#Danish comedy film

[texaschainsawmascara]

Mads Mikkelsen, Retfærdighedens Ryttere (2020)

[fibula-rasa]

Watch More Movies Notebook: September ‘24

(and a few things from August because I didn’t have the time to update last month!)

This month's blog journal features two contenders for best new-to-me films of the year (from Argentina and Brazil respectively), a handful of Depression-era shorts that range from absurdist comedy to Jungian fable to psychological actuality, plus one for the Sad Clown Hall of Fame (I've decided that's a real thing). Also included: a round up of recent posts and a preview of what's coming up this month.

Favorite New-to-me Films of the Month

(listed in order pictured above, L to R)

As always, if any other films catch your eye, but you need specific content/trigger warnings, feel free to ask and I’ll try to oblige!

READ on BELOW the JUMP!

I, the Worst of All / Yo, la peor de todas (1990)

[letterboxd | imdb | kanopy (US)]

María Luisa Bemberg’s film adaptation of Octavio Paz’s study of the life and work of Sor Juana Inés de la Cruz. Sor Juana was a 17th century polymath from (what is now) Mexico and the film recounts her struggles to continue her work and her relationship with the vicereine of New Spain.

This is easily one of my favorite new-to-me movies of the year so far. Biopics often feel formally stodgy to me, but Bemberg’s film is highly visual and plays with time, space, and symbolism, revealing emotional truths in ways that avoid going artificially melodramatic. The relationship between Sor Juana and the vicereine unfolds beautifully and both actresses, Assumpta Serna and Dominique Sanda, are fantastic. I would recommend checking this one out even if you haven’t read any of Sor Juana’s work—in fact, watching this movie will likely motivate you to get reading! 

——— ——— ———

La cartomancienne (1932)

[letterboxd | imdb]

An experimental short about a lovelorn young woman seeking advice from a fortune teller. Jerome Hill’s first directorial outing is a Jungian fable peppered with references to supernatural folk beliefs. It’s evocatively constructed and has a great rhythm to it (paired with Hill’s original score). It’s a real gem!

——— ——— ———

Little Geezer (1932)

[letterboxd | imdb]

Theodore Huff took a mess of New Jersey ragamuffins, dressed them up as grown ups, had them act out half-remembered scenes from pre-code crime movies, and gave us the gift of Little Geezer. I found it genuinely funny, but, even if you don’t vibe with Huff’s sense of humour, you might get a kick out of how clearly the kids enjoyed playing gangsters or the shocking novelty of the kids smoking, drinking, carrying tommy guns, etc. Greta Garbage’s impression of Garbo was surprisingly great though??? Might not recommend this one as freely as the two above as Huff so densely packed Geezer with references you may need to have seen all of the movies referenced to pick up what Huff is putting down.

——— ——— ———

The City (1939)

[letterboxd | imdb]

A short, five-part documentary about American city planning produced for the New York World’s Fair of 1939 might be a hard sell for some, but with its truly outstanding creative team, The City is more compelling viewing than you might assume! The City was conceived by housing advocate Catherine Bauer, written by documentarian Pare Lorentz (The Plow that Broke the Plains) and Lewis Mumford, directed by Ralph Steiner (H2O, Mechanical Principles, Surf and Seaweed) and future MoMA director Willard Van Dyke (Hands), assisted by Henwar Rodakiewicz (Portrait of a Young Man in Three Movements), and scored by Aaron Copland. I might have some personal bias here as I grew up in NJ and have lived in New York and Pittsburgh, but as a modern viewer, I found The City to be an interesting window into the past.

——— ——— ———

White Paradise / Bílý ráj (1924)

[letterboxd | imdb | Watch at Národní filmový archiv]

Looks like Christmas X Criminals also has a tradition outside of the English-speaking world! Anny Ondra plays Nina, a whimsical young orphan under the guardianship of a nasty tavern keeper. On Christmas Eve, Ivan, a man framed for a crime against Nina’s parents, escapes prison to spend one last holiday with his ailing mother. Together, Ivan and Nina with the aid of a travelling puppeteer uncover the true bandit, exonerating Ivan and freeing Nina.

