#David Gemmill

[acmeoop]

Martian Tripod Operator “Rage Rover” (2021)

[acmeoop]

Bugs Bunny Breakdown Sheets “Looney Tunes Cartoons” (2020)

Bugs Bunny breakdown sheets from the new Looney Tunes Cartoons, shared by Warner Bros. Animation on Twitter. First two are from Jim Soper and the last two are from Alex Kirtoon and David Gemmill

[michaelcoffeysthoughts]

Watched Today: Bugs Bunny’s Howl-O-Skreem Spooktacular (2022)

[ulkaralakbarova]

When Queen Elizabeth’s reign is threatened by ruthless familial betrayal and Spain’s invading army, she and her shrewd adviser must act to safeguard the lives of her people. Credits: TheMovieDb. Film Cast: Elizabeth I, Queen of England: Cate Blanchett Sir Walter Raleigh: Clive Owen Sir Francis Walsingham: Geoffrey Rush Sir Christopher Hatton: Laurence Fox Amyas Paulet: Tom Hollander Elizabeth Throckmorton: Abbie Cornish Robert Reston: Rhys Ifans King Philip II of Spain: Jordi Mollà Mary, Queen of Scots: Samantha Morton Anthony Babington: Eddie Redmayne Calley: Adrian Scarborough William Walsingham: Adam Godley Archduke Charles: Christian Brassington Count Georg von Helfenstein: Robert Cambrinus Dr. John Dee: David Threlfall Spanish Minister: Vidal Sancho Ursula Walsingham: Kelly Hunter Lord Howard: John Shrapnel Torturer: Sam Spruell Cellarman: David Sterne Admiral Sir William Winter: David Robb Courtier: Jonathan Bailey Walsingham’s Servant: Steve Lately Woman with Baby: Kate Fleetwood Infanta Isabel of Spain: Aimee King Annette: Susan Lynch Mary Walsingham: Kristin Coulter Smith Queen Elizabeth’s Waiting Lady #1: Hayley Burroughs Queen Elizabeth’s Waiting Lady #2: Kirsty McKay Queen Elizabeth’s Waiting Lady #3: Lucia Ruck Keene Queen Elizabeth’s Waiting Lady #4: Lucienne Venisse-Back Laundry Woman: Elise McCave Margaret: Penelope McGhie First Court Lady: Coral Beed Second Court Lady: Rosalind Halstead Manteo: Steven Loton Wanchese: Martin Baron Walsingham’s Agent: David Armand Sir Francis Throckmorton: Steven Robertson Ramsey: Jeremy Barker Burton: George Innes Mary Walsingham: Kirstin Smith Old Throckmorton: Tim Preece Dance Master: Benjamin May Royal Servant: Glenn Doherty Dean of Peterborough: Chris Brailsford Executioner: Dave Legeno Spanish Archbishop: Antony Carrick Marriage Priest: John Atterbury First Spanish Officer: Alex Giannini Second Spanish Officer: Joe Ferrara Courtier: Alexander Barnes Courtier: Charles Bruce Courtier: Jeremy Cracknell Courtier: Benedict Green Courtier: Adam Smith Courtier: Simon Stratton Courtier: Crispin Swayne Mary Stuart’s Lady in Waiting: Kitty Fox Mary Stuart’s Lady in Waiting: Kate Lindesay Mary Stuart’s Lady in Waiting: Katherine Templar Courtier (uncredited): Morne Botes Young Boy (uncredited): Finn Morrell Tyger Salior (uncredited): Shane Nolan Film Crew: Screenplay: William Nicholson Director of Photography: Remi Adefarasin Editor: Jill Bilcock Original Music Composer: A.R. Rahman Original Music Composer: Craig Armstrong Set Decoration: Richard Roberts Stunts: Peter Pedrero Stunt Coordinator: Greg Powell Casting: Fiona Weir Stunts: Rob Inch Stunts: Andy Smart Additional Camera: David Worley Costume Design: Alexandra Byrne Supervising Sound Editor: Mark Auguste Production Design: Guy Hendrix Dyas Supervising Art Director: Frank Walsh Director: Shekhar Kapur Screenplay: Michael Hirst Editor: Andrew Haddock Art Direction: David Allday Set Costumer: Martin Chitty Sound Re-Recording Mixer: Steve Single Scenic Artist: Rohan Harris Stunts: Ray Nicholas Art Direction: Andy Thomson Art Direction: Jason Knox-Johnston Production Manager: Mark Mostyn Stunts: George Cottle Stunts: David Anders Stunts: Peter Miles Visual Effects Supervisor: John Lockwood Stunts: John Kearney Stunts: Paul Kennington Stunts: Nick Chopping Costume Supervisor: Suzi Turnbull Hairstylist: Morag Ross Art Direction: Phil Sims Music Editor: Tony Lewis ADR Recordist: Robert Edwards Stunt Double: Abbi Collins Script Supervisor: Angela Wharton ADR Editor: Tim Hands Art Direction: Christian Huband Visual Effects Supervisor: Richard Stammers Stunts: Rowley Irlam Assistant Art Director: Helen Xenopoulos Foley Artist: Mario Vaccaro Visual Effects Supervisor: Steve Street Property Master: David Balfour Greensman: Ian Whiteford Foley Editor: Andrew Neil Stunts: Gordon Seed Sound Re-Recording Mixer: Tim Cavagin Dialogue Editor: Sam Auguste Scenic Artist: James Gemmill Unit Publicist: Stacy Mann Camera Operator: Ben Wilson Visual Effects Editor: Aled Robinson Stunts: Paul Herbert Hairstylist: Do...

