#Contrasting Only By Circumstance

[bigskydreaming]

The thing that kills me about the Star Wars prequel trilogy and why I will die on my hill that my problem is not that Star Wars is a tragedy, its that its a badly written tragedy, is that Anakin Skywalker was at his closest to being a good Jedi when he was ten years old.

[gaytranszoro]

sorry okay im rewatching whole cake w a friend and got obsessed with the vinsmokes this time around okay. sorry. however i am a liker of themes and motifs and doomed characters. sorrey.

[ace-frog]

Listen I am I one of those moods again holy fucking shit I need to rant to badly

I fucking cannot with Ei and Yae. Like I genuinely love their characters but when I think of them along with Scara I get so unbelievably pissed. Scara was like a fuking child that Yae wanted to kill and that Ei neglected. His choices are his own and he should face the consequences but you cannot deny that Ei is a horrible fucking parent and its ridiculous that Nahida does a better job than her despite Scara trying to fucking kill her.

Scara fucked up but he was also taken advantage of and manipulated. His resentment began when he thought everyone he cared about betrayed him and I will never forgive Dottore for that among other shit for that. Ei created the dude and then just dipped and that is unexcusable. Yae gets a slight pass considering she wasn't the one who created him. Ei did. Ei had a responsibility and her trauma does not excuse that. She made him into a vessel to take the gnosis and then said nah you feel too many emotions. You cannot bring someone sentient into the world and then choose to abandon them even if that's what you thought the nicer option would be. He was left alone for 500 fucking years. That is absolutely insane. Maybe it's the older sib in me or maybe it's not but as much as I love Ei I cannot excuse her actions at all. God this is so complicated

[daydreamerdrew]

The Marvel Family (1945) #1

[alphalesbian]

.

[telesodalite]

I need to be weirder about the scavengers and cannibalism...

[mostlysignssomeportents]

Paying consumer debts is basically optional in the United States

The vast majority of America's debt collection targets $500-2,000 credit card debts. It is a filthy business, operated by lawless firms who hire unskilled workers drawn from the same economic background as their targets, who routinely and grotesquely flout the law, but only when it comes to the people with the least ability to pay.

America has fairly robust laws to protect debtors from sleazy debt-collection practices, notably the Fair Debt Collection Practices Act (FDCPA), which has been on the books since 1978. The FDCPA puts strict limits on the conduct of debt collectors, and offers real remedies to debtors when they are abused.

But for FDPCA provisions to be honored, they must be understood. The people who collect these debts are almost entirely untrained. The people they collected the debts from are likewise in the dark. The only specialized expertise debt-collection firms concern themselves with are a series of gotcha tricks and semi-automated legal shenanigans that let them take money they don't deserve from people who can't afford to pay it.

There's no better person to explain this dynamic than Patrick McKenzie, a finance and technology expert whose Bits About Money newsletter is absolutely essential reading. No one breaks down the internal operations of the finance sector like McKenzie. His latest edition, "Credit card debt collection," is a fantastic read:

https://www.bitsaboutmoney.com/archive/the-waste-stream-of-consumer-finance/

McKenzie describes how a debt collector who mistook him for a different PJ McKenzie and tried to shake him down for a couple hundred bucks, and how this launched him into a life as a volunteer advocate for debtors who were less equipped to defend themselves from collectors than he was.

McKenzie's conclusion is that "paying consumer debts is basically optional in the United States." If you stand on your rights (which requires that you know your rights), then you will quickly discover that debt collectors don't have – and can't get – the documentation needed to collect on whatever debts they think you owe (even if you really owe them).

The credit card companies are fully aware of this, and bank (literally) on the fact that "the vast majority of consumers, including those with the socioeconomic wherewithal to walk away from their debts, feel themselves morally bound and pay as agreed."

If you find yourself on the business end of a debt collector's harassment campaign, you can generally make it end simply by "carefully sending a series of letters invoking [your] rights under the FDCPA." The debt collector who receives these letters will have bought your debt at five cents on the dollar, and will simply write it off.

By contrast, the mere act of paying anything marks you out as substantially more likely to pay than nearly everyone else on their hit-list. Paying anything doesn't trigger forbearance, it invites a flood of harassing calls and letters, because you've demonstrated that you can be coerced into paying.

But while learning FDCPA rules isn't overly difficult, it's also beyond the wherewithal of the most distressed debtors (and people falsely accused of being debtors). McKenzie recounts that many of the people he helped were living under chaotic circumstances that put seemingly simple things "like writing letters and counting to 30 days" beyond their needs.

This means that the people best able to defend themselves against illegal shakedowns are less likely to be targeted. Instead, debt collectors husband their resources so they can use them "to do abusive and frequently illegal shakedowns of the people the legislation was meant to benefit."

Here's how this debt market works. If you become delinquent in meeting your credit card payments ("delinquent" has a flexible meaning that varies with each issuer), then your debt will be sold to a collector. It is packaged in part of a large spreadsheet – a CSV file – and likely sold to one of 10 large firms that control 75% of the industry.

The "mom and pops" who have the other quarter of the industry might also get your debt, but it's more likely that they'll buy it as a kind of tailings from one of the big guys, who package up the debts they couldn't collect on and sell them at even deeper discounts.

The people who make the calls are often barely better off than the people they're calling. They're minimally trained and required to work at a breakneck pace. Employee turnover is 75-100% annually: imagine the worst call center job in the world, and then make it worse, and make "success" into a moral injury, and you've got the debt-collector rank-and-file.

To improve the yield on this awful process, debt collection companies start by purging these spreadsheets of likely duds: dead people, people with very low credit-scores, and people who appear on a list of debtors who know their rights and are likely to stand on them (that's right, merely insisting on your rights can ensure that the entire debt-collection industry leaves you alone, forever).

The FDPCA gives you rights: for example, you have the right to verify the debt and see the contract you signed when you took it on. The debt collector who calls you almost certainly does not have that contract and can't get it. Your original lender might, but they stopped caring about your debt the minute they sold it to a debt-collector. Their own IT systems are baling-wire-and-spit Rube Goldberg machines that glue together the wheezing computers of all the companies they've bought over the last 25 years. Retrieving your paperwork is a nontrivial task, and the lender doesn't have any reason to perform it.

Debt collectors are bottom feeders. They are buying delinquent debts at 5 cents on the dollar and hoping to recover 8 percent of them; at 7 percent, they're losing money. They aren't "large, nationally scaled, hypercompetent operators" – they're shoestring operations that can only be viable if they hire unskilled workers and fail to train them.

They are subject to automatic damages for illegal behavior, but they still break the law all the time. As McKenzie writes, a debt collector will "commit three federal torts in a few minutes of talking to a debtor then follow up with a confirmation of the same in writing." A statement like "if you don’t pay me I will sue you and then Immigration will take notice of that and yank your green card" makes the requisite three violations: a false threat of legal action, a false statement of affiliation with a federal agency, and "a false alleged consequence for debt nonpayment not provided for in law."