Bílý ráj is a charming film shot on location in the Šumava forest in Bohemia. Don’t be put off by the overly literal English translation of the title, the connotations are off by modern standards! This will be a solid recommendation for the coming winter months and I’m thinking about putting together a little list of some of the best Christmas X Criminals movies out there. If you have any underappreciated/underseen instances of the trope please suggest them to me! Bonus: it has a wonderful poster!

——— ——— ———

Seeing the World, Part One: A Visit to New York, N.Y. (1937)

[letterboxd | imdb]

This cheeky short by Rudy Burckhardt is a mock travelogue about visiting New York City. Referencing both Traveltalks shorts and the city symphony films, Burckhardt playfully jumbles genres and the film’s acerbity doesn’t overstay its welcome with a ~10 minute runtime. Also, Seeing the World features Joseph Cotten’s first screen role!

——— ——— ———

The Golden Clown / Klovnen (1926)

[letterboxd | imdb]

The great Gösta Ekman turns in one of the best silent film performances I’ve ever seen in this. Ekman plays Joe Higgins, a talented young clown in a travelling circus. Joe is in love with Daisy, the stunt rider and daughter of the circus’ owners. A twist of fate results in Joe becoming a top performer, headlining his own theatrical production in Paris. Unfortunately, Joe becomes a workaholic and Daisy gets romanced on the side by a caddish fashion designer. Both of their lives fall apart after they decide to divorce. A.W. Sandberg does a phenomenal job of heightening personal tragedy to an epic scale. I was astounded at how smoothly Ekman performed twenty years worth of aging in two hours. As much as I enjoyed this film (and cried over the finale), it did leave me wondering if they make movies about happy clowns? CW/TW for suicide.

——— ——— ———

April Fool (1924)

[letterboxd | imdb]

An occasional habit of mine is to watch silent comedy shorts during my lunch break. One afternoon this month, I watched three Charley Chase/Jimmy Jump shorts. They were all winners, but April Fool was my favorite. On the first of April,  Jimmy Jump gets blindsided by pranks when he arrives at work. Jimmy swears he won’t get pranked again and makes a bet with his coworker (Noah Young). Chaos ensues. The other shorts I watched, Publicity Pays (1924) and A Ten-Minute Egg (1924), were also good, though not as tightly constructed. Publicity Pays features an especially sweet and well-behaved monkey BTW.

——— ——— ———

Footnote to Fact (1933)

[letterboxd | imdb]

A harrowing short by Lewis Jacobs documenting The Great Depression in New York City. Originally intended to be part of a series that wasn’t completed, Footnote to Fact survived on its own (thanks to Anthology Film Archives) as a stream-of-consciousness rhythmic portrait of the quotidian horror of the Depression. Honestly, I can’t believe I hadn’t seen this earlier, but I’m glad to have finally remedied that.  Worth checking out, if you’re in a place to handle it. TW/CW for suicide and depictions of real dead animals (in a butcher window).

——— ——— ———

The Hole in the Wall (1929)

[letterboxd | imdb]

After a major train accident, The Fox (Edward G. Robinson) and his crew are forced to rework their phony psychic scheme. When Jean (Claudette Colbert) knocks on their door, fresh off a prison sentence for a crime she didn’t commit, she takes on the role of their faux medium. Jean has her own revenge plot in mind: kidnapping the granddaughter of the rich woman who framed her. 

I came across this movie when reading about Robert Florey’s feature films and I’m glad I did—as a big fan of both Robinson and Colbert. Robinson doesn’t have all that much to do in the movie, but he’s very charming in it. Colbert gets the most to do with the conflicted Jean—a woman who chooses a life of crime only after a life of crime was chosen for her. But, the real reason this overlooked pre-code made this list is that the climax of the film was such a shock to me! I won’t give it away in case you decide to check it out yourself, but I never anticipated that!

