom black Lady Mary platform boots by Noritaka Tatehana.

[age-of-shadows]

∞

“¿Dónde estás? Te he buscado en mis lágrimas Y solo encontré Las sonrisas que pintaste aquí en mi piel

No volverás Sé bien que tú no volverás Te prometo que Si aquí no hay justicia yo la impartiré”

Grita que No (trans: “Scream No” ??) - Debler

[michaelelvidge]

TONIGHT!!!!A Brand New Episode Of The COVERAGE RADIO SHOW!!!! With New Music From Conan Neutron & The Secret Friends, The Red Moons, Trash Heaven, Debler, Tarah Who?, Sawchuk, Johnny And The Rotten, The Incurables, TIME, The Smallest Creature, Sacrilege, Fugue, Morphium, Gangrenectomy, Astral Experience, and Alyanza and remember it's only on... www.420radio.ca

[d-razvan]

Debler - Adictium

Debler – Adictium

Piesa care dă titlul noului album Debler este una dintre cele mai catchy faze rock pe 2019. Ar putea fi folosită ca “entrance theme” în WWE.. mai ales că Ruben Kelsen aduce a Shawn Michaels. 😀 Vocea sexoasă, elanul, momentele gladiatorești de întrerupere, versurile și gradarea intensității recomandă melodia drept pretext savuros pentru captarea publicului mainstream de ring. Sau, în ideea…

[msymphony]

Crónica de la presentación de "Somnia" de Débler en Madrid

Crónica de la presentación de “Somnia” de Débler en Madrid

Débler – 16 de Septiembre’17 – Sala Cool Stage ( Madrid)

Hace unos 6 meses que salió al mercado “Somnia” la segunda entrega del quinteto madrileño con Rubén Kelsen voz (ex Bestia Negra / solitario..), Alex García guitarra, Sergio García bajo, Daniel Fuenes violín y Nelson Valenzuela batería, donde contaron con Txus Di Fellatio (Mägo de Oz) para la producción y composición de algún tema y que ha…

[metalcrywebzine]

@debler_oficial en el @tajunarock 2017 #tajuñarock #debler #somnia

[metalcultbrigade]

Pilar Giménez García "Ailyn", vocalista do Trail of Tears, Melted Space (live), Her Chariot Awaits, ex-Sirenia, ex-Debler Eternia (live), ex-Charm, ex-Frontiers All Stars, completa 40 anos nesta data. https://www.instagram.com/p/CeKDRhopGfp/?igshid=NGJjMDIxMWI=

[joseanzombie2674]

DEBLER ETERNIA estrena el videoclip "Cada Latido", primer single de adelanto de su próximo álbum

DEBLER ETERNIA estrena el videoclip “Cada Latido”, primer single de adelanto de su próximo álbum

DEBLER ETERNIA, la banda de metal sinfónico de Madrid se viste de gala y estrena nueva formación, nuevo nombre y nuevo single con videoclip. Debler Eternia es la respuesta de los integrantes que restan del grupo primigenio Debler que como todos sabeis, se disolvió en medio de una cierta polemica. “Cada Latido” es el primer single de su nuevo disco que, por lo que podemos observar, llevará una…

[backstage-bucknell]

The 2021-2022 Season

After the whirlwind that has been 2020 and the start of 2021, we’ve gotten to experience what it really means for the arts to endure, despite whatever obstacles might present themselves. Shows that were postponed are returning, and both  student and guest directors have exciting plans! Take a look at what Theatre & Dance has got planned for 2021-2022 – starting with this Friday’s premiere of Anxious People!

Fall 2021

First Year Showcase

Anxious People

"Headed toward a place of connection." - playwright Carol Y. Lee

Anxious People! by Carol Y. Lee is a brand new play that explores the human condition. What makes us nervous, upset, embarrassed, heartbroken? When can we find these valuable moments of connection that remind us that we are not alone? The First Year Show is a community-driven show, open to all first years regardless of prior experience. Through vignette style writing, this ensemble based show is the perfect opportunity to learn more about theatre on campus, meet new first years with similar interests, and create that connection that will last throughout college. 

