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Kickstarting a book to end enshittification, because Amazon will not carry it
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My next book is The Internet Con: How to Seize the Means of Computation: it’s a Big Tech disassembly manual that explains how to disenshittify the web and bring back the old good internet. The hardcover comes from Verso on Sept 5, but the audiobook comes from me — because Amazon refuses to sell my audio:
https://www.kickstarter.com/projects/doctorow/the-internet-con-how-to-seize-the-means-of-computation
Amazon owns Audible, the monopoly audiobook platform that controls >90% of the audio market. They require mandatory DRM for every book sold, locking those books forever to Amazon’s monopoly platform. If you break up with Amazon, you have to throw away your entire audiobook library.
That’s a hell of a lot of leverage to hand to any company, let alone a rapacious monopoly that ran a program targeting small publishers called “Project Gazelle,” where execs were ordered to attack indie publishers “the way a cheetah would pursue a sickly gazelle”:
https://www.businessinsider.com/sadistic-amazon-treated-book-sellers-the-way-a-cheetah-would-pursue-a-sickly-gazelle-2013-10
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[Image ID: Journalist and novelist Doctorow (Red Team Blues) details a plan for how to break up Big Tech in this impassioned and perceptive manifesto….Doctorow’s sense of urgency is contagious -Publishers Weekly]
I won’t sell my work with DRM, because DRM is key to the enshittification of the internet. Enshittification is why the old, good internet died and became “five giant websites filled with screenshots of the other four” (h/t Tom Eastman). When a tech company can lock in its users and suppliers, it can drain value from both sides, using DRM and other lock-in gimmicks to keep their business even as they grow ever more miserable on the platform.
Here is how platforms die: first, they are good to their users; then they abuse their users to make things better for their business customers; finally, they abuse those business customers to claw back all the value for themselves. Then, they die:
https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys
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[Image ID: A brilliant barn burner of a book. Cory is one of the sharpest tech critics, and he shows with fierce clarity how our computational future could be otherwise -Kate Crawford, author of The Atlas of AI”]
The Internet Con isn’t just an analysis of where enshittification comes from: it’s a detailed, shovel-ready policy prescription for halting enshittification, throwing it into reverse and bringing back the old, good internet.
How do we do that? With interoperability: the ability to plug new technology into those crapulent, decaying platform. Interop lets you choose which parts of the service you want and block the parts you don’t (think of how an adblocker lets you take the take-it-or-leave “offer” from a website and reply with “How about nah?”):
https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah
But interop isn’t just about making platforms less terrible — it’s an explosive charge that demolishes walled gardens. With interop, you can leave a social media service, but keep talking to the people who stay. With interop, you can leave your mobile platform, but bring your apps and media with you to a rival’s service. With interop, you can break up with Amazon, and still keep your audiobooks.
So, if interop is so great, why isn’t it everywhere?
Well, it used to be. Interop is how Microsoft became the dominant operating system:
https://www.eff.org/deeplinks/2019/06/adversarial-interoperability-reviving-elegant-weapon-more-civilized-age-slay
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[Image ID: Nobody gets the internet-both the nuts and bolts that make it hum and the laws that shaped it into the mess it is-quite like Cory, and no one’s better qualified to deliver us a user manual for fixing it. That’s The Internet Con: a rousing, imaginative, and accessible treatise for correcting our curdled online world. If you care about the internet, get ready to dedicate yourself to making interoperability a reality. -Brian Merchant, author of Blood in the Machine]
It’s how Apple saved itself from Microsoft’s vicious campaign to destroy it:
https://www.eff.org/deeplinks/2019/06/adversarial-interoperability-reviving-elegant-weapon-more-civilized-age-slay
Every tech giant used interop to grow, and then every tech giant promptly turned around and attacked interoperators. Every pirate wants to be an admiral. When Big Tech did it, that was progress; when you do it back to Big Tech, that’s piracy. The tech giants used their monopoly power to make interop without permission illegal, creating a kind of “felony contempt of business model” (h/t Jay Freeman).
The Internet Con describes how this came to pass, but, more importantly, it tells us how to fix it. It lays out how we can combine different kinds of interop requirements (like the EU’s Digital Markets Act and Massachusetts’s Right to Repair law) with protections for reverse-engineering and other guerrilla tactics to create a system that is strong without being brittle, hard to cheat on and easy to enforce.
