#Core strength(ship)

[kankuroplease]

Couples pole session

[xbraveheartx]

Still drives me absolutely bonkers thinking about the moment you first start to change and become human in Lies of P, is the moment after you fight Romeo and go back to the hotel. Sophia notes you don’t look so good after she mentions the necklace Romeo had— the one that says “To Romeo from your friend C”. It visibly affects you and you’re not sure why just yet.

Where only after that, you hear Romeo’s voice whisper “Carlo” and suddenly you have physically changed. Your hair is longer, your shoulders are broader, you have physically been altered because encountering Romeo and hearing him say that name awakened something deep within you that wants out.

And the menu screen where your very heart sits is now the Opera House in flames with a bundle of white stargazer flowers sitting beside it.

Bonkers, man— BONKERS!!

[shirogane-oushirou]

🌊🦦 Summer Beach Time 🦦🌊

soooo i made comments in the tags of another piece i made about how i want to go to the beach (or a lake tbh, he's a lake guy) with him, and watch him get the zoomies in the water and just. walk around and make the 🥺 face at me when i'm sitting at the edge of the water and he wants to be close.

(i'm obsessed with this pair of dino pattern trunks... ren core...)

[gremlin-bot]

Hope of Future Flight

AO3 link: Here @dpxdcshipweek

Dick has been defying gravity his entire life. Acrobatic flips and controlled fall, ripping through his body with grace and power that very few have. He loved every second of his imitation of flight. He loves having partners that could fly with him even more.

Koriand'r was wonderful and one of the best people Dick had the pleasure of meeting. He doesn't regret his relationship with her, just wishes her the best. He does miss the flights with her, though.

Dick loves being one of Gotham's birds. He takes pride in being able to handle the city's worst, but even the big bad bat can get distracted and startled. His reminiscing on past relationships certainly did not help him tonight, as he took a slight fall off a 10 story building at the sight of a man with giant wings sitting on top of said building. Lucky for him the man has good reflexes and wings strong enough to hold them both in air.

"That was a close one, you good?" The man asks as he sets Dick down in the center of the roof.

"Uhh yeah." Dick was mesmerized by the man's wings. They were strong and a gorgeous gradient of brown with bits of white feathers popping in the middle of the wings. They look like the wings of a Black Kite, which is strange. That species of birds lives in a vastly different part of the world than Gotham, New Jersey.

"So, do you fall off buildings often or just for special occasions?" The man smirks and Dick can feel himself flush.

"Usually when I fall it's on purpose, but I wasn't expecting anyone to be up here. Accidents happen, you know." God, Dick was being a distracted fool. A fool that got the winged guy to laugh. Dick's smile grows at the light sound.

"I'm Dash, you must be one of Gotham's bats or birds." The man- Dash offers his hand. His wings shift on his back, a nervous gesture of sorts.

"Yep. Nightwing, a bird by name, unlike you it seems." Dick takes the other's hand, only slightly surprised by the grip strength Dash displays.

"You got me there. It's a side-effect from my hometown. I'm hoping that Batman doesn't really mind. I'm trying to transfer to Gotham U this fall." He looks like a puppy dog waiting for his favorite person to come home. Dick might be a goner if Dash actually gets to see him again. 

"I can talk to him for you. If you get accepted, of course. I'm sure we can all work something out." 

"That'll be great, man! I'm supposed to attend a campus tour tomorrow, so here's hoping." Dash looked a bit more relaxed than before. Hopefully Dick can get Tim to gather enough information on him and possibly his hometown to satisfy B. He has a good few months before the fall semester starts. He'll be good, Tim works fast and likes a challenge.

"I'm curious, what program are you trying for?" 

"Nursing, pediatrics if I can but I'll get there when I get there." Dash shrugged, his wings adjusting with the movement.

"Oh, that's-" Dick was cut off by his com buzzing to life. 

"Nightwing, quit your pitiful flirting. Penguin is on the move." Damien hissed. Dick may have forgotten that Robin was on patrol with him tonight.

"On my way, Robin." Dick finds the small notebook he keeps in his suit and scribbles out the number he uses for his nightly activities. "Sorry to cut this short, but here, a way to contact me. Tell me if you get accepted, handsome." 

Dash takes the offered paper, an amused smile on his face as he walks to the edge of the roof. "Thanks. Have a safe patrol, Nightwing. Don't keep Robin waiting." Dash steps back and falls.

Dick's heart stops at the sight, only to restart as he sees Dash soar into the air and out of sight. He was enraptured once again by the man with wings. Too bad Damien won't let him stay there any longer.

"Nightwing, what is your ETA?" Damien huffs over com, clearly tired of his oldest brother's antics.

"Sorry, little Bat. Be there in 5." It's Dick turn to fly now. He hopes that Dash can see.

[phoenixcatch7]

Finding out Tom Holland did ballet and gymnastics and how it affected how he could act as spiderman was an absolute game changer for me. My eyes had been opened.

Like, yeah, spiderman would be phenomenal at performance sports like that. He'd be AMAZING. More than that, do you know how insanely fun it is to bend and flip and stretch??

Spiderman is famous for being a speed/flexibility build, rather than tanky like so many other high ranking heroes. Instead of the normal super speed/strength/durability/energy blast powerset, he has stuff like super balance, or super agility. He's small and light, bendy and strong, fast and precise.

More than that, he could be interested in learning the performance sports. They teach ways to move and hold your body in ways sparring or katas can't, and once he's progressed far enough with his fighting skills I can definitely see him turning towards the movement side of things - also a very important part of his skillset in comparison to the average hero's.

Listen:

Hnnnng spiderman doing a collab/solo performance with a company out of absolutely nowhere (he's been practicing and training religiously for weeks and months and years) and it gets a huge audience/huge views and yeah everyone expects good things but he just blows it out the water. Jjj has no context to build on. He watches it several times and the worst thing he can say is about spiderman setting the bar too high and making other performers feel bad (those in the know who helped him train got tickets to see it live specially).

[radio-fmm]

Dear Luffy… what?!

Luffy x fem!reader

1.6k words, fluff confession, gendered terms such as ‘woman’

!This is a part 2! Sanji found your love letter to Luffy and now everyone knows you like your Captain

Pt.1 | Masterlist

It had been a week since Sanji had found your letter, and somehow things got worse. Everyone on the ship knew about your crush by now, everyone except from the one that should be more concerned about it. The strawhats lived for gossip

Every glance, smile and compliment you’d share with your Captain as you both usually did, was accompanied with giggles, teases and whispers from your crewmates, making you nervous to even breath near Luffy in fear they’ll say something out of place loud enough for him to notice

Even your time alone was disturbed by them trying to convince you to confess to the clueless strawhat boy

“I’m sure he likes you too!”, “It’s not that big of a deal”, “Just go and tell him already!”

As encouraging they were being, it didn’t simmer your nerves, it made them grow bigger and bigger turning you into an anxious mess

Of course your time with Luffy was cut short thanks to your noisy friends; the fun games, fondness and entertaining conversations you’d used to share with him long gone, replaced with you just sulking around the ship and hiding from everyone

Soon enough they’ll either forget or lose interest in the matter

Right?

At this reate, Franky should install a loud very incorrect buzzer on the ship

All of this horrendous energy was getting to you, not only were you feeling frustrated and hopeless; since no longer getting your daily dose of Luffy, your lack of sunlight had your patience running alarmingly low. Consequently, you were feisty. No one could approach, look, ask, or even talk to you without your reaction being blown so out of proportion that it ended on you screaming at them

Today’s victim? Zoro

“Can you move your weights for a sec? I need to mop”

“Can’t” he answered quickly, grunting as he flexed his arms mid push up

“Just put them aside real quick” you were keeping your calm, already growing annoyed

“Do it yourself woman”

Uh oh

Zoro genuinely didn’t mean to sound so condescending and rude, usually you knew this was just the way he talked to everyone, you just had too much going on. The argument got so heated that it had the whole ship witnessing the whole ordeal around both, like a street fight club. You were red, cheeks puffed and up on your tip toes screaming at the swordsman like he couldn’t just cut you in half any moment now

“Can’t you just be nice for one second?!”- heads immediately turn- “Can you stop being a total jerk?!”- eyes widened- “Grow some brains first and I’ll consider it”- gasps bounce around the deck- “What about growing some balls and confess to Luffy already?”

Silence

Deafening silence doesn’t even begin to describe this silence. It’s a heavy one, laced with panic, regret and fear.

Your heart beats loud and then drops to your stomach, suddenly feeling nauseous as a hand flies to your mouth. Zoro’s eyebrows jump and sweats profusely

He fucked up

All eyes on you then on the Captain, who’s face you can’t even turn to look at right now, only focused on the embarrassment that was choking you. Embarrassing, so fucking embarrassing. The most dreaded emotion, you hated it to the core, you most rather Zoro cut your chest and throw you out into the open ocean of the Grand Line before feeling this

It’s been a while and no one has dared to speak. A giggle then breaks the freezing moment, melting it completely in its warmth as it slowly builds into joyful laughter

“Good one Zoro!” Luffy comments and it somehow feels like a punch to the gut, even if it’s just him being honest

Nami then curses at her Captain, manicured hand pushing him in pure disbelief

“What? It’s not like I didn’t know”

Silence. Everyone is surprised you haven’t fainted by now

Ussop then joins the navigators side “What? You knew this whole time?”

Finally, with all the remaining strength in your body you turn, slowly, eyes meeting as you drown in too many emotions flowing inside of you

“Hehe yeah!” The Captain smiles, ever so sweetly and you actually taste your breakfast in your mouth

You turn to Zoro, helpless

“I’m sorry” he mutters, genuinely ashamed

But you don’t answer, the only sound being heard being your boots stomping on the hard wood of The Sunny as you leave, tears peeking, and then, a door being slammed

It’s been a while since you had sobbed like this. You didn’t even knew why you were even crying anymore, the last week had been hell for you. You felt bad for snapping at Zoro and being a total ass to the whole crew; you felt so stupid for crying at something that could be resolved by talking and you hated yourself for not giving yourself grace

Because it’s ok to feel too much

It was comical how different you were from Luffy in that sense. Yes you were confident, adventurous and a loyal friend, but you were also reserved, shy and very sensitive. Your Captain was actually very emotionally intelligent, he knew exactly how to identify his emotions and navigate them, but you? It felt like being pushed into the sea without a motive or direction

You were too tender for a pirate, but again, there’s no shame in that

After a deserved lengthy crying session, you wiped yours tears and allowed yourself to take a big breath in. Suddenly, it didn’t felt as bad anymore. You opened your bedroom door and decided to go and wash your face to clear up to then apologize for exploding like you did. Again, embarrassment creeped up on you but you shrugged it off

It’s ok to feel. You reminded yourself on the mirror before leaving

The deck of The Sunny was weirdly quiet, no sign of anyone relaxing or in light conversation. Quickly you notice the familiar strawhat of your Captain and can’t help but smile a little, you had missed him this last week

“Hey Luf” you greet sweetly making him turn, a trace of a scowl leaving his features now replaced by worry, his arms shoot up unexpectedly and wrap around you before pushing you into a big hug, he speaks your name in almost relief making your heart skip a beat

“Oh I was so worried about you!, are you still mad?” His worry makes you feel guilty

“I was never mad at you Luf, or actually anyone… I was just really stressed out” you explain as you slowly melt into his embrace, warmness spreading trough your tired limbs as you feel a smile forming on Luffy’s lips

“I scolded them” your eyes wide slightly and your eyebrows jump

“Really?”

“Usopp told me what was going on and it just wasn’t ok” he tenses, as if the memory of it all makes him uncomfortable

A gentle sigh lefts your lips, leaving the tight hug you were enveloped in to face the man before you

“Thank you Luffy, but I also messed up, I shouldn’t have snapped like that” he shakes his head

“It’s understandable, you were under so much stress didn’t you?”. His understanding was something so foreign to you, his emotional maturity showing, butterflies in your belly going wild

He pulls another smile out of you before he pulls you in once again almost crushing you, it almost felt apologetic

But there was still, the elephant in the room

“So… you knew” it’s all you can muster up to say. Luffy then lets you go completely making a slight pout appear on your face at the motion. He looks a little bashful? you can’t really tell because it’s an emotion you had never related to him before

He scratches the back of his neck “Yeah… you always spend time with me and treat me differently than everyone else, and you make my heart beat so fast! It was obvious”

You don’t really know how to feel about his statement, you were obvious yet he just accepted it?. Your face becomes redish by the moment, feeling embarrassed but a different kind of embarrassed, thus one didn’t made you feel terrible

“Why didn’t you say anything?” your hands drop to play with the hem of your shirt as you waited expectantly, repeating his small hint of reciprocity in your head as comfort at the moment

“Because you never acknowledged it and I didn’t wanna push ya’”

Of course

Suddenly you feel a giggle bubble in your stomach and it hits Luffy’s ears, making him smile widely

“You’re such an idiot” your hands cover your face, the warmth of your cheeks engulfing them

“Also thought I’d pass out if I said a thing, you make me nervous” Luffy thought if he kept confessing this kind of stuff, you would keep laughing, and he adores when you do

“What?!”- you are a fit of giggles at this point. “Me? making you? nervous?!”