If you know this, you can likely end the process right there. If you don't, buckle in. The one area that debt collectors invest heavily in is the automation that allows them to engage in high-intensity harassment. They use "predictive dialers" to make multiple calls at once, only connecting the collector to the calls that pick up. They will call you repeatedly. They'll call your family, something they're legally prohibited from doing except to get your contact info, but they'll do it anyway, betting that you'll scrape up $250 to keep them from harassing your mother.

These dialing systems are far better organized than any of the company's record keeping about what you owe. A company may sell your debt on and fail to keep track of it, with the effect that multiple collectors will call you about the same debt, and even paying off one of them will not stop the other.

Talking to these people is a bad idea, because the one area where collectors get sophisticated training is in emptying your bank account. If you consent to a "payment plan," they will use your account and routing info to start whacking your bank account, and your bank will let them do it, because the one part of your conversation they reliably record is this payment plan rigamarole. Sending a check won't help – they'll use the account info on the front of your check to undertake "demand debits" from your account, and backstop it with that recorded call.

Any agreement on your part to get on a payment plan transforms the old, low-value debt you incurred with your credit card into a brand new, high value debt that you owe to the bill collector. There's a good chance they'll sell this debt to another collector and take the lump sum – and then the new collector will commence a fresh round of harassment.

McKenzie says you should never talk to a debt collector. Make them put everything in writing. They are almost certain to lie to you and violate your rights, and a written record will help you prove it later. What's more, debt collection agencies just don't have the capacity or competence to engage in written correspondence. Tell them to put it in writing and there's a good chance they'll just give up and move on, hunting softer targets.

One other thing debt collectors due is robo-sue their targets, bulk-filing boilerplate suits against debtors, real and imaginary. If you don't show up for court (which is what usually happens), they'll get a default judgment, and with it, the legal right to raid your bank account and your paycheck. That, in turn, is an asset that, once again, the debt collector can sell to an even scummier bottom-feeder, pocketing a lump sum.

McKenzie doesn't know what will fix this. But Michael Hudson, a renowned scholar of the debt practices of antiquity, has some ideas. Hudson has written eloquently and persuasively about the longstanding practice of jubilee, in which all debts were periodically wiped clean (say, whenever a new king took the throne, or once per generation):

https://pluralistic.net/2020/03/24/grandparents-optional-party/#jubilee

Hudson's core maxim is that "debt's that can't be paid won't be paid." The productive economy will have need for credit to secure the inputs to their processes. Farmers need to borrow every year for labor, seed and fertilizer. If all goes according to plan, the producer pays off the lender after the production is done and the goods are sold.

But even the most competent producer will eventually find themselves unable to pay. The best-prepared farmer can't save every harvest from blight, hailstorms or fire. When the producer can't pay the creditor, they go a little deeper into debt. That debt accumulates, getting worse with interest and with each bad beat.

Run this process long enough and the entire productive economy will be captive to lenders, who will be able to direct production for follies and fripperies. Farmers stop producing the food the people need so they can devote their land to ornamental flowers for creditors' tables. Left to themselves, credit markets produce hereditary castes of lenders and debtors, with lenders exercising ever-more power over debtors.

This is socially destabilizing; you can feel it in McKenzie's eloquent, barely controlled rage at the hopeless structural knot that produces the abusive and predatory debt industry. Hudson's claim is that the rulers of antiquity knew this – and that we forgot it. Jubilee was key to producing long term political stability. Take away Jubilee and civilizations collapse:

https://pluralistic.net/2022/07/08/jubilant/#construire-des-passerelles

Debts that can't be paid won't be paid. Debt collectors know this. It's irrefutable. The point of debt markets isn't to ensure that debts are discharged – it's to ensure that every penny the hereditary debtor class has is transferred to the creditor class, at the hands of their fellow debtors.

In her 2021 Paris Review article "America's Dead Souls," Molly McGhee gives a haunting, wrenching account of the debts her parents incurred and the harassment they endured:

https://www.theparisreview.org/blog/2021/05/17/americas-dead-souls/

After I published on it, many readers wrote in disbelief, insisting that the debt collection practices McGhee described were illegal:

https://pluralistic.net/2021/05/19/zombie-debt/#damnation

And they are illegal. But debt collection is a trade founded on lawlessness, and its core competence is to identify and target people who can't invoke the law in their own defense.

Going to Defcon this weekend? I’m giving a keynote, “An Audacious Plan to Halt the Internet’s Enshittification and Throw it Into Reverse,” today (Aug 12) at 12:30pm, followed by a book signing at the No Starch Press booth at 2:30pm!

https://info.defcon.org/event/?id=50826

I’m kickstarting the audiobook for “The Internet Con: How To Seize the Means of Computation,” a Big Tech disassembly manual to disenshittify the web and bring back the old, good internet. It’s a DRM-free book, which means Audible won’t carry it, so this crowdfunder is essential. Back now to get the audio, Verso hardcover and ebook:

http://seizethemeansofcomputation.org

If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/08/12/do-not-pay/#fair-debt-collection-practices-act

[montahafamily]

🚨Please, don't skip‼️‼️

Very important... 💔🍉

I'm Montaha Basil Inshasy, l am 25 year's old🚨🚨🚨🚨

A distress call from Gaza, a family searching for safety 🍉🙏🏻🍉🫶🙏🏻

A family trapped in Gaza asks for help to survive

I am Muntaha Inshasi, 25 years old, married, recently married to Hamada Al-Skafi, 36 years old. Two months before October 7, I lived with my husband during very beautiful days, but after October 7, our lives were turned upside down due to the war of collective benefit. My husband was forced to travel outside Gaza for treatment due to his severe injury, and now, in light of the Israeli aggression, my family and I have been displaced several times. We currently live in a tent on the banks of Khan Yunis under very difficult circumstances. My family consists of a father, a mother and nine members. I need to raise money to restore a beautiful life and stability outside the Gaza Strip. All I can say leaves only a small glimpse of the suffering we are living. Here is a glimpse of the contrast between our lives before the aggression and the nightmare we have been living since its beginning.

Thank you for your support and solidarity Each of us needs 5,000 euros to travel outside Gaza.

@90-ghost @nabulsi @sar-soor @sayruq @muhammadsmiry @appsa @salem-baker @transmutationisms

Vetted by @gazavetters, my number verified on the list is ( #80 )and a-shade-of-blue

[prettyoatmeal]

Thinking about meeting Simon with his freshly bleached hair only to find out he's a natural brunette <3

I'm not sure how canon it is but I saw a tweet a while ago that Ghost bleaches his hair blond and I haven't stopped thinking about it since.

You'd always just assumed he was a natural blond. You never really paid much attention to the hair on his arms because why would you? And you never see his legs as his dresser only consists of long cargo pants. His eyebrows weren't too much darker from the blond anyway.

You had no reason to think otherwise. Which only embarrasses him even more when you do find out. He knew you were going to find out eventually, but he never actually thought that far ahead.

He doesn't get time to fix his hair on base so it's only natural that he comes back with his roots grown out. It's a stark contrast to the rest of his bleach blond hair. So when you finally get to see your sweet Simon after half a year, you can't help but immediately notice the change.

