#Dae's Asks

[pluralmoji-and-boxes]

Hey, apologies for reblogging your stuff. I tend to just go through the different emoji tags and reblog what I see rapid fire. I don't often notice tags or go on blogs and look at that stuff. That's on me. Just wanting to be civil and polite here. That's all. I'll leave you alone past this point

no worries! we completely understand that! we have had the same happen by accident, and we greatly appreciate you being civil and polite about this! :)

[daeyumi]

can you do Midna my beloved please 🥺

you have such pretty art and are definitely one of my idols :)

u know what. yes i can 🩵

[daedelweiss]

who is the writer/director in your little deadelweiss productions animatic? is it your new sona?

he isn't new. he's actually almost a year old now. (wtffffffff-)

his name is pastel :D he's my idiot sona that embodies beauty and aesthetics. he has his own lore that i might open up about more one day. for now, all you need to know is that he's a dumbass and an idiot and he has a stupid dad and a ton of amazing siblings~

him and his dumbass dad (dumbass dad in question by @ashwii)

there's a joke among my friends that the way he acts in canon vs. working on the trailer is very different so i separated him from canon to "producer pastel" who is stressed af about the production of LM

anyway he's an idiot he is not happy with me rn :P

( 🌿 please do NOT repost, edit, trace, use, and/or sell 🌿 )

[ossidae-passeridae]

4. What’s the worst part of fanon? 😈

Question from here

That'd be the implicit racism thanks for asking!

A non snappy response, aka to explain what I mean by that:

A lot of fanon tropes implicitly reinforce a very white, America-centric POV, and in a universe like the GFFA which lies somewhere between heavily Asian-inspired and gloriously multicultural, that really rubs me the wrong way. (To clarify upfront: it is not racist or whatever to enjoy these tropes or to write them, but it worries me when people don't even seem to realise it)

An obvious, innocuous-seeming example is the tendency to use 'Ben' instead of Obi-Wan's actual name in AUs — especially when others' names (Anakin, Mace, Cody, etc) aren't changed as well. The biggest difference between those names and Obi-Wan's is that Obi-Wan's is obviously Asian inspired, and theirs aren't. It's not something I expect most people even think about! But it always leaves a sinking feeling in my chest.

(Obviously if, like in canon, Obi-Wan is using Ben as a pseudonym while in hiding that's a very different kettle of fish.)

A larger example is how incredibly common it is to cast the Jedi as space-Christians — some common examples being focus on tenets (the Jedi Code, which is a meditation mantra, not a rulebook), the pervasive Catholic Guilt which is very explicitly Christian in nature, the emphasis on worship as ritual rather than a state to work towards, the generalised "all organised religion must be Bad" sentiments that feel very specifically ex-Christian in nature.

Thinking about one's own religion and expressing thoughts through fiction/art isn't an issue in and of itself.

The thing is, the Jedi are explicitly based on Asian Buddhists. Not just in set dressing, but from the ground up, from their beliefs and the way they act, to their clothing to the structure of their temple — to strip that away is to remove what makes the Jedi the Jedi. It's to remove the Asian-ness and replace it with something predominantly white. It implies that Asian influence shouldn't or can't exist in the GFFA, or that there's something inferior or wrong about Buddhism that needs to be "fixed".

Again this isn't something where I think that fan authors are sitting there going "muhahaha I'm going to be RACIST today", I know that's not what's happening. But when so much Jedi-centric content being produced minimises the Asian influence and pushes a western one, it starts to say "there's something wrong with this group, we're trying to erase it because there shouldn't be representation at all" — an issue of scale, at its core.

(Then ofc there's all the "the Jedi steal babies" and "the Jedi ban emotions" and "the Jedi need to be destroyed" which, entirely separate from the above, if you replace 'Jedi' with 'Buddhists' I'm kind of starting to wonder why you hate Asian people/Asian religions, you know?)

I won't even get into the fanon surrounding the clones, because that'd require me to talk about KT far more than I'd like to on any day, but especially today 🤣

(All opinions expressed above are solely those of pass e. ridae and do not express the views or opinions of any affiliates or associates, passerine or otherwise)

[renarots]

Y’all do not understand how much this photo means to me I’m so insane I’ve been insane since it came out and I have to let all of my pookies know im devastated and still here

[u10como]

Some time ago, i released this picture on my DA with a caption, later suppplemented by a short story expanding on the theme, followed by personal afterword regarding my background and themes of the story, which i now decided to present here on tumblr, all joined into one text. Once again, english isn't my first language, it was one of the first longer pieces i wrote and i'm by no means a writer, but i hope some of you might enjoy it nonetheless.

Hope you don't mind

You met her on an online forum about your favourite band and you've been messaging for a month now. She was just perfect: Funny, smart and as far as you were aware she was really interested in you, but everytime you suggested meeting somewhere, she said she's either busy or just changed the subject. Not wanting to push her, you gave her some time to think about it.

One morning a message from her, accompanied by a photo landed in your inbox:

"So...this isn't easy for me, but you seem like genuinely good person and i'd hate myself if i passed that opportunity  because i was insecure. Anyway, this is me. I had an accident with high voltage  power lines six months ago and i'm still insecure about meeting new people or going in public in general.

If you feel weird about it i completely understand and won't bother you any more, but if you still want to meet, i know a nice little pizzeria just around corner from where i live. The owner is an old family friend and could arrange a small room in the back for us so people won't stare."

Why should i mind?

As you read the message over and over, your mind is racing, filled with mixed emotions. On one hand, you're relieved – she really wants to meet you after all. On the other hand you can't help but feel sad – such a beautiful, smart girl, full of life, suffering from such horrible injury. Of course, you never for a second consider saying no to her proposition – she is still the great girl you messaged with the past month. You immediately write your reply:

„Hey! Of course i still want to meet you - i've been asking to meet you for some time now and nothing changed about that! Today, 4 in the afternoon works for you? Just tell me where the pizzeria is and i'll wait for you there.“

In few minutes she replied:

„Oh, you can't believe how relieved i am – thank you for not being weird about it! Yes, 4 will be perfect time. The pizzeria is Giovanni's on the corner of Oak and Harbor st – just tell the owner you're Jana's friend, he'll seat you in the back.“

„Well… I have a date!“ you think to yourself. Rummaging through your wardrobe you struggle to find anything you'll be satisfied with – going all dressed up like to prom seems like overkill, but you don't want to come all casual either – after all, you really care for her and you want to show it. In the end you settle for your least worn cargo pants with a T-shirt of your favorite band – you know she likes them too, so you hope this might outweigh your otherwise way too casual look. You set off early, intending to buy flowers for her. After careful consideration, you buy a nice bouquet of seven pink carnations and set off to Giovanni's.