[rockinnews]

RIDERS OF THE CANYON presentan disco en Barcelona el 5 de octubre y en Terrassa el 19 de noviembre

Próximos conciertos: 5 octubre- Curtcircuit, La Nau- Barcelona 19 noviembre- Nova Jazzcava- Terrassa 

Entradas disponibles en https://linktr.ee/ridersofthecanyon

Tras el inigualable recibimiento mundial del último álbum de Joana Serrat, "Hardcore From The Heart" (2021, Loose / Great Canyon) -con el cual obtuvo incalculables halagos y encabezó las principales listas de los mejores discos de aquel año: la legendaria revista musical inglesa Uncut valoró el disco con un 9 sobre 10; encabezó las principales listas de los mejores discos del año 2021; fue escogido Premi Enderrock de la Crítica al Millor Disc de L'Any y Mejor Disco Nacional del año en la revista Ruta 66; protagonizó la portada a la revista Mondo Sonoro)-, y tras una extensa gira que la ha llevado por buena parte de los escenarios estatales, europeos, ingleses y norteamericanos, la cantautora catalana aprovecha la pausa hasta la publicación de su nuevo trabajo discográfico en solitario para presentarnos ahora su proyecto paralelo: Riders Of The Canyon.

Riders Of The Canyon es la superbanda formada por Joana Serrat junto al norirlandés Matthew McDaid, y los barceloneses Víctor Partido (cantante de la excepcional banda ya desaparecida Partido) y Roger Usart.

A esta maravillosa aventura capitaneada por Serrat, se le han unido un inmejorable plantel de músicos, productores e ingenieros amigos de la propia artista. De esta manera, podemos encontrar en los créditos de las canciones que componen el primer álbum de la banda nombres tan importantes como Joey McClellan (Midlake, John Grant, Rufus Wainwright), McKenzie Smith(St. Vincent, Sharon Van Etten, First Aid Kit), Jesse Chandler (Midlake, Mercury Rev, Beth Orton), Cory Gray (The Delines, The Decemberists. Laura Gibson), BJ Cole (Elton John, R.E.M., John Cale), Jason Kardong (Brandi Carlile, Marissa Nadler, Margo Cilker), John Morgan Askew (She & Him, Neko Case, Alela Diane) y el ganador de un premio Grammy Ted Young (Kurt Vile, Mercury Rev, The Rolling Stones), entre muchos otros.

La masterización ha corrido a cargo de Victor García.

Fruto de este poderosísimo encuentro de artistas, Riders Of The Canyon ha publicaco el 23 de junio de 2023 su primer álbum con diez canciones soberbias que reflejan la mejores virtudes compositivas de cada uno de ellos: energía arrebatadora, adictiva y contagiosa junto a paisajes acústicos envolventes y maravillosas conjunciones de armonías vocales.

