#Death & Co.

[liveandbreathemusicals]

Gay people will be like “this is my comfort show!” And then show you the most emotionally devastating, stress-inducing, tragic piece of media you have ever witnessed

[sconesfortea]

are they running to each other? while fighting the british?

[thefrsers]

#soulmates fr😭

[scatterbrainedbot]

cass, a professional: order of badass donbot, extra dramatic entrance!

me, nodding, banned from most kitchens: leo drama and angst, heard chef!

(shoutout to @somerandomdudelmao for yet again making feel emotions i cannot fully explain)

[curapicas]

I'm aware this is part of the trend of snarky, snappy dialogue we see for banter on the american television. But I like that it's also Cassandra's little sister instinct shining through - every time we see her in season 3 she's being a leader, a lady, someone who deserves to be at the discussion table; and that's all well and good. Except whenever she's one on one with Percy she's smart mouthing him, being snarky and lovingly annoying him, lol. I think that goes to show how she leans on her big brother, and does so in a way that brings out a more comfortable and youthful side of her. As much as the De Rolos are not huggers, he was clearly all the family she had left :(((

[noecantsleep]

ship so good they had to cancel the fucking show

[ineffablehunter]

I love that when a show does something sad and gay the other sad gay shows start trending too

[serious-goose]

ed and stede as innkeepers though would be so funny. because they're both insane. so imagine you show up to the inn and ed answers the door in a kiss the cook apron and tells you all about how he's an innkeeper and not a pirate and sometimes a fisherman and an accountant. and that dinner is at 8 and he hopes you like fish because he's cooking fish for dinner ('again' stede adds curtly). and stede shows you to your room and tells you about all the furniture and art in the place and how 'none of it is stolen, if you were wondering'. and there's a lot of erotic merman art in the gift shop. and the place is quaint but you can't sleep because the owners are having fucking buck wild sex downstairs so it makes it hard to make eye contact with them at breakfast.

[littleblackraincloudofcourse]

My apologies to the hard working, unfairly treated, writers, directors, cast and crew but I am not exaggerating when I say I am one more cancelation from not being willing to start any more new shows. I can't keep getting attached to these characters and excited to see their stories only for them to canceled after one or two seasons and never be told. Especially when most of them only get eight episodes or less. I wouldn't mind short seasons if I got a complete story but that rarely happens anymore.

[grayblebayble]

Studios are so obsessed with trying to find the next cash cow that they will kill the calf before it's weaned from its mothers milk.

[soupdweller]

CW: BLOOD

day 14: Knock...

[mr-and-mr-mitchell]

Shows that got cancelled despite being good, popular, and having tonnes of potential to go on to become classics:

Kaos - 1 season - Netflix - Ends with set up for a following season

Shadow and Bone - 2 seasons - Netflix - Season 3 was already mostly written when cancelled

My Lady Jane - 1 season - Amazon Prime - Story not resolved, set up for a second season (in fact the show shows you what's supposed to happen in the second season)

Half-Bad: The Bastard Child and the Devil Himself - 1 Season - Netflix - Main story wrapped up but easily open enough for a second series exploring the world

Star Wars: The Acolyte - 1 season - Disney Plus - First series feels mostly like set up for a second series we'll now never get

Dead Boy Detectives - 1 season - Netflix - Set up for a second series with a minor cliff hanger and an open continuation for the characters

Lockwood and Co - 1 season - Netflix - Potential for a second season

I Am Not Okay With This - 1 season - Netflix - Story not properly resolved, needed a second season

National Treasure: Edge of History - 1 season - Disney Plus - Story concluded, but lots of potential for a second season

Gentleman Jack - 2 Seasons - HBO Max/BBC - So much more potential, it had so much real life basis it could have followed

Our Flag Means Death - 2 Seasons - HBO Max - I actually liked the ending we got, but I feel like the show had more potential, particularly with the crew

First Kill - 1 season - Netflix - (Not one I watched, it was on my tbw but it got cancelled and I didn't see the point)

Grease: Rise of The Pink Ladies - 1 season - Disney Plus - So much more potential And Insult to injury they've all but wiped it from the platform

A running theme for these shows are that they have a pretty high amount of LGBT rep, with a lot of these shows centering on queer characters and stories, as well as representation for POC. There are also a lot of fantasy/supernatural shows.

I just find it fascinating that there seems to be a lot of similarities between most of these shows.

[notaplaceofhonour]

“As a Jew…” I don’t care if you are Jewish, if your personal sense of justice, morality, or ideology leads you to turn your back on half the world’s population of Jews & you’d rather they die than waver on your “deeply-held principles”, how tf are you part of the Jewish community? you want half of it to be destroyed!

If your idea of “Jewish values” leads you to actively seek the death of your siblings’ entire nation, culture, and way of life, why shouldn’t you be cut out of the community? you’ve already thrown the rest of your community to the wolves; how tf can you still expect to be treated as part of it? you are endangering us

[ineedhjalp]

oh honey i have rewatching capabilities you couldn’t dream of

[fairer-tales]

what if they just gave sherlock like. a lego set.

[sconesfortea]

2.02 vs 2.03