At the time he wished you would've just ignored it, but when you caught that initial glimpse of his hair, your hands immediately invaded his scalp. It didn't help either that his hair grew fast.

"You never told me you weren't a natural blond."

"It never came up." he answered gruffly, his uncomfortable shuffling contrasting with the way he leaned his head down slightly and allowed you to inadvertently play with his hair. It felt nice, but he didn't want to admit it then when he was acting aloof.

"It looks nice," you'd say, and he'd scoff. You'd say again, "you look good in brown. Matches your eyes," and he'd just grunt again, acting irritated. Though the way he let out a content sigh as his eyes closed told you otherwise.

*************** DISCLAIMER Under no circumstances do I give permission to copy, repost, or manipulate my work in any way. I am not comfortable with this. If you wish to translate my work, message me privately. My inbox is always open.

[olaadel-ouf]

Iam Ola Abu El-ouf, lam 34 years old🚨🚨🚨

A distress call from Gaza...a family searching for safety🙏🇵🇸

A family trapped in Gaza asks for help to survive 🍉🙏🇵🇸

I need to raise money to restore a beautiful and stable life outside the Gaza Strip. Everything I say leaves only a small amount of the suffering we experience. Here is a glimpse into the contrast between our lives before the aggression and the nightmare we have been experiencing since its beginning. Thank you for your support

About my family:

It consists of a mother, a father, two brothers, and a separate sister. She has two children. My mother and father, who are 66 years old. We were displaced from the city of Rafah after the occupation bombed our house without taking any clothes, furniture, gas, or cover. We were protected from the cold of winter, and we live in a tent in the worst conditions in terms of cooking over fire and pollution. Water, waste collection, and lack of detergents. A 36-year-old brother, a 21-year-old brother, and children are in need of the minimum necessities of life in light of the difficult circumstances and tragedy in which we live.

We urgently need support to ensure our lives and live in peace and security

An architect, I used to work in an engineering office in the Gaza reconstruction and I aspired to complete my master’s degree, but my work and studies were halted due to the war. I am divorced and have two children, Amir, 8 years old, and Maryam, 7 years old.

@nabulsi @aces-and-angels @ibtisam @riding-with-the-wild-hunt @vakarians-babe @7amaspayrollmanager @fairuzfakhira @fallahsart @sayruq @humanvoreture @kaapstadgirly @sar-soor @dimonds456-art @plomegranate @commissions4aid-international @nabulsi @stil-macher @soon-palestine @communitythings @palestinegenocide @vakarians-babe @ghost-and-a-half

[c0nfessions-of-a-writing-freak]

Protective Flower

Pairing: Harry Hook x Fem!Reader

Wordcount: 1.4k

Summary: While making your rounds of the Isle making sure everyone still fears your name, you run into an old acquaintance. Someone oversees this and doesn't take lightly to others touching what is his.

Bingo: @eclipsingbingo with the square 'Jealousy'

*Gif does not belong to me

Boots clicking with every step, you had not a care in the world as you walked through the Isle of the Lost. Why would you? You were the daughter of Madame Gothel, the Mother Gothel. Everyone on the Isle knew of your mother's story and with that came protection, a blanket of safety that her name alone offered you.

That didn't mean you let the glare on your features fall or had your back turned on anyone for too long. With brisk steps you passed through different sections of the Isle, never staying for too long. It was only when you saw the back of someone's head whom you never thought you'd see again.

"Jay?" You slowly question, your voice hesitant in case who you thought was in front of you was an illusion or just an insanely good look-alike whom you've never seen before that day. It was only when the boy's head of long brown hair turned and a whisper of your name left his lips that you knew it was him. "What are you doing here? I thought you had gotten off this island and were at Auradon."

"Some circumstances have changed," He muttered with a coy grin, bounding his way over to you. The fast approach made you take a few small steps back, trying to put distance in between the two of you in case he decided to try something, though Jay bypassed this easily, one of his strides making up for three of yours as he wrapped his arms tightly around you. "I've missed you. We all have."

You froze immediately as you were engulfed, not expecting the embrace and hardly knowing what to call it. The feeling that arose from being trapped within Jay's arms was odd, almost comforting. That didn't matter though as you kept your arms glued to your side, not raising them to return the gesture.

"I'm sure it would've passed," You mumbled, voice gruff as you remembered what it had been like before Jay, Mal, Evie and Carlos left the Isle. How things have changed since then. Your words caused Jay to finally pull back, which you were both grateful for since the action was weak, though also longed for it to return, the simple contact something you have never experienced on the Isle evoking something within you. It must have been some trickery Auradon had taught them. "You never did say why you were here. And if you're here, I'm assuming so are the others."

"About that," Jay trailed off, hand sheepishly going to rub at the back of his neck. The action instantly had you quirking an eyebrow, never before seen such an action from the taller VK. Or former VK. "Carlos actually sent me to come and find you. We were wondering if we could use your help. Like old times-"

"What do we have here?" A taunting voice called out, cutting off the end of Jay's sentence, not that you needed to hear the rest of it to know what he was asking of you. You didn't even bat an eye to the new voice, coming well accustomed to it in the past year, more so than before Jay and his little redeemed squad had run off. "Runnin' into ya two times in a day has got ta be a good omen."

Jay's whole deemer immediately changed at not only the sight of him but also the sound. Turning an annoyed glare that held more heat than you knew Jay could still muster onto the newest arrival, Jay greeted him with a less than pleased grunt, "Hook."

Harry Hook, in all his glory, came out from the shadows he had previously lurking in so the deranged grin he was flashing could be seen by all.

"Don't sound so sad ta see me," Harry's laugh felt as if a harsh bite had sunken into you. It wasn't unwelcomed but such a stark contrast to what Jay had offered you moments ago. His eyes fell on you quickly, blue irises sucking you in as he walked closer, sealing his spot at your side as he wrapped a tight arm around your waist and pulled you flush to his side. "I was wondering when the two of yer would meet again. It was only a matter of time I suppose."

Jay's eyes locked in on the hand on your waist, Harry's fingers flexing at the sight as they curled in tighter. The sensation didn't hurt, not when you've felt it before. It was almost comforting, though in a different way to how Jay tried offering it. You weren't oblivious enough to not understand that Harry was staking his claim, however, making it known to Jay how things were running this time around.

"I didn't know the two of you had buddied up since we've been gone," Jay had to drag his eyes away from where the two of you were connected, never taking his eyes off of you as he refused to look into Harry's.

"Things have changed since you and the others were taken off the Isle," You shrugged your shoulders up as you spoke, giving it to Jay plainly. After he and the others left you were without a gang to call your own, leaving you to resort to other means of getting by. "Not all of us were whisked away to be Princesses and Princes."

"I can see that," Jay breathes out as if the words were vile on his tongue. You weren't ashamed of this. Just because you had grown closer to Harry and his crew in his and the other's absence didn't mean you were going to flip a switch now that they were back. "It was nice catching up with you. If you want to talk more, you know where to find us."

