#DMY Artists

[newleasemusic]

Song of the Day: Worth It - Paige Bea

Song of the Day: Worth It - Paige Bea

London-based singer, songwriter and producer PAIGE BEA‘s single, ‘Worth It’, is a dark, feminist ode to the frustrations of not knowing where you stand at the start of a new relationship. On ‘Worth It’, Paige is characteristically direct, asking outright rhetorical questions that ask for frankness in where this new romance is heading, paired with bold, honest statements about her own intentions:…

[melissa-titanium]

[Looks at your pfp]

(Artist is emmachen1003)

Anyway happy pride month :]

M E AN DMY BE AUFIUL WIF E. and like...vriska.. i guess........ W0AEI9UOIRTUOITGJFOI IMGIGLGING..

(HAPPY PRIDEMONTH <3 :)

[thelensofyashunews]

NEMZZZ FOLLOWS SMASH DEBUT MIXTAPE DO NOT DISTURB WITH BRAND NEW SINGLE ‘ATM’

The prolific Manchester rapper Nemzzz today drops his new single ‘ATM’. In a fast follow up to his recent debut mixtape DO NOT DISTURB which landed in March and reached #17 in the UK album charts.

Blending cinematic, sweeping orchestral instrumentation spliced with an icy industrial production from Zel, ‘ATM’ is brimming with Nemzzz’s sharp wordplay and playful adlibs as he reflects on his recent successes. 

Nemzzz is fresh from his sell-out second headline tour, hitting stages in Dublin, Glasgow, London (with a surprise drop in from K-Trap) and a homecoming show featuring Central Cee at Manchester Academy - Nemzzz’s biggest show to date in the city. Nemzzz will be returning to Wireless Festival this summer and has a sold-out EU tour set for this October including dates in Berlin, Amsterdam, Brussels and more.

Nemzzz’s debut mixtape DO NOT DISTURB landed in March to acclaim from NME (4*/Cover), Hypebeast UK, Wonderland, NOTION, DMY, Acclaim and support from Spotify (Global Hip-Hop Cover, Rap UK Cover), Soundcloud (Album of the Week), Apple Music, YouTube Music and more. 

The 11-track tape marked Nemzzz’s most expansive drop to date, an exploration of how the young artist is shaped by his upbringing and his fame. Nemzzz surprised fans the week after release, unveiling the Deluxe version featuring collaborations with rap heavyweights from both sides of the Atlantic, including Lil Yachty on the ethereal ‘IT’S US’, Headie One with the bouncy ‘I KNOW YOU CARE’ and  K-Trap on the siren-like ‘MAYFAIR’. The tape has already racked up over 120M+ streams since launch.

Marrying bars laced with Nemzzz’s wicked sense of humour, earworm hooks and a raw soulful-drill production - DO NOT DISTURB cemented Nemzzz’s status as the new titan of UK Rap. On singles including ‘ETA’ (a collaboration with German rap star Luciano), leadback mental health commentary ‘PTSD’ and the shimmering, jazz inflected ‘L’S’, Nemzzz drew acclaim from Central Cee, The Observer, Fader, CRACK, NME spins across BBC Radio 1, 1Xtra and more. The tape was rounded out by ‘MONEY AND VIBES’, which saw Nemzzz bring UK flavour to a flip of Justin Timberlake’s ‘Rock Your Body’. The single topped the A list at 1Xtra on release last year and continues to rack up over +1M streams a week. 

Nemzzz is one of the most exciting breakout rap talents of recent years. An old head on young shoulders, Nemzzz is relatable in a different way than a lot of his rap peers; driven less by punchlines about Birkin bags and more by the challenge of helping his young fans navigate their way through growing pains. The rapper is shaped by his tough upbringing in Gorton, using his music to reflect on his experiences including heartbreak, fake friends, financial literacy, finding your own path, and managing mental health amid social media addiction.

2023 was a massive year for the young star with a consistent slate of releases including his debut EP Nemzzz Type Beat (which was pulled together in just 17 days in a flex of his innate talents) alongside a string of singles including ‘Therapy’ (Spotify Rap UK Cover) and ‘8AM IN MANNY’ which landed to props from some of the biggest rappers in the world - Drake and Lil Yachty. Last year saw Nemzzz deliver his first sold-out headline tour alongside performances at festivals including Glastonbury, Ibiza Rocks and more. 

