#Collings Foundation
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1944 North American P-51D-25NT Mustang N751RC "Lady Jo" by David G. Schultz Via Flickr: Collins Foundation Roger Collins
#Bremerton#08-19-2023#David Schultz Photography#Through The Lens Revalations#aircraft#nikon#nikonsigma#sigma#sigma 150-600 contemporary#1944 North American P-51D-25NT Mustang#N751RC#Lady Jo#Collings Foundation#Roger Collins#as beautiful as you want#Airplane#Air Show#Best Of Nikon#Damn Cool Photographers in the WORLD#D850#FX#Motion Blur#Nikon FX Showcase#Nikonians#outdoor#Prop Blur#r#Rolls-Royce Merlin#speed#Unlimited Photos
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i have been getting a tad bit too obsessed with reverse 1999 lately and compiled some stuff around might edit it if i find more
this yapping session will be abt sonetto
her name is deprived from a fourteen line poetry called the Sonnet while also having the meaning of “little song or sound’
her udimo is a dog called Cirneco Dell’Etna a breed that originated from italy as stated in her storyboard
she doesn't know her date of birth and uses the date of when she was adopted by the foundation as her birthday (January 10th)
she's 16 yrs old
she's speculated to be 5'3 ft or 160 cm
her compliments are so sincere that people are often too shy to face her (the rizzler)
back in SPDM she was worried about vertin's arcane skill exams and tutored her privately
a helper in the SPDM once found a challenge letter with pink heart patterns in the trash bin (might imply that the letter was from matilda to sonetto)
sonetto is an artist as stated in her 80% bond story and glassfeder's description
sonetto likes collecting newspapers and treasures them
every year she gets a present from vertin on her birthday which is mostly a collection of poems
it’s implied (this is really obvious) that she has a crush on the timekeeper/Vertin and has also been implied sonetto's va during the reddit Q&A
on her medal she has an embroidered dog on it (i just thought this was cute)
since she doesn't know much about the outside world or her culture she doesn't see anything wrong with pineapple pizza or gelato pizza for that matter (april fools and pizza hut collab comic)
she keeps a frog in a jar in her room
time for voiceline analysis
"Sempre caro mi fu quest'ermo colle.”
this quote is derived from the poem L’Infinito by Giacomo Leopardi in the autumn of 1819 the poem is meant to show how he yearns to travel beyond his restrictive hometown of Recanati and experience more of the world that he studied.
this can also show the way sonetto might have wished to see the outside world just as she studied on the textbooks
"Regna sereno intenso ed infinito.”
a line from the poem Mezzogiorno Alpino written after a short stay in Courmayeur, Giosuè Carducci reflects on the clear Alpine landscape, with the aim of highlighting the power of nature.
the trees stood as if to enjoy the pleasure of the sunlight penetrating their branches, absolute silence dominates, broken only by the rustling of the river water.
this might show how much interest and adoration sonetto shows towards things outside of the foundation
“So long lives this and this gives power to thee.”
a line from the famous poem Sonnet 18 by William Shakespeare, where he used this poem to praise the beauty of his beloved where their beauty is more preferable than a hot summer day. theres a bit of a change in the lines "So long lives this and this gives life to thee." the original line used life instead of power, it wouldn't really make sense if they used life for a buffer it would've been more of a healing skill so i get it
(i actually don't know what link this has towards sonetto soo fun fact sonnet 18 was about a man)
"I know the moon and this is an alien city”
the line is derived from the poem A London Thoroughfare 2 A.M by Amy Lowell the meaning of this poem is the feeling of being lost in a busy city, expressing emotions such as loneliness and being overwhelmed and how the only thing familiar to the writer was the moon. (aight im sorry idk how to word this one again another fun fact Amy Lowell is a sapphic and likes to call her muse or lover Lady of the moon)
“Each moment, now night.”
One of the lines from the poem Night by Max Weber (not the sociologist, also not sure on what to write since i dont actually know what the poem actually means i like to think that its about the silence and darkness of the night to show loneliness)
so basically most of these references loneliness and adoration towards the things the writer wrote about which might link to how sonetto might feel adoration and curiosity for the outside world and how she might've felt lonely in the foundation after being closed off from the outside world
(sorry if some words might not make sense and for how many things i've kept blank i failed literature so feel free to correct me im always up for discussion, its funny the way i found out most poets are queer are because of this)
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The Collings Foundation F-100F at the 2024 Wings Over Houston Airshow, worked on and flow by the Vietnam War Flight Museum. Definitely a highlight of the show. 56-3844 N26AZ
@pressxtolive via X
#f-100f super Sabre#north american aviation#fighter bomber#aircraft#usaf#aviation#vietnam war aircraft#cold war aircraft
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The Collings Foundation F-4D Phantom II low over the Arizona desert
>>> The Collings Foundation‘s F-4 Phantom II s/n 66-7680 is now the only flying example of its type in North America
#McDonnell Douglas#F-4#F-4D#Phantom#Phantom II#Jet#fighter#fighter bomber#low level#col war aircraft#Vietnam era fighter#aviation photography#flying
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🐍 Medusa in Astrology: Facing Inner Shadows and Empowering Transformation 🐍
Medusa, often seen as a symbol of fear, transformation, and feminine power, has deep-rooted mythology. In astrology, the asteroid Medusa (149) reveals where we might feel misunderstood, betrayed, or where we need to transform fear into power.