You both laugh, and it’s just so endearing, the moment so sugary sweet you fear you’ll have a toothache. Suddenly you are being pulled again, this time by your arms making your soft lips land on top of Luffy’s pillowy ones. You yelp in surprise but immediately ease into it, fitting in his frame like you were meant to be after all

Your tooth aches

Your Captain then looks at your puppy eyes and grins “Wanted to do that for a while now”

After a much needed kissing session to soothe you. Luffy made everyone on the ship apologize to you, one by one (except for Chopper, he never dared tease you) before making it known how much he really really loved you

Like it wasn’t obvious enough

tag list: @guinea-pig16 @cosywinterevenings @angieslove06 @rafis03

Ty for the love on the first part 🥹

[ashen-char]

special to me 🔞

ship: anora x reader (gender neutral in terms, reader has a penis so g!p)

content: smut (but not PIV), sex work bc of ani's job

summary: a regular client of ani's, you strive to be special to her. the way she calls you puppy makes you think you might be.

word count: 1100+

Ani moans into the kiss, her body arching down into your touch. She can feel the hardening evidence of your arousal pressing against her thigh, hard and insistent. So greedy. She fucking loves it. It makes her own core throb with need, her panties dampening. Because of you. For you.

This knowledge is why you come back every time. You delude yourself that she's only this wet for you, that she hates everyone else she talks to. They're just wallets. You're special. Maybe it's true. Maybe this is her shtick with every client that walks through those doors. You can't bring yourself to care. Not when she smells of cherry blossoms and cheap tequila, not when you can taste her sweet on your tongue and feel her heat on your lap.

"Mmm, my naughty darling," Ani purrs, her hands sliding under your shirt to explore the planes of your back. "Touching yourself without permission, wasting your fuckin' cum. Such a bad puppy." She rocks her hips down against your lap, grinding her clothed pussy against your cock. You can feel it straining in your boxers, begging, pleading for more. More friction, more attention, fucking anything. "Don't you know it's all mine?"

"I'm not bad," you protest weakly. "Just missed you. P-please." You don't think you get the last word out, interrupted by Ani's manicured fingers slipping into your waistband. Your eyes roll to the back of your head, nails digging into the leather seats.

Headquarters' VIP room is a familiar sight to you now. You went for the first time a couple months ago for your best friend's bachelor party. That's when you saw her.

Ani's words bring you out of that reverie. "You're lucky I'm in the mood to forgive you. The thought of you needing me so bad you stroked that pretty cock 'til you popped? Well, it makes a girl feel special." She flashes you a smile and you think it's genuine. You feel it.

That makes you perk up. You're her puppy, her baby, she wouldn't forgive anyone else. She wouldn't care.

Ani's hands slide down to your ass, squeezing the firm muscle there. She hooks her legs around your hips, using the leverage to pull you closer. Dancing has given her a lot of strength that might be surprising considering her slight frame, her core and legs in particular. You watch in awe every time she's on the pole. Or on your lap.

"I think you owe me an apology, don't you?" she breathes, her lips brushing against your ear. Her whisper is hot, makes your dick twitch. "You should've fucking visited earlier if you missed me. I think you need to make it up to me with that fat dick of yours."

She reaches between your bodies, fumbling with your zipper. Ani's fingers brush against your clothed cock, making her gasp at the size of you. "Fuck, puppy. Already?" the dancer teases.

"You know you make me hard," you answer sheepishly. "Don't be mean."

She finally gets your jeans undone, shoving them down your hips along with your boxers. "Fine. I'll play nice." Your cock springs free, slapping against your stomach with a resounding thwack. Ani's eyes widen at the sight, her mouth watering, mouth curving into a smile. "God, look at you. So big and hard, all for me."

She wraps her hand around your shaft, stroking you slowly. Ani's thumb swipes over the tip, smearing the bead of precum that's already leaking from your slit. "Tell me my body drives you insane," she says. "That you don't even look at any girl here."

"Your body is perfect." A breathless grasp. Ani pumps you a little harder, retaining that snail's pace but rewarding your words with a squeeze. "You're fucking breathtaking. No one dances better than you. I-I don't even watch anyone else, even if you're doing a group number. The other girls don't exist, not to me."

"Good puppy." She jerks you off with a smirk on that pretty face. You try not to close your eyes, to keep your gaze on how the glitter sparkles just above her cheeks, or the tinsel in her hair. Since she's got those long nails, her hand doesn't even completely wrap around you, mostly stroking the underside. But fuck that's good too. So good.

"Your good puppy," you whine. You can't take it. Your eyes close, you bite your lip, you scratch the seats up.

"I want your cum inside me, puppy. I want you to fill me up until I'm dripping with it." Her voice is low and breathy, filled with lust. "But first, I want that tongue. I want you to eat my pussy until I'm screaming your name."

Ani releases your cock, an action that makes you whimper pathetically, sitting up and quickly stripping off what's left of her clothes. She tosses her bra aside, her pert breasts bouncing free. Ani lies back on the couch, spreading her legs wide in invitation. Her pussy is glistening, swollen with arousal. "Come and get it, puppy," she purrs, her fingers sliding through her slick folds. "Show me how sorry you are."

With a harsh gulp, you kneel down in front of her. A wary glance to the door. "You sure no one will barge in?" you ask. Not that your worry lasts long. She looks too good, glistening like that. Dripping, inviting you to taste. So you throw caution to the wind and you do.

Her legs wrap around your neck and pull you in until your cheeks are pressed against her inner thighs. With a roll of her hips, her wetness smears against your face. The sweetest nectar. There's no more room for hesitation. You bury your face between your legs and eat her out like you're fucking starving.

Your erection is still raging, jutting out from between your legs, but you don't call attention to it. Ani's teased you about it a bunch, calling it your red rocket, your stiffie, laughing as she jacks you off and says it's cute. You lap at her cunt, little licks on her clit since you know she likes the build up. She always tells you to be gentle at first and you're her good puppy so you do.

Her hand strokes through your messy hair, nails scratching your scalp. "That's it, puppy. Just like that." She sighs, and you can feel her body relaxing, muscles untensing. "Maybe I missed you too. Just maybe."

You realise it then, as your tongue curls around her engorged clit and she twists so pretty for you. You were so worried about being special to her that you never thought that she wanted that too. "You're perfect," you repeat, "you're talented, and fierce and I-"

Her grip on your hair tightens and her hips rise from the leather seat, bucking against your mouth as she cums, beautiful and breaking just for you.

[niqhtlord01]

Humans are weird: Human cameramen are crazy

( Please come see me on my new patreon and support me for early access to stories and personal story requests :D https://www.patreon.com/NiqhtLord Every bit helps)

The greatest decision Intergalactic Wave 6 ever made was hiring Reggie Bradford.

At the time of Finch’s hiring IW6 was a relatively small news organization based in the outer worlds. Barely reaching four systems on a good day compared to the top contenders like Celestial Times which was broadcasted in inner core systems and pulled in an average of twenty to thirty systems each broadcast. The anchors for IW6 were locals, a Temrelien that needed a third grade translator unit just to be barely understood and a Myporie which couldn’t see the color green.

As the underdog’s underdog, IW6 more often fed off larger stories reported by other stations or small local stories relevant to a handful of worlds.  Nothing interesting happened in their corner of the universe so as long as they broke even they were fine to never reach further than the length of their arm.

Reggie Bradford was a hired on as a cameraman to work for one of the planetary studios on Orbin VIII. You’d find him either working in the back making sure the camera bots were functioning or, more often, when they weren’t he’d be manning the forty pound cameras himself. The studio crews were always amazed how this seemingly out of shape man could heft the heavy outdated camera unit like it was as light as a pen.

They wondered what a lone human was doing so far out in the boonies as he would say, but he would always shrug and say that he felt like this is where he belonged; a notion IW6 would be most grateful for in the coming days.

When the Intherax/Coalition war broke out it was the biggest news story to hit the plasma streams since the death of Empress Karen III when she was eaten by her own corganai.

The Intherax were a militaristic society, trained from birth to kill before anything else, and spanned some fifty star systems not including client kingdoms and vassals. General galactic dealings with them often boiled down to standing aside from whatever they wanted and hoping it wasn’t you or your world, lest the invasion armadas would descend and obliterate what little civilization your people had been able to achieve and then be sold into slavery.

This time however when the Intherax made a proclamation to annex the colony worlds of Jense, Shatu’a, and New Hamburg the current occupants politely told them to bugger off and formed a Coalition for mutual defense. From there dozens of governing powers flocked to the coalition and added their strength to it in what they saw as the best chance of finally checking Intherax aggression once and for all.

Ever one for a challenge, the Interax declared war on this new found coalition and opened the conflict by orbital bombarding Jense until it was little more than a cold husk of rock trapped in the decaying orbit of its system’s sun.

What followed was best described as two sides of no holds bar warfare as the Coalition retaliated with the first ever invasion of Intherax territory against the world called Kai’de.

Naturally every news organization wanted to be seen covering the war, including IW6. Sadly they did not have anyone either brave enough to send so they settled on sending someone they believed was stupid enough and sent Reggie.

They expected to get some b-roll of soldiers marching or shots of fleet warships in formation. They never expected nor asked him to go into active combat. So when the first feed came back during their late night broadcast they were surprised to see that Reggie was onboard an assault ship breaking through atmosphere.

“Reggie,” the Temrelien spoke with every other word shifting tone from the broken translator, “where are you?”

“I’m currently with brave members of the 27th Dragoons as they head to take the fight to the surface of Kai’de.”

Reggie waved a hand at the soldiers who in turn gave a rousing cheer and slammed their feet against the metal decking.

“Orders came in late last night for a massed landing to take the enemy by surprise. From what I understand the Intherax military had not expected coalition forces to invade their territory and have not had time to establish proper defenses.”

Both news anchors looked at each other in confusion.

“If that’s the case isn’t this broadcast putting the entire attack at risk?”

To their surprise Reggie laughed as the camera shook.

“The plan was to get them by surprise, but judging from the amount of anti-air fire,” he said as the assault ship rocked back and forth, “I don’t think they were fooled.”

The camera panned right suddenly as one of the armored dragoons grabbed it and spoke directly into it.

“We want them to know we’re coming! Because we’re going to kill them all!! AHAHAHAH!!”

Another chorus of cheers and whoops came from the soldiers as the soldier let go of the camera and Reggie readjusted it. The anchors wanted to continue their questions when the leader of the dragoons shouted out and interrupted them.

“60 seconds!”

With the order given the soldiers stopped their foolery and began hefting their weapons. Reggie panned the camera over them as they slapped in fresh clips or attached power cables from their backpack generators to their more heavy weaponry.

In awestruck silence the anchors and their viewers watched as the assault shuttle slammed hard into the surface and the boarding ramp flew open.

“GO GO GO GO!!!!” the dragoon leader shouted as the soldiers poured out screaming their battle cries. Reggie waited and filmed them as they disembarked but did not join the first out the ramp. A inclination that saved him as enemy gun fire began raking the ramp striking several soldiers down in clouds of viscera and gore.

The censors barely had time to cut the feed while the horrified anchors composed themselves to resume the broadcast.

In the hours that followed IW6 confirmed that Reggie had survived the battle and had been with the unit of dragoons for the entire duration. During those hours he had recorded the entire engagement from ramp down, to storming city streets as the Intherax deployed building sized walkers, to the hoisting of the coalition flag over the central governing building at the heart of the city.

With this footage viewership numbers for IW6 skyrocketed overnight as none of the other networks had been able to capture such stunning footage. In fact, by the intake of broadcasts none of them had been able to attach an anchor or cameramen to the initial assault save for Reggie. When asked how he had been able to get approved for such a deployment he did not say which only further added to the mystery. Yet for the moment IW6 was far from ready to look a gift horse in the mouth.

Reggie’s footage was shown over and over on IW6 and was soon sublicensed to other networks and shown there. Exploits of the dragoons became known galaxy wide as Reggie followed them through battle after battle; never afraid to risk his life to capture the perfect moment.

When the Intherax fleet arrived in orbit and began to bombard the planet while also fighting the coalition fleet Reggie had forgone sheltering in nearby bunker complexes to film the orbital strikes as they hurtled down all around them.

Thick columns of pure energy shattered buildings and mountains alike as the ground quaked and there stood a lone Reggie filming it all. Even when the anchors begged him to find shelter he simply panned the camera over the city to show entire skyscrapers be reduced to molten mounds the oozed and sludged through the city streets.

By the time the battle had finally ended thanks to Reggie’s footage IW6 climbed the viewership charts to be the third most watched network galaxy wide. Much to the dismay of IW6 it also drew the attention of Reggie the cameraman to the other outlets who began showering him with ever more lavish offers for employment.

Too their surprise he denied them all and said that he was right where he belonged.

[dcxdpdabbles]

My request for Adoptive son got accidentally posted with a different response and then deleted a while back, so I've come back to see if you're willing to do a little of the Summoned Demon au instead? 🥺 pretty please? I keep hoping it'll come back up and I'm excited haha

Danny flies while blinking through his tears, trying his best to find the giant clown Alex has mentioned. He is unsure what will happen to the police officer's ghost now that he has been captured, and that sends his heart into turmoil.