"I'll see you around Jay," You bid your farewell, surprised that Harry was able to remain as quiet as he did. Not sparing you another word, though his eyes flickered down to where Harry kept his hold on you, Jay turned away so he could make his way back to the hideout he must've come from.

"Now wasn't that a lovely chat," Harry chirped, rounding on you once Jay was out of sight. His other hand came down to your hip, resting there tightly as he slowly began to back you up. "I was just on my way to warn ya as well of Mal and her little crew's arrival. Somehow ya always beat me to it though."

"I must just be lucky at sniffing out people with pretty faces," You say, not a second later your back came in contact with the wall behind you, a small huff leaving your nose at the contact. With a cruel quirk of your lips, you bring a hand up to pass through some of his hair. "Maybe that's how I found you all those months ago."

"Cute," Harry barked out a bitter laugh, bringing his face closer to yours. Some of that bitterness seeped into his face as he looked down at you, his next words coming as a sting. "Uma doesn't want ya going near them. Who knows what they've brought from Auradon. And we all know how close ya were with them before they left."

"Good thing Uma doesn't control what I do then," You dipped your face to the side as Harry tried to trap your lips in a harsh kiss, his teeth ready to make an appearance. Instead, a kiss was left on your cheek, the pirate recoiling back once he realised. With a smirk of your own, you leaned in, trailing feather-light kisses across his neck and jaw. Your lips ghosted his skin, never staying in one spot for too long. "Though I'm sure an exception could be made if you asked nicely."

"Stay away from Jay and his friends," Harry spoke lowly, lips chasing after yours as you continued to evade him. With a raised brow, you stared at him as if you were waiting for more, leaning back so he couldn't reach you. With an eye roll from his dark eyes, an abundance of eyeliner smeared around them, he grinned out, "Please."

You waited a few moments, bringing both of your hands up to cup his face. Dragging him slowly, you brushed your lips quickly against his, muttering before finally giving him what he wanted, "I'll consider it."

[prideprejudce]

I think alot more people would enjoy the show if they learned to see Rhaenyra and Alicent as Unreliable Narrators, and characters who are supposed to have glaring flaws and weaknesses.

Mandatory preface- There are Issues™️ with season 2 that are its own other ask- but the complaints ive seen about character assassination on both women kind of tells me ppl just wanted to see the two just GirlBossing around, not being tragic characters trapped in their own circumstances.

For Alicent specifically- she just isn't written to be Cersei 2.0, and while it was really interesting to see motherhood from cersei's point of view, its already been done!! I actually prefer seeing Alicent's mercurial clinging to and abandoning motherhood- its interesting!! She was made a mother at what- 15? An age where you truly arent mentally developed enough to raise 3 kids, AND be a child bride, AND be a queen, (AND be a lesbian).

Alicent is interesting to me because she's stunted at 15 years old, she's an adult woman who talks to and sometimes bullies her kids as if they are her peers, and is obsessed with her childhood crush(es). She hasn't built any new relationships* past the ones she was entangled with as a teenager, she's obsessed with both acting out to make SOMEONE see that shes suffering, (she's honestly pretty blatant for someone who prides themselves on being the Temperate Voice of Reason) but also to erase herself and reset to before she had to marry the king, before aemma died.

I think most of her 'bad out of character' decisions are just these two impulses winning out, her trying to force a reset, go back to a time where none of this had happened yet, when things were simpler and she had love and every day wasn't the worst day of her life™️.

She sleeps with cole, the man she thought was pretty at 15 (her last uncomplicated attraction just before it all went wrong and aemma died) -she doesnt seem to like it that much, but she does seem compelled to seek him out, esp when upset- shes obsessed with, and desperate to reconnect with Rhaenyra, her childhood best friend (and first love) and get back to where they were as kids, AND she still treats and asks her father for absolution as if he's still the only authority that matters to her just like she did at 15. Alot of her 'victim complex/bewildered they took it so far' behaviour in the plotting of rhaenyra's usurption reads to me like a teenager in over her head, she talked big game and now its real and shes panicking!! She's tragic BECAUSE she's still a teenager- so stunted shes unable to meaningfully grow up and learn to make healthier choices for herself, or move on and stop trying to grasp at the 'if i could just go back' urge.

As a mother, I think this creates an interesting dynamic as well, and I do like that in the casting even, she seems closer in age to her kids than rhaenyra does to hers. I think the contrast ppl are drawing with Alicent Protecting Her Kids in season1 compared to her giving them up in season two isn't bad writing to me, just massive differences in context. Sure she protected Aemond in driftmark, but we cant ignore that she probably felt humiliated by her husband choosing rhaenyra's side over hers in front of everyone, did it seem like a grown woman fighting for her son?? or a teenager furious with her ex winning one over her again? or both!! both sides twisted together is still interesting! When she protected Aegon from Rhaenys, is stepping in front of her son the king to protect him from the enemies dragon fire not the most romantic daydream of a deserving death a child bride could come up with?? Was it the impulse to protect the son she couldnt decide if she loved or hated, or was it to have the most heroic death possible to escape the reality that she sees coming. And if Rhaenyra hears about how Brave she was in the face of a dragons maw, and cries about it forever and feels sooo bad and regrets it til the day she dies, thats an added bonus. I think Alicent loves her kids, but is teenager selfish about HOW she loves and protects her kids, and is unable to be a mature, consistant, protective mother to them when she also sees them as having ruined her life. I think in season 2 when she 'gives them up' shes relieved, and once again following the compulsion of 'if i reset to when Rhaenyra was heir, i had no sons, and i wasn't married or queen, everything will be better'. I think theres complexity to it, i think she does love her sons and feels insane about it, but I think Alicent has been trying to Go Back in more and more Intense ways ever since she got married, and we might be giving her sanity more credit than it deserves when it comes to the need to wipe the board clean and go back to being 15.

hey anon are you trying to get married to me or what

[swanlikely]

Current Nanami Brainrot: Husband Nanami!

TW & Content: Sexual Harrassment, Violence (barely), Cunnilingus, Penetration, Usage of she/her pronouns, and bad writing?

Thinking about Nanami watching his pretty little wife sway softly to the suggestive music that hummed over the audience in the club. His eyes followed every sultry move, a small smirk playing on his lips as he nursed the whiskey in his strong palm. Nanami, being the ever-so-sweet husband he was, agreed to accompany you on your night out with your girls, ensuring your safety while secretly enjoying the view. Chuckling, he couldn't help but trace every curve of your body with his eyes, reminding himself how lucky he was. The way you moved, so effortlessly seductive, captivated him completely.

The mood and your fun were immediately ruined when a man, barely a few inches taller than you, sauntered up against you. The horrible sensation of his front pressing against your rear drove you to swivel quickly around, your face plastered in disgust. As the event unfolded, Nanami was already downing the whiskey and approaching you, his instincts kicking in.

"Please don't do that. I'm married," You yelped over the blaring music, fighting back the bitterness in your voice. The man with no manners cocked his bushy brow, appearing to be enticed by your attitude, and placed a rough hand on the side of your waist. His hold was unwanted and aggressive, causing dread to flare up in your chest.