"Es sublime. Un álbum maravilloso" 9/10 (Allan Jones, Uncut / UK) "Un fascinante cuarteto que contiene cuatro voces solistas que se combinan maravillosamente (...) pero son sus armonías las que los elevan por encima de la mayoría de sus competidores" ★★★★ (Dave Esson, Daily Express / UK) "Realmente me encanta su sonido... El álbum es fantástico. Muy buen material" (Ralph McLean, BBC / UK) "Mucho por disfrutar" 8/10 (David Jarman, Americana UK) "Grandes momentos en tecnicolor... tienen imágenes poéticas en abundancia, sobre la fugacidad, la fragilidad del amor y la existencia. En el ensayo de Greil Marcus sobre Elvis (en "Mystery Train", 1975) hay una maravillosa formulación de W. J. Cash, que habla de una "conspiración cósmica contra la realidad en favor del romance". Riders Of The Canyon cantan a la amarga realidad que les acompaña. Su poesía impregna el realismo... Una música cósmica" (Frank Schwarzberg, diario Junge Welt, Alemania) "Es un conjunto sublime que resuena en lo más profundo del alma" (Jeff Gemmill, The Old Grey Cat / USA) "Un exquisito álbum" ★★★★ Disco de la Semana (Jordi Biancotto, El Periódico)  "Reconfortante" ★★★★ Disco de la Semana (Esteban Linés, La Vanguardia) "...es difícil, muy difícil, salir de él" (Virginia Díaz, 180 Grados, Radio 3, RNE) "Es un álbum potentísimo" (Santiago Alcanda, Como lo Oyes, Radio 3, RNE) "¿El mejor disco español de 2023? Pulcras melodías, guitarras variadas, voces masculinas y femeninas celestes, paisajes sonoros heterogéneos, coros oníricos, arreglos con una espectacular riqueza cromática de timbres y sonidos… Riders Of The Canyon han firmado un primer álbum tan exquisito como expansivo..." (Matías Uribe, El Heraldo de Aragón) "De una belleza sublime" (Ruta 66) "Joya" 8/10 (Mondo Sonoro) "No estamos en condiciones de desperdiciar tamaña suma de talentos" (Manel Celeiro, Efe Eme) "Talento y complicidad se dan la mano y no la dejan ir en los 40 minutos que dura el debut... Ha nacido una superbanda" (Marcel Pujols, Enderrock) "..bullicios eléctricos de lo más potentes, armonías vocales pastorales excepcionales, y un equilibrio muy bien logrado entre modernidad y tradición... Apreciados jinetes...no se cansen nunca de cabalgar" (Guillem Vidal, LRI de les Arts, El Punt Avui) "Han hecho un álbum extraordinario. Es una maravilla... Tan excepcional..." (Albert Puig, DeliCatessen, iCat FM, Catalunya Ràdio) "¡Madre de Dios qué bestiada!... Es una preciosidad...una delicia. Imprescindible" (Jordi Sunyer, El 9 Nou) "Un álbum atemporal... Un clásico contemporáneo" (Albert Barrios, Dirty Rock Magazine)

[fridaythe13ththeseries]

Year of the Monkey

Episode Recap #63: Year of the Monkey Original Airdate: January 27, 1990

Starring: Louise Robey as Micki Foster Steve Monarque as Johnny Ventura (as Steven Monarque) Chris Wiggins as Jack Marshak

Guest cast: Robert Ito as Tanaka Tia Carrere as Michiko Tanaka John Fujioka as M. Musashi Lawrence Nakamura as Shohei Leonard Chow as Koji Tanaka Von Flores as Hitoshi Tanaka Jill Hennessy as Secretary Robert Lee as Engineer Janet Lo as Customs Inspector Edward Heeley as Harmon Futoshi Kimura as Young Musashi David Gow as Associate