——— ——— ———

Quilombo (1984)

[letterboxd | imdb | kanopy (US)]

I’ve had really great luck working through my watchlist lately. Yo, la peor de todas is certainly on my best new-to-me list for the whole year and so is Quilombo! Quilombo is a fantasticized telling of the true story of Palmares, a free community of escaped slaves in colonial-era Brazil. The film primarily focuses on the events surrounding the fight to remain free of Portuguese authorities while Ganga Zumba and later Zumbi led the settlement. As I’m not Brazilian, this history was largely new to me and it’s been enriching to learn more about it. To me, this film seems like a great entry point. It’s stylish in a meaningful way, has a fantastic soundtrack (which I’ve already listened to twice since watching the film), and the production design, editing, and performances are all super. Also, Quilombo is a film worth studying if you want to see how a filmmaker can artistically condense a large span of time to fit feature length without awkwardly hopping along a timeline of events like a slideshow brought to life.

——— ——— ———

Monthly Round-up

In case you missed it, I spent the better part of the last few months constructing and heavily researching “Cosplay the Classics: Nazimova in Salomé.” There were so many compelling avenues to go down that I split the cosplay into two and a half parts!

Part One: “The Importance of Being Peter” covers Nazimova’s creative decisions in adapting Oscar Wilde’s play for the silent screen—illustrating both her filmmaking techniques and her keen awareness of her core fanbase: young/independent women.

Part Two: “Artists United?” details the struggles Nazimova had in getting Salomé released and finding its audience. This part describes how the American film industry was growing and changing in the early 1920s and how Nazimova’s independent productions fit into (or didn’t fit into) that landscape. I also aimed to complicate the oversimplified narrative of Salomé as a flop by collecting and analysing data surrounding its release in comparison to her Metro films.

Part Two Point Five (a.k.a. Cosplay the Classics: Post-script) will be up soon. It’s a slightly shorter piece covering Salomé’s place in cinematic Orientalism. Stay tuned!

——— ——— ———

Since the last notebook installment, I made themed gif/still sets for:

The Golden Clown (1926)

Salvation Hunters (1925)

(which I talked about in the last installment of WMM Notebook)

Danse Macabre (1922)

Yo, la peor de todas (1990)

A Day in Santa Fe (1931)

(which I talked about in the last installment of WMM Notebook)

I also made some gifs of my Salomé cosplay, because I was so pleased with how the wig turned out I needed to show it in motion!

——— ——— ———

In addition to the follow-up to “CtC: Salomé,” I’m working on a quick how-to rundown of the cosplay, in case you need some Halloween inspiration! 

I’ve also got a slate of spooky-season appropriate gifs/stills to post here on tumblr for October. 

Until next time, Happy Halloween and Happy viewing!

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☕Appreciate my work? Buy me a coffee! ☕

[doesmadssurvive]

Blinkende Lygter (2000)

Character: Arne Film: Blinkende Lygter (eng. Flickering Lights) Year: 2000 Language: Danish Lenght: 109 minutes

Is he alive at the end? YES

[silentlondon]

The Silent London Poll of 2022: And the winners are …

Well done everyone! The Silent London Poll of 2022 had a record-breaking number of votes, and the winners reflect a thriving, international silent film scene. Congratulations to all the people mentioned below, some of these categories were bursting with great nominations. Thank you for all your votes. And for making me blub a little when I was typing this up. Without further ado, let me open…

[pitch-and-moan]

Extreme Jødekager

A Danish remake of the Korean Extreme Job and/or the Chinese film Lobster Cop, in which a team of narcotics detectives take over a bakery as their surveillance post in order to make a case against an international drug ring. So as not to blow their cover, they begin baking what turns out to be very popular cookies. Except because it's a Danish film about the police, it's a dark, brooding film, and all the comedic elements are darkened substantially.

[seen-in-the-archives]

Carmen Jr. (1923)  

[letterboxd | imdb]

Archive: Stumfilm by The Danish Film Institute

Director: Alfred J. Goulding

Performers: Baby Peggy, Tommy Wonder

Languages: Danish intertitles

Music: None

Runtime: 11 min.

[theaskew]

[atravesdetupantalla]

5 Películas sobre la realeza.

Spencer. 📺 Prime Video.

Harry & Meghan. A royal romance.

Mary, Queen of Scotts. 📺 Netflix.

Mary: The Making of a Princess. 📺 Prime Video.

Grace of Monaco. 📺 Prime Video.