Friday, September 17th and Saturday September 18th at 7:30 PM | Harvey M. Powers Theatre

check out the promo video for Anxious People made by Ryan Bremer ‘22, along with some thoughts on his inspirations behind the work (Inspirations and Reflections on a Publicity Video, Or: Ryan Talks About Fonts for Way Too Long)

    Showcase 

The Taming of the Shrew(s)

By William Shakespeare 

Directed and Adapted by Katharine Cognard-Black

September 24-26th Friday and Saturday at 7:30pm Sunday 2pm

Bucknell Hall Free Admission

Taking a fresh look at Shakespeare’s classic but challenging play The Taming of the Shrew, director/adaptor Katharine Cognard-Black ’21 will be exploring three interpretations of select scenes from The Taming of the Shrew(s) and will provide distinct, and sometimes even contradictory ideas, about gender dynamics within the play and in Shakespeare’s work. Cognard-Black’s new adaptation examines and questions the play’s complex depictions of gender and identity within a contemporary context.  

“Shakespeare’s plays do not answer questions; they are not definitive about characters, themes, and concepts. Rather, they raise questions that are subject to interpretation of every new century, every director, every reader, and every sensibility.”  

Emma Smith, author of This is Shakespeare

Congratulations & Welcome to the Cast and Crew of The Taming of The Shrew(s) by Shakespeare (Directed by Katharine Cognard-Black ‘21):

Katharine - Elisabeth Penafiel ‘23

Katharine - Libby Hoffman ‘24

Katharine -  Emma Battle ‘22

Petruchio -   Andrew Schafale ‘24

Petruchio  - Chaim Gould ‘22

Petruchio -  Reid Fournier ‘24

Stage Manager - Grace Lostak-Baker ‘23

The Fall Theatre Mainstage 2021: Two Shows in Rep

Repertory theater, a method of producing theatre from a resident company in alternation or rotation, has been a popular style of offering plays through-out the history of Western theatre. The benefits of companies being able to produce multiple shows ‘in rep’ are many. In commercial theatre, companies can offer increased variety and riskier, more controversial productions when paired with (and subsidized by) plays that have been more popular in the past. The tradition of repertory theatre values a commitment to a more experimental rehearsal style, rich with time for exploration. This style tends to embrace a minimalist approach in small spaces, offering an intimate atmosphere within which audiences can experience plays more viscerally. Attention is also given to the possibility that costumes, props and sets can be interchangeable between productions in creative ways.

At Bucknell, we chose to explore the idea of two plays in-rep because we see the value in experimental projects as well as the rare opportunity for the audience to be up close to the story and the actors. More than that, we saw it as an opportunity for these two plays to be more profoundly in dialogue with each other. As we often enjoy in our theatre courses, the chance to read, compare and contrast two stories is a treat which inspires much conversation and gives us a richer understanding of the subject matter as a whole. In classes, comparing plays seen through the eyes of differently gendered playwrights can be astonishing. In our collaboration, the identities of the playwrights is just the beginning. We seek to compare, contrast and connect these two plays in multiple ways.

Two different families, two different time periods, two totally different settings seemingly having nothing in common - and yet each play is centered on the devastating complexities of race in America. What does it mean when a white family in the early 2000’s is forced to come to terms with a painful past steeped in oppression? What does it mean when a Black family in the mid 1950’s tries to imagine a better future and hurts one another trying to find their way forward? Further, how is the possibility of "family" formation pitched into crisis in the afterlife of slavery? 

Do these two families have anything in common? Are they connected? Or are they merely ghosts in each other’s stories, haunting one another with secrets, pain, and the regret of choices never made. Our two plays in-rep: Appropriate by Brandon Jacob Jenkins and Crumbs from the Table of Joy by Lynn Nottage offer our community at Bucknell the chance to experience, question and struggle through the many ways in which all of our stories all intersect. 

