#Come to discover Egypt

[blackpearlblast]

you can give seven days of internet connection to someone in gaza for just 6 USD

gazaesims.com is a website dedicated to helping people donate esims for people in gaza. (for the ultimate guide to donating an esim, see http://tinyurl.com/gaza-esims) there are multiple options for where to purchase an esim to donate, for the price i listed you want to use nomad esims. you can get a $3 discount by using someone's referral code from the notes of this post. it also will give the referrer credit to buy more esims! (you can only use a referral code on your first purchase) @/fairuzfan also a tag for esim referral codes here, some of which are nomad. BACKPACKNOMAD is another code to get $3 off your first purchase, it's been working for some people but not others so try out a referral code instead if you can't get it to work. also it took over an hour for the email with my information to come through so don't panic if it doesn't show up right away. (logging back into your nomad account seems to have helped some people get their emails to send!) NOMADCNG is a code for 5% off any middle east region nomad esims from connecting gaza. it can be used on any purchase, not just your first but is generally going to give less off than the first-purchase only codes, so use those first. it can be used in combination with nomad points. AWESOME NEW CODE: nomad esim discount code for 75% off any plan, NOMADCS25 do not know how long it lasts but this is an amazing deal esp. since they are really low on esims right now! (nomad promo codes do not work on plans that are already on sale, unlimited plans, and plans under $5)

weekly tuesdays only code on nomad web, PST timezone! it gives 10% off plans 10gb and above. NOMADTUE

for the month of may, first time referrals give 25% off for a person's first purchase and 25% off the referrer's next purchase! it's a great time to use someone's referral code from the notes if you are a first time buyer.

troubleshooting hint 1: if you are trying to pay through paypal, make sure you have pop-ups enabled! otherwise the payment window won't be able to appear.

troubleshooting hint 2: if you are trying to purchase an esim using the provider's app, it may block you from purchasing if your phone does not fit the requirements to install and use their esims. use their website in your browser instead and this problem should go away.

edit as of 5/21/24: holafly (israel and egypt), nomad (regional middle east), simly (palestine and middle east), mogo (israel), and airalo (discover) are currently in the highest in demand. here is a purchase guide i made that covers all of the esim platforms, including these three platforms. if it has been more than 3 weeks since you initially sent your esim and your esim has not been activated, you can reforward your original email with the expiration date in the subject line. you can see gothhabiba’s guide for how to tell if your esims have been activated. if your esim has expired without use, you can contact customer service to renew or replace it.

[walks-the-ages]

OP deactivated, and some of the links were broken/marked unsafe by Firefox, so here's a new compilation post of Leslie Feinburg's (She/her, ze/hir) novels and essays on being transgender:

Stone Butch Blues official free source directly from Author's website:

Stone Butch Blues, backup on the webarchive:

Transgender Liberation: A movement whose time has come, on the web archive:

Transgender Warriors: Making History from Joan of Arc to Dennis Rodman, on the web archive:

Lavender and Red, PDF essay collection:

Drag King Dreams, on the web archive:

(Also, if anyone ever tells you that the protagonist of Stone Butch Blues ""ends up with a man""........ they're transmisogynistic jackass TERFs who are straight up lying)

Please also check out your local public libraries for these books and see if they carry them, to help support public libraries! If you have a library card already you can checkout Libby and Overdrive to see if your public library carries it as an ebook that you can checkout :)

EDIT: another not included on the orignal masterpost-- Trans Liberation: Beyond Pink or blue !

annnnnd in light of the web archive losing it's court case, here's a backup of both PDFs and generated epubs a friend made:

5/26/2023: hello! I am adding on yet another book of queer history, this time the autobiography of Karl Baer, a Jewish, intersex trans man who was born in 1884! Please signal boost this version, and remember to check the notes whenever this crosses your dash for any new updates :)

6/24/2023:

Two links to share!

Someone made an Epub version of Memoirs of a Man's Maiden Years, which you can find Here , as a more accessible version than a pdf of a scanned book if you're like me and need larger text size for reading--

And from another post I reblogged earlier today, I discovered the existence of "TransSisters: the Journal of Transsexual Feminism", which has 10 issues from 1993-1995, and includes multiple interviews with Leslie Feinburg and other queer feminists / activists of the 90s!

Here's a link to all 10 issues of TransSisters, plus a 1996 "look back at" by one of the writers after the journal ended, you can find all 10 issues on the Internet Archive Here !

------

8/28/2023:

"Bi Any Other Name: Bisexual People Speak Out", can be found on the web archive Here, for the 25th Anniversary Edition from 2015,

and also Here, for the original 1991 version.

Each of the above can be borrowed for one hour at a time as long as a copy is available :D

This is a living post that receives sporadic updates on the original, if you are seeing this on your dash, click Here to see the latest version of the post to make sure you're reblogging the most up to date one :)

------------

October, 25th 2023:

"I began to dawdle over breakfast during shift changes, asking both waitresses questions. After weeks of inquiries, they invited me to a demonstration, outside Kleinhan's Music Hall, protesting the Israeli war against Egypt and Syria. I was particularly interested in that protest. The state of Israel had been declared shortly before my birth. In Hebrew school I was taught "Palestine was a land without peo-ple, for a people without a land." That phrase haunted me as a child. I pictured ears with no one in them, and movies projected on screens in empty theaters. When I checked a map of that region of the Middle East in my school geography textbook, it was labeled Palestine, not Israel. Yet when I asked my grandmother who the Palestinians were, she told me there were no such people. The puzzle had been solved for me in my adolescence. I developed a strong friendship with a Lebanese teenager, who explained to me that the Palestinian people had been driven off their land by Zionist settlers, like the Native peoples in the United States. I studied and thought a great deal about all she told me. From that point on I staunchly opposed Zionist ideology and the occupation of Palestine. So I wanted to go to the protest. However, I feared the demonstration, no matter how justified, would be tainted by anti-Semitism. But I was so angered by the actions of the Israeli government and military, that I went to the event to check it out for myself. That evening, I arrived at Kleinhan's before the protest began. Cops in uniforms and plainclothes surrounded the music hall. I waited impatiently for the protesters to arrive. Suddenly, all the media swarmed down the street. I ran after them. Coming over the hill was a long column of people moving toward Kleinhan's. The woman who led the march and spoke to reporters proudly told them she was Jewish! Others held signs and banners aloft that read: "Arab Land for Arab People!" and "Smash Anti-Semitism!" Now those were two slogans I could get behind! I wanted to know who these people were and where they had been all my life! Hours later I followed the group back to their headquarters. Orange banners tacked up on the walls expressed solidarity with the Attica prisoners and the Vietnamese. One banner particularly haunted me. It read: Stop the War Against Black America, which made me realize that it wasn't just distant wars that needed opposing. Yet although I worked with two members of this organization, I felt nervous that night. These people were communists, Marxists! Yet I found it easy to get into discussions with them. I met waitresses, factory workers, secretaries, and truck drivers. And I decided they were some of the most principled people I had ever met..." Transgender Warriors (1996) Leslie Feinberg

[fairydrowning]

— Love poetry discovered by Archaeologists in Egypt from the New Kingdom period 3,300 years ago.

[TEXT ID: I shall lie down at home / and pretend to be dying. / Then the neighbors will all come in / to gape at me, and, perhaps, she will come / with them. / When she comes, I won't need a doctor, / she knows why I am ill. END ID]

[kiss-me-muchoo]

𝐈𝐬 𝐢𝐭 𝐚 𝐰𝐨𝐧𝐝𝐞𝐫 𝐈 𝐛𝐫𝐨𝐤𝐞? || 𝐌𝐚𝐫𝐜𝐮𝐬 𝐀𝐜𝐚𝐢𝐮𝐬 𝐱 𝐟𝐞𝐦!𝐫𝐞𝐚𝐝𝐞𝐫 𝐱 𝐄𝐦𝐩𝐞𝐫𝐨𝐫 𝐆𝐞𝐭𝐚

part one: here || part two; i’ve been the archer

summary_ after returning from Egypt, you are set to marry your half brother Geta. When you fall in love with General Marcus Acaius, your brother tries everything to prevent you from slipping away from him.

warnings_CRINGE, age gap!, semi incest (do not romanticize irl) reader x Geta, drama, angst, VERY quick love confessions, implied SMUT +18

NOTES_ who’s afraid of little old me?, I just wished there were gallows in Ancient Rome, listen to my awful playlist for Marcus and the classic I have for Pedro bb.

♪ ♫ Pedro playlist + Marcus’s playlist ✰ Index (+ fics here)

If there was something you’d never miss… were the carmine sunsets. Those lasted more than usual. That kept the beginning of the night warm and made you the silent promise of another good day by the following morning.

It had been easy for your father to send you away as soon as your mother quit their marriage. Your brother was a big inconvenience and a hidden mistake that shattered your little wealthy family. Under the cautious look of the Roman Senate, your parents were still bonded in a strong marriage. But the truth was that your father never truly loved the woman who gave birth to you. Which led to your mother leaving for Egypt, a Roman Province. Soon after her departure, you were sent to Alexandria too.

Each day was a boost to your status. Learning a vast variety of languages and dialects, learning different types of dances, being able to handle weapons, and gaining control over the Egyptian cities, to help your powerful father; The Emperor.

You barely missed Rome. Your mother was a cold Empress that loosened all the knots your father could have tightened around you. Growing up used to the Egyptian parties, drinking the finest beer and bread. Taking occasional lovers since virginity was not a necessity for marriage in Egyptian society. One of those lovers specifically, was a tall warrior with sun-kissed bronze skin that transformed you into a woman in every aspect you couldn’t discover by yourself. It was a shame when he died after a bad injury during war.

In the present, being in your first years as a young woman, things were likely to change, and you were very aware of it. That didn’t stop you from having the time of your life in the vivid city of Alexandria. With very few friends, a dead lover, and a dream.

Every night you savored those carmine sunsets to pray to Venus. Perhaps your dream of finding a true love hadn’t happened yet due to praying to her instead to Hathor; the god of love in Egyptian territory. Nevertheless, you intended to marry a man who was ridiculously, recklessly, and borderline obsessed with you. You wanted to live the broken dream of your mother.

Until desires were abruptly paused one night. When you received a letter from your father.

“A letter from the Emperor. It is the wish of your father to have you back in Rome” Your walls crumbled into pieces. The face of shock was splashed all across your face as you listened to your mother.

“What motivated his decision?”

“I can assure you, I don’t know, my child,” your mother says vaguely, tending his favorite flowers inside the palace.

“Do not lie to me, mother” she sighs and suddenly, she starts crying. You don’t know what to do, but the sight unsettles you.

“He wants you to marry Geta…” your eyes get impossibly wide open, and you gasp in shock.

“My brother?” your mother nods. You pace back and forth, wondering why and how could your father come to that conclusion.

Although you were used to attending weddings in Egypt that came from a mother marrying her son, to a brother marrying his sister, it was… awkward. This was the boy that destroyed your family, the boy that would take half of your rights as heir was meant to be your husband and father of your children.

The mere thought scares you.

“Will you accompany me?” It’s the first thing you come up with.

“I must stay here since Egypt won’t have you now” You frown at her words. But your throat tightens, defying to produce tears that quickly threaten to spill everywhere.

“Be strong, remember everything I’ve taught you. No men will defy the tenacity of the emperor’s daughter.” you nod, your eyes prickling with fear that explodes in your chest.

“And in between, find the love I couldn’t keep, no matter what, y/n…”

“I’m seeing you again, Right, mother?” she nods, giving you a cold hug.

“I’ll always be here…”

For the first time, the carmine sunset does not bring you peace. Your mind is edging towards collapse as you approach Rome. As the light of the light leaves, you question everything. So many questions and nothing of time.

…

There were no shattered crystals after dinner as you expected. Your brother Geta welcomed you in Rome with excitement and it confused you even more. He gave you a short and personal tour of his newest garden and prepared the finest banquet made by all of the servants.

Geta is a sole copy of your father. Same mannerisms and style. Only behind his attentive look, you were aware of the sadistic man who talked to you with respect.

“Where is Father?” you ask him, sipping at your wine.

“An important meeting surged. He’ll join us tomorrow, we are preparing vast festivities”

“Festivities for what?” he smiles, you don’t like how compassionate and polite he’s being.

“Our marriage, soror” The heavy makeup on his face does everything to hide the truth of the narcissistic man he is.

You could swear he hated you because your mother was the sovereign empress and you the rightful heir. Your father just happened to have two wives and two kids at the same time.

And despite everything, you didn’t hate your brother. You despised her mother for drawing your own apart from your father. For convincing him to send you away from your solemn fair future. For transforming your brother into some incompetent who seemed to have a hunger for chaos and madness.

“I must thank you, for welcoming me… despite our background differences” It takes him aback. Geta expected a disheveled girl, a rebellious female who followed the ways of the savages; the Egyptians. But he encountered a bright and marvelous sister who tried to act with peace after being so far from home for so long.

“I wished we could’ve grown together, like a united family” you admit coldly, avoiding the whole marriage issue.

“We will be a family, y/n. I’ll make sure of that” he says hiding his lips in his cup of wine and it sends shivers running down your spine.

Geta sees how you stand up and politely push forward the chair you were seated in; excellent manners.

“As a tradition of mine, I’ll see the sunset and pray before going to rest. Please excuse me….” your brother nods, still processing your words as you leave the imposing place where you were born. You desperately need fresh air.

Near there’s a meadow with empty spaces. It’s just a piece of land that soon would probably serve to build another coliseum.

One thing is noticeable. Sunsets in Rome aren’t carmine… they are mauve. And for some reason, you can’t feel peace.

