#Composite 101
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something about balance wizards and blades...
#been wanting to finish this and finally did....hello#if the colors and lighting don't make sense. yes they do 🫀#and if the composition is unbalanced. no it's not 🫀#i always associate the imagery of a solar eclipse with vigilance so i hope i kinda captured that here too#w101#wizard101#wizzy fandom#wizard101 art#w101 oc#wizard 101 oc#art#artists on tumblr#character: vigilance
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What are composition figures?
If you're a longtime toy collector, you've no doubt stumbled upon these things! You may know them better as Elastolin or Lineol figures, but you probably don't know much more than that. Are they ceramic? Wood? Some kind of old-timey plastic? Where did they come from? And why are they always broken?
Composition figures are antique toys, produced from the late 1800s, up until the 1960s - though their heyday was around WWII, where the Elastolin and Lineol companies really ramped up production. In fact, these companies produced so many figures of such high quality, that their names have since become synonymous with "composition figures" even though dozens of other companies all over the world produced similar figures. Figures produced by Elastolin are always marked with he brand name, while Lineol figures either have the brand name, a "Germany" mark, or both. If it doesn't have either of those brands, it's (usually) not technically a Lineol/Elastolin figure - which is why I stick to calling them "composition figures."
So, what are they made of?? For starters, all larger figures have a metal skeleton - sometimes the entire head/tail may be made out of metal! In my own collection I have a yak with a metal head and a bison with a metal tail. But usually, the skeleton is a simple support structure for the body, as shown on these xrays:
As for the body itself, the main component is sawdust, but the rest of it is kinda unknown. We know that the other major component was a binding agent, but no recipe has been preserved, as far as I can find. We do know that some recipes have included flour, dextrin, casein, bone glue, water, linseed oil, natural resins, and kaolin. However, some recipes are believed to have had too much moisture, which leads us to the next question...
Why are the legs always broken?? Part of it is time and rough handling, but most of it is that the material expands and contracts in response to heat/humidity. Composition figures are stupidly sensitive to environmental changes, and become very brittle over time - eventually, simply moving them around may be enough to cause fractures! Unfortunately, these cracks expose the skeleton and, since they were made of simple iron, the skeleton can oxidize and eventually break completely.
Most composition figures are about the same scale as modern toyline brands (Schleich, Safari, CollectA, etc.) so displaying them is pretty straightforward. Storing them, however, is another matter. It is imperative that they stay out of direct sunlight and away from heat sources. They should also be kept in as air-tight conditions as possible. And, of course, don't get them wet.
Cleaning them is not easy. I have had moderate success with a damp (not wet!) cotton swab. It didn't damage the figure, but it also can't completely get rid of 70+ years of accumulated dust, smoke, and sweat. I'm wary of using soap, as the pH change might affect them. Right side has been cleaned, left side is still dirty:
If anyone has any tips on cleaning, I'd be happy to hear it!
Thanks for reading! :D
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IDK IF this has been done before BUT this but its chase after learning enough from tutoring sessions with mc
Chase is so excited to keep all of this under wraps until he pulls out an absolutely baller vocab word with which to stun his haters and doubters. Imagine him pestering Riel like usual and Riel goes "You're so juvenile" and Chase is like "Not as juvenile as that absolutely puerile treatise you've been reading about trade policies on the Southern Coast... I mean, really, Riel, reading someone as pedestrian as Koryfones? How jejune of you" leaving everyone in the room absolutely stunned (however, he still has no idea what he's saying and is going off of vibes only)
#also thank you for making me relive my grading traumas from my days as a lecturer lol#I taught English Lit and Composition 101 and some of those papers were not far off from this picture 😭#Shepherds of Haven#Chase#Chase Trinaeste#spoilers#mild
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Goodbye!
#bungo stray dogs#bungou stray dogs#bsdedit#soukouku#nakahara chuuya#dazai osamu#graphics: eri#chapter 101 runs on a hamster wheel inside my brain#last time we got to see them hold a conversation being lovecraft in the main manga......oof#this composition makes more sense in my head but oh well#bea if you see this hi <3#chuuya#dazai
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just saw an email asking for applications for a teaching assistantship where you are just. teaching a full course. with office hours. like why are you advertising a real teaching job to the grad students!!! are things so dire for everyone!!
#is this normal for other disciplines#like are english grad students expected to teach like composition 101 by themselves
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ppl are so fucking bad at criticizing hazbin hotel like i know everyone has blind spots but the fact that the characters wear dated formalwear and stripes or fucking whatever is NOT what is wrong with the visual design and it doesnt take a genius to figure that out
#the problem is that there is no differentiation between the characters and their environment!! it looks like visual mud!! composition 101#this can work for things like still illustrations but for animation it confuses the eyes- they dont know where to focus#and vivz is obviously a very skilled illustrator#you could argue there isnt enough diversity in design but for the people who work at the hotel? it makes sense#it makes sense that they would look like that its a common trope. alastor charlie and the furry look like little hotel boys!
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Two Wonder-Reds kissing. Why didn't I draw him with someone else, like Blue? Because why would I do that if I could have twice the Red? No, it's got nothing to do with ego or some kinda commentary on Red's personality. I just want to see as much Red as possible.
#yes I finally drew something for the first time in years#and of all things it's this weird crap#wonderful 101#the wonderful 101#wonder red#kiss#no I didn't try very hard#kissing is hard to draw#of all things to break my art hiatus I go and draw kissing#I'm sorry I had an IMMENSE URGE to make Red kiss himself#I've been wanting to draw that for years#... yes I do plan on drawing more of the same#currently planning one of him in his civilian form#okay in all seriousness the composition in this is bothering me#I gotta relax and stop being so critical of myself#or I'll never draw anything ever again
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there's a thread of all the background art from 101 Dalmations and these are the exact emotions I go through as I scroll through it
#text post#disney#101 dalmations#the line weight - the composition - the color theory - the fat brush strokes they use to show light reflection#AHHH
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i would actually like to hear more of your thoughts on whipping girl, whenever you feel ready enough to talk about it. i've only ever heard positive recommendations for it. i was thinking of reading it. i've read one or two introductory 101 texts on transmisogyny as well as some medium/substack posts, and always looking to read more as a tme person. ty!
thanks for asking! I'm gonna try to be concise because I'm stuck on my phone for the month, but here are my thoughts on whipping girl:
serano is at her strongest in the book in three areas: manifestations of transmisogyny in media (e.g. how trans caricatures pervade movies), the history of medical institutions developing a pathology of transsexuality (like the diagnostics of blanchard et al. or how trans people seeking healthcare were and continue to be forced into acting out prescribed expressions and manufacturing memories), and the construction of her own transition narrative (telling the reader what it was like for her to grow up desiring femininity in a way that confused her, the experience of crossdressing, the effects of hrt for her)
whenever she's just sticking to this, I think she effectively communicates a lot that the unaware reader could benefit from—even many trans women/transfems/tma people who are otherwise in tune with the history of medicalized transsexualism and our popular depictions could probably benefit from her own personal narrative, by nature of how variegated our experiences can be.
unfortunately I think the book fails at its primary—stated—goal, which is to theorize about transmisogyny. in the big picture this is a bifurcated failure:
on one branch of her argument, she remains committed to there being something biologically essential/innate about gender. this manifests thru multiple claims: that we have "innate inclinations" toward masculinity/femininity and "subconscious sex" rather than what I believe, which is that the latter are constructed categories imposed on different matrices of behaviour/expression/desire in different cultural contexts; that there is "definitely a biological component to gender" (close paraphrase) after a discussion of how she believes E and T tend to affect people (thus equivocating gender with dominant hormones!); that we have such a thing as "physical sex" which is the composition of our culturally decided "sex characteristics" (don't ask me how the dividing line is drawn) even as she says we should stop using "biological sex" as a term; that there is "no harm" in agreeing that "sex" is largely bimodal with some exceptions; that social constructionism is necessarily erasure of transsexual experiences in early childhood... altogether she is unwilling to relinquish arguments about the partial "innateness" of femininity/masculinity and gender. this is at tension with her admission on several occasions that these are neither culturally/geographically nor temporally stable concepts! but that doesn't seem to be a line she can follow thru on.