We are excited to present these two shows, not as separate productions, but as a connected project. Two plays, one stage. Two productions, one weekend. Two casts, one company. Two extraordinary experiences. One sensational program. Join us for the Bucknell Department of Theatre and Dance’s Fall Theatre Mainstage Productions 2021: Crumbs from the Table of Joy and Appropriate. It’s about time we look deeply at the challenging stuff that continues to haunt us, together. 

- Anjalee Deshpande Hutchinson in partnership with Jaye Austin Williams

Crumbs from the Table of Joy  

by Lynn Nottage

Directed by Dr. Jaye Austin Williams

Friday Oct 22 @ 7:30pm, Saturday Oct 23 @ 2 p.m., Monday Oct 25  @ 7:30pm 

Tustin Studio Theatre     $12 general /$7 students 

Crumbs from the Table of Joy tells the story of the Crump family - a recently widowed father, Godfrey, who heads up north to Brooklyn, New York from Florida in 1950, with his two daughters, Ernestine and Ermina. Ernestine, from whose perspective the story unfolds, wants to become a writer. She bonds fiercely with her dead mother's sister, Lily, who has already migrated north in search of a life beyond the formidable struggles black people are facing every which way, and a platform upon which to fight against them. Godfrey, in search of a sense of belonging to wrench him from his grief, takes solace in the teachings of Father Divine. Young Ernestine studies these two survival strategies and draws some conclusions of her own when, by play's end, we find she has foreseen more of the twists and turns to come than we could ever dare imagine.

Congratulations and Welcome to the Cast of Crumbs From the Table of Joy:

Ernestine Crump - Jeniah Martin ‘22 

Ermina Crump - Azhani Duncan-Reese ‘23

Lily Ann Green - Bryanni Williams ‘23

Godfrey Crump -  Isaiah Mays ‘23

Gerte Schulte - Maggie Hunter ‘24

Godfrey U.S.   - Quentin (“Q”) Andrews ‘24

Gerte U.S. -   Miki Du Bois ‘22

Asst. Directors -   Emma Battle ‘22 & Quentin (“Q”) Andrews ‘24

Stage Manager - Jillie Santos ‘22

Asst. Stage Manager - James Howe ‘23

Appropriate 

by Branden Jacobs-Jenkins

Directed by Professor Anjalee Deshpande Hutchinson 

Thurs Oct 21 @ 7:30pm, Sat Oct 23 @ 7:30pm, Sun Oct 24th @ 2 p.m. 

Tustin Studio Theatre     $12 general /$7 students 

Appropriate, by Brandon Jacob Jenkins, takes us on a journey to a decaying Southern plantation home whose deceased patriarch leaves behind an unexpected legacy for his estranged children returning to divide up the estate. The grown children include a disgraced high school principal, a wealthy New York businessman, and the black sheep of the family who climbs through a window after having been disconnected for over a decade. In addition to bringing their own baggage to this dysfunctional family reunion, each sibling brings their new family members, including a wife, children, and a fiance. As they begin the process of painstakingly going through the contents of their father's years of hoarding to give, sell or throw away his treasures they come across a disturbing photo album. One which contains nothing but page after page of photos of black men being lynched. The family’s discovery about their father cuts right to the heart of their identities; as individuals, as a family, and as a part of an American history they thought they understood. Part ghost story, part family drama, part black comedy; Appropriate offers an unflinching look at one American family and their very own racial reckoning.