What’s more, this book explains how to get these policies: what existing legislative, regulatory and judicial powers can be invoked to make them a reality. Because we are living through the Great Enshittification, and crises erupt every ten seconds, and when those crises occur, the “good ideas lying around” can move from the fringes to the center in an eyeblink:
https://pluralistic.net/2023/06/12/only-a-crisis/#lets-gooooo
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[Image ID: Thoughtfully written and patiently presented, The Internet Con explains how the promise of a free and open internet was lost to predatory business practices and the rush to commodify every aspect of our lives. An essential read for anyone that wants to understand how we lost control of our digital spaces and infrastructure to Silicon Valley’s tech giants, and how we can start fighting to get it back. -Tim Maughan, author of INFINITE DETAIL]
After all, we’ve known Big Tech was rotten for years, but we had no idea what to do about it. Every time a Big Tech colossus did something ghastly to millions or billions of people, we tried to fix the tech company. There’s no fixing the tech companies. They need to burn. The way to make users safe from Big Tech predators isn’t to make those predators behave better — it’s to evacuate those users:
https://pluralistic.net/2023/07/18/urban-wildlife-interface/#combustible-walled-gardens
I’ve been campaigning for human rights in the digital world for more than 20 years; I’ve been EFF’s European Director, representing the public interest at the EU, the UN, Westminster, Ottawa and DC. This is the subject I’ve devoted my life to, and I live my principles. I won’t let my books be sold with DRM, which means that Audible won’t carry my audiobooks. My agent tells me that this decision has cost me enough money to pay off my mortgage and put my kid through college. That’s a price I’m willing to pay if it means that my books aren’t enshittification bait.
But not selling on Audible has another cost, one that’s more important to me: a lot of readers prefer audiobooks and 9 out of 10 of those readers start and end their searches on Audible. When they don’t find an author there, they assume no audiobook exists, period. It got so bad I put up an audiobook on Amazon — me, reading an essay, explaining how Audible rips off writers and readers. It’s called “Why None of My Audiobooks Are For Sale on Audible”:
https://pluralistic.net/2022/07/25/can-you-hear-me-now/#acx-ripoff
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[Image ID: Doctorow has been thinking longer and smarter than anyone else I know about how we create and exchange value in a digital age. -Douglas Rushkoff, author of Present Shock]
To get my audiobooks into readers’ ears, I pre-sell them on Kickstarter. This has been wildly successful, both financially and as a means of getting other prominent authors to break up with Amazon and use crowdfunding to fill the gap. Writers like Brandon Sanderson are doing heroic work, smashing Amazon’s monopoly:
https://www.brandonsanderson.com/guest-editorial-cory-doctorow-is-a-bestselling-author-but-audible-wont-carry-his-audiobooks/
And to be frank, I love audiobooks, too. I swim every day as physio for a chronic pain condition, and I listen to 2–3 books/month on my underwater MP3 player, disappearing into an imaginary world as I scull back and forth in my public pool. I’m able to get those audiobooks on my MP3 player thanks to Libro.fm, a DRM-free store that supports indie booksellers all over the world:
https://blog.libro.fm/a-qa-with-mark-pearson-libro-fm-ceo-and-co-founder/
Producing my own audiobooks has been a dream. Working with Skyboat Media, I’ve gotten narrators like @wilwheaton​, Amber Benson, @neil-gaiman​ and Stefan Rudnicki for my work:
https://craphound.com/shop/
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[Image ID: “This book is the instruction manual Big Tech doesn’t want you to read. It deconstructs their crummy products, undemocratic business models, rigged legal regimes, and lies. Crack this book and help build something better. -Astra Taylor, author of Democracy May Not Exist, but We’ll Miss It When Its Gone”]
But for this title, I decided that I would read it myself. After all, I’ve been podcasting since 2006, reading my own work aloud every week or so, even as I traveled the world and gave thousands of speeches about the subject of this book. I was excited (and a little trepedatious) at the prospect, but how could I pass up a chance to work with director Gabrielle de Cuir, who has directed everyone from Anne Hathaway to LeVar Burton to Eric Idle?
Reader, I fucking nailed it. I went back to those daily recordings fully prepared to hate them, but they were good — even great (especially after my engineer John Taylor Williams mastered them). Listen for yourself!
https://archive.org/details/cory_doctorow_internet_con_chapter_01
I hope you’ll consider backing this Kickstarter. If you’ve ever read my free, open access, CC-licensed blog posts and novels, or listened to my podcasts, or come to one of my talks and wished there was a way to say thank you, this is it. These crowdfunders make my DRM-free publishing program viable, even as audiobooks grow more central to a writer’s income and even as a single company takes over nearly the entire audiobook market.
Backers can choose from the DRM-free audiobook, DRM-free ebook (EPUB and MOBI) and a hardcover — including a signed, personalized option, fulfilled through the great LA indie bookstore Book Soup:
https://www.kickstarter.com/projects/doctorow/the-internet-con-how-to-seize-the-means-of-computation
What’s more, these ebooks and audiobooks are unlike any you’ll get anywhere else because they are sold without any terms of service or license agreements. As has been the case since time immemorial, when you buy these books, they’re yours, and you are allowed to do anything with them that copyright law permits — give them away, lend them to friends, or simply read them with any technology you choose.
As with my previous Kickstarters, backers can get their audiobooks delivered with an app (from libro.fm) or as a folder of MP3s. That helps people who struggle with “sideloading,” a process that Apple and Google have made progressively harder, even as they force audiobook and ebook sellers to hand over a 30% app tax on every dollar they make:
https://www.kickstarter.com/projects/doctorow/red-team-blues-another-audiobook-that-amazon-wont-sell/posts/3788112
Enshittification is rotting every layer of the tech stack: mobile, payments, hosting, social, delivery, playback. Every tech company is pulling the rug out from under us, using the chokepoints they built between audiences and speakers, artists and fans, to pick all of our pockets.