As you step inside ten minutes before 4, the owner – a rather short, somewhat overweight yet muscular man with large hands and a bushy mustache above his friendly smile greets you. „Welcome to Giovanni's, what can i do for you?“ „Uhm, hello, i am Friend of Jana…“ „Oh, Wonderful, wonderful!“ the owner interrupts you with a big warm smile, A friend of our little Jana is my friend too! Right this way, have a seat, i'll bring you a vase for these beautiful flowers. Care for a drink in the mean time?“ „Yes, i saw you serve a homemade lemonade, please.“ you answer. „A wonderful choice! Comming right up!“ says the owner with a wide smile.

With that, the owner runs back front, returning in half a minute with your lemonade served in beautiful tall glass with pieces of lemon, lime and mint leaves, toped with a bright red straw. „Here you go! When Jana arrives i'll send her right away. Now, if i may ask, when did you two met? Pardon me for asking what might be a personal question, but you see, being friends with her parents ever since i moved here, Jana is like niece to me.“ "Oh, don't apologise, i understand.“, you reply, “To be frank, we haven't met in person yet, we were just chatting over internet and i really liked her – and the feeling was mutual, dare i presume.“ „I see“, says the owner, „So you know about…?“, He struggles to put his thoughts to words, instead just shrugs his shoulders one by one.

„Oh? Oh! Yes, i do. In fact, she told me just this morning.“ „I was just asking.“, nods the owner, „You see, our poor little Jana suffered enough. I just don't want her to leave today with a broken heart, so i wanted to make sure you won't freak out or something.“ „Oh no, don't worry, sir. I was asking her for a meetup for two weeks before i knew about it. I liked her before i knew about it and i don't see why it should change anything.“ The owner nods his head „I see. You're good in my books then, kid. I'm glad Jana found someone so understanding.“ He pats your shoulder as he says that.

There is a ring from the little bell above entrance and a young woman's voice calls:

„Uncle Tigran, are you there?“ „That's her.“ Says the owner and rushes off to the front. „My little Jana, it's so nice to see you again! Your friend is in the back, go, have some fun, and when you're ready, call me and i'll be right back to take your order.“

You stand up to greet her. In few seconds, she peeks inside the room with a shy, almost affraid look on her face. As your eyes meet, she smiles at you and you smile back. Despite the smile, her green eyes show a hint of timid apprehension. As she steps in, you notice her motionless hands, convincing at first glance, but knowing her condition, obviously artificial.

"Hi, nice to finally meet you", you say, holding the bouquet of carnations forward. "Oh, these are beautiful, thank you, she says, leaning in to smell them. Looking into her beautiful green eyes, your heart flutters with happiness.

„I'm really so glad to finally meet you in person“ you say. „You're even more beautiful than on the photo .“

„Oh, thank you. Nobody said such thing to me since…“ she pauses, looking into distance. After few seconds she breaks off, shyly attempting to smile on you. „Anyway, would you mind helping me with my coat?“ „Of course, right away“, you say as you move in to unbutton it. As you remove her coat, the prosthetic arms slip off her shoulders, staying firmly inside the coat's sleeves, letting her little arm stumps show. „Oh, sorry, i didn't mean to, let me…“ you stammer an apology.

„No, that's allright. They were meant to come off. I should have told you. I wear them on the street to avoid the stares, but they are so uncomfortable, so since here i am among people who know about me, i just hooked them to the coat so i don't have to wear them all the time.“

As you sit on the opposite sides of the table, you suddenly don't know what to say. You see she is uncomfortable, so you try to steer the conversation a different way.

„So… This pizzeria – It's named Giovanni's, but i heard you call the owner a different name?“

„Oh yes, uncle Tigran gave this establishment italian sounding name as marketing trick. He is great, though, one of the best pizza chefs around. He says he spent five years in Naples learning about local cuisine, actually. I understand you already talked with him?“

„Oh yes, he seems like really nice, but no-nonsense kind of guy. Told me you're like a niece to him and warned me not to break your heart. Not that i intended to, anyway.“, you add with a smile.

„Yeah, uncle Tigran was always nice to me. He visited me in the hospital almost daily when i…“ once again, Jana's gaze slides into distance.

„You don't have to talk about it, i'm sorry if i reminded you in any way.“ You say hastily.

„Oh? No, don't apologize, you did nothing wrong, it's just… Everything reminds me, you know? Wherever i go, whatever i do, every single thing reminds me i no longer…“ she pauses and sighs, lifting her stumps to illustrate her point before continuing „…have arms. Waking up in the morning, i try to lift my blanket and these useless things just flap about helplessly. Reaching for things, trying to do any simple task, even steadying myself when i trip – everything i do i must remind myself i can't do it the normal way anymore. If it was just one i could deal with it, but like this? I feel so helpless sometimes. The first few weeks in the hospital i had to bother the nurses everytime my nose got itchy, not to mention i had to be showered by them, just standing there, leting them clean me off. Tt felt so dehumanising... I'm sorry i spilled all this on you, it's my problem and i should deal with it myself, you don't have to think about it.“ She averts her eyes, looking down into the table.

„Jana,“, you say, „If i wanted not to think about it i wouldn't be here with you – and that would make me quite a bad person, don't you think? I came because i liked you from the moment we started chatting, long before i ever saw you. If there is anything i can do to help you – even if it would be just to stand by your side to always be able to remind you how great person you are whenever should you doubt yourself – i want to be there and help you.“

With tears welling in her eyes, Jana lifts her head „Really? You would do that for me?“

„Of course i would. You are smart, funny and stunningly beautiful. If i can help it, i wish for you never to be sad again“, you reach over the table with a tissue to wipe the tears from her cheeks.

„Thank you,“ she says, suppressing tears, visibly moved. „I never thought i would hear anybody say that to me. Come on - let's order some food, i'm starving.“

As if waiting for his cue, the owner comes in with a big smile „So, what would you want, my dears? We have excellent Margherita Napoletana, but if you're not into traditional pizza, i might do a regular New York style. Most people prefer that, anyway – beats me why, though, there's nothing better than proper traditional italian pie.“

„I think i could go for your Napoletana, Jana told me you're one of the best pizza chefs around, mister… uhh…“ „Tigran Manukyan, at your service.“, he replies with maybe a little too deep bow, „I presume our little Jana here told you about my little trick already, so why should i hide it anymore? Anyway, what can i offer you, my darling?“ says mister Manukyan turning to Jana. „I'll take the Napoletana too, uncle Tigran. And might i ask you for a glass of that lemonade too? It looks so refreshing.“ „Comming right up, my dears“, says mister Manukyan and rushes off.