Every part of his core wanted him to turn around to rescue Alex. It went against his very soul to run, but he could think rationally enough to know that if he did, nothing good would come of it.

At best, he would give Alex enough time to hide inside the building he was anchored to; at worst, both of them would be shipped off to some lab and ripped apart.

No. He couldn't save Alex, and couldn't let his sacerfice to help Danny escape go to waste.

He needed to regroup. Figure out a plan, establish communication, or do something to escape the crazy cultists. It didn't help that they obviously had connections with police who were hunting him down to return him.

Thankfully, Danny has some experience with escaping government bodies. Just as long as he keeps moving and uses his powers wisely, he should be able to find somewhere to catch his breath.

Danny wipes at his eyes, pushing himself to fly faster.

Thanks to his invisibility, no one notices his form fly over their heads. A steady flow of people moves underneath him, going through another mundane day. It's crowded, busy and noisy.

So different from the city of Amity Park. It's a jarring reminder that only this morning, he had been dreading his upcoming math exam, and now he was running for his life.

At least the hook feeling in his navel has lessened. Using Phantom's abilities didn't take as much effort as it did a few hours ago.

Likely, whatever that voice activation cell did was starting to lose effect. Based on how his body responded, it would be two or three hours before he would be back to full strength.

As he finished the thought, Danny felt his body grow heavy, as if a weight was suddenly thrown around his ankles.

With a shout of alarm, Danny plummeted downwards, struggling against the cruel grips of gravity. He felt his invisibility fall away just as he landed face first on the ground between an open of people.

The force of his face has him skitting against the pavement, tumbling over and over as screams from the started civilians echo through the crowd. Danny rolls three times before smacking against a pull, upside down, with his legs folded over near his head.

He groans. "That is going to leave so many bruises."

His healing factor was kicking in already working on easing the aching in his spine and face. Slowly, as to not agitate his wounds, he unfolds, bracing his hands on the ground, and leaps up.

When the world is right, he finds himself standing before a little metal fence separating the street from a restaurant's dining area. The two boys Danny saw at the cult are sitting at the table right in front of him.

They were the ones who were pleading with the other boy who clung to his legs. Danny blinks. "Oh, hello."

The one on the left, a ginger that reminds him surprisingly of Kyle Weston down to his choice of clothes, lets a blood-curdling scream before his eyes roll back into his head in a dead faint. Danny leaps over the fence, catching him before he hits the ground.

The other boy watches like a deer caught in headlights, frozen with absolute terror all over his face. The fork in his white knuckle grip is bending at a strange angle as he makes small whimpers, almost as if he's scared to talk.

Danny carefully sets the one he caught on the ground, ensuring his head is cushioned before tugging at his clothes. He unzips the hoodie the boy was wearing and pulls at his neck collar to ensure it's not bothering his breaking.

Only after ensuring that the boy is breathing correctly does Danny move down to carefully left up his legs, remembering the lessons his father taught him in case he ever witnessed someone faint.

The teenager sitting at the table starts to speak, sounding panicky, but Danny ignores him in favor of placing the Kyle-Wannabe's legs on the chair's cushion. He tugs on the ankles in his hold, making sure it's angled in a way that does not hurt him spin but can allow more blood flow to his head.

"Can someone please call an ambulance?" He demands of the watching crowd only to have the majority of them cower back. He makes a face, causing a waitress to flinch so hard she stumbles over a nearby table.

Right, they can't understand him. He raises his hand above his head, attempting to mimic the ambulance light while speaking slowly. "Am-bu-lance. wee-oww wee-oww?"

A child bursts into tears. Danny drops his hands, letting them hang loosely at his side. The sea of faces surrounding him is all edged with fear, which makes his stomach turn. "None of you understand me. You're scared of me."

"I'm not," A man says, stepping away from the crowd. His transparent body lets him know it's a ghost. That and the dripping cinder block chained to his legs, along with his flouting hair as if though he were underwater, are significant indicators of his death. "You're trying to get him to a hospital?"

"Yes!" Danny points at him, forgetting himself for a moment. The people standing behind the ghost scramble to get out of the path of his pointing.

The man tilts his head slightly. "What language are you speaking?"

"English?"

"Odd. It sounds different. I would know since I speak nine languages." The man grunts, his strange accent sounding like a melody to the ear were it not for the watery effect. It's sad how it affects his handsomeness, with the green and silver trimming of his suit and the snake necklace and rings he is wearing.

The ghost calmly flouts to a poster on the restaurant's wall a few steps away from Danny, knocking his knuckles against some symbols. "Point to this word, then the boy. That'll let the crowd know to get some medical attention."

Danny stares at him for a moment before the murder victim clears his throat impatiently, and it snaps him into action. Rushing over, he points to the words, then the Kyle-wannabee, and back again to the word. When the crowd continues to stare, Danny repeats the motion more urgently until the boy at the table finally catches on.

He pulls out a rectangular device from his pocket- the same one that girl had earlier this morning-tapping it with shaking fingers and speaking in rushed panic words.

The ghost at the poster nods approvingly. "Well done. Now, leave the scene before the authorities arrive."

"What?"

"I was an immigration lawyer in life. One of the only ones in this cursed city that actually gave a shit, and it got me killed. I know how they treat people who aren't from around here and how to help you when a language barrier gets in the way. Trust me, kid, it's better to get gone in this situation." As he speaks, the ghosts float back to Danny, shaking the chains around his feet for emphasis. There is a cold, calculating glint in his eye as he regards the silent crowd . "The panic will settle soon, and these people will form a mob. Get going."

Danny throws one last look at the unconscious boy before he realizes that the fear on people's faces hasn't lessened. It's growing, and he knows a witch hunt will start soon.

He's seen it before on the faces of Amity Park back when he was Inviza-Bill. He twists on his feet, running away with the lawyer flying behind him.

The older man gives out curt directions at every turn, slowly guiding him outside of the part of the city. Danny's legs are starting to burn when the sight of a large, broken-down amusement park comes into view.

The lawyer tells him which part of the fence board is loose enough for him to slide in and then instructs him to go to the fun house shaped like a giant clown head. Danny scrambles through the hole, hissing when a few loose nails catch on his skin, but he finally stumbles through, only to be overwhelmed by a new large and bustling crowd.

A crowd made of thousands of ghosts that walk or fly about without a care in the world. They are wearing various different eras of clothing, blending, and some have ghastly marks on their bodies, indicating their deaths.

The majority, however, are people with large, crazed smiles frozen on their faces. He gawks at all of them, not used to seeing so many of the dead in one place outside of the Ghost Zone.

"Don't just stand there with your mouth open." The lawyer snaps at Danny's back. "Get out of sight now!"

"Tom?" A woman in a gown that looks like she was present for the beheading of Marie Antonette steps in front of the drowned layer, Tom, with a look of confusion. "Who are you talking to?"

"Him." Tom nods his head at Danny, who offers the woman a wave. She reels back, opening her mouth like she's about to scream,m but Tom snaps forward, slapping a hand on her lips before she can. "Do not! What do you think will happen when all these murder victims realize he can communicate with them? He just escaped from being mobbed."

The man glances over his shoulder at Danny. "Go into the fun house. Act like you can't see or hear the rest of the ghosts. Walk through them if you have to."

"I can't," Danny whispers, his heart suddenly beating wildly. None of the ghosts noticed him, but that could change in a second. "Ghosts are solid to me. If I try to walk through them, we'll just end up bumping against each other."

Tom lets out a very put-upon sigh. "Then walk around them. Now go. It's not safe to talk in the open."

Danny knows Tom is helping him but feels vaguely threatened as he walks stiffly to the giant clown's head. He fights to keep his gaze straight, watching ghosts step out of his path while some flout closer, looking curious. He fights to not flinch at the ones with the enormous smile as if someone had cut them into their faces.

This is making his stomach turn.

"Who's this?" An older man asks Tom and the woman that follows him. His lips are pulled into two upturns, showing tight yellow teeth in a similar craze grin.

"Street kid," Tom grunts from somewhere behind him.

"He's likely looking for shelter from the cold." The woman adds, though her voice is slightly strained. "Tom wants to make sure he gets settled."

"Where is he going to?" The old man questions, his voice a little odd because he has to speak behind his teeth, trapped in a smile. "The only warm place here is the Joker's old place, and not even the dead go in there."

Danny ignores the old man's words, speed walking all the way to the entrance of the Fun House. He notices that various ghosts stop to watch him out of the corner of his eye as he finally passes the doorway into the building. Shaking his head, the old man lingers just a little outside of it. "Fool. Even if the Joker is not here, it's not a place to go."

Neither Tom nor the woman responds as they follow Danny inside. Tom is facing the wall when he mutters. "Close the door."

As soon as the wood seals shut, with a few ghosts lingering gaze trapped outside, Danny collapses on the floor, letting out a breath he wasn't aware he was holding. "That was terrifying."

"What in the world is going on, Tom!" The woman hisses, apparently unable to hold back any longer while crossing her arms, "Who is this?"

Tom holds up a hand in her face, which makes her gasp in offense, but his eyes linger on Danny's crumbled form. " There is a dictionary tucked away in the third office. Go get it."

"What? Why?"

"Because we'll use that to help you communicate with the living locals. I can read, and you can point."

Danny's eyes widen. "That's a clever idea!"

"Of course it is. I'm one the cleverest men to walk this stupid city's streets." Tom smirks like the snakes he's wearing. "We don't have much time. Knowing the idiots of Gotham, Batman will be tipped off and on his way here as we speak."

[synchodai]

Arcane S2 wasn't as good because it wasn't about air

The common critique of Arcane season two was that "it didn't let the story breathe." I'm going to one-up that and state that season one set up an entire story about breathing and forgot that in season two.

Yes, yes, Arcane was a story about Piltover oppressing the undercity, but unlike a lot of other stories about social stratification, Arcane was very explicit about the methods Piltover uses to disenfranchise Zaun. Season one was clearly a story about eco-apartheid maintained through extractivist practices.

WHAT IS ECO-APARTHEID?

Ecological apartheid (also known as enviromental racism) is a form of disenfranchising and spatially separating a class of people through pollution, exploitation, and abuse of their local environment.

[E]nvironmental apartheid was largely instituted through rural marginalization, the use of rural space as an environmental means of marginalization... - Environmental apartheid: Eco-health and rural marginalization in South Africa

Topside and the undercity are basically one nation state with a blindingly stark fence between them. Piltover and Zaun are simultaneously connected and separated by the Bridge of Progress. Progress unites them and alienates them from one another. Progress is why Piltover is wealthy and clean, and it is why Zaun is impoverished and polluted. It is was on the Bridge of Progress that Silco incited the riot that led to Vi and Powder's orphaning and Vander's betrayal. It's where Ekko and Jinx have their standoff, and where the Hextech core is exchanged. In other words, progress is a border.

WHAT IS EXTRACTIVISM?

Prior to the proliferation of shimmer and the chembarons, industry in the undercity appears to be heavily centralized around one thing — fissure mining. Vi and Powder's parents used to be miners along with Vander and Silco. Jayce and Vi visit one of these mines and she explains the masks the workers use. Oh, and let's not forget the children don't have to yearn for the mines when they're dying in the mines!

The Zaunites' livelihood being dependant on the extraction of natural resources for the benefit of the Piltovans is what is known as extractivism — the exploitation of a resource-rich land and its people by a separate "global North."

In practice, extractivism has been a mechanism of colonial and neocolonial plunder and appropriation. This extractivism, which has appeared in different guises over time, was forged in the exploitation of the raw materials essential for the industrial development and prosperity of the global North. - Extractivism and neoextractivism: two sides of the same curse

The "North," in this case, clearly being Piltover. The resources being abused and exploited here aren't only the fissure mines, but also the bodies of the workers and those born around them. Viktor's illness, for example, is a product of growing up around the gaseous waste of the fissure mines. The Zaunites take the brunt of the side-effects of the pollution so that the topsiders don't have to. The "dregs" are kept below while materials, both people and things, that are deemed useful get to rise to the top. The processing of raw materials and shipping happens in Piltover, so it's the Piltovans who get a final say on the profits.

Silco and the chembarons establish their power by creating an industry that operates outside of fissure mining that doesn't rely on the patronage of the global North. Needless to say, drug dealing isn't exactly a noble trade, but extraction, processing, and distribution are mainly controlled and operated by Zaunites, which allows them a source of wealth and power that they can leverage against Piltover. To use a more recognizable phrase, they own the means of shimmer production.

I find it fascinating that shimmer is made by killing innocent underground creatures. Cannibalizing your own kind for a temporary boost of strength that eventually turns the user into a monster? It's a poignant metaphor about the infighting of not just the chembarons' gangs but of oppressed groups in general. And while shimmer offers power and brings in wealth, that's not what the undercity truly needs and only corrupts it even further.

Nah, the show has been very clear that what Zaun needs is breathable air.

