#Cursed Sands Book 1
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Mistress of the Second Circle by BC James
Sirens and Succubi and Copsā¦oh my. Title: Mistress of the Second Circle Series: Cursed Sands Book 1 Author: B.C. James Genre: Urban Fantasy, Supernatural Thriller A Tinder date goes disastrously wrong, ending with a middle-aged man gruesomely murdered and mysteriously mummified in a seedy motel. This baffling case lands in the lap of Detective Kace McCrae, unaware that this crime is just theā¦
#Book Contests and Giveaways for Readers#Cursed Sands Book 1#Mistress of the Second Circle by BC James#Sirens and Succubi and Cops#Supernatural Thriller#Urban Fantasy
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sand - c. la rue
idea taken from one of @star-girl69 's asks about married clarisse and immediately went to think about how the vast majority of greek demigods didn't get to live past their 20's or even teen years... and the survivor's guilt that would come with being one of the few lucky enough to live longer.
warnings: angst, hurt/comfort, traumatic nightmare flashbacks, descriptions of violence, descriptions of blood + war, spoilers for TLO, set after both reader and clarisse leave CHB about 6-8 years into the future, google translated Greek term of endearment, crying, survivor's guilt, platonic RueGard, ooc Clarisse, she's matured more over time and more articulate with her feelings and words
summary: clarisse wakes up from a particularly bad nightmare in the middle of the night, reader comforts her through a breakdown
wife!fem!demigod!reader x wife!clarisse la rue
word count: 2.2k
ĪŗĪ±ĻĪ“Ī¹Ī¬ Ī¼ĪæĻ
(kardiĆ” mou) - my heart
Ī ĪŗĪ±ĻĪ“Ī¹Ī¬ Ī¼ĪæĻ
ĪµĪÆĪ½Ī±Ī¹ Ī· ĪŗĪ±ĻĪ“Ī¹Ī¬ ĻĪæĻ
(I kardiĆ” mou eĆnai i kardiĆ” sou) - my heart is your heart
"but you have more pieces of me than than desert has sand, and I have less pieces of you than I can hold in my hand" sand, alchemical: vol. 1, dove cameron
taglist: @lvrue @star-girl69 @azrielsdiary @petitegavotte @b0ok-lover
men, nsfw, non-sapphic, 16-/19+ dni
Greek demigods fell in love hard and fast with an unmatched intensity. They normally didnāt live long enough to even envision themselves in their adult lives, and why would they? Every day was a struggle to stay alive with monsters coming in from all angles and quests most didnāt come back from.
And that was why, as soon as the two of you graduated high school, Clarisse got down on a knee and proposed with the knowledge that you were the one she would want to spend the rest of her life, however long or short, with.
When you two had graduated college, the next thing in the books was to make it official in the courthouse, and that was what you had done. No extravagant party or ceremony, just a quiet day in the courthouse and a night in to celebrate.
But no matter how far the two of you ran from Camp Half-Blood, the nightmares never went away, never got better. As the years passed, more of the people you had considered friends died. One after the other, falling like cursed dominos, helplessly standing by as they all tumbled down.
Soon, the nightmares became more about the people that were lost than the monsters themselves. Nightly plagues of searingly painful memories from watching the life drain from so many demigodsā eyes burned themselves in both of your psyches.
All you could do was hope Charon would be kind enough to ferry them across the Styx without his payment of a silver coin.
And tonight certainly hadnāt been anything out of the ordinary with the two of you and your limbs interlaced in a protective embrace while sleep claimed your minds, as if the both of you could protect each other from the monsters both in and outside.
Your head, nestled into her chest. Her deep, rhythmic breathing made your hair flutter ever so slightly as she exhaled. Her arms, wrapped loosely around your waist, hands not-so-sneakily under the baggy shirt of hers you had stolen to wear as pajamas for the night. It was all perfect. Too perfect.
You would be damned fools to think that peace would last for so long. Demigods didnāt get peace, they didnāt get tranquility, and they especially didnāt get uninterrupted domestic bliss.
Unbeknownst to you, Clarisseās face contorted into one of distress. Her arms pulled you in closer subconsciously as the all too familiar face of Morpheus greeted her with a sly smirk on his face in her dreams.
In moments, she was transported back to the Battle of Manhattan.
She was seventeen again.
Blood was everywhere. Abandoned weapons lay on the floor, the hands that once gripped them tightly, now loose and limp. Shrill screams echoed throughout the air, all cut short by gut-wrenching sounds of fatal injury. Metal cut through flesh. Acid burnt through metal. Flames licked and greedily consumed anything and everything as fuel.
Her feet felt heavy, her hands numb. She could do nothing but stand and watch it all unfold before her own eyes, forced to relive the carnage and devastation that had ripped through Manhattan on that fateful day.
Morpheusā voice whispered in her right ear, the sound of it sending an uneasy chill down her spine. āDaughter of Ares. A fitting dream, no? Your father must have been proud of you for the way you fought afterā¦ well, Iāll let you relive that, too.ā Before she could blink, she was transported to the moment right after Silena had been sprayed by the Lydian Drakon.
Clarisse was too late. She had always been too late.
She was back on her knees, choking and weeping bitterly as Silena lay in her arms, watching as life slowly left her once-lively eyes.
What kind of a warrior even was she? So weak that she couldnāt even protect her friend? Too weak to protect the girl who had adorned her armor and led her siblings into battle?
Just as Clarisse reached out to touch Silenaās face to wipe away the one mark of smudged eyeliner that the Aphrodite girl normally would never have even allowed to happen in the past, she was jerked back to consciousness, eyes flying open and arms almost crushing your sleeping form momentarily as she came to.
No longer was she in Manhattan, instead sheltered in the familiarly adorned walls of your shared bedroom. Upon the walls hung framed pictures of joyous times past and her sword collection, among other things.
Familiar faces stared back at her, some faces that would never age again. Immortalized memories of times that would never happen again. Everyone was dead or scattered across the globe.
A particular picture caught Clarisseās eye. It was a portrait of Silena that she had commissioned one of the Apollo kids to draw for the daughter of Aphroditeās seventeenth birthday.
She never lived to see that day.
Her eyes locked with Silenaās in the drawing for a moment, and that moment was one too much as hot tears began to prick in the corners of her eyes.
She had inadvertently woken you up with the way her arms tightened around your waist in a near vice grip, slowly coming to your senses. No longer were her breaths slow and rhythmic, their steadfast pattern replaced by one that was erratic and shallow. The once-steady thumping cadence of her heart as it beat in her chest was now quickened, all of which you could hear with your head having been nestled into her chest.
Craning your head to look up at her, you were greeted with the sight of Clarisse desperately trying to silently blink back tears and control her own breathing.
Hurriedly, you pushed yourself up off her chest and tugged the blankets off the two of you before sitting down on her lap. You took note of the way her hands had never left your waist, holding onto you as if she were drowning and you were the last life ring thrown out.
It wasnāt anything you and Clarisse hadnāt dealt with before. The nightmares had been a part of your lives as far back as you could remember, it just came with the territory of being a demigod. But they never got any easier as time went on.
She watched silently with eyes brimming with unshed tears, pleading wordlessly with you to do something, anything to make it all go away.
āLetās switch, yeah? You can lay on me and completely cover me if you want, love,ā you offered up, a melancholy smile tugging at the corners of your mouth. Wordlessly, she nodded and you slipped off her lap, laying back where she had just been moments ago.
Gently patting your chest, you motioned for her to rest her head on it, knowing that the rest of her body would soon follow, completely engulfing your form with hers. After she had positioned herself, her arms snaked around your waist again as she simply held you for a few moments, her face pressed into your chest as tears slowly soaked into your shirt.
One hand reached out to gently run along the length of her back, the motion meant to soothe. A few beats passed in silence before you spoke in a hushed whisper, the bedroom devoid of sound beyond the two of you breathing in tandem with each other.
āYou hear that, love? Thatās my heart,ā you murmured softly, craning your neck to press a gentle kiss to the top of her head. āItās beating, beating for you. Ī ĪŗĪ±ĻĪ“Ī¹Ī¬ Ī¼ĪæĻ
ĪµĪÆĪ½Ī±Ī¹ Ī· ĪŗĪ±ĻĪ“Ī¹Ī¬ ĻĪæĻ
.ā
She didnāt respond beyond releasing another shaky sob into your chest and tightening her grip around your body, but you didnāt mind. You didnāt need her to talk just yet.
āYouāre also Ī· ĪŗĪ±ĻĪ“Ī¹Ī¬ Ī¼ĪæĻ
, you know that, right? My heart, my wife, my love, my everything. And Iām yours. Entirely yours, and Iām not going anywhere.ā You craned your neck again to press another kiss against the crown of her head, hand never stopping its path of running gently along the length of her back.
āI would go down to the depths of Tartarus for you. I would challenge Hades himself to a fight if it meant I had even a glimmer of a chance in getting you back.ā
Never once did you try to rush her into talking or shushing her tears. You knew her better than you knew yourself, and giving her time to let everything out was the best thing you could do for her at the moment.
You were her safe space, the one woman that she could let her walls down around. She wasnāt Aresā star daughter in your arms, she was just Clarisse. No expectations dangling over her head, just open arms and understanding.
After another few quiet moments, she finally spoke up in between half-choked sobs, whispering so quietly that her voice was nearly inaudible, āSilenaā¦ Manhattanā¦ should have been able to save her,ā before letting her face fall back down onto your chest, releasing another pained cry.
āSheās gone- a-and everyone else too- why me?ā
Her question left you speechless, mouth partly opened in an attempt to come up with a reassuring response, but nothing seemed to come to mind immediately. It was rare for this to happen, as you normally had just the right words at the top of your tongue, weaving them as Arachne once wove tapestries on her loom.
āTheyāre all gone and- and- ā
āShh, loveā¦ā you cut her off, gently pulling her head up to look her in the eyes, your other hand leaving her back to wipe the tears that were still streaming down her cheeks with the pad of your thumb. āPlease, donāt go back into that self-sacrificial spiral. Talk to me, tell me what the dream was about?ā
She only shook her head in response, unwilling to divulge details of the memory that had shattered your night of otherwise perfect proportions.
Deflating back on top of you, she whispered, āTheyāre all gone, and weāre one of the only ones remaining. It was like every time another one of them died, that small part of myself that I gave to them died as well.ā
Her arms that were wrapped around your waist tightened for a moment before going limp along with the rest of her body as she lay atop you, her head pressed against your chest.
āLoveā¦ā you began softly as one of your hands found its way to her head and carded gently through her curls. āYou canāt blame yourself for what happened. None of it was your fault. We didnāt ask to be born, to be thrown into this mess of a world and tossed around like pawns in the godsā game of chess with our lives.ā
āWe didnāt ask for this life, and we were so young at the time. For fuckās sake, we were only seventeen- we hadnāt even made out yet. We hadnāt graduated high school yet, there were so many things we couldnāt control.
āNone of it was your fault, I promise you. You were so brave, and you did everything you could.ā She stayed silent as you spoke, the only sounds coming from her were the soft, shaky breaths as she sniffled and burrowed her face further into your shirt.
āI canāt explain to you why so many things had to happen, thatās up to the Fates. I canāt give you the pieces of yourself back that you lost when we kept losing everyone,ā you murmured whilst your hands kept on with their idle motions.
It shattered your heart to give her such an incomplete answer when you knew it was tearing her apart inside to live with it all, but there was nothing you could do beyond offer solace and comfort. āAnd for that, I am so, so sorry. But the one thing I can do is keep the piece youāve granted me to keep, safe and sound.ā
She only nodded in response, not trusting herself to speak in fear of her own vulnerability. Her tears soaked into your shirt, but you didnāt care. All that was important was that Clarisse was here, in your arms, and slowly calming down.
Clarisse knew just as well as you did that everyone had done the best they could with the circumstances given, and that the loss affected you just as deeply. But she didnāt dig into that, it would be a can of worms to open for another time, another sleepless night where your own troubles caught up with you after running from them for so long.
And so, the rest of the night stretched on into early morning, the two of you half-awake, seeking silent solace in each other until sunlight crept into the bedroom through the cracks of the curtains the next day.
The two of you might have been running from your trauma like runners to a marathon, but at least you were running hand-in-hand with matching strides.
#šļø nvir writes#clarisse la rue x reader#clarisse la rue x fem reader#clarisse la rue#clarisse la rue pjo#clarisse larue#clarisse la rue x you#clarisse la rue x y/n#percy jackson and the olympians#percy jackon and the olympians#pjo#pjo tv#im not sorry#maybe i am#no im not
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Dragon Age: The VeilguardĀ art book pages, under a cut due to spoilers:
Top right: The "Lobstrocity" would plunge its face into the sand, and its tentacles would burst out of the sand around you. Top center: This was a fun creature with detailed behavior. Top left: Spitting an inky diversion. Center left: Figuring out the anatomical details of this bizarre creature. Center right: A simple land shark. This version is based on a goblin shark, for a more unsettling appearance. Bottom: The Rivain coastline is dotted with hidden grottoes, ruined fortresses, and uncounted shipwrecks.