„So… Where were we?“ asks Jana. „Well,“ you say, „I just told you you're beautiful and i wish to be always there for you.“

„Oh…“ she pauses, but smiles, finally seeming to be at ease, „I mean… Thank you. I'm sorry, I've became quite bad at taking compliments lately – not that i ever was any good to begin with, but now… i mean, you know, with my…“ she says, wiggling her arm stumps.

„You don't have to explain yourself, i understand“, you calm her, „Jusk know you are beautiful to me and nothing can ever change that. In fact, you were beautiful to me long before i knew how you even look, when we were still just chatting.“

Mister Manukyan comes with Jana's glass of lemonade and a pitcher „I brought you two some more for refills – on the house of course. The pizzas will be done in few minutes.“ Almost unisono, you and Jana reply „Thank you, mister Manukyan /Thank you, uncle Tigran“ and with a smile, he leaves.

„Anyway,“ says Jana, „I know you're telling me that just to make me feel better. Why would somebody as cute as you consider someone ‚beautiful‘ just from an online chat?“ she says, leaning forward for the straw and taking a sip from her drink.

„Maybe because i found a great person to talk to and spend time with.“ You reply, looking directly into Jana's eyes. „Maybe i don't care about looks that much. Maybe i think beauty is not only based on somebody's looks. And maybe, or not as much maybe as quite undeniably surely, you are actually beautiful even if i would step so low as to judge you just by your looks. You have pretty face, beautiful hair and the most captivating emerald eyes i've ever seen. But even without that, you are above all the brave, smart girl i came to know and love – and nothing can change that.“

„Brave? How am i brave? I spent half a year hiding from world, almost never leaving my room unless i had to.“ Replied Jana.

„Yet you came here and invited me.“, you say, “You overcame your anxiety and reached out. That alone was braver than most people would ever hope to be. All i ask of you is to believe in yourself as i believe in you. You are the bravest girl in know and i love you for that.“

„I love you too“, she says, hint of tears in her eyes once again as she shifts closer to you with her arm stumps outstretched. Understanding the hint, you hug her, gently stroking her hair with your hand.

„Oh, young love, what a beautiful sight!“ says mister Manukyan as he comes in with your pizzas in each hand „Here is your food, my dears, Bari Akhorzhak to you both!“

„Uncle Tigran,“ says Jana, lifting her head from your shoulders, „this was the first time ever i heard you speaking Armenian in your pizzeria.“

„Well, i figured i might as well drop the act, my dear.“ said mister Manukyan with a smile. „Pizza is my passion and my living, but i'm no Italian and never will be. Maybe it's time for me to fly my true colors with pride. People come here for good food, not for fake Italian. Of course, a name change would be required, then, but i hope people would come nonetheless. After all ‚Uncle Tigran's‘ has a nice ring to it, no? And i might as well put some of my old family recipes on the menu. Next time you come, i'll make you the best Lahmajoun you ever had, i promise!“

„That would be really great, mister Manukyan“, you say with enthusiasm, „I'm looking forward to it.“

As mister Manukyan leaves with a big, warm smile, you and Jana sit to your pizzas. "Do you need any help?" you ask. "No." says Jana almost too quickly. "Well yes, probably, but i shouldn't. I need to do this on my own - i mean, there won't always be somebody around to help me, but i will be always armless, you know?" You notice her suddenly easing up, as if adressing her condition out loud, without euphemisms or hesitating helped her finally come to terms with it. "Would you mind helping me taking off my shoes, though?"

"Of course", you say as you kneel and gently lift her right foot in your hand, taking off her shoe and sock, then doing the same with her left foot. "Thank you. You're a real sweetheart" she says, lifting her feet up to the tabletop, awkwardly picking the fork with her left foot and knife with the right. As you sit on the opposite side of table, you can't take your eyes off her while she cuts a small piece of her pizza and using the fork in her left food brings it to her mouth with a great effort.

"Oooh!" she smiles with pleasure as she savors the food in her mouth, "I almost forgot how great uncle Tigran's pizzas are! You should eat too while it's hot." Taking a bite from your own pizza, you must agree - this is certainly the best pizza you ever had. As you both eat, you notice Jana's movements becoming ever so slightly more fluent and relaxed with each bite. you can't help but stop and look at her, smiling.

"What? Is something on my face?" she asks as she starts rubbing her nose with her right stump. "No, it's just... When you came you were all tense and apprehensive, but now you seem to ease up." "I just know i'm in a good company", she says, shrugging her shoulders, "I mean, yeah, i knew you are funny and kind from the first time we started chatting, but now, you made me feel... appreciated, normal. Like i matter. I... probably just needed to hear that, you know? Like... from somebody outside of my family." "I see," you say, "But how come you weren't so shy when we were chatting on the forum?"

"I don't know, i guess the anonymity played a part, you know?" she ponders, "Like - on the internet, nobody sees me. Nobody knows. There's no way to tell whether the person on the other side is beautiful, ugly, thin, fat or uses toes to write. That probably helped me there."

"Tell me about it," you say. "Sometimes i feel anxious even making a phonecall, let alone talking to strange people in person!" "You?" she smiles "No way! You seem so cool and confident. After all, you asked me out first, i would have never had the guts to do it myself without you."

"The same magic of the anonymous internet as in your case" you reply, "And if i somehow seem confident now, it's only because i feel like we known each other for ages. It's hard to describe, but i feel like we were meant to be together, you know?"

setting down the knife, she extends her right foor over the table towards you, gently stroking your face with her big toe. Smiling, you take her foot in your hands, planting a soft kiss on her ankle. She giggles "That tickles! But... it feels nice." Kising her foot once again, you let go of it, looking deep into her green eyes with a warm smile. "So, are you up for a little stroll after we finish our pizzas?", you ask her. "Gladly!", she replies as she puts another piece i her mouth. "Do you have any specific place in mind?" "Well," you say, "I was thinking of just going for a walk, but if you want, we might go to the gazebo on the cliff above the city and watch the sunset together?" "Oh, romantic!" she exclaims with excitement. "I like that."