"I don't see your husband here, do I? Besides, what's a married woman doing in a place like this, wearing that?" he spat, his eyes raking over your body with a predatory gleam. The anger surged through you as you realized he was referring to the black, tight dress Nanami had lovingly picked out for you. The dress that made you feel confident and beautiful, now tainted by this stranger's leering gaze.

"He's right here," Nanami's voice uttered reassuringly as he swatted the stranger's hand off your waist. Relief washed over you as your mountain of a husband placed his large hand on the small of your back. He wasn't just rubbing little circles or patterns; he was tracing letters, grounding you with each gentle touch.

"Sorry." He traced, so courteous as always.

"Ah, well. Maybe you shouldn't let your wife out looking like that. Gonna give someone the wrong idea," the rude stranger mumbled, swiping at the back of his hand where Nanami had gripped so tightly to pry him off you. Nanami was like a tree, towering over the pathetic man before you, both in sheer size and presence.

"Looking like what?" you scoffed, taking a step forward. Nanami still kept his hand on you but didn't intervene. He knew you were capable of handling yourself. He knew better than to stop his wife in the moment. "Like a slut," the stranger laughed, the sound actually nauseating to Nanami's ears. He rolled his eyes, knowing only a child would call a beautiful woman in a designer dress that. Only he could do that, though under different circumstances.

You rolled your eyes at the insult, mirroring Nanami's earlier gesture. With a swift pivot, you grasped Nanami's hand with your right, feeling the comforting strength in his grip. Using your left hand, you boldly flipped the bird at the stranger, your heart racing with a mix of defiance and satisfaction.

But before you could completely walk away with your kind husband, the stranger grumbled and reached out to pull your hair. Except, you didn't feel a thing. Instead, you felt your husband shift, and your eyes followed suit. Nanami was gripping the man by the back of his neck. God, did he look delicious, his arm flexing through the thin fabric of his button-up. His eyes were cold and fierce, a stark contrast to the warmth you always felt from him. You couldn't help but ogle at the way his muscles tensed.

"We shouldn't put our hands on pretty ladies, now should we?" Nanami asked the man, his voice dripping with a disgustingly sweet tone. He tossed the man onto the floor, and he landed on his rear with an "Ugh." Nanami tossed him like he was nothing. Good lord.

Nanami began to gently fold up the sleeves of his dark blue button-up, revealing forearms that could probably make angels weep. He was the living embodiment of "sex on legs." You couldn't help but notice the club's collective gasp as several eyes locked onto the scene, some surprised, others blatantly undressing Nanami with their eyes. Join the club, you thought with a smirk.

Nanami silently squatted down next to the man who was still recovering from the fall, bringing a hand up to grip his collar. Nanami whispered something to the man that you couldn't catch, but whatever it was, it made the stranger's eyes fill with panic.

"I-I'm sorry, ma'am," the man stammered out, bowing his head like a kid caught with his hand in the cookie jar.

You didn't even respond to the stuttering fool as you just looked at your husband, half-lidded. You were mad, originally. But who could stay angry when your husband was defending your honor, his chiseled jaw clenched and his eyes burning with intensity, making a heat stir in your stomach?

"Are you alright, sweetness?" Nanami asked as he stood up from his position, walking towards you. Towering over you, again. He was just so big.

You nodded and glanced at your girls, who were raising their eyebrows knowingly. They recognized that look on your face—it was the same one they gave their husbands when things got, well, interesting. They waved you off with giggles and a few exaggerated winks, clearly enjoying the show.

"Kento," you grabbed his hand, weaving through the sea of people like a determined woman on a mission. Despite his towering size and rugged masculinity, Nanami always listened to his wife with a smile. Little did he know, you were about to make him the happiest man in the club.

As you pulled him through the exit and toward his car, he started to put the puzzle together. He couldn't help but chuckle, his eyes glued to your ass sashaying in the dress he bought you. "Well, someone's in a hurry," he teased, knowing full well you were about to make his night unforgettable. "Need you," was all you could manage before yanking your husband down to your level with his spotted tie. His lips met yours in a hungry kiss, leaving you breathless. His hands found their way to cup your cheeks. His fingers traced down your neck, each touch causing your skin to ignite.

Your tongue danced on his bottom lip, and he politely allowed you to delve deeper, exploring the heat of his mouth. He tasted absolutely irresistible, a mix of rich whiskey and mint. The flavor was intoxicating, he was intoxicating, making you crave every bit of him even more. His hands gripped your waist, pulling you closer, so close that you could feel everything.

You could feel his heavy cock pressing against your thigh, the cool metal of the car contrasting sharply with the warmth of his bulge. He was overwhelming. "What's got you so eager, sweetheart?" Nanami mused as he pulled away, just a little, your forehead still pressed against his. His breath fanned against your swollen lips, his chocolatey eyes dark with want. God, he was perfect.

"Can't a woman just want her husband?" you purred, your voice like honey. Husband, oh how he loved when you called him that. It sent a rush straight to his cock, lighting a primal desire that made his breath hitch and his grip tighten on you.

"I guess I'll have to be a good husband and please my wife, huh?" he murmured, his voice low and filled with promise. His eyes never left yours as he reached into his pocket to unlock the car. Like the gentleman he was, he opened the car door for you, his touch lingering just a moment longer. The backseat of his car never looked so good.

Nanami and you slipped inside, and in an instant, Nanami was nestled between your thighs. He was electrifying. His teeth gently tugged your panties to the side, and his tongue working hard on your cunt. He was both sloppy yet precise, each movement sending jolts of pleasure through you. Nanami's big hands roamed your thighs, his fingers pressing into your skin, grounding you in the moment. His tongue worked magic, alternating between slow, deliberate strokes and quick, teasing flicks. The sensation was overwhelming, and you could feel the tension building within you.

Every now and then, he'd glance up, his eyes locking with yours through his glasses, a mischievous glint in them that made your cunt clench around nothing. His dedication to your pleasure was evident, and the way he moved and responded to your reactions showed just how much he loved you. You were dripping, almost sopping at this point.

"Kento, no m-more. I want you," you groaned as your delicate fingers tugged at his neat blond hair. Nanami paused for a moment, his eyes darkening as he looked up at you. The sight of you, needy and breathless, clearly affected him. He slowly rose, his lips brushing a trail up your body, leaving a path of tiny bruises in their wake. You'd scold him for that later.

"God, you're such a good wife," he murmured, his voice deep and husky. His right hand found your waist, while his left undid the zipper of his slacks, tugging them down just enough to reveal his heavy cock. Even in the barely lit car, it was mouthwatering. He was rock hard and throbbing, all seven inches of him.

As you reach to grab him and pull him into your slippery cunt, he stops you with a tut. "Be patient, sweetheart. Can you do that for me?" His voice, low and commanding, added an extra layer of excitement to the moment. You pant, "Yes sir," as you bring your hands to claw at Nanami's strong arms. Your hands looked so tiny in comparison to him.