Top: Beat boards like these help us explore the look and feel of a group in their context. How do they act? What kinds of settings do we find them in? How do they problem-solve? Center: Exploring how a Rivaini landscape might change with the tide. Bottom: Lords of Fortune having way too much fun searching for lost artifacts.
Top: Lords of Fortune have their priorities. In this case, during a perilous escape, this treasure seeker can't help but stop to investigate a curious glint. Bottom: Rivain's coastline is a mix of beautiful beaches, lost ruins, shipwrecks, and deadly beasts.
Mourn Watch The Mourn Watch are masters of undeath, necromancy, curses, and other dark magic. They probe at the borders of "known" magic, where laws fall away and vaster forces creep through. The Watchers know there's more than just spirits in the Fade. If you work with them, prepare for the boundaries between life, death, and reality to get thin. Top left: Death, science, and magic define the Mourn Watch. Their costumes combine aspects of morticians, academics, conductors, mad scientists, and necromancers. Top right: They may be necromancers, but they're not morbid. They study and admire death, and we tried to avoid designing them to be grotesque. Center left: An undead diorama. Wealthy nobles invest heavily in their life after death. Center: Some armor is built more for ceremony than for practical day-to-day duties.
Top center: The Necropolis is vast. While there's a time for ceremony and study, there's also a time to explore the depths. Top right: A mix of embalmer, anatomist, alchemist, and mage. Center left: While these scholars' studies are lofty, the Necropolis is a dangerous place. There is often a need for protection. Bottom right: The Necropolis is home to the bodies of Nevarrans from all walks of life. Some can afford splendid jewelry and clothing, as well as the required upkeep. Some give way to the natural processes of decay more quickly.
Top left 1: The standard uniform of the Mourn Watch. Top left 2: The Mourn Watch know that not everyone outside the Necropolis is comfortable with their interests, and they know how to dress accordingly. Center: A Necropolis rogue, perfect for exploring dangerous regions that require a light touch. Center right: They worked hard for their anatomical knowledge and delight in showing it off. Bottom: There are some parts of the Necropolis that are far too deadly and unstable to visit without extreme protection.
Top right: Early takes on the Mourn Watch explored the possibility that they not just studied the dead but also were undead. Top left: The Mourn Watch make great use of the undead as assistants in their work. Center: Mourn Watch weapons are based on embalming and surgical tools with added ceremonial magical elements.
Necropolis The Watchers live and work in the upper levels of the Grand Necroplis, a massive, ornate dungeon complex of catacombs, secret passages, and traps. Located right outside (and below) Nevarra City, it is constantly expanding, as upper-class Nevarrans begin planning their elaborate crypts while young. Modest tombs sit next to life-sized mansions and sealed-off royal sepulchers. Some undead are lovingly placed in elaborate tableaux where they can "reenact" scenes from real life. Others rest in coffins. The more robust corpses are armed and trained by the Watchers to patrol for thieves. Center top: The entrance to the Necropolis is like an inverted Tower of Babel. They seek knowledge in the grave instead of heaven. Top left: Occasionally a Watcher goes rogue and uses their knowledge in unsavory ways. Top right: The Necropolis is so large that it doesn't just hold catacombs and tombs but vast landscapes, mountains of graveyards, cities of mausoleums, rivers of unknown magic. Bottom left: A colossal bell whose sound keeps demons at bay.
We wanted it to feel like you could always keep going down. If there is a bottom, no one alive has seen it.
Top: There are certain archetypes that we had a lot of fun exploring. One was the haunted Nevarran mansion. Center left: In keeping with the Mourn Watch faction overall, we wanted this mansion to feel spooky but not gruesome or morbid. Bottom right: This location was home to a member of the Mourn Watch, and it was fun to fill it with details from their time in the Necropolis.
Some areas are little more than tightly packed crawl spaces. Others look like wealthy subterranean neighborhoods. Still others look like vast sunless fields littered with tombstones and statuary. Annotation on illustration near top of page reads "Ossuary built around derelict sky burial tower".
Center: The Necropolis is really huge. This is one of an unknown number of mausoleum towers that stretch up into darkness. Untethered spirits drift by regularly. Bottom left: Exploring the Necropolis. We wanted some locations to border on the surreal.
Center: An unsettling magical path in the Necropolis that forms under your feet as you walk, surrounded by a dark pit of the undead. Center right: Not all Mourn Watchers follow the code. Some go rogue and use their knowledge to create things that shouldn't be created.
An early illustration having fun exploring the exciting things we might find in the Necropolis.
Top: A sketch exploring how far along the mad scientist spectrum we wanted to go. Center: Dinner with the Mourn Watch, with helpful undead servants that have lost their grasp on the definition of "fresh". Bottom: The Necropolis can be unstable, so occasionally the Mourn Watch are required to calm things down.
Shadow Dragons The Tevinter Imperium is Thedas's evil magic empire. Magic holds the Imperium together and is used by both the good guys and the bad guys. The Shadow Dragons are the "good" Tevinters, taking on a corrupt ruling class that has power beyond imagining. They are the underdog resistance with big dreams but few resources. To redeem the Tevinter they love, they might have to make deals with demons both literal and metaphorical. Top: We thought of it like Gotham City from Batman: The Animated Series. A less-grim Sin City with magic instead of guns. Center left: We thought of the Shadow Dragons as secretive, underground, and magical. They have motifs of monks, wizards, rebels, and rogues. Center right: We wanted to create a spectrum from regal mages to most-wanted insurgents. Bottom 1: When designing a faction, we try to live like them in our heads. Bottom 2: We imagined that since many of them are in hiding, a lot of their gear would have to be repurposed than purchased new.
Top right: A disguise that's part mage robe, part Tevinter uniform. Center 1: To start, we broke down Dorian's costumes from Inquisition. If he was the "rock star", what would the average citizen look like? Center 2: What elements of his costume would be common in every market, and what elements were his own special flair? Bottom left: Magic is more accepted in Tevinter, and so their mage robe fashion has had longer to develop.
Top right: The Viper, Minrathous's equivalent of the classic character known as the Shadow. Top center: Armor made from pure magic may not be the most reliable, but it makes an impression. Center left: For each faction, we designed an incredibly lavish outfit.
Top: A common Tevinter soldier's uniform, modified for use by the Shadow Dragons. Center: Sometimes it's fun to design something over-the-top and ceremonial. Bottom left: A suit of armor designed to focus a mage's powers. Bottom right: A Halloween costume for the Shadow Dragons: a demon.
Tevinter Minrathous is where it all happens. The ruling body of Tevinter operates here. The cabal of magisters and the Venatori who oppose the Shadow Dragons are here. It is a city of magical towers and dirty streets, where wealth and luxury exist alongside poverty and suffering. There are no rules in Minrathous, except one: trust nobody. Top right: The palace was designed to be a giant crown that floats over the city. Top left: We designed a magical bridge and an elevator that can float people and goods up to and down from the palace. Bottom: One of the earliest images showing the interior of the Archon's palace. We wanted it to feel like you were high above the city in a luxurious penthouse.
Top: We built Tevinter off of the ruins found in Inquisition. It's a culture based on magic, but also tyranny and control. We wanted to have a sharp, sturdy shape language. It should look like if you tried to push a Tevinter building down, not only would you fail, but you'd also cut yourself. Bottom: The Tevinter Imperium used to be the greatest empire in Thedas. That age is long gone, a truth Tevinter's ruling class are unable or unwilling to grasp. They remain convinced of their superiority, and this complacence has led to the slow crumbling of the Imperium.
Top: It may be cramped, cluttered and humid, but this is where the action is. Don't miss the Cobbled Swan bar on your way to the markets. Bottom: Early in the game, Solas begins his ritual. We explored what that might have looked like from the streets of Minrathous.
Top: The Undercity. Center: Lantern Lane. Center right: The raised bar in the Cobbled Swan. Bottom left: Sculptors' Square. Bottom right: Potters' Path.
Top: In the early stages, we thought a lot about the layers of Tevinter. We started with the ruins of the elven empire, then built up layer after layer of Tevinter architecture. Center: At one point, Minrathous would be occupied by the Antaam instead of the Antivans. Bottom: Very early on we created a thin slice of the game for a visual target. We chose to build a small section of an alley in Tevinter. It was a great opportunity to explore all the details required to make a space feel believable.
Top: We imagined spectacular elven pillars, pulled up out of the ground by powerful elven mages. After those had fallen into ruin, they were used as the foundation for Tevinter buidings. Center: While Tevinter has an intimidating reputation, we also wanted it to be a livable city. There may be evil mages using blood magic, but there are also people just trying to get by. Annotations on the top illustration read: "Treetop motif", "Well preserved Elven pillar", "Magically extracted and farmed stone", "Destroyed Elven pillar", "Magically suspended building", "Defaced and modified Elven pillar", "Rain is collected on rooftops", "Elven foundations with different Tevinter apartments built on top", "Remains of Elven homes used as foundation"
High Town Home to the elite of Minrathous. Here the magic is on full display. Top: Inside the Tevinter chantry. Center: Terraced mansions. Bottom left: An interior view of a Tevinter mansion. Bottom right: A spectacular view of the Archon's palace.
Top: The views from High Town are expansive. Center left: The dwarven embassy. Center right: Built so that dwarves could come to the surface and always have stone above them. Bottom: The Hanging Gardens around the Tevinter Colosseum.
Top: As with all things Shadow Dragon, their weapons are themed around serpents and magic. Top right: A twisted coil of serpents for a mace. Center: In real life and in games, shields are a great opportunity for visual storytelling. Center right: In some cases, we wanted to use floating blades or blades that had been formed through magical processes.
Top: An early illustration showing the Shadow Dragons in action. Center: Graffiti painted by the Shadow Dragons or their supporters. Bottom center: The images depict serpents, mages, and broken chains. Bottom right: Hand-painted murals and graffiti like this are great for visual storytelling, but they also add variety and color to the world.
Top: Tevinter demanded an almost endless supply of book props, from the mundane to the magical. Center: We went from books to scrolls to scroll cases to enchanted display cabinets. Bottom: Some books are just better left unread.
some other pages -
SomeĀ opening pages
Foreword
Google Books preview pagesĀ Part One
Google Books preview pagesĀ Part Two
Amazon preview pages
Page batch
Page batch 2
Page batch 3
Page batch 4
Book art credits:
BioWare art:Ā Matt Rhodes, Ramil Sunga, Albert Urmanov, Christopher Scoles, Nick Thornborrow, Steve Klit
Volta art:Ā Gui Guimaraes, StĆ©phanie Bouchard, Akim Kaliberda, Alejandro Olmedo, Alexey Zaryuta, Julien Carrasco, Maksim Marenkov, Marianne Martin, Mariia Istomina, Marion Kivits, Matti Marttinen, MĆ©lanie Bourgeois, Pablo Hurtado De Mendoza, Rael Lyra, Rodrigo Ramos, Thomas Schaffer, Tiago Sousa, Tristan Kang, Vladimir Mokry, Yintion J, Joseph Meehan, Stefan Atanasov, Julien Carrasco
Additional art:Ā Marc Holmes, Thomas Scholes
#dragon age: the veilguard#dragon age the veilguard spoilers#dragon age: dreadwolf#dragon age 4#the dread wolf rises#da4#dragon age#bioware#video games#long post#longpost#body horror cw#injury cw#gore cw#blood cw#alcohol cw#solas
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CrossGuild Headcanons!!!
Buggy
Canāt cook for shit, good at baking though
Makes REALLY good brownies (makes cosmic brownies the most)
Constantly wearing boxers with hearts
Often looses his limbs
Has been hit in the face with cakes/pies more times than he can count
Deathly scared of ALL bugs, moths specifically
Cannot stand blood in video games, doesnāt mind it irl
Had a pet hamster at one point, if you mention it he will break down crying
Really good at magic tricks but could not explain how he does certain things (heās not gatekeeping he genuinely just doesnāt know)
Mihawk
Never cold somehow
You will never catch this man sitting normally
His bed has 0 room to move around
Yoru has her own bed, bigger than mihawks
Looses his snail often since he never uses it
Has an extremely large bookcase, only reads 1 section of it
Itās the section full of gardening books
Really good at origami
His room looks like a gothic IKEA showcase room (devoid of personal trinkets)
Has pierced ears yet never swaps out the earring (he forgets he has them)
Vampire teeth and pointed ears
Goes to sleep extremely early (like 5-6ish sometimes earlier if heās bored)
Crocodile
Has a 10ft banana wani plushy in his bed
Makes a really good omelette
Can cook but doesnāt know how to use spices
Knows cardistry!