When you finish your pizzas, mister Manukyan comes in to clean up, almost as if he was waiting for his cue. "Enjoyed your food, my dears?" he asks, "Everything was up to your liking? "Of yourse, uncle Tigran," responds Jana with a smile, "I always loved your cooking."

As you leave Jana in the back to pay for the food, mister Manukyan says:

"Thank you for everything, kid. Jana really needed someone to just be there for her. She used to visit me every week, but since her accident she just moved back to her parent's house and stoped going out. I knew what she was going through, but i had no idea how to help. Turns out, all she really needed was for someone outside of her family to just treat her with love and respect and you did just that. I won't lie to you - i doubt if stuff would be just *poof* and everything is okay now, people just don't work like that and i am sure there is still a lot ahead of Jana before she's back to the cheerful self i remember from before her accident, but i feel like you really helped her make a big progress today. Once again, thank you for that."

"It was my pleasure, mister Manukyan." you replied, "She is great girl and i fell for her ever since we started chatting." "I'm glad to hear that. And please, you can call me Tigran", he says with a smile, "Or Uncle Tigran, whole town will know me like that anyway soon, at least i hope."

After shaking hands with mister Manukyan, you return to Jana, who is almost prepared to leave. As you help her tie her shoes loose enough so she can slip them on and off at will, you go fetch her coat.

"No, you can leave that here,", she says, "i'll talk with uncle Tigran and ask him to hide it somewhere so i can pick it up later."

"Are you sure? Your arms are in there, don't you want to put them on?"

"Not really. As i said, they are heavy and uncomfortable. Also, they are purely cosmetic, so aside from keeping people from staring, they are pretty much useless.", she said. "And if that means people will stare, then so be it. I need to get used to showing in public and i thought why not now, when i have you by my side?" "As you wish," you reply. "Shall we go, then?"

"Okay. I hope you don't mind being seen in public with a disabled girl"

"Being seen with beautiful smart girl i love? Why shuld i mind?"

A little afterword is due.

This story, while obviously coming from place of my attraction to women with, let's say, non-standard physique, in this particular case bilateral arm amputees, is a departure from my usual style. My usual character background snippets revolve around happier circumstances - my characters usualy lose their limbs voluntarily, non-permanently or in some obscure magic way, which, while it can't be assured to be temporary, has the peculiar side effect of making them weirdly okay with the changes.

This is not the case. In reality, a limb loss is a powerful traumatic experience to vast majority of people. Overcoming such trauma might take weeks, months, years even, and some people may never recover mentally. I felt like this point was worth mentioning and keeping in mind.

As for overall themes of this story, the main themes are hope, acceptance and dealing with adversity. In that sense, Jana's condition is a stand-in for number of problems which might cause a person to lose their sense of self-worth and shut themselves off from the world. If you are suffering from any condition causing you to feel that way, remember this: You Matter. You are loved. And while in real life, recovery will certainly not come as quickly as for Jana in my story, the point illustrated still stands: Some battles are not meant to be fought alone. Sometimes all you need is to find someone who will help you carrying your burden. Remember, that leaning on your friends in hard times isn't weakness. On the contrary, knowing when to ask for help is major strength. And if you do not suffer from any such problems, then please, be mindful of those who do. Be kind, accepting and unconditionally loving as our unnamed protagonist. After all, the protagonist is reffered as You, because they are supposed to represent the best in every single one of us. Man, woman, trans or non-binary, if you're reading this, i hope you will always be as unconditionally accepting as the protagonist is to Jana.

Some elements of the setting sort of come from my own experience. The overall setting of my stories is this usual culturally neutral americano-european mishmash, made for easier accesibility for wider audience, but certain characters or places might carry something from my personal experience. As some of you might know, i am Czech, so i decided to write Jana as one too - even though this might not be really apparent from anything beside her name, that is her intended nationality. Whether you imagine her as local, thinking of this story's setting as somewhere in Czechia or as immigrant to a foreign country of your choice is up to you. Also, the character of Tigran Manukyan is losely based on my own experience: Where i'm from, a lot of pizzerias are actually owned by people from Armenia, Georgia or Turkey and a lot of their owners are very similar to "uncle Tigran" both in their appearance and in their cheerful, friendly way of greeting their customers. Uncle Tigran's character arc is also about acceptance: Accepting own cultural heritage, because every culture is worth preserving.

So, this is the end of my little PSA. Respect each other, be tolerant to one another and try to help those whose life dealt them the worse hand.

[imjustavenuxwithaboomerang]

zombies: re-animated + text posts

[ifthestarsarewilling]

stealing him. actually

[nostalgia-tblr]

I feel like anyone who's about to embark on attempting to type out a character's accent phoentically (at least as well as one can with English) should probably stop for a moment before they get going and ask themselves, "How would I, myself, feel about a fic where the one character who sounds like me had their speech written out like this and every other character just got their dialogue left in standard spelling?" I feel like a lot of people would tone it down a bit, at least, if they'd done that thought experiment first.

(Anyone who answered "but I don't have an accent!" isn't allowed to write out anyone else's accent, ever. This rule may seem harsh but you need it. Really, you do. Because you've never had anyone treat your accent as abnormal or comical or wrong, so you really don't know what you're inflicting on others here.)

[puppyclownboy69]

the other clowns at clown school keep bullying me :((((

they/he

[raccoonfallsharder]

do you think Rocket could've used more "tech genius" moments in the movies? For someone supposedly smarter than Stark, it's not actually really shown..

love your fics btw AAAH

yayyyy! i love asks of any variety and it’s been a while since i’ve gotten one so thank you for this! ♡ unfortunately that means you’re getting a novel ( ᴗ͈ˬᴗ͈)*.ﾟ I’d love to hear YOUR thoughts if you wanna share! and also thank you for saying something so nice about my fics. im so glad you’ve enjoyed them!