SEASON 2 FORGOT ABOUT AIR

Even outside of the air pollution caused by fissure mining, the theme of breathing and air is everywhere in season one. Ekko and the Firelights' community is built around a tree — the clean air it provides is the reason they've been able to sustain themselves. It is considered an oasis in polluted Zaun. Jinx's is often heralded by brightly colored smoke, and the way she signals to Violet is through a flare that emits it. Silco's altercation with Vander involves him almost drowning — Vander literally choking the air out of him. Silco, in reponse to this traumatic event, teaches Jinx to willingly submerge herself in a place without air by baptizing her in the same filthy water he was choked in.

In other words, air is life and purpose. Zaun's aesthetics are defined by gas masks and smoke. Meanwhile, the scenes in Piltover are clean and clear. Ekko and the Firelights' tree represented hope and the possibility of clean air in Zaun. Viktor was similarly associated to flowers that grew in the underground, symbolizing how beautiful things can live even in the harshest circumstances.

Environmental degradation, more specifically air pollution, is the raison d'être of topside-undercity conflict. Silco says as much when he threatens the other chembarons and reminds them of why he's in charge.

Have you forgotten where we came from? The mines they had us in? Air so thick it clogs your throat — stuck in your eyes. I pulled you all up from the depths, offered you a taste of topside and fresh air. I gave you life. Purpose. But you've grown fat and complacent, too much time in the sun. We came from a world where there was never enough to go around. That is why we fight. Do you remember? - The Boy Savior, Arcane S01E07

But by the second and third acts of season two, pollution may not as well exist in Zaun. How does Viktor's commune plant its flowers and grow its fruits? Does the Firelights' tree ever get cured of its corruption? Did everyone forget that the undercity is literally suffocating? Seriously, why is Ekko's storyline with the tree never resolved? Why give Jinx that monologue about a wispy goddess of air the fissurefolk pray to and never go anywhere with it?

JINX SHOULD HAVE BEEN ASSOCIATED TO JANNA

The Grey presented an opportunity for Jinx to be the revolutionary hero Arcane wanted her to be. The enforcers have clearly aligned themselves with pollution and poison, and Jinx could have been the herald of their wind goddess come to answer the people's prayers for relief. But the people don't rally behind Jinx because of her association to Janna, clean air, or her repelling the invading cops using bioweapons.

I firmly believe that Jinx being a symbol of the revolution because she blew up a government building is missing a few steps. She'll get radicals who already hated Piltover behind her, sure, but the everyday Zaunite would more likely blame her for causing chaos and bringing trouble to their streets. Because the average person doesn't really care who's on the council or if a politician so far from them dies. But they do care if the cops are suddenly at their door with tear gas because an extremist junkie decided to commit arson.

The first act of season two had me very optimistic that the show was picking up where it left off with its enviromental themes. The enforcers use The Grey, polluted air, to surpress dissent and hunt down Jinx. Jinx fights back under a mural of Janna, the goddess of clean air. Her plan involves her using air to push back The Grey and send the gust up to Piltover. After being actively gassed by the enforcers, Jinx and her association to colorful wind becomes a symbol of hope and revolution to the people of the undercity.

Except that's not what happens. The Grey is only shown affecting targeted criminals with no collateral damage to civilians despite it being deployed all over the trenches. The gusts of wind Jinx pushes up to Piltover don't make topsiders experience the air pollution Zaunites suffer. Instead, it just midly inconveniences them with paint splatters. In the end, The Grey is forgotten and has nothing to do with their fight in front of Janna's mural. Caitlyn gets a promotion despite gassing the entire underground with nothing to show for it, and the undercity idolizes Jinx despite her being the reason they were gassed in the first place.

ECOLOGICAL RESTORATION IS INTERPERSONAL RESTORATION

Unlike in the game, Arcane chose topside and the undercity to be originally established as one city — and I don't think that was done without reason. The nation of Zaun and its identity is established as a reaction to the suffering of those underground. A community developed centered around helping one another cope and survive through the pollution. In short, Piltover created Zaun.

Thus, the interplay between Piltover and Zaun extended to all plotlines and the relationships they explored and developed. Jinx and Vi, Vi and Caitlynn, Viktor and Jayce, Ekko and Heimerdinger — these are all relationships that reflect the tension between Zaun and Piltover. Family torn apart by civil war, bitter ex lovers, different ideological approaches to scientific advancement, intuitive inventiveness and practiced genius. Their relationships are born from a common desire and degrade because of that looming border inflicted by the pursuit of progress.

Piltover and Zaun is a single house fractured because of how it threw all its detritus in the basement as it sought to build a tower that will reach the skies. The whole building is threatening to crumble, especially now that someone threw a bomb at it like in the finale of season one. The status quo Arcane and we as a globalized eco-apartheid have is extremely precarious as is any foundation built on abuse and exploitation. A lot of people will cheer on the Jinxes who don't care so much about fixing it than they do burning it all down to express their understandable rage and grief, but that doesn't really fix the problem of having breathable air, does it?

Unfortunately, we'll never know how the show will wrap up the Zaunite plight because it was all but forgotten in season 2. The problem of Zaun was never that they needed to evolve or be perfect — it's that their environment and the people by extension were being suffocated.

In my perfect world, the finale would have addressed the lack of light and clean air in the underground. It would have mirrored how some bodies and relationships can never truly fully recover the damage that has been done. As in real life, restoration is not a substitute for not doing harm in the first place. But it could have ended with a hopeful message that burning it down and running away isn't the answer either.

When Viktor was healing Vander and decided that, despite the unprecedented effort and time, his natural, non-weaponized humanity was worth saving because of how much he means to his local community, I thought that was what they were going for. Alas, they didn't let the show breathe.

[sleepymarimo]

𝕔𝕒𝕦𝕘𝕙𝕥! 𝕡𝕥. 𝟚

part two to this fic! summary: after catching you in your room, you and the swordsman decide to take things up a notch pairing: zoro x afab!reader cw: mdni, oral (m!receiving), reader cannot deep throat to save her life, missionary, mating press, both parties are inexperienced, soft!zoro an: welp, this is my longest work and it's literally just sex, so... thanks for sticking around 🫶 special shoutout to lana del rey, arctic monkeys and hozier 🫡 and the whole bottle of wine i drank while writing this wc: 4.1k

not letting your eyes leave his, you lower yourself until you're knelt before him, caged between his strong legs. running your hands up and down the length of his clothed thighs, you give him a smile, more than eager to return the favor. "show me."

show me how to make you feel good.

zoro's heart catches in his throat as he processes your bold request, driven by lust and an eagerness to please.

the feel of your hands along his clothed thighs have him releasing a long exhale, his head falling back before he catches himself. you’d trusted him with your body, your pleasure, so why would he deny you?

your head tilts, timidly and almost too innocently, as you gaze up at him. you can’t deny that you’re curious, that you've been curious, your thighs rubbing together in anticipation for his next move. the soft crashing of waves against the hull and the gentle sway of the ship barely register to your senses. even the dull pain of your knees on the wooden floor do little to distract you from the swordsman.

his hands get to work, tugging his trousers and boxers down just enough to release his cock from the suffocating layers of fabric. he can’t help but give it a few strokes and let out a throaty sigh, the events from earlier having him ridiculously hard.

he can almost see the way your pupils dilate, a silent plea for permission to which he responds by retracting his hand and relinquishing control to you. tugging upwards on the hem of his shirt, he removes the garment and tosses it to some random corner in the room. the muscles of his chest and abdomen flex as his palms find their way to the mattress, where he leans back and allows you space to tend to him.

one of your hands tentatively wraps around the base of his aching length, lightly stroking it. that action alone has his breath hitching, his hips gravitating upwards toward your touch. yet, it’s not nearly enough. he can sense your hesitance, your touches feather soft and unsure.

“you can go harder.” he says through clenched teeth, his fingers digging into the bedding.

you obey, tightening your grip and biting your lip as you take it all in. the flesh of his cock is so soft, almost like velvet. it’s a stark contrast to the scarred skin of his chest, a testament to his strength and fearlessness. it reminds you of why you admire him so much, your mouth watering as you continue to jerk him off. your own hips gyrate slightly and you let out a small, shaky breath.

“is this okay?” you ask, so desperate for his validation as you continue to please him. your grip is steady, squeezing slightly harder when you reach the head of his arousal. pre-cum dribbles from the tip, his jaw falling open as he silently accepts your pleasure.

his response is an exhale, a rumble in his chest. “that’s perfect.”

and it's true. the swordsman hasn't ever experienced anything quite like this. he can feel his face growing hotter, his groans becoming harder to contain.

his praise sends shockwaves of bliss to your core, the sight of his closed eyes and delighted expression only making you more bold.

your lips part and you lean closer, your tongue caressing the tip of his hard cock before the rest of your mouth engulfs him. with a hiss, he bucks his hips, unable to resist the warmth and wetness you offer. he definitely didn't expect that. a whine escapes you as you accommodate to the the feel and taste of him, your mouth feeling full.

there’s a salty taste to his skin, a layer of sweat from the training he’d done not too long ago. after a sharp inhale from your nose, you try your best to set a tempo with your hand and mouth. the wooden floor creaks beneath you as you adjust your position.

you can only take so much, his large cock easily sliding past your uvula in a way that had you gagging. tears prick at the edges of your eyes and you focus on anything other than the sensation of his length down your throat. to compensate, your hand works itself a little faster up and down his shaft, squeezing a bit harder.

meanwhile, zoro finds himself struggling to cope with a plethora of new feelings. his chest swirls with lust and affection as he looks down at you. the sight of your mouth struggling to take him in, the sound of your repressed gags and the way your body lurches when you take him in too deep- it has him wanting to ruin you in ways he'd never thought about before.

he doesn't want to fuck this up with his impulsive actions, so he forces himself to take what you so sweetly give him. every fiber of muscle in his body is tense with anticipation, poised and on edge.

your mouth heavily salivates, the sticky, slick fluid dribbling down past your lips and down his cock where your hand uses it as lubrication to pump him even faster.

he can sense your eagerness, your need to drive him to the edge of release. so, he indulges you.

“that’s it.” he praises with a gruff sigh, his hand coming to rest atop your head in a bid to encourage you. “keep goin’.”

when his hips buck and it’s too much, his cock ramming too far down your throat, you have to take a break and open your mouth with a choked whine. strings of saliva mixed with pre-cum tether your lips to the tip of his arousal as you take some breaths, your hand continuing to service him. some tears roll down your cheeks and your eyes flicker up to him, as if wanting to make sure you were doing well.

his reddened cheeks and the way his chest heaves has you feeling confident and assured.

it’s only then that you acknowledge the pulsing sensation between your thighs, a neediness that you can’t ignore for much longer. your free hand slides down to your clit, begging for any sort of friction.

the sound of your moan lightly echoes in the air, your lips quickly returning to their previous position until you’re applying a firm pressure around the head of his cock with your mouth. the noises you make have his head snapping down and he quickly notices how you're attempting to pleasure yourself.

he lets out a small grunt as he assesses the situation. did you need him? of course you did. and he's not adamant on leaving you unsatisfied.

the hand on your head pushes you back, a rough growl emanating from his chest when your lips leave his tip with a 'pop'. “c’mere…”

without much effort, he leans forward and places his hands on your waist, lifting you until you’re on the bed with your back on the soft sheets.

after a squeak of surprise, you find yourself looking up at him with slightly parted lips. he leaves the bed only to shed the rest of his clothes, the mattress dipping with his weight as he joins you once more. your thighs widen, preparing yourself for the inevitable as he settled between your legs.

completely bare, you can’t say that you’ve ever felt so vulnerable. your hands absentmindedly place themselves on your tummy in an attempt to lessen the feeling of being exposed. however, you place your trust in zoro completely. how can you not? you can’t remember a time when you doubted his loyalty or his intentions.

the swordsman’s chest rises and falls in a quick rhythm, knowing deep in his mind that this would forever shift the dynamic between the two of you.

he couldn’t care less, though. you’d proven yourself to him time and time again. there was no point in denying his attraction towards you. he’d suppressed it enough, he thinks, reminiscing about the times he’d force himself to look away when he saw you sunbathing or after a battle when your clothes were torn.

his strong hands, hands which have very well ended the lives of many, softly dig into the flesh of your thighs. letting go of any reservations he might’ve had, he takes a moment to appreciate the sight before him.

now that he was looking down at you, really  taking you in, he couldn’t help himself from groaning. the swordsman was really never good at keeping his thoughts in his head. there’s something in his gaze that you’ve never seen before, a curious hunger and possessive carnality that threaten to tear the seams of his rationality apart.