His bottom canines are bigger than average
Cold blooded, can be found sunbathing on rare occasions
Really good at drawing animals & nature scenery, canāt draw anything humanoid for the life of him
Has many books about different animal species, mushrooms, and foraging
Used to be super energetic when he was young
Shitty ass sleep schedule
Doesnāt see anything wrong with it
Turns to sand when exhausted or overstimulated
Probably has an undiagnosed behavioral disorder but god forbid you mention it (Buggy tried and got crucified instantly)
Red and Green colorblind
And yknow just for shits and giggles Iāll do Crochawk cause I love the ship so much it hurts please free me from this curseā¦
Crochawk
Using emojis since lazy, probably horribly ooc ;-;
š¦
loves to cuddle and at first it freaked š out since heās probably touch starved asf
š¦
Will prepare š food no matter what time š wakes up
They both fix each others horrible sleep schedules
There trust issues changed from āI must stay away, heās going to betray meā to āI must stay away, I might hurt himā
š¦
will use š as a coat rack for his hat whenever heās farming
š has a little table & chair by š¦
farm to watch him farm
š uses š¦
like a heat rock
š¦
often buries himself into š coat
Everyone on Karai Bari island knew šš¦
were in love before they did, but nobody knew when they got together
#cross guild#crochawk#sir crocodile#buggy the clown#dracule mihawk#one piece headcanons#uhhhh chat is this based or cringe???#probably ooc#iām not sure
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thing about deltora quest that only occurred to me in hindsight is not only just how much jasmine carries the entire party on this quest but also how genre-defyingly brutal she is lol. like, this is a kid's series that hinges on riddles and puzzles far more heavily than combat - even when deaths occur, they're often the result of cleverness in some way rather than straight up combat ability. that said, let's look at the villain kill count at the end of book five of eight of the first series:
- lief: 1 - even there it's with a well-thrown bottle of cursed water rather than his sword.
- barda: 0 - i'm not counting that one unnamed sand beast, that's an animal not a villain.
- filli: 0 - he is a squirrel, this is unsurprising.
- kree: 1 - killed an invincible sorceress all by himself, good bird best friend.
- jasmine: 5 - dropped a tree branch on a mf, drowned two cannibals in quicksand, cut a giant snake's throat, shoved a dude down a pipe full of toxic mold (after having to be told not to cut his throat while he slept jfc).
idk it just suddenly struck me as really funny how this one character who isn't the protagonist is almost from a different, far more brutal story, and uses that fact to consistently be the mvp and save everyone else's asses. i need to read this series again it's been too long.
#lief: i am the hero. it's me. also i have never used a sword before like yesterday but i Won't Let That Stop Me!#barda: i am a big strong man. everything we actually fight is bigger than me tho so mostly i contribute worldly wisdom and life experience.#jasmine: I Raised Myself In The Woods Alone I Can Talk To Trees I Will Cut A Bitch Without A Moment's Hesitation I Carry Two Live Animals#Because They're My Friends And Ten Thousand Dollars Because They're Shiny I Met These Two While I Was Rolling Them For Loose Valuables#one of the characters of all time ms rodda i owe you my childhood#deltora quest
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Cosmere Characters Imitate Hoid
As requested by anon :)
I recently fulfilled another anon's request about Hoid imitating various Cosmere characters. This, I suppose, is a sort of sequel: now other characters must imitate Hoid. But don't worry! Hoid himself (or sometimes Design) is here to help.
[It's Hoid. There's SPOILERS for like every book in here but I'll mark which book is involved in case that helps]
1. [From Mistborn Era 1] Vin imitates "informant Hoid"
Hoid: Okay! There are three important rules for being a beggar informant! Hoid: One: look kinda gross. That way, people won't pay too much attention to you. Hoid: Two: pretend to have bad eyesight, so that they won't worry that you're paying too much attention to them. But don't pretend TOO hard, so that if they catch on to the fact that you're just acting, they'll feel superior and lower their guard. Hoid: Three: have actually good information so that you can push the pieces exaaactly where they need to go. Hoid: Any questions? Vin: Do you realize that I literally lived on the street for years? Hoid: Yes, yes, so you actually know how to BE a beggar, but do you know how to pretend to be a beggar? That's a much different thing! Vin: I understand why Kelsier steered me away from you.
2. [From Mistborn Era 2] Wax imitates "beggar Hoid"
Wax: I'm sorry; I have to drink WHAT? Hoid: Oh, so you'll drink metal-infused-whiskey all the time but you draw the line at drinking a little perfume? Wax: ... Wax: Yes?????
3. [From Stormlight] Kaladin imitates "storyteller Hoid"
Kaladin (in his best "Wit" voice): Do not fret young man--you may be hopeless and depressed, but I will tell you a story and that will fix everything! Kaladin: And by "tell you a story" I mean that you'll tell ME a story because you'll have to fill in my blanks like every three seconds! Kaladin: Oh and also! Here's an instrument you don't play. Don't lose it or else I'll guilt you about it later! Hoid: Hmmm...not a bad start, but it lacks...subtlety. Hoid: ...Also that was a really nice flute, you know.
4. [From Warbreaker] Siri imitates "storyteller Hoid"
Siri (throwing an enormous amount of colored sand into the air]: Whooosh! COLOR SAND Siri: [grins] How'd I do? Hoid [very serious, with colored sand plinking down onto his head]: So...that was the main takeaway, Princess? Susebron [clapping delightedly]: You're an amazing storyteller!!
5. [From Yumi and the Nightmare Painter] Painter imitates "coatrack Hoid"
Painter: So I just...lurk in the darkness over here? Perfectly still and brooding? I can do that. Design: Weeellll....it's not really "lurking" so much as "standing still while people put coats on you" and it's not "darkness" so much as it's "well lit so that people can find their coats." Painter: Can I at least strike an intimidating pose? Design: No, that's not really in the spirit of things. Hoid looked more "vaguely surprised." Painter: So I just stand there while people treat me as an inanimate object? Design: Yes! Exactly! Now just imagine that you're TRAPPED like that and try exude a sort of "sad but philosophic resignation." While also holding these coats. Yes! You're doing GREAT! Hoid: ...I thought this would help me see the humor in things but honestly I'm getting even more depressed.
6. [From Tress of the Emerald Sea] Tress imitates "cursed Hoid"
Tress (wearing the most ridiculous outfit she could find): It's me! Cabin boy Hoid! Tress: I may be wearing shoes on my hands, but I am actually trying really hard in my own way to achieve my own goals and help you achieve yours! Tress: No curse can steal from me my ability to make it through with the help of my new friends! Tress (in her regular voice): How'd I do?? Hoid (slightly choked up): F-Fine...
7. [From Elantris] Sarene imitates "beggar Hoid"
Hoid: Okay! There are three important rules for being a beggar! Sarene: You don't need to continue. It's obvious. Sarene: One: look gross so that people don't dare look at you too carefully. Sarene: Two: affect a harmless air--perhaps seem slightly mad or slightly blind--so that people will not worry that you might turn them in or otherwise betray them. Sarene: Three: position yourself so that you can achieve whatever aims you have in pretending to be a beggar in the first place. Sarene: How did I do? Hoid: I KNEW I liked you!
8. [From Secret History] Kelsier imitates "corpse-rafting Hoid"
Kelsier (singing in a mockingly off-tune way): Oh I'm float-float-floating on a coooorpse! Kelsier: Off to bully a ghooooost! Kelsier (in a normal voice): Wow! That ghost guy over there looks like he's having the absolute worst day of his life! Kelsier: I think I'll make it worse! Hoid: I'm not sure corpse/ghost could even be called a slant rhyme. Hoid: And in point of fact, I wasn't coming TO bully you; that was just a little side bonus that occurred by chance. Hoid: So I think your song is slightly misleading, and also bad. Kelsier: ...I can't wait until I have a body again so that I can punch you.
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Set in sand - Chapter 1
We mark the year 1934 and a peculiar journal falls into your hands. It's telling the tale of an outlaw and the downfall of a gang. Some pages are torn and others are downright unreadable, but nevertheless, you are still able to make out some parts of the tragic story.
With the help of a certain time traveler friend of yours, will you be able to safe the author of the journal or will you be the cause for his demise?
Next chapter
Word count: 3543
Disclaimer: This is based on the side quest "Geology for Beginners" so the reader is from the future and aware of some things that happen, but not everything. The reader will also have she/her pronouns and this fanfiction follows the story of RDR2. Also English is not my first language so pls forgive me for any grammatical mistakes!
TW: end-game spoilers will be mentioned very early on in the story, 18+ MDNI, sexual themes, violence, gore, death, misogynistic themes (anything that happens in the game as well)
With the help of a certain time traveler friend of yours, will you be able to safe the author of the journal or will you be the cause for his demise?
The harsh cold cuts through your many thick layers of clothing and your limbs gradually grow number by the minute. Pain shoots through your fingers everytime you move them just to make sure they're still working. The last thing you want is to loose any body parts to hypothermia this early on in your journey.
One foot at the time. Come on.
As you stumble through the knee-high snow and fight your way through the merciless storm, you silently curse yourself out. Maybe your friend was right. Maybe you shouldn't have gotten yourself involved in this.
-
"Arthur Morgan? That name rings a bell, actually.", Francis mumbles under his breath as his eyes trail over the words of the journal you had handed to him earlier.
The book is in poor condition with most of the pages missing and the ones that are still attached, are barely readable. Only a few passages are intact, but it's enough to let you roughly know what happened to the author.
"I thought you might have maybe heard of him during your travels.", you answer with a hopeful tone. Your eyes stare expectantly at the red head as you wait for him to finish reading.
The author wrote the journal around the end of the 1800s which is the same time Francis likes to visit every now and then.
"I think I remember now!", he exclaims with raised eyebrows and you jump up from the chair you're sitting on.
"You do? Can you...help me out then?"
-
You have no idea why the story of Arthur Morgan had moved you so much. His life and the way he put it into words had shaken you to your core.
A shuddering sigh escapes your lips and even through the scarf that covers half of your face, you're able to see the cloud of air.
-
"You want to safe him? Why?", Francis asks and his tone is laced with utter disbelief. Yes, he met the man during one of his travels and even though Arthur didn't know him at all, he still had helped find all the rock carvings.
"The way things went and the way they ended for him...it doesn't feel right.", you explain with furrowed brows.
"It's dangerous. Yes, the country started to enforce the law more seriously during that time, but there were still so many gangs, robberies and shootings. I can't even begin to count all the things that could go wrong on your journey."
Francis' gaze is serious and stern. He's making his disapproval of your idea more than clear, but you're not willing to give up on your plan. Not yet.
"Nothing will go wrong if you help me prepare.", you answer and take both of his hands in yours to give them a reassuring squeeze.
His expression is unmoving, but his eyes betray the crumbling resistance within him. He's only a couple more arguments away of giving in.
-
The memory makes you chuckle. It's a low and bitter sound. Indeed, he had helped you get prepared for your adventure. Your leather bag is stuffed with canned food, some clothes and other equipment that might come in handy.
All the shirts, skirts and pants fit the style of the 1890s to make it easier for you to blend in. Francis had even been so kind to give you a quick history lesson that covered all the basics.
-
The cattleman revolver feels unfamiliar and heavy in your hands as you study the weapon more closely.
"Do you know how to shoot?", Francis asks and crosses his arms infront of his chest as he leans against the edge of the table.
The closest you have ever come to working a gun was reading about it in Arthur's journal, but admitting that might make Francis change his mind about the whole thing.
"Of course.", you lie with full confidence and slide the revolver back into the holster.
-
In the beginning you were a bit disturbed by the sight of the weapon attached to your belt. Feeling the weight of it now and the way it sometimes brushes over your thigh...it brings you some comfort. Comfort, knowing that you have the means to protect and defend yourself.
If only you have been aware over how soon you'd have to use that thing.
-
"There is an abandoned settlement called Colter nearby.", Francis explains and points at a spot on the map that is spread out over the table. "They will be hiding there after that whole ordeal in Blackwater."
This would be your chance to join the gang and get close to everyone. The mere thought of actually meeting these people fills you with both excitement and anxiety. You don't know any of them and it makes you wonder how they'll react to you.
"The winter was particularly bad that year so make sure to move quick and don't get lost.", he says, ripping you out of your thoughts.
"Don't worry."
-
Yes. Don't worry, I said. It will be fine, I said.