The Internet Con isn’t just a lament for the internet we lost — it’s a plan to get it back. I hope you’ll get a copy and share it with the people you love, even as the tech platforms choke off your communities to pad their quarterly numbers.
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Next weekend (Aug 4-6), I'll be in Austin for Armadillocon, a science fiction convention, where I'm the Guest of Honor:
https://armadillocon.org/d45/
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If you'd like an essay-formatted version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/07/31/seize-the-means-of-computation/#the-internet-con
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[Image ID: My forthcoming book 'The Internet Con: How to Seize the Means of Computation' in various editions: Verso hardcover, audiobook displayed on a phone, and ebook displayed on an e-ink reader.]
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art from chapter 7 of idiot's guide! twins my beloved <3
(id in alt)
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lizzybeanbutt · 3 months
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now that you mention it, yeah kabru is kind of an ibex
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trying to pin it down but I don't feel confident on my grasp of kabru's characterization (depsite him being my favourite guy. you know how it is) but like. Kabru is a nicer ibex. Ibex is kabru but he's no longer asking. Ibex is a kabru but he's not afraid to let outright enemies stay on the board if he knows he'll win the overall battle. I think Kabru would make a better candidate of rightousness. I need a two way au and we're gonna send the dunmeshi cast to divine cycle space and we're throwing the kingdom crew in a last ditch dungeon crawl
@arcnoise tagging just in case
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fallenclan · 2 months
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your blog is so cool and it inspired me to start playing the game and drawing more!
Unfortunately I’ve only been able to play the mobile version since downloading instructions are hard to understand. (Also I do have a computer, I’m not trying to use the computer version on my phone to clear it up)
Anyways, I wanted to ask if you could recommend a resource for how you learned to download clanged or simply how you did it?
(sorry this is so long, thanks for posting so much! I love all your little kitties and their stories!)
let's see if i can remember lol
I downloaded my version from here.
scroll down to the Downloads section, which looks like this:
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go ahead and click the green button next to whatever your computer is running on. mine is windows 10.
after that (and this is just from memory bc i didn't want to download clangen twice lol) it'll download into your Downloads folder. it takes a couple of minutes. go ahead and find the file, right click it, and unzip (the process is also called Extracting on some computers)
once it's unzipped, move the unzipped folder to wherever on your computer you want it to stay. the downloads folder is fine if you want to leave it there, but i like to move all my apps into certain places
open up the folder whenever you're ready. there'll be another folder inside that's labeled Clangen, go ahead and open that one, too. go ahead and find the app! it'll look like one of the two below, depending on how you sort your files
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it should stand out, it's the only file in there that has that icon.
that's it! the game should be set up now. i have found that pinning clangen to my computer home screen makes it bug out, but pinning it to the bar at the bottom is fine, and what i prefer, so i dont have to go rooting through my files every time. have fun!
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atomic-chronoscaph · 2 years
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Leonard Nimoy - Y2K Family Survival Guide (1998)
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theajaheira · 2 years
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i cannot stop laughing. go king give us nothing
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Madeline Ashby’s ‘Glass Houses’
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I'm coming to BURNING MAN! On TUESDAY (Aug 27) at 1PM, I'm giving a talk called "DISENSHITTIFY OR DIE!" at PALENQUE NORTE (7&E). On WEDNESDAY (Aug 28) at NOON, I'm doing a "Talking Caterpillar" Q&A at LIMINAL LABS (830&C).
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Glass Houses – published today by Tor Books – is Madeline Ashby's terrifying technothriller: it's an internet-of-things haunted house story that perfectly captures (and skewers) toxic tech culture while also running a savage whodunnit plot that'll keep you guessing to the end:
https://us.macmillan.com/books/9780765382924/glasshouses
Kristen is the "Chief Emotional Manager" for Wuv, a hot startup that has defined the new field of "affective computing," which is when a computer tells you what everyone else around you is really feeling, based on the unsuppressible tells emitted by their bodies, voices and gadgets.
"Chief Emotional Manager" is just a cutesy tech euphemism for "chief of staff." The only person whose emotions Kristen really manages is Sumter William, the boyish billionaire CEO and founder of Wuv. Sumter hired Kirsten because they share a key developmental trait: both were orphaned at an early age and had to raise themselves in a media spotlight.
Both Sumter and Kristen had been in the spotlight even before their parents' death, though. Sumter was the focus of the intense attention that the children of celebrity billionaires always come in for. Kristen, though, was thrust into the spotlight by her parents: her prepper cryptocurrency hustling father, and her tradwife mother, whose livestreams of Kristen's childhoods involved letting the audience vote everything from whether she'd get dessert after dinner to whether her mother should give her bangs.
Kristen's parents died the most Extremely Online death imaginable: a cryptocurrency price-spike sent her father's mining rigs into overdrive, and when they burst into flame, the IoT house system failed to alert him until it was too late. The fire left Kristen both alone and horribly burned, with scars over much of her body.
Managing Sumter through Wuv's tumultuous launch is hard work for Kristen, but at last, it's paid off. The company has been acquired, making Kristen – and all her coworkers on the founding core team – into instant millionaires. They're flying to a lavish celebration in an autonomous plane that Sumter chartered when the action begins: the plane has a malfunction and crashes into a desert island, killing all but ten of the Wuvvies.