“you’re so fuckin’ pretty.” he murmurs, hands roaming across every inch of your exposed flesh. he kneads at your breasts, runs his thumbs over your perked nipples, squeezes the flesh of your tummy and rubs circles on your hips. in this moment, every inch of you is his to explore and savor.

he’s captivated by you, his heart threatening to beat out of his chest. his cock twitches and he leans forward enough to allow it the pleasure of lightly rubbing between your slick folds.

you’re not immune to him and your hands do the same, gliding over his biceps and up to his broad shoulders. one of your hands even trails to his chest, where you lightly trace the edges of his scar. something about it has you shivering slightly, a sharp reminder of the beast looming above you.

every touch and caress from him has your back arching, muscles twitching as they beg him to get on with it. even the head of cock against your entrance has you squirming and whining.

his grip settles on your hips and he takes a deep breath, searching for any hint of reluctance or unease in your expression. “y'ready?” he asks, needing your confirmation.

your nod comes so fast that you wonder how you don’t get whiplash. your clammy, shaky hands come up to rest on his biceps. “yeah.”

he doesn’t hesitate, his hips rolling forward until he’s slipping into your wet cunt. your body, unfamiliar with such an intrusion, tightens and welcomes him with a pulse.

so…fucking…warm. he thinks, his grip on your hips tightening.

he’s dizzy, every nerve in his body alight as he sinks into you. he barely registers the feel of one of your hands coming to rest on his abdomen, keeping him from plunging in any further.

wordlessly, he obeys your silent request, though it takes a great deal of self-restraint to stop himself from fucking into you right then and there. he assesses your expression, noting your furrowed brows and open mouth. he’s not even halfway in.

“i just needa sec.” you lightly sigh, whiny and sharp as you look at him with puppy dog eyes. “s’too much.”

he grunts in acknowledgment, his tone calculated and noticeably softer. “let me know when."

your hips gyrate and he bites his tongue, allowing you time to adjust to him. those few seconds feel like eons. the hand that you have on his abdomen starts to lightly trace the muscle beneath. it's almost a sort of thank you, a gesture showing that you appreciate his patience.

when you remove your hand, allowing it to rest on his bicep once more, he searches your face for approval. with your nod of affirmation, he pushes forward once more. there's a noticeable pressure, but no pain as he inserts himself into you inch by inch. he stops for a second when he feels some resistance, but with a grunt he thrusts forward a little more until something just gives.

heavy groans leave both of you when he finally bottoms out, his hips flush against yours. it's a moment that solidifies a new connection between you and the swordsman, a bond that goes beyond mere crew mates.

"shit." he hisses, inhaling sharply as he drags his cock out of your slick folds before slowly plunging back in.

he's stretching you out nice and good, your eyelids fluttering as he continued with slow and soft strokes. initially, there's some resistance as your cunt desperately tries its best to accommodate him. after the fourth thrust, his cock starts to slide in and out of you with ease, your walls sucking him in.

that's when you start to whine and writhe, the pleasure taking a strong hold on you. his mind goes hazy and he picks up the pace, the debauched sound of skin on skin echoing throughout your quarters. you have no words, and if you did, you wouldn't be able to get them out.

your fingers dig into the flesh of his biceps and your legs snake around his waist. a small cry leaves you as you throw your head back and let your mouth fall open. your breaths are heavy and hot, your muscles turning to mush.

zoro still can't get over how tight you are around him. how your cunt seems to want nothing more than to be stuffed with his cock. his skin feels like it's on fire and a light sheen of sweat forms on his body. his hips snap into yours with great fervor and he only pulls out about halfway before shoving himself back inside of you. using almost all of his weight he pins you down by the hips, pushing you into the plush mattress.

at your moans, he glances down at your face. he’s hypnotized by your reactions, his gaze shifting from your sweat coated cheeks to your moist lashes to-

oh, how could he forget?

he’d had his fingers deep in your cunt… you’d sucked him off… now he here was fucking you. all that without having kissed you?

one of his hands releases the grip it has on your hip and he leans forward to plant his arm by your head. you feel his movements, the dip of the mattress, and you open your eyes only to see him above you. the hands you have on his biceps come up to rest on his shoulders, sliding upwards until you caressed his face.

your lips are swollen and shining with drool, making them look all the more inviting.

without wasting another second, he leans down and kisses you. he buries his cock into your cunt, his hips coming to a halt as his senses honed in on the feel of your lips against his. it's not the most coordinated kiss, but it's imbued with a level of emotion which rivals the depths of the seas.

his chest feels a different find of warmth, one that makes his heart flip.

he's quick to lose himself in the feeling, as are you. your lips continue to mold against his, time coming to a still as you revel in the act of a simple kiss.

when his tongue sneaks past your lips, lightly caressing yours, his hips burst forward and it's then that he seems to remember that he's deep inside of you. oh, he likes that. the sudden movement makes you pull back and gasp when he inadvertently bumps against your cervix. in the moment that your lips part, he's quick to lean forward and slide his tongue back into your mouth.

his hips find their rhythm once more, a pleasure building deep within your core. your moans and cries are swallowed up by him, eagerly so. his tongue laps at yours and he finds himself needing to keep his mouth on you.

he pulls back only to get in a deep breath and groan, head momentarily tilting upwards before he lazily rolls it back down to look at you.

"fuckin' perfect." he mumbles, almost in a trance as he drinks you in under his steel gaze. he leans down once more, planting a quick peck on your lips before exploring further. “y’feel so fuckin’ good.”

his mouth doesn’t leave your skin, always finding somewhere new to claim. your jaw, your neck, your collarbone. in his mindless state, he even licks a stripe up the side of your face, reveling in the taste of your sweat and tear coated cheeks. he wonders how it would feel like to use his tongue on your cunt, but figures that he could save it for the next time. between his bouts of exploration, he makes sure to capture your lips in his every so often. he groans every time your lips meet and your tongues swirl against each other.

absentmindedly, his hands fall to your thighs, adjusting the position of your legs so he could press himself closer to you. he didn't expect to pull such a reaction out of you, but the effect was immediate. the moment your legs get slung over his shoulders, he can feel you start to tighten around him with every thrust.

your whole body seems to tense, your whines wavering. "right there zoro...right...there!" your tone is hushed, almost a whisper, as if speaking any louder would pull you out of the rabbit hole you were falling into.

"i got you." he's quick to reassure, keeping that perfect pace. his cock drags deliciously against the swollen and spongy walls of your cunt, pulling more and more whimpers from you.

his forehead presses to yours, your soft moans and his ragged breaths mingling together. everything else seems to fade away, leaving just the two of you as you indulged in this sinful experience together.

simultaneously, both of your heads tilt downward and watch as his hips hammer into yours. you’re taken aback by how his cock slides out of you, drenched in your arousal, before plunging back inside. your eyes glass over and he finds himself turned on by the way you so easily succumb to the pleasure he provides.

something begins to build in your navel, clawing its way up towards your chest.

"oh! zo'..." your face scrunches as it processes the swell of euphoria. it's new, not like the orgasms you've given yourself in the past. it's overwhelming, your chest feeling like it was going to burst. "m'gonna-!"

your blissful expression and pleading whimpers spark something familiar, something animalistic deep within his core. instinctively, his thrusts get a little harder and, even though he won’t openly admit it, a part him absolutely gets off to how helpless and pitiful you look underneath him.

his earlier softness is momentarily put aside.

“you gonna cum for me?” he asks, his voice nearly a growl.

for me. he darkly thinks, his confidence growing as you so sweetly submitted to him. because there’s no way in hell i’m gonna let anyone else do this to you.

you're teetering on the edge, pushed over completely as you register his all consuming and primal aura, something akin to what you would see of him during a battle. "y-yes!"

he can't help but smirk in satisfaction when he hears your sharp gasp, the air stolen from your lungs as you came around his cock. your body spasms and writhes, back arching off the mattress while you cried out his name. his pace doesn't falter and he continues to pry you open, even when your cunt clamps down on him like a vice and begs for mercy.

your head is spinning in delight and your breath hitches. he feels so good. god, he feels so good. you're absolutely soaked, your cunt squelching embarrassingly loud with every thrust.

having reached your limit, you allow your body to go pliant. you'd let him use your helpless form as he wished. your legs limply fall from his shoulders and loosely hang over his waist.

he doesn't complain.

his thrusts get more shallow, more rapid, with the head of his cock growing sensitive and dripping pre-cum. he was so close to cumming, wanting nothing more than to stuff you with his release.

and damn, he wants to.

but the swordsman knows that now isn't the right time, so with a guttural snarl he increases his pace until the muscles of his abdomen start to twitch.

when he can’t take any more, he pulls out and lifts himself up just enough to snake a hand between your bodies and grasp the base of his cock. his cheek is pressed to your temple as his mouth falls open, the most unchaste groans spilling past his lips while he starts to fist himself.

you whine as he starts to jerk himself off, wishing that it was your drenched cunt that was wrapped around him.

his eye flutters closed and he just focuses on you. your scent. the feel of your body against his. your whimpers. he imagines pumping you full of his cum, imagines how it would leak from you, and his hips start to buck into his hand.

fuck, it’s you. it’s you.

he rasps out your name before he shudders and comes to a stop, his muscles visibly relaxing. you let out a small gasp when you feel him cum on your tummy. it’s so thick and so warm that you shake.

zoro has to take a moment just to breathe, his head heavy and clouded by the pleasure he'd just experienced. the next thing he registers is tiredness tugging at nearly every muscle in his body, before some sense starts to creep its way back into that dense head of his.

he'd really just done that. with you. his cheeks burn.

“zoro?” your voice is small and breathless, laced with satisfaction.

whatever thoughts run though his mind come to a halt when he hears the vulnerability in your voice. his head immediately drops down to you, his gaze attentive as his protective instinct takes over.

“hm, what is it?” he grunts, the bed creaking slightly as he sits up a bit. “you okay?”

your nod is firm, but your expression is a little bashful. “m’okay, it’s just, uh…” your eyes flicker down to your cum coated tummy before they meet his gaze again.

a small bit of embarrassment creeps into his chest, though the sight of you painted with his cum does make his softening cock twitch. some of it is even dripping off of you and onto the sheets below, the wet trails looking almost pearlescent in the moonlight.

fuck, she looks good…he briefly thinks, before snapping out of his daze.

“damn, gimme a second.” he looks around the room, focus landing on a box of tissues on your nightstand. leaning over you, he reaches an arm out and attempts to grab it.

his hands are still slightly shaky from his orgasm, the unsteady movements of his fingers causing the box to fall to the floor with a dull thud.

“shit.” he murmurs, groaning in frustration as he got off the bed and retrieved the box.

your eyes wander to his broad shoulders and down his back, admiring every contour of his body. he seems to feel your mesmerized gaze and he can’t help but grow uneasy at how exposed it makes him feel, as if he hadn’t had you cumming on his cock less than five minutes ago.

pushing that thought away, he takes a tissue and runs it along your soft skin. it takes a few of them to properly clean up the mess he'd left on you. when you're clean, you sit up with a sigh. there's a residual ache in your core and at your hip joints.

tenderness isn't something zoro considers himself to be an expert in. he doesn't even know where to begin, his fingers fidgeting at his sides. "what can i do?" he asks, gruff but genuine.

it makes you feel warm and you give him a smile, pushing yourself off of the bed and into a standing position. your legs tremble and zoro takes a step toward you, but you hold a hand up. "it's okay, i got it." you assure, leaning your weight on your dresser while picking some fresh underwear and a tee.

he rolls his eye as he watches you stumble to the bathroom, your knees threatening to fall out from under you. a small smirk tugs at his lips, satisfied that he reduced you to such a state.

"stubborn woman." he mutters, grabbing his boxers off the floor and tugging them back on. instead of going back to the bed, he waits outside of the bathroom.

when you finally emerge, he doesn't think twice about scooping you up into his arms. a yelp of surprise comes from you and he ignores it. he groans in relief when he finally settles down on the mattress and flings the blankets over the two of you.

his strong arms pull you to his chest, your hearts beating in tandem against one another. the scent of sex and sweat are still thick in the air, the sounds of howling winds and splashing water reverberating throughout the walls of the ship. your legs entwine with his and you can't resist the urge to lean up and plant a kiss on his cheek. as you nuzzle your face into his chest once more, he traces circles along your back, silently acknowledging the significance of tonight.

nothing has to be said, sleep claiming the both of you. you know that in the morning, he'll be there.

and that's all you can ask for.

if you read the whole thing, you get a cookie as a ty. 🍪

[lesbomaticlove]

ive talked about it before but i wanna talk about it again and that's

body types in drawing especially in terms of one piece characters

and i know its because official art presents them all the same but it just does not feel right to me, y'know? especially when i look at fanart and it looks like they just drew the same body multiple times with different faces (talent in that yes but god change it up a bit PLEASE)

like with my style i like to draw semi-realistic cartoon type beat, and that means im thinking about an abstract of shape language in the way that i present the characters. i consider their fighting styles and workouts when i think about what their body type would be, not just for op ive done this with mha and jjk characters too because god dammit gege, maki deserves bulkier muscles for her efforts

so here it is. my analysis of more semi-realistic designs for these characters. all my opinion and not meant to be a call out to anyone.

also, not including the women because we all know how unrealistic they look and i dont need to explain that to you im begging just use reference.

LUFFY

rubberhose arms are ESSENTIAL in his design so when i draw him, i never put too much definition in his muscles. real definition should be reserved for gears that alter his muscles

noodly arms and stick ass legs that is his Charm thank you i dont need super definition

ZORO

on the opposite end of the spectrum, zoro.

though, i see many people draw him more bodybuilder silhouette when he should be powerlifter silhouette, youve SEEN how this man works out. stereotypical bodybuilder physique that's all muscle and no fat is EXTREMELY UNHEALTHY TO MAINTAIN and you know theres no damn way sanjis letting someone on the ship watch their weight for the sake of visuals. he should be defined and bulky, but softer edges on the abs.