Written by R. Scott Gemmill Directed by Rodney Charters

~~~~~~~~~~~~~

Open in Tokyo in 1945. A man is running, as another sets out three monkey statues, one each of See No Evil, Speak No Evil, Hear No Evil. The running man comes into a home and sees a woman dead on the floor. A warrior man comes out of a room with armor and a sword. The grieving man calls him Tanaka and says he will kill him for this. He goes for his sword but Tanaka kicks it away. Tanaka says his daughter is dead because she had no honor. The statues of See No Evil moves its hands off its eyes and laughs. The grieving man kills himself with his own sword. Tanaka removes his mask as the statue laughs.

Cut to present day, at the Bushido Kendo Club whose Sensei is M. Musashi. People within are training, as Jack, Micki and Johnny watch from a landing. Jack approaches the Sensei, saying they contacted him about an antique tea set.

Cut to another room, and the Sensei is serving tea to the trio, and asks why they wanted this black antique tea set back. Jack says it is valuable to them, and Musashi asks if it is because of the magic it holds, surprising them. Seems he used the tea set when he first bought it, and a student nearly died. He had heard about a legendary tea set that turns tea to poison. Jack says this is why they want it, to keep it locked away. Musashi seems to trust them, and offers a deal for the set. He wants the cursed Monkey statues, and has heard a wealthy family possesses them, the Tanaka clan. He wants them to get the statues in exchange of the tea set.

Cut to credits.

Tokyo, present day. An old man on oxygen is writing and calls his aide, asking him to prepare the monkey statues. In another room, three young people are anxious about this meeting. The old man is their father. He comes in and they kneel. He talks about his company being founded on honor and will be handed to them upon his death. He has set up a test to see which of them has that honor. He presents a monkey statue and instructions to each of them. Whoever fails the test will be out of the will. He leaves. Oldest son Hitoshi wonders if they can have him committed.

We see the younger son, Koji, back in New York City, sitting with the Hear No Evil statue. He opens the letter and reads. Tanaka's words are heard, telling him to learn to listen and not be so arrogant. He balls up the letter and tosses it. His secretary comes in, and the statue uncovers his ears, allowing him to hear her thoughts. He is surprised, hearing that things ran better while he was in Tokyo. He asks her to bring more files in.

At Curious Goods, Micki can't locate the monkey statues in the manifest. Jack and Johnny have researched Tanaka's company and learn about the three children. Johnny doesn't trust Musashi, but Jack is sure he's telling the truth. Jack has also found a scroll Lewis had with drawings of the three statues. And a symbol that matches the Tanaka company logo. He tells Johnny to go to NYC to check on Koji, and he wants Micki to go to Hong Kong to check on the other son, Hitoshi. She is not happy about such a long journey.

In NYC, Koji hears more thoughts from an employee, about a company that is big enough to take over and how the workers don't think much of his work style. Johnny arrives, wanting to see Koji, but the secretary tells him he needs an appointment. Johnny is insistent, but she says no. He sees a delivery man appear and gets an idea.

Koji calls his father in Tokyo. He tells him about the possible takeover. Tanaka says a wise man knows when to hear and when to be deaf. He hangs up. Koji calls an employee, telling him to buy as much stock in the other company as possible. He says it is intuition. The statue laughs, then glows, and Koji vanishes.

He reappears in Tokyo, in front of his father, dressed in part of his armor. Tanaka says the monkey sent him, and he had provided his son with two paths, to heaven or hell. He gives Koji a sword to kill himself, Koji scoffs and tries to flee. Chimes and gongs ring out, causing Koji pain and ultimately killing him.

Johnny, dressed as the delivery man, heads into Koji's office, even as the secretary tries to stop him. In the office, both are surprised to see it empty, then the lights go off and on and suddenly Koji appears at his desk, dead. Johnny says to call an ambulance. He checks Koji, sees he is dead and goes to get a bag for the statue. His back turned, he doesn't notice Tanaka's aide appear and grab the statue, but he notices him rush out and pursues. He chases the man to the lobby, but he is gone.

In Hong Kong, Hitoshi has the See No Evil monkey statue. As he reads, Tanaka's voice tries to advise him about those he deceives, and in doing so, deceives himself. He is told to become a truthful and trusted man. Hitoshi scoffs as well, shredding the letter.

Jack is just coming in from attempting to see Michiko when Johnny calls. Johnny tells him about Koji being dead from a cerebral hemorrhage, and the old man grabbing the statue. Jack says Micki's day in Hong Kong is just beginning and they hang up.

In Hong Kong, Micki is trying to talk to Hitoshi and offers condolences about Koji's death. He ignores her. As he is leaving the building and getting in his car, Micki continues to try and talk and get through to him, asking about the statues. He denies knowledge. She gives her card to him and he drives off.

Jack visits Musashi at the Club. He asks the man translate the paper with the statues on it. Musashi says it is the legend of the statues, and that those who master them can obtain immortality and that all men live through their children. Jack leaves.

In Tokyo, his aide is trying to get Tanaka to take his medication, but he says he is feeling better. He also gives his aide the oxygen tank. The aide also mentions Micki snooping around Hitoshi, and is told to find out more. Tanaka writes in a book.