But you hold tight to your dream. Your happiness is what you’ve prioritized ever since a teenager.

That’s why you hadn’t failed a day to pray to Venus.

Venus, hear me, please. You whose care, throughout all the centuries, the unions of men and their lovers have been placed, what, I pray, have I come to merit? Release me from this uncertainty, gift me a lover, who will warm my heart for eternity. Venus, save me from the hells of my ancestries.

Someone touches your naked shoulder, it makes you gasp in horror.

“I didn’t mean to scare you.” someone says. When you turn around, you are facing a man who’s incredibly taller and broader than you. He’s significantly older than you, but he’s graceful. The second he takes to appreciate the sunset as well is your chance to study his profile. Gorgeous classical profile.

“Excuse me, but… Who are you?” you ask, moving aside, leaving his hand that rested on your shoulder in the air. He noticed it.

“General Marcus Acaius… I wondered why a woman was here all alone” you know him. He’s the most successful general your father ever had. He was a concise warrior, even considered a killer.

Somehow, you couldn’t help but find some sweetness in his deep voice. By knowing him for just a second, you felt comfortable by his side.

“I take pleasure in appreciating the sunset…” your soft features intrigued him. You looked slightly different than most of the women he sees in Rome.

“I haven’t appreciated the sky since I was a kid”

“What a shame, General. You would find some peace hidden between the clouds” Your accent was slightly colder than everyone’s. You didn’t have the golden hair that usually meant power. He was infatuated and tremendously interested in the woman he was facing.

“I must know where you come from…” he says, paying attention to your eyes. You smile, touching the little pearls that fall from your pale blue dress.

“I was born here… but circumstances made Alexandria my home. I arrived last night…” his eyes show surprise. He analyzed your bracelets, made of pure gold. You had a leaf crown with tiny sapphires that shimmered around your head. It wasn’t hard to tell who you were.

“majestas… you shouldn’t be here” he mutters and you don’t even flinch.

“I can assure you, General Acaius… I rarely find myself in the position of damsel in distress” he chuckles and you are relieved to see he doesn’t carry a ring around his finger. It was happening so fast, you wanted to know everything about him.

“You may call me Marcus. Except when we are in the presence of your father or brother” you remember you are supposed to marry your brother. But it wasn’t official just yet. And you were quickly falling for this older and gorgeous General.

After a sweet battle or glances, he has to put down his sword. You notice the details and the signs of years of use it has.

“Is this the weapon you master the most?” he nods, noticing the dry blood around the edges.

“Indeed… I learned to wield it before I even went to school” You smile, nervous but eager to throw your next comment. He was speaking very softly towards you. But it was obvious that he was a reserved and serious man.

“I use the spear and axe” Your revelation leaves Marcus surprised. There were very few female gladiators, most of them being treated worse than common slaves. No female in the Roman hierarchy wielded weapons.

“You truly are one of a kind, majestas” As the emperor’s daughter, you weren’t supposed to ever wield a weapon. Contrary to that rule, you were required to learn about politics. In Egypt, you were free.

“Oh, don’t call me that… my name is Y/n”

“Precious name…”

His smile mixed with yours burst in an obvious mutual flirtation. After talking for about two hours, the moon is the only witness in the dark meadows, where Marcus and you kiss until your lips are swollen and he has hydrated him after days of dryness. He promises to keep close to you as his fingers slip under the fabric of your tunic. You swear to welcome his touch no matter what as your hand palmed his girthy length under his heavy armor.

That night both of you seal your fate. That night Marcus Acaius ignites a vivid fire inside your heart.

…

Often, you wondered if candles could run out due to the excessive use of them each night. At least thirty candles are illuminating the place. You patiently wait in the room Marcus had in the Emperor’s palace, seated on the edge of the bed. When the General comes out, he spots you at his resting place. Immediately, you frown at him.

“You said it was a minor injury” There’s a lot of dry blood on his shoulder. He had taken a bath… but the injury was there, uncomfortably lying over his skin.

“It is a minor injury.” He assures, sitting beside you on the bed.

It’s been only a couple of days since you met him… and you are already too keen on him.

“There are no gladiators where I come from. Only warriors… Generals only command their soldiers. We never used weapons as a spectacle”

“I’m starting to believe Egypt is a better place than Rome” you shrug.

“I miss my home. I miss the freedom. I can’t marry Geta…” you admit out loud for the first time. Marcus huffs, he doesn’t have a problem with letting you know he is jealous.

“Right… the wedding.”

“I have to marry him after all. Only that way I could share the title of Empress with him” Marcus sighs tired.

“Am I descending into madness for these strong feelings I have for you?” you turn to look at him. Your hand moves to the end on top of his.

“I look into your eyes… and I feel safe, Marcus” you admit, straddling him. Your fingers trace his beard as you lean to kiss him deeply. He reciprocates and holds your hips steadily.

It’s a wild moment to openly share carnal passion, but neither of you cares. You push him against the feathery pillows and continue kissing. His hair gets tangled around your fingers and his forearms and hands have disappeared under your dress. You start throbbing and he gets hard. But the moment is suddenly interrupted by some footsteps near the room. In a blink of an eye, you get away from Marcus and he stands up from the bed too.

“Use the trail at the end of the hallway. I’ll see you tomorrow, satis” he says, kissing your forehead before you quietly leave his resting place.

Some guards were wandering around the place as usual. You skillfully pass by them, using the trail Marcus told you. But it’s dark and very quiet, not even illuminated by torches. Your sandals barely make a sound against the floors.

So it’s a huge surprise when a hand covers your mouth and the next thing you feel is getting slammed against the wall. It didn’t hurt you but it was violent.

You gasp for air and encounter your half-brother. He has his golden crown and velvet robes, his face almost clean of tints that weren’t his natural skin.

“What were you doing with General Acaius?” You frown.

“I don’t know what you’re talking about” his ginger hair is the only thing that shines in the dark trail.

“Quit the lie, soror. Has he made you impure?”

Oh dear brother, if you knew my purity has been gone for many years. But the truth was that Marcus hadn’t claimed you his yet.

“No. And it should not be a matter of importance to you” he chuckles.

Geta isn’t an idiot. He had seen the way Acaius looked at you during dinners. He noticed you came back to rest later than usual. And it was making him boil in anger. His disgust towards you before your arrival was strong. But after you turned to be a delight for his taste, Geta was burning for you.

“Oh, but it is a matter of importance to me. You are my future wife” he says, threatening to seal his lips with yours. The arm that was holding you still sneaked around your waist, applying a little too much pressure.

“Do you think I like the thought of other men touching or even smiling at you?”

Oh… so he was jealous.

His lips gently brush your neck as you set your eyes on the moon, waiting for the moment to be over. His touch is vicious, possessive, and harsh. The trail his lips have followed from your collarbones to your throat ends in your chin, mere inches away from your lips.

“If we can even consider this love… you have an odd way of showing it” he lets you go, the cocky smile on his face never leaving.

“Love or not… you are going to be mine”

“I’m also the heiress of the Emperor. We’ll see about that, Geta.” You spit bitterly, literally running away from him.

You have converted into an enemy for him. And you had to be ready to walk cautiously. Because you had changed your mind. Perhaps you would lose the crown… but weren’t going to marry him.

…

You missed dates so badly, but then the following morning, when a plate of them was included in the morning, you couldn’t resist. You are eating alone. Until the doors open and your father appears followed by two guards.

“Father…” you stand up, making a reverence to him. He smiles, extending his arms to hug you.

“I have wonderful news. We’ve arranged an encounter for you to demonstrate your abilities in combat” You are extremely confused.

“What?” Your father sighs, breaking the hug.

“I’m aware you performed in celebrations back in Alexandria. This is just the perfect opportunity to show the senate and council you are a prepared lady to receive the title of Empress one day…”

“Father… as much as I appreciate the intention. I’ve performed as a way to train for battle; gods forbid us from having to go to war, but… here, your soldiers and slaves fight for the mere feeling of feeding the greediness of hierarchy. I can’t do that…”

You weren’t a target for the empire to show off. You were more than just a woman with the ability to carry a weapon. You valued your freedom. And ever since arriving in Rome, day by day, you feel that you keep slipping away from it.

“The decision is taken. Heavens know why but the official announcement of your engagement with Geta remains being delayed. Hence, I won’t turn the Senate and council against me when there's no need. I may only wish you good luck, dear” You remember Marcus. He could have voted against the encounter. He was the General.

Suddenly you are bursting in anger, making the coldest reverence to your father as he leaves.

Your angry steps lead your way to Marcus. You found him taking a rest on a nearby balcony. When he spots you, his smile vanishes.

“You couldn’t impede that brainless idea of me participating in a combat?” Marcus has to sigh, placing his hands on his hips. He was expecting your anger to be honest.

“I couldn’t say no. If it did, they would suspect. I already have your brother behind my back all the time” You can fight him because he’s right. But it doesn’t dissipate your anger.

“You are going to be fine. I may be able to arrange the rules. I can choose the gladiator that will fight you, but your father and brother have the last word. What weapon do you want to use?”

“The spear…” he nods.

“Female gladiators tend to wield the bow and sword. You can easily disarm her…” you are not scared, you are just frustrated.

“Teach me the methods warriors use here…” you mutter. Marcus nods, taking your hand and giving an apologetic look.

“You will win, my dear.” His fingers place some strands of your hair behind your ear, it melts your anger and transforms it into peace. You want to scream how much you desire him. But you must retain your feelings given the hatred days you were living.

“Let me thank you for the training in advance, General,” you say, getting on your knees.

“Good girl…” Marcus whispered as soon as your tongue started working on him.

…

The usual crowd in the Colosseum couldn’t be compared with the amount of screams and cheers from the people watching the emperor’s daughter fighting one of the greatest female gladiators in Rome; Calista.

The sandy floors were covered in an elegant tapestry that marked the square where the show was occurring.

You are sweating, there's blood running down your chin and you can’t breathe correctly. Calista was ordered not kill you, but for some reason, she seemed to be personally trying to knock you out.

She had a helmet and armor in gold and red. But it was hard to deny everyone was invested in the attire you wore. A golden mask of Neith, the god of war that covered your face and a gold vest and bare shoulders. Everyone thought you were insane for that.

You remember all the things Marcus told you. Soon after your father started the encounter, you learned gladiators were blinded by the necessity of seeing blood on their rival instead of following a technique of combat.

Calista’s sword is sharp enough to give you a long cut by the movement of a soft swatch. You yelp in pain and she kicks your ribs, making you fall to your knees.

Marcus stands worried from his seat, but he soon returns to his place after making eye contact with Geta, who sends daggers with his eyes. Marcus understood your brother was insane when he disapproved of the gladiator he had chosen. Geta picked the most sanguinary and violent warrior to fight you.

Marcus couldn’t do anything. But he was impressed by your skills. He sighed with joy everytime you slipped from Calista’s touch. Even your father was displaying a face of proud.

But it’s not the same for you. You enter in panic, knowing you are at full mercy, almost dropping your spare. Your father is about to stop the encounter. The crowd is impossibly louder. You want to throw up. The sweat mixed with nausea, the cold air of the night, and the dryness in your throat are too much to handle. But you refuse to lose. With the sharp edge of the spare, you cut Calista’s calf. She’s startled, ready to strike back when your leg pushes her on her back. The heavy sword she carries makes a loud noise. Her skull crushes against the floor. It gives you enough time to stand, place your foot in her throat and point the spare against her forehead, ending the encounter.

The cheers are disgustingly excessive. But you’re done. You did what your father asked. You take off the mask and look at your brother in anger. Geta offers you a fake smile. He was surprised to see you were able to slip away, from his evil plans, from defying your father.

You offer your hand to Calista, but she refuses. She looks like she wants to kill you. But she only reverences your family and leaves.

Everything is forgotten when you set your eyes on Marcus. You want to smile and run to his side. He sees you with adoration. He sees the reincarnation of Psyche in you. A woman who Marcus swears it’s even more graceful than Venus and Persephone themselves.

Marcus Acaius makes a decision; He must marry you.

…

After a banquet, your bones and muscles ache with each movement you make, but you run towards Marcus. You need to see him after such a long day. He waits for you in the secure spot of the farthest tower. His light robes and leaf crown are securely dressing him when you spot him. The gold in his attire matches your bronze bracelets and indigo dress.

He’s the man you desire. He’s the man that had offered you a real demonstration of affection. He wasn’t trying to manhandle you like everyone before did. It’s more than enough to make you think your prayers to Venus have worked. You collide in his chest, giggling.

“I love you”

Both of you say at the same time. It leaves you shocked. Marcus smiles and you have to kiss him to believe it’s real.

“I promise you… we’ll be together” you nod dying out of happiness. He kisses you back and you feel you want to cry out of happiness.

What feels like a second was an hour of kissing.

And Geta was able to witness some of that time. Drowning in a monstrous wave of jealousy, he ran towards the Emperor to accuse you of adultery. But it was too late, your father was out of the city for the rest of the day. Geta is beyond enraged with the news. So he sends part of his father’s cabinet to a brothel, hoping his evil plan would work.

Later, when he finds you going towards the garden, he fastens his pace to harshly grab your forearms and stop you.

“That General is no good for you.” He spits with disgust as you squirm away from his touch.

“Neither are you” you fireback, stepping backwards.

“Go find him. You should know he just uses you to have our father’s approval. So I insist you, go find him and see what kind of man he is after you leave his bed” You raise your hand ready to slap him, but you don’t. You simply turn away and keep walking.

Geta’s words echo through your mind. You question him, valuing the honesty of his words. Marcus was a man after all. There wasn’t a perfect man nor a perfect woman, but you liked to believe there was still good in the hearts of the people.