on another, intertwining branch, she engages in what I think is a deep and widespread mistake in the theorizing of transmisogyny: reducing it (mechanistically) to what she calls effemimania* or essentially anti-femininity. it is her stated thesis at the start that masculinity is universally preferred to femininity. she doesn't offer a definition of either term until one of the final chapters, where she defines them as the behaviours and expressions associated with a particular gender. but I think this reduction just misunderstands transmisogyny. it is even in tension with an observation she makes early on, that trans women are often punished for their perceived masculinity! but again, this is a thought she seems unable or unwilling to follow thru with.
my problem with the thesis is that masculinity and femininity do not float free of gender—it is not possible to speak of their valuation in the abstract. anyone who grew up as a masculine cis girl and never "grew out" of that "phase" can attest to the violence wrought upon expressions of masculinity from women. and this applies doubly so to the subjects of transmisogyny! not only are we punished for any perceived bleed-through of masculinity from our supposed "underlying male selves", those of us who are willingly masculine and thriving as mascs are punished for our failure to conform to the rules of the normative womanhood that is imposed on us (just as we are punished for any willing femininity as "false" and predatory upon cis womanhood—observe that transmisogyny is reactive degendering in every case!).
on both branches serano makes only perfunctory remarks about the intersections with race, class, and colonialism. "sex" as such was made to only be accessible to the "civilized", most of all the white european! for a racialized person and particularly a Black person navigating gender the waters are just not the same; the signifiers of sex neither available in the same way, nor granted the same medical legitimacy. what is the "physical sex" of someone who is de-sexed altogether? how can gender have a "biologically innate" component when its expressions between the bourgeoisie and the working class are at total odds with one another? this all goes for the masculine/feminine distinctions as well. what sense is there in the claim that we have innately masculine/feminine inclinations when globally (and transmisogyny has been made global!) what is feminine and masculine can be very nearly mirrored? nor is "masculinity is always considered superior to femininity" innocent of obviating race. transmisogynoir adds yet further degendering thru the coercive masculinization of someone as a Black woman—masculinization as punishment, again!
and as a final point, the account fails to be materialist. there is no attempt to place transmisogyny in its role as an instrument of political economy or, as jules gill-peterson might say, as a tool of statecraft. it is just a psychological response to the way the world is, as far as serano has anything to say about it. but how did the world become that way, and why?? serano's solution, the abolition of what she calls gender entitlement, is naive to the fact that gender entitlement is necessary to the maintenance of the capitalist state, which is structured thru patriarchy and built on colonialism. it is not possible to reskin this into something innocuous!
this is why I cannot recommend whipping girl as a work about transmisogyny except at the most shallow level. it could be a helpful critical read, but imo, it is just wrong about transmisogyny.
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Teacher’s Pet: Sam Kiszka x Reader Fanfiction
description: when college becomes more interesting from your history with your music professor, you decide to take him up on a private piano lesson to rekindle what once was.
word count: 6.6k+
trope: student reader x professor sam (college au!)
taglist for future fics
warnings after cut…
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warnings: large amount of plot, angst, smut (18+ minors dni!), voyeurism, soft dom! sam, fluff, teacher x adult reader, inappropriate relations, swearing, begging, fingering, oral (fem! and male receiving), handjob, overstimulation, praise kink, unprotected sex, minimal aftercare
a/n: this may not be everyone’s cup of tea, and that’s okay! would also like to reiterate that reader IS a legal adult. i figured that would be clear considering this is a college au but i just wanted to state it once before the story itself does. all actions are consensual, and i do not condone un-consensual acts. with that being said, enjoy;)
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Starting college at Michigan State University at the age of twenty-one, you walked onto campus with a sense of anticipation and determination that set yourself apart from your younger peers. Your journey to this point had been conventional, marked by years of playing piano at home purely for joy, and finding an intense passion for music itself. Now, as a music theory major, you were ready to immerse yourself in the academic study of music, eager to delve into the intricacies of composition, harmony, and the structures that underpin the art form you love. Your path to college might have been delayed, but your passion for music had only grown stronger with time, making your arrival at the university both a new beginning and a cumulation of years of dedication.
But you were gifted a surprise on your first day in your "Music Theory 101" class when you sat near the front - only a few rows back on the far left, and your professor walked in. The cool fall air of Michigan allowed for him to wear a navy blue long-sleeve and a multicolored-purple scarf, with grey plaid dress pants. He clearly was taller than most, but the boots that he paired with his outfit granted him a few extra inches.
You started to analyze the features of his face, seeing something so familiar in him that you couldn't quite pinpoint. His long, brunette hair that held a light wave with a well-kept mustache and goatee. Something about his eyes were the most recognizable to you with the way they scanned the room slowly, then focusing in on papers on his podium. And as soon as he began to speak and introduce himself to you and your peers, the memories came flooding back into your brain, and you had to hold yourself back from gasping. But you couldn't contain your eyes from widening.
"Hello everyone," he began, "welcome to 'Music Theory 101.'" He said with a smile. "I'm Professor Kiszka, and I'll be teaching this course. I've been teaching music theory for about three years now."
You knew who he was. He was Mr. Kiszka, or Sam, as back then you were able to call him that because he wasn't the hugest fan of being called 'Mr. Kiszka'. He was your student teacher your senior year of high school in your band class. He would help your teacher as if he were a teacher's aide, yet also helped teach the class and was a mentee to your teacher. You couldn't even believe your chances of having him as an actual teacher, let alone even seeing his face again. And God, how he has changed from the guy you once knew. But he'd always be 'Sam' to you, whether you'd call him by his first name or not. You preferred not to take your chances anyways.
You and he had created a small friendship, or better described as a mutualistic relationship, but it went nowhere beyond because being friends would cross the boundaries that the school board had put into place. But it was more than likely for the better, because you had a massive crush on him that accumulated over time with the semester. You were keen to his wit, his attention to detail - his talent in music. Not to mention he had a great sense of humor and was outgoing that paired perfectly with his great looks. You remembered being saddened that you were not going to see him again after your last class of the semester, and while although he gave you a hug and a smile, he had said to you,
"You'll see me again, y/n, I'm sure of it," with a wink.
And somehow, he had predicted the future.
After he gave the class a short introduction, which you surely had missed from reminiscing about the past, he had begun to read down the list of students for attendance. Your heart began to bang against your ribcage with anticipation, with wonderance of if he would even remember you. After all, you were just another student he saw in the school day.
"Y/n L/n?" He had called out, searching for you amongst the crowd.
You shot your eyes up, looking at him as you lightly raised your hand and said, "Here."
He smiled at you, the same smile he always wore. His eyes lightly squinted, and his face lit up with a knowing expression.
"You went to Frankenmuth High School, right?" He pointed his pen out to you with his teeth still on display.
"Yeah, yeah I did." You nodded.
You felt everyone's eyes on you - all 40 something students that filled the lecture hall. He remembered you, and you had forgotten how nervous you would get when his eyes lingered upon you for too long. Surely your face was flushed pink for the whole class to examine, but you were praying the lights were dim enough to hide your complexion.
"It's nice to see you again, y/n." He nodded towards you, closing his mouth to soften his smile and focus his attention back onto the list and calling out other names.