Nothing could have prepared you for the pack of wolves that had shown up right after you traveled back in time. Not a single bullet had hit its mark, but the ear piercing noise from the shots had driven them away.
Everytime you recall that encounter in your mind, the beat of your heart picks up frantically and you hear your blood rushing in your ears. The experience had scarred you for sure.
Finally, the snowstorm seems to calm down and your vision clears up again. As you blink the remaining snowflakes away, you spot smoke in the distance. Could that be the settlement?
Without a second thought you pick up your pace and quickly make your way towards the dark pillar of smoke. It's further away than you had anticipated, but after a while you arrive at the place just to be met with...well, no one.
The fire has died down and there is not a single soul to be seen in the area. You notice that the wood is still slightly warm though so whoever had camped here left only recently.
Your eyes wander around, trying to find a sign, anything that could indicate where that person might have gone to. There is only one set of footprints in the snow, accompanied with prints that look like hooves.
It could be someone from the gang who is out hunting at the moment. It's also possible that they went back to the others so maybe these tracks could lead you right to their hideout.
With a new found hope you quickly follow the tracks. Even if it isn't anyone from the gang, that person you're searching for could still give you shelter or food. Any type of help is welcome, really. You're in no position to be picky at the moment.
The tracks lead up a mountain and you see something dark laying on the ground. A pit forms in your stomach as you approach it and recognize what it is.
The sight infront of you is revolting and you fight back a gag. A horse is laying spread out in the snow with its stomach shredded to pieces and the insides hanging out. A foul stench penetrates your nose and you abruptly turn away.
Whatever happened here, it hadn't ended well. Weirdly enough, the horse is the only dead body here though. There is no sign of the owner and you stumble upon more footprints.
It must be the same person from the makeshift camp, by the looks of it. At least the size and shape of the boots are similar. You keep following them and swallow a lump in your throat when your eyes fall on blood. It seems like the person got hurt as well by whatever attacked the horse.
Could it have been wolves? Perhaps even the same ones that wanted to make a meal out of you? You banish the thought before it could make you panic. Now is not the time to contemplate about your near-death encounter.
Someone obviously needs help and that is the whole reason why you're here in the first place. Just because the person in need of help isn't the one who you're actually here for, doesn't mean you should abandon them.
The footprints lead around the mountain and with lots of huffing and panting, you climb over rocks and duck under them. It's exhausting your body more than anything you had ever done before and your muscles grow heavy.
"Hello?", you yell out into the vast nothingness and calm your breathing to be able to focus on listening for a response. Nothing.
You give it another try, but again nothing happens. Frustration boils up inside your chest and you mutter a few curses to yourself.
Fan-fucking-tastic.
Now you're not only extremely tired and worn out from this unnecessary hike, you're also way off the trail that leads towards Colter and who knows if you will even be able to find your way back.
Sure, you could easily follow your own footprints, but by the way your luck has been the past few days, another snowstorm will most likely ruin that plan. Unless the thing that killed the horse earlier comes back to put you out of your misery as well.
Perhaps Francis was right. Perhaps you were being stupid and naive to think that you could possibly travel back in time to-
"Help!"
There it is. A voice. A person! You bite back a relieved sob and take a deep breath to answer the call.
"I'm over here!", the other person answers and you jog towards the source of the voice.
As you peek over the edge of a wall, you're being met with a pair of glassy, grey eyes. A man with long black hair and messy clothes, is sitting in the snow and looks up to you.
"I didn't think I'd meet anyone out here.", he jokes with a raspy voice and you climb down the wall to kneel next to him.
His face is covered in blood and there are deep wounds on his right cheek. It looks like claw marks.
"What happened?", you ask breathlessly as you hurry to open your bag.
"Wolves. A whole pack of 'em." His answer comes out more as a grunt than anything and it's obvious that talking alone brings him too much pain.
You fish out an alcohol bottle and pour some of the content onto your handkerchief. Gently, you dab the cloth on his wounds to disinfect them and he let's out a harsh hiss.
"I'm sorry.", you mumble apologetically, but he simply waves it off. He knows you're only trying to help.
None of you are saying anything while you tend to his wounds and your mind is racing with thoughts and questions. What will you do now? The man doesn't look like he can stand up and you don't have the means to carry him down this mountain.
But even just considering the option of leaving him here to the elements makes you feel a tang of guilt in your chest. Leaving him alone means leaving him to die and you don't know if you can live with that.
"Do you think you can get up? I can't carry you, but if you lean on me we could make it down this mountain.", you suggest and the man opens his mouth to answer you.
Before he can even bring out a word, a gunshot cuts through the air and you let out a startled noise. Another person? This is starting to become quite a party.
Yelling can be heard from a distance. A man. No, it's two.
"Marston!", one of them screams from the top of his lungs and the bleeding stranger infront of you responds almost immediately.
It doesn't take long for the others to find you and you stand up from your spot. The two men are standing on the edge of the wall and one of them jumps down. The next moment you find yourself at the end of a gun.
You lift your hands and take a careful step back while your eyes are fixed on the weapon pointed right at your face.
"Who are you?", asks the man. He's wearing a thick blue coat and a worn cowboy hat with a few bullet holes in it.
"Put the gun down. She found me here and helped.", answered the injured guy and for what feels like eternity the man finally lowers the gun.
You allow yourself to let out a relieved breath as he turns away to face the one still sitting on the ground.
"You look even uglier than before, Marston.", he says to the injured stranger and something clicks inside your brain.
Marston? John Marston?
While your mind pieces all the clues together, the man who is still on the wall reaches out his hand towards you. A friendly smile graces his lips and you return it before taking his hand and letting him help you climb back up.
"You guys are lucky that we found you.", he says and you nod. He's right. Even with your plan to have John lean on you while you walk back, there is no guarantee that it would have actually worked.
You're pretty sure that you would have probably slipped and fallen to your certain death. A few moments later John and the other guy are on top as well.
"Arthur, carry him on your shoulder while we go back to our horses.", the man who helped you up the wall said and your eyes fall on one with the blue coat.
Is this Arthur Morgan?
You lock eyes with him after he throws John over his shoulder and he gives you a confused look.
"What are you starin' at?", he grunts.
Embarrassed, you cough into your fist and let out a flustered chuckle.
"I'm so sorry, sir. It's just that you remind me of someone, is all.", you hastily explain and turn away to prevent any more awkwardness.
What a great first impression you're leaving. As you all make your way back to the horses, the three men introduce themselves to you and you give them your name as well.
"What are you doing out here by yourself?", Javier asks and throws you a curious look over his shoulder.
"I had to leave my home. We...we got robbed and lost the house.", you answer. It's a lie that you and Francis have come up with.
If anyone asks you'd tell them that a gang robbed your home and burned down the house. No one can check your background if you tell them there is nothing left to check. At least that's what you're hoping for.
"You said 'we'. Is anyone else out here?", Arthur asks and shoots you a quick look.
"No. I'm alone now.", you answer which is not really a lie. You are alone indeed.
"Well, I'm sorry to hear that."
Before you're able to thank him, Javier points at something in the distance.
"Guys, I think we got company."
A small group of wolves appear on the hill a few meters away from you guys and your heart sinks. The gunshot and all the yelling must have caught their attention or maybe it's the smell of John's blood.
Arthur hands him over to Javier and pulls out a shotgun as he walks towards the wild animals.
"I'll distract 'em. You guys go to the horses.", he yells over his shoulder and you and Javier start running.
A few shots are being fired behind you, but you don't dare to look back. Your heart is beating a thousand miles an hour and adrenaline rushes through your veins. It's the only reason why you're able to move this fast.
Javier mounts his horse together with John and you climb onto the back of the one you assume must be Arthur's. Just as you turn your head to see where the said man is, he's already by your side and jumps into the saddle.
Without another word, the two horses start sprinting. The sudden acceleration startles you and instinctively your arms shoot forward to wrap around Arthur's torso. Then you notice something in the corner of your eye.
"We got more coming from the right!", you let the others know and grab the cattleman from your holster.
Thankfully, Arthur proves himself to be more than competent with his own gun and takes out the entire pack in a matter of seconds without you having to help out. At least that's what it looked like at first.
Another wolf jumps out from between trees right at the both of you and you extend your arm to fire a shot. It hits. For the first time you have actually hit something.
The rest of the ride goes by quietly with no deadly surprises. So far it's all going to plan (besides the fact that you almost got your face bitten off that is) and with a little luck and persuasion on your part they might even let you stay with them.
Once you reach the settlement, you slide off the back of Arthur's Tennessee Walker and take a step to the side when a large group of people start pouring out from the run down houses.
But the person who catches your attention the most is a man wearing a black coat and a red scarf. It's not his outfit that draws your gaze towards his direction, but more the energy he gives off. There is something about him that makes you feel like you have to be on your toes.
Maybe it's the authority that radiates off of him like the heat of a house on fire or maybe it's something else. Obviously, he's the leader of this group with the way he's barking orders. They don't seem to fear him though.
Then his eyes fall on you and he takes your whole appearance in. You recall a name from the journal as he approaches you with an extended hand and you shake it firmly.
"Dutch Van Der Linde. Arthur told me that you helped them with John."
You only manage a nod.
"Thank you, miss. I appreciate that you went out of your way to help one of my men. Come on, let's head inside so we can talk.", he adds and leads you towards one of the cabins
There is a fire burning inside, but with all the holes in the roof and walls it does barely anything to keep the cold away. Dutch motions towards one of the chairs next to the fireplace and takes a seat infront of you.
Arthur's blue coat appears in the corner of your eye as he closes the creaking door and leans against it with his arms closed. Yes, Dutch said it would be a casual talk, but now it feels more like an interrogation.
Quietly you fold your gloved hands on your lap and wait for Dutch to say the first word. You plan on telling him only the most necessary stuff and would rather avoid getting tangled up in your web of lies.
"So, Arthur tells me you lost your home?"
You avoid his piercing gaze and look down at your lap.
"I did, sir."
On the side of your vision, you see him nod to himself.
"I'm so sorry to hear that. Now, miss..."
Your head snaps up to look at him as he bends forward to get a better look at your face.
"This is a harsh winter and I'd feel bad sending you out in this cold all by yourself, so if you want, you can stay with us."
His offer makes you nod hastily and you try to mask your excitement. There is no need to make them suspicious with your eagerness. No person with a clear mind would be this happy to stay with a bunch of outlaws and you have to play the part.
"We may not be good people, but we care for one another. As long as you pull your weight, we will happily welcome you."
With these words you place your bag on the floor and open it up to reveal the canned food you have been traveling with.
"I got some food on me. Agreed, it's not a lot, but it's all I have."
A pleased look spreads over Dutch's face and he nod.
"It's greatly appreciated. Go find Mr. Pearson and give these to him.", he says and you throw your bag back over your shoulder after getting back on your feet.
Once you close the door behind you, you overhear Arthur say something.
"Are you sure about this, Dutch? It's another mouth to feed."
You hold your breath so you have an easier time listening in on them. Of course, he's right to be concerned about you becoming a member. By the sound and look of it, they're struggling to keep everyone fed.
"We have been through worse.", Dutch answers and a wave of relief washes over you. It's good to know that you won't get kicked out on the first day.
So where is this Mr. Pearson?
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Nothing Comes Close to the Golden Coast
Description: You're on the beach because it's what your little sister wanted for her bachelorette party. One day, you can manage, right? You're not expecting to stumble right into the woman who could can change your outlook on beaches that day. But with Natasha Trace, maybe you're starting to see nothing comes close to the golden coast.
Warnings: Female! Reader, Flirting, Beaches, Mild Cursing, Natasha is too flirty for words and possibly a little dangerous
A/N: Hiya lovelies! This is a fic I wrote for @bellaireland1981 's 1K Pool Party celebration. Congratulations on 1K followers Bella! It's my first time writing a long form Phoenix x Reader fic and I hope I did Nix justice. All my love to @horseshoegirl for beta-ing this fic for me and making sure I wasn't 1) using too many commas (yes I have a problem) and 2) that this fic was flirty and fun and summery enough!
Word Count: 3617
Cross-posted to AO3 here!
Cross-posted to Wattpad here!
You like going to the beach as much as any other girl. But unlike other girls, you tend to prefer quiet, calm, clear beaches to lie on. The kind of beach where you can hear the tide coming in and the seagulls wheeling in the clear summer sky. The kind of beach where the sand is clear, and you never have to fight to find a spot to lay down your towel and where you can read without a beach ball smashing into your face. Of course, finding the clear beaches you love is far from easy. It seems like the minute the calendar hits Memorial Day, everyone in the Greater San Diego area books it to the beach for the summer. Youāve even seen people taking meetings out on the beach. But to put it bluntly, you're not one of those people.