As the survivors explore the island, they discover only one sign of human habitation: a huge, brutalist, featureless black glass house, which initially rebuffs all their efforts to enter it. But once they gain entry, they discover that the house is even harder to leave.
This is the setup for a haunted house story where the house seems to be an unknown billionaire prepper's IoT house of horrors. As the survivors of the crash suffer horrible injuries and deaths on the island, the remaining Wuvvies bolt themselves inside, setting up a locked-room whodunnit that runs in parallel.
This is a fantastic dramatic engine for Ashby's specialty: extremely pointed techno-criticism. The ensuing chapters, which flip back and forth between the story of Wuv's rise and rise to a top tech company, and the company's surviving staff being terrorized on a paradisaical tropical aisle, flesh out Ashby's speculation and the critique it embodies.
For example, there's the political culture of Ashby's future America. Wuv are a Canadian company, headquartered in Toronto, and we gradually come to understand that Canada is the beneficiary of an exodus of tech companies from the US following a kind of soft Christian Dominionist takeover (Kristen and Sumter often have to wrangle rules about whether women are allowed to enter the USA in the company of men they aren't married to and who aren't their brothers or fathers).
The flashbacks to this America are beautifully and subtly drawn, especially the scenes in Vegas, which manages to still be Vegas, even amidst a kind national, legally mandated Handmaid's Tale LARP. Ashby uses her futuristic speculation to illuminate the present, that standing wave where the past is becoming the future. Like everything in the shadows of a haunted house tale, this stuff will make the hair on the back of your neck stand on end.
I'm a big Madeline Ashby fan. I have the honor of having published her first story, when I was co-editing one of the Tesseracts anthologies of Canadian SF. I've read and really enjoyed every one of her books, but this one feels like a step-change in Ashby's career, a leveling up to something even more haunting and brilliant than her impressive back-catalog.
Madeline and I will be live at Chevalier's Books in LA on Aug 16 as part of her Glass Houses tour:
https://www.eventbrite.com/e/book-talk-madeline-ashbys-glass-houses-tickets-965286486867
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Community voting for SXSW is live! If you wanna hear RIDA QADRI and me talk about how GIG WORKERS can DISENSHITTIFY their jobs with INTEROPERABILITY, VOTE FOR THIS ONE!
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/08/13/influencers/#affective-computing
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peteneems · 7 months
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Ah yes, it's the Beginner's Guide to the Internet, a not so subtle advertisement for Lycos starring John Turturro as a failing stand-up comedian with a laptop who teaches a small town about the joys of the internet, and Steve Guttenberg's unemployment.
https://archive.org/details/BeginnersGuideToInternet
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whumble-beeee · 6 months
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The Name of The Game
The (Un)Official Guide to Hero-Keeping | Cont'd from Part 8
Content: mentioned past attempted noncon, hysterical whumpee/nervous breakdown (seriously yall, it gets bad), disabled whumpee, trans whumpee, tied up/handcuffs, noncon unshirtening, past captivity references
* * * * * * * *
Excerpt from: The (Un)Official Guide to Hero-Keeping; a self-help guide for villains and bounty-hunters
[While following this guide, as well as generally while playing the wonderful game that is villainy, you will find that the advice can rarely be fitted to every specific scenario. But one piece of advice is universal: If you value your freedom, your loved ones, and your life, you must never reveal your secret identity to your captured hero. As soon as you do, there is no more facade. Villainy is no longer a game. It is your life. And heroes will not hesitate to destroy your life if it means they can win the game. 
If a hero (or ANY untrusted party) ever happens upon your secret identity, it is your responsibility, as a villain and as a human being, to accept the end of your life as you know it…
Or to ensure that the hero can never tell another living soul.]
* * * * * * * *
“See you soon?” Deeby repeated Sweater-vest’s last words incredulously. “See you soon?! Christ, and you know he knows– god, he just needs to stop being such un pendejo and shut the hell up, stop making everything about his goddamn god complex and shoving it en las caras de todos–”
The sudden anger from the usually cool and smug Deeby did not help the apparent panic attack seeping ever so quickly into Stan’s consciousness, especially with said seething bounty hunter circling around the room like an angry shark as he muttered to himself and gesticulated wildly. 
Stan cowered to hide his shirtlessness from said angry shark. His chest and limbs started to buzz from all the excess oxygen entering his system as he took in heavy breaths, his head spinning, dizzy, hurting, every muscle clenching.
“--y quién se cree ese cabrón para venir a joderme MI TRABAJO?” 
He was so angry. So loud, talking so fast, and what the hell was he even saying?! It was too much, too much.
 “Y la puta Lana no puede ni aparecer para decirme que me está jodiendo la vida OTRA VEZ porque es lo único que le encanta hacer, joderme TODO lo que–”
Stop it stop it stay calm stay calm please not now please please please not now you can’t show weakness like this in front of your kidnapper you can’t stop it STOP IT–
He took in an involuntary loud heaving breath. Then fell into a stuttering slew of smaller breaths as he tried to keep quiet, and Deeby finally took notice of the state of his captive. 