[moviescramble]

Miss Viborg - Review

Don’t let the lush colour pops of mauve, sunshine yellow and teal fool you. Marianne Bilcher’s feature-length debut, Miss Viborg, is no light-weight comedy. It’s a film about how circumstances and fluke occurrences can change the entire course of your life. It’s about accepting or not accepting that change of direction. It’s about fear. And, in a clumsily charming way, it’s about companionship. A…

[dare-g]

Related related it was suggested to me by a Riget fan that i watch Klovn (Klown) if i wanted to watch more Danish comedy tv and so i ended up getting a dvd set of the first 6 seasons on Ebay so thatll be what ill be watching for a while 

[anothermillennialreviewer]

Wild Men: Haven't We All Had This Thought Before

Wild Men: Haven’t We All Had This Thought Before

Written by Luke Barnes Summary After being caught in a car crash Martin, played by Rasmus Bjerg, begins living out in the wilderness with the police on his trail. I had been looking forward to this film for a while, but have to say after watching it I feel more than a little bit disappointed with it. Mainly my issue is the same one I have with many dark comedy films and that is that one part…

[doyoulikethissong-poll]

Junior Senior - Move Your Feet 2002

"Move Your Feet" is a song by Danish pop duo Junior Senior from their debut studio album, D-D-Don't Don't Stop the Beat (2002). The song, originally released in June 2002 in the duo's native Denmark, was issued worldwide in 2003 and became Junior Senior's biggest hit, reaching #4 in Denmark, #3 in the UK, #10 in Ireland, and #20 in Australia. In 2013, the song re-entered the French Singles Chart at #11. The song was accompanied by an animated music video by British art collective Shynola, using low-resolution (90×72) pixel art produced using Deluxe Paint. The video features animated characters of the members of Junior Senior, dancing figures, and personified inanimate objects.

The second single, "Rhythm Bandits", was featured on the soundtrack for FIFA 2004, while the third single, "Shake Your Coconuts", can be found on the Looney Tunes: Back in Action soundtrack alongside "Move Your Feet", and as background menu music in the video game Worms 3D. The song "Good Girl, Bad Boy" can be heard in the film She's the Man when Viola arrives at the private school masquerading as her brother. "Move Your Feet" was also featured in the 2004 comedy film White Chicks and the 2008 comedy film Forgetting Sarah Marshall. "Move Your Feet" received a total of 82,6% yes votes!

[shrubberiesaremytrade]

Here's the thing. I love Leverage. I really like The Scheherazade Job. I still think a comparatively low budget, grainy Danish comedy from the 70's pulled off the concept of a break in set to music way better.

Olsen Banden is about a gang of small time criminals who always end up stealing from the rich and powerful, and this sequence is one of the most famous from the 13 (I think?) film franchise. They are staging a heist during a performance of Elverhøj, a famous Danish piece, and the bit where all the posh people stand is Kong Christian stod ved højen mast, known as the royal anthem (the version with lyrics references a king bashing in the helmet and brains of Swedes. It's great).

See for yourself

[silveragelovechild]

The Ministry of Ungentlemanly Warfare (no spoilers)

I saw an early screening of The Ministry of Ungentlemanly Warfare. It’s the new film directed by Guy Ritchie and starring Henry Cavill. It was far better than Cavill’s previous movie this year - Argyll. (I won’t go into details but Cavill wasn’t responsible for Argyll’s failure. That distinction goes to the muddled direction by Matthew Vaughn; a script filled with plot holes; and Bryce Dallas Howard playing the frumpy and unbelievable as a master spy.

But back to TMUW, it’s a heavily fictionalized version of an actual mission to thwart German submarines off the western coast of Africa during WW2. It’s an action movie with some comedy but never over the top. And it revels in killing Nazis. On a scale of Hated-it/Liked-it/Loved-it, I liked-it-plus. It kept my interest and I never felt bored.

A minor character in the film is future spy novelist Ian Fleming (Freddie Fox). It’s suggested that the mission was the inspiration for James Bond (a role that Cavill narrowly lost out to Daniel Craig).

But TMUW is more like Mission Impossible (the TV show, not the Tom Cruise movies). Cavill, with his wild curly hair and lumberjack style beard, leads a team with special skills.