USOPP

Speaking first on pre ts, what does he excel at most? long range weapons and running.

obviously he gets proper strength training during timeskip, but i really think the best representative for him is olympic sprinters

muscular, but still pretty skinny

SANJI

hear me out. ballet physique.

i see him drawn w the same physique as Zoro and it just feels so wrong. he doesnt train his upper body, so most of his definition would be in his core and legs. not to mention his flexibility tracks with that.

maybe ill come back with a figure study on these later to fully show how it translates into my drawings but. for now. tumblr wont let me add any more images to this post

[willyhoos]

i read a fic that changed my brain chemistry and now i can't stop thinking about a universe where amy works for eggman... and metamy ensues. naturally. you know the drill by now. also roboticized sonic theory because it makes it more deliciously potent.

DESERT ROSE: A prickly young girl with terrifying strength and a love for the finer things in life, like frilly dresses and deadly high-powered machinery. She thinks maintenance is a romantic couples activity. Not only is the "desert rose" highly poisonous, it can't really be considered a rose, can it…? However, its resilience means it could bloom even in a rusty scrapyard...

notes for the au under cut!

rose believes metal sonic when he says he is the original. he hasn't told her what happened. that he failed to save her. that he failed to save everyone. that there was a time when he was organic like she is. he just said "the other sonic is the copy" and she said "okay! let's kill him :)"

metal sonic is constantly torn between guilt and adoration at who rose has grown into. she became so much stronger. strong enough to protect herself - strong enough, even, to protect him (if he ever let her, that is. he might not be a hero any more but it's burned into his core forever that > KEEP AMY ROSE SAFE is a KEY goal.) on the other hand... he feels like he remembers someone different. a girl who loved animals and flowers and sunshine. who would give her life to protect everything she's now destroying. but his memories are so fuzzy...

i'm not so sure that amy would be big on programming and constructing machines herself, but she's always eager to "test" them... and it goes without saying she is frankly terrifying when she wants to be and is a beast on the battlefield

what a helpful young lady! im so glad i didn't just kill her!! - eggman probably.

"wait if rose calls metal sonic 'sonic' then. what does she call sonic" -> she calls him faker. copycat. knockoff. off-brand. etc. in short, she doesn't acknowledge him by name

i have the feeling that metal sonic is a bit more... enthusiastic? i guess? about his mission in this universe. it's not "ME VS. EVERYONE WHO COULD HAVE LOVED ME HAD I NOT FAILED" its "ROSE AND I VS. THEM" don't get me wrong he's furious and undead and vengeful and jealous and still insane. but. i think rose helps jog the vaguest of memories of who he used to be? unfortunately the person he used to be is a hero so i also imagine he's ever so slightly more conflicted in this universe... ("the old amy wouldn't have liked this, would the old me feel the same?")

codependence is my favorite flavor so i imagine metal really, really, REALLY appreciates having rose around. someone who is kind to him. someone who believes that he used to be more than this, and treats him like maybe he isn't worth less after all... i imagine if sonic ever tried recruiting amy, metal would go BALLISTIC. "YOU ALREADY HAVE EVERYTHING ELSE. YOU CAN'T HAVE HER TOO." she's mine -> she's my (partner) she's my (memory) she's my (friend) she's my (tether) she's my (hope) she's my (rose)

metal sonic is. (gestures) metal. and he lives in a metal box on a metal ship surrounded by metal debris. but down the hall there is a single remaining rose. and in this state she is perfectly preserved. nothing can hurt her. eggman can't hurt her if she's on his payroll, huh...?

i can't put it into words properly (and ive tried) but the idea of "killer metal robot (whose objective is to destroy natural life) falls in love with a gentle girl named rose" makes me start frothing at the mouth. just shut up. why don't you hold his hand too. and he can't FEEL it like he should . and it hurts. and it's infuriating. but he Can tell that her pulse is higher than average and the temperature of her cheeks are strangely high. and he supposes that can comfort him for now.

i feel a little "if i had to choose between the world and sonic i would choose sonic" vibe.

this took me so incredibly long so if it flops im dropping out of college.

i wanna update these designs later, these are just the beginning concepts for the au :)

[alpaca-clouds]

The Punk-Factor of Punkpunk Genre

So, when I posted my history of Solarpunk, someone (probably not in good faith) asked: “So, what about the punk in all the other punk genres?!” towards my request to put the punk back into Solarpunk. And given that my autistic brain obviously cannot just let that stand… You know what? Let me talk about the other punk genre and in how far they are “punk”. I tried to be as exhaustive as possible, though there is a good chance, that I might have missed some of the punkpunk genre. So feel free to add.

Trying to judge the punkiness I do not assume punk as simple counter culture, but a specific ideology. Quote from Wikipedia:

[Punk ideology] is primarily concerned with concepts such as mutual aid, against selling out, hierarchy, white supremacy, authoritarianism, anti-consumerism, anti-corporatism, anti-war, imperialism, conservatism, anti-globalization, gentrification, anti-racism, anti-sexism, class and classism, gender equality, racial equality, eugenics, animal rights, free-thought and non-conformity

Most of the artwork here has been taken from concept art of either of the examples listed.

Sorted from most futuristic to pre(historic). Yes, the list is long.

Cyberpunk

We start with the OG punk genre, the one after which all other punk genre were named. Yes, you could argue that in fact the two genre following are more futuristic – but Cyberpunk kinda just had to start the list.

As a genre: Given that Cyberpunk had its start completely in literature it is the best defined in this regard. Taking place in a late stage capitalist dystopian world in which most is owned by megacorps who don’t follow anyone’s laws but their own, the protagonists usually are social outcasts fighting against their own oppression, trying to keep themselves alive in a world hostile to them. With cybernetics always being a core of the genre, it also tends to deal with the question of humanity in a “ship of Theseus” sort of way. How much can the human body be altered, before the human vanishes?

As an aesthetic: Cyberpunk is the most punk in terms of aesthetics, really. There is a lot of punk and grunge going on in terms of character design. Neon hair colors, fishnets and thorn up jeans jackets can be found here. As well as of course cybernetics on the characters. The world usually is a megacity with a stark divide between rich and poor, tons of neon signs, a slight Japanese influence, flying cars and somehow a constant downpour of rain.

Punk-Factor: Cyberpunk is the one punk genre, where the “punk” was chosen very knowingly as a name. Usually the protagonists are “punks” fighting for their place in the world against a suppressive capitalist system. (Also, they usually fit the punk aesthetic, if they don’t wear leather dusters.) It should be noted however, that especially in newer western Cyberpunk often the punkiness vanishes more and more – for the same reason we have so little Solarpunk: media that outright confronts the problems of capitalism is just less supported.

Examples: Neuromancer (1984), Mirrorshades: The Cyberpunk Anthology (1986), Snow Crash (1992), The Matrix (1999), Dredd (2012)

Biopunk

As a genre: As a genre biopunk is still fairly ill defined, as it mostly shows up as a subsection of Cyberpunk. Rather than the characters having cybernetic implants (or additionally to it) they are augmented on a genetic level. This can be all sorts of augmentations, changing anything from appearance to giving characters higher strength and agility, giving them claws or night vision, or in some cases even “magic” powers. Usually the genre tends to be set in worlds similar to Cyberpunk. In fact it might well be set in a cyberpunk world, only that characters with bioaugmentations exist parallel to those with cybernetics. Additionally, though, there is a subsection of this genre, that concerns reproductive rights.

As an aesthetic: Ironically biopunk is even less defined as an aesthetic. There is not a lot of biopunk art out there and most that exists can go in different directions. As such it often mixes elements from other punk aesthetics – like Cyberpunk, Steampunk or Dieselpunk – with an assortment of bodyhorror elements.

Punk-Factor: It is hard to define the “punkiness” of a genre, that barely exists for the most part. Usually, when it is set against a Cyberpunk backdrop, it might be very punky, but in other settings those punk elements vanish.

Examples: Ribofunk (1995), Altered Carbon (2002), Bioshock (2007), The Windup Girl (2009)

Nanopunk

As a genre: Like Biopunk Nanopunk mostly exists as a subsubgenre to Cyberpunk, often being set in a mostly Cyberpunk world, only that instead of or additionally to Cybernetics, the technology used to alter the human body is nanites. These serve the same function as the genetic manipulation in Biopunk, giving the human in question more strength and agility and at times more or less magical abilities. There is one common plot that comes up again and again, with an AI or megacorp turning the nanites against the people they inhabit or trying to control them.

As an aesthetic: Aesthetically Nanopunk does not have much in terms of its own identity. Most artworks relating to Nanopunk feature a similar aesthetic to Cyberpunk, with megacities and lots of neon.

Punk-Factor: This genre is so small, that it is kinda hard to judge the exact punkiness.

Examples: The Diamond Age (1995), Prey (2002)

Solarpunk

As a genre: Being another genre, that started as such, Solarpunk is a bit better defined. Solarpunk usually takes place in a world post-strive. It is post-capitalist and decolonial in its settings, usually featuring a world that has either formed against the backdrop of preventing climate collapse or in the aftermath of it. A lot of it features people rebuilding – or alternatively building communities. It always features elements about living in harmony with nature or trying to do so. So far, the genre is mostly defined by short stories, partly because there is still disagreements within the movement, how far a conflict can be taken to still qualify as Solarpunk.

As an aesthetic: Solarpunk has a very strong aesthetic definition, mostly featuring all sorts of cities and urban areas, that incorporate natural elements into the urbanity, with greenery growing on roofs and concrete car-centric streets being replaced with more natural, walkable areas. The character design aesthetic is not quite as clearly defined, but usually features natural materials and patterns usually seen within indigenous art.

Punk-Factor: Contrary to what many say, Solarpunk is fairly punk, as it very much embraces the entire anti-hierarchical, anti-capitalist mentality. With the big difference, that the punk mentality is no longer counter culture, but the mainstream culture.

Examples: The Dispossessed (1974), Nausicaä (1984), Laputa – Castle in the Sky (1986), Princess Mononoke (1997), The Summer Prince (2013)

Lunarpunk

As a genre: Lunarpunk is pretty much a subsubgenre of Solarpunk, just as Nanopunk and Biopunk are sprung off from Cyberpunk. It is so far ill-defined as a genre, but the general consensus is, that it is set in solarpunk-esque worlds, but with a heavier focus on mysticism or spiritualism, at times outright including magic. It also tends to feature a lot darker places, being set in underwater or underground settings – or alternatively at night.

As an aesthetic: Lunarpunk is far more of an aesthetic than a genre so far. It features dark places, often with bioluminescent elements in it. Often featuring a mixture of black and dark blue with lighter blue, violet or light green elements shining in the middle of it. Mushrooms – especially glowing mushrooms – feature repeatedly in artwork.

Punk-Factor: Given that Lunarpunk is barely defined as a genre it is hard to estimate the punkiness in it. If it gets more stories, will those still feature the anti-capitalist and anti-hierarchical messaging we see in Solarpunk? This should be the defining factor. Some of the artworks use little aesthetics from the punk scene, but nothing much more.

Examples: Bioluminescent: A Lunarpunk Anthology (2023)

Hopepunk

Honestly, I had no idea where to put this one, given that it might technically be set at any time and place.

As a genre: Hopepunk is very much a genre, not an aesthetic. It has been defined as the opposite of grimdark by its “inventor/name-giver” Alexandra Rowland. The basic idea is to create fiction that instead of taking a dystopian, defeatist and violent approach, takes one defined by hope and to some degree pacifism. As such the genre can be set in any setting, real or fantastic. It mostly is defined by the protagonists taking opposition to cruelty and violence, fighting for a better world and, crucially, also partly archiving it. Other than in usual Cyberpunk, where the best possible ending, tends to be, that the protagonists get to live a somewhat better life themselves, Hopepunk aims to better the life at least for groups of people.

As an aesthetic: Being fully a genre, Hopepunk has no aesthetic associated with it.

Punk-Factor: Hopepunk is punk less in the sense of the protagonists or things happening within the story, which might or might not be punk, but was named such rather because it is considered counter cultural towards the gross of media at the moment, that often strives for a “realistic, gritty, grimdark” outlook on the world. Basically it is saying: “Hope is punk.” I will not make any judgement on whether or not this is true.

Examples: The Long Way to a Small, Angry Planet (2014), Mad Max: Fury Road (2015), The Good Place (2016)

Mythpunk

As a genre: Another one, that does not really fit into a temporal sorting system, because once again it can be set anywhere between the stone age and the far future. The basic idea is, that the story interweaves postmodern storytelling with elements from mythology or folklore. This can mean mythological, genre-traversing retellings, but it can also mean, that mythology seeps into any given story bit by bit. As such the genre with probably the most media in the subgenre is Urban Fantasy, which often borrows from mythology and incorporates these elements.

As an aesthetic: Mythpunk as an aesthetic is a bit strange. There is definitely a mythpunk aesthetic that exists, often mixing familiar elements with elements from mythology and folklore (at times also including quasi-folkloric works of literature, such as Alice in Wonderland and the Wizard of Oz). Often just a bit dark and twisted.