Since bursting onto the scene at the tender age of 14, Nemzzz has relentlessly chipped away at his craft – building steady buzz amongst the industry, media and fans alike. With over 180M combined streams in 2023, 9 Million TikTok views, tips including BBC Radio 1xtra's Hot For 2023, Amazon Music x Hunger Magazine Ones To Watch, No Signal Class of ’23, Best Newcomer Nominee MOBO Awards 2022, plaudits from Pitchfork, The Face, DAZED, The Guardian, HYPEBEAST, CLASH, Complex UK and NME - Nemzzz is making serious moves.

[baltavarna]

'ASAP Rocky - Bass' by DMY is on SoundCloud

[mdr-ticketshop]

SCHLAGERBOOOM 2024 – ALLES FUNKELT! ALLES GLITZERT! 18. & 19.10.24 Dortmund, Westfalenhalle

[kyotakumrau]

DUMMY twitter 2018.07.23 New collection DMY 2018 is now available for pre-order at online shop. The delivery is scheduled to start from August 10, 2018. http://www.galaxybroadshop.com/artist/sukekiyo/

[weirdbynorthwest]

Notes on Northern Exposure, S01E02: “Brains, Know-How and Native Intelligence”

We begin the episode with Chris Stevens delivering his first ever “Chris in the Morning” address on the show, in Cicely’s local radio station, KBHR, or “K-Bear”. Why “K-Bear”? Well, firstly, it’s customary for radio stations to be given easily pronounceable names inspired by their initials, for the sake of marketing. But there’s an additional fun fact regarding this particular station’s origins: both KBHR and its nick-name belong to a real-life local radio station in Big Bear City, California. Surrounded by the Alaskan wilderness, Cicely undoubtedly has more than its fair share of bears, so the nickname remains appropriate.

The subject of Chris’s speech, and a significant chunk of the episode, is the 19th century poet Walt Whitman, an American literary giant and one of Chris’s leading artistic inspirations. But not everyone approves of Whitman. Chris recalls being “blindsided by the raging fist of [his] incarcerator,” at the juvenile detention home where he spent his juvenile delinquent days. This stern authority figure told Chris, in no uncertain terms, “that Walt Whitman's homoerotic, unnatural, pornographic sentiments were unacceptable and would not be allowed in an institution dedicated to reforming the ill-formed.” Whitman’s sexuality has been the subject of endless debate, but it’s generally accepted that he was either homo- or bisexual. That Whitman, “that great bear of a man, enjoyed the pleasures of other men came as a great surprise” to Chris, leading him to “reconsider the queers [he] had previously kicked around.” Yes, Chris wasn’t always the open-minded liberal we otherwise see him as. He was, in his youth, capable of homophobic violence. This makes me, a confirmed homosexual (or “homo-romantic grey-sexual,” if we’re being particular), rather sad. It also makes me more inclined to be wary and critical of Chris in this episode.

Chris reads Whitman’s “When Lilacs in the Dooryard Bloom’d” (1865), a poem written following the end of the American Civil War (1861-1865), during a period of national mourning over the then recent assassination of former president Abraham Lincoln. The poem doesn’t explicitly identify Lincoln, but it’s generally thought that that’s who the poem was about. However, the final line of the first stanza – “And thought of him I love” – may have been presented in this scene in order to underline the topic of Whitman’s sexuality. For Whitman’s clearest expression of homosexual love in verse, one should really examine the “Calamus” sequence of poems written in or before 1859, included in the third edition of Leaves of Grass, originally published in 1855. (I nearly read some to an ex-boyfriend on his birthday once. I regret not doing that. But they were aware of the thought, and I got a lot of love for it, so it balanced out.)

We catch a glimpse of Maurice fishing whilst listening to Chris’s show. He clearly isn’t impressed by all this talk of Whitman enjoying “the pleasures of other men.” Maurice was established as being, at the very least, a sexist and racist bigot in the previous episode, so any homophobia on his part wouldn’t come as a surprise. This still doesn’t prepare the viewer for what Maurice will do next.

Meanwhile, in this week’s instalment of “Will They? Won’t They?’ Joel and Maggie are in the Brick, having a go at each other over plumbing. This argument at least feels as if it springs from a natural cause, compared to last week’s glaringly-contrived-in-order-to-establish-the-formula bickering. Joel is talking to Maggie as his landlord, about a faulty toilet. Maggie teases Joel over his lack of self-reliance: why not try fixing it himself, or go out and fertilise the scenery? She winds up calling him a “helplessness junkie”, an odd turn of phrase he’ll spend half the episode grumbling about and later delight in throwing back at her, when she visits him in his surgery over a self-inflicted knee injury.