Stan squeaked and pulled the jacket around himself tighter. He was small, he was silent, he was invisible. 
Then he gasped in another desperate heaving breath with an involuntary cry of panic when he suddenly ran out of air. He’d stopped breathing entirely with all his efforts.
“Stan? Qué es–... Ah, you good?”
Stan nodded quickly, shaking. “F-fine, fine.”
Deeby raised an eyebrow at him. “Don’t lie to me. What is this, you having a panic attack?”
He couldn’t get his eyes to focus, but he shook his head fervently. Then reeled as it made the dizziness and headache so much worse.
“Stan, talk to me, chiquito. If he actually did something to you, tell me. I need a good reason to kill him, you’d be helping me out a lot.”
He didn't actually even hurt me, did he? 
“No–! I-I u-uh-uh yes-s-s, but– but–” 
I don't WANT to ‘help you out’! I don't want to talk about it! ESPECIALLY not with you. 
He let out a whine and failed to swallow the giant knot forming in his throat.
“Alright, is this about the shirt then? Or the uh, the chest thing? Is that why you went from colonizer white to ghost white when you thought I was gonna make you strip earlier?” He walked over to the tattered shirt and scooped it up. “Because if that's what got you, I can assure you I don’t give a single crap what you’ve–... got in your...”
Deeby trailed off as he held up the grey strips of fabric that used to be Stan's button-down. 
And just stared.
Stan gawked at the unrecognizable shredded fabric hanging in the bounty hunter's hands. His breath caught in his throat. He hadn't realized how utterly destroyed his beloved shirt was. What was he supposed to wear now?
“That… Motherfucker…” Deeby muttered, almost as as aghast as Stan. “Christ, I knew he'd pull some grade-A bullshit, but this–”
“Y-you KNEW?!” Stan gasped out, surprising himself with the volume of his outburst. “You– You knew he was gonna– gonna try to...”
Deeby didn't look up from the tatters in his hands. “Yeah. He's predictable, if nothing else.”
Stan's entire body felt like it was full of angry bees. “You–... You left me-e alone with ‘im. On pu-urpose.”
“And everything turned out fine, you're fine. Look runt, we need to have a little talk about what–”
“NO!” Stan cried, ignoring the drop in his stomach when Deeby's eyes took on a slight challenging glint at the interruption. “No, don’t change the subject! You left me alone with him! You knew he was gonna try to– to rape me and you left me alone with him! Handcuffed, chained to the floor, powerless, immobile, beat up to hell and– a-and unable to defend myself and you-you left me alone with him!”
The floodgates were opening. The stifling sense of justice suffocating Stan from the inside out wouldn’t let the injustices go unsaid any longer, crashing through his body and just about ready to make him burst. Ironic, given the everything.
Deeby’s jaw set. “Stan. I wouldn’t have left that shit-for-brains alone with anyone if I didn’t have to.”
“Oh, but you– you had to?” Stan taunted, hoping the sarcasm came through in his voice even with the stuttering and heaving breaths. “What, Dee-deeby the great bounty hunter actually answers to someone? Enough to put the uh, the bounty in danger? Or are you just scared of him, wanted to get away?!” 
Deeby snorted.
“Hell yeah, I'll do whatever if the buyer asks it,” he proclaimed. "And I'm not scared of that human cringe-fail. The day I'm scared of him is the day I'm dragged away screaming and turned into… well, you, basically. But I mean, that's when he's actually dangerous…" 
He seemed to think on it for a moment. Then crouched down in front of Stan, smug grin replaced with something like the look a friend gives when they think you're about to ruin your life with a single dumb decision.
“Honesty, bud… I wouldn't be so tough around a guy like that if I were a guy like you. Best to just fuel his ego.”
Stan physically recoiled. “Don't tell me what–! Who-wh–…”
That insult sounded way too genuine. Since when was the mercenary genuine?
“Wait, wait, you'd…” Stan shook his head, trying to untangle his thoughts from the spaghetti of his mind. This concussion was killing him. He could barely think. “If you were… Who even was th-that?”
Another chuckle. “What, Tweedy? That was Vaughn. He said that earlier, though I applaud your ability to block him out. Wish I could do that.”
Then again, the hunter was most likely just trying to psych him out. Get him to behave again. Stan wouldn't fall for something like that.
“No, idiot, I mean–... I meant who is he? Why is he going to-to see me soon?… And– and for that matter, are you working together? Because it seems like you hate each other.”
Deeby let out a huff of air. “Look, bud, we need to talk about that phone call I had to take, the boss–”
“You're avoiding the question.”
“Well frankly, there's more important things to talk about,” Deeby dismissed quickly. “So I was talking with the boss-lady on the phone while you were–”
“I don’t care about what that Lana person has to say!” Stan said, slamming his hands on the floor for effect, a breath-stealing pang running through his ribs at the jostling. “Jus– Just tell me who you guys are, tell me why I’m here, tell me why I should be scared of ‘a guy like that’! Who ARE you?!”