and i'm turning this into

headcanon 18 ˚₊‧✶

a standard disclaimer: i am highly biased in the fact that i am like “every scene should have 100% more rocket, even scenes that are already rocket”

but i think two things are going on here

the first is that i think as a general audience, we read tony’s genius more easily than rocket’s (and yes this is a cultural indictment). tony spends a long time making a pretty iron suit with his bruce-wayne-money and some cool weird holographic touchscreens in a shiny lab, and people pick up on that more easily than rocket scavenging parts from the milano to make a bunch of bombs and a moon-killing firearm in five minutes (tantamount to less than a second of actual screen time) because it’s quick and grimy and he just keeps them in a dirty box. audiences are classist ¯\_(ツ)_/¯ and im making this assertion because we do it all the time with real-life geniuses too

this relates to my second point which is that i think that “tech genius moments” probably don’t play well with a general audience when there are “too many” of them, and that in the main trilogy the writers relied on a lot of narrative cues that the audience was meant to pick up (but didn’t, or didn’t in quite the same way that they did with tony because again — pretty shiny lab vs dirty box) & we’re supposed to use those to attribute intuitive technological, strategic, and piloting genius to rocket

let’s break it down! (because im up early && work doesn’t start for another hour)

in volume one, when rocket breaks everyone out of the Kyln im pretty sure we’re meant to read that as a sequence establishing him as the tech & strategic mastermind of the group. i think that is meant to be confirmed in the sequence where in like five minutes he’s salvaged a ton of parts from the milano to make his box-o-bombs & the hadron enforcer, which is the weapon that makes the end of volume one possible, having been used to knock out ronan initially and to break the stone from the cosmi-rod or universal weapon or whatever. (keep in mind he repaired the hadron enforcer within moments of crashing the warbird into the dark aster, crashing the aster into a planet, losing his best friend, getting tossed around by the cosmi-rod, AND having only the resources available to him on a crash-site/battlefield. i do wish we’d gotten more of THIS sequence but like i guess we had to make time to watch chris pratt dance. whatever; i guess i get it from a cinematic standpoint — a classic “it was your story all along but the studio wanted us to focus on starlord” situation)

in volume two, every tech advancement the team has is directly or indirectly credited to rocket. the aero rigs being the main one, i think? but there’s also the mines in the berhert forests with the yondu clan, a conflict where one lil guy almost beat a hoarde of ravagers all by his lonesome due to his strategic genius (and i suspect still would have if not for the unexpected addition of nebula). we also have the dialogue with quill where he asserts that he’s a piloting genius. and rocket’s genius is once again the main reason they win the fight — his ability to create the battery-bomb in like twenty seconds or less.

in volume three, we see him invent gravity boots, we’re meant to attribute the creation of the bowie and presumably the entire speaker system threading knowhere to him (im not sure but possibly also the ocular cannon and some other other knowhere shit??). he’s responsible for all nebula’s upgrades (⸝⸝o̴̶̷᷄‸o̴̶̷̥᷅⸝⸝) which are FANCY. and even though he’s just a babby, we see him solving complex equations, resolving problems the high evolutionary struggled with, crafting a key out of stolen odds-and-ends, and piloting a spacecraft he’s probably never even seen before.. additionally the gravity boots circle back around and are key in his overcoming the high evolutionary (through a combo of tech skill & strategic genius)

i think, narratively speaking, this is a solid amount of “genius establishment” with the time we had, imo. if we made the movies longer to add in more genius moments, i would not complain, though!

THAT SAID. look infinity war and endgame treated our boy so badly. SO badly. i feel certain that given five minutes in Nidavellir he could’ve figured out another way to get that forge up and running. I think we see rocket with the science bros working on the gauntlet (a dynamic i would quite have enjoyed more if) and working on… maybe he’s prepping the benatar for the time heist? I can’t remember, but it’s when he gives stark the classic “you’re only a genius on earth” line. but iw/endgame didn’t give a fuck about the guardians (i get it, i get it, it was the send-off for the og avengers, whatever) so it’s a lot of weak shit and i do wish we had more things establishing him as the true brains of that outfit lol

ANYWAY that’s all my thoughts!! thanks for this really fun ask!!!

[daeyumi]

Cycle of the Stars

Prologue I:

Protosphere

***

THUD.

THUD.

A wave of sensation washes over them, vague and fleeting, like light filtering down through deep water.

Colors.

Thoughts.

The impression of someone calling out to them from far away, obscured through the blurry images that whisper across their eyes.

THUD.

Silence. Oppressive and heavy.

It feels familiar somehow, this weight. A long forgotten dream. They feel that they’ve known it before.

They think they feel a sense of self. An identity against the current of infinitum, one blot on a blank sheet of paper. A tangible presence. It dissipates the next moment, rolled away on the tide.

‘Before?’

Not understanding the comparison, they sit alone with the word and it’s implications. More colors spring forth to their eyes, unbidden. A lone figure on a hill, his back to a ruined land. Red and grey and black. The gold-tinted-orange of a dying sun, bleeding out over the empty horizon.

A vast expanse of dying grass, crowned with innumerable gravestones. Grey earth, grey sky, grey stone. An aftermath, a finale. A beginning. A single swatch of green, kneeling before a headstone. Life among death.

A hole in a gnarled tree, leading down, down, into the recesses of the world, swallowing life and soul and self.

A call.

A name.

A word.

Link.

The connection, the void.

Everything and nothing.

The colors swirl before their eyes in an infinite flash of space and time.

THUD.

Memories? Visions? They try to close their eyes against the current of impressions and find them to be already closed.

THUD.

Mind racing, as if fighting through the muddy currents of a storm-bloated river. They can’t understand. Thoughts begin to feel impossible. Even the whirling forms within their mind’s eye start to close in on them, oppressive and threatening. Moving so quickly that the sound deafens their ears, crushing the blunt silence with an overwhelming pressure.

They crack open their eyes and find no relief in the cold darkness that envelops them, somehow moving even faster than the nauseating colors that threatened their closed eyes moments previously.

THUD.

THUD.

Thud.

Thoughts begin to slow, finally finding relief in the void beyond cognition. The intangible shapes and patterns flow languidly now, a comforting caress to replace the constant barrage on the senses. Blue. Like the shallows of a river that stretches to the horizon, through which can be seen the blue sky above, falling off into infinity. Above and below. An all encompassing finality to contain the world. Blue and green and the serenity of the day’s end.

Gradually, they become aware of a clenched fist repeatedly making contact with a thick pane of glass in front of them.

Thud.

A hand. An owner. Belonging. An emptiness to once again overtake the soul, blotting out the essence of the previous inhabitant to make way for new images to stamp their impressions on its walls.

Confinement.

A separation in the everything.

The e v e r y t h i n g

thud.

n e v. e r e n d. i. n g

thud.

thud.

thud

The quieting pulses are forced to one final crescendo as the hand, unbidden, makes a last desparate strike against the unmoving surface, shattering the barrier of the world.