Joel’s chauvinism is out in full force again, as he offers to treat any puncture wounds Rick may have received from Maggie walking all over him in her heels. Yecch. And then he comes on to her in a way that fictional characters in a “Will They? Won’t They?” comedy set-up routinely get away with, when he says “you’re clearly attracted to me.” Of course, the show will routinely remind us she is. But in real life, if you said something like that to someone, it would be widely and rightly considered inappropriate. Unlike the utterly irredeemable and thoroughly loathsome Ross Geller in Friends (NBC, 1994-2004), Joel is a genuinely likeable character under all the sexist asshattery the writers insist upon having him say. I hope the situation improves, and soon.

Joel remarks that he’s “not the Grizzly Adams type.” This is a reference to John “Grizzly” Adams, a nineteenth-century mountain man who hunted and trained wild animals (including, you guessed it, “grizzly” bears) for use in zoos, menageries and circuses, from New England to California. An outdoorsman and a showman (he partnered up at one point with another American icon, that jack-of-all-trades P.T. Barnum), “Grizzly” Adams became, in the popular cultural consciousness, an iteration of an American frontiersman archetype, akin to Davy Crockett. Joel does not resemble that archetype at all – but Brick proprietor Holling Vincoeur, according to Joel, does. We’ll see how that comparison bears out in the episodes and seasons to come.

Meanwhile, over at K-Bear, the “raging fist” of Maurice Minnifield comes raining down on Chris Stevens like the fist of that faceless authoritarian in Chris’s juvenile detention home. I find the violence Maurice inflicts on Chris in this episode jarring. We later learn from Joel that Maurice threw Chris through a plate-glass window. We see bruises and band-aids on Chris’s face, and his arm in a plaster cast. We learn, towards the end of the episode, that Chris snuck in a decent left-hook – but that still, to my mind, doesn’t make up for what might be one of the single most unpleasant things Maurice has done on the show.

And while we’re on the subject of violence, what about Ed’s response to Joel describing his current spat with Maggie? He asks “Did you hit her?” Where did that come from? A more uncharacteristic thing for Ed to say – even just two episodes into the show – is hard to imagine. Is it meant to suggest that Ed grew up in an environment where domestic violence was the norm? Or that Cicely’s foremost cinephile learnt everything he knows about human interaction from the movies? I don’t know. I just know that it’s a weird, discomfiting line.

Ed introduces the episode’s secondary plot, which is about Ed’s uncle Anku (Frank Sotonoma “Grey Wolf” Salsedo). Ed tells Joel that his uncle is a “witch doctor,” which briefly leads them into a variation on the famous “Who’s on First?” comedy routine.

Ed’s uncle is seriously unwell – as in, there’s blood in his urine. And blood in your urine is nothing to be sniffed at. 11 years ago I had a urinary tract infection thanks to the onset of type-one diabetes. The pain was unreal. Imagine passing red hot needles instead of water. TMI? Ah, DMY. My point is, it’s not something you can comfortably ignore. And as a doctor, Joel knows it’s not something you can afford to ignore. And so, at Ed’s behest, Joel spends a significant chunk of the episode befriending Anku and trying his best to persuade him to seek medical attention. But, unbeknownst to Anku’s family, Anku has already sought medical attention and learnt that he has prostate cancer. He just needs Joel to pressure him into swallowing his pride as a medicine man before seeking further treatment.

Joel will, in dealing with Anku, realise in an on-screen “eureka!” of an epiphany that pride is the theme binding all the episode’s narrative threads together. Anku’s pride, his own pride, Maggie’s pride, Maurice’s pride, are all wrapped up in a neat little package. Is it too neat, too tidy? Maybe, but I like it. It’s a reassuring sign that Joel’s character won’t remain static, that he’ll gain new insight into the town and its characters, learn new things and continue to develop over the course of the series.

“Keeping it in the family”: Mrs. Anku is played by Armenia Miles, the mother of Elaine Miles, who plays Joel’s secretary, Marilyn Whirlwind. In future episodes, she’ll play Marilyn’s mother.