Micki, in a taxi, follows Tanaka to a plant run by the company. She watches him in a truck as a woman from customs introduces herself to Hitoshi. She tells him importing ivory is illegal and he'll be going to jail. He denies it, and the monkey uncovers its eyes. Tanaka again says things aren't what they appear to be, and suddenly the illegal ivory transforms into a plate, to the agent's dismay. She leaves, and Micki watches as the plate turns back into an ivory figure. Hitoshi is happy with the statue, picks it up and it laughs. The light goes dark and Hitoshi vanishes.

He is sent before Tanaka, as well. Tanaka says he abused the statue's power. Tanaka offers him the sword, to die with honor. Hitoshi says he won't be intimidated. He picks up the sword, aims it at himself, then instead holds it at his father's throat. But a burst of flame hits him in the face and Hitoshi falls over. Tanaka appears saddened by this.

Back in the truck, Micki goes for the statue, but the aide appears behind her, knocks her down and takes it himself, then vanishes. Micki watches, then turns to see dead Hitoshi, his eyes burned out.

Back at Curious Goods, Micki calls to fill Jack in on what happened, and Jack is confused. Micki wonders if something other than a curse from Lewis is at work, maybe old man Tanaka. Jack isn't sure, but has to see Michiko. He tells Micki to take the next flight home. Micki warns him to be careful.

Michiko opens her statue, the Speak No Evil monkey. She is told to speak for herself, have courage and only speak what she knows to be true.

In Tokyo, Tanaka has the two statues he'd given his sons. He also seems much healthier. His aide offers info on Micki being an antiques dealer and gives her card, which Tanaka burns.

Jack is back seeing Musashi, saying another Tanaka son died and wants answers, but the man says he can't help, he is forbidden to. He tells Jack to follow him and they sit at a desk. He tells Jack how Tanaka stole the statues from the temple of a monkey god in Burma. He tells Jack this made that family immensely rich, but wiped out the coming generations, the first time 6 centuries ago. With each generations deaths, the patriarch is revitalized, and it is always the same man, Tanaka. The monkeys allow him to live on if he sacrifices his families to it. He tells Jack he, Musashi, is one of the last Samurais, and was tasked with stopping Tanaka and returning the monkeys to the temple. But, he fell in love with Tanaka's daughter, he is the man we saw kill himself in the flashback. He didn't die, though, and shows Jack his scar, and says he has to live a humble life in defeat. Jack just needs to know what the monkeys do, but Musashi says no, only the gods decide. Jack says maybe they are the ones who spared his life. But getting nowhere, Jack leaves.

He is at Michiko's office waiting to see her. An employee comes in to see Michiko, a man who has missed 30 days of work due to family problems. As the man talks, the statue moves and tells Michiko he really has a mistress, and is also cheating the company. Michiko gives the man a second chance, hoping things improve for him. He leaves, and the monkey mocks her choice. She tells the statue she won't use its powers. It laughs, the room darkens and she screams. Jack and the secretary hear and rush in, but she is gone. Jack puts the statue under his coat and leaves.

Michiko appears before Tanaka, who looks much younger, and who says he is proud of her, having waited a long time for someone to act with honor. She has mastered the monkeys and they will now serve her and he can move on. He gives her a sword and says she must kill him now, and her children in the future, when they dishonor her. She says no and drops the sword. He puts it back in her hands, and sits with his back to her. She says she can't, he says she must. Michiko instead stabs herself and dies.

Musashi pulls an old box off a shelf an opens it. Inside is an ancient Samurai sword. He unsheathes it.

Jack puts the statue in the vault and closes it. Upstairs, he sees the front door is open but no one around. Suddenly, Tanaka's aide appears, asking for the statue. Jack plays dumb, and the man knocks him out. Johnny and Micki come back and can't find Jack, but then find a note saying Tanaka will trade Jack for the statue, but doesn't say where to go. They go to see if Jack put the statue in vault, which they find he did. Micki thinks it will transport them to Tanaka and Jack, but only if they take it out of the vault. Johnny warns of a trap, but Micki says it is their only chance. They shut the vault and go upstairs, and find Musashi waiting with his sword. He says he is hear to help Jack. Suddenly the statue laughs and the room glows. They stand close together.

They are transported to Tanaka's home in Tokyo. They see Jack tied up and held by Tanaka, who wants the statue. Johnny says to untie Jack first, Tanaka says they play by his rules and puts his sword against Jack's head. Jack tells Micki to keep him from getting all three. He cuts Jack enough to draw a little blood, but then Musashi appears with his sword and they fight. Micki and Johnny free Jack. Musashi tells Tanaka who he is and they fight. Musashi pretends to arm himself, but at the last minute drops his sword and Tanaka stabs and kills him. Jack picks up the sword and tells Tanaka that a Samurai who kills an unarmed man has no honor. The statues laugh as Tanaka says he was tricked. Fire and clanging gongs break out as Tanaka feels intense pain. Johnny grabs the other two statues, and they huddle close together and are transported away as Tanaka screams and dies. The group find themselves back in Curious Goods.

As they put the statues in the vault, Johnny says he will go to the Kendo Club to pick up Musashi's tea set. Micki asks if Jack is okay, he says he is okay, and Mushashi gave his life for them, dying in honor. Jack wonders why Tanaka would keep killing his children for selfish profit. Micki says he couldn't win, and Johnny says maybe that is the true nature of a curse. They leave the vault.