Heavy glass bursts outward from the threshold along with a surge of viscous liquid, pouring out toward the ground; the draining substance revealing a limp, convulsing pile of limbs and torso, frantically coughing up fluids from their burning lungs. The sound of draining pressure coincides with the roaring in their ears and the desperate cacophony of retching and wheezing before falling uncomfortably silent; the only sound the steady ooze of solution falling to the ground far below in steady droplets. Drip. Drip. The solitary rhythm of measured time.

A heartbeat passes and they stir, blue eyes opening slowly as if wading through still water. Weakly, they try to raise their head to the glow of intense light radiating from above; their muscles strain tensely before falling limp again, exhausted.

Trapped.

The walls seem to close in again, threatening their inhabitant once more with darkness and manic imagery that still flashes before them when they close their eyes to blink. Forcing limbs to move, straining for something, anything but the paralyzing numbness that binds them. One motion at a time; but their muscles won’t obey, their mind won’t respond. Pain. Stagnation.

A hand passes through the right side of the eyes’ range of vision. Slender, pale fingers to match the hand from earlier.

Their own hand.

Panic sets in amid a tangle of flailing limbs.

Coughing, gasping for air, the pallid figure claws against the side of the cramped enclosure, hands scrabbling to find purchase on the smooth interior. Shaky fingers finally make contact with the shattered remnants of a glass wall in the side of the tank and grip weakly to the edge of the hole in the room, still dripping a slow current of colorless liquid onto the empty stone floor far below. In between ragged breaths, they start to pull themself desperately toward the edge of the enclosure. Muscles quivering from disuse, chest heaving from exertion. With a final effort, their body clears the opening and slides down to the floor below, landing with a quiet splash that shatters the silence in the cavernous chamber beyond the broken tank.

He lay unmoving for a moment, save for another round of violent coughing.

It takes everything they have to lift their shoulders off the floor, still-bowed head following suit. Hunched over, their weight barely supported by quivering arms. They try to lift their gaze and immediately retch again, a repulsive mix of bile and clear fluid spilling over the exposed skin of their legs and onto the panels of the already wet floor beneath them.

Bony fingers clutch at an emaciated throat.

Can’t—

The room spins and they fall the short distance to the floor.

Unconscious.

Unmoving.

Sodden, pale hair clinging to a thin frame. Skin, and bone, and earth. A birth or a battlefield.

The last gasps of echoing sound die alone in the vast recesses of that empty room, smothered by the endless labyrinth of tubes across the vast ceiling.

***

He woke.

A thick darkness suffuses the room, broken only by the cold blue light flickering through the thick haze that obscures the edges of their vision. The trembling figure pushes himself up on weak arms, bleary eyes surveying the landscape before them. Fallen pillars on the ground, crumbled beyond recognition until they snaked across the cold stone terrain and beyond to the edges of the horizon, starlight glinting off them in irregular patches. Beyond, small shapes protrude from the ground, obscured by fog and distance. Shrines? Homes? Some even show a faint glow of light that cuts through the mist.

Their head spins.

Blue eyes hazily follow the swirling patterns from the base of a row of short pillars up to the top where they meet the sky, seamlessly melding into the azure heavens.

An endless expanse of sky and clouds, above and below. All encompassing. Lightning without rain.

With effort, he directs his gaze to the pinnacle of the sky.

Six identical moons above, surrounded by a myriad of stars, trailing constellations back down towards the earth. Blue. The blue of the night sky, whose weakly blinking stars, too, are never strong enough to illuminate the land below. The blue of the deep ocean, where forgotten kingdoms sleep in disrepair, the same as the dilapidated landscape they see before them. Remnants of a broken empire. An unnatural blue, made worldly only by age and disuse.

Ages of….

A heavy weight overwhelms them, as centuries of water carving deep fissures through mountains; and they collapse to the ground, exhaustion reclaiming its hold on the figure once more. Cold. The void of the cracked tile below shoves daggers into their skin, leeching what little strength they had and reducing them to a crumpled heap on the frigid stone floor; the repetition of choppy, shallow breaths the only sign of life.

Another wasteland, empty as before, piercing white. Scattered glass upon a vast field. The cracks between lead down, down into the black oblivion of eternity, where all things are null, as time itself, as life, as identity, as color; and above, the frozen world. Colorless, unbroken.

Silent.

Melancholy; the soul of the interloper. Convergence. Concurrence.

Passed beyond knowing.

A lone tree in a grassy field.

Faces obscured behind titles and grand deeds.

Stories.

Legends.

“The face in the glass… is that the real you?”

They felt they should know… something. A past, a future. An identity. Surely they’d had one before?

…Before?

It’s empty; like walking a corridor lined with doors made of possibility that turn to dust at the moment of approach. A glass room bounded by mirrors and crystal vases filled with water. Tangible but hollow. Repeating in on itself with every refraction until the thin lines of light and shadow mean nothing to the perception of an observer.

Connections.

Thoughts.

Disorientation as one thought reflects back above the others.

Resonance.

The impression of a name. Link.

They felt sick again, and then they felt nothing.

***

The stars still shine above when they wake, crowned by those too-consistent moons. Not moons and stars, Link realizes as their vision steadily begins to clear. Too perfect to be….

Gingerly, they try to uncurl themself from their position on the floor and find that their body does work, though made none the easier by their atrophied muscles. He stretches out a trembling hand, placing it against the smooth floor and pushing himself upright. The air smells stale and slightly damp as Link looks around, cataloguing the shapes that their eyes hadn’t been able to make out before.

Strange figures in the fog solidify themselves into derelict machinery.

The walls are lined with rounded devices that give way to wide panels above, decorated with carved patterns of lines and circles evoking myriad constellations in a night sky; the points of the stars glowing faintly with ethereal blue light. Most of the light in the room, however, comes from the six identical skylights crowning the apex of the chamber. The “moons” Link had noticed previously. The large round lights form a circular pattern around the top of a singular central pillar in the room. A pillar which was not, in fact, a pillar; but the shaft of the massive incubation tank that, Link realizes with growing horror, they themself had occupied until just recently.

With difficulty, he shifts his position from where he sat on the floor, gradually turning around until he sits fully facing the massive apparatus. It is made of a hard material, more akin to stone than metal, and cool to the touch; an ominous column that bows out as it reaches the floor to make room for the cavernous space inside like a gaping maw. Link shivers as they reach out their hand to place it on the raised pattern of the tank, rough and almost porous in contrast with the sleek underlayer. It reminds him of a stomach, he thinks, or perhaps a tangled mass of intestines, with its maze of uneven lines twisting and curling in on themselves. They feel vaguely sick again but curiosity forces them to keep looking anyway, noting that the center of each circle in the pattern houses a window of varying sizes, some seeming to lead to other tanks, adjacent to the main belly but many times smaller in size. Empty.