Something in him seemed to awaken at the sound of your petname for him, ramming into your cunt. The stretch was overwhelming. His strong arms that you loved so much held you tightly, as he fucked you dumb, completely consumed by the raw walls of your cunt. Your thighs were pushed against your chest as your husband kept pounding into you, his groans and grunts sounding like a symphony.

"So good for me, so perfect," Nanami groaned into your neck, his words vibrating against your sweaty skin. As your climax approached, Nanami continued to sing praises into your ear, telling you how good you were, how much he loved you. "Gonna be a good girl for me? Gonna make a mess all over your husband's cock?" He spat as he nipped at the side of your jaw. You could barely answer, your mind already slipping into ecstasy. Nanami was completely pussy drunk, his cock dragging in and out with a pace you couldn't comprehend.

"Y-yes! Yes, oh god, yes!" you screamed, certain that everyone on the block could probably hear you. But you didn't care, because your husband made your walls gush and clamp around him. Nanami's own high wasn't far after yours as his pace somehow quickened, his head kissing your cervix. "Gonna cum," Nanami groaned.

"Gonna get my pretty wife pregnant," his voice dripped with desire as he continued. His seed was thick and warm, filling you to the brim. As he pulled out, he gently massaged the area above your cunt.

"So perfect." ________________ i need him biblically.

If any of the grammar is bad, I am so sorry. I wrote this while I was ovulating.

[crustyfloor]

A new pop-up store dropped for ALIEN STAGE's 2nd anniversary and wow. It's so sick.

It's Interesting what exactly these experiments are focusing on and monitoring.

Instrument practice

I found it interesting earlier that Till was so tame, more so than he usually is when he's going through experiments, but music, and making music is what he loves doing, So he was fully in his element here. This was probably the only thing he was made to do by the aliens that he at least tolerated.

(Additionally, judging by his collar (orange), he was at least calm. maybe he just isn't fazed anymore.)

//Side note, that head contraption looks familiar BUT this most likely isn't related at least i hope

(It puts me at ease, at least..)

Dance practice

This surprised me, but I suppose Mizi needed more skills.

She looks very startled here, and nervous(?) +It looks like she's doing this while singing. And with that face covering I assume this was a test monitoring her dance balance, precision, etc. At first, I did think it was odd, "Why would Shine put her through that" But alas I was reminded that even though Mizi is the flower of the group she was never untouchable, to Shine, this was the equivalent of teaching your dog to sit and stay.

(seeing this it reminded me of those scenes in movies where the people are dancing, and the music gets faster and faster until they fall. I wonder if she was doing through something similar to that)

Singing practice (?)

Similar to Till she also looks quite calm outwardly, if the machine around her neck is an iteration of the collars they have, then this process wasn't something she liked, or given how intense this experiment looks, this was a test of high-pressure to ensure she always stayed calm during performances (?). Then again this could also be a posture practice given all the structure focused on maintaining her position.

(What I believe was another form of this test was shown before so I think so)

(With her hands in a praying stance I wonder if she was praying to herself or singing a religious song (sweet dream?) It's also interesting that the machinery around her looks like a halo, and she looks so...angelic? holy?)

Image making practice

By image making, I think they made Ivan replicate expressions with his face. Whether this process was painful for him or not...I'm not sure. But it looked visibly uncomfortable, maybe that was the point. (His expression, even in this circumstance is so dubious..)

Ivan, among other things, needed to have a spotless appearance to be successful, his image was a priority given his skills were certainly guaranteed.

I assume the aliens eventually took note of his lack of expression, in the real world this can be a detriment to one's career, so the Aliens had to ensure quality was perfect. (To a more...dedicated level)

Superiority test

'Superiority test' Is very vague.

HyunA is very calm here too, likely sedated in that water with all the tablets on her. I guess this was a test to get an idea of a pet human's strengths and weaknesses, endurance, and temperament to compare and contrast them with others, testing who is more viable for Alien stage?

Another interesting, and sad part about this is that HyunWoo was there, watching his sister through her experiments.

(Also, it looks like both of her legs are normal, no alien leg yet.)

Heart rate variability

And finally, the most visceral of them all. The wording 'variability' makes this all the more sickening, the Aliens were testing his heart hours, testing it at different rates, speeds, and states. And he was in agony the entire time. Even the way he's clutching his chest, it gives me chills. This would've been a completely harmless test in a normal setting, as something quite similar to this can be performed efficiently in real life. But he's being tortured in the process.

This is one of the first times we've ever seen Luka's face so truly clear and unprotected, (understandably so.) He's even crying.

[nataliescatorccioapologist]

Each Yellowjackets character’s role in the wilderness and how these roles overlap into the adult timeline

Natalie - The Hunter

Nat’s role as The Hunter aligns with her independent spirit and her familiarity with hardship, stemming from her difficult childhood. Natalie’s hunting skills give her a sense of purpose and power that she never experienced before. Living under her father’s thumb for most of her childhood, she was repeatedly told she was useless and was forced to comply with her father’s abusive control and humiliation of her. At school, she was frequently slut-shamed and referred to as a “burnout,” reinforcing her sense of worthlessness and lack of direction. Wielding the gun gives her power, protection, motivation, and appreciation from others that she never received before. Nat’s ability to provide for the group and keep them alive proves her father’s words about her wrong, and you can see her relishing in that.

Nat’s role as The Hunter also reflects her propensity for isolation. Nat has always been a bit of an outsider, trusting very few people and outcasting herself intentionally through the abrasive front she puts on. Nat’s hunting mirrors this as it isolates her from the rest of the group. She spends most of each day trekking through the wilderness looking for game while the rest of the group stays back at the cabin. This isolation creates an even stronger codependency with Travis, as he is the only person she interacts with and relies on for most of the day.

As an adult, Natalie still embodies The Hunter role, though her objectives have transformed from hunting for food to hunting for answers, truth, and meaning in her life. She relentlessly pursues elusive leads on the postcards, the blackmailers, and the circumstances of Travis’ death (all with a gun in her hand). Her role as a hunter ties into her need for control in the midst of chaos. In the wilderness, her hunting skills provided a measure of stability; as an adult, this manifests in her obsessive pursuit of answers and in her determination to confront the past head-on

Natalie also maintains the isolation and outsider status she had in the wilderness. Just as she was apart from the other girls in the wilderness, hunting alone, her adulthood is marked by pushing people away before they can get close to her and living a transient lifestyle similar to her treks through the woods on hunting trips.

Shauna - The Butcher

Shauna’s willingness to step into arguably the most emotionally taxing and gruesome role in the wilderness speaks to both her toughness and her aggressive, adrenaline-seeking tendencies. Shauna’s role as The Butcher gives her a sense of importance, contrasting how invisible she felt before the crash living in Jackie’s shadow. It also evokes a sense of intensity, thrill, and heightened emotions; something very absent from the mundanity of her life before and after the wilderness.

Shauna’s capacity to take on such a role reveals her ability to detach and perform the task with a cool-headedness that hints at a unique adaptability. However, it also hints at something deeper, a capability for darkness and violence that she suppresses. She doesn't panic under pressure but rather appears oddly at home in these extreme moments.