Perhaps Marcus would be disappointed by your mistrust. But the uncertainty of his loyalty was something you couldn’t risk.

That night, you go out in a linen cloak, hunting the man you love. The guards won’t know you went out prowling around the city.

It’s late, but not for the city. Although is not crowded, there are a lot of people in the market. You let yourself wander across the place. There’s handmade stuff that women and kids sell. It makes you think about power and how not all of the people had it. If you ever became Empress, you wanted to see a prosperous and bright city. You want to ensure them with security and peace. You want to get rid of eccentric stuff, including gladiators.

The sound of music along with laughter draws your attention to a specific place. At first glance, you think it’s a tavern. But as your feet made it to the entrance, you gasped in shock. There are more men compared to women. The females are scattered around the place. Some feed grapes to men. Others dance and use their bodies to charm. All of them have their chests bare, showing their breasts and silver bracelets. It shocks you to see some of the females naked, kissing between groups of four or more and almost fucking them at the sight of everyone. The wine smells cheap, the whole place smells like sweat and sex combined.

You see from afar a large table of men. Your eyes look at the head of the table and it causes a great mix of confusion and intrigue. Because it’s your Marcus who’s seated with those men. He talks and looks seriously intimidating with his sword resting on the table. Your heart starts racing as a woman gets closer. She raises her hand to touch him. Marcus turns to look at the woman. She has short blonde hair, pale skin, and purple fabric that barely covers her body. Your eyes water at the sight. Your lover, who promised find the way to be with you hours ago is there, surrounded by naked women and you can hear him cursing. When the blonde woman is about to sit in his lap, you leave the place running away. There’s not even time to tear yet, you are completely covered in shock and disgust.

Soon you are back. You gasp for air, opening the doors of the place you call home. Two guards let you enter and you throw your cloak to the floor. When you look at the end of the long hallway, you spot Geta talking with his counselor. At the sigh of you, he indicates the man to leave. You want to leave him behind so bad, you avoid his eyes but it’s his voice that stops you.

“I told you so…” he says with an evil smile.

“Be quiet…” his laugh is loud and it angers you more.

“He doesn’t care about you. Acaius only cares for power. He could never love you-“

“SILENCE!”

You push him towards the granite bench behind and he is taken aback.

Even more when you lean to smash your lips with his.

It’s disgusting. There’s no care, only two individuals fighting for control in the lips of each other. Even the beetroot juice you applied hours ago has transferred to your chin and Geta’s. His hand is resting with pressure on your nape, and you slightly pull his hair, making him groan before kissing you even harder.

Just when you are about to sit in his lap, you stop. You look at him in horror. There’s no way you just kissed him. That you almost succumbed to his touch. But you remember Marcus with that woman. What were you doing?

Geta sees you quietly crying before standing up from the bench and watching you bolt.

You run to the meadows. The place where everything began. And at that moment, you realized you had completely failed.

Fighting in that encounter with Calista for what? Unnecessary approval of men who would surely die before you birthed your first child.

You pleased your father to live in peace for what? To carry the weight of a narcissistic brother and a traitor lover.

Your prayers were in vain. The love you wanted to find was over before it even started. Because it wasn’t real. You should’ve stayed back in Egypt. Maybe you should have married Geta on the first day. At least whatever he did to hurt you would have a payback. But with Marcus, it resulted in an excruciating pain that you had never felt before. Which makes you feel so ignorant and brainless. All that ego your mother had helped you build collapsed at that moment. You just wished for a remedy. Which for sure didn’t exist. But there must be a way, to make everyone feel at least a drop of what you have.

—————————————————————

part two or what? (Literally didn’t add the part I wrote for the sneak peak lol)

taglist: @drewharrisonwriter @my-dearest-agent @yellowheartz @spookyxsam @natasharomanoffsmotorcycle @uncassettodiricordi @kluvspedritooo @littleblackcatinwonderland

[mythicmanuscripts]

Ahhh, I love your work. Any more thoughts on Aegon’s oral fixation? When you brought it up in one of your works, it was just *chef’s kiss*. I’d love to hear more about it. Maybe a mix of SFW and NSFW? Maybe something with Aegon’s wife seeing his oral fixation and she uses that to tell when he’s getting turned on and needy?

Of course!!! Absolutely love how we’ve all come to the agreement that Aegon has an oral fixation (side note: while Aemond doesn’t have an oral fixation he does have some sort of fixation on your hands, but specifically your hands)

Anyway, my SFW and NSFW thoughts kinda melded together so I’m gonna keep everything under the cut just to be safe.

Right so as well know, Aegon has an oral fixation. It’s definitely something he’s known for a very long time. As a child the nannies were always having to tell him off and take things away from him that he’d chew or suck on.

I’m unsure if it’s ever been confirmed if straws exist in this universe or not but evidence of straws has been found from Ancient Egypt and from the Crusades so I think we can imagine they have them.

Anyway, Aegon LOVES straws. He loves how he can chew on them and suck them to drink whatever he’s drinking. If you want to get him to drink more water all you need to do it put a straw in a glass of water and he will happily drink the whole thing and then chew on the straw when he’s done.

Maybe that’s something he actually tries to hide from you? Cause he knows it can seem a bit childish how much he loves to drink from straws but then one day you catch him. You ask what he’s drinking and he says water, and then to his shock you immediately praise because he’s drinking water!!

He has to actually ask you about the straws before you realise that’s what he was shy about and trying to hide from you. Obviously you have zero problem with him using straws and you promise him he can always do that and that he looks very cute.

(One night you bring him a cup of warm milk and let him drink it with a straw and if you weren’t already married to him he’d get down on his knee right then)

Aegon always likes to chew or suck on something, but you know he’s getting turned on and needy when he starts to look to you for something to put in his mouth?

He’ll often put the charm from his necklace in his mouth or chew the sleeve of his shirt. But he does that on his own. He gets comfortable enough to do it around you but it’s still him doing it independently.

But when he gets all squirmy and whiney and starts to try and get closer to you? He’ll start pressing kisses wherever he can reach and the moment your hand goes anywhere near his face, he’s taking your fingers in his mouth and sucking. Then you have no escape. You have to find him something else to suck on or else he will cry when you pull your hand back.

Eating you out absolutely forms part of this. Sure he likes making you feel good any way he can, but fuck when he can do that AND he has something to lick and suck? He is in heaven. Absolute heaven he’s so so happy.

Sometimes you’ll pull him away from your centre when you’ve cum enough and you don’t want more and then he’ll actually be unsettled and whiney? Cause he’s not finished!!!

You have to let him come cuddle against your chest then and suckle on your fingers or maybe even your pendant?? He could stay like that for hours at a time, all warm and comfy.

Also, lord help you once he discovers hickeys. He loves when you give him hickeys sure, but when the lightbulb turns on in his little brain and he realises he can give you hickeys? Good luck.

After that discovery, when you pull him away to stop him from eating you out then he will just start giving you hickeys on your thighs and tummy until you eventually drag him back up the bed.

Likewise, he’s a biter. And I don’t he’s just a biter during sex. You are never safe. Nom nom.

(Also, Aemond is also a biter but that’s exclusively during sex when he’s completely overwhelmed and he bites hard enough to bruise. He always feels terrible afterwards but you think it’s a small price to pay to see him completely broken down by pleasure)

[iomoru]

Drawn To You

A/n: I totally did not had multiple mental breakdowns while writing this stupid shit (≧ω≦)

Genre: Ancient Egypt! Au, Fluff, Love at First Sight, Fem! Reader, Belly Dancer! Reader, Cyno x Reader, Second Person, Proofread

Summary: Cyno becomes captivated by you, a mesmerizing belly dancer, during a tavern performance. Ignoring his companions, he seeks you out afterward, leading to a brief, intriguing exchange that sparks a connection between you both.

art by: lulu8930430 on X/Twitter

The tavern was lively, filled with the scent of spiced wine and murmured conversations. Cyno found himself seated at a table with his companions, Tighnari, Kaveh, and Alhaitham, who were embroiled in yet another spirited debate. To Cyno, their voices became a distant hum as his attention was drawn toward the stage at the front of the tavern.

The murmur of the crowd softened as you appeared on the stage, adorned in a flowing ensemble that shimmered like desert sands under the moonlight. Your entrance was captivating; each step you took seemed calculated, yet graceful, commanding attention from anyone fortunate enough to watch.

For Cyno, it was as if the world had stilled. His gaze was fixed on you, mesmerized by the way you moved, each sway and flourish drawing him further under your spell. He knew nothing about you—only that he was transfixed, heart beating in time with the rhythm of the music.

The others were oblivious, too absorbed in their discussion to notice. They seemed immune to the magic that filled the air, their voices growing more animated as they bickered and bantered, yet Cyno couldn’t bring himself to look away from you.

As the performance reached its peak, your gaze met his, a glint of amusement dancing in your eyes. A spark of curiosity crossed your features, and Cyno’s heart raced as he realized you had noticed his staring. Without hesitation, you began to approach his table, your movements fluid and magnetic. As you danced closer, the distance between you and Cyno seemed to dissolve, your presence alone filling the space as if there was no one else in the room.

For a brief, fleeting moment, you paused near him, close enough that he could feel the warmth radiating from you, and then—almost as quickly as you’d come—you turned, returning to the center of the stage, leaving Cyno to catch his breath.

Once the performance ended, the audience erupted in applause, but Cyno barely noticed. He found himself rising, his focus on finding you, leaving his companions behind without so much as a word. Ignoring the curious looks he received, he slipped through the crowd, determined to seek you out.

In the quiet hallway behind the stage, he caught sight of you as you gathered your belongings. For a moment, he hesitated, unsure how to approach someone who’d left him so utterly captivated. But then he cleared his throat, and you turned, a hint of a smile already on your lips.

“You left quite an impression back there,” Cyno said, his usual stoic demeanor softening as he looked at you.

“Did I?” you responded, amusement evident in your voice as you raised an eyebrow. “And here I thought my performance went unnoticed.”

“Far from it,” he admitted, a faint hint of a smile breaking through. “It was… unforgettable.”

For a moment, you both stood in comfortable silence, a gentle tension lingering in the air. Cyno’s heart beat faster as he realized he wanted to know more about you, to discover the story behind your enchanting presence.

“I don’t suppose you’d mind some company?” he ventured.

“Depends,” you replied with a playful glint in your eye. “Do you often make a habit of following dancers after a show?”

“Only when they’re as captivating as you,” Cyno replied, his tone unusually earnest.

The two of you shared a quiet laugh, and with that, a connection sparked, like a promise waiting to unfold beneath the endless desert stars.

A/n: I tend to be overly dramatic whenever writing a fanfic but I end up doing them anyways...(￣∇￣)

© ²⁰²⁴ ɪᴏᴍᴏʀᴜ ✰ do not repost, translate, plagiarize, use to train ai, or share my work on other social media platforms.

[seat-safety-switch]

Don't you hate it in science fiction when the protagonist knows exactly how something works, right down to the theory and components? That pulls me right out of the story. I don't know how a garage door opener works, you probably don't either, so I wouldn't spend four paragraphs explaining it to a hot alien chick I just met. I'd be too busy asking her if she has Craigslist on her phone.

I can absolutely understand why authors want to do this, though. When you're writing a novel, the blank page is terrifying. You fill it with what you know, and if you've been studying "cool spaceships," it turns out that will be top of mind for a little while until you discover a Wikipedia article about a new kind of gravity. The same thing happens at parties. If you ask me about the weather, the conversation will inevitably degenerate into a discussion of exactly when you need to start looking for oversized crankshaft bearings and what kinds of semi-truck batteries are the right size to steal for use in a car. It's detail you don't need, in other words, but that I have in large quantities.

What's the solution for this? Knowing nothing at all. Studies have shown that the less you know, the happier you are. Doing these studies made the scientists involved sadder, which is basically a peer-review if you ask me. The less you know about a subject, the more easily you can let the plot take over. For instance, I don't have a really solid idea of where on the map Egypt is, but if you asked me to throw together a novel about it, it would probably be a pretty good banger until the halfway mark where they find an old Jeep that doesn't run and the next two hundred pages are a regurgitation of the Haynes manual's wiring diagram section. Come to think of it, that would be an amazing book.

So in conclusion, try to know less tomorrow than you know today. Go out there and forget a whole bunch of stuff. Head to your local public library and rub your face on the books until the ideas come back out of your brain and embed themselves inside the pages, where they belong. And then get back home, grab your 1977 Royal Sahara typewriter, which is really a rebadged Triumph-Adler, and re-lube the strike hammer elbow to get rid of that weird little squeak in the spaceb – oh no, it's happening again. I gotta get to the library.

[poptod]

Curious Companion (Ahkmenrah x Reader)

Description: You wake up in a museum and realize you're just a wax version of yourself. Your curiosity remains, and you find yourself entrenched in conversation with a millennia old Pharaoh.

Notes: its happy, then very sad, then happy again WC: 2.7k

+

The guards didn't care much about your section of the museum. Perhaps, you wondered from afar, it was because you looked and acted much like them––more humanoid than the little figurines or the puppets and stuffed animal skins. Regardless of what the three night guards thought of you, it did allow you more freedom than many of the other exhibits, for which you were grateful. Still, you didn't like them very much.

You awoke much like the other exhibits one evening, like you were ripped from your home and suddenly placed in a museum. The only difference was you had no idea why you were there; reading your plaque cleared things up only slightly. It had your name, and a profession you once thought of going into as a child, only for you to decide upon your entrance into college that it was a fabled dream. It also said that you were the young version of yourself, and that you would discover an ancient city on the coast of Egypt in your late 50's. Overall, the experience was strange. Few people were afforded a plaque telling them what they would do in their life.