Empty, too, is the largest chamber of the incubation tank, looming above their thin frame like a drooling mouth, with shards of shattered glass forming the teeth at the edges of the main window. Link hasn’t the strength to stand and look inside. He doesn’t think he could stomach the sight anyways; flashbacks to the manic fervor of trying to escape already rising to the surface of his memory.

Their eyes drift instead to the base of the structure, where thick tubes as wide as Link’s own torso run out towards the edges of the walls, joining with other machines and even to the wall itself. The tubes glow faintly where patches of the outer material has peeled away to display the translucent membrane beneath. It’s apparent that they would have been used to transport the clear liquid into, or out of, the massive cistern. There’s no current running in either direction, but Link wonders if they house the vile solution even now. They force themself to look away, swallowing hard.

From his vantage point in roughly the center of the stone floor, Link can make out precious little else about the darkened room. More tubes cross the ceiling, traveling again the distance between the walls and the central pillar and meeting it, Link presumes, at the top; though they aren’t going to risk passing out again to crane their head to see. More strange shaped rubble gathered around the corners of the room. Link can’t even begin to guess its source, as none of the constructs nearby seem to be crumbling or missing pieces.

Their wandering gaze solidifies on an incongruous shape sitting amongst the wreckage. Curious, and without any other course of action, they begin to crawl towards it.

The object in question reveals itself to be a small ring about the size of the palm of their hand. It appears to have once been a perfect circle, adorned in symmetry with the same constellation pattern as the walls of the cavernous room; now sharing in its fate. Broken and discarded, dust and other refuse clogging the fine grooves in its surface. A crack runs across the rounded surface, culminating in a sizeable chip missing from one side.

Link picks up the ring with a trembling hand, fumbling it once before gaining a steadier grip. It’s made of a similar material to the tank in the center of the room, but judging by its size must have once been a piece of something larger.

The image sticks in their mind as they continue to scan the room for anomalies among the mess of machines and wires running the perimeter of the vast space. A forgotten tool lying alone in the wreckage of a desolate land, buried with the past.

The parallels to his own situation seem significant somehow.

He finds his fingers curling around the ring instinctively, though his eyes now look past it, focusing on a dark gap in between some of the panels on the wall to his left.

The exit.

Or so he hopes. A brief flash of fear crosses Link’s mind, imagining a passageway closed off with more of the rubble before him. Trapped. Apprehension washes over him, imagining the suffocating embrace of the water inside the tenebrous vessel. Why was he even here? Alone? The rest of the room is empty, the machines deteriorating and, as far as Link can tell, inactive. Is there more to this place? The sheer number of control units along the walls suggest there should have been a sizable number of people to operate the facility. His mind balks at the implications of his solitary confinement to this place. The sole inhabitant of the tank, the sole inhabitant of the room. How long..? Memories of the interior of the tank are replaced by thoughts of a sealed chamber, no doors to be found on the smooth interior; or a narrow exit blocked by collapsed rubble. His breath quickens and new images flash before his mind. Bloody fingernails capping raw fingers, scrabbling at the walls, bruised and bloodied knuckles; and still the harsh, unmoving stone of the enclosure, one person unable to do what only time can accomplish, unable to tear down the boundaries, to free themself. An agonizing death by starvation. He doesn’t want to think about the alternative.

It’s too much.

He tries to fight through the rising alarm, shoving it down to the pit of his stomach along with his nausea. Deep breaths. Clenching his fist further, driving nails and the imprint of a stone circle into the palm of their hand. Forcing themself to lift their gaze once more to their destination.

Link shakes their head to clear it and immediately regrets it, the throbbing in his head only intensifying with the movement. I need to leave this place.

***

The hallways beyond the central tank chamber are more of the same in appearance. The now-familiar constellation pattern decorates the upper part of the walls, while the lower portion is tessellated with the twisting pattern of curved lines in chunky relief, boundaried by a single line of the same raised, rough material running unbroken down the length of the hallway. It is this conformation that Link clings to as they make their way down the dim corridor, leaning their weight on the wall as they half stumble, half pull themselves along the wall with shaky arms; making up the difference for their protesting legs. It’s the fourth hallway like this they’ve encountered, though there had been only one exit from the incubation chamber. The path had split often, at first, and he had needed to retread the same paths multiple times in places as he met with many dead ends in the labyrinthine halls. They had passed other compartments on their quest to find the exit; small rooms bare except for a couple sparse beds with thin shelves jutting from the walls beside them. An impossibly tall chamber with a vaulted roof that seemed meant for storage, but held nothing but dilapidated shelves and crumbled debris. A locked door at the end of an agonizingly long hallway for which Link did not have the key, nor the strength to try to open. They fervently hoped it didn’t lead to the exit. The door had felt cool to the touch, but Link had been forced to abandon it to continue his search down the previous passageways.

This whole place is abandoned.

Though he knew it already to be true; the deafening silence betrayed no signs of life. Link’s own shuffling footsteps, quiet though they are, are the lone sound in the eerie gloom.

He feels more lucid, now, though his head still pounds and his vision still swims even from this slow movement down the corridor. They try to recall anything about themself, but find nothing to betray their past in their memories. Link. He feels that he ought to know something about the owner of that name. About himself. But any attempts to recollect further are met with failure and the feeling of trying to lift water through a sieve. Meaningless, obviously, but they are far too exhausted to feel frustration. And they can feel that their body will need to eat soon, even through the lightheadedness and nausea that still blanket them like thick fog.

A blue aura ahead signals the room at the end of the hallway; too far to make out, but steadily coming into view. Narrow panels hang along the walls, framing the doorway as Link draws near. Smooth and blank, but placed as though a sign to indicate the path. It would have seemed significant if not for the fact that every door prior had also been marked in a similar manner. Link’s fingers catch on the edge of a panel and they stumble, crumpling to the ground as they enter the room at last.

Not the exit.