The entire class all you could do was watch his facial expressions, the way he walked and used his hands in conversation and lecture. The way his hair flew with his head whenever he changed directions, the way his voice articulated words. And, surely watching him give the class a demonstration on the piano was going to be the death of you. Time had made him more attractive, and his knowledge of you was somehow a worser fate than going unknown.
He put his whole body into his demonstration, leaning into the keys and throwing his head back every so often. His shoulders would raise in a rigid motion, then relaxing back down whilst his fingers danced along the white keys. You began to press your thighs tightly together and place your fist over your mouth as you watched him intently. You were unsure of how you were going to survive this class for a semester.
But after that first day, he had called you over to his podium. Although the conversation was light, asking you how you've been, wondering what you were going to college for exactly, you couldn't help but feel unprepared to talk to him. He always had a way with words, and anything that came out of his mouth was pure poetry. You just felt like you were blabbing nonsense to him. But he cared what you had to say. He laughed at your jokes, nodded along to show you he was listening. He had not changed one bit after all these years, other than time aging him only enough to present himself as more of a mature adult, but his striking personality stayed intact.
As the semester went on, and you stopping by Sam's desk every so often after class, assignments were assigned. One big project that was presented was to perform a cover on the piano that showcased your level of talent on the keys - 30 measures to be exact. A different assignment was given to those who were incapable of playing the piano, which was to compose a piece instead on an instrument of their choosing, but you took the route of playing on the instrument you enjoyed the most.
With this assignment, he had allowed students to make appointments with him during his office hours for free lessons and guidance on their piece. And as soon as he had announced this, you had booked an appointment.
And that's where you were headed right now: A one-on-one meeting with Professor Kiszka. To say you were nervous was an understatement. His attention was all yours, and there was no avoiding his gaze by sinking into your chair. The only thing that you had repeated in your head was that he was no stranger, and you knew how to hold a conversation with him. Act normal, you said to yourself, act normal.
You pushed open one of the large doors of the classroom that groaned and creaked as it allowed your entrance. Sam had his back to you from across the lecture hall, hunched over as he played a song that was unrecognizable to you on the piano. Whatever it was, it sounded beautiful.
The doors slammed shut behind you as you walked in, which caught Sam's attention. He whipped his head over his shoulder as his fingers relaxed from the keys, and he lifted his wrist up to examine his watch.
"Guess it is that time, huh?" He said out loud, although he was mainly speaking to himself. "Come on in, y/n."
"Forgot I was coming in, Professor Kiszka?" You said with a smirk.
"I'm always forgetting the time as it passes," he chuckled lightly, "surely you'll forgive me."
You walked over to him as he rose from the bench with a light smile, extending his arm towards the piano to motion for you to sit. He wore an ironed white button down, and worn-out jeans that have seen better days. Casual attire: a bit astray from what he normally wears.
You stopped in front of him. "I guess just this once I will." You said to him, then taking your seat on the bench and keeping your posture straightened.
"Alright, y/n," he shook his head with a smile, "what's your song of choice then? Can't pick anything you've played for me before."
You cocked your head to the side as you gave him a pondering look. "There's no way you remember anything I played three years ago."
He pressed his lips together and thought for a moment, then looking down to you with a smile.
"Maybe I do, or maybe I don't. Just seems like you're trying to stall on playing your piece for me." He said to you. "There's nothing to be nervous about, y/n."
You shook your head with a light sigh. "I'll have to test your memory another time then."
He nodded at you. "So, what piece of music did you choose?"
"I chose 'Rhapsody in Blue,' sir." You spoke to him. "I remember you performing it for the class after finals were over, and I've been in love with the piece ever since."
He seemed almost shocked that he had made such an impact on you, one that was still intact after all these years. He gave you an earnest, genuine smile as he placed his hand on his heart.
"It means a lot to me that I played an influential role in your musical journey. Did you learn it after I performed the piece?" He asked.
You nodded with a giggle. "Embarrassingly yes, yes I did." You refrained from eye contact as you felt your face becoming hot.
He raised a brow. "So, this is a piece you're familiar with?" You looked back to him with a singular nod. "Then what is your reasoning for spending time with me during my office hours, y/n? I never knew of you to not be confident in yourself."
You stuck your tongue into your cheek. "Just wanted to make sure that I was playing the piece up to par, and I so happen to enjoy our conversations. Figured we'd be able to catch up a bit during this meeting."
"Is that so, y/n?" He smirked at you. His tongue ran across his bottom lip as he looked down at you. It was almost as if there were words that lingered upon his tongue, yet he was unable to muster the courage to let them roll off smoothly. He had opened his mouth for a moment, then shut it with a grin. "Well, then how about we see how well you can perform this piece, huh? If there's enough time after, I don't see anything wrong with catching up a bit more." His grin was near seductive, although he was talking about a topic pure as white. Something about the way his eyes captivated yours that had your body telling you to either look away flustered, or to hold onto his eyes to match his intimidating gaze.
But rather than look at him any longer, you chose to take in a deep breath in preparation to perform for him. You straightened yourself up once more and saw him leave your sight from the corner of your eye.
"Just a bit too tense, y/n." He said softly to you, placing his hands onto your shoulders gently. "Relax for me."
As if that sentence alone didn't have you feeling even more tense, you closed your eyes and found it within yourself to relax, and to forget that it was Sam's doing for making your nerves skyrocket.
You began the piece, fluttering your eyes open and playing it as you learned it. Some of your mannerisms matched the way Sam played the piece - at least back then, just because you admired how beautiful he looked whilst performing. You were certain that if he hadn't become a teacher, he'd be on a stage performing in front of thousands.
You were lost in the music, lost in your motions and the way your fingers traveled alongst the keys in perfect harmony. So lost that you hadn't realized Sam's hands had left your shoulders, moving to stand near the front of the piano, watching you perform. All you could do was focus on playing as perfectly as you could for him, because if you were to look up and see his admiring stare, you would have forgotten the rest of the piece.
And so, you finished, watching your fingers dance along the last few keys and resting your hands onto your thighs, keeping your eyes down only for a moment before cautiously allowing yourself to look up and see his chin resting into his palm, wearing a large grin that he never seemed to wipe from his face.
"That was," he began to stride slowly towards you, "near perfection."
You followed his movements with your eyes. "Near?"
He sat next to you on the bench, holding onto your eyes. "You lost yourself a bit with the tempo, is all. I'm not shameful to a bit of artistic expression, but that would be for another project. But it's nothing that can't be fixed quickly."
"So, then it's a good thing that I made this appointment, hm? Without your expertise I wouldn't have known to slow down a bit." You said to him.
He huffed a laugh with an amused expression. "What's your game here? Sarcasm or flattery?"
You took a glance at his parted lips, locking eyes with him again. "Your guidance, Professor Kiszka."
He shook his head at you with a knowing look yet dismissing your counter remark and sliding closer to you.
"Well, for one, you should raise your arms a bit higher above the keys." He slid his hands under your forearms and raised them up slightly, being ever-so gentle with his touch. With how close he peered over your shoulder, you were certain if you were to turn to him, your nose would brush against his.
However, you wouldn't have been bothered by it if it were to occur. The opportunity presented itself when he had willingly brought himself even closer to you. Whether you would dare to do it was not on your mind right now, as you were tuning into the feeling of his coarse hands holding your forearms and making them weightless.
You could feel his exhaled breath just barely hit the side of your neck, and your body almost reacted with a shudder. Rather, you could hear your heartbeat in your ears, and suddenly you had become more aware of how many breaths you were taking in.
"And to help keep tempo," Sam slowly slid his hands off your arms, placing his hand lightly onto your thigh, "I'll tap on beat." He said as he began tapping onto your jeans lightly.