Eventually, you realized that you would never accomplish those things anyway. The real you did––you yourself were a wax figure stuck in a museum in the year of 1992, and it was several centuries after your supposed death. Computers, although very informative, were very hard to figure out in order to obtain this information.

Knowing this––knowing you would never age, never accomplish anything yourself––did little to stifle your curiosity regarding the mystical land of ancient Egypt. You spent many nights combing the internet for information on Egypt, everything that had been learned between your existence in the early 20th century to now, nearing the 3rd millenium.

This research was only interspersed by your search for what exactly brought you to life. Avoiding the night guards seemed prudent, despite the fact that they might have answers, and thus you were left to your own devices to try and figure the mystery out.

After many weeks of no answers, you decided to trail the guards at a safe distance in hopes of overhearing some conversation. They mentioned a mummy––one you had not heard about being in the museum before––and a magic tablet. Immediately you left in search of this exhibit, excitement teeming at your fingers. If the magic worked to make everything alive, surely it would make the mummy alive. If every exhibit retained their memories from life, this mummy would have an immeasurable amount of knowledge about what ancient Egypt was really like, although you knew language may be a barrier. But it didn't stop you.

You searched the museum as thoroughly as you could––which took several nights, seeing as how large the museum was––and eventually circled back round to a place near your own exhibit, which you chastised yourself for. You were part of the exhibit on Egyptian history. It would make sense the mummy would be near you. But before you could even enter the room, the sun began to rise, and you hurried back to your exhibit to await the next coming night.

That next evening, you waited until the night guards came and went, laughing and play-fighting each other as they locked up each of the exhibits in turn. As usual, they skipped you. But once they were gone you snuck out of your casing, and headed towards the screaming you had heard the first time you found the mummy's room.

The sarcophagus rattled beneath the heavy stone, and the thick lock keeping it together barely moved as the deceased person shook and yelled with all their might. The statues of Anubis, carrying was-scepters and adorned in gold, only watched you as you slowly walked down the hall. You circled the sarcophagus, admired the carvings, and then moved to read the plaque.

Ahkmenrah was his name. A young Pharaoh from the Middle Kingdom. Discovered in the 1950's. Son of Merenkahre with a partially illegitimate claim to the throne. Suspected to be assassinated due to the wounds in his back.

You returned to the sarcophagus.

"Ahkmenrah?" You said quietly.

The screaming ceased, but the rattling did not.

"Can you hear me?" You asked.

He made a sound, which was completely incoherent, but was a confirmation nonetheless.

You didn't really think about what you would do once you got this far. Originally you had a plethora of questions in store, but thinking about it now, it didn't seem appropriate to launch all of them upon the encased Pharaoh. Being stuck in a cramped sarcophagus did not sound like a pleasant time, and you didn't even know if he would understand you.

"Do you understand me?"

"Arabic?" He suddenly said, and though his voice was still muffled, it was clear enough to understand.

"Yes," you said, shuffling forward in your excitement. "Is that alright?"

"I know English more well," he said.

"Oh. Um…"

Your english skills left something to be desired, but they would suffice. They did better with reading than speaking.

"My name is (Y/N)," you began in English. "Do you, um… do you know why we are… not dead?"

"Yes, of course I do," he said in perfect English. "Do you see that tablet up on the wall? It's made of gold. The light of Amun shines down from the top upon its' keys."

"Yes, I see."

"My father gave it to me, as a gift. It is imbued with the powers of the Great God Khonsu, may he live forever. It was meant to keep our family together but, as I am separated from my family, it keeps the museum alive. It keeps us safe," he said.

"Safe?"

"Protected. Away from harm, or getting hurt."

"Ah." You laughed. "Your English is better than me. How did you learn it?"

"Well, before I was here, previously I was stationed in Cambridge University for study. That's where I learned English, and Arabic, and Hebrew. I had a lot more freedom there… when I learned I was to be transferred to a city of New York, I was most agrieved. Now I see I had every right to feel such a way. Um, (Y/N), may I ask, who are you?"

"I'm the young type of a famous person. I read, when I am… when I was older, I found an Egyptian city on the shore of Egypt. The city was built after you died," you explained.

"I see. I have another question, if that's alright."

"Yes, it is. I have also questions for you, if that's alright," you said in return, earning a laugh.

"Yes, quite alright. But I go first. (Y/N), do you know why I am locked up?"

You sucked in a breath. It was fair that he would ask this question; you just weren't prepared to answer it.

"There are guards, that the museum has to keep things safe. They keep everything locked up. Only a little bit of us are not locked up. I am not. But the guards are not very nice. I don't like them," you explained quietly, leaning in to speak through the tiny crack between the coffin and its' lid.

"I see," he said, a hint of sadness lacing his tone. "Do you… do you think you could open up my sarcophagus?"

"Yes, I think," you said with a frown. "But they will hear. Then I will be locked up too, and so will you, for the rest of time. And we will not be able to talk again."

"… you're right," he said, and sighed. "I'm sorry. It's just very cramped in here."

"I know. I am sorry as well."

You visited him every night, year after year. Each night you both would have questions for each other; yours regarding his life in ancient Egypt, and his mostly personal and theological. His sense of humor was surprisingly vibrant considering his state of being, and you enjoyed your time with him immensely. He seemed to be the only exhibit in the museum with a true soul, which you attributed to the fact that he was an actual human made of bones and flesh, and not a figure carved from wax. Each passing month you yearned more and more to see his face; to know his entirety. Each year the longing grew immensely more painful. Still, every night you went to see him, and always avoided the night guards, who grew older and older as you stayed just as young as when you first awoke.

"I want to ask," you began one night, "what God you worship."

"I worship many Gods. My favorite, my most beloved Netjer is Nefertem. But He is not a very appropriate God for a Pharaoh to worship. As Pharaoh, I was set to elevate Ra and Khonsu as the ultimate Gods," Ahkmenrah explained, though his answer only led to more questions.

"You are not allowed to worship some Gods?"

He sighed, and you could practically feel him rolling his eyes.

"Some Gods are not popular enough for the people to rally behind. So in order to retain power as Pharaoh, you have to encourage a God the people already love and adore in great hoards. I don't think it's very right, personally. But it's the way things are done. Now, (Y/N), what God do you worship?"

You paused.

"Supposedly the Abrahamic one," you said. "My family is Muslim. They worship Allah, a supreme male God. I… have a.. complicated relationship with Allah."

Ahkmenrah laughed, and the lid to the sarcophagus rattled with him, similar to the high ringing of marriage bells sounding like the shackles prisoners wore clinking around their wrists and ankles.

"Do you know who Allah is?" You asked.

"Of course I do. I didn't spend all that time in Cambridge for nothing. He emerged after the preachings of the prophet Muhammed. I've always been curious about this one God who has so wholly encapsulated the world. It seems he is the only God people worship these days."

"Not everyone is Muslim."

"No, but everyone worships this God that came from the Israelites, yes? From the Israelites came Jesus, and the Christian God, who is the same as the Jewish God. After the Christians came Muhammed, and the Muslim God. They're all the same, are they not?" He said.

Your brow furrowed. You hadn't thought of it that way before––perhaps a product of your era. But he brought about a good point. Suddenly the fighting between the three religions seems superfluous and stupid.

"I guess so," you finally said. "There are other religions now, not only three. Hinduism and Buddhism are large in the east."

"I've heard of Hinduism. It's polytheistic, yes?"

"Yes."

"I enjoy that."

You laughed.

There was silence, and then Ahkmenrah spoke again.

"You don't really worship Allah though, do you?"

"My family does."

"Forget your family. Do you believe in this ultimate, male power in the universe?"

"… not really."

"Do you believe in any higher power at all?"

"Yes," you said, without really thinking it through. "I do not think about it much. Well, I have not, in my past. It is not… not right. But I am not sure what I believe in."

"Think about it. Tell me next time, alright?" He requested in a soft voice.

You reached out and touched his sarcophagus.

"Of course," you said.

Next time didn't come.

The night guards had grown old over the years, and the time had come for them to be replaced. They were bitter about it, you knew, and you had overheard their ideas to steal the tablet of your friend. You had few ideas on how to stop them; when the next night guard came, you thought to tell him, but he was grossly incompetent and quit within the first day. The museum ran through several new night guards––all of whom quit after seeing how the museum actually operated at night––until one man who was desperate enough finally returned night after night, trying his best and failing to lock up all the exhibits. Despite the chaos, you had been managing to sneak away to talk to Ahkmenrah whenever the guards weren't near.

The new night guard's incompetence, however, led to one of the exhibits escaping: a wax figure of an ancient hominid. The night of your conversation with Ahk, you noticed one of the figures missing from the exhibit, and saw an open window. You knew the new night guard would not be able to save the hominid, and somehow, although you'd never been told, you knew something bad would happen if they were outside when the sun rose.

You climbed out the window. Already the evening was fading away. You went running in search of the hominid, and tried your best to lure him back into the museum. As you reached the museum doors with the hominid in tow, the sun crested over the tops of the skyscrapers, and the both of you turned to dust.

…

Larry nearly got fired for losing two exhibits on one of his first nights, but all of that seemed like the distant past after his efforts in stopping Cecil and uniting the exhibits of the museum to work together in friendship. It seemed to him a great accomplishment––especially in the light of his son's happiness and the fact that he now had a job that was actually quite easy––and he prided himself on his work.

Ahkmenrah, the dead Pharaoh, however, was not as cheerful as he had been when he was released. He spent his nights searching every historical and scientific wing of the museum and never seemed to find what he was looking for.

One evening, Larry followed him, and finally spoke up.

"So… you seem to be… looking for something. Usually. Think I can help you find it?" Larry asked, his hands folded behind his back as he awkwardly approached the 4,000 year old Pharaoh.

"I had a friend, before you came," Ahkmenrah said, but didn't spare a glance away from scanning the different plaques. "Their name was (Y/N). They spoke to me while I was locked away. One evening, they didn't return. It was… somewhat recent. A couple days before you released me from my sarcophagus."

"(Y/N)? (L/N)? The historian?"

"I would think so. I think they were Arabic. I never saw their face."

"Yeah… I think I know who you're talking about." Larry pursed his lips and took a deep breath, preparing himself to deliver the news. "I'm sorry, Ahk. They escaped the museum and uh… didn't return before sunrise."

Ahk stopped moving. His eyes halted on one of the words he was reading: founded. A great sorrow filled up his heart, and took up the space where his breath would be, and filled his eyes where his sight once lay. All that remained was the sudden stillness, and the blackness in his mind.

"I see," he said quietly, attempting his best to stop his voice from failing. "Thank you, Larry."

He left, leaving Larry alone in the hall, and returned to his sarcophagus. He lay there for the night and did not move till the sun rose, and he froze in his death.

Some days later––perhaps a week or two––Larry found him sitting on the edge of the staircase, and led him upstairs. He would not say where they were going, but when they got there, Ahk had an idea of what had happened. Your plaque was put back in its' place, and standing in the glass encasing was you. You looked confused. His lips parted in a soft gasp.

They replaced you.

"Larry, what is this?" Ahkmenrah asked, furrowing his brow.

"Well, when McPhee saw that (L/N) was missing, he had another one made, and… well, here they are. Thought you might want to know," Larry said. When neither Ahk or you made any move, he continued with, "oh, let me just…" and unlocked your new casing. "There you go."

You looked at both of them, your wide eyes darting between the two strange figures as you placed your hands on either edge of the glass. Ahk offered his hand for you to step down with. You looked at his hand, and then back up to him, tilting your head to the side.

Despite your doubts, you took his hand. You asked something in Arabic––something Larry couldn't understand, but Ahkmenrah comprehended perfectly.

"Do I know you?" You asked.

"In a way," he murmured, unable to look away from you. You were shining in the usually harsh and unflattering light of the museum. He wondered how you would look in a perfect sunset.

"You seem… familiar," you said as though in a trance.

"I'll explain everything," he said softly. "Walk with me?"

"… alright."

He took your other hand, and the two of you left down the hall, staring at each other.

[antiquitiesandlabyrinths]

. . .Osiris

Osiris (Great and Beautiful is He) is the God of the Underworld; its King and Pharaoh ruling over the Duat. He is pictured here on the far left, His skin green and His body in mummiform. This is commonly how He is depicted; as a green-skinned, mummified man.

Son of Nut, the Sky Goddess, and Geb, the Earth God, Osiris was the first King of Egypt in accordance with Kemetic mythology, although there are stories that recount Geb, His father, being King before Him. There are a great deal of myths and stories that surround and involve Osiris, and I suppose it is important to at least skim over them before discussing hard facts about Him, as it gives some reference as to who He is and what the culture surrounding Him is like.

Osiris Myth

After the world was created, the Demiurge (who changes according to myth, and can be Neith, Ra, Amun, Ptah, or others) produces children; in the most popular form of this creation story, it is usually Ra who births the first Gods. They are Shu and Tefnut, Air and Moisture. Shu and Tefnut then form a union and birth two children of Their own: Nut and Geb, Sky and Earth. Nut and Geb were very much in love and refused to separate from each other, which, of course, caused a problem, because if the sky and the earth are eternally in contact, there is no space for anything to live and walk upon the earth. Ra made it so Nut and Geb were forever separated, by having Shu, air, stand atop Geb and hold Nut up as the sky. But Nut was already pregnant. When Ra discovered this, He was enraged, and forbade Nut from ever giving birth on any day of the year.