Anku asks Joel if he’s ever seen the film Little Big Man (dir. Arthur Penn, 1970), in which Dustin Hoffman plays a man who, as a white child, was rescued and raised by a Cheyenne tribe. Is Anku drawing a connection between the Jewish actor and Jewish doctor, to whom he imparts some of his own “native intelligence”?

Joel, after explaining that he can’t keep chasing after Anku, pleads with Ed not to “do this northern brooding thing, I can’t stand Bergman films.” Is Joel intentionally using sophisticated cinema references he knows Ed will get? Because if so, that’s kinda cute. Couple that with Ed watching Joel as he sleeps, and I wonder if anyone, anywhere, at any time, has thought to ship these two characters?

As Maurice takes full control of radio K-Bear we learn he’s a huge fan of musical theatre, something that’s often been depicted as a stereotypical trait of gay men (less so these days, but very much so in the nineties). Is the episode replaying the old, unhelpful cliché that “all homophobes are repressed homosexuals”? I don’t think so. It certainly doesn’t underline or lean into that idea. As much as Maurice’s showtunes are driving the residents of Cicely crazy, he’s never mocked for the fact that he enjoys showtunes.

At a town meeting, angry Cicelians call for the reinstatement of Chris Stevens as radio presenter. Maurice isn’t having it. “One of our own, Chris Stevens, made a mistake,” he “did a bad thing” and “he had to pay for it.” What was that mistake? We get an answer, of sorts, when Maurice returns to the airwaves the next day and attempts to explain his recent behaviour. It’s a speech that causes the entire town to stop in its tracks, suggesting we should stop in our tracks too and take what Maurice is saying seriously.

Maurice recalls his devastation upon discovering, as a child, that his hero John Wayne didn’t do his own stunts. The gist of it is, Maurice doesn’t want his heroes to be humanized, to have their weaknesses exposed. “Sure, we’re all human,” but do we have to be reminded that our heroes are human too? Maurice is an advocate of the “Great Man” theory of history, the idea that the greatest achievements in human history were brought about by great men (and with his ego, he no doubt fancies himself one). Maurice wants his heroes to remain on their marble pedestals as untainted paragons of manly virtue. “We need our heroes. We need men we can look up to. Believe in. Men who walk tall.” Of course it doesn’t occur to Maurice, just as it doesn’t occur to most advocates of the “Great Man” conception of history, that those heroes could include women or minorities.

Maurice considers Walt Whitman a hero. Though “Walt Whitman was a pervert,” in Maurice’s bigoted view, “he was the best poet that America ever produced.” Maurice concedes that Whitman was, most likely, a homosexual. He’d just rather not know or be reminded of that. Because Maurice is a homophobic bigot who believes that homosexuality is a weakness, a character flaw that should be hidden from view, never to be acknowledged. But just because Maurice believes that “there are damn few of us who deserve to be called heroes” and that, despite his own bigotry, Whitman deserves the title of hero, doesn’t make Maurice less wrong or less of a bigot.

And yet, as the speech prompts Chris to go and apologise to Maurice, the episode seems to come down firmly on Maurice’s side of the argument. Not that there’s actually been an argument. No one in town has attempted to argue the opposite of Maurice’s position – that a knowledge of Whitman’s probable homosexuality does nothing to diminish him or his work. The implicit and unfortunate assumption in this episode is that it does diminish Whitman. That’s why we have Chris apologising to Maurice, saying that he also doesn’t want people reading Walt Whitman for “the wrong reasons.” What reasons are those, Chris? The only reason suggested in the episode comes from Ruth-Anne, when she tells Joel that all the Whitman has been taken out of the library as there’s “nothing like an interesting sex-life to get people reading.”

So, is Chris suggesting that he doesn’t want people reading Whitman because of his sexuality? Why not? Whitman’s “Calamus” poems meant a lot to me when I was younger, and I would never have discovered them had I not heard about Whitman’s sexuality and the poems’ reputation. I see in them a beautiful expression of the romantic feelings I then had for my ex-boyfriend, and I can’t read them now without getting misty-eyed. Like a lot of great poetry, the poems powerfully describe feelings of romantic/erotic longing, the distinction being that they clearly describe feelings of romantic/erotic longing between men. It isn’t “subtext.” You don’t have to “read between the lines.” It’s there, in the words on the page. Whitman’s sexuality informs his writing, even if his writing isn’t explicitly sexual.