Like the others, this role follows Shauna into the adult timeline. In a more obvious sense, she kills rabbits in her backyard and butchers them to feed to her family, and she cuts up Adam’s body after she murders him. But in a more subtle sense, Shauna is clearly still seeking the adrenaline that butchering in the wilderness provided her. She enters a risky affair with Adam, jumps off of bridges, sleeps with Adam in her home when Jeff could come in at any moment, tracks down the people who stole her minivan and clearly has to hold herself back from killing them, and she stabs Adam. Her (terrifying) monologue to the minivan thief about peeling human skin shows the rush that Shauna gets from these moments that remind her of the raw survival instincts she experienced in the wilderness.

Just as she was sick of being invisible behind Jackie as a teen, she is sick of the normalcy of being a suburban mom as an adult and craves what she had in the wilderness. In many ways, Shauna’s life is shaped by a tension between her past and present, where The Butcher’s ferocity lurks beneath her gentle, unassuming exterior. Her role in the wilderness forever alters her ability to experience life without craving intensity; it’s almost as if the ordinary doesn’t fulfill her, leaving her compelled to seek out higher stakes and indulge in morally dubious behavior.

Misty - The Caretaker

Misty’s role as a medic in the wilderness is an obvious sign of her need for validation and worship from others. Misty needs to be needed, and she manifests this by making people rely on her to survive in the wilderness. Her medical knowledge grants her the role of The Caretaker, a role that is especially important in the aftermath of an injurious plane crash and during Shauna’s pregnancy. Before the plane crash, Misty was ridiculed and ignored. But after the crash, she realizes she’s in a situation where the unique skills she was previously mocked and outcasted for are suddenly indispensable and praised. Misty delights in the fact that the group relies on her, and she ensures they will continue to value her by breaking the flight recorder, tripping and poisoning Coach Ben, and emphasizing her ability to deliver Shauna’s baby when the time comes. Her desire for power over others stems from a deep insecurity, and she will do anything to maintain this power.

As an adult, Misty still holds her role as The Caretaker. She works as a nurse for the elderly, a position that allows her to remain needed and in control over vulnerable people. We see Misty looking far too satisfied when she withholds pain medications from one of her patients after she disrespects Misty. We also see Misty relishing in her control over Jessica Roberts after she kidnaps her. She makes Jessica need by literally keeping her captive and at her mercy, chaining her to a bed and caring for her. In these scenes, she thrives on her (forced) emotional connection to Jessica.

Her obsessive need to be valued is also seen in her relationship with Nat. She desperately wants Nat to admit she needs her help and support. She goes to great lengths to make Nat rely on her (tampering with Nat’s car so she has to hitch a ride with Misty, spying on her so that she can leap into action and rescue her when needed, snorting Nat’s coke before she can, investigating Nat’s disappearance and infiltrating Lottie’s compound to “save” her).

Similar to Nat and Shauna, Misty is attempting to recreate the feelings of importance and purpose she had in the wilderness, and she does so by obsessively providing care to those around her, even if they don’t want it and even if it eventually ends up harming the very people she’s attempting to help.

Lottie - The Prophet

Lottie's role as The Prophet reveals her complex and often contradictory psyche. She’s modest but confident, empathetic but manipulative, gentle but dangerous, afraid of her power but also inclined to wield it. Lottie is trapped in her own mental health struggles and the pressure of others’ expectations. She is highly intuitive, both emotionally and psychologically, and her visions and interpretations suggest she has an acute awareness of others’ fears and needs, even if filtered through her delusions. This makes her a natural figure for people to gravitate toward in times of uncertainty. Her peers’ reliance on her prophecies builds her confidence and identity as a leader, though it also places her in a role where she becomes responsible for the group’s downward spiral. Her authority in the wilderness often vacillates between comforting her teammates and manipulating them, blurring her true intentions and leaving room for her power to turn darker.

Lottie’s role as The Prophet remains with her long after the rescue. We see her spiritually guiding other patients during her time in the psychiatric ward. And after she gets out of the hospital, we know that she eventually starts a full-on cult (wellness community). The wellness center is a modern extension of the community she led in the woods, blending healing practices with a lingering undercurrent of fear and control as she continues to influence others while grappling with the guilt of the disastrous consequences her influence has caused in the past. When the rest of the survivors arrive at the compound, Lottie slips right back into that familiar Prophet role. Within the span of a few hours, Lottie has the group engaging in her spiritual treatments and making a ritualistic sacrifice to the Wilderness. It remains unclear whether Lottie's prophetic abilities are rooted in genuine intuition, trauma-induced delusions, or supernatural forces, but her impact on those around her is still as powerful and dangerous as it was in the wilderness.

Travis - The Gatherer/Follower

Travis’s role is often more supportive, as he frequently follows Natalie’s lead in hunting and survival tasks and Lottie’s lead regarding spiritual beliefs and the welfare of the group. He’s not the one holding the gun on most hunting trips, but he’ll be the one behind Nat coaching her through it and reminding her to breathe. He’s devoted to Lottie’s leadership and contributes to her prayer circles in his own small ways. This role reflects his position in the group as someone searching for acceptance and stability, still grappling with the trauma of his father’s death. His willingness to contribute in more secondary ways showcases his loyalty and his struggle to find his own identity amidst the group’s chaos.

We don’t get to see a lot of adult Travis, but echoes of his role in the wilderness are still evident. He desperately seeks out Lottie’s guidance and direction, even though it leads to his death. He also continues to fall into his old patterns with Nat, following her around and supporting her through her addiction, making her promise not to commit suicide, and saving her life when she overdoses.

Van - The Storyteller

Even before the crash, Van is a cinephile and pop culture obsessive. Her proclivity towards fiction and narratives translates to the wilderness as she becomes the group’s storyteller. During Tai’s expedition, she lightens the group’s mood with her iconic “our girl Sandy” retelling. She recaps Wiskayok High's gossip during the attic seance. In a darker moment, she begins to tell the story of the cabin and the Wilderness after the group eats Javi. Van's storytelling is her way of coping with the dark reality she has been presented with, as well as making sense of her trauma through the narrative format she is comfortable with. She begins by retelling the fictional stories she loved before the crash, and then shifts to fictionalizing the world she is actually living in. Van's stories and her happy-go-lucky, humorous demeanor serve as a distraction from the traumas of the wilderness for both the group and herself.

Van’s storytelling role continues after she is rescued from the wilderness as she opens her own video store, collecting stories and sharing them with her customers. She becomes a curator of nostalgia. Van is obsessed with the pop culture of the past, which shows her strong connection to stories and narratives, albeit in a way that allows her to maintain distance from her own. As an adult, Van appears to cope by living in the past, immersing herself in a realm of curated stories that are not her own, which speaks to her avoidance of the unresolved trauma of the wilderness. Her humor, a key part of her storytelling as a teenager, becomes a defense mechanism, masking her pain and reluctance to fully engage with what she did in the wilderness.