Punk-Factor: To be perfectly frank, for the most part, there is not a lot of punk to be found in this genre. While there have been definitely punky stories told within the genre, this is more a story decision than something inherent to the genre.

Examples: Pan’s Labyrinth (2006), Over the Garden Wall (2014), Inscryption (2016)

Dustpunk / Rustpunk / Desertpunk

As a genre: Kinda grouping those above all together, because people argue about what they might entail and in some interpretations they kinda are similar: Post-apocalyptic stories set in a world of sand and rust. Often featuring a loner character, having to go up against everyone to ensure his own survival – and at times being forced to learn, that the lonerness might not win him (and most often it is a him) anything.

As an aesthetic: Aesthetically this tends to be very much post-apocalyptic, maybe in some cases with some more classical punk elements added to characters and surroundings.

Punk-Factor: Given that there is neither a system to rage against – nor a new, less hierarchical system – usually there is not that much punk outside of some aesthetic choices. Neither tend those stories go into constructing worlds of mutual aid or working against oppression.

Examples: Anything Mad Max should count for this.

Atompunk

As a genre: Atompunk usually deals with themes connected to the cold war – in some cases directly, in some indirectly. Often it overplays the American ideals that were pushed for during the cold war era and portrays scenarios in which American Exceptionalism slowly reveals itself as the dystopia most punks already know it to be. Outside of this vague idea for the setting, the genre is less described, as there is less of a clear script an Atompunk story might follow. So, little description of who might be the protagonist and what their role is.

As an aesthetic: The aesthetic of Atompunk borrows heavily from the Raygun Gothic aesthetic. So, futurism, as it was imagined in the 1950s and 1960s, with heavy influences from late pulp age science fiction art.

Punk-Factor: The aesthetic in this is definitely not punk. The stories often have some vague punk ideas of recognizing how fucked up the world has become, but given the genre is fairly wide in terms of stories, it is hard to give a definite answer to how “punk” it is. One can definitely tell punk stories within this genre, though.

Examples: Hitchhiker's Guide To The Galaxy (1978), Fallout (1997), Futurama (1999)

Dieselpunk

As a genre: Dieselpunk is once again an example of “strong aesthetic, but no clear genre identity”. Generally, Dieselpunk is concerned with the interwar period, but might cover either of the world wars. In some cases the genre features alternate timelines, in which one war happened and not the other, or in which another faction won, with the technological development being influenced by this as well. But as a genre it is not much defined. A lot of stories building on Lovecraft’s legacy feature Dieselpunk in some regards. And there is definitely a subsection of Dieselpunk stories centered around “what if Nazis won” or “what if Nazis somehow went underground and did their own technological development after the war”. Also, there are a lot of stories about pilots of war planes in this genre.

As an aesthetic: As an aesthetic Dieselpunk is more clearly defined. A lot of bare metal and the sorts of technology you would expect from this era, often with retro-futurist and art noveau elements in between. A lot of the fashion within the genre is defined by pilot and military clothing of the times, but at times also dipping into “roaring 20s” fashion styles.

Punk-Factor: In this genre I would generally say: “If the story involves punching Nazis, you might get a couple punk points – but otherwise this is not really punk.”

Examples: The Iron Dream (1972), Brazil (1985), Dark City (1998), Iron Sky (2012), Bitter Seeds (2010)

Teslapunk

As a genre: Yet another one of these, that exists mostly as a vague idea, with no clear definition. The basic idea is a world, that works on Tesla’s inventions. And as those of you, who watched Doctor Who, might know, Tesla sorta, kinda already invented the internet or had an idea of what it could be and how it could work. So a Teslapunk world is based in an alternate timeline, but might in fact go into light futurism. There is not much in this genre though with a unique thematic identity, as stories that use Teslapunk as a backdrop rarely have coherent themes.

As an aesthetic: The aesthetic of Teslapunk is basically “Steampunk, but with Tesla-coils and electricity”. Which is not a big surprise given that Tesla came from the same era that would also be the inspiration for Steampunk. So, we have a lot of Victorian fashion, maybe some light augmentation, airships, and – again – all the tesla coils you can muster.

Punk-Factor: As, again, I think punk is more about themes than aesthetic, this is once more not really possible to judge, because there do not seem coherent themes within the genre so far.

Examples: The Prestige (2006), Sherlock Holmes: A Game of Shadows (2011), Bioshock Infinite (2013)

Arcanepunk

Another one of those that do not neatly fit into the timeline…

As a genre: Arcanepunk takes place in a world, where both magic and technology have developed. In some cases both developed side by side, in others, we might have a technological world, that suddenly discovers magic by some happenstance. The fact is, though, that both exist parallel to each other or might at times be intertwined, with technology being powered by magic. This can exist at different technological stages, usually featuring settings inspired by the late 19th or early 20th century. But usually futuristic stuff that includes magic might be considered Arcanepunk, just as might stories that mix 18th century technology with magic. While also a vague genre, there is a repeating theme of magic being hoarded by those in powers and the poor and downtrodden finding ways to still use it in their own advantage.

As an aesthetic: Given that Arcanepunk’s setting is defined by the co-existence of magic and technology, rather than a specific technology, Arcanepunk has less of a defined aesthetic. Never the less, we have a part of punk aesthetics that often come up, as a surprising amount of Arcanepunk features characters with neon colored hair.

Punk-Factor: Another genre that is rather thin, yet, there is a surprising amount of stories featuring some punk ideas of fighting against an oppressive system and being counter culture to a main culture build around suppression.

Examples: Too Many Magicians (1966), Shadowrun (1989), Bartimaeus (2003), Arcane (2021) duh

Steampunk

Steampunk was the second genre to pick up the “punk” suffix and hence is as much responsible for the punk-punk as Cyberpunk as the originator.

As a genre: Being named as early as it has been, Steampunk kinda suffers the same issue as Cyberpunk itself. There is a lot of ideas there, but some are only vaguely defined. In general, though Steampunk always takes place in a world where the steam engine became the defining technology and was never replaced with the combustion engine. As such cultural aspects from the steam era, especially Victorian England and the Belle Epoche, still carry over for longer, than they did. So often we will see noble households based around similar values as the puritan Victorian English families, while the very poor are made to work in workhouses. At times we might also see themes of colonialism here. In some cases magic might exist in these worlds, as might electricity for some aspects. There is often a heavy inspiration from Jules Verne and H.G. Wells. Though it is still hard to define the “stereotypical steampunk story”, given that Steampunk offers a wide variety of stories, from adventure stories and romances, over to stories where people rise up against the Victorian-esque society.

As an aesthetic: Steampunk as an aesthetic is very much influenced by Victorian aesthetics and the time period of the late 19th century, mostly in the USA, Great Britain and France. But as all other punk genres it knows very well: “If it is worth doing, it is worth overdoing,” so steam-related elements are added to everything. Could

Punk-Factor: In the original idea for Steampunk was a lot of punk. “What if we took Cyberpunks ‘rage against the unjust system’ and made it 19th century” they asked. But given that the genre branched out so much, it is not necessarily there in all the stories. There is a ton of stories where people rage against that steam powered Victorian machine – but also a ton in which the Victorian world gets idealized and romanticized.

Examples: Thief (1998), The League of Extraordinary Gentlemen (1999), Wild Wild West (1999), Clockwork Century (2008) – also half of all Sherlock Holmes adaption made after 2000 in any medium usually use Steampunk elements

Silkpunk

As a genre: Silkpunk is hard to define, despite there being a clear definition. The reason for this is, that the person who coined the term – Ken Liu – had a very specific idea in mind. He explains that the idea is of a world that has technology as language. In which form is as important as function, is made to speak a language all of its own. Inspired by ideas from W. Brian Arthur and Chinese philosophy. However, what the wider Science Fiction and Fantasy community made from it was “Steampunk but East Asian!” But given he coined the term (and also the alternative feels vaguely racist) I am going to go with Ken Liu for this. While Silkpunk will usually be set in an East Asian inspired world, the central idea is about the duality of technology, which will also be addressed within the stories.

As an aesthetic: As said above, the idea Liu had for it was a world that features some technology, but technology that is as much about form and communication through it, as it is about function. So the technology here has strong visual ideas. At least that was, how Liu intended it. Once again, the wider community made “Steampunk, but East Asian” out of it.

Punk-Factor: There is not a lot of stuff in this genre for now – however so far I do not manage to see a lot of punk ideas in it, even though some of Liu’s stories definitely feature the concept of challenging a higher power.

Examples: Dandelion Dynasty (2015), The Black Tides of Heaven (2018), The Tea Master and the Detective (2019)

Clockpunk

As a genre: Once again storytelling in this genre is not really defined, but the worlds diverge a bit before the wide adaption of steam, instead featuring mechanical devices powered by coils and springs and somehow kept alive, often at least implied through some form of arcane magic that gives “live” to these mechanical inventions. Most examples of Clockpunk, however, tend to show up as settings for parts of fantasy stories. Any fantasy world might have this “Clockpunk” area, where protagonists might travel. Especially games tend to feature this. While there is definitely a trope of the “mad inventor” often going along with this, few other tropes stand out.

As an aesthetic: The aesthetic of Clockpunk tends to take some inspiration from the early 19th century, but tends to add a lot of gears to everything, with even city wide gear constructions keeping things working. We often will find mechatronic characters, such as wind up soldiers or wind up dancers.

Punk-Factor: Once more, there are so few stories told, that it is kinda hard to speak about how punk this is. Most stories told so far, however, do not feature punk elements.

Examples: The Great Mouse Detective (1986), Hugo (2011), Clockwork Planet (2017)

Whalepunk

Please note: This is one of those genre, I would love to see more in, though so far it is barely explored.

As a genre: And you might ask: “Why do you even name those genre, that exist mostly in theory?”, to which I might answer: “Because I am a nerd.” As all these retrofuturists genre, Whalepunk imagines mostly an alternate historical timeline, where the technology that became defining was based around whale oil. This means that in Whalepunk often whalers or harbors play a big role, though as the genre is again very thinly spread, it is hard to say what “THE whalepunk” formular is. It seems there is a tendency, to mix some mysticism or magic into the genre, though, as the idea of hunting sea monsters often plays into it as well. Good chance that it could at some point merge with Cthulupunk (which I did not name separately, because most of it is either covered in Whalepunk or Dieselpunk).

As an aesthetic: The aesthetic of Whalepunk is basically “Steampunk, but with more sailors, ships and sea monsters”. There is definitely a bit of Oceanpunk mixed into it as well, with some aesthetics being somewhere between Steampunk and Dieselpunk. (Which is kinda ironic, because whale oil was mostly used in the early 19th century.)

Punk-Factor: And again. There so far is not a lot of connective thematic tissue within that genre, so exploring themes is kinda hard.

Examples: Dishonored (2012), Dredge (2023)

Oceanpunk / Piratepunk

As a genre: It really is hard to divide the Piratepunk out of the Oceanpunk, though some might call it different. The idea here is that this genre features stories mostly set on the ocean and often more heavily leaning into fantasy, than science fiction. While the worlds might feature technological elements, they will almost certainly feature magical elements of some sort. The characters will usually be seafaring one way or another and stories might involve any sort of adventure. There might be a storyline, though, about one company or nation trying to control the seas – often times through magical means – with the characters often unwillingly being made to oppose them. This genre might also take place in a post-apocalyptic setting with a flooded planet.

As an aesthetic: While the aesthetic is not clearly defined, there is a good chance that it borrows heavily from the late 17th and early 18th century and the golden age of piracy, when it comes to both ships and fashion sensibilities.

Punk-Factor: Pirates, at least as far as modern media imagines them, tend to be very punk, as they tend to inherently oppose any sort of government and what not. While the punk is not there in all of the stories, a lot of the most popular stories from the genre will feature at least lightly punky elements.

Examples: One Piece (1997), Pirates of the Caribbean (2003), Assassin's Creed IV: Black Flag (2013)

Dungeonpunk

As a genre: So, the idea of the genre is basically “What if Cyberpunk, but Dungeons & Dragons?” Usually set in a vaguely medieval world, this world still shows the same corporate corruption as your usual Cyberpunk world. Adventurers are just another resource to be exploited by the system, their day job involving going on yet another dungeon crawl. For this there might be some technology entirely powered by magic, with those magic items taking over the same functions technology might have in a Cyberpunk world. And yes, indeed some brave dwarf, elf or halfling might rise up and challenge the corporate dungeon syndicate. (As you might sense: Yes, this genre tends to be at least partly a bit of a parody of the punkpunk idea. Though it also can be played straight as “Cyberpunk conflicts, just that all technology is somehow magic.”)

As an aesthetic: This is once again one of the examples, where there is a clear idea behind it – but absolutely no clear aesthetic, as this genre might cover anything from medieval settings to a lot more modern stuff.

Punk-Factor: The base idea, being heavily inspired by the base idea of Cyberpunk, just from a very different perspective. But too many people read the genre as “Magic Technology, yay”, in which case, no, it is not punk.

Examples: Dungeons & Dragons can be played this way, also Final Fantasy VI – XIII definitely counts.