Deeby narrowed his eyes slightly. “We need to talk about what's going to happen to you next. And you're gonna listen to that. Not yell demands at me like some asshole 6-year-old, because you already know I don't deal with all that ‘who am I, secret identity’ crap, so you're not getting those answers.”
Well actually, judging by the horrible sticky weight that slammed Stan in the gut when Deeby said that, he didn't want to know what horrors awaited him next. So next best thing? Keep being an asshole 6-year-old.
“Why?”
“Anonymity is the most valuable tool you can have in this game.” Deeby recited it like a script, exaggerating a monotone boredom. “Also I'm not an idiot, it's protocol that's saved me before, it helps me do my job without getting invested… take your pick.”
“You're not even wearing your mask any more!” Stan cried. “So much for secret identity!”
“I think what you're meaning to say is ‘thank you for rushing to save my damsel-in-distress ass from some twink with scissors when you heard me screaming for help even though you were dealing with a really important phone call from the worst person ever’. And you're very welcome. Now we need to talk about what I found out in that dumbass phone call and what it means for you.”
He always had an answer for everything, huh? Always another quip.
Stan's blood started to boil, and he may have actually, genuinely growled a little. 
“S-so-so so what, you are scared of her, then? You're scared of her and that's why you left me with that monster?!” He tried, spitting back as much smug asshole-ness as Deeby had been throwing at him. “Is that why you hate them, you’re just their damn lackey doing whatever they tell you to do?! Just a puppet for them to guide around, running around capturing supers and serving them up on a silver platter like a good little servant?!”
Deeby stared at him, genuinely stunned by the sudden venom in the captive's words. His fists clenched by his side.
 Hm. Stan may have gone too far.
“Look, McKellen,” Deeby spat as he took an authoritative step forward, voice slow, low and dark. “There are things at play here that you can’t know about–”
“Why not?!” Stan felt like he was losing it, voice creaky and high and hoarse. “Obviously I’m gonna be trapped here with you assholes for the rest of my short life until you kill me with some new form of torture experiment bullshit! Why not tell me everything?! Why not do whatever you want with me?! Just tell me! Please!!”
Stan glared desperately at the bounty hunter. He knew he wasn’t even just crossing the line at this point; he was sprinting over the line and stomping on it repeatedly in a panic-fueled frenzy, kicking at it and letting out his full fury as if the line itself had done this to him, as if absolutely decimating the line would somehow fix everything.
Way deep down, almost too far down to admit to himself, he almost hoped the mercenary would see through the insults and the fighting to see the pleading, hurt, scared man underneath. And then take pity. Just let him have this one thing, before he broke entirely.
But the bounty hunter glared right back at him.
“No.” He stated venomously. “Right now, you're going to shut up. And listen.”
As if Stan would ever listen to the orders of his kidnapper. Of a villain.
A small laugh, just a little chuckle, took root his chest. A disbelieving smile cracked across his face.
The absence of the signature unbothered grin, the absence of the mask, the deathly seriousness? Not to mention the gun, the knives, the chains, the handcuffs, the power suppressing collar, no cane or crutch or any viable mobility aid in sight, and beaten so hard multiple times that he probably couldn't run properly anyway even if he did have a knee that actually worked…
This really was hopeless, wasn't it? 
He could rage against the dying of the light all he wanted. Scream and shout and cry and fight and say witty things to hide the excruciating, never-ending pain. 
But the light would still die all the same.
He clutched Deeby's very own stupid cowboy-ass jacket around his shoulders. He couldn't even defend himself from getting his shirt ripped to shreds right off his body!
And this bitch–
“You– you don't think…” he had to pause to let out a barrage of inappropriate giggles, then shoved up shakily to his feet, back braced against the wall. “You don't still think I'm gonna– that, that I'm gonna escape, do you?!”
Deeby gave pause, eyeing Stan up and down. Really thinking about it. He took a deep breath. A low grumble emanated from the base of his throat.
“No. I don't.”
Stan laughed out again, full force this time. Desperate. Tearful.
“Then just–... just TELL ME!! IT DOESN'T MATTER!! IT DOESN'T!! IT'LL DIE WITH ME!!”
The mercenary's mouth pressed into a thin line. Was that confusion etched into his features? Or worry? Maybe anger…
“It does matter,” He growled through gritted teeth. “It's probably the most important thing you could know, who I am. Who we are.”
Stan let out a loud cry of anguish, screeching out every single frustration at the unfairness of the world, at this situation, at Deeby and Vaughn and whoever Lana was, at the collar and the chains and the cut and bruises and broken bones and his broken, useless knee into a single, guttural sound. 
“WHY WON'T YOU TELL ME ANYTIN-GAH-AH!!”
Very, very suddenly, the lapels of Deeby's loosely draped jacket tightened around his body and slammed him back into the wall, the fleece-lined collar of the jacket twisting and pulling on the power-suppressing strap clamped around his neck, contracting it, choking him just as the slam forced all the breath out of his lungs. 
Stan clawed back against the force, only managing to grasp at Deeby’s forearms uselessly as they twisted the jacket ever tighter around him. Pinning his arms. Trapping him. He had to heave in and out gasping breaths just to get enough air to breath through his half obstructed airways.