You dared to turn towards him and flick your eyes at his parted lips, locking onto his stare and feeling the inability to look away. You were certain the face you were displaying was one of desperation, of want.
But to him, it didn't appear that way. "Is this...okay?" He had said with a hint of worry. Maybe he didn't want to read into your facial expressions too much.
"Yes, yes it's okay." You gave him a reassured smile, along with a small nod, and tore yourself away from his gaze.
You began to play once more, trying to keep your mind on your fingers hitting the keys at the right pace rather than the fact that Sam's hand was on your thigh. The act was supposed to be innocent, a teacher merely helping his student perfect their piece, but to you, it was hard to feel anything pure towards your professor.
With the way his chin nearly rested onto your shoulder, to his steady breaths that matched yours as you played, to the low humming you could hear in your ear as your fingers danced along the piano. How did he expect you to focus when he was closer to you than ever before? When all you were thinking about was how easily it would be to kiss him, to give into him.
"What's on your mind, y/n?" He whispered to you.
You had continued playing, trying to keep up with the tempo he had set on your thigh.
"What do you mean?" You said without missing a beat.
"I can tell you're not focused. You're playing the piece properly, but your mind is somewhere else." He removed his hand from your thigh, which caused you to stop playing.
You turned to him. "I'm just a bit distracted, that's all. I'm sorry, Professor." You pressed your lips together, flicking your eyes down to avoid his gaze. A low sigh escaped his mouth as he watched gravity tilt your head down.
But then you felt his finger hook under your chin, lifting it up to meet his eyes. Every detail of his face was on display, and you couldn't focus your eyes on a single piece of his complexion - it was all something you wanted to remember so intricately.
"Am I distracting you?" He took a glance at your lips only for a discreet moment, then focusing in on your eyes and searched within them for an answer that you had yet to put out into the air.
"Maybe," you began, "what if I said that you were?"
Your bold statement had nearly taken him aback, with his hand removing itself from under your chin, and a light chuckle with the shake of his head as he composed himself. His hand ran to the back of his neck, then finding its resting place on the top of his thigh.
He leaned back slightly, the playful glint in his eyes dimming to something more contemplative. "Then I'd have to ask why," he murmured, his voice dropping to a softer, more intimate tone. "Why do you find me distracting?" The air between you seemed to thicken with unspoken words and unsaid possibilities, leaving you teetering on the edge of where his mind was at.
You took a hard swallow, tugging at the inside of your bottom lip and praying that you weren't about to make an embarrassing mistake.
Your heart raced as you decided to take the plunge. "Because" you began, your voice barely above a whisper, "I've never been able to keep myself composed long enough around you. And, now that we're alone, it's become increasingly hard to even think straight."
His eyes widened slightly, the seriousness of your confession hanging between you two like a fragile thread.
He moved closer, his warm breath just barely grazing the tip of your nose. "Maybe that's not such a bad thing," he said softly, his lips hovering just inches from yours, leaving you breathless and wondering if he was about to close the distance between you. "But you know what the rules are, right, y/n?"
"Do you plan on getting caught?" Your question hung in the air, heavy with implication. You felt a shiver run down your spine as the reality of the situation hit you. How the proximity had almost fizzled out in between you, the way Sam held your eyes in the most captivating way, taking only a millisecond to peak at your lips before returning to your gaze.
"Didn't know of you to be such a risk taker, y/n." He said to you with a steady voice.
A faint smile tugged at the corners of your lips, trying to mask the nervous flutter in your chest. "There's a lot you don't know about me, Sam," you replied, your voice just as steady, matching his intensity.
His gaze flickered with curiosity and something deeper, something that made your pulse quicken more than it already was. "Sam?" He smirked. "As much as I like you calling me 'Professor,' I've missed hearing you say my name."
"I'll say it as many times as you want me to," you said softly, flicking your eyes to his lips before returning back to his gaze.
"Then start now," he murmured, his tone a blend of challenge and invitation. He inched closer, his breath mingling with yours, the space between you almost nonexistent now.
"Sam," you barely voiced.
"Again." He said as his lips were just barely brushing against yours. His hand gently traced the line of your jaw.
"Sam." You repeated for him.
He closed the remaining distance, capturing your lips in a kiss that was as much a promise as it was a risk, practically whimpering into his mouth the second you got a taste whatever flavored ChapStick he wore.
His hand cupped your cheek, while his other hand rested on your thigh. You willingly fell into the touch, placing one of your hands onto his white button down, and the other beginning to tangle itself in his hair. You were merely breathless with the deepening of the kiss quickly becoming apparent, and now you were just desperate to run your hands under his shirt - to feel his warm skin under your touch.
Without unlocking your lips from his, you began to unbutton his shirt, and while he noticed, he allowed you to continue, pulling the shirt off of his shoulders and throwing it wherever it may land onto the ground.
His fingers crept under the hem of your shirt, slowly lifting it up to let every inch of your body feel that singular motion, and as soon as the tips of his fingers hit your bra, you were removing your mouth from his and finishing the job.
"You're eager." He teased at you, tugging at your bottom lip as he encapsulated your lips onto his again.
Instead of giving him a pitiful response into his mouth, you undid your bra with little struggle and threw it off of you whilst scooting yourself closer to your professor. His cold hands almost stung against your bare sides, yet soothed your heated skin as he ran them up slowly, finding your breasts and toying with them tenderly. A soft whine escaped out of your mouth, and in return, his mouth made its journey of running from your jawline, then to your neck, and to your collarbone.
Before you had even realized it, your hand was sliding down his chest, finding his bulge and cupping it. His groan vibrated against your neck, sucking lightly and digging his teeth into your neck as you threw your head back.
You had found yourself already breathless, squeezing your thighs together as your mind wondered to the inevitable. You lightly squeezed on Sam's bulge, hoping that he would mutter another sound for you to listen to.
But he removed himself from you with a heaving chest, unbuckling his belt as he stood up in front of you. While his eyes were first locked in at undoing the material holding up his pants, he then looked to you, pulling and shimmying off his jeans that were caught at his ankles. His briefs followed suit with his motion, and his cock sprung out in front of you.
Without hesitation, you had wrapped your hand around his length, keeping his eyes locked on yours as you pursed your lips and allowed spit to dribble from your mouth onto his cock. His mouth parted slightly, watching as your hand ran up and down him at an agonizingly slow pace. You gave him a small smile, one that had him caressing the side of your face and running his hand to the back of your head.
As he tousled with your hair, you pressed your lips softly onto his tip, then sliding him into your mouth. You watched as he threw his head back, groaning in a deep sigh and lightly tugging at the hair on the back of your head. You kept your hand pumping slowly at his base, while your head bobbed up and down his length.
The sensation of your soft, skilled mouth moving with rhythmic precision drew a deep moan from his lips. Your tongue danced expertly, exploring every inch, while your eyes remained fixed on his as he let his head fall back down towards you, drinking in every reaction. He was entranced with your motions and the way you effortlessly brought him such bliss.
His breathing had become unsteady, tugging at his bottom lip as he tugged your hair back which in return removed your mouth from him. You looked up to him eagerly, and in silence, he slowly fell to his knees at your mercy.
He looked beautiful bowed before you, unbuttoning and unzipping your jeans in a fluid motion, then dipping his thumbs under the denim, and wrapping his hands onto your sides that were hugged by the material. He slid them down slowly, and while doing so, you had lifted yourself up just enough to aid him in fully removing your jeans and panties. He had tossed them to the side, and once he looked back to you, your legs were pressed together.
You had found yourself shy with the vulnerability shared with him. Fully exposed to Sam, permanently imprinting this image of yourself in his brain that he would not dare to allow slip from his mind. His hands came to your knees as he noticed the sudden pink hue in your face.