Nut cried to Djehuty (Thoth), and Thoth devised a plan. He went to Khonsu, God of the Moon, and set up a gamble, saying that every round of the game Senet Khonsu lost, He would have to give Nut some of His moonlight. Khonsu ended up losing so many times that Nut had enough moonlight for five days––five days that weren't in the calendar. This allowed Her to give birth on those five days, and on each day She had a different child; Ausir (Osiris), Wr-Heru (Horus the Elder), Sutekh (Set, Seth), Auset (Isis), and Nebet-Het (Nephthys). Nut and Geb were still forever separated by atmosphere (Shu), but the five Gods were birthed, and Osiris, as the eldest son, became King of the Living World.

As a side note, all Gods do have ancient Egyptian names which are different from Their Greek and now modern names. For convenience's sake, and to avoid confusion, I will use the names They are most known by; Their Greek/modern names. And as another side note, there are a lot of variations on this story. I will be piecing together a lot of different ideas but I will be leaving some things out for the sake of cohesion.

When Osiris came to Egypt, He found the people there to be chaotic and lawless. As King, He instituted laws and spread ma'at, which is truth, justice, harmony, and order. Egypt flourished under His rule and the people were incredibly happy, as all were equal, and with the fertility of the God-King, the crops were always bountiful and food was plenty. He brought not only law and prosperity, but also the right way to worship, and the teachings of agriculture.

Set, God of chaos, confusion, the desert, and of foreigners, and the youngest brother of the Ennead, grew to be quite jealous of His older brother. There are many variations and the most popular variation of this story comes from the end of the New Kingdom (1550-1070 BC), where Set fashions a fabulous coffin in the perfect measurements of Osiris, throws a party, and tells the party-goers that whomever the coffin fits may have the coffin as a gift. When Osiris fits perfectly, Set quickly shuts and bolts the coffin and throws it in the Nile (this version of the myth gives an origin to the idea that people who drowned in the Nile were holy). His coffin drifts downstream and into the Mediterranean, where it washes ashore in Phoenicia, in Byblos. The coffin wedges itself into a growing tamarisk tree, a tree which envelops the coffin. Eventually the tree is cut down and used as a pillar in the palace in Byblos.

Isis, Osiris' wife and sister, searched far and wide for Her husband, and did eventually find Herself in Byblos. The story is quite long and complicated, but in the end She convinced the King to give Her the pillar, and when she returned to Egypt, She hid Osiris in a swampy area of the Nile delta, and bade Her sister, Nephthys, to watch over Him while She went in search of healing herbs. But Seth heard that Osiris was back, and so after interrogating His sister-wife, Nephthys, He found Osiris, cut His body into pieces, and threw them into the Nile.

Isis was horrified at what transpired in Her absence, but She immediately set to work on finding the many pieces of Her husband with the help of Her sister, Nephthys. They managed to find every piece of His body except His phallus, which had been eaten by an oxyrhyncus fish, a fish that was thus forbidden to eat.

With the pieces of Osiris reassembled, and the healing powers of Isis in full power, Osiris was brought back to life, but incomplete. Isis assumed the form of a kite, and from above drew out the seed of Osiris, impregnating Herself with Their child: Horus the Younger. But Osiris, still incomplete, could not properly rule over the land of the living any longer.

This is why He is the ruler of the dead––He was once the king of the living, was killed, and was resurrected, and this is what every ancient Egyptian expected and hoped would happen to them: that they would die and be resurrected. In tombs and mortuary temples you will always see Pharaohs associating themselves with Osiris.

But this long myth I have just told you is not the only version of the story, and in my opinion, it is definitely the longest version of the story. Back in the Old Kingdom and Middle Kingdom there were several different versions; for example, Set's motive is different, ranging from revenge for Osiris kicking him, to revenge for Nephthys (Seth's sister-wife) sleeping with Osiris (which eventually births Anubis). Some texts claim that Seth took on the form of a wild animal, such as a crocodile or a hippopotamus, and killed Osiris that way. In others, Osiris is drowned. In some, the steps surrounding the coffin are skipped, and Osiris is simply cut up, and His pieces scattered around Egypt; a version which explains the many cult centers of Osiris claiming to be a place where Osiris is buried. Osiris' resurrection is also often helped along by other Gods such as Thoth (God of wisdom) and Anubis (God of embalming). In some versions, Set is killed for His actions. In most He is simply defeated and driven from the land, as chaos is necessary for balance and harmony, and thus cannot be killed. And the story that I have told is from the Late Period, recorded by Plutarch, and does not really go along with many Egyptian accounts, which often find Osiris' penis intact.

So that is the Osiris myth with all of its' intricacies and changing rhythms over the course of 4,000 years of Egyptian history. It embodies a huge amount of cultural practices and religious ideas within ancient Egypt, including the idea of truth, harmony, and justice, as well as resurrection, the afterlife, healing, and the workings of the cosmos. I've decided to leave out the later parts involving Osiris' son, Horus, and His fight with Set, for now because this does not directly involve Osiris, and that is our topic for this post.

Tradition, History, and Culture

Worship of Osiris dates back to the Old Kingdom, but the idea of Osiris is likely older than this. Before Osiris was actually Khentiamenti, an agricultural God centered in Abydos, a city which would later become the cult center of Osiris. Khentiamenti means 'Foremost of the Westerners', a title for the ruler of the dead, as the dead resided in the west, where the sun set each day. But Osiris Himself is not found mentioned in any texts or carvings until the 5th Dynasty, where He is depicted as a man wearing a divine wig. Later on He would take on the form we know Him best in––wrapped in a white mummy shroud, wearing an atef crown with ostrich plumes on the sides.

The mummy shroud He is depicted in forever associates Him with death and with the essential story behind Him, which is why I found it so important to start off with the Osiris Myth. This myth is also why He consumed and took the place of Khentiamenti; the name Khentiamenti, Foremost of the Westerners, instead became a title for Osiris as the King of the blessed dead. Another common epithet/name of Osiris is Wennefer (Omnophris), meaning 'The Beautiful One', 'The Beneficent One', and more archaically, 'One Whose Body Did Not Decay'. Among these names He was also called 'The Lord of Love', 'The King of Living', and 'The Eternal Lord'. From the Early Dynastic Period up until the end of the Ptolemaic Dynasty, when Rome conquered Egypt, Osiris was one of the most highly worshipped and revered Gods of Egypt.

Osiris was associated with the Nile river, with its' renewal and life-giving abilities, as one of Osiris' domains and powers was fertility, as well as rebirth. Another of His duties, evidence of which originates in the New Kingdom, was to act as judge of the dead; being King, He sat on the tribunal with the 42 Judges in the famous Weighing of the Heart ceremony. In this ceremony, which took place in the afterlife, the deceased would have to stand before the court and place their soul up for judgement. If it weighed lighter than the feather of Ma'at, representing all justice, truth, and harmony, then the heart acted well in life and would be allowed eternal happiness in the Field of Reeds. If not, the heart, and thus the person, would be consumed by Ammit and committed to nothingness. So Osiris would sit in on this tribunal and judge who entered His kingdom, as it was His domain. In this role, and in His role as King of the Living, as well, He was the embodiment of harmony, law, and justice.

"Most of his appeal was based on his embodiment of the cosmic harmony. The rising Nile was his insignia, and the moon’s constant state of renewal symbolized his bestowal of eternal happiness in the lands beyond the grave. In this capacity he also became the model of human endeavors and virtues..." (The Complete Gods And Goddesses Of Ancient Egypt, p.307)

As I mentioned earlier, Abydos became His cult center, as it was the cult center of the God who came before Him, whose traits He subsumed. It became a very popular burial site, as legends would say that Abydos was where Osiris was truly buried, and the people wanted to be buried as close as possible to Osiris. At one point they believed an ancient tomb there––which was actually the tomb of an Early Dynastic King––to be the tomb of Osiris, which they much revered, and left so many offerings in clay pots that Arabs would later call the site 'Umm el Qa'ab'; Mother of Pots. But this was not the only burial site of Osiris; since many variations of the myth include Set chopping up and dismembering Osiris into many parts, ranging from 14 to 42 different parts. These parts were scattered across Egypt, so many cities and nomes could claim that they had a part of Osiris buried in their domain. For example, far in the south, the island of Bigah claimed to be the burial site of Osiris' left leg, and thus the source for the yearly Nile inundation.

Going back to the Osiris Myth, after Osiris died and became the ruler of the dead, His son took His place as King of the Living: the falcon God, Horus (Heru the Younger). After the brief bout of chaos brought about under Set's rule, Horus took over (after much deliberation from the Gods) and order was restored. Because of this story, Pharaohs would not only associate themselves with Osiris in death, but with Horus in life. Each Pharaoh, as they came to the throne, would become the living embodiment of Horus on earth, the son of Osiris. In this way, Isis was also the mother of every Pharaoh, and their protector. And, to added extent, each Pharaoh would have a personal name, and then a Horus name granted to them when they ascended to the throne.

"It is for this reason that Osiris is so often depicted as a mummified pharaoh; because pharaohs were mummified to resemble Osiris. The image of the great mummified god preceeded the practice of preparing the royal body to look like Osiris... The king's appearance as modeled after Osiris' extended throughout his reign; the famous flail and shepherd's staff, synonymous with Egyptian pharaohs, were first Osiris' symbols as the flail represented the fertility of his land while the crook symbolized the authority of his rule." (Osiris, World History Encyclopedia, Joshua J. Mark)

Osiris can also be represented by a number of physical symbols, such as the crook and flail that He carries in almost all representations of His earthly form. The crook, which is the striped hook He carries, represents power/authority, and is a symbol of the Pharaoh. The flail, which is the instrument in His other hand, represents the fertility of the Nile, and as an extension, the fertility of Osiris Himself. But the crook and flail, though both seen typically as symbols of Pharaonic power, are actually the tools of a shepherd. There is reasonable evidence, thusly, to suggest that the physical origins of the idea of Osiris may not be that of a great King, but of a ruler of a shepherd tribe in the Nile Delta, whose rule was so beneficent that it led to him being worshipped as a God. For Egyptologists, this theory comes from His association with Andjety, a predynastic God-King worshipped in the Delta who also bore the crook and flail as His symbols. This, however, has not and likely cannot be fully proven. But the postulation is still interesting nonetheless!

Osiris' ba soul had its' own culture of worship, a practice of soul-worship that is prevalent in the cults of several other Gods, such as Hathor (HwtHer). In this form, Osiris was known as Banebdjedet, meaning 'The Ba of the Lord of the Djed,' which in English terms means 'The Soul of the Lord of the Pillar of Continuity', as ba means soul, and djed is the symbol for a pillar, which represented the backbone of Osiris. Interestingly, the name Banebdjedet is feminine, as the letter t denotes a feminine word or name in ancient Egyptian; although there are also variations on this name that exclude the t in favour of the alternative, Banebdjed. Banebdjedet, Osiris' ba soul, was worshipped mainly in Mendes, a city in Lower Egypt, in the Delta.

This leads to an interesting point concerning the androgyny of Osiris, a subject I found while researching for this post. Osiris' fertility comes from His castration and then being healed by the mother Goddess, Isis. Not only that, but both men and women identified themselves with Osiris in death. Then the name for His ba personified as another God is feminine, although representations of Banebdjedet are overwhelmingly male. Before anyone attacks me, I am not claiming that Osiris is a genderless God or King––just that He has some traits of androgyny, which I find interesting and love to study in ancient cultures, and I thought it would be good to mention for anyone else similarly interested.

Worship, Festivals, and Cult Activities

When it comes to the practices surrounding Osiris' cult, we actually know a good deal of information regarding the activities of worshippers and priests. Osiris' cult and worship was so widespread and lasted long enough that it could be recorded by the earliest Greek historians, and remained carved in temple walls for thousands of years. Among the most well-known cultic tradition is the Osiris Bed.

The Osiris Bed is rather well documented, as it was an object placed in tombs. It was not a bed for the deceased to lie in, but instead a box made of wood or clay, moulded into the shape of Osiris, in which the fertile Nile soil was placed and seeds were planted. These boxes were then wrapped in white mummy linens, and the seeds sprouted through, representing the resurrection and fertility of Osiris, and the crops that grew each year in cycles. One of the most famous of these beds was found in King Djer's tomb, a King from the Early Dynastic Period; the 2nd King ever of the unified Egypt. Coincidentally (or, perhaps, not so coincidentally) King Djer's tomb was the tomb which pilgrims believed to be Osiris' burial site.

While the Osiris Bed is far from the only practice and tradition of the Osiris cult, it does show the rich cultural practices and symbolism present in His worship. Let's look at some other examples of the practices of Osiris' cult.

Similar to the Osiris bed were Osiris gardens, which were essentially the same concept; fertile soil was planted inside a vessel shaped into the form of Osiris, and seeds were settled within to grow. These beds were tended to during festivals instead of being buried in a tomb.

There were a great many festivals, and each of them quite popular according to their time period, dedicated to the story and symbolism of Osiris. Some festivals started with recounting the mournings of Isis and Nephthys, Osiris' sister-wife and sister, in the form of a drama acted out in a call-and-response format. Another drama acted out for the glory of Osiris was more in the form of an actual fight that anyone could participate in; it was modelled after The Contendings of Horus and Set, which I briefly mentioned as a long and drawn-out argument between Horus and Set over who deserved Osiris' vacant throne after He had died. On this occasion, people would battle out and reenact the events of the story until the side of Horus finally won and victory was achieved. Afterwards, the celebrations commenced in honoring the restoration of order, and the gold-encased shAwyt-nTr (the Holy Statue) of Osiris would be taken out and lavished with offerings. Osiris, in the form of this statue, would be paraded throughout the city of Abydos before being placed in a shrine outside, where He could participate fully in the festivities, and be admired by the commoners who would usually never behold the face of Osiris. This emergence of Osiris from the dark temple's inner sanctuary to the light of the city resembled and represented His resurrection from death into life again. Although this particular festival was celebrated mainly in Osiris cult center of Abydos, it was also celebrated in other cities such as Bubastis in the Delta, Busiris, Memphis, and Thebes, in Upper Egypt.

