*watches Paddington (2014)*
*puts on my Mr. Brown risk analyst hat*
The opening scenes of Paddington (2014) demonstrate an egregious case of poor earthquake preparedness and response behavior, particularly immersion-breaking coming from a population of sentient bears that evolved in a subduction zone setting. As noted by OSHA, "Most earthquake-related injuries result from collapsing walls, flying glass, and falling objects as a result of the ground shaking, or people trying to move more than a few feet during the shaking." In this essay, I will -
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(since this was an anthology-series-collection i'm just reviewing them all together)
the improbable meet-cute collection review:
dear god turns out none of these nyt bestselling authors apart from christina lauren knows what a short story is or how to write one!!
1 — the exception to the rule: this was super cute. the only story in here that qualifies as a proper short story honestly. definitely would read again and like i thought this was a sign that i would love the anthology. oh how wrong i was...
2 — worst wingman ever: i should have stopped when i read the word "unalived" but noooooo !!! i had to go and read the rest. there are also weird stereotypes about gay people?? and like this one genuinely has the absolute worst setting as far as romance stories go
3 — rosie and the dreamboat: i should have learned my lesson after reading the hating game but of course fucking not. why does the fmc talk like a baby and why does the mmc talk to her like she's a little girl and he's her dad EUGHHHHH BROTHER EUGHHHHHH
her sister is a BITCH btw??? because i would prioritise making sure my sister is safe over setting her up with a hot man. jfc.
also PLEASE no man who says "my ma" can ever be a dreamboat fuck off
4 — drop, cover, and hold on: at this point, i was starting to realise that a lot of writers think that short stories are just smaller novels
also ngl until like 65% i did not know what the mmc was called. yeah this was... not good
the only think i like about this is the setting, fucking love bakeries man
5 — with any luck: ashley poston i knew you wouldn't disappoint me after the last three absolute trainwreck stories. wish it was a little longer tho!!
6 — royal valentine: BORINGGGGG
he's a pissy little man child btw like they're both lying about the exact same thing and he's somehow fucking mad at her??? girl???? also the authors WRITES DOWN the mmc's scottish accent so words like "wasnae" and "dinnae" are very common. i wanted to burn my kindle.
in summary; i did this to myself i literally have no excuses
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February 2024 book haul
Hello friends!! Welcome to the February 2024 book haul!! A post where I talk about all the books that I bought and received in the previous month.
Ahh February… the shortest month of the year. Although this year it’s only the shortest by one day because it’s a leap year. Somehow I managed to purchase THREE TIMES the number of books I did in January though, so I more than made up for it being a…
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The Improbable Meet-Cute
The Improbable Meet-Cute es una colección de seis novellas escritas por seis autores diferentes. La serie es exclusiva de Amazon Prime Reading y Audible. Así que, cualquier persona que tenga una membresía de Amazon Prime, puede leer y/o escuchar los libros gratuitamente.
Como ya mencioné todos los libros en esta colección son novellas; el más corto tiene cuarenta páginas y el más largo, ciento…
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I'm seeing people point out that the Craving (at least the single version) is about SAI being perceived by a lot of people as a flop album & I think that's probably correct but I also think it probably applies to Lavish, because I truly cannot imagine why else they decided to include it on the album? Like don't get me wrong I love Lavish but narratively it reads as the most 'expendable" song on the tracklist. Yet Tyler allegedly wanted to leave off Navigating (which they gave the lore video to, lmao) and kept Lavish. Which is fair because it's a banger and a nice break from everything else, but it's also just telling to me that they very intentionally did a song about industry bullshit on this album, the most direct they've gotten since Lane Boy.
Like either their label or someone in the industry did something to piss them off that we don't know about, or it's a generalized frustration. I have to imagine it would hurt to be Grammy noms/winners two albums in a row and then be paid dust the minute you do something a little different. Or (purely speculating here) to experience label pressure to have another album cycle like blurryface, when that's virtually impossible to replicate unless you're, like, taylor swift specifically, and when it inevitably doesn't happen they start pulling back on financing/promoting you/helping you get nominations the same way they used to. They're fucking you behind your back and you can't really do much about it because they're the ones with the money and the influence, and you're supposed to trust them to take care of/care about your work. Like tøp has never been a band that values itself on award or critical recognition, it's always been for us, but creatively speaking the whiplash of going right from your most commercially successful album, to your most critically acclaimed album, then to your most criticized - and to a degree you now just assume your time as a critical/commercial darling has passed, which Tyler seems to - would have to hurt. It would have to.
Honestly tho he probably just knew he cooked with the proctologist line and needed everyone else to know too
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WWW Wednesday — 14 February 2024
Hello friends!! Welcome to this week’s WWW Wednesday — 14 February 2024!!
WWW Wednesday is a weekly meme hosted by Sam @ Taking on a World of Words, where you answer the three following questions:
What did you recently finish?
What are you currently reading?
And, what do you think you’ll read next?
Let’s see what I have been reading… (All images will link to Goodreads if you click on them.…
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