So why are you out on this congested, loud beach today? There's only one reason: your baby sister's Bachelorette party. It was an obligation you couldnāt get out of. You love your sister, but youāre less than happy to be spending time with her and her friends. When itās just the two of you, it feels like youāre the closest pair of siblings on the planet. But when sheās with her friends, it feels like there is a colossal, ever-widening, yawning gulf between you. Everyone calls her the pretty one while you're the practical one. In the eyes of your entire extended family, it is one of the many reasons why she's getting married at 22 when you're still single at 28. To keep the peace, youāve been pasting a smile on your face and literally grinning and bearing it for everything sheās asked of you. Because you love her and in only a weekās time you can get a bit of a break from her (or really, from her best friend).
To make matters worse, youāre the only girl in the group wearing a one-piece suit, something flattering yet mostly covered, without showing off your cleavage or too much of your ass.
āGod, do you have to wear that old lady suit?ā She'd scoffed when you walked out of your house that morning, a sunhat on your head and a sarong tied around your waist to complement the deep maroon one-piece youād pulled out to wear. āPlease tell me you have a bikini you can go wear instead. If you'd told me, I would have brought you one of mine!ā
As if you'd have ever worn a bikini of hers. Your younger sister is thin, model thin, with a narrow waist and perfectly perky A-cups, which look fantastic in the hot pink bikini she's wearing today. She's got the physique that makes men look a little stupid. Already, there is a pack of unfairly pretty men who have gone a little cross-eyed when your sister and her friends walked by. In contrast, you're shorter and curvier, your hair dark where hers is blonde, and the ultimate introvert to her bubbly extrovert.
You aren't even her maid of honor at her wedding - that particular honor belongs to her best friend - yes, the aforementioned obnoxious Sally herself. It's not as if anyone has even noticed you're not having the time of your life in the water. After all, why would they? Who wants the babysitter hanging around you when you're trying to have fun? It's the role you've been playing since your sister was born, and you're sure you'll play it again once your sister has kids. For now, all you can do is stay secluded under your umbrella and try to read a little despite the noise. At least it is a little emptier on the beach now as the sun sinks slowly across the sky.
āWell, well, well, what do we have here?ā
The voice is male, filled with all the surety of a man who knows what he wants and has never failed to get it. Your eyes are rolling before your head rises from your book. Your sister and Sally are under the umbrella next to you, and unsurprisingly, that comment was targeted at the two of them. You're pretty sure they are two of the group who were tossing around not one but two footballs on the beach.
āTwo pretty things like you look like you could use a drink.ā
It's the blonde, tall with green eyes, and a shit-eating grin, who makes the offer. And to your disbelief, it looks like your sister is going to take these guys up on their offer.
āWe'd love to!ā
Is she thinking at all? Before you can stop yourself, you're speaking.
āCan I talk to you, Vicky?ā
āThe fuck do you need to talk to her for?ā
Sally's growling at you, her arms crossed under her chest in a way that accentuates the cleavage already threatening to break free of her string bikini. Your cheeks flush as the two men glance between you and her, discerning gazes flip-flopping between you and her at heated words.
āYou're her sister, not the fucking morality police. We're having drinks with them. Either you can join us, or you can glare disapprovingly. But don't you dare tell us what we can and cannot do.ā
āYou're such a fucking stick in the mud. I donāt get why the hell you came with us. Why are you always coming out with us, anyway? I mean, Iād have had a life by the time I was your age, but well, I guess you're even too boring for that.ā
You're left gaping at Sally and your sister as they walk away. The words don't hurt, not really. You've been hearing a version of them for years, ever since Sally and Vicky decided they didn't like having you shadow them. Of course, they don't believe you when you say you'd rather do anything other than join them while they get up to all the bullshit they do. Once upon a time, Vicky used to defend you. Obviously, those days are long gone.
It doesn't mean you won't still watch out for your sister, though. Call it some sort of sickening nostalgia for the days when you and her were close once, chasing each other around playing unicorns in your backyard. Call it affection for the little girl who used to follow along behind you, repeating everything you said with a lisp. Call it love for your sister who you would once do anything for - would still do anything for.
Of course, you immediately realize the situation is far different than you thought it would be. Because there aren't just two incredibly hot men, but ten. Before you can blink, they're all over Vicky, Sally and their other friends. Somebody has sparked up a bonfire, and you gravitate to the hot flames despite yourself. You're a little chilled after being out in the hot sun all day. As the sun sets over the sea, one of them nestles a Bluetooth speaker into the sand and turns the music up.Ā
California Gurls, we're unforgettable,
Daisy Dukes, bikinis on top
Whoever made this playlist needs better taste in music. Or at least they need to pick something which you haven't heard on the radio every day of the summer in 2010. As it is, it will be stuck in your head for days.
āThis song sucks, huh?ā
You jump at the voice near your ear, stumbling and nearly face-planting in the sand. You have the kind of face which shows your emotions plainly, you've always been told so. Now someone has noticed, and you hope this person wonāt throw you under the bus like all of Vickyās friends. You pretend itās just the song as you turn around with a smile pasted across your face.
āIt's the worst!ā
You're sure you have other things to say, but they disappear from your head like smoke when you see the woman who is talking to you. She's gorgeous, whiskey eyes flickering gold with the bonfire's flames. She's absolutely beautiful, and it feels a little like you're in an alternate universe. There's a cool breeze coming off the water, and in addition to the salt from the sea, you can smell hibiscus in the air. It has to be from her perfume, you note vacantly.
There's humor in her eyes as she stands beside you, surveying the others around the bonfire just like you are. You can see your sister in the distance, dancing with the blonde who asked if she wanted a drink. She looks like sheās well on her way to becoming completely drunk, but you donāt care. Vickyās an adult. She made her own decisions, and she can stand by them. All of your attention is on the brunette in front of you. She holds out a bottle to you, condensation dripping over her fingers.
āI thought you could use a drink.ā
āThanks.ā
The drink in question is a bottle of soda, ice cold.
āI, uhhā¦ā She looks a little sheepish, some of her confidence draining away as you look inquiringly at her. āI wasnāt sure how else to get you to talk to me.ā
āW-why wouldnāt I talk to you?āĀ
She grins ruefully, āBecause you've been glaring at Bagman and your friends since you walked over here?ā
āAnd, you don't look like you're having much fun.ā
āFunā¦ā You sigh, "is a word for it. And we're not friends.ā
āYounger sister?ā
You laugh, āIs it that obvious?ā
āYou're a good sister, coming out with her and her friends like this.āĀ
Her innocent words touch your heart a little bit.
āI've got two just like her. They're so sure they're grown up, but they could still need somebody to watch out for them.ā
You turn excitedly, āYes! Yes. Thatās it! She's getting married next week, but there's still so much she doesnāt know yet! And she and her best friend hate that I'm here. Call it her need to be seen and treated like an adult. I'm in her bridal party and she doesnāt even want to celebrate with me. Guess everybody would pick Bagman over there over me.ā
āI don't hate that you're here, you know?ā
You startle a little at the frank openness of this beautiful stranger's voice.
āWhy not? You don't know a single thing about me.ā
āI know youāre a big sister. I know you hate Katy Perryās California Gurls, not because the song itself is horrible, but because youāve probably heard it a million times.ā
She tugs at your hand, and you follow her as she leads you away from the bonfire, the song still blaring away. You shouldnāt follow her, you know you shouldnāt. But despite yourself,youāre curious. Thereās something about her you need to know more of. Away from the bonfire, the air is cool, and crisp. The beach feels swept clean the further you walk.
āIf I didnāt know better, Iād think you planned this.āĀ
You crack open the soda and take a sip, pretending not to feel dark eyes on the side of your face.
āI didnāt plan it.ā She chuckles a little, playing with your fingers. āAll I wanted was to keep talking. I think I owe you a few more things I know about you, anyways.ā
Your heart warms as she shrugs out of the hoodie and lays it over the sand. She sprawls down with a grace you couldn't emulate if you tried, all long, lean muscles exuding strength and power. You feel awkward in contrast, self-conscious as you try to sit on as much of the hoodie as you can without sprawling in her lap in a way that would have you mortified and her uncomfortable. But you can still feel her, warm and solid, as she retakes your hand. Itās comforting, the light touch, the calluses at her fingertips making goosebumps rise over your arms. Her perfume smells different this close, the light scent of summer hibiscus melting into roses and morning dew. Itās addicting.
āY-you mentioned there were a couple more things you knew about me?āĀ
The words leave you in a whisper, tripping over each other as they drop off your tongue.
Her laugh is husky and warm, and for one moment, all you want is for her to make that wondrous sound again. But you quell that particular impulse. After all, no matter how weak you are for this woman, you barely know her. You won't be making a fool of yourself tonight.
āI think you're smart, smarter than anyone gives you credit for being. You're strong and single-minded.ā She leans in conspiratorially, a smirk on her lips. āSome people would call you stubborn, but I think they're just afraid you'll leave them behind in your quest for world domination.ā
āHow do you know I'm gunning for world domination?ā You're smiling from ear-to-ear as you ask the question.
āAll the prettiest girls are. Especially the girls who bring a book to the beach for family when they'd probably rather be curled up on a window seat with a cup of tea handy.ā
Your cheeks have to be crimson by now. Of all the days for an unfairly pretty woman to come up to you and flirt, she has to pick today. Sheās so confident, so pretty and vivacious and all the things you never could be. In comparison, you just feel dull, like a piece of fabric bleached by the sun, until there are only the faintest hints of color left. Itās also been a really long time since anyoneās even looked twice at you.
āI-I do like reading at a window seat while it rains.ā Your smile is halfway genuine now, you think. You canāt keep volunteering bits of information about yourself without getting some info from her in turn.
āWhat do you like doing in your spare time?ā
Maybe you picked the wrong question to ask because her easy smile drops faster than you can blink. The small wrinkles at the corners of her eyes flatten out, and the dimples are so deep youāve been wanting to kiss them since you saw them disappear as her smile does. The silence between you isnāt comfortable anymore. Itās awkward, a discordantly awkward tone spoiling the harmony of the moments before.
āI donāt have much spare time. Or hobbies.ā
āIām sorry.ā
Youāre babbling before the apology has left your lips, mind speeding at a hundred miles per hour at the thought youāve somehow managed to insult the one person whoās wanted to talk to you all night. Youāre standing and turning to head back to the bonfire before she hops up next to you.
āWhoa, whoa.ā Her hands are hot as they make contact with your upper arms. āIām not angry at you. I dunno if you heard what those meatheads were saying when they were posturing to your sister and her friends earlier, but Iām a Naval Aviator.ā
āIt doesnāt leave a lot of time for hobbies.ā
āSo, what do you do with your free time?āĀ
Sheās so close you can feel the heat of her skin.
āMost of my free time is spent at the gym. It takes hard work to look this good.āĀ
You giggle a little as she tugs your hands until theyāre flat against her toned stomach. The muscles twitch under your fingers a little, and you feel light-headed. Is she really flirting with you? You?Ā
āNot everyone can read books and look as good as you do.ā
āWhat else do you do?ā Your voice is weak, barely audible over the rushing waves, but she hears you anyway.
āSleep. Try to read. Though itās harder to concentrate when youāre surrounded by hundreds of lonely, horny men than when youāre sitting in a window seat.ā
She smirks a little, leaning closer then.Ā
āAnd I definitely spend a lot of time daydreaming about a pretty bookworm in my bed to keep me warm at night.ā
āO-oh.ā
Your face has to be crimson by now. It feels so hot. The dark ocean seems way too alluring, if only for a cold reality check. Thereās no way this gorgeous, smart, sexy woman is hitting on you. Thereās no way. Maybe if you keep saying it over and over, it will be a reality instead of what your delusional mind is coming up with.
āSadly, there hasnāt been a pretty bookworm in my bed in a while.āĀ
The smile on her face falls, the motes of color swirling in her hypnotic eyes, fracturing into crystals at the words.Ā
āNone of them can take the long days away, no dates, little contact. Maybe one day Iāll find the right bookworm for me. Unlessā¦ā
Her arm has found its way around your shoulders, the warm lines of her body searing into you.
āWell, this is a silly question, but would you maybe like to grab a coffee sometime? Get to know each other better?ā
You want to say yes. More than anything you want to. But you canāt bring yourself to accept her invitation, not when you have more questions than answers.
āW-why me?ā
Her lips are warm even through the material of your half-damp swimsuit as she presses a kiss to your shoulder.