Congratulations & Welcome to the Cast and Crew of Appropriate:

Bo - Jon Riker ‘22

Rachael - Jillian Flynn ‘22

River -   Sydney Dickinson ‘22

Franz - Peter Cholnoky ‘22

Toni - Bethany Fitch ‘23

Cassidy - Haley Dickinson ‘23

Rhys - Kieran Calderwood ‘24

 Bo U.S. - Ryan Bremer ‘22

Rachael U.S.-  Katherine Leschner ‘23

River U.S. -  Katherine Leschner ‘23

Franz U.S. - Ryan Bremer ‘22

Toni U.S. - Sabrina Debler ‘22

Cassidy U.S. - Grace Woodhouse ‘25

Rhys U.S. - Griffin Miller ‘24

Asst. Directors -  Nabeel Jan ‘23 & Joe Fazio ‘22

Stage Manager - Julia Tokish ‘22

Asst. Stage Manager - Yasmine Adam ‘24

Showcase

Fall Dance Showcase                                        

 Directed by Kelly Knox

Saturday November 13th at  2 pm & 7:30 pm

Harvey M. Powers Theatre     $7 general admission

Looking forward to taking the stage this year, the Fall Dance Showcase features student guest artist, and faculty choreography as well as student dance groups and dance classes. The concert lives up to its name, highlighting the various forms  of dance on campus with room for folks of  all backgrounds and experiences.  Always a wonderful celebration of our dance community, please join us! 

Dance Mainstage

Fall Dance Concert: Asian Gala

Directed by Er-Dong Hu      

Fri Dec 3rd @ 7:30 pm & Sat Dec 4th @ 7:30 pm

Harvey M. Powers Theatre 

With generous support from the Lisa Lu Foundation and in conjunction with the Department of Theatre and Dance and the Bucknell China Institute, the Dance Program hopes you’ll join us for an Asian Gala Celebration. Featuring the choreography of guest artists, faculty, and students, this concert seeks to  promote the richness and elegance of Asian dance forms.  

Showcase

Cocktail Theatre

Directed by the students of THEA 240             

Mon Dec 6 & Tues Dec 7 (time TBA)

Tustin Studio Theatre Admission:  Free

The Cocktails are the final projects for our Directing 1 students. Come and enjoy a night of always entertaining, 10 minute, one act plays.

 Spring 2022

 Theatre Mainstage 

Electra

By Sophocles

Directed by Cfrancis Blackchild

Friday, Saturday, Monday Feb. 25, 26, 28  7:30pm & Sunday  Feb 27 2pm

Tustin Studio Theatre $12 general /$7 students

Theatre Mainstage

Fun Home     

Book and Lyrics by Lisa Kron

Music by Jean Tesori

Directed by Bryan M. Vandevender

Friday, Saturday, Monday April . 8, 9, & 11 at  7:30pm, & Sunday  April 10 at  2pm

Harvey M. Powers Theatre $12 general /$7 students

Showcase

Choreographer’s Showcase   

Directed by Er-Dong Hu

Friday April 5  7:30

Saturday April 6  2pm and 7:30pm

Tustin Studio Theatre $12 general /$7 students

Dance Mainstage

Spring Dance Concert   

Saturday April 27th 7:30pm

Sunday April 28 2pm

Weis Center For The Performing Arts $12 general /$7 students

[lamaisongaga]

BACK IN TIME: LADY GAGA VISITS BEST BUY IN ALEX NOBLE

On the release day of her album ‘Born This Way’, Lady Gaga hosted a Meet & Greet session at Best Buy in New York City. Check out what she wore right below!

Gaga sported a custom Alex Noble black leather body harness with golden chains, which was part of her Graham Norton ensemble.

The black perforated leather bra with strappy shoulders is the Café Society bra by Marlies Dekkers. 

She also carried her custom Tom Tom Fashions “Born This Way” spray-painted and studded grey leather vest.

These adorable oversized black acetate sunglasses with gold-tone brow bar and sides are vintage Gianfranco Ferré GFF 16/S.

Her black fingerless lace-up leather gloves were custom-made for her by Wing & Weft Gloves and Silke Debler.

Blink and you’ll miss it. Her Cartier 18K yellow gold piece with peridot eyes, onyx nose and black lacquer spots is Panthère ring.

Gaga’s Sarah black patent heelless lace-up platform ankle boots belong to Bettie Page, an in-house brand by Ellie.

When leaving the venue, she exchanged her former sunglasses for these vintage Versace S91 black and gold metal shield-shaped beauties!