Unfortunately, in the nineties there persisted this idea that homosexuality was something to be guarded against, lest it corrupt our children or our own imaginations when engaged in the intellectual enjoyment of nineteenth-century verse. Depending on where you are in the world, it’s an attitude that still persists or even prevails. And this episode of Northern Exposure appears to embody it.

For me, Whitman’s “Calamus” poems are a powerful reminder of a time in my life when I was young and happy and in love. But Chris appears to be suggesting that I’m reading Whitman wrong. Well… Fuck you Chris. There’s nothing wrong with highlighting the fact that Walt Whitman was likely gay or bi, or that a significant number of his poems appear to have been informed by his own homoerotic desire. It can do a lot of people – gay or bisexual people, for example – a lot of good to know that people who felt the way they do existed in the 19th century, and that they wrote beautiful verse you could share with a loved one.

It should be clear by now that, unlike Maurice, I don’t believe it’s a mistake to humanize our heroes. Knowing Mark Twain loves cats humanizes him. In no way does it diminish my love of Mark Twain (but then I’m a cat person, so I’m biased). Other than the very worst literary critics, who really wants to see the likes of Twain and Whitman reduced to cold, lifeless marble statues in the Pantheon of the American Literary Canon? It does us no harm, either, to learn the personal and political beliefs of our heroes, especially if we don’t want people thinking we share certain of those beliefs. Hero worship is problematic in general, but it’s impossible for us not to admire people, to have our own personal heroes. But as we grow and change over the course of our lives, we shouldn’t be afraid to update that list.

In the course of its run, Northern Exposure introduced a gay male couple; confirmed that its founders, Cicely and Roslyn, were a lesbian couple; and was the second US TV show to feature a gay wedding (the first being Roc [Fox, 1994-1994]). Northern Exposure was not only on the right side of history, it was consistently ahead of its time. If I’ve been especially hard on this episode, it’s because I know how far it falls short of the show’s future accomplishments.

[hstewartmainstudioproject]

ARTIST / BLOG - Andrea Brena 

Exploring his own understanding of design, Andrea revives  the art of arm-knitting in which the craftsman reuses discarded fabric strips from textile factories in Italy to knit into carpets, pillows and chairs using only his arms as the guide. each piece is produced from leftover cloth where the cushions and seats are stuffed with the same scrap material.

After researching about finger knitting I came across this artist that knits with his arms. This work is very large scale and because of this I know there is a lot of material used. 

I think this is an interesting idea but I do not have the finances to work to this scale.

Mikocki, l. (2012). andrea brena: knitted army at DMY berlin 2012. [Blog] DesignBoom. Available at: https://www.designboom.com/design/andrea-brena-knitted-army-at-dmy-berlin-2012 [Accessed 11 Jan. 2019].

YOUTUBE VIDEO - https://youtu.be/tzFiVlLtQAo

[thelensofyashunews]

NEMZZZ DROPS DELUXE VERSION OF DEBUT MIXTAPE DO NOT DISTURB FEATURING COLLABORATIONS WITH LIL YACHTY, HEADIE ONE, K-TRAP AND MORE

The prolific Manchester rapper Nemzzz drops 4 new tracks in a swift follow up to his debut mixtape DO NOT DISTURB which landed on Friday. Collaborating with rap heavyweights from both sides of the Atlantic, the Deluxe is set to be a huge breakout moment for the 19-year-old rapper.

New cut ‘IT’S US’ features Atlanta’s bubblegum trap innovator Lil Yachty, who first connected with Nemzzz on seeing his ‘8AM IN MANNY’ freestyle, the much-anticipated collaboration sees a new side of Nemzzz as he raps over an ethereal, relaxed synth-driven production. Bouncy cut ‘I KNOW YOU CARE’ sees Nemzzz go toe-to-toe with Tottenham drill trailblazer Headie One. South-London rap auteur K-Trap features on the siren-like ‘MAYFAIR’. Final track ‘GET MONEY’ sees Nemzzz rap on the importance of hard work over a lively beat by long-time collaborator Zel.

Nemzzz’s debut mixtape DO NOT DISTURB landed on Friday to acclaim from NME (4*), Hypebeast UK, Wonderland, NOTION, DMY, Acclaim and support from Spotify (Global Hip-Hop Cover, Rap UK Cover), Soundcloud (Album of the Week), Apple Music, YouTube Music and more. The 11-track tape is Nemzzz’s most expansive drop to date, an exploration of how the young artist is shaped by his upbringing and his fame. 