The Mysteries of Osiris was a series of plays performed annually, and in dramatic, passionate form. It was one of the most popular observances of worshippers, and it told the story that I first told to you––of Osiris' life, His death at the hands of His brother, His resurrection at the hands of His sister-wife, and His ascension into the role we now know Him for. The roles in this reenactments were often taken up by high-ranking officials, and afterwards, the Contendings of Horus and Set would take place, which I just mentioned. These plays would take place over several days.

One festival was called The Fall of the Nile. During this time, the waters of the Nile would recede, and the worshippers of Osiris would go into mourning. One of Osiris' representation on earth was the Nile, and the Nile represented His fertility and life.

Another festival was celebrated on the 19th day of Pakhons, one of the months in the Egyptian calendar, which is roughly equivalent to May in our Gregorian calendar. On this day, the followers of Osiris would go to the river with shrines containing vessels of gold and metal, and would pour water into the Nile, exclaiming, "Osiris is found!" Mud and spices were mixed and moulded into the shape of Osiris, as well, to celebrate His return. Another festival similar to this one was called The Night of the Tear, and took place during modern-day June.

The last festival pertaining to Osiris that I will mention is the Djed pillar festival, held in modern-day January. The Pharaonic court and family would participate, raising djed pillars to welcome Osiris and the harvests that coincided with His return.

One last and interesting tradition that may seem familiar to Christians, at least in a small way, was the baking of bread in the shape of Osiris; bread as the flesh of the God, a sort of predecessor of communion wafers. But in reality the traditions of the Osiris cakes are completely different, and there were several different ways of going about it, depending on which nome you were from. In Dendera, wheat-paste models were made in the shape of each of the 16 dismembered parts of Osirs, and each model was sent out to the town where each respective part of Osiris was found by Isis. In Mendes, figures of Osiris were made of wheat and paste. On the day of the murder, they were placed in a trough, followed by water being added each day for several days. Afterwards, this mixture was kneaded into a dough, put into a mold of Osiris, and buried on the temple grounds.

Conclusion

This has been a somewhat brief glimpse into the cult, history, and traditions surrounding the Great God, The Beautiful Lord Osiris. If I can clarify anything please let me know and I will do my best!

[blueiscoool]

4,000-Year-Old Tomb Discovered in Egypt

Archaeologists have discovered the 4,000-year-old ancient Egyptian tomb of "Idi," a local governor's daughter who lived during Egypt's Middle Kingdom (circa 2030 to 1640 B.C.). She was buried within two coffins, one inside the other, representatives of the Egyptian Ministry of Tourism and Antiquities wrote in a statement on Facebook.

"Finding two intact Middle Kingdom coffins is extraordinary," Kathlyn Cooney, a professor of ancient Egyptian art and architecture at UCLA who was not involved with the excavation, said in an email. These coffins "not only seem well preserved but [are] covered with intricate coffin texts that helped the deceased find their way in the realm of the Underworld," Cooney said.

Studying the new coffin texts may provide more information on how the Egyptians viewed the afterlife, said Caroline Arbuckle, an assistant professor of history at the University of Saskatchewan who was not involved with the excavation. "It is always possible that Egyptologists will find new variations, and these help us to better understand what the ancient Egyptians were afraid might stop them from reaching their eternal paradise, or what they felt they might need in the underworld."

Idi lived during the reign of Senwosret I (circa 1961 to 1917 B.C.) and was the daughter of Djefaihapi, the governor of Asyut, one of the richest provinces at the time.

Her tomb was robbed in ancient times, but parts of the skeleton remained. Analysis of those skeletal remains revealed the woman likely died before age 40 and had a congenital defect in one foot.

The larger of the two coffins was 8.6 feet (2.6 meters) long, while the smaller one was 7.5 feet long (2.3 m), according to the statement. Archaeologists also found the remains of a coffin lid and wooden figurines.

One of the wooden figurines shows a standing woman who may be Idi. If it is, it would "add to a very limited data set of funerary objects that presumably depict the deceased," Cooney said.

In fact, two figurines may depict Idi, Francesco Tiradritti, an Egyptology professor at the Kore University of Enna in Italy who is not part of the excavation. A second figure may show a woman marching. "I am wondering if that statue does not depict the soul of Idy that is coming out from the tomb," Tiradritti said.

Wolfram Grajetzki, an Egyptologist and honorary senior research fellow at University College London who was not involved in the research, said that the coffin's hieroglyphs call Idi the "lady of the house."

Many tombs and burials have been discovered at Asyut over the past 130 years, and some were found in excavations of dubious legality, he added. Artifacts from those excavations are now in museums around the world.

By Owen Jarus.

[sayhoneysiren]

WHY DO PEOPLE STARE @ U

ONE TWO THREE

book a personal reading here

welcome sirens! this reading is for entertainment pursposes only based on the downloads i receive. do not attack me if the message doesn’t resonate. keep in mind this is a collective reading, not a individual one. with that being said, enjoy!

join patreon for weekly readings

xx HoneySiren xx 🍒

✦•······················•

3 of swords (rev). 3 of coins (rev). 5 of cups. death.

others stare at you because you seem to be in another world and in your own bubble. like the painting of the mona lisa, you have a beautiful face and appearance, but there is something deeper that lies underneath your surface. people want to figure you out since you seem so secretive. you may feel tied down by something at the moment or be trying to fix your past mistakes. others can tell you know some kind of witchcraft, divination, spiritually or occult secrets. you may be an introvert who enjoys emotional music. you have a delicate energy, yet at the same time structured. people also view you as a loner who follows their own path, and rules. you never reveal much about you. for some of you, the friends of your ex want to pursue you.

✦•······················•

knight of cups. the sun. 6 of coins. knight of swords.

people stare at you because you have a striking appearance. your physique could be beautifully toned and maybe you work out. you could attract lustful eyes towards you when you’re exercising/stretching at a public gym or park. your style could be eye catching with many colors and patterns. people view you as the star of your own show. you carry yourself like royalty. but beyond your looks you also have a friendly nature. you are very generous and make friends easily. you also have a playful, adventurous energy and you’re always on the go discovering new aspects of yourself. your presence alone uplifts people’s moods.

✦•······················•

queen of wands. high priestess. 9 of wands. queen of swords.

people stare at you because of your seductive aura. your aura is like a magnet and people can’t help but to notice you. you have intense eyes or gaze (catlike). people think of you as a ‘dream come true.’ they notice your a good listener and observer, but you’re also comfortable in the spotlight and showing what you have to offer. you are smart and can articulate yourself skillfully. you can also see past people and their bluff (peoples shadow sides, red/green flags). you hold faith even in the harshest of times and people notice this. you could have a fascination with the occult or ancient Egypt and some of you communicate with the other realms and assist people with knowledge of their ancestors/spirituality. you may also enjoy wearing hoodies or cloaks. you could be on stage a lot, have a huge social media platform or be a performer. and many people find you extremely pleasing to the eye.

✦•······················•

[blackpearlblast]

a rundown on the listed e-sim platforms from this tweet from mirna el helbawi. visit esimsforgaza to learn about this effort. (they also have a tutorial on how to purchase an esim and send it to them)

update v12 (5/21/24) holafly (israel and egypt), nomad (regional middle east), simly (palestine and middle east), mogo (israel), and airalo (discover) are currently in the highest in demand. if it has been more than 3 weeks since you initially sent your esim and your esim has not been activated, you can reforward your original email with the expiration date in the subject line. you can see gothhabiba’s guide for how to tell if your esims have been activated. if your esim has expired without use, you can contact customer service to renew or replace it.

troubleshooting hint 1: if you are trying to pay through paypal, make sure you have pop-ups enabled! otherwise the payment window won't be able to appear. (this issue most frequently seems to occur with nomad)

troubleshooting hint 2: if you are trying to purchase an esim using the provider's app, it may block you from purchasing if your phone does not fit the requirements to install and use their esims. use their website in your browser instead and this problem should go away.

nomad

for the month of may, first time referrals give 25% off for a person's first purchase and 25% off the referrer's next purchase! it's a great time to use someone's referral code from the notes if you are a first time buyer.

you can use a referral code to get $3 off your first purchase and also make it so the person whose code you used can buy more esims for gaza. many people have been leaving their referral codes in the replies of this post and supposedly a referral code may eventually reach capacity so just keep trying until you find one that works! BACKPACKNOMAD is another code to get $3 off your first purchase, it's been working for some people but not others so try out a referral code instead if you can't get it to work. NOMADCNG is a code for 5% off any middle east region nomad esims posted by connecting gaza. it can be used on any purchase, not just your first but is generally going to give less off than the first-purchase only codes, so use those first. it can be used in combination with nomad points. AWESOME NEW CODE: nomad esim discount code for 75% off any plan, NOMADCS25 do not know how long it lasts but this is an amazing deal esp. since they are really low on esims right now! (nomad promo codes do not work on plans that are already on sale, unlimited plans, and plans under $5)

weekly tuesdays only code on nomad web, PST timezone! it gives 10% off plans 10gb and above. NOMADTUE

nomad also seems to be kind of sluggish sometimes when it comes to sending out emails with the codes. you can look for them manually by going to manage -> manage plans -> the plan you purchased -> installation instruction and scroll down to install esim via QR code or manual input then select QR code to find the QR code which you can screenshot and email to them. often just the act of logging back into your nomad account after purchase seems to cause the email with the code to come through though.

mogo

mogo's website is fucking annoying to navigate and i couldn't find any promo codes, but their prices are massively on sale anyway. you have to pick if you want your esim to be for iphone, ipad, or android for some reason. according to statcounter, android makes up approx. 75% of mobile markets in palestine while iphone represents approx. 25%. so i would probably recommend prioritizing donations of android esims but if you can afford multiple, try buying an iphone one too? if i can find any official direction from the connecting gaza crew on this i will update with it.

a good referral code to use for mogo is 8R29F9. the way things are worded are confusing but as far as i can tell, if you use it we both get a 10% discount on your first purchase. (the referrer gets a 10% voucher that allows them to top up in use esims, they are someone who i know has bought a lot of esims and will be able to make good use of the top-up discount vouchers!) also upon signing up it automatically generates a password for you which you can change by downloading the app. (check your email to find your account's current password)

holafly (also looking for holafly esims for egypt now)

holafly is pricier than the others and the only promo code i could find was ESIMNOW for 7% off. someone in the tags mentioned GETESIM7 as another 7% off code they had received, so if you have already used ESIMNOW or can't seem to get it to work, try GETESIM7. another 7% off code is HOLAXSUMMER7 which is valid until june 2nd. referral codes only seem to give 5% off and they don't stack. (i don't remember the source, it was on some sketchy coupon site i don't want to link to and only can recommend because i tried it myself) you can also use my referral link for 5% off if you can afford the 2% worse deal on your end, it will give me $5 credit which i can put towards buying more esims. connecting gaza has also posted the promo code HOLACNG for 5% off but since it is less than the 7% off codes and as far as i can tell does not give credit towards others to buy esims like the referral links, i would consider it lower priority for use.

simly (note: simly must be downloaded as an app to be used, the website link is to help people confirm they are downloading the right app)

i have not personally used simly so i am going to be going off of the sixth slide of mirna el helbawi's instagram guide, with some corrections from someone who has successfully purchased an esim from simly. after downloading the app and making an account, search for palestine or middle east and purchase your preferred package. the page the app takes you to after your purchase should have the QR code to send to the esimsforgaza email, it won't show up in your email receipt. someone kindly left her referral code in the tags of this post, it gives $3 off your first purchase and will give her $3 credit to put towards purchasing more esims for gaza. the code is CIWA2. (if this referral code doesn't work, try one from the notes of this post!) according to someone in the notes, ARB is a simly promo code for 25% off esims that is still working as of march 3rd.

airalo

some people have noted issues trying to sign up for airalo using the browser version of the website, it worked for me but if you are struggling you can give the mobile app a try and that should work. you can use a referral code to get $3 off your first purchase and give the code suppler a $3 credit for buying more esims. KARINA9661 is a code sourced from this post which is also a wonderful example of how using people's referral codes can really make a difference. if for some reason that referral code isn't working, you can find more in the notes of the original esim post i made here.

@/fairuzfan also has a tag of esim referral codes for various platforms!

(note: mogo and holafly both link to israel esims as there are no general regional packages for the middle east like on nomad and the esims for gaza website specifically linked to the israel package on mogo, so i linked to the equivalent on holafly.)

[thedisabilitybookarchive]

Disability in Non-Fiction #1: Plain Text Edition

A plain text version of this post. Here you will find detailed image descriptions and easier-to-read versions of each book summary. If you think that any image descriptions/summaries need to be updated, please let me know!

================================================

‘How to Live Free in a Dangerous World’- Lawson, Shayla

[ID: A book cover. The background is a pale orange colour. In the centre, a large photograph of a person with brown skin standing in front a desert under a blue sky. They have short braided brown hair swept over their left eye, and have their arms crossed over their chest, with one hand resting on the side of their face. The title “How to Live Free in a Dangerous World” is around them in large orange writing that covers the length of the photo. The subtitle “A Decolonial Memoir” is to the right their head in very small white writing. The author’s name “Shayla Lawson” is below the title, at the bottom of the photograph, in smaller yellow writing. Black text at the bottom of the cover reads, under the author’s name, reads “author of ‘this is major’, a national book critics circle award finalist”. /end]

Summary:

Poet and journalist Shayla Lawson follows their National Book Critics Circle finalist This Is Major with these daring and exquisitely crafted essays, where Lawson journeys across the globe, finds beauty in tumultuous times, and powerfully disrupts the constraints of race, gender, and disability.