But this room was different to the others they had encountered previously. Link swallows bile as he raises his head from the floor, dizziness returning in full force while they reposition their legs beneath them and reach for the edge of a low shelf to pull themself to their feet. Rows of glass tanks line the walls at the edges of the room, more uniform by far than the singular pillar shaped tank in the chamber Link had awoken in, with its divots and knobby carvings surrounding uneven windows. These seem almost sterile by comparison, though each window was still rimmed by twisting patterns of stone. They had no apparent function, as they lacked the tubes that had connected the larger tank to the machinery and walls of the huge cavern. There also didn’t seem to be anything inside. It was hard to make out whether the clear liquid contained within differentiated from tank to tank, and even that would have been to difficult to see if some of the tanks had not been cracked and partially drained. A high table spanned the length of most of the chamber, rising up from the ground like a solid plinth.

Having regained his footing, Link starts once more down the rectangular room, supporting his balance on the intermittent tables or walls. They are struck once again by the sheer hollowness of the place; the tables, the shelves, the jars embedded in the walls- even the room itself, he realizes, lacks the network of tubes crossing the ceiling that had so defined other rooms in the labyrinth. It isn’t so much that the room is empty so much as… devoid of habitation? A strange… desolation that they hadn’t registered until now, even despite the layers of dust that coat every surface. He passes a small, round alcove in the side of the wall, housing yet another barren container, this one free standing but otherwise matching the others in the room; the only thing setting it apart being the myriad “arms” that protrude from all sides, each containing a channel that points toward the central chamber.

Trying to combine something? It looks like it was built to fit this space. Or the other way around…. Link shudders again, contemplating the purpose of his presence in this place.

It’s a short enough distance to the other end of the vault, but it takes them several more agonizing minutes to cross the expanse. Step by step, feeling the omniscient gaze of the empty tanks on his back. his legs refuse to increase pace, however; continuing his uneven gait towards the far door, and at last steps into the small antechamber beyond.

Carvings in twisted stone relief completely cover the interior of the round room, only serving to highlight the closed door opposite him. He’s reminded once more of the bowels of a giant beast, the writhing pattern enclosing him, constricted; waiting to be digested. It’s cramped and oppressive compared to the previous rooms, and Link feels the walls start to close in around them. Reliving. Clenching his fist on the circular charm he had picked up from the floor earlier, he focuses on the sole thing keeping him in the room. Fresh air. It creeps in from the edges of the door, fighting a losing battle with the dank, musty scents of the broken down facility. Giving its life to promise freedom to another.

The door doesn’t budge when Link turns the handle so they throw their weight against it clumsily, falling upon the access with a dull thud. They are forced to repeat the action again and again before the door relinquishes its hold and creaks open, heavy stone scraping aside as Link slides to his knees. He is moving forward again almost instantly despite his exhaustion, spurred on by the faint breeze he feels across his skin.

It’s the longest hallway he’s encountered so far. Not even a pinprick of light can be seen ahead; the corners of the wall all converging to a single point in the darkness. The tunnel ascends at a gentle slope that wears on his legs after just a few minutes of walking, though Link already uses the wall to support their weight. they long to sink to the floor and rest, to give in to the deep exhaustion that has plagued them since they awoke. His throbbing head is at odds with the gnawing pangs of his stomach. He feels as though he has been wandering the deserted passages for hours, days. Sense of time degraded and fractured beyond recognition. If he could see what his state of mind looked like, he imagines it would be like the stone lines on the wall. Twisting, sinuous, ever moving forwards but slowly, painfully. Doubling back or circling around before continuing on. None of them connected. Fragmented. His breathing is getting heavy, and they can tell they’re moving slower than before, their movements less coordinated. If he stops walking now, the floor will swallow him whole. Returned to the void.

He walks on.

The dragging of footsteps is joined at last in its lone refrain, accompanied at last by the soft sound of a wayward breeze.

Blue eyes raise once more toward the outlet of the passage, confusion registering with the recognition of an inky chasm past the walls. Startled, their mind summons once more an image of cramped rooms and overbearing machinery waiting beyond, wandering forever; before the solution snaps them back to sentience.

Oh.

It’s nighttime.

Footsteps quicken and they stumble the last few steps toward the exit, relinquishing his grip on the wall as he rushes down the corridor. Frantic. Wind whipping through the tangle of long hair at their back and rushing through their ears, deafening. The slapping of feet on stone is replaced at once with the dry rustling of grass, and he falls to his knees as the world opens up before him at last; vast forest rising up around him as he emerges from the cavernous hole in the ground, long overgrown with flowering vines that herald the changing of an era.

Link feels as though they kneel before the precipice of a dreamscape.

Thick forest, the vast swath of trees forming columns under a vaulted ceiling of branches, starlight pooling off the leaves and filling the cool night air with energy. An infinite expanse of world surrounding. The ethereal made manifest amid the verdant sanctum of possibility.

Freedom.

And survival.

[ravenbloodshot]

Pick a Person for the next darkside reading

[daedelweiss]

*casually gives LM!Leo a second bat*

oh okay- *THEY'RE ON THEIR WAY TO BIG MAMA.

[ossidae-passeridae]

13 :)

Question from here

13. Were the Jedi right or wrong to ban attachments? What constitutes an attachment?

SO GLAD YOU ASKED

Attachment, as the word is used in Star Wars, is an attempt to translate the Buddhist idea of upadana. I… don't think it's a good one — I would have used rapacity personally — but uh, points for effort I guess. 

More than anything else, it's specifically and explicitly a cause of suffering. 

It's not love, not in any positive connotation of the word. It's coveting. It's greed. It's wanting to possess someone, not caring what their feelings are on the matter. Not letting them go, even if they beg. It's needing the next hit of a drug to function, even if you hate what the drug does to you, hate the person you become under the influence.

@gffa has an excellent post on attachment as we see it in the core lore (movies, TCW, word of god etc) if you want further explanation/examples.

So, back to the original question: are the Jedi right to ban attachments? (An aside: they don't ban it, they're not the church, but we'll ignore that for now.)

The Jedi are magical space wizards, with the power to cause mass destruction. They choose not to, because they've grown up understanding that they must be responsible, and live harmoniously with the world around them. This keeps both them and their society safe(r). 

Do I think people with built-in abilities to raze cities should be controlled by greed and fear? No, actually. I think that's a terrible idea. We had one darksider with Jedi-level powers completely destroy democracy in what was once the Republic after plunging the entire known universe into a years-long war. One. There are 10,000 trained Jedi Knights. 

I don't want to even imagine that universe. 

(All opinions expressed above are solely those of pass e. ridae and do not express the views or opinions of any affiliates or associates, passerine or otherwise)

[storiesaremylife]

Hashtag squad (you know when i finish the other 2)