āYouāre different from the other girls I talk to.āĀ
Youāre unsure how to respond, half afraid she will go on and on about how boring and dull you are. All of the others youāve dated certainly have. They expect one of the standard sexy-librarian types when they meet you and find out you like to read. Theyāre always disappointed when the truth they come to see couldnāt be any further from what they imagine.Ā
āYouāre so beautiful,ā she sighs. āI swear I nearly got hit on the head with one of the footballs when I saw you walk out onto the beach and sit under your umbrella.ā
āYou missed it, I'm sure, but those goofballs in my squadron were laughing at me for hours.āĀ
There's a slight pink tinge to her cheeks as she leans back. You miss her the minute you lose her warmth.
āI umā¦ā She runs a hand, long-fingered and pretty (why the hell are even her hands so pretty), through her hair. āI'm pretty sure that's why those two walked up to your sister and her friend.ā
āThey wanted me to come to the bonfire tonight?ā
You're pretty sure your mouth is wide open at this point.Ā
āYeah. Though I should say, I wanted an excuse to talk to the prettiest woman I've ever seen. And maybe flirt with her a little. And maybe get her to agree to go out with me.ā
āHow is this clever plan of yours working for you?āĀ
Your voice is a whisper again as you peer over your shoulder at her.Ā
āYou donāt know my name. You don't even know if you're my type.āĀ
It takes every bit of courage to banter lightly with her.
āI think it's going pretty well. After all, I've got you sitting here with me instead of out there with those idiots. And I'd very much like your name.ā
You smile despite yourself as you tell her your name, getting hers in turn: Natasha Trace, callsign Phoenix. Her callsign fits her fierce and confident personality.
āSo what do you say about getting coffee with me sometime?ā
Just before you're about to respond, you hear your name called from the bonfire. It's one of Vicky's friends calling for you and pointing at your sister. She's drunk, and you can tell she's minutes away from courting an indecent exposure charge. She's sitting on Bagman's lap and doing her best to eat his face right off. He seems like a more than willing participant. Your concerns have more to do with how her bikini is moving, how sheās only moments away from an indecent exposure charge.
āFuck.āĀ
You turn to Natasha and smile. āI'm really sorry, but I have toā¦ā
You make a vague gesture in your sister's direction.
āI understand. She needs you right now.ā
You nod and begin to walk away, pulling your coverup out of your bag. But your feet don't let you move very far. What kind of person would you be if you let the best thing that's ever happened to you slip through your fingers so easily? You can't let her slip away. So you rummage in your bag for one of the notebooks you always carry with you and scrawl your phone number down on it, ripping the page away.
She looks surprised to see you again when you catapult yourself into her arms and kiss her soft lips. She tastes like the beer she was drinking earlier, and as her arms wrap around your waist, you sink into the kiss a little bit more. You feel like you never want to leave. Yet you know the longer you stay here kissing Natasha, the more time your sister has to make situations worse. Her friends may be cheering her on, but her fiancƩ won't be quite so magnanimous.
When you pull away, her cheeks are the same pink as earlier. Her lips are kiss-swollen, and her eyes are bright. You're sure yours are the same.
āLet's get that coffee, Natasha.ā
You press the paper into her hands and hurry back up to the beach to take care of your sister. In the hilarity of pulling her away from Bagman and wrestling her into your coverup, you can feel eyes on you. They track you until you drive away.
There's a text on your phone when you get home.
Let's get that coffee tomorrow morning. Do you know Madison's Cafe? I'd very much like to kiss you again.
I DO NOT CONSENT TO HAVE MY WORK POSTED, TRANSLATED, OR PUBLISHED ON ANY SITES OTHER THAN ON AO3, ON WATTPAD, OR ON TUMBLR BY ME. IF YOU SEE MY WORKS ANYWHERE OTHER THAN AO3, ON WATTPAD, OR TUMBLR, THEN THEY HAVE BEEN POSTED WITHOUT MY PERMISSION AND I WILL BE WORKING TO TAKE THEM DOWN.
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#star writes#top gun fanfic#top gun fanfiction#top gun maverick fanfic#top gun maverick fanfiction#top gun imagine#nothing comes close to the golden coast#natasha phoenix trace x reader#natasha trace x reader#phoenix x reader#phoenix imagine#natasha phoenix trace imagine#top gun maverick imagine#natasha trace imagine#1kPoolPartyPlaylist
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Daomu Biji Watcherās Guide, May 2024
A few new entries have been popping up lately, and Iām always hopeful new fans will stumble into the pits and never leave so I thought Iād paste up a rough map.
(Obviously the best watching order, like the best reading order of Discworld or the Aubrey-Maturin books, is āwhatever first comes to your handā but for the people who donāt like thatā¦)
tl;dr:
Daomu Biji is a series about tomb raiding. Think Indiana Jones or Lara Croft but much, much longer. The protagonist Wu Xie is deeply in love with BFF1 Zhang Qiling, a hundred-year-old cryptid, and BFF2 Wang Pangzi, who was stolen in a raid from another book series. Itās comic, tragic, horrific, zany, prone to musings on life, love, desire, attachment, and has many, many piss jokes. (āJourney to the West but modernā is maybe the other comparison Iād make.)
Notes:
ā This guide is not talking about āqualityā. All of the adaptations have their own strengths and weaknesses and tone can vary a great deal, which is to say, if one of them doesnāt suit you itās likely something else will.
ā Wacky endings, and plot threads that disappear unfinished and get picked up a long time later, are as inherent to the franchise as the piss jokes.
ā Itās common for the dramas to introduce characters and subplots a lot earlier than the books do. Sometimes weāll see a character introduced āfor the first timeā on multiple occasions and strangely familiar scenes. Iāll try to point out the biggest continuity clashes as I go.
The Soft Entry:
There are a few movies that are entertaining as standalones but will introduce various characters and background. I would recommend:
Escape from the Monstrous Snake + Mystery/Grave of the Abyss ā two monster movies featuring Hei Xiazi, a supporting character. Heās a pragmatical mercenary whoās going blind in kind of a weird way, and goofy as hell when he isnāt tiptoeing over a vast abyss of existential dread. So many fun action scenes.
Time Raiders (2015) ā so there are some textual clues that late in his career Wu Xie wrote this story as a memory-jogger for an amnesiac friend. The plot is a freewheeling wild ride which doesnāt directly match any book plot but introduces some major characters and how they relate to each other. Itās colourful and fast-moving. Enjoy, enjoy.
Conjuring Curse and Misty Creed areā¦ theoretically set late in the series even if the actors look about twelve. Both work as stand-alone adventures, though Misty Creed is maybe a little deep in the lore. Again, colourful and fast-moving.
The Chronological Order
You could honestly start with most of these ā they tend to come with a āwhat has gone beforeā at the start or a newbie character that things get explained to. The only one I wouldnāt start with is Heavenly Palace in the Clouds, which is lovely but also the second half of a set and things wonāt make sense if you havenāt seen Lost Tomb 2 first.
Lost Tomb 1 ā a highly digestible 10-12 episode version of the Seven Star Lu Palace arc, ie. Babyās First Adventure. Introduces A-Ning, Xie Yuchen, and Huo Xiuxiu early and a couple of og characters for Wu Xie to talk to instead of monologuing to himself. The restaurant scene at the end was raided from a later arc and youāll see it again in Ultimate Note. A book character, Da Kui, was cut which is a small problem because how he died is a minor plot point discussed in Lost Tomb 2.Ā
Lost Tomb 2 ā covers Raging Sea, Hidden Sands (underwater tomb) and Qinling God-Tree (weird bronze tree in the mountains) plus a whole lotta side stories and original content exploring the world and foreshadowing later plots. Mooostly in continuity with Lost Tomb 1 (see Da Kui above) and made as a set with Heavenly Palace in the Clouds ā they share resources and a lot of actors, and some threads begun here are finished in Heavenly Palace.
Heavenly Palace in the Clouds ā covers the Mt Changbai arc, a journey up a mountain to find a very old, very grand tomb. This was made so close to Lost Tomb 2 that LT2 borrows shots from Heavenly Palace and not the other way around, which is fascinating because it pointedly contradicts the last five episodes of LT2. It also brings forward some plotlines originally from the Tamutuo and Zhang Family Old Pavilion arcs (San-shuās past in the underwater tomb, and the Huo Family videotapes) dragging some characters on-screen and forcing them to talk about their feelings, which they would clearly rather die than do. Given those plot-tweaks and the early, deliberate continuity clash, Iām tempted to call this a Canon Parallel Universe. Got some interestingly chewy character dynamics and luverly, luverly set design.
Mystic Nine ā This is a prequel about Zhang Qishan ā Fo-ye ā and his peers, but later dramas expect us to know who Fo-ye was so Iām sticking it here. Kindaā¦ picaresque? Lots of action scenes and Republican-era flavour and various factions jostling for power ā kinda feels like an old-school wuxia story, only set in the 1930s with all that glorious Republican-era styling. Has some unfortunate cut scenes ā the details of how Fo-ye recovered at his familyās house donāt make a lot of sense in the aired version, and there are a couple of missing fights in the penultimate episode. Shrug. Still a lot of fun. Comes with four side movies about supporting characters.
Ultimate Note ā Covers the Tamutuo arc (a trip through the jungle) and two-thirds of the Zhang Family Old Pavilion arc (investigating Zhang Qilingās past is like kicking a hornetās nest). Very, very flirty and has some zippy-zip action choreography. Politely ignores Lost Tomb 1āHeavenly Palace continuity (Xie Yuchen is, once more, introduced for the first time, now with a romantically coded friendship arc) and brings in a lot of cameos from Mystic Nine and Sand Sea, which it was filmed after. Kinda tiptoes around parts of the book plot, which I suspect would be hard for anyone to film, re: Fo-yeās actions in the 1960s. Fair warning, this ends on a cliffhanger. This is also where the Xinyue Restaurant scene appears again ā two cakes!
Tibetan Sea Flower ā If Tibetan Sea Flower ever airs, it will go here.
Sand Sea ā Based on the Sand Sea novel. After Tibetan Sea Flower, Wu Xie goes into a bit of a decline and makes that the worldās problem. We the audience, plus Li Cu and Liang Wan, EDIT: a lovely doctor, are pretty much dropped in media res into a number of ancient conspiracies and complicated plots coming to a head in the manner of a boil. Itās weird; itās messy; itās mad fun. Like Mystic Nine, has a lot of factions jostling for power and colourful jianghu characters. We will, once more, see the Xinyue Restaurant scene. Also has some side movies.
Time Raiders ā The textual hints that suggest Wu Xie wrote this, suggest he wrote it around Sand Sea-era, when his life was a bit complicated. Iām putting it after Sand Sea because I believe it caps a conversation that, ah, doesnāt quite make it into the drama. But notionally this is where it should go. Ahā¦. at one point, someone tells a story about an ancient ruler, King Mu of Zhou, who sought immortality from the Queen of the West in Tamutuo. The longer book conversation suggests that a) King Mu of Zhou engineered a ātrapā for someone like Wu Xie to fall into in the future, and b) that Iron Mask Scholar, a villain from Lost Tomb 1, was an alias that King Mu of Zhou used in the Warring States Era. Which makes some of Iron Mask Scholarās appearances in Time Raidersā¦ interesting.
Reunion: Sound of Providence ļæ½ļæ½ļæ½ sometimes known as Reboot. Having peaked in badassery in Sand Sea, Wu Xie has to consider what his life is going to be now, and also, he would like to track down a missing family member. So this was tweaked to make it more accessible to new viewers (so some parts of the back-story are not mentioned or conflated for simplicity) and that mostly works but I did find watching this first and then picking up the earlier dramas a bit of a mindscrew. Zhu Yilong is, however, a powerful draw and the rest of the cast sparkles. Probably best to think of Season 1 as two short seasons jammed together, which is to say, once the Warehouse 11 arc starts there are a number of characters who wonāt reappear until Season 2. Itās a fun arc even so. Season 2 ends with a badass action scene and then a big party, which I think is a great way to end a story.
Escape from the Monstrous Snake, Mystery/Grave of the Abyss, Conjuring Curse, Misty Creed ā these are all theoretically set around or after Reboot-era, though they can certainly be watched as stand-alones.