Alan Ritchson (from “Reacher”) plays a Danish soldier who is a master archer. The real Dane who wasn’t nearly as muscular in real life. I enjoyed Ritchson’s performance, and I’d love to see him and Cavill work together again.

The film also stars:

Babs Olusanmokun (doctor on Star Trek Strange New Worlds).

Mexican actress Eiza González, a femfatal that might recognizer from Netflix’s 3 Body Problem.

Til Schweiger, the German-Brad-Pitt, plays the Nazi commandant.

Rory Kinnear is unrecognizable as Winston Churchill.

The movie is rated a hard R due to all the Nazis killed with guns, machine guns, arrows, knives, daggers, and bombs. After a while it’s like shooting fish in a barrel or shooting ducks at a carnival arcade.

If Guy Ritchie makes a sequel, I’d watch it.

[fuckyeahelijahwoodfan]

A great interview and lots of photos for ensemble magazine

Adored honorary Kiwi Elijah Woods is excited. His second film with Kiwi director (and husband of Ensemble’s co-founder Rebecca Wadey) Ant Timpson is about to be released and he’s fantasising about the meals he ate in Aotearoa while shooting here last year. 

Unlike the first film they made together (Come to Daddy, an R18 dark, comedy horror filmed on Vancouver Island in 2018), Bookworm brought Elijah back to the filming location he’ll be long associated with.

Part Bigfoot genre movie and part a touching examination of parenthood, it’s a film that combines subject matter close to both Ant’s and Elijah’s heart, this time wrapped up in a wholesome PG rating.

A man of impeccable taste, Elijah has in the past worked with friend, photographer and filmmaker Autumn de Wilde on a Prada campaign, DJs with his friend Zach Cowie under the moniker Wooden Wisdom, and is friends with Kate and Laura Mulleavy of LA fashion brand Rodarte. He’s regarded by many – except perhaps Jared Leto – as one of the nicest people in show business.

Another example of his incredible taste? Early next year Elijah will marry long-term partner Mette-Marie Kongsved, one of the most beautiful (in every sense of the word) human beings we’ve ever met – and the person who named Ensemble.

Elijah and Mette-Marie were friends for several years, before falling in love while making the Sundance award-winning film I Don’t Feel At Home in This World Anymore, which Mette-Marie produced, starring Elijah and Melanie Lynskey. When asked the best thing about the Danish producer, who also worked on Come to Daddy and Bookworm, Elijah brightens. “There's too many to name. She speaks seven languages. She is a bright shining light that makes a huge impression on everyone that she meets. She's very funny. She loves adventure. She loves food as much as I do. We share a lot of the same interests. She loves the Danish hotdog.”

What’s the best meal you've ever eaten?

It's a hard question to answer, but I would probably say it was at Fäviken in Sweden. Mette-Marie and I went there for New Year’s when we’d just started dating. We built our entire trip around eating there; we’d seen a profile on it and the chef, Magnus Nilsson, on Chef's Table. It’s remained one of my favourite meals, both in terms of an experience and the food. It was just totally all encompassing. 

There were a few guest rooms so we opted to stay there and it  was just magical. It was snowing, we drove up, there were these fire pits outside and a gentleman in a beautiful suit came to our car and he's like, ‘Elijah, Mette-Marie welcome.’ We were in the experience from that moment and the meal hadn't even started. 

The meal itself was incredible. And the environment, it was like two tiered. You started the meal downstairs in this one area by a fireplace, and then moved up to this main dining room, in this old rustic, almost barn-like building. It was just magical. 

The meal ended with cigars and cognac in a teepee outside. It was unbelievable. Oh my god. Then there was breakfast the next morning. It was totally magical and insane. That’s hard to top. The restaurant doesn't exist anymore. Magnus stepped down. He has an apple orchard now.

[rubyvroom]

The Halloween 2024 roster so far: leaning pretty heavily on new and indie horror this year. I actually liked most of these to some degree or other. Lots of unexpected sci-fi but I'm not complaining.

The Company of Wolves - beautiful, dreamlike, features not one but two of the craziest werewolf transformations I've ever seen. Mr. X insists this is not a horror film, but it has an Angela Carter screenplay and werewolves, so I say it counts.