"Open your legs for me, pretty girl." He said in a hoarse voice whilst he massaged your kneecaps. His demand was calm, and not one that meant to rush you. And you could feel the soothing, comforting energy that he was emulating in this moment that had you realizing he found you breathtaking - every single part of you.
So, you gave in willingly, looking at him with lustful eyes as you spread your legs apart slowly. His eyes were locked in onto your heat. Your bare form was being traced by his eyes, marveling at the curvatures of your body that seemed almost ethereal to him. He could not bring himself to speak a word, but rather sigh in reverence as his head inched closer and closer in between your thighs. It was if he was at your mercy, willing to give up anything and everything just to please you.
His lips pressed softly against the inners of your left thigh, and you had found yourself gasping lightly with a choked breath at the tender impact. Your hand relaxed at the back of his head as you massaged it, just as he did for you before, and a small grin curled onto his lips as he pressed more, soft kisses against your thighs, even sucking softly onto the skin. You were on the verge of begging for his mouth on you but resisted the urgency to see how Sam wanted to navigate himself around your body.
He raised his middle and ring finger to you, looking up at you submissively before uttering a soft, "open," to you. You quickly obeyed, parting your lips and letting him insert his fingers into your mouth, and resting them onto your tongue. You sucked slowly onto his fingers, swirling your tongue around his digits and allowing him to withdrawal them from your mouth.
And he kept his eyes locked on yours, watching intently for your reaction as he slowly inserted his two fingers inside of you. You gasped lightly, jolting forward with your back arched and your hands smashed onto the keys of the piano behind you as Sam curled his fingers. He broke from your eyes to see your hands clenched onto the keys and allowed a small smirk to curl onto his lips. He let that be his only reaction and continued to move his fingers.
You threw your head back as his other hand snaked up your body and lightly massaged your left breast. Your eyes were barely shut, mouth agape and allowing any sound bubbling in your throat out quietly. You had tugged onto the back of his head harshly as soon as you felt his tongue onto your clit, with your thighs squeezing tightly around his head and muffling your moans. As much as he wanted to push your legs apart to listen to every melodic sound that came from your mouth, he wasn't going take away from your bliss.
His tongue circled around your clit at a steady pace, with his fingers quickening to draw your moans out even more. You were tugging at your bottom lip as you rolled your hips into Sam's motions. You couldn't help but admire the view below you: your professor's eyes shut softly, seeming perfectly content in between your legs as he licked and sucked at your clit. He was already in tune with your body, knowing what made you feel good, and exactly what to do to send you over the edge.
You felt the knowing pressure in the pit of your stomach; a knot desperate to be unraveled by your orgasm. Your moans became strained - whiney.
"Sam, fuck, just like that." You slurred. Your hand had yet again found itself bracing against the keys of the piano, pressing a multitude of keys that didn't make the most beautiful melody, but the irony of that was it didn't matter what it sounded like. It mattered how it felt, which it perfectly conveyed.
You were arching your back away from the piano as your thighs trembled around Sam's head, calling out his name once more as your head fell forward and your breathing quickened. You alerted him of your orgasm, and all he did was continue his motions, calming them and seizing their existence after dragging out your high.
"You okay?" He looked up to you, removing his fingers slowly from your entrance and encapsulating them into his mouth to lick them clean.
You shuddered, and quickly swallowed and nodded at him.
"Yeah, yeah I'm okay." You laughed lightly.
He rose from his knees, standing before you still fully erect. You had forgotten how perfectly carved his abdomen was, how desirable him in his vulnerably, bare entirety was.
His fingers pressed from below your chin, lifting your eyes up to his own and holding a soft smile yet again.
"Are you okay to keep going?"
You smiled at him and his concern that just barely washed over his face.
"Yes, Sam." You nodded, reaching out for his face and him almost immediately complying.
He smashed his lips onto yours as you pulled yourself up from the bench. Your bodies melted into each other in a feverish rush, hands frantically exploring once more to remember the feeling of each other's skin. His hand had found the small of your back, guiding you to rotate to where you were now standing where he originally was.
His mouth kept on yours, slowly sitting down onto the bench and losing your lips with the action. You stood before him, watching his eyes fall to your thighs, where his hands began running slowly up and stopping at your waist.
He met your eyes again with his tongue darting out in between his lips. His touch was both tentative and possessive, as if memorizing every curve and contour. You could feel the heat radiating from his palms and igniting that fire once more.
He pulled you closer, his grip firm yet gentle, urging you to straddle his lap. As you settled into him, he had a hand on the base of his cock, dragging it alongst your sensitive folds that had you whimpering from the slight overstimulation. He looked to you once more to look for any sign of discomfort, but you placed your hands onto his shoulders, and lined yourself up with him.
You had sunk down onto him slowly and could not help breathing a relieved moan. He, on the other hand, released a guttural groan as you fully rested with him completely inside of you. His hands gripped onto your hips, breathing already unsteady, and beginning to guide you at a slow pace.
"Shit, y/n," he breathed, "you feel so perfect." He watched you grind your hips into him and continued. "You are so perfect."
You ran a hand from his shoulder and to his neck, finding his cheek and giving him a lustful smile. You were warm around his bare cock, tight and sucking him in perfectly. Your mind was dizzy with the thought of this all being a reality unfolding at this very moment; dizzy with the way he was making you feel.
You began to bounce at a steady pace, feeling his hips buck into you lightly to help alleviate some of the work on your end. He could tell you were tired. You were lazily chasing your next orgasm, although desperate for yours again and to help him find his, but your energy almost begged to deny it.
His left hand found a home onto the piano keys for leverage, lightly wincing at the sudden noise that filled the nearly silent room. You looked at him and smiled lightly, holding back your laughter at the noise.
"Doesn't sound too good." You teased.
He shook his head at you, furrowing his brows as he battled full euphoria taking over his being and disallowing a response from him. His breath came in short, ragged bursts as he tried to focus, the dissonant chord fading into the background of his awareness.
With a slow, deliberate movement, his thumb pressed into your hipbone, anchoring himself in the reality of your presence. The look in his eyes was a mix of passion and frustration, struggling to form words but failing as the intensity of the moment overwhelmed him.
You leaned in, pressing a gentle kiss to his forehead, a silent promise that you understood. His fingers flexed on the piano keys, creating a soft, accidental melody that echoed the unspoken rhythm of your connection. Even when he's not trying, he can make something beautiful out of a small mistake.
Yours and his's movements became quicker, both of you voicing your satisfaction with breathy moans, mixing swears and each other's names into the lustful air. Your hand ran to the back of his head, tousling with the damp hair and resting your forehead onto his. You both were a sweaty mess, which had you and him sticking to one another. It would be a battle to unravel yourself from him after this, but you warranted that.
He had a harsher grip onto your hip. His fingers dug into the plush skin while his thrusts became unsteady. He removed his hand from the piano and let you carry the pace on as his thumb circled onto your clit. You called out to him in a hushed moan, feeling your second orgasm creeping up quickly. Even though you warned him, he did not care. He wanted that.
"Cum for me again, y/n." He quickened his finger, pressing down onto your lower stomach. "Cum. For. Me." He repeated with gritted teeth.
Your eyebrows pulled together, locking your eyes with his as you reached your high almost immediately and pulled your head back from him with a hand pressed against his chest. You trembled against him and rode yourself through your high, with a high-pitched gasp shooting out from your mouth while you squeezed around him. And although your head was still fuzzy, you kept going for him.
He muttered your name in a warning, lifting you up from his lap just enough for him to pull out from you. You had sat yourself onto the middle portion of his thighs, far enough for him to finish himself off by painting his stomach and hand with his cum. You couldn't tear your eyes from him as he heaved and looked at the mess he had made, lightly chuckling to himself. You found his laughter and matched it, tucking your bottom lip behind your front teeth and smiling.