#daomu biji#dmbj#the lost tomb#lost tomb 2#heavenly palace in the clouds#mystic nine#ultimate note#sand sea#sound of providence#conjuring curse#misty creed#escape from the monstrous snake#mystery of the abyss
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Following you was the best decision I've ever made. Where else am I going to learn things like the types of cacti shown in the Anderfels in game are not ecologically accurate? I am being 100% genuine here I love it when you contribute random knowledge in lore discussions, best parts of my day when it happens
LMAO thank you anon this is very kind. the truth is I am simply an ecologist who cannot turn that part of my brain off even when i know better. like i KNOW the reason why there's cacti there is because someone just picked them from a list of vegetation assets to populate the region with but also š š š ITS TOO WET THEY WOULD DIE
but yeah specifically i double majored in biology and geology in undergrad, then worked in a plant genetics lab during undergrad & the first year after I graduated, then I moved out west to do desert based fieldwork and started adding in a lot of soil science. now i have a masters in soil microbiology and am currently weeping my way through a PhD (dont ask about that one grad school is Hell).
but YEAH MAN specifically i've been living in and researching deserts for the last decade of my life so i'm always extra excited about those in games lmao. I'm the Hissing Waste's number 1 stan they RULE everyone else is just a COWARD who HATES RUNNING ACROSS HUGE MAPS FOR HOURS. have you instead considered taking a job in Death Valley so when you run through the dunes for 10 hours a day in 110Āŗ weather you can console yourself with the thought "at least there isn't a phoenix attacking me right now. the worst thing that's happened to me today is falling into a rodent burrow"????? o those were the days. i used to write all my fanfic by headlamp in my sleeping bag while listening to coyotes get alarmingly close, and cursing the moon for how bright everything gets with light colored sand. If there were two moons in real life i WOULD be mad enough to condemn one to the otherside of the earth for 100 years so i could get some sleep too actually.
here have some drylands ive worked in while i'm being nostalgic
worldbuilding is my favorite favorite favorite part of fantasy/sci fi and i know not everyone has my background in how the actual "world" part works. so i don't condemn people who have gone into writing and arts fields for not understanding these things when they build maps but i really cannot turn off the part of my brain that opens a book or game map and instantly sees they have made the rivers 1. go uphill 2. diverge midway through (not a thing) and 3. in places that would make no sense given topography, mountains, etc that would impact weather & rainfall. only my TRUEST AND MOST WIZENED OG FOLLOWERS will remember how much i wept trying to map out the plate tectonics of Thedas in order to explain what the fuck the mountain ranges are doing what they are.
anyway lots of people have followed me in the last couple months so thanks for this excuse to make an intro post with a lil more about me :)
#ramblings#replies#anon#a portrait of the blogger#deserts my beloved i was so hoping we would see Nevarra but alas.necropolis very cool and all but im gonna rock climb up the statue and OUT#give me the stark open landscapes...
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Strange question but!! Yk how the villains are treated as heroes? How on earth did the heroes stories work if they, uh, yk, dont have the villains? Like i briefly remember TWST!Jafar hijacking Aladdinās plan to fake being a prince, so theres not rlly any more āaladdinā story, but im curious how other stories went if u know! Are the OG heroes still treated as heroes, etc etc, that fun stuff
Hello hello! Thank you so much for this question!!
The different interpretations of history that seem exist in Twst are fascinating, and one of my favorite things is the part in Book 6 where Lilia seems to insinuate that the Disney stories that we know might not actually be what really happened, because history is written by the victors:
These "classic" stories--were they, too, twisted to suit an agenda? Is the truth closer to what is taught as history in Twst, or is it somewhere in the middle? It is so interesting to think about!
For the most part it seems that the heroes from the stories we know are not turned into villains in Twst, and the deeds that are attributed to them were actually done by multiple characters from different folklore:
For example, Harveston has stories about miners and customs based on "a young lady who made a wish at a well," a "traveler" who cleaned a stranger's home and then a tale about "some princess who wished to fall in love right away," as if the young lady, princess and traveler are three separate people.
While basing their traditions on the miners, the lady and traveler, they also deify the Fairest Queen, as if they are all independent individuals with no overlap.
One of the more interesting parts of the Fairest Queen's history, in particular, is that there is actually a "dastardly villain" in Harveston folklore that stalks a woman who is then saved by forest creatures.
The huntsman is--just like the queen--not a villain in the Twst universe. Who was who, and what really happened? š
For the Scalding Sands, it seems that the unnamed princess and the sultan from local stories are just as revered as the Sorcerer of the Sands himself, with the sultan known to be the person who named the Sorcerer as his vizier and retaining their connection from the story we know.
Much like in Harveston, the history of the Scalding Sands seems to attribute what we believe to be the history of just one character to multiple individuals: Kalim talks about the Sorcerer saving his country from a street rat, who was a swindler/charlatan/usurper who tried to trick the sultan and princess, in a rare case of a "hero" being vilified.
But they also have folklore about "a poor but kind-hearted young man" who shared his food with children, and whose marriage to the beautiful princess they celebrate every year with a festival.
Whereas the Disney movies make the charlatan and the kind man into one person, in Twst's history it seems they were two different people.
Diasomnia is very big on the Thorn Fairy, and they also talk about the human king who feared her, the princess whose birthday she was not invited to (Silver: "Was their king raised in a barn?") and the three presents that the princess received.
Lilia talks about a trio of fairies that were not able to break the Thorn Fairy's curses and also put an entire kingdom to sleep, while Silver comments on how Lilia is consciously, intentionally emulating the three fairies from that tale with his cooking.
Silver and Malleus discuss "some faeries" raising a child for 16 years without magic, but they do not seem to know why they did so, and it is unclear if they believe that those faeries and the three faeries that put the kingdom to sleep are the same or different people.
Heartslabyul seems to separate Alice into two different characters as well, referring to a 1-km-tall giant that the Queen of Hearts tried in court and a child that got lost in the castle as if they were two people.
The only reference we get of the "heroes" of the Lion King tale are Jack referring to the King of Beast's "rascal of a nephew" and Leona mentioning that he deposed his brother "to build a better, wiser kingdom."
While the characters seem similar to the stories we know it's possible that the timelines are slightly different, with the rebirth of the pridelands being attributed to the King of Beasts himself rather than his nephew.
The history of the Sea Witch in Twst might be the most fascinating: the characters reference the Sea Witch taking someone's voice for a contract and making a shapeshifting potion to facilitate love between a mermaid and a human, but also turning herself into a human and being proposed to by a prince the next day, with no acknowledgement that the human from the first tale and the prince from the second might have been the same person.
They also talk about the eels flipping over a boat and a mermaid princess who had trouble walking on land, but there is no mention of the princess being in the boat in the eel story.
Octavinelle even acknowledges that the Sea Witch once made herself huge and sunk a ship with a whirlpool and "some even labeled her a monster," saying that she was later lauded as a compassionate figure after turning over a new leaf. (While the less-than-pleasant deeds done by the Sorcerer, the Fairest Queen and the King of Beasts in the stories that we know are never mentioned.)
Silver's tale from Halloween seems to be an exception to this rule. Everything done by the "hero" in the tale we know is still attributed to the hero in the story that Silver knows, and the enemy army is still the enemy army.
To the initial question: it seems that the heroes from the histories that we know are still being regarded as heroes in Twst (though they tend to get separated into multiple people), while the characters that we know as villains are also highly regarded. This sometimes includes their pasts (in the case of the Sea Witch and the Queen of Hearts), being separated from their pasts (in the case of the Hunter) or with no mention of their pasts (the King of Beasts, the Sorcerer of the Sands, the Fairest Queen, the Thorn Fairy).
(Not a lot of information about the King of the Underworld when compared to the others! Idia mostly just talks about how charismatic he was. Ortho suggests something about "the truth" about him being closer to Idia's own situation than they have been taught, but Idia is not convinced.)
Also: there is a reference to a hero rescuing his ladylove from the Underworld in Book 6, so it seems the hero in that tale remains a hero in Twst as well!
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my brother's best friend (part 3)
pt 1 pt 2 pt 4
pairing: Matt Sturniolo x y/n
summary: you find yourself falling for your brother's best friend
warnings: none
(not proofread)
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I watch as the sun sets over the water, painting the sky with different shades of reds, oranges, and yellows. the air has now grown frigid, goosebumps beginning to set along my skin. I curse at myself for not bringing warmer clothing as I wrap myself in my towel. even with the brittle air the boys are still in the water, pushing each other around and launching their bodies over each wave that comes.
with nothing else to do, considering it's now grown too dark to read my book, I watch them. well, mostly Matt. He shoves Chris into the next wave, laughing as the water crashes over his face. seeming to feel my eyes on him, Matt faces in my direction. he smiles at me and begins to wave, but since he's distracted Chris takes this as his chance to get him back. I can't help but laugh to myself as he gets knocked down.
when he gets up he mutters something quickly to Nick, Nate, and Chris before walking over in my direction. "hey" he greets me, "hi" I smile at him. "you cold?" he questions, "mhm, it's freezing out here". he reaches down and picks up his hoodie, dusting the sand off of it and hands it to me. "thanks" he just smiles and nods in response as I put on the sweatshirt.
"you think they'll be ready to go soon?" I ask Matt. "uh probably, Nick said he was starting to get all wrinkly from the water and wanted to get out soon before he starts to look like a raisin" "of course he did" I giggle. our conversation dwindled away quickly since we were both tired. we sat in comfortable silence as we waited for the others to get out of the water.
I laid back in the sand, staring up at the stars that have now formed in the sky. I sigh contently, picking up a handful of sand and admire how each grain feels as it falls back to the ground. I turn to face Matt, only to find him already looking at me. I find myself appreciative of the darkness that surrounds us which hides my blush.
Matt looks like he wants to say something, but as soon as he opens his mouth Nate pushes him on the shoulder. "you guys ready?" Nate asks. "uhm" Matt pauses and looks at me "yeah we're ready" he answers. Matt stands up, offering me a hand. I take it gratefully, using it to pull myself off the ground. I notice that his touch lingers on my hand as he looks me in the eyes ones again. After a moment he pulls his and away and clears his throat.
everyone grabs their stuff off the ground and begins to walk towards the cars. each of us rinsing off at the showers to help get rid of the sand that has accumulated on our skin. we decide to meet up at mine and Nate's place before we get into the vehicles and start driving.
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a/n: sorry this ones a little short but I wanted to get the next part out
#matt sturniolo#matthew sturniolo#chris sturniolo#christopher sturniolo#nick sturniolo#nicolas sturniolo#nate doe#nathan doe#sturniolo fanfic#sturniolo triplets#sturniolo x reader
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Sodor in the age of social media
1. Edward
Edward is perhaps not the type of engine you would expect to have an online presence, much less an active one, with a large following. However whilst he has never been a loud presence online, he has been consistent and beloved since nearly the beginning.
It began with a story.
In the early 2000s Edward's driver was at her whits end. Her toddler refused to fall asleep, instead crying throughout the night. The doctors all said she was healthy, that this was a phase, but the driver and her husband were exhausted. One august night, it was her turn to stay up with the toddler, she tried driving around, hoping the motion of the car would lull the child to sleep, but there was no luck. When she went to pass by the engine sheds, she turned in out of desperation. Edward was over 100 years old, maybe he knew what to do.
She entered the engine shed, finding all the engines awake. It is well known among railway men that any engine can pick out the cry of a child above any other sound, a fact that has proved both a blessing and a curse to their crews.
The exhausted woman climbed onto the bufferbeam gently shushing the child to no avail.
'Well hello little one."
The baby quieted, staring up in awe at the engine before her.
"Would you like a story little one?"
The toddler cooed and stretched a hand towards the giant face of the engine.
"Thomas was a little engine..."
The child was soothed by the elder engine's voice, and try as she might to fight it, she was soon asleep. The driver thanked the engine profusely, but he just chuckled and asked her to bring the child if it happened again.
Victoria Sand grew up on the buffer beam of her mother's engine, listening to stories of the railway, and her grandfather's time as driver.
In order to allow the engine sleep the mother recorded many of the stories, so they wouldn't have to disturb him to get the child to sleep, despite the engine's protests that he enjoyed their visits.
The years went on, and young Victoria began sleeping through the night (although there was more than one instance of her sneaking out to see her honorary grandfather.) The mother wished to help other mothers and fathers like herself so, with Edward's permission, she uploaded the stories to a video site.
"Storytime with Grandpa Edward" grew slowly but surely, as parents found them and played them for their children. As the videos popularity grew, many asked for Edward to read their children's favorite books.
It should be noted at this time, almost no one outside of the Island realized 'Grandpa Edward' was in fact a locomotive, much less Northwestern No.2. Victoria's father was an artist, and the videos consisted of Edward's voice over his paintings. Most of the audience had assumed Grandpa Edward was human. Upon the realization, Edward chuckled and asked it be kept that way, as he was touched so many people liked his stories on their own.
A young generation of children grew up listening to "Grandpa Edward" alongside Victoria Sand, some of whom would later visit Sodor. Whilst their parents would almost never recognize the engines voice over the sound of steam and metal, the children would. Edward would just laugh and ask for it to remain their secret.