“Look at me, chiquito,” the bounty hunter snarled. “Look me in the eye!”
Stan's panicked eyes paused their sporadic dance around the room. They locked dead onto the mercenary's fiery gaze.
“Did you break your damn brain in the 3 minutes I was gone?” Deeby hissed into his ear. Stan almost screeched in terror. “I don't know what sort of fuckery your mind has been conjuring up that you can't get this very simple concept without going insane,” he jolted Stan and dragged out an involuntary whimper from his throat. 
“But whatever it is, shut it down. Now. I'm gonna tell you the bare minimum of what you need to know, and you're gonna sit there and listen or else I won't tell you jack shit and knock you unconscious so I don't have to deal with your bullshit. Agreed?!” 
“I– Ah, a-ah, I– No, I- I, no-no no No-o–”
He couldn't get his thoughts to line up properly. They swarmed around his head like locusts in a dust bowl, bouncing into each other, frenzied, an indecipherable cloud of fear and frustration that his horrible attempt at defiance, futile as it may have been, always just made everything worse.
He could never stop himself.
Angry tears rimmed at Stan's eyes. His body hurt. His brain pounded in his skull. His ribs cried out in protest as they pressed into the wall. The various bruises and their dull, throbbing aches, the cuts and bleeding wounds and their sharp, searing screeches, the sticky and caked on dried blood, so familiar now it was almost a second skin, Deeby's weight pinning him to the wall, so similar and yet so different to the way Vaughn had done the same.
No. No, no, no, no.
He squeezed his eyes shut, tears finally falling in hot, fat drops down his cheeks. The bounty hunter was so close, too close. Stan tried to pull away, and he just leaned on him harder, their faces barely inches apart.
“Agreed, chiquito?” The voice rumbled through his entire body, sending shivers up and down his spine.
No no no no no no no he needed to get away, get away now, please please that's all he needed he couldn't get away he couldn't even move his arms he could barely breathe–
“WHY DON'T YOU JUST RAPE ME ALREADY?!” Stan screamed into the endless cacophonous void.
And silence.
And the entire world went still.
Deeby’s mouth fell literally agape.
His grip on Stan loosened considerably. Not out of pity or any other considerate emotion. Just shock.
At least Stan could finally breathe again. Not that he took a single breath in the silence.
“I–...” Deeby finally choked out. “I-I beg you finest fucking what?!”
“Just fucking do it,” Stan hissed, gasping. “We both know you could. I couldn't even stop Vaughn, you think I could stop you?!”
The words spewed out of his mouth faster than he could stop them, like a volcano that had finally exploded its top off in a fiery glory. And the way Deeby looked at him, as if his features were having an all out war over shock, horror, or honestly very justified anger? Oh, that did nothing but fan the flames of Stan's sorrow-filed hysteria.
“Tall ass muscle-bound freak with an actual gun that captured me and beat me up again and again then left me to die?! I don't even know who you are! You can do whatever you want and I can't do jack shit to stop you! Just do it, hurt me, rape me, it doesn't matter! Vaughn knew that, you can too!” Stan attempted to shove the bounty hunter off, but he still didn't move. 
“Please, please, I'm begging you, is that what you want?! I'll get on my knees!”
Stan collapsed against Deeby's hold, and to his surprise, Deeby finally let him. Well, not ‘let him,’ more like ‘recoiled and jumped back when he felt Stan collapsing in his grasp'. 
All the same.
“Chiquito,” Deeby rasped. “I'm– not exactly sure what or why you're demanding, but I'm not going to–”
“Why not?! It doesn't matter!” Stan assured, holding his arms out to fully present himself now, shedding the jacket onto the floor behind him and taking a daring scoot forward. “I bet you just kicked Vaughn out because you wanted me all to yourself! I bet you just love seeing me scared and helpless and half naked in your stupid fucking yee-yee jacket–”
“Alright, Stan, enough!”
“AT LEAST VAUGHN had the decency to not pretend like he was a decent fucking person like you!” Stan yelled. “We both know you're not above it, fucking professional kidnapper and torturer! So just do it! Like Vaughn wanted to, like he tried to! Finish what he started, you have me all to yourself now! DO IT! DO IT I DARE–”
“The name's Declan.”
The statement was a whisper in the storm. Stan almost missed it. But the resolute certainty of the southern twang stopped him dead in his tracks.
“What–… What did you just–?”
It was astounding how quickly his voice had turned meek from the cacophony of chaos mere seconds before. Dark freckles stood out against an even starker white face than usual.
“It's Declan,” the mercenary stated once more. “My name. My name’s Declan. You wanted t’know who we are, who I am? Fine then, I'm Declan. Want the last name too?”
“I– wait–!”
“It's Cansano. Declan Cansano.”
Stan was shaking, a million thoughts crashing down upon him like a tidal wave. If he weren't already on his knees, surely he would have collapsed. 
He hadn't actually… meant any of that. No. Had he? No. He couldn't have. He didn't want to know who the mercenary was. No, he didn't. He didn't, not really! He would never want that! Never!
“That’s not… Wh-why would you…?”