With their signature prose, at turns bold, muscular, and luminous, Shayla Lawson travels the world to explore deeper meanings held within love, time, and the self.

Through encounters with a gorgeous gondolier in Venice, an ex-husband in the Netherlands, and a lost love on New Year’s Eve in Mexico City, Lawson’s travels bring unexpected wisdom about life in and out of love. They learn the strength of friendships and the dangers of beauty during a narrow escape in Egypt. They examine Blackness in post-dictatorship Zimbabwe, then take us on a secretive tour of Black freedom movements in Portugal.

Through a deeply insightful journey, Lawson leads readers from a castle in France to a hula hoop competition in Jamaica to a traditional theater in Tokyo to a Prince concert in Minnesota and, finally, to finding liberation on a beach in Bermuda, exploring each location—and their deepest emotions—to the fullest. In the end, they discover how the trials of marriage, grief, and missed connections can lead to self-transformation and unimagined new freedoms.

‘Being Seen’- Sjunneson, Elsa

[ID: A book cover. It is a dark black with faint, grey, writing over it. The writing, from top to bottom, reads: “Elsa Sjunneson” “Being Seen” “One Deafblind Woman’s Fight to End Ableism” All in capitals. The “I” in “Being Seen” is designed to look like an opening of sorts, with a ray of light coming through. /end]

Summary:

A deafblind writer and professor explores how the misrepresentation of disability in books, movies, and TV harms both the disabled community and everyone else.

As a deafblind woman with partial vision in one eye and bilateral hearing aids, Elsa Sjunneson lives at the crossroads of blindness and sight, hearing and deafness—much to the confusion of the world around her. While she cannot see well enough to operate without a guide dog or cane, she can see enough to know when someone is reacting to the visible signs of her blindness and can hear when they’re whispering behind her back. And she certainly knows how wrong our one-size-fits-all definitions of disability can be.

As a media studies professor, she’s also seen the full range of blind and deaf portrayals on film, and here she deconstructs their impact, following common tropes through horror, romance, and everything in between. Part memoir, part cultural criticism, part history of the deafblind experience, Being Seen explores how our cultural concept of disability is more myth than fact, and the damage it does to us all.

‘Disability Pride’- Mattlin, Ben

[ID: A book cover. The background is made of simple, colourful red, cream, white, yellow and teal shapes. Large text reads, from top to bottom: “Disability Pride” in large, black capitals, “Dispatches from a Post-ADA World”in smaller, black capitals, “Ben Mattlin”, in slightly bigger red capitals. /end]

Summary:

An eye-opening portrait of the diverse disability community as it is today and how attitudes, activism, and representation have evolved since the passage of the Americans with Disabilities Act (ADA).

In Disability Pride, disabled journalist Ben Mattlin weaves together interviews and reportage to introduce a cavalcade of individuals, ideas, and events in engaging, fast-paced prose. He traces the generation that came of age after the ADA reshaped America, and how it is influencing the future. He documents how autistic self-advocacy and the neurodiversity movement upended views of those whose brains work differently. He lifts the veil on a thriving disability culture—from social media to high fashion, Hollywood to Broadway—showing how the politics of beauty for those with marginalized body types and facial features is sparking widespread change.

He also explores the movement’s shortcomings, particularly the erasure of nonwhite and LGBTQIA+ people that helped give rise to Disability Justice. He delves into systemic ableism in health care, the right-to-die movement, institutionalization, and the scourge of subminimum-wage labor that some call legalized slavery. And he finds glimmers of hope in how disabled people never give up their fight for parity and fair play.

Beautifully written, without anger or pity, Disability Pride is a revealing account of an often misunderstood movement and identity, an inclusive reexamination of society’s treatment of those it deems different.

‘Crip Kinship’- Kafai, Shayda

[ID: A book cover. The background is light blue, with colourful pictures of butterflies, flowers and a house setting featured in the centre. Lower right centre of the image, a black figure in a long sleeved, billowing dress, holding a curved black walking stick in their right hand. Behind them, a drawing of a room with a table, chair, pink wall with a window, and a blank wall with an orange picture. Text on the book cover, from top to bottom, reads: The title “Crip Kinship” in large black font at the top of the image, The subtitle “The Disability Justice & Art Activism of Sins Invalid” in smaller black capitals, in the upper right corner of the image, The authors name “Shayda Kafai” in medium black capitals in the lower right of the image, partially overlapping the figure in the dress. /end]

Summary:

The remarkable story of Sins Invalid, a performance project that centres queer disability justice.

In recent years, disability activism has come into its own as a vital and necessary means to acknowledge the power and resilience of the disabled community, and to call out ableist culture wherever it appears.

Crip Kinship explores the art activism of Sins Invalid, a San Francisco Bay Area-based performance project, and its radical imaginings of what disabled, queer, trans, and gender-nonconforming bodyminds of colour can do: how they can rewrite oppression, and how they can gift us with transformational lessons for our collective survival.

Grounded in the disability justice framework, Crip Kinship investigates the revolutionary survival teachings that disabled, queer of colour community offers to all our bodyminds. From their focus on crip beauty and sexuality to manifesting digital kinship networks and crip-centric liberated zones, Sins Invalid empowers and moves us toward generating our collective liberation from our bodyminds outward.

‘Sounds Like Home’- Wright, Mary Herring

[ID: A book cover. The background is yellow. A black and white photograph in the centre shows two young black children and a dog in front of a car. The title “Sounds Like Home” is at the tope in large, curvy black writing. The subtitle “Growing Up Black and Deaf in the South” is written in small orange writing, on three black bars on the right side of the cover. The author’s name “Mary Herring Wright” is written in curvy black writing, slightly smaller than the title, at the bottom of the cover. /end]

Summary:

Mary Herring Wright’s memoir adds an important dimension to the current literature in that it is a story by and about an African American deaf child. The author recounts her experiences growing up as a deaf person in Iron Mine, North Carolina, from the 1920s through the 1940s. Her story is unique and historically significant because it provides valuable descriptive information about the faculty and staff of the North Carolina school for Black deaf and blind students from the perspective of a student as well as a student teacher. In addition, this engrossing narrative contains details about the curriculum, which included a week-long Black History celebration where students learned about important Blacks such as Madame Walker, Paul Laurence Dunbar, and George Washington Carver. It also describes the physical facilities as well as the changes in those facilities over the years. In addition, Sounds Like Home occurs over a period of time that covers two major events in American history, the Depression and World War II.

Wright’s account is one of enduring faith, perseverance, and optimism. Her keen observations will serve as a source of inspiration for others who are challenged in their own ways by life’s obstacles.

‘The Right to Maim’- Puar, Jasbir K.

[ID: A book cover. The background is white. A painting stretches from the bottom of the cover to bottom of top quarter. In the upper quarter of the cover, text reads: The author’s name “Jasbir K. Puar” is at the top in black writing. The title “The Right to Maim” is immediately below this in red caps. The subtitle “Debility, Capacity, Disability” is immediately below this in smaller, yellow caps. The painting is immediately below this. The background is a dark cream. It appears to show a humanoid figure climbing a mound. Two other figures appear to be falling off the mound. There are splashes of red paint around the mound and the figure on it. /end]

Summary:

In The Right to Maim Jasbir K. Puar brings her pathbreaking work on the liberal state, sexuality, and biopolitics to bear on our understanding of disability. Drawing on a stunning array of theoretical and methodological frameworks, Puar uses the concept of “debility”—bodily injury and social exclusion brought on by economic and political factors—to disrupt the category of disability. She shows how debility, disability, and capacity together constitute an assemblage that states use to control populations. Puar’s analysis culminates in an interrogation of Israel’s policies toward Palestine, in which she outlines how Israel brings Palestinians into biopolitical being by designating them available for injury. Supplementing its right to kill with what Puar calls the right to maim, the Israeli state relies on liberal frameworks of disability to obscure and enable the mass debilitation of Palestinian bodies. Tracing disability’s interaction with debility and capacity, Puar offers a brilliant rethinking of Foucauldian biopolitics while showing how disability functions at the intersection of imperialism and racialized capital.

‘Uncomfortable Labels’- Dale, Laura Kate

[ID: A book cover. The background is a close photograph of some kind of knitted garment, and its label. The garment is blue. The label is in the centre. Text on the label reads: The title “Uncomfortable Labels” in large black caps The subtitle “My Life as a Gay Autistic Trans Woman” in smaller black caps, lower left of this The author’s name “Laura Kate Dale” at the bottom of the label in black writing. A smaller label attached to the bottom has a single, black capitalised “M” written on it. /end]

Summary:

“So while the assumption when I was born was that I was or would grow up to be a neurotypical heterosexual boy, that whole idea didn’t really pan out long term.”

In this candid, first-of-its-kind memoir, Laura Kate Dale recounts what life is like growing up as a gay trans woman on the autism spectrum. From struggling with sensory processing, managing socially demanding situations and learning social cues and feminine presentation, through to coming out as trans during an autistic meltdown, Laura draws on her personal experiences from life prior to transition and diagnosis, and moving on to the years of self-discovery, to give a unique insight into the nuances of sexuality, gender and autism, and how they intersect.

Charting the ups and downs of being autistic and on the LGBT spectrum with searing honesty and humour, this is an empowering, life-affirming read for anyone who’s felt they don’t fit in.

'Brilliant Imperfections'- Clare, Eli

[ID: A book cover. A photograph of stones can be seen. Over it, a dark box stretching from left to right at the top of the image. Text in the box reads: “Brilliant Imperfection”, in large caps. “Brilliant” is in green, “Imperfection is in white. “Grappling With Cure”, in small, green caps. “Eli Clare”, in white caps. /end]

Summary:

In Brilliant Imperfection Eli Clare uses memoir, history, and critical analysis to explore cure—the deeply held belief that body-minds considered broken need to be fixed.

Cure serves many purposes. It saves lives, manipulates lives, and prioritizes some lives over others. It provides comfort, makes profits, justifies violence, and promises resolution to body-mind loss. Clare grapples with this knot of contradictions, maintaining that neither an anti-cure politics nor a pro-cure worldview can account for the messy, complex relationships we have with our body-minds.

The stories he tells range widely, stretching from disability stereotypes to weight loss surgery, gender transition to skin lightening creams. At each turn, Clare weaves race, disability, sexuality, class, and gender together, insisting on the nonnegotiable value of body-mind difference. Into this mix, he adds environmental politics, thinking about ecosystem loss and restoration as a way of delving more deeply into cure.

Ultimately Brilliant Imperfection reveals cure to be an ideology grounded in the twin notions of normal and natural, slippery and powerful, necessary and damaging all at the same time.

================================================

A short list of 8 non-fiction books featuring and/or discussing disability!

I don't highlight the non-fiction section of the archive enough, so I think this is a perfect opportunity.

A plain text version of this post exists here, featuring more detailed image descriptions of each book cover and easier-to-read versions of every summary.

Books on this list:

‘How to Live Free in a Dangerous World’- Lawson, Shayla

‘Being Seen’- Sjunneson, Elsa

‘Disability Pride’- Mattlin, Ben

‘Crip Kinship’- Kafai, Shayda

‘Sounds Like Home’- Wright, Mary Herring

‘The Right to Maim’- Puar, Jasbir K.

‘Uncomfortable Labels’- Dale, Laura Kate

'Brilliant Imperfections'- Clare, Eli

All of these books and more can be found on the Disability Book Archive.

Happy Disability Pride Month!

[anonymousewrites]

Burden of Truth (Book 1) Prologue

Father Figure! Marc Spector x Teen! Reader

Father Figure! Steven Grant x Teen! Reader

Mother Figure! Layla El-Faouly x Teen! Reader

Prologue: On the Precipice

Summary: In 2018, (Y/N) discovers grief as people turn to dust and the world turns to chaos.

Mouse Note: Welcome to Burden of Truth! Kind of a rough beginning, but, hey, how else do you become an Avatar to a god? Anyways, housekeeping: This is a platonic fic, so anyone who suggests anything inappropriate between an adult and minor will be blocked and deleted. That's pretty much it, but I wanted to make it clear. As for the actual fic, there aren't any warnings other than the violence that Marvel shows. I'm really excited to share this series! Please feel free to comment since I'm always up to answering questions and replying to comments. Plus it makes me keep writing. Without further ado, though, please enjoy!

2018…

            (Y/N) gasped for breath, but their lungs refused to bring in the air they needed. Every limb ached, and their heart beat against their chest. It stuttered, refusing to work correctly. The edges of (Y/N)’s visions blurred to black.

            Everything had gone wrong. They had thought this summer would be a beautiful one, traveling with their parents. Egypt was lovely, and (Y/N) liked to listen to their parents—anthropology and history professors—tell them about the rich history and culture of the country.

            Plus, they were far away from New York where strange aliens had recently attacked and fought Iron Man and a strange wizard. They were safe with their family and free to enjoy themself.

            And then people turned to dust.

            Screams echoed as loved ones disappeared before people’s very eyes. Cars crashed without drivers. Buses overturned and threw out people and sand. Cries went out as crashes sent metal through limbs—through torsos.

            Through (Y/N)’s torso.

            (Y/N) couldn’t even move to cover their chest as it bled. They didn’t try to. They knew they were dying. They didn’t want to (gods, please, no, I don’t want this I don’t want this) but they were.

            And they couldn’t even reach out to hold their mom and dad’s hands. (Y/N) felt like a child again, but unlike nightmares, they couldn’t run to their parents’ arms to feel safe. Even if they could, the chill of death had already taken their parents’ warmth and comfort.