~~~~~~~~~~~~~

My thoughts:

Love the interesting items used here. We see them on the hunt of a tea set, but then end up chasing a completely different set of items they would have been clueless on.

The monkey statues are cool, but there is so much going on in this one hour that their use per person is very brief. Can see this episode having been expanded to a two-parter with more on each of the children dealing with each statue.

Musashi being the man from the flashback actually surprised me. I like that he got some redemption, for himself.

I wonder what happened to Tanaka's aide? He knew a lot of what was going on, including being transported by magic many times.

Hopefully Johnny went and got that tea set ASAP. Who knows if it would be 'aware' of them coming and call out to someone at the Kendo Club to come take it for themselves.

I liked this one, but just a lot crammed in to one episode. Breathing room could have helped.

Oh, and the statues reminded me of the Cupid statue from Season One, with their stop-motion movements. Fun effect, for me.

Next week: Epitaph for a Lonely Soul

[graphicpolicy]

"Dynamite Dance" Brings Back Classic Looney Tunes

"Dynamite Dance" Brings Back Classic Looney Tunes #LooneyTunes

Warner Bros. Animation has unveiled the first batch of finished shorts from their upcoming Looney Tunes Cartoons at the Annecy International Animation Film Festival.

Looney Tunes Cartoons is a new series of shorts featuring the beloved characters. Each “season” will produce 1,000 minutes of all-new animation that’ll air digitally, on mobile, and broadcast.

One of those shorts, “Dynamite…

[chrisbattleart]

Fun designs from TTG for a Quantum Electron character based on awesome storyboards by David Gemmill, who also wrote & raps this song!  Check out more of his stuff on YouTube and BandCamp

[seeksstaronmewni]

Eh... ain’t this pose familiar, doc?

Tweet version here.

[ducktracy]

it’s honestly so so strange seeing people working on LTC liking and retweeting my stuff and following me because i look up to them SO MUCH...i saw one of the directors i follow had liked a tweet and i was like hey haha this is pretty funny :) until remembering i posted that video

[ncisfranchise-source]

CBS RENEWS ALL THREE HIT DRAMAS IN THE NCIS FRANCHISE FOR THE 2022-2023 BROADCAST SEASON

#1 Broadcast Series “NCIS,” Top Freshman Drama “NCIS: Hawai’i” and

“NCIS: Los Angeles” Set to Return

CBS has renewed all three hit dramas in the NCIS franchise for the 2022-2023 broadcast season. The returning CBS Original series are #1 broadcast series NCIS, top freshman drama NCIS: HAWAI`I and NCIS: LOS ANGELES. Additional renewals will be announced in the coming weeks.

“NCIS, one of the most popular and enduring series in the world, and fan favorite NCIS: LOS ANGELES have been hugely successful on the CBS schedule for years,” said Kelly Kahl, president, CBS Entertainment. “With the strong new addition of NCIS: HAWAI`I, we are able to expand the strength of this formidable franchise across our schedule. We couldn’t be more excited to have all three talented casts and creative teams back to bring more compelling NCIS stories to viewers in the U.S. and around the globe.”

About NCIS

NCIS is the #1 broadcast series this season, delivering 11.11 million viewers and improving its new Monday 9:00 PM time slot by +149%. This season, NCIS has amassed over 95.8 billion potential social media impressions.

Sean Murray, Wilmer Valderrama, Brian Dietzen, Diona Reasonover and Katrina Law, with David McCallum, Rocky Carroll and Gary Cole, star. Steven D. Binder, Chas. Floyd Johnson, Mark Horowitz, Mark Harmon, Scott Williams, David North and Donald P. Bellisario serve as executive producers. NCIS is produced by Belisarius Productions in association with CBS Studios. The series will return for season 20.

About NCIS: HAWAI`I

NCIS: HAWAI’I is currently averaging 8.29 million viewers and is a time period winner on Monday at 10:00 PM, improving the time slot by +26%. In addition, it’s virtually tied for #1 new drama. The series has amassed over 11 billion potential social media impressions during its freshman season.

Vanessa Lachey, Alex Tarrant, Noah Mills, Yasmine Al-Bustami, Jason Antoon, Tori Anderson and Kian Talan star. Matt Bosack, Jan Nash, Christopher Silber and Larry Teng serve as executive producers. NCIS: HAWAI`I is produced by CBS Studios. The series will return for season two.

About NCIS: LOS ANGELES

NCIS: LOS ANGELES is averaging 7.27 million viewers and is the top scripted program in its competitive time period Sunday at 10:00 PM. Season to date, it has amassed over 6 billion social media impressions. The show’s 300th episode will air Sunday, May 8. The series will return for season 14.

Chris O’Donnell, LL COOL J, Linda Hunt, Daniela Ruah, Eric Christian Olsen, Medalion Rahimi, Caleb Castille and Gerald McRaney star. R. Scott Gemmill, John P. Kousakis, Frank Military and Kyle Harimoto serve as executive producers. NCIS: LOS ANGELES is produced by CBS Studios.

In addition to CBS Studios producing NCIS, NCIS: HAWAI`I and NCIS: LOS ANGELES, as previously reported, the Studio is expanding globally and producing a local version of the brand for Australia, with NCIS: SYDNEY for Network 10 and Paramount+ Australia.