Medusa was once a beautiful maiden who was transformed into a Gorgon with snakes for hair, representing how our deepest wounds can become our greatest sources of strength. In the natal chart, Medusa’s placement can show where we might feel victimized or demonized, but also where we have the opportunity to face those shadows and reclaim our power.
🌑 Medusa in the Houses 🌑
Medusa in the 1st House:
You may have felt judged or misunderstood for your appearance or identity. Medusa here often points to an intense self-image transformation. You may project an intimidating aura, but this can be a source of inner strength when fully embraced. This placement asks you to transform your fears of being judged into confidence and empowerment.
Medusa in the 2nd House:
Feelings of betrayal or inadequacy may be tied to self-worth and material security. Medusa in the 2nd House challenges you to face your fears about money, possessions, and self-esteem. This is about transforming any fear of not having enough into a deep understanding of your true worth and values.
Medusa in the 3rd House:
Communication, education, and early experiences with siblings or neighbors may be where you felt betrayed or silenced. Medusa here challenges you to find your voice, express your truth, and reclaim your narrative, transforming fear of speaking up into powerful self-expression.
Medusa in the 4th House:
Your home life or family may have been a place of deep wounding or betrayal. You might feel haunted by your upbringing or family dynamics. Medusa in the 4th asks you to transform your relationship with your roots and create a new foundation, finding power in your own ability to create safety and nurture yourself.
Medusa in the 5th House:
Creativity, romance, and self-expression may feel blocked due to fear of judgment or failure. Medusa in the 5th House encourages you to reclaim your creative power and embrace your right to love and be loved. Transform your fears into a bold, fearless expression of who you are.
Medusa in the 6th House:
Health, daily work, and service may feel like battlegrounds where you’ve experienced betrayal or challenges. Medusa here urges you to face your fears of inadequacy and step into your power by transforming your daily routines, taking control of your health, and finding empowerment in service.
Medusa in the 7th House:
You may have felt betrayed or hurt in close partnerships and relationships. Medusa in the 7th reveals the power dynamics at play in your relationships and urges you to transform your partnerships from sources of fear or domination into ones based on mutual respect and empowerment.
Medusa in the 8th House:
Deep, transformative experiences surrounding sex, death, and shared resources are highlighted. Medusa in the 8th House represents the need to face taboos, power struggles, and fears head-on. This placement holds immense power for transforming your relationship with your shadow self and finding healing through vulnerability.
Medusa in the 9th House:
Your beliefs, philosophies, and search for truth may have been challenged, or you might fear venturing beyond your comfort zone. Medusa here calls you to transform fear of the unknown into a journey of self-discovery and liberation through expanding your worldview.
Medusa in the 10th House:
You may feel judged or limited in your public life, career, or reputation. Medusa in the 10th House speaks to transforming how you approach success and recognition. Face the fear of public scrutiny and use it to build an authentic and powerful public image, free of shame or restriction.
Medusa in the 11th House:
Friendships, social groups, and your connection to the collective may feel like areas where betrayal or rejection has occurred. Medusa here encourages you to reclaim your individuality within the group and transform your relationship with community, turning fear of rejection into leadership and belonging.
Medusa in the 12th House:
The 12th House is the house of the unconscious, hidden fears, and spirituality. Medusa here may manifest as deep, hidden fears or unresolved trauma. This placement asks you to face your inner shadows and unconscious fears, transforming them into spiritual growth, and reclaiming your power through healing and integration.
🐍 Book Your Medusa Reading Today! 🐍
Curious about how Medusa plays out in your chart? I’m offering personalized readings to help you understand where this asteroid might be highlighting deep fears, wounds, and untapped strength. Let’s explore how you can turn those shadows into sources of empowerment.
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#Astrology#Medusa Asteroid#Cosmic Power#Astrology Reading#Astrology Services#Mythology#Wounded Feminine#Transform Your Life#Asteroid Astrology#astrology asteroids#Medusa#astro