The bounty hunter shrugged. “You wanted to know who I am. You asked, you screamed, you insulted me and you went fuckin’ nuts over it.” His thunder-filled eyes betrayed his completely relaxed demeanor. “Declan Cansano. Don't forget‘t.”
“I just– That's not what– Wait, Deeby, you– Where are you going?!”
Deeby was already halfway to the door when he swiftly spun around, fists clenched and any trace of the easy demeanor vanished in those bright blood-stained eyes. 
“I can't fuckin’ deal with you right now!”
Stan nearly launched himself back in fear, right back onto Deeby's stupid, soft jacket. He grasped it up as a barrier between him and the mercenary without even thinking. The mercenary's demeanor relaxed from absolutely terrifying to merely extremely angry at the sorry sight.
“I'm leaving for a bit.” He whipped around and grasped for the lapels of his jacket to yank it on, only for his grasp to come up empty. He whipped around a third time. “And I'll be expectin’ my coat back when I get back! You better've calmed the hell down by then, if you know what’s good for you.”
Wait, wait, he was leaving? No!
Stan tried to scramble after Deeby, but immediately fell to the agony of his knee and the length of his leash. 
“Don't go, please!” he pleaded.
Deeby didn’t stop. “Why?”
What if you come back with more torture tools? 
What if you don't come back at all? 
I still have more questions for you. 
You can't just leave me here, I'm hurt! 
I shouldn't be alone right now. I can't. I'm scared of what will happen, I'm going insane.
Even you are better than no one at all.
“What– what if Vaughn comes back?!”
Deeby scoffed. “I'm not going that far, damn. Eat some protein bars while I'm gone so you don't die, should help with the insanity. Back soon.”
And the door to the room closed shut behind him, the click echoing off the walls in the sudden unbearable silence. 
Stan collapsed to the floor, defeated.
He clutched the jacket closer. 
Pulled it tight around his shoulders, fingernails leaving small crescent-shaped indents on the well-worn hide. The cotton lining was so surprisingly soft against his skin. Hell, he could smell the dirt and musk that permeated the jacket from years of use, the smal signs that this jacket had seen the capture of dozens of supers.
Declan.
Declan Cansano.
Professional Superhero-Hunter.
Stan screamed into the endless abyss around him.
And this time, Declan didn’t come back to save him.
* * * * * * * *
Next
Taglist: @flowersarefreetherapy | @pirefyrelight | @cakeinthevoid | @painsandconfusion | @books-are-everything | @paperprinxe | @lovethiswriting
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happybunnykat · 6 months
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Um. Uh. Hmmm. I just wonder why we are listening to whats happening in tmagp. Like. What is the in-universe explanation for why the electronics are recording at the O.I.A.R.
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canadianlucifer · 3 months
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do you guys ever just. give your computer a gentle pat? when it's working hard? its doing such a good job and i want it to know that im proud
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elijah-loyal · 7 months
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got my glass of apple juice, my cat next to me, and my computer open for writing the best idea i've ever had:
Les Amis Jurassic Park AU
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logicpng · 8 months
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howdy! i downloaded the aster assistant a while ago and they functioned fantastically and i love them btw, but recently (just now actually) i noticed an issue i hadnt run into before.
i dont know if this is due to an ssp update and is thusly out of your control; but when vega or rigel manifest in their "pop-up" form, they are locked reeeeeaally low below the others' body. i can move the dialogue window all i want, but the "pop-up" stays down. similarly, if i grab the "pop-up", it takes their body up along with them.
its very strange and i didnt use to have this issue before, and im wondering if its just a setting in ssp that i need to switch on or off that you're aware of.
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ahh, yeah I think it may have been an update, there was something related to window positions. but things do just go off the rails sometimes. I probably will add a mode to adjust the side panel's position manually
them being fixed together is intentional on my part, just not to "lose" the panel if Aster's main body is dragged
for now you can enable developer options in SSP Preferences, press Ctrl+S on him*, and in the input window enter "\![reset,sticky-window]" to unlock em. once you're done adjusting just input "\![set,sticky-window,1,0]" to reenable it
(*That will open Script Input. You can also open it through Right Clicking on him and select Development Interface in Utilities submenu, it will have the button)
I hope this helps! posting this publicly too in case anyone who has Aster needs it too
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c0ff33-and-tv · 8 months
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GET EDDIE MUNSON OUT OF HERE IM TALKING ABOUT THE FUCKING SPACE SHIP FROM THGTTG /lh
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conductor-on-grn · 1 month
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if anyone wants lore there are technically RED and BLU conductors ?????
you haven't seen them because um. one is warping the membrane of the universe as we know it and the other one works at an airport right now. sorry
ray has been in contact with both of them so if you want to ask any questions....
[one ask blog is enough man i'll explode :') cmon leave me be]
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arconinternet · 7 months
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The Hitchhiker's Guide to the Galaxy Remake (Windows, DN Games, 2010)
A fan-remake of the iconic text adventure - you can download it here, or download it bundled with a companion game, the original version and a trivia game here.
The game includes a very welcome Strag* Mode, which eliminates unwinnable states.
*Strag: person who is not a galactic hitchhiker
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