Taissa - The Protector/Warrior

Taissa's strength and endurance cast her in the role of The Warrior and Protector. She is ambitious, decisive, and often takes charge when the group needs direction. She leads the charge on leaving the crash site and hiking to the lake, a decision which likely ended up saving many of their lives. Tai is also the first to decide to seek out civilization, forming an expedition to find help for the rest of the group. When Van is gravely injured, Tai risks her own life to stay behind and care for her, refusing to leave her side. Similarly, when Shauna goes into labor during a blizzard, Tai supports her, physically and emotionally, leading them back to safety. Beneath her tough exterior lies a deep well of care and selflessness; Tai will go to great lengths to protect the people she loves.

However, her role also highlights her internal conflict and her propensity for self-destruction as she wrestles with a dual nature that makes her both a protector and a potential threat to the group. The dark side of Tai goes against everything she stands for; it puts Van and other members of the group in danger, and it presents a complete lack of control that she is unaccustomed to. The wilderness brings out her survival instincts but also forces her to confront her more dangerous side.

As an adult, Taissa is still a fierce, protective force for her family and the remaining survivors. She pays for Nat’s multiple stints in rehab, chases down and fully tackles the blackmailer, helps Shauna cover up Adam's murder to save her from incarceration, and runs a cutthroat political campaign hoping to create change. Her pursuit of becoming a state senator symbolizes her fight to protect and improve her community. This can be seen as an extension of her drive to ensure survival in the wilderness—fighting for stability, control, and order in a chaotic world. Her willingness to do whatever it takes to succeed, even resorting to morally gray actions (e.g., sabotaging her own family to protect her political image), reflects her wilderness-era ruthlessness. When the “Other Tai” emerges again, Taissa is determined to protect her family by distancing herself from them. The Other Tai’s actions can be seen as an extreme form of her protectiveness, as well, as she kills Biscuit as a sacrifice to the Wilderness to ensure her and her family's safety and power.

[ambrosiagourmet]

In chapter 28, Marcille lays out why the journey she's been on has been worth the pain: because they were able to bring Falin back. The injuries, the indignity, and the mess of it all - they are tolerable primarily in context of destination she believes she's reached at this point.

In truth, of course, the story is far from finished. In fact, I would argue that this is actually where hers really starts. This scene holds the seed of the very thing the Winged Lion will exploit to lead Marcille to become the Lord of the Dungeon. After all, with a desire as far reaching and deeply held as Marcille's, if the only acceptable outcome is success, what other choice does she have but to bargain with the infinite?

So let's talk about this idea - where it leads her, how Laios' path intersects with it, and how they both help each other move forward in the face of failure.

First though, I want to step back and talk about something else: the shapeshifter chapters.

With these chapters recently covered by the anime, there has, of course, come plenty of fun discussions about which version of each character belongs which other character's perceptions, and what that means.

One thing I've seen pointed out a few times is the fact that both Laios and Marcille's impressions of each other are based around Falin. Marcille's version of Laios is larger and more masculine, because those are the traits that stuck out to her in contrast to Falin. Laios' version of Marcille was directly inspired by her appearance and demeanor when resurrecting Falin.

So why is this important to a discussion about Marcille being focused on success? Well, it shows us where Laios and Marcille's relationship starts: built primarily around their shared love for Falin. It's from that shared beginning that they begin to learn about each other on their own terms.

And this is true for the whole group, to be clear. They are united by circumstance - love for a lost companion, a sense of responsibility, a desire for freedom - but they all grow and help each other beyond that circumstance. They help Senshi bury the ghosts of his past and eat some Hippogriff stew. They help Izutsumi open up to mutual love and friendship. And they learn so much about each other: about Chilchuck's family and Laios' love of monsters and Marcille's desires to live life alongside others.

In the particular case of Marcille and Laios, understanding each other is what lets them save each other. It is not through Falin that Laios talks Marcille down from the edge the Lion has brought her to, nor is it through her that Marcille comforts Laios after the demon is defeated, when it is still unclear how everything will work out.

In fact, it is very specifically the unknown fate of Falin that Marcille comforts him about.

She is willing to accept the outcome - willing, now, to embrace the journey itself, rather than only accepting it as a means to an end.

This is a lesson she learns from Laios, and it's a lesson we watch Laios learn, too.

Just before making her deal with the Lion, Marcille recalls everything that led her to that moment. She lingers on the pain, recalling the worst of their journey:

She only pushes through by remembering her goals: saving Falin, and equalizing the lifespans of her friends to match her own.

And yet, 10 chapters later, when reflecting on why she actually wants to see her goals through, it is the good parts of that very same journey that shine through.

There's an inherent contradiction here, one which Marcille doesn't know how to face. How can the suffering that she tolerates also be the love that drives her forward? How can the loss that she's worked so hard to reverse also be the very circumstance that created a world she, now, cannot stand to give up?

And Laios confronts her with the truth. Because it just is.

Losing Falin forced him to open up to others in a way he never had. It forced him to choose what he cares about, and in making that choice, it gave him the opportunity to be seen. To connect with others.

He has already had to come to terms with the fact that Falin's death has given him something - he would not have been able to kill her again if he hadn't.

There is something here that is fundamental to Dungeon Meshi's understanding of what life even is. Like, I don't think it's a coincidence that part of Laios' speech to Marcille in chapter 85 is actually first seen in the chapter where they fight off ghosts.

In 'Sorbet,' while possessed , Laios thinks that it would have been better if the dragon had eaten him, instead of Falin. The ghosts make people lose their will to live - they are dragged away from life.

When he's pulled back from that brink, Laios realizes that he can't move forward without accepting that she is gone. He even compares the way he was holding on to her to being possessed: it pulled him away from life, from the present moment.

To carry on, he must accept what has been lost, and focus on protecting the life that they still have.

Like Marcille, he has to accept the contradictions of their journey. That life means eating, and eating requires death. That sometimes one must be selfish in order to be kind, and that selflessness can easily be twisted into to cruelty.

That loss will, inevitably, lead you to find happiness that you may not have found otherwise.

This is how he gets through to Marcille. And I think part of the reason he reaches her with these specific ideas is because those contradictions are baked so thoroughly into their relationship.

Marcille only met Falin after she had been left behind by Laios. Laios was able to reconnect with Falin because she left Marcille. They both met each other through Falin, and yet they only really got to know and care for one another after she died.

And of course, that's why Marcille uses the same ideas to comfort Laios, in the final chapter. It is because of Laios that she is able to accept the journey for itself, and not need the happy ending to justify its meaning to her.

Together, they help each other move forward, and accept that they may not be able to bring Falin back.

Which, if I'm being honest... I think this is the reason Falin can come back, narratively speaking, without the resurrection feeling like it takes away from the themes of the story.

After all, she doesn't do it for Marcille or Laios - she does it for her own sake. Her own hunger and her own desire to eat are the things that lead her back to life.

All three of them, together, end the story like this: not clinging to the things they are afraid to lose, but knowing they can choose to move forward together.

And, importantly, this happy ending is no longer the thing that gives the journey meaning. Rather, it is the privilege of the journey itself that is her happy ending: the chance to walk alongside others in the time they have, to get to know each other, and to eat well.