Sandalpunk

As a genre: I mostly include this for the sake of it, because this genre tends to boil down to “fantasy set in ancient Greece or Rome, but with vaguely anachronistic elements”. It might also include alternate history stories (even going so far as Science Fiction) based on the idea “What if Ancient Rome/Ancient Greece never fell?” There is no real overarching themes, even though I could imagine some interesting way one could build those up. So far, though, it is mostly a vague gesture towards: “SciFi Fantasy, but with more ancient civilizations.”

As an aesthetic: The aesthetic is usually just Ancient Rome or Ancient Greece, but with more magic or anachronistic elements.

Punk-Factor: Given the super vague nature of the genre and the fact that it seems more like a genre of hindsight (with most media being declared this having been released even before 2000)… Nobody wrote those stories to be punk. The one punk thing I can see about several of these stories is people challenging Gods, but… That’s about it.Examples: Hercules: Legendary Journeys (1995), Xena: Warrior Princess (1995), God of War (2005)

Stonepunk

As a genre: The basic idea of Stonepunk is, that it is set in a stone age world, but with the technology being pressed towards a very anachronistic end, which is often played for laughs. Basically it gives stone age people a modern seeming world, though not really. Often enough this is used to make a point about the modern world and parody it in some regard. An argument can be made for stories, that feature stone age technology people being somehow subjected to modern technology (for example through time travel or space travel) also possibly falling into this genre.

As an aesthetic: Usually the aesthetic of Stonepunk is one of an overplayed stone age setting. The clothing characters might wear are not what we know is historically more accurate but really just “everyone wears a pelt around their shoulders”. Meanwhile stone age tools get spun to be used as all sorts of modern technologies.

Punk-Factor: The genre does usually not feature punk themes. However, the nature of parodying and challenging the modern world tends to be punk in its own merit, I assume?

Examples: The Flintstones (1960), The Croods (2013), Horizon: Zero Dawn (2017)

That's it. That's the list.

Feel free to add to it.

[centrally-unplanned]

Anyway I wanted to write something a little more serious about the politics of the day - a trend many noticed in the 2024 election, and its aftermath, is all of these notable non-politicians jumping onto the Trump ship. You have certainly noticed the big ones doing it, the Musk-types. What I have also seen is the middle-road types - the podcasts slotting the admin into their current healthcare fad, the policy bloggers being like "Dear Trump, this is how to truly reform the government - my pet idea" and offering support. A sort of opportunistic bandwagoning. This does happen every election to some extent, but it is notable that it happened way, way less when Biden was elected.

Some view this through the lens of fear, of Trump's open willingness to tax or prosecute those who don't bend the knee. That is part of it, for sure. But the other part is that Trump doesn't really believe in all that much - and that is actually a pretty big asset in politics. If you are a "Progress Studies" blogger or a union rep or a tech CEO, does Trump disagree with any of your key issues? He might not! You can just "convince" him, that is actually on the table, and he might take up your cause. And the Republican Party - not always, absolutely not always, but sometimes - will be browbeaten into going along with his whims even if they contradict their previous ideology. If you are ambitious and play your cards right, the structure of the Trump admin can very much reward people along the lines of these pet issues.

This is something the Democratic party could not do. All policy from the Biden admin came from a decade+ process of being discussed within the party. There were absolutely, 100%, "factions" jockeying for influence, but it was insiders, pre-established orgs along known lines, who were doing that jockeying. Is there any big policy that the Biden admin pursued that truly surprised you? That you were like, "woah, where the fuck did Biden get this idea from?" Not really, right? Because the admin was in so many ways an extension of the party.

Now this can be a real strength when your political parties are strong. When the locus of politics is within parties, then naturally they should be informing directions, and your goal as an admin is to court them. But that is pretty much the opposite of the current US political landscape - political parties have never been weaker. Voters hate political insiders, primaries are completely open and people who openly oppose the party sometimes sweep them, voters don't get their political opinion or w/e from politicians or party orgs. Parties are downstream of where more and more political influence comes from (though ofc they are by no means powerless, this is all trendlines). If you are one of these political outsider types, the Joe Rogans or Progress Studies bloggers or crypto coalitions or whatever, the Democratic party is just not going to work with you? You will be "heard", but if you want influence you gotta put your decade+ into the party first.

But Trump? You just gotta show up and kiss the ring. For talented people, this is actually a much better deal. It probably won't work, but the odds are still better than the alternative. And the biggest looming wrinkle is that this strategy is being hamstrung by Trump being a total idiot and backstabbing asshole - imagine how effective these strategies would be if someone competent was doing it. His left-field ideas are not only "annexing Greenland", but also doing it in the most hamfisted way imaginable. The core idea here isn't that crazy btw! Greenland is pushing for greater independence from Denmark, but gets a ton of subsidies so is loath to lose them if they go solo. You can see how an intelligent operator charting some soft power politics here could maybe make something happen, but Trump is a fucking nob and can't do that. So he is often a bad vessel for your niche ideas. But at least he shows up to the game!

People sometimes really want politics to be ideological. They want a coherent political party with a unitary philosophy to implement a cohesive agenda. I get this appeal, but this just isn't how US politics, or democratic politics more widely, works. It is an endless process of factional recruitment for one-off reforms, and otherwise managerial policy (in)competence. Ideology is not elected, a "mandate" does not run for office. Some individual people win and then they invent a mandate afterwards. Democracy does not reveal consensus, it manufactures it. And the US is moving more towards that direction, not less.

My fear is Democrats, in "widening the tent", will focus too much on that internal party process, on trying to make the Democratic Party "coherently" something that is more appealing to the median voter. Valuable work, to be sure, but the other side is you need to make it more appealing to people of influence or talent. As others have commented, it is kind of baffling how the Biden administration committed itself to a policy of green electrification and banning foreign car imports, and somehow made an enemy of America's biggest domestic green electric car manufacturer. You need to be, on the margins, less committed to any specific ideology at all, and instead open to actually winning support from diverse factions. Otherwise the other side will always be more appealing to anyone not of your ideology, because they kind of don't care about ideology. The Dems are already the "bigger tent" party, this should be their wheelhouse. They just need to update their tactics for the modern era.

[valar-did-me-wrong]

Adar Fic Recs (1)

all ships

all genres

all Adars

🖤

Sharing all Adar fics I've liked reading till now, hoping they might catch some new eyes & love!! (ilu authors 🫶🏽)

(C - story is complete)

Forgive my children, Forgive me

by Karibookworm & HotTopicWithCrispyFinger

Adar reborn in 3rd age, helps in destruction of the one ring.. Angst, forgiveness, search for purpose!!

(I think Valar didn't do much wrong in this one :3 )

New Life in Defiance of Death C

by @eowyn7023

Adar's Funeral 💔

(👆🏽 I love these with all that is left of my heart 👇🏽)

Sinya Cuivë Anatfírië C

by 9_of_Clubs

Adar's Funeral 💔

Strange Things C

by 9_of_Clubs

Adar lives.. Moriondo returns to the elves, if TROP was ATLA.. Queer elves, fluff & angst

(story by The Hero The Icon of Adarlings worldwide Rotem🖤

The Enemy of my Enemy is my Dad??

by ShortForPhill

Gil galad son of plothole gets a dad, THE dad.. crack taken semi-seriously, everyone lives, Elf-Uruk peace

(Love the Adar & elves banter in this one)

Lord of the Groupchat

by Des_Evans

CRACK

The Stranger falls from the sky and makes a telepathic group chat to try and change the course of history. Shenanigans ensue.

A Funny Thing Happened on the Way to Mordor: Uruk Blooper Reel C

by dairyair

CRACK

Godspeed to those 2 Uruk deserters! Glûg hates it when Adar uses Ohana against him. Don’t make me turn this Nampat around! Who sends messages via dead bodies?! Elrondriel, right in front of my salad!? Durin about to fucking throw down in the market over taxes.

Adariel ❤️‍🔥

An Uneasy Alliance C

by magenpie

Adariel, Slowburn, Adar lives, Comrades in Arms.. Angst then fluffy fluff fluff

(I read this & re-read this teary eyed 🥹)

Redemption

by DragonTrek

Adariel, Adar lives, Bronwyn lives, Commrades to Lovers ... Angst, slow burn

(I'm a sucker for Adariel, as you can see xD )

Hold ontothat feeling C

by Daffodil76

Adar lives fix it, Galadriel vs. Sauron vs. Adar fight, Elf-Uruk peace treaty... Enemies to friends to lovers, Slowburn, ANGST, PINING

(The moment Galadriel actually looks at the Uruk & realises the utter lack of resources in which they are forced to live as outcasts.. loved it!!)

Sage Blossoms C

by Moriondor

Adar lives fix it, Resolved sexual tension, healing, forgiveness... Angst, fluff, Porn with deep Plot

(Absolutely loves the beautiful beautiful writing style of this!)

By The Lakeside C

by 9_of_Clubs

Adar lives i guess?!? Enemies to friends to something else... Skinny dipping, Banter, Unresolved Sexual Tension

(the strange elven-ness of them in this story is very interesting)

Adariel 2.0 ❤️‍🩹

(Adar = Celeborn)

Arien in splendour and Tilion in reflection

by @marybeatriceofmodena

SILMARILLION, Trauma, Abuse, love, 2 POVs (Gal & Cel).. angst with a happy ending

(Love the author's writing style SO much in this one!)

Stars Meet While Shadows Lie

by Twisted_Mirror

Adar lives, Deus ex Cirdan, the scandal of The Kiss™... ANGST IN ALL CAPS

(Obsessed with heartbroken Adar jealous of Elrond)

Under The Bittersweet Stars

by Draconienne

Adar lives, Galadriel falls for Adar separatly from Adarborn... ANGST

(Love a Porn with lots of Plot!)

Other pairings 💞

Our Lady of Perpetual Strength

by @celebrimborsapron

Adar x Estrid, romance, pregnancy, running away from Hagan, finding a place in the world.. "life of a woman"-core

(Love how Estrid is written in this story!)

So long, we'd become the Flowers C

by lachimera

Adar x OFC, disabled character, blind character, follows S2.. slow burn, ANGST ANGST ANGST

(Beautifully written and the story is so poignant, and touching!)

Sister Golden Hair

by our @baddybaddyadardaddy 🖤

Adar x Mirdania, zombie Adar post seige, Deus Ex Mirdania... slow burn, body horror, Angsttttt

(Love love love how Mirdania is explored here!)

Green Shoots and Ashen Earth

by @withallthatisleftofmyheart

Adar x Elrond (Adarond?) healing, forgiveness, yearning, miscommunication... PTSD, chronic pain, enemies to lovers

A Light in Dark Places

by @thephoenixandthecrocodile

Adar x Celebrimbor, past Saudar & Silvergifting, trauma bonding, PTSD, Sauron's exs unionize

(I love my two stubborn idiots in love your honour!)

Uruk Cultural Studies C

by dairyair

Future morden day Middle Earth College!AU, Adar x OFC human, Professor Adar... Slow burn, Angst, fluff & smut

(Great writing, Adar is still SO Adar in this modern setting!)

Shadows around Eregion

by @saffronstories

Adar x OFC (Celebrimbor's daughter), slow burn, enemies to lovers, forced marriage, forced pregnancy... Fix it, Angst with a happy ending

(Unresolved sexual tension; an integral part of Adar's interrogations :3 )

Awake, Arise or Be For Ever Fall’n C

by @baddybaddyadardaddy

Adar x OFC (elf), Cuvienen Adar, origin story, wife guy Adar, corruption of elves, Moriondor, good dad Adar.. ANGST, trauma, Uruk culture

(GOD. IT. HURTS!)

Saudade C

by 9_of_Clubs

Adar x Arondir, Fix it.. LONGING, Angst, Fluff, Bittersweet

Smut ✨

Seeing Double

by @niennawept

Adar Hazeldine × OFC × Adar Mawle

Curse of the Moriondor

by @whenimaunicorn

Adar x OFC elf, dubious consent

Dream a little dream of me (your worst nightmare)

series by @gingeragenda

Adar x Galadriel x Sauron in all its forms

(the infamous Adam, Marion & Falafel trio)

Like Ice Gives Way to Fire

by Mith_ril

Adar x Elrond

Bound

by elvendreamsfics

Adar x Galadriel X Elrond

Veins Dark as a Starless Night

by mildthemes

Adar x Galadriel

More than an alliance

by 100PercentRebelTimeLady

Adar x Galadriel

Astray, far away

by @lazyneonrabbitt

Adar x OFC (Porn with plot)

Endure for him

by @whenimaunicorn

Adar x OFC

Balance of Three

by sleepstxtic

Adar x Galadriel x Elrond

Seedling

by Athelise

Adar x OFC (pregnant human) Noncon

Calendar Girl

by @niennawept

Modern!AU Adar x OFC

Cream

by @lazyneonrabbitt

Adar x OFC pregnant

His to treasure

by @saffronstories

Adar x OMC

She Threw the Raspberries

by @eowyn7023

Adar x Galadriel dinner table smut

Smuts submitted on @baddybaddyadardaddy 's blog via Anon Asks are also perfection! 10/10 recommend!

Part 1.5