Deathstream - Horror comedy with a very convincing YouTube channel spending the night alone in a haunted house. Some legitimately funny bits here and good use of the premise.

Army of Darkness - I've heard the quotes for many years but I had never actually seen the movie until now. Bruce Campbell really should have been allowed to star in more films. I enjoyed every minute of this, allowing for the bog-standard 80s-90s misogyny.

Speak No Evil (Denmark) - I am not watching the US one if they changed the ending. The ending is the entire point. It's a commentary on Danish society and if you couldn't adapt that to the US then why are you remaking the movie? Stop wasting my time. Anyway this was great. Frustrating, but again, that's the point.

Happy Death Day - Better than expected. Groundhog's Day slasher, has fun with the premise. The actress sells it.

Happy Death Day 2 - The same but make it sci-fi.

Synchronic - Cool concept, which I don't want to spoil too much except to say it's about a convenience store drug with an unexpected side effect. A little lazy as a film but I enjoy watching Anthony Mackie do his thing.

Something in the Dirt - This film and the one before are from the guys who made Resolution and The Endless. Neither are as good as those but worth seeing if you liked their other films. This film is again a sci-fi scenario, sort of cross-polinated with William Friedkin's Bug.

Bodies Bodies Bodies - Takes the slasher theme of "insufferable youths die one at a time" to its natural conclusion. Perfect casting. Had a great time with this.

I Saw the TV Glow - Magical, haunting, endlessly sad. Still thinking about it.

Oddity - NO THANK YOU SCARY WOODEN DOLL. THIS MADE ME UNCOMFORTABLE.

Freaky - Another comedy horror, a body-swap where a teenage slasher victim swaps bodies with the killer. Resulting in Vince Vaughn portraying a teenage girl and taking it pretty seriously? Like he's all in? But I enjoyed the teenage girl serial killer even more.

Abigail - The trailer gives most of the plot away but it's still really fun and the ballet really adds to the action scenes. Cast is really good. Goes in a couple unexpected directions, one of which had me saying oh THAT'S why Dan Stevens is in this, now I understand.

Hold Your Breath - Kind of meh but the setting itself was engrossing, in the middle of the dustbowl farmlands. Sarah Paulson doing the most again.

She Will - Lowkey involving, though I've forgotten most of what happens.

Immaculate - Search your feelings. Are you willing to cheer on a priest being strangled by his own rosary? If so, watch this immediately. As a heathen I found it, as Glen Weldon would say, a hoot and a half.

Caddo Lake - Did you like Dark, the twisty and moody german tv show? This is the American version. I mean it's not but it very much is.

Ghostwatch - the legendary banned BBC broadcast, which you can now watch on Prime, is still pretty effective.

The Dark and the Wicked - This was trying waaaaaay too hard to be Hereditary. Didn't really enjoy it.

We Are All Going to the World's Fair - Mr. X slept through this but I was hypnotized by it. There are two kinds of people.

Maxxxine - Not as good as X or Pearl, and it if was a stand-alone film it would be pretty incoherent. But it is very stylish and has a lot of fun with the 80s LA setting, and I can watch Mia Goth do her thing all day long.

Suspiria - Legendary. Loved it. When did we stop using COLORS in movies?

Longlegs - this one at least remembers the color red, for the very striking opening. It runs out of steam a little bit throughout but pretty exciting for a lot of the run. Liked the probably-autistic protagonist a lot. There are some Nicolas Cagisms and I never for a moment forgot it was him, but he does have some genuinely frightening moments.

The Quatermass Experiment - Most of my favorite things were influenced by this so figured it was time to check it out. Glad I did. Fascinating and makes good use of its low budget. Free on Youtube!

Eyes Without a Face - I may have had some nightmares after this.

Glorious - Surprise, you got some cosmic horror in your rest stop bathroom freakout, and JK Simmons is here!

Next on the list is probably Possession which I fully anticipate is gonna fuck me up.

Top films so far? Suspiria, Eyes Without a Face, Longlegs, I Saw the TV Glow, Bodies Bodies Bodies