[acmeoop]

For Me Doc? You Shouldn’t Have! “Happy Birthday Bugs Bunny” (2020)

[ijustwannadrawcrap]

Yo

so I was watching Looney Tunes Cartoons that HBO Max produced after Space Jam came out.

it was during my week long hiatus

And we are not gonna talk about how they got away with vore in one of these episodes lmao 🤣

The episode they did this with is called “Kitty Livin” The premise was about Sylvester finally eating Tweety, but he didn’t chew the goddamn bird. Instead, Tweety thought that he and Granny had moved to Florida. So, Tweety broke three of his ribs, punched his fucking heart into next week, gave him indigestion by playing with his stomach acid, ordered god knows how many items on Amazon and a few minutes later threw a house party in his body with multiple birds that flew into his mouth (bc Tweety had invited his friends) and Sylvester fucking vored another cat in attempt to get all the birds outta there. He lured the cat by saying there was all the birds the cat could eat And guess what happened? That’s right the cat fucking joined the party. Then something indescribable happens. Sylvester decides to join the party by sucking his head and arms into his body. Then Granny seems to join the party because she jumped into where Sylvester’s head was and somehow got in there. And that was the end of the episode.…BITCH WHA- 😃

Oh no they didn’t just do that to them. Like whyyy? Why would you make something like this and call it okay?? It’s not it’s fucking vore my guy. Im Starting to now really thing we can’t have nice things nowww. Like why? 😭

[maryamsefati]

Some of the backgrounds I designed for "Postalgeist" a Looney Tunes short created by Pete Brownsgard. Directed by the wonderfully talented David Gemmil. Boarded by Ryan Khatam ,painted by @tvsnyder and @charlieimmer color design @heejin0421 and Art directed by @aaron.spurgeon

[mrbookmaker]

Is Scot Gemmill the Answer for Scotland?

The Scottish national team got off to a terrible start in Euro 2020 qualifying with a 3-0 loss away from home against Kazakhstan.

A win in the next match over San Marino did not matter as the Scottish Football Association decided to sack Alex McLeish.

Recently I wrote that David Moyes was considered to be the frontrunner to become the next manager of Scotland.

But new reports have surfaced that Scot Gemmill is one of the candidates to take over the Scottish national team.

Online bookmaker 10Bet has the latest manager specials and currently the odds are 11/10 for Scot Gemmill to become the next manager of Scotland.

When you hear the name “Gemmill” you immediately think of legendary Scottish footballer Archie Gemmill and the famous goal he scored against Netherlands at the 1978 World Cup in Argentina.

And it comes as no surprise that Scot is the son of Archie.

If Scot Gemmill is hired as manager of Scotland, I definitely know that it will be hard not to reference the film “Trainspotting.”

※ Current Odds Date & Time: April 25, 2:00 a.m. (GMT)

But getting back to the main topic, is Scot Gemmill worthy of becoming the next manager of Scotland?

Of course, I want to refer to his football CV as a manager and not get carried away become of his last name and family influence.

Scot played the bulk of his career with Nottingham Forest from 1990 to 1999 and made twenty-six appearances for the national team of Scotland from 1995 to 2003.

The former midfielder managed Scotland’s U17 team from 2014 to 2016 and is currently the manager of Scotland U21.

It is clear that Scot Gemmill has good experience as a manager at the youth levels, but he has no experience at the club level.

I don’t expect Scotland to hire a foreign manager and I also think Scot Gemmill isn’t the best candidate available.

But I think Scot Gemmill is an upgrade over McLeish and he might be the answer to motivate the current batch of Scottish footballers.

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RIDERS OF THE CANYON anuncian nuevos conciertos por Catalunya

PRÓXIMOS CONCIERTOS

08 SEPTIEMBRE - FESTA MAJOR - @ OLOT 29 SEPTIEMBRE - AUDITORI L'ATLÀNTIDA - @ VIC 05 OCTUBRE - CURTCIRCUIT, LA NAU - @ BARCELONA 19 NOVIEMBRE - NOVA JAZZCAVA - @ TERRASSA

Entradas disponibles en https://linktr.ee/ridersofthecanyon

ESCUCHA EL NUEVO DISCO DE RIDERS OF THE CANYON AQUÍ

Tras el inigualable recibimiento mundial del último álbum de Joana Serrat, "Hardcore From The Heart" (2021, Loose / Great Canyon) -con el cual obtuvo incalculables halagos y encabezó las principales listas de los mejores discos de aquel año: la legendaria revista musical inglesa Uncut valoró el disco con un 9 sobre 10; encabezó las principales listas de los mejores discos del año 2021; fue escogido Premi Enderrock de la Crítica al Millor Disc de L'Any y Mejor Disco Nacional del año en la revista Ruta 66; protagonizó la portada a la revista Mondo Sonoro)-, y tras una extensa gira que la ha llevado por buena parte de los escenarios estatales, europeos, ingleses y norteamericanos, la cantautora catalana aprovecha la pausa hasta la publicación de su nuevo trabajo discográfico en solitario para presentarnos ahora su proyecto paralelo: Riders Of The Canyon.