Marrying bars laced with Nemzzz’s wicked sense of humour, earworm hooks and a raw soulful-drill production - DO NOT DISTURB is set to cement Nemzzz’s status as the new titan of UK Rap. Opening with late night confession ‘REFLECTION’, Nemzzz raps with real bite about the pitfalls of social media activism. New single ‘ETA’ sees Nemzzz unite with German rap heavyweight Luciano. Recent single ‘PTSD’ splices a haunting vocal flip with a laid-back production from Zel, as Nemzzz turns teacher once more - speaking on how he uses his music as catharsis to process his feelings. The cut landed last month to a co-sign from Central Cee. The shimmering, jazz inflected ‘L’S’ arrived in January to acclaim from the likes of The Observer, Fader, CRACK, NME spins across BBC Radio 1, 1Xtra and more.

Atmospheric, intense cut ‘DOOM’ gives way to the relaxed groove of playful love song ‘STAR SIGN’. On ‘NEED YOU’, Nemzzz rides out the ups and downs of a toxic relationship. ‘REASSURANCE’ melds ghostly vocal samples with a stripped back production as Nemzzz reassures his girl he’d drop her off for her ‘nails, hair, lash appointment too’. Nemzzz picks up the pace on ‘VENICE’ featuring rising rapper JayG. Title track ‘DND’ details how the run-up to the project was filled with hostile haters and the need to cut off day one friends. Rounding out the tape is ‘MONEY AND VIBES’, which sees Nemzzz bring UK flavour to a flip of Justin Timberlake’s ‘Rock Your Body’. The single topped the A list at 1Xtra on release last year and continues to rack up over +1M streams a week. 

Nemzzz is one of the most exciting breakout rap talents of recent years. An old head on young shoulders, Nemzzz is relatable in a different way than a lot of his rap peers; driven less by punchlines about Birkin bags and more by the challenge of helping his young fans navigate their way through growing pains. The rapper is shaped by his tough upbringing in Gorton, using his music to reflect on his experiences including heartbreak, fake friends, financial literacy, finding your own path, and managing mental health amid social media addiction.

The DO NOT DISTURB tape follows a massive 2023 for the young star with a consistent slate of releases including his debut EP Nemzzz Type Beat (which was pulled together in just 17 days in a flex of his innate talents) alongside a string of singles including ‘Therapy’ (Spotify Rap UK Cover) and ‘8AM IN MANNY’ which landed to props from some of the biggest rappers in the world - Drake and Lil Yachty. Last year saw Nemzzz deliver his first sold-out headline tour alongside performances at festivals including Glastonbury, Ibiza Rocks and more. 

Nemzzz will be heading out on his second headline tour this Spring with dates across the UK and Ireland. He will be kicking off in Dublin on 30th April and culminating in a homecoming show on 7th May in Manchester. With three dates already sold out - the tour is set to be another huge smash for the young star. TICKETS/MORE INFO

Since bursting onto the scene at the tender age of 14, Nemzzz has relentlessly chipped away at his craft – building steady buzz amongst the industry, media and fans alike. With over 180M combined streams in 2023, 9 Million TikTok views, tips including BBC Radio 1xtra's Hot For 2023, Amazon Music x Hunger Magazine Ones To Watch, No Signal Class of ’23, Best Newcomer Nominee MOBO Awards 2022, plaudits from Pitchfork, The Face, DAZED, The Guardian, HYPEBEAST, CLASH, Complex UK and NME - Nemzzz is making serious moves.

[johnnyseod-remade]

IM SCMRM EAMING SO LOU DMY HEAR T I SSBEATTING SO HARd THE TEASER IS SO ARTISTIC N PERETYT NAD FUCKFUF KAF OIAWFNOAW IFO BANGGTAN WHAYT FUKC K ING ER IT SOUNSD SO WMOTIONAL AND SAD IM GONNA KILL MYSELF FUKFCIINGF UCKING FUCK 

[gomagnificentdefendorcollec-blog]

THE best AUDIO PRODUCTSFROM all around the WORLD

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[mdr-ticketshop]

Riverboat - Die MDR Talkshow TV-Aufzeichnung bis 30.11.24 Leipzig / media city Leipzig

[mdr-ticketshop]

TV-Aufzeichnung mit Olaf Schubert & Michael Hatzius 10. - 14.06.24 | 18.15 Uhr + 20.00 Uhr Leipzig / Figurentheaterzentrum Westflügel