He reached for your lips once more, pressing a gentle, meaningful kiss onto your mouth as he cupped your cheek with his dry hand. And once your lips parted from his, you found the pattern of his breathing and controlled your own to emulate his.
He lifted his wrist to look at the time, and you in turn gave him a puzzled look whilst throwing your arms around his neck.
"Have another appointment today?" You said to him with slight disappointment. You had almost forgotten where you two were.
"I unfortunately do." He replied. "And I'd suggest we should clean ourselves up now and make it look like we did not just have sex on this fucking piano." He chuckled.
You quickly obeyed, standing up quickly and running over to his podium where he had a tissue box. You knew you were to return home and shower, but for now, this would suffice. Besides, you didn't know how much time you had before a student would walk in, so both of you focused on yourselves.
You had found your phone and quickly switched to the camera to make sure your hair wasn't too much of a mess, along with your makeup. Thankfully, it was a quick fix for anything out of place, and you took care of it while Sam finished buttoning up his shirt.
After you had placed your phone in the back pocket of your jeans, you walked over to him.
"Do you do this with all of your students?" You questioned him with sarcasm.
He shook his head with a breathy chuckle. "Only the ones I like." He shrugged, catching onto your teasing.
You giggled at his response, choosing to leave the teasing behind in fear of the unknown amount of time you had left with him. "So, I'll see you tomorrow for class then?" You rocked on your heels.
"Well, I'd hope so," he smiled at you, sliding his hand onto your waist and pulling you closer. "Will I start seeing you outside of class, too?"
You felt a rush of warmth from his touch, a sense of comfort that had now been familiarized to you. "I think we can arrange that." You said in a playful manner as you placed the palms of your hands onto his chest.
His thumb traced small circles on your waist, his expression softening with a mixture of desire and affection. "Good," he murmured, leaning in to brush his lips against yours once more. "I look forward to it."
After you had parted from his lips again, you reluctantly pulled away from him and made your way to the doors of the lecture hall. You were hoping that whatever student was to come next wasn't outside already, because by the burning sensation that filled your cheeks, you could not hide that something had occurred beyond the lesson with him. With your professor.
⋆⁺。˚⋆˙‧₊☽ ◯ ☾₊‧˙⋆˚。⁺⋆
taglist:
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It had all started in Photography 101.
All he had needed was one more elective added to his schedule for the fall semester to be considered a full-time student. It was Robin who had suggested photography.
Steve had never had that great of a memory to begin with, the numerous blows to the head from juvenile high school fights certainly doing him no favors. Sometimes the amount of time it took to jog Steve’s memory surpassed the time it would’ve taken to simply tell him the story as if he hadn’t been there himself.
He was always able to grasp the memory eventually, but sometimes they were slippery in his mind.
He and Robin had found that his memory was ten times better if he had something to look at. Sometimes that was a souvenir from a trip, sometimes it was a takeout menu with his order circled in red pen, sometimes it was a physical scar on his skin from some silly injury. But most of the time it was pictures.
Steve took to taking photos of everything. His friends, his food, the landscape, a book with a pretty cover, anything he wanted to be able to remember.
The walls of his room grew to be covered with polaroids and prints, some staged, most not. Many blurry and out of focus, but in the moment just the same.
So when Robin suggested Photography 101, Steve saw an opportunity to take something he did for his own benefit and turn it into something he really enjoyed, something he was good at.
The semester was a breeze and Steve flourished under the attention of his professor. He was constantly drowning in compliments about the movement in his photos and his eye for composition.
(Robin would tell him on several occasions that she had never seen him enjoy something this much.)
By the time the semester was coming to a close, he was left with one final project. The professor had been intentionally very vague in her description of it throughout the semester, so Steve was a little on edge.
Sitting in the front row of the small classroom, he twirled the strap of his camera around his fingers while he daydreamed. The room slowly filled and the professor settled in behind her desk.
About five minutes after class was supposed to have begun Steve noticed they were all still sitting in silence. Glancing at the professor he saw her brows furrow and a frustrated lilt to her lips as she looked at her watch.
What are we waiting for?
She stood and dusted off her pants before clapping her hands together.
“Well,” she began, “I guess we can go ahead and get start–”
The door at the back of the room swung open and knocked against the wall with a resounding slam.
“Shit! Fuck! So sorry I’m late. Traffic was a bitch.”
Steve is so caught off guard by the man who just burst into the room that he barely even registers the words he’s saying.
He’is tall and all lanky muscle, dark curls and jewelry, tattoos and the smell of smoke, chains and leather and everything Steve’s not. Everything nobody in this class is.
He’s even more caught off guard when his professor laughs and pulls the man into a tight hug. There are only five other students in this class, surely he’s not the only person confused.
He keeps an arm around her shoulders as she introduces him to the group.
“Guys, this is Eddie. He’s a family friend and he’s going to be your subject for your final project.”
Steve’s own eyebrows furrow as he tries to understand how this was the project she has been keeping under wraps. They’ve had plenty of portrait sessions this semester, with models and subjects of their choice alike.
The guy, Eddie, claps a hand to his chest in a dramatic show of faux humility.
“Thank you for having me, Joyce. It's such an honor to be here.”
She smacks at his arm and carries on.
“So, Eddie is your subject and you have no parameters. The only requirement is that he is the inspiration for your shoot. This can look like a standard portrait session, this can be contemporary urban street photography, whatever you like. Eddie does not even have to be in the photo! He just has to be the inspiration for it.”
Steve's brain is already running a mile a minute, conceptualizing shots faster than he can keep up.
Dingy bars, backseats of cars, details of his eclectic style.
But one idea sticks out from the rest. As Steve lifts his eyes to Eddie once more and meets his own twinkling with mirth and smirking back at him he makes his decision.
He’s going to take his mugshot.
*****
“I want to take your mugshot.”
They’re at the campus coffee shop. Joyce had scheduled a few hours for Eddie to meet with the other students during their class time so they could talk through their projects.
Eddie barks out a laugh. “What, man?”
Steve twirls his straw around his drink and tries not to bristle at the reaction.
“Look,” he starts, running a nervous hand through his hair, “I don’t really know where the idea originated but once I had it, it stuck. I just saw this vision of the shot in my head and it was sick, dude.”
Eddie leans back in the booth, one of his boots knocking into Steve’s foot under the table. He crosses his arms and tilts his head.
“Thought this shoot was supposed to be inspired by moi,” he says, gesturing a hand towards himself. “You saying I look like I should be in jail?”
Steve groans and puts his head in his hands. “No. I already told you I don't know where i got the idea–”
But that’s a lie isn’t it. He knows exactly where he got the idea. It was somewhere between the chains dangling from Eddie’s jeans and the handcuff belt he was wearing the day they met.
He put his hands together on the table between them. “Okay. No, I’m not saying you look like a criminal, Eddie. I’m saying I think you want to look like one.”
Eddie blinks at him for a moment before his face breaks into a slow smirk. He huffs a quiet laugh and leans closer. “Guilty as charged, Stevie. Besides, I was arrested once actually.”
Steve gawks while Eddie laughs. He is unfairly attractive when his dimples pop and Steve is going to have such a hard time holding it together behind the camera.
*****
Steve takes his shoots very seriously. Every detail has to be perfect, even the ones not relating to the subject of the photo.
So it is wildly convenient that his professor happens to be married to the chief of police back in Hawkins.
One quick phone call from Joyce and Steve and Eddie were granted access to the booking room at the police station. You know, for the sake of realism.
Steve’s setting up his tripod while Eddie takes a chalk marker to the placard and writes up his own booking ID, a long series of random numbers with E.M at the end.
Steve would be lying if he said Eddie’s choice of clothing wasn’t exactly what he’d had in mind.
He’s wearing a ratty, old band t-shirt for some group Steve’s never heard of. There’s his usual black leather jacket and the silver chain around his neck. His ripped black jeans and fingers covered in rings and black nail polish.
It's perfect for the shoot. But Steve’s sanity is struggling.
He gets the camera and the lighting set up just as Eddie steps into place in front of the height measurement wall.
Steve puts his hands on his hips and gives instructions.
“Okay, so I know you’ve done this before–”
“Hey! It was one time!”
“So you know how this goes. We’ll do one forward and then one to each side.”
Eddie shakes out his hair and rolls his shoulders back. He holds the placard up in front of him and levels the camera with a dead-eyed stare.
He looks good.
Steve is less than shocked that he looks even better on camera.
He lines up his shot. Click.
Eddie turns to his left. Steve gets a little distracted by the line of his jaw.
Click.
He turns to the right and of course only now does Steve notice his ear piercings.
Steve takes a deep breath and focuses.
Click.
Before he can even look through his shots Eddie is dropping the placard on the desk.
He’s halfway out the door before he grabs the frame and leans back in. “One second pretty boy, I have an idea.”
He’s back before Steve snaps out of his stupor at the nickname. This time, he has a pair of handcuffs swinging from his index finger.
Steve snatches them out of his hand. “Where did you get these?”
Eddie crosses his arms over his chest and shrugs. “I know a guy.”
He rolls his eyes.
He’s already picking up the placard and setting up some detail shots when Eddie grabs his wrist and stops him. He freezes for more than one reason.
“Hey, uh. Not to step on your toes or anything, but I actually have another idea.”
Steve is about to start on his spiel about ‘not messing up his flow’ when Eddie rubs his thumb over the inside of his wrist. Gentle and reassuring.
“Do you trust me?”
Honestly Steve has no reason to trust him, he’s basically a stranger.
A pretty one. His brain supplies.
But he does. Trusts him enough to let him take Steve’s creative liberties and throw them out the window apparently.
“Yeah. Yeah, okay.”
Eddie’s smile is blinding. He turns Steve’s hand over and drops the handcuff key into it.
“Don’t lose this big boy,” he says as he snaps the cuffs around each of his own wrists.
Steve laughs, loud and shocked. He waggles his eyebrows at Eddie.
“Well, now didn’t this take a turn.”
Eddie rolls his eyes this time and lifts his hands as much as he can.
“Don’t try to sexualize my creative prowess, Steve. I am a professional.”
He nearly trips on his way back to his place in front of the wall and Steve has to hide his laugh into a cough.
Steve’s back behind the camera, hands back on his hips when he asks, “Alright, what’s the plan?”
Eddie smiles and says, “You just shoot, Harrington. I’ll do the rest.”
He leans down to finalize his camera settings and line up his shot. When he finally looks through the viewfinder his jaw drops. Because while Eddie was clearly joking about being a professional, if Steve didn’t know any better, this shot would have him believing it.
Eddie’s got both of his pinky fingers tucked in the corners of his smile, tongue bitten between his teeth. His thumbs are raised along with his middle fingers, while he’s got his nose scrunched and one eye squeezed shut. The cuffs hang right under his chin and accentuate his silver jewelry in a way Steve never would have anticipated.
Click.
Click.
Click.
The next is a close-up of the booking placard between his teeth.
His hands twisting to unlock his own cuffs.
He’s a natural, and Steve’s camera roll can attest to the fact.
It wouldn’t be until Steve was reviewing and editing the shots that he caught on. The booking ID on the placard looked long because it was. It was Eddie’s number.
*****
Steve got an A.
He got an A, an endless stream of compliments from Joyce and a dorky hot boyfriend.
The rest of the class went the route Steve expected them to.
Dingy bars, backseats of cars, details of his eclectic style.
But Steve’s mugshot series stood leagues above the rest.
Later in their lives, when one of their friends would see the photo in Steve’s wallet they would ask when Eddie got arrested and why.
It quickly became a game between the two.
He’s been arrested in high school for selling drugs (True.)
When he was twenty for public indecency.
At twenty-two for arson.
Thirty for contract killing. This one was followed up with the claim that he was in witsec and was now going to have to change his identity and flee the country.
But the real when and why Eddie got arrested is because when he was twenty-one Joyce told him there was a nice boy in her class that she thought he should meet.
#photographer x mugshot au#steddie#steddie fic#steddie fanfic#one thing about me: my Eddie is going to be a jackass in every universe#also not to toot my own horn#BUT#Joyce being the professor? when her son??? is a photographer?? who probably learned it from her????#toot toot bitch#its canon I don't make the rules#can you guys tell I am a photographer be honest#steve harrington#eddie munson#steve x eddie#gin writes#fin gin#shot of gin#steddie nation#come get y'all juice
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WHAT DO ALL OF THESE BOOKS HAVE IN COMMON?
ANSWER UNDER THE CUT
All of them have been banned, or access to them has been restricted, in a prison in America within the last ten years.
In many states, prisons have broad and vague guidelines for book restrictions -- N.J. Admin. Code § 10A:18-4.9 grants prisons the right to ban a book if it "Lacks, as a whole, serious literary, artistic, political or scientific value". In Arizona, "inmates are not permitted to send, receive, or present... Publications that depict nudity," and explicitly states that classical art is not an exception (DO 914: 8.2.1 and 8.2.1.1).
I volunteer at a nonprofit that sends free books to prisoners. From personal experience, I know there are sweeping book restrictions such as "no dictionaries," "no coloring books," or "no manga". While these books are not always strictly banned, inmates are frequently underpaid, or forced to labor without pay. That means many inmates cannot afford to purchase books, and rely on nonprofits for access.
Book bans in public libraries and schools are unconscionable, but they are usually not effective at restricting access. A high school student can usually still see an image of Michelangelo's David even if they cannot learn about it in class. In prison, a book ban on nudity can permanently prevent inmates from accessing great works of art, the shared heritage of humankind.
DONATE TO THE INSIDE BOOKS PROGRAM IF YOU HAVE THE OPPORTUNITY. THEY SEND FREE BOOKS TO PEOPLE IN PRISONS.
Sources:
Found on Marshall Project
1,001 Movies You Must See Before You Die (banned in California according to Marshall Project
Basic Fundamentals of Modern Tattoo (Illinois)
No role playing games. A Practical Guide to Dragons. Abolish Prison Slavery. “A Multi Denominational Wicca Bible. (Montana)
101 Things to Do With Mac and Cheese (New Jersey)
“But, Didn’t You Kill Malcolm?” and “A Field Guide to Lucid Dreaming” (North Carolina)
“100 Years of Chevrolet” “1000 Dot to Dot Animals” (Oregon)
“San Francisco Bay Newspaper” “Making Everyday Electronics Work” (Rhode Island)
“Marvel Encyclopedia” (South Carolina)
“A Brief History of Manga” (Texas)
“1001 Photographs You Must See in Your Lifetime” (Virginia)
“A Question of Freedom” Reginald Dwayne Betts (Wisconsin)
The Tennessean
A prison in Tennessee restricts access to The Quran, The Torah, The Bhagavad Gita, and books about Norse mythology. (The ban did not apply to the Bible.)
Personal Experience
I am not willing to dox myself, so I cannot name the nonprofit where I volunteer. However, I swear that I have seen book bans on manga, how-to-draw guides, coloring books, electronics books, dictionaries, and composition notebooks.
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Water 101 💦
The quality of drinking water can vary based on several factors, it's source, treatment, and the presence of contaminants.
Best Waters to Drink:
Spring Water: Sourced from a natural spring and is typically free from harmful additives and contaminants. It also contains beneficial minerals.
Purified Water: This is water that has been filtered to remove any contaminants. Methods like reverse osmosis, distillation, and carbon filtering can be used.
Filtered Tap Water: Using a good quality water filter can remove many of the contaminants found in regular tap water.
Bottled Water: While many people prefer bottled water for its taste and convenience, it's essential to choose brands known for their quality and sustainable sourcing.
Mineral Water: This is water that contains at least 250 parts per million total dissolved solids (TDS), which are minerals and trace elements. It can be beneficial for health due to the minerals it contains.
Worst Waters to Drink:
Unfiltered Tap Water: In some areas, tap water can contain contaminants like lead, chlorine, fluoride, and other harmful substances.
Distilled Water: While it's free from contaminants, distilled water lacks essential minerals. Drinking it exclusively can lead to mineral deficiencies.
Standing Water: Water from ponds, lakes, or puddles can be contaminated with bacteria, parasites, and viruses.
Water from Plastic Bottles Left in the Sun: The heat can cause chemicals from the plastic to leach into the water.
Untrusted Bottled Water: Some brands may not adhere to stringent purification standards, leading to potential contamination.
Quite a few brands actually combine their water bottles with non pure/non filtered water. However, there are several brands that are recognized for their commitment to providing pure water.
Fiji Water: Sourced from an underground aquifer in the remote Yaqara Valley of Viti Levu in Fiji, this water is naturally filtered and contains minerals like silica, magnesium, and calcium.
Acqua Panna: Sourced from a spring in Tuscany, Italy. The water takes a 14-year journey through the underground rock formations to reach the surface, which naturally filters and purifies it. It has a balanced mineral composition and a naturally alkaline pH.
Evian: Originating from the French Alps, Evian water is naturally filtered through rock and sand before being bottled. It's known for its balanced mineral content.
SmartWater: This brand uses a process called vapor distillation to purify its water. After distillation, it adds back a blend of electrolytes for taste.
Voss: Sourced from an underground aquifer in southern Norway, Voss water is protected from pollutants and is naturally low in minerals.
Penta: This brand claims to use a 13-step purification process, resulting in ultra-purified water.
Icelandic Glacial: Originating from the Ölfus Spring in Iceland, this water is naturally filtered through layers of volcanic rock, resulting in a low mineral content.
Essentia: This brand uses a proprietary process to purify its water, and then infuses it with electrolytes for taste. It's known for its high pH, which is alkaline.
Pure Life (Nestlé): Sourced from carefully selected springs, this water undergoes a multi-step purification process and is enhanced with minerals for taste.
Make sure that any water you drink, whether from a bottle or tap, is stored and handled properly to prevent contamination.
#health and wellness#healthy living#health#drink water#water#healthy lifestyle#health tips#health and nutrition#wellness#health is wealth
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Natal
Natal Chart Reading 101
Aspects Of Astrology 101
Maya Angelou: Natal Chart Study
11H cancer mars opp. 5H capricorn chiron (TW)
moon trine mercury + moon trine jupiter
Synastry
The Synastry Of Jhene Aiko + Big Sean
The Synastry Of Jada Pinkett-Smith + Will Smith
The Synastry Of Priyanka Chopra + Nick Jonas
Composite
The Composite Ascendant
The Composite Houses Part 1
The Composite Houses Part 2
Sun in Composite Part 1
Sun in Composite Part 2
Moon in Composite Part 1
Moon in Composite Part 2
Mercury in Composite Part 1
Mercury in Composite Part 2
Venus in Composite Part 1
Venus in Composite Part 2
Mars in Composite Part 1
Mars in Composite Part 2
Miscellanious
The Signs as The Most Iconic Albums of The 2010’s
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Rosalie Gascoigne (1917–99) [New Zealand + Australia] - ‘White And Grey A’, 1980. Painted wood from soft drink boxes on composition board (101 × 73 cm).
#art#contemporary art#art hunt streak week#Rosalie Gascoigne#assemblage#collage#wood#relief#abstract art
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oooh
and how did the whole first thing go, like what led to megatron falling to the earth in a fiery crash?
and how did all the other cons react?
teehee :3 The other cons took it so well I prommy (lying)
The moment the Nemesis picked up readings of a massive amount of energy coming from the wilds of space, they beelined straight for it. Even if they weren't sure if it was the allspark or not, they would be all over any power source to supplement their dwindling supplies, on the run as they were.
Once they get closer, Blackarachnia confirms that it is what they think it is. Megatron sees that the ship it's on is a minimally staffed repair ship, and he decides to go in alone. Starscream insists on going along, as they shouldn't underestimate their opponent, and Megatron relents.
Megs orders Blackarachnia to keep the ship ready for a quick getaway, and he and Starscream nyoom off to steal the allspark. Well. Is it stealing if life is the right of the whole of the cybertronian race? Starscream was right to come along, though, bc the repair crew def has a lot up their sleeve. 101 and Ratchet hold off Megatron using the ships controls, and Bee and bulkhead run into Starscream sneaking around while they are trying to find the breach.
Remember that one bit late in the show about civilians not being allowed to have combat-grade weapons? yeah, I don't think the sg bots would have any problem with that. Bee and Bulkhead might not be programmed for combat, but they have weapons and they have the home field advantage, so they give Starscream a run for his money. It doesn't help that Starscream isn't exactly made for close quarters combat.
Megatron is. Also having a time. He blows a hole in the bridge, which sends the ship spinning through the space bridge with Megatron and Starscream still on board. Then it's three on one in the control room, and while Megatron has a lot more raw power, he's not as slippery as his second in command. 101 may be inexperienced but he still has a lot more training than Megatron expected from a space bridge repair crew, not to mention Prowl's cyber ninja training and Ratchet's war experience.
The autobots manage to temporarily incapacitate Megatron with Ratchet's EMP. It won't keep him down forever, but it's long enough to toss him out of the ship as they start descending to earth. Ratchet starts trying to put a temporary seal on the hull breach while Prowl and 101 try to control their descent.
Bee and Bulkhead get a status update telling them the ship is going down, and overhearing the comm, Starscream figures it's time to bail. He runs for it, trying to ping Megatron the whole way. His spark sinks as he gets no response, even as he bursts out into the rapidly thickening earth atmosphere. He snaps into alt mode and tries to slow his free fall as best as he can without his wings shearing right off. He ends up crash landing in the north-east US, in the Appalachian mountains. Badly injured in the fall but not dead, he sent out a distress call on decepticon frequencies before he fell into stasis lock.
On the other side of the space bridge, the Nemesis manages to get away from the blast of the bridge exploding, but the crew is horrified at how bad it all went. For a moment, they fear all is lost. The Decepticons were already running in fumes, and now their leader and SIC are gone... until they receive a barely perceptible distress call, rippling through subspace across the remnants of the space bridge.
The call contains some brief notes about the mission status, Starscream is severely injured and Megatron is unresponsive, as well as some quick preliminary scans that Starscream did of the planet he's on. It was night at the time he landed, so he couldn't narrow it down to what star system, but he was able to get pictures of the night sky, determine the planet had a solitary moon, and determine the atmospheric composition. Blackarachnia immediately sent the images to a decepticon astronomer to pinpoint the general area of where Starscream was, and then set off to go get him, and hopefully, Megatron.
The only reason the remaining cons haven't fallen apart from grief and despair is the fact that they have a rescue mission to launch and an allspark to find. Megatron may be gone, but with Starscream and the allspark, their movement may just have a chance.
#transformers#maccadam#transformers animated#transformers shattered glass#sga au#tfa megatron#tfa starscream
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