Riders Of The Canyon es la superbanda formada por Joana Serrat junto al norirlandés Matthew McDaid, y los barceloneses Víctor Partido (cantante de la excepcional banda ya desaparecida Partido) y Roger Usart.

A esta maravillosa aventura capitaneada por Serrat, se le han unido un inmejorable plantel de músicos, productores e ingenieros amigos de la propia artista. De esta manera, podemos encontrar en los créditos de las canciones que componen el primer álbum de la banda nombres tan importantes como Joey McClellan (Midlake, John Grant, Rufus Wainwright), McKenzie Smith(St. Vincent, Sharon Van Etten, First Aid Kit), Jesse Chandler (Midlake, Mercury Rev, Beth Orton), Cory Gray (The Delines, The Decemberists. Laura Gibson), BJ Cole (Elton John, R.E.M., John Cale), Jason Kardong (Brandi Carlile, Marissa Nadler, Margo Cilker), John Morgan Askew (She & Him, Neko Case, Alela Diane) y el ganador de un premio Grammy Ted Young (Kurt Vile, Mercury Rev, The Rolling Stones), entre muchos otros.

La masterización ha corrido a cargo de Victor García.

Fruto de este poderosísimo encuentro de artistas, Riders Of The Canyon ha publicaco el 23 de junio de 2023 su primer álbum con diez canciones soberbias que reflejan la mejores virtudes compositivas de cada uno de ellos: energía arrebatadora, adictiva y contagiosa junto a paisajes acústicos envolventes y maravillosas conjunciones de armonías vocales.

"Es sublime. Un álbum maravilloso" 9/10 (Allan Jones, Uncut / UK) "Un fascinante cuarteto que contiene cuatro voces solistas que se combinan maravillosamente (...) pero son sus armonías las que los elevan por encima de la mayoría de sus competidores" ★★★★ (Dave Esson, Daily Express / UK) "Realmente me encanta su sonido... El álbum es fantástico. Muy buen material" (Ralph McLean, BBC / UK) "Mucho por disfrutar" 8/10 (David Jarman, Americana UK) "Grandes momentos en tecnicolor... tienen imágenes poéticas en abundancia, sobre la fugacidad, la fragilidad del amor y la existencia. En el ensayo de Greil Marcus sobre Elvis (en "Mystery Train", 1975) hay una maravillosa formulación de W. J. Cash, que habla de una "conspiración cósmica contra la realidad en favor del romance". Riders Of The Canyon cantan a la amarga realidad que les acompaña. Su poesía impregna el realismo... Una música cósmica" (Frank Schwarzberg, diario Junge Welt, Alemania) "Es un conjunto sublime que resuena en lo más profundo del alma" (Jeff Gemmill, The Old Grey Cat / USA) "Un exquisito álbum" ★★★★ Disco de la Semana (Jordi Biancotto, El Periódico)  "Reconfortante" ★★★★ Disco de la Semana (Esteban Linés, La Vanguardia) "...es difícil, muy difícil, salir de él" (Virginia Díaz, 180 Grados, Radio 3, RNE) "Es un álbum potentísimo" (Santiago Alcanda, Como lo Oyes, Radio 3, RNE) "¿El mejor disco español de 2023? Pulcras melodías, guitarras variadas, voces masculinas y femeninas celestes, paisajes sonoros heterogéneos, coros oníricos, arreglos con una espectacular riqueza cromática de timbres y sonidos… Riders Of The Canyon han firmado un primer álbum tan exquisito como expansivo..." (Matías Uribe, El Heraldo de Aragón) "De una belleza sublime" (Ruta 66) "Joya" 8/10 (Mondo Sonoro) "No estamos en condiciones de desperdiciar tamaña suma de talentos" (Manel Celeiro, Efe Eme) "Talento y complicidad se dan la mano y no la dejan ir en los 40 minutos que dura el debut... Ha nacido una superbanda" (Marcel Pujols, Enderrock) "..bullicios eléctricos de lo más potentes, armonías vocales pastorales excepcionales, y un equilibrio muy bien logrado entre modernidad y tradición... Apreciados jinetes...no se cansen nunca de cabalgar" (Guillem Vidal, LRI de les Arts, El Punt Avui) "Han hecho un álbum extraordinario. Es una maravilla... Tan excepcional..." (Albert Puig, DeliCatessen, iCat FM, Catalunya Ràdio) "¡Madre de Dios qué bestiada!... Es una preciosidad...una delicia. Imprescindible" (Jordi Sunyer, El 9 Nou) "Un álbum atemporal... Un clásico contemporáneo" (Albert Barrios, Dirty Rock Magazine)