The years passed, and the 2020s arrived. By this time "Grandpa Edward" was a household name for much of Britain, with thousands of stories recorded and released. Edward had declined in person interviews over the years, he was much too busy on his branchline after all. Despite helping to raise an entire generation, Grandpa Edward had remained a mysterious figure, known only by his stories, even as little Victoria grew up and became a mother herself.
The revelation of his identity involved certain blue tank engine, because of course it was. The sickness that must not be named had swept the globe. Sodor was weathering the storm well, as it had closed its borders promptly and thoroughly. Despite this, the children of the island grew stifled in their houses, missing school, their friends, and the freedom of the outside world.
The NWR came together to help in what ways they could. Thomas was ran from one side of the island to the other, making videos for children to watch, to show them that the world and their friends would still be there waiting for them when they came out. As expected, the 'Thomas touch' happened, and the videos seemed to explode overnight, with children around the world eagerly watching Thomas on his adventures around the Island. But Thomas was growing tired. He was older now, 106 thank you very much, and the constant longer runs were more than he was used to on his branchline.
Edward took one look at him one evening at Wellsworth as he waited for a clear signal to Ffarquhar, and promptly dragged Thomas and his coaches. Thomas protested, the kids needed the joy the videos brought.
"Leave it to me," Edward said.
The first video was simply titled 'Grandpa Edward reads Thomas a story.' The video opened to show Thomas and his coaches parked inside the Wellsworth Sheds, a fully grown Victoria holding the 'The Three Railway Engines' up for Grandpa Edward to read.
#ttte#rws#nwr#ttte edward#ttte thomas#storytime with edward#Sodor in the age of social media#this could be a series if y'all want
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The most ridiculous things Iāve noticed on Hermitcraft season10 (so far):
The Impulse Horn (you know the one (I hate it))
The ābreedingā bit (they were talking about horses)
āWhy are you so obsessed with me?ā (SmallEtho)
Skizzās giant pyramid
The mending book saga
āPlease Holdā by Jono
Iskallās starter base
The Warden Orchestra
Mumbo building a starter base that he cannot get into
The snails
Xisuma nearly dying less than a minute into Episode 1
The sand curse lives on in Gem
Keralisās kinda depressing Episode 1 intro (he was late ā¹ļø)
#we arenāt even 10 episodes in#and itās been chaotic as hell#Iām so excited#hermitcraft season 10#hermitcraft#mcyt
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It's Time to Choose | Spells with choices
PDFs of this and more can be found over on at my Patreon here! I release everything for free, so your support makes this possible. I've also started making a new system based off of 5e, 6th Dawn! Become a patron and join the playtest.
Mayhaps you would want the spell to do this? Yeah, that's the gimmick :P
Alter Appearance
A simple spell. Change your face or other cosmetic (or less than cosmetic) options. This has fun world building implications as well as other interesting choices. Don't ask me why only temporarily changing yourself is harder than permanently doing so.
Elemental Mantle
Flame Shield is cool and all, but I want to cause more types of pain.
Flesh to Stone/Stone to Flesh
Did it bother anyone else that stone to flesh didn't make it to 5e? Admittedly, having it be its own spell is oddly wasteful, but there are a lot of these slash spells (okay, three, but still!) so why not?
Haste/Slow
So, I thought, if enlarge/reduce, antipathy/sympathy and flame shield could all be spells with opposite effects, why not the only remaining reverse spells? Also thought I would change the save while I was at it. I don't know why slow and polymorph both have a Wisdom save. Also also, thought I would get rid of the weird exploit where you could (as written) haste an enemy and then instantly drop concentration to get a free dropped turn from the target.
Metamorphic Rebirth
Alter Appearance but race! Or is it living reincarnation? Speaking ofā¦
Predestined Reincarnation
Reincarnation, but not random. And forced if you want to curse someone to come back to life as a goblin for some contrived reason.
Redirect Gravity
I enjoy gravity fuckery, and I am horribly disappointed that the only spell that lets you 'usefully' change gravity is reverse gravity. Sure, there are a few gravity spells in the wildmount book, but eh. Wee!
And now to plug my stuff. I release homebrews weekly over on my Patreon. Anyone who pledges $1 or more per post don't have to wait a month to see them, and also help fund my being alive habit.
At the moment, they have exclusive access to the following:
Channel Infinity (and Beyond!)
Prior Connections
Circle of the Sands
To Shreds, You Say?
I also have four classes, and a splatbook over on DriveThrueRPG to check out:
The Rift Binder. A class specialising in summoning monsters and controlling the battlefield.
The Witch Knight. A class that combines swords and sorcery in the most literal way.
The Werebeast. A class that turns you into a half beast to destroy your foes.
The Beguiler. A spellcaster dedicated to illusions, enchantments, and general fuckery.
d'Artagnan's Adventurer Almanac. A compendium of races, subclasses, feats, spells, monsters and more!
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cruel to be kind - chapter six
pairing: Bucky Barnes x Reader (90s college AU)
summary: it started with a dare. Bucky restlessly pursues Y/N, seeking just one date. as he chases her, he realizes she's different from she challenges him, so he starts to catch feelings. but it all falls apart when she learns about his initial motivations. based on 10 things I hate about you!
warnings: alcohol use, cursing
word count: 1.5k
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taglist: @caritobbg @tellmealovestory @mrs-bucky-barnes106 @charmedbysarge @theroyalmanatee @ozwriterchick @aya-fay @differenttyphoonwerewolf @gorillaglue23 @elizabeth916 @matchat3a @buckyb-stan @sebsgirl71479 @drewsuncrustables @lokidokieokie @nats-whore @m4nulup1n @arcanebabe @tanyaspartak @jackiehollanderr @princezzjasmine @pono-pura-vida @mavrellover91 @helluvapimp @blackwood-bodecker-housewife
Y/N sat on a baja blanket, staring out into the ocean, wondering if he would come. Sam confirmed he was able to sneak Bucky the mixtape, but Y/N wasnāt sure that he had decoded her message. On the tracklist, she underlined different letters and numbers that read āSat 2PM 7th St Beach.ā It was subtle, which was her style, but she wasnāt even sure he would figure it out. Hell, he might not even have noticed the pattern. In her mind, it was almost like a test. If he didnāt decode the message, then things werenāt meant to be.Ā
She eyed the book sitting in her lap, willing herself to at least try to read to distract her mind. But everytime she finished a page, she checked her watch to see what time it was. It was now 1:56 and the weight residing in her stomach grew heavier. Who was she kidding, he wasnāt going to show up. This whole thing was stupid and she was kicking herself for ever thinking it was a good idea. She hated this feeling. This was why she pushed people away. Being vulnerable was the easiest way to get hurt.Ā
And now a tear was falling down her cheek. She was so in her head about things that she was crying. She quickly wiped the single tear off her cheek and laid back on the blanket, placing the open book over her face. She had to get her shit together. She would not be the girl crying over a guy. Y/N took in a deep inhale and breathed out of her mouth, calming her nervous system. The oxygen was all she needed to clear her head. Her decision was made.
She stood in the sand and tossed her book in her bag. She folded up her blanket and collected her sandals, trudging through the sand to the boardwalk.
āDonāt tell me youāre leaving already. Iām only a few minutes late, and for good reason.ā Bucky stood in front of her, in his signature leather jacket, with two cups of coffee in his hands.
āWhat are you doing here,ā she stated more than asked, adding a few more bricks to the wall that was guarding her heart.
āI got your message,ā he smiled. He walked closer towards her and handed her a cup of coffee. āFigured we had some catching up to do,ā he added.
She stood there, still processing this. He came. He figured out the message and he showed up. He passed the test. She hadnāt really thought through what would actually happen if he came. And now here he was, standing in front of her.
Before she could respond, Bucky stepped closer, taking the blanket out of her hands and splaying it out over the sand.
āCome on,ā he urged her. She didnāt object, sitting down next to him as they looked out onto the ocean.
āIāve never heard you this quiet before. You usually have a biting remark queued up as soon as you see me.ā
āI do not,ā she argued.
āSee, thatās better already,ā he joked, giving her shoulder a light nudge.
āI didnāt think you would come,ā she admitted.
āYou didnāt think I would come or you didnāt think I would decode your message?ā
Ā āThe latter is probably a bit more accurate,ā she said sheepishly.
āI know it may seem like Iām just a pretty face, but Iāve been known to have clever thoughts every so often.ā
His attempts at getting her to loosen up were moderately successful, but she still wasnāt willing to open up just yet. Luckily, Bucky had planned for this. He knew this conversation would take some work.
āAre you happy to see me here?ā he asked.
She let out a sigh, āI am. I hate to admit this, but I missed you these past few weeks.ā
Bucky placed a hand over his heart, āYou missed me?ā
She hit his bicep with the back of her hand, āDonāt make me say it again.ā
āI missed you too. And all I wanted was to talk to you and explain things. So thank you for giving me the opportunity to do that.ā
She merely nodded, encouraging him to continue.
āSo let me start by admitting that I am a complete idiot and I probably donāt even deserve a second chance, but I appreciate you giving me a chance to redeem myself.ā
āGood start,ā she commented.
āI agreed to the dare just to get Zemo to shut up. And I think the only reason I really went for it is because you intrigued me. I always found you attractive but I never pursued you becauseā¦well honestly you donāt come across as very friendly.ā
Y/N chuckled and he continued.
āAnd then when I first talked to you, it was like I had this need for you to like me. I wanted to figure out what made you tick, and the more time I spent with you, the more I liked you. I need you to know that everything I said was true and that the person you spent all that time with was the real me. The dare just gave me a reason to talk to you. These past few weeks I havenāt been able to stop thinking about you. I havenāt been eating, Iāve barely slept, knowing that I hurt you has been killing me. I can promise you, I will never hurt you again. I think I might be in love with you, and this is the first time Iāve ever felt this way so Iām still figuring it all out, but I will do anything to win you back. Iāll bring you breakfast every morning, I will carry all your books and walk you to class every day, I will give you my car. Whatever you need, Iāll do it. Just please, give me another chance.ā
She was quiet for a second, processing his words.Ā
āCould you, like, say something?ā he asked nervously, struggling to read her expression.
āIām thinking,ā she responded. āDid you rehearse that?ā
He was confused by her question, but answered anyway. āI mean I had points I wanted to hit on. I think I may have strayed a little bit towards the middle but I think I ended strong.ā
She gave him a small smile, āDo you really mean it all or are you just telling me what I want to hear?ā
He took her hand, āY/N, Iām not here to bullshit you. I mean every single word. You are the world to me.ā
āYou used the l-word,ā she commented. Bucky found it cute that she couldnāt say love.Ā
āYeah I wasnāt planning on saying that, but itās true. I do love you.ā He ran his thumb up and down the back of her hand. She was quiet again, thinking through her response. She never took this long to respond, usually she went with whatever popped into her head. Bucky took her hand and placed it to his chest. āDo you feel that? How fast my heart is beating? It gets like that every time Iām around you. And my stomach always feels like thereās a million butterflies fluttering around in there. You do that to me.ā
āI love you too.ā It fell off her lips so easily, Bucky thought he must have misheard.Ā
āYou do?ā he asked in disbelief. She bit her bottom lip and shyly nodded her head, trying to hide the smile on her lips. He lost control. He lunged at her, essentially tackling her down onto the blanket as he squeezed her into a tight hug. When he pulled away ever so slightly, his face hovered above hers.Ā
āAre you gonna let me kiss you?ā he asked. She simply nodded and his lips were on hers, making up for their lost time. It almost scared her, how easily she fell back into the kiss. Her hand found his jaw as she held him close, not wanting him to leave her vicinity. This was the moment sheād been waiting for and it didnāt disappoint. The spark was there, the longing was there, the love was there. And in that moment she knew that she never wanted to be without him.
They kissed and cuddled for a while and then they sat there together and watched the sunset. Y/N leaned back into Buckyās arms as he kept her warm from the crisp autumn air. They talked about nothing and everything, trying to catch up on the weeks they had missed. And in that moment she knew she would never grow tired of this. He had somehow managed to thaw her frozen exterior and taught her that love was worth the risk of pain.Ā
As it started to get darker, they packed up their spot on the beach and headed back to the boardwalk. She knew she wasnāt leaving his side tonight. Sheād spent too much time away from him and she wasnāt ready to separate just yet.
āKeys please,ā she said, holding out her hand.Ā
āOh are you driving?ā he asked skeptically.
āWell yeah, it is my car now,ā she replied easily.
Bucky leaned his head back, āOf course, how could I forget.ā He placed the keys in her open hand, before wrapping his strong arm over her shoulder and pulling her in close to kiss her temple.Ā
#bucky barnes x reader#bucky barnes fanfic#bucky barnes x y/n#bucky barnes x you#bucky barnes fanfiction#bucky barnes#bucky barnes college au
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