            (Y/N) wished they’d all turned to dust. This was violent, painful, agonizing. Their parents had laid beside them in distress, calling out for help and rescue, dying. No one had come.

            And now (Y/N) was alone—the world hadn’t even been kind enough to let them die before their parents.

            This was just so wrong. Unfair. Unjust.

            “It is unjust.” A calm voice spoke.

            (Y/N) didn’t move. They couldn’t, and they were already dying. Their situation couldn’t get worse.

            “I can feel your pain.”

            This time, a woman, taller than humanely possible, appeared in their line of sight. She knelt among the dust and bodies of the bus and gazed at (Y/N).

            She was Egyptian, dressed in a red gown, and wore an intricate necklace of gold and turquoise. Multicolored Sleeves swept out with her arms like wings. Silky black hair fell around her shoulders, and her eyes were lined in kohl. An ostrich feather stood in a circlet and swayed in the wind.

            (Y/N)’s eyes landed on the feather, and something in their chest pulled towards it.

            The woman tilted her head and watched them in assessment. “You sense the truth.”

            “Who…” (Y/N)’s hoarse voice died.

            “I am the goddess Ma’at.” The wind whipped around her as she spoke. “I am in search of a guardian. To uphold justice in the face of wrongdoing. To protect harmony from discord. To defend truth from falsehood.”

            (Y/N) coughed, and Ma’at tilted her head.

            “I can see the truth in your heart. You want justice for everyone who suffers like you,” said Ma’at. She leaned in. “Pledge yourself to me, pledge yourself to the truth, and I will give you the life to do so.”

            (Y/N) looked into Ma’at’s eyes and summoned all their strength left.

            “Yes.”

l

2023…

            (Y/N) crouched on the roof and dropped onto the balcony below them. The house around them was quiet. The security guards were clueless to their approach, which was just fine. They didn’t want any attention.

            (Y/N) opened the sliding door of the balcony and slipped into the display room. They glanced around themself in distaste. None of the artifacts in glass cases belonged to the owner of this house. He’d “acquired” them in the aftermath of the Blip left countries in disarray, just so like many others.

            After the return of the Blipped, the problem of stolen artifacts had only gotten worse since the chaos had begun again, letting more people profit off the displaced people and their possessions.

            (Y/N) had spent years repatriating the stolen relics from the aftermath of the Blip. This man, Mr. Medrano, was among the worst offenders. He lied about his findings as an “archaeologist” and stole what he needed for glory. And along the way, he removed any competition. A thief, a liar, and a killer. Medrano was a man who brought injustice of all kinds to the world.

            And that was precisely what (Y/N) stood against—what Ma’at stood against.

            (Y/N) stopped in front of a case of Egyptian artifacts. Their eyes scanned the contents for the relic they were supposed to bring back to Egypt (send back, really, by way of another person. (Y/N) was still just a teenager, so they couldn’t send it back themself without raising suspicions. Luckily, putting something in a hidden box and not showing their face did the trick).

            (Y/N) frowned. The hieroglyphic tablet of Tethering wasn’t on the wall. It seemed they were later than expected, and Medrano had begun to work on translation.

            Which means it’ll be in his office.

            (Y/N) went to the door of the display room and peeked outside. No light, no movement. They moved into the hall and crept down towards the room at the other side of the house. Making sure their gloves were on—no sense leaving fingerprints—(Y/N) reached out and felt the door handle.

            The door was unlocked.

            Gently, (Y/N) opened it.

            Shick!

            (Y/N)’s eyes widened, and they took a step back. A man in a white, bandage-like suit stood above Medrano. He pulled two crescent-shaped blades from his chest, and Medrano’s body slumped to the ground. The man paused and looked towards the door, the moon sighting the crescent-illusion in his hood and the symbol on the forehead and chest.

            “There wasn’t supposed to be anyone here,” said the man, but (Y/N) felt in their heart that he wasn’t speaking to them.

            “Does it matter? Your job is to punish the wrongdoers in this mansion.”

            (Y/N) blinked as they heard a voice echo from behind them. It was a god’s voice. Not Ma’at, no, but most definitely a deity.

            “I won’t hurt a kid, Khonshu,” snapped the avatar, and his hood folded back.

            (Y/N) turned around and found themself staring up (really up) at a half-man, half-bird skeleton in white wrappings. This was Khonshu.

            “I’m not a wrongdoer,” said (Y/N) to Khonshu, holding up their hands. “I’m, uh, an Avatar.”

            At that, Khonshu and man stopped.

            “You can see him?” said the man, frowning warily.

            “I’m the Avatar of Ma’at,” said (Y/N). They shifted. They weren’t used to saying that. “She’s the goddess of truth.” They could see the “truth” of the world more than others, and that included the gods that walked among them.

            “That ostrich is interfering with my work,” said Khonshu, irritated.

            “You are the one who is not supposed to interfere with human business,” said Ma’at’s calm voice, and (Y/N) glanced at the office’s large window to find her sitting on the sill.

            Khonshu’s avatar looked at the window but saw nothing. “Is another god here?”

            (Y/N) nodded sharply. This was a little too much. They were used to working by themself.

            “You are doing the exact same thing,” said Khonshu.

            “I am returning artifacts to our people,” said Ma’at. “I am not interfering in human life more than that.” She glanced at Medrano’s body. “Unlike some.”

            Khonshu tsked. “I am delivering justice.”

            “A type, yes,” said Ma’at.

            “Ma’at,” said (Y/N) quietly. “I’m going to take the tablet..”

            “Go ahead, (Y/N),” said Ma’at. “Khonshu will not harm you. You have done no wrong.”

            “They interfered with my work,” said Khonshu.

            “Irritating is not wrongdoing,” said Ma’at.

            (Y/N) decided to leave before the gods continued to argue. It made them uncomfortable. Then again, a lot of interaction did. (Y/N) hadn’t really gotten to slow down and make friends after 2018, so they’d grown used to their own company (or Ma’at’s). Everything else was business, and anything more was out of their realm of understanding.

            (Y/N) opened their bag and slipped the wrapped tablet carefully from the table inside. They looked decidedly away from Medrano’s body, glanced at Khonshu’s avatar, and left the room.

            If that’s what Avatars and gods outside of themself and Ma’at were like, (Y/N) didn’t want to meet them.

l

2025…

            “(Y/N).”

            The now-seventeen-year-old raised their eyes from the book they were reading. “Yes, Ma’at?”

            “I have an important job for you.”

            (Y/N) frowned. Ma’at never described anything as “important.” Necessary? Yes. Important? No. Everything was equally pertinent to upholding justice and order to Ma’at.

            “I need you to retrieve a scarab.”

            “Who stole it?” asked (Y/N).

            “You are.”

            (Y/N) looked at Ma’at in surprise. “What?” Ma’at disliked any injustice or unlawful actions.

            “You are stealing the scarab of Ammit,” said Ma’at.

            Ammit.

            Ammit ruled the scales in the Judgement of the Dead. Ma’at was the Feather of Truth against which human hearts were weighed. One had abandoned true justice; one continued to defend it.

            And (Y/N) was stuck in the middle with the burden to protect the truth of it all.

Taglist:

@jaytheaceenby

@severussimp

@dmitrytherat

@slytherinroyalty16

@grippleback-galaxy

@alexpangender

@thewittyfanficreader

@aew-kun-age-regression

[book--brackets]

Summaries under the cut

Stardust by Neil Gaiman

Young Tristran Thorn will do anything to win the cold heart of beautiful Victoria—even fetch her the star they watch fall from the night sky. But to do so, he must enter the unexplored lands on the other side of the ancient wall that gives their tiny village its name. Beyond that old stone wall, Tristran learns, lies Faerie—where nothing not even a fallen star, is what he imagined.

Where the Red Fern Grows by Wilson Rawls

Billy, Old Dan, and Little Ann—a boy and his two dogs...

A loving threesome, they ranged the dark hills and river bottoms of Cherokee County. Old Dan had the brawn, Little Ann had the brains—and Billy had the will to train them to be the finest hunting team in the valley. Glory and victory were coming to them, but sadness waited too. And close by was the strange and wonderful power that's only found...

The Witches by Roald Dahl

This is not a fairy-tale. This is about real witches. Real witches don't ride around on broomsticks. They don't even wear black cloaks and hats. They are vile, cunning, detestable creatures who disguise themselves as nice, ordinary ladies. So how can you tell when you're face to face with one? Well, if you don't know yet you'd better find out quickly-because there's nothing a witch loathes quite as much as children and she'll wield all kinds of terrifying powers to get rid of them.

The Kane Chronicles by Rick Riordan

Since his mother's death six years ago, Carter Kane has been living out of a suitcase, traveling the globe with his father, the brilliant Egyptologist, Dr. Julius Kane. But while Carter's been homeschooled, his younger sister, Sadie, has been living with their grandparents in London. Sadie has just what Carter wants—school friends and a chance at a "normal" life. But Carter has just what Sadie longs for—time with their father. After six years of living apart, the siblings have almost nothing in common. Until now.

On Christmas Eve, Sadie and Carter are reunited when their father brings them to the British Museum, with a promise that he's going to "make things right." But all does not go according to plan: Carter and Sadie watch as Julius summons a mysterious figure, who quickly banishes their father and causes a fiery explosion.

Soon Carter and Sadie discover that the gods of Ancient Egypt are waking, and the worst of them—Set—has a frightening scheme. To save their father, they must embark on a dangerous journey—a quest that brings them ever closer to the truth about their family and its links to the House of Life, a secret order that has existed since the time of the pharaohs.

Hatchet by Gary Paulsen

Brian is on his way to Canada to visit his estranged father when the pilot of his small prop plane suffers a heart attack. Brian is forced to crash-land the plane in a lake--and finds himself stranded in the remote Canadian wilderness with only his clothing and the hatchet his mother gave him as a present before his departure.

Brian had been distraught over his parents' impending divorce and the secret he carries about his mother, but now he is truly desolate and alone. Exhausted, terrified, and hungry, Brian struggles to find food and make a shelter for himself. He has no special knowledge of the woods, and he must find a new kind of awareness and patience as he meets each day's challenges. Is the water safe to drink? Are the berries he finds poisonous?

Slowly, Brian learns to turn adversity to his advantage--an invading porcupine unexpectedly shows him how to make fire, a devastating tornado shows him how to retrieve supplies from the submerged airplane. Most of all, Brian leaves behind the self-pity he has felt about his predicament as he summons the courage to stay alive.

Island of the Blue Dolphins by Scott O'Dell

On San Nicolas Island, dolphins flash in the surrounding blue waters, sea otter play in the vast kelp beds, and sea elephants loll on the stony beaches. Here, in the early 1800s, a girl named Karana spent eighteen years alone.

Karana had to contend with the ferocious pack of wild dogs that killed her younger brother, constantly guard against Aleutian sea otter hunters, and maintain a precarious food supply. Her courage, self-reliance, and grit has inspired millions of readers in this breathtaking adventure.

Stargirl by Jerry Spinelli

Leo Borlock follows the unspoken rule at Mica Area High School: don't stand out--under any circumstances! Then Stargirl arrives at Mica High and everything changes--for Leo and for the entire school. After 15 years of home schooling, Stargirl bursts into tenth grade in an explosion of color and a clatter of ukulele music, enchanting the Mica student body.

But the delicate scales of popularity suddenly shift, and Stargirl is shunned for everything that makes her different. Somewhere in the midst of Stargirl's arrival and rise and fall, normal Leo Borlock has tumbled into love with her.

The Phantom Tollbooth by Norton Juster

For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only because he’s got nothing better to do. But on the other side, things seem different. Milo visits the Island of Conclusions (you get there by jumping), learns about time from a ticking watchdog named Tock, and even embarks on a quest to rescue Rhyme and Reason! Somewhere along the way, Milo realizes something astonishing. Life is far from dull. In fact, it’s exciting beyond his wildest dreams. . . .

Black Beauty by Anna Sewell

As a young horse, Black Beauty is well-loved and happy. But when his owner is forced to sell him, his life changes drastically. He has many new owners—some of them cruel and some of them kind. All he needs is someone to love him again....

Whether pulling an elegant carriage or a ramshackle cab, Black Beauty tries to live as best he can. This is his amazing story, told as only he could tell it.

Tuck Everlasting by Natalie Babbitt

Doomed to - or blessed with - eternal life after drinking from a magic spring, the Tuck family wanders about trying to live as inconspicuously and comfortably as they can. When ten-year-old Winnie Foster stumbles on their secret, the Tucks take her home and explain why living forever at one age is less a blessing that it might seem. Complications arise when Winnie is followed by a stranger who wants to market the spring water for a fortune.

[makiswirl]

thoughts on how jotaro shakes in the panel where he discovers his mom passed out in avdol's arms?

UNIRONICALLY I THINK ABOUT THIS SO MUCH ACTUALLY!!!!! THANK YOU TO WHOEVER ASKED ME ABOUT THIS VERY NICHE JOTARO DETAIL.

this actually isn't the only time he does this in sdc either! shaking is a thing that jotaro consistently seems to do when he's stressed, albeit usually very repressed. at the very least with the way it's presented you can assume it's him tensing up badly

he also trembles VERY frequently during the dio fight and i don't think either of the animated adaptations show it nearly as much. it still comes up though once or twice

either way, to answer the original question: i think it's a really neat trait that adds a lot to jotaro's character which really cements that he really is just a teenager who never even wanted to go to egypt and only ever went for his mother in the first place. like i genuinely cannot imagine how terrified he is at all times especially with how often his (presumably, only real) friends get injured. repressing all of that stress and only letting it show on rare occasions has to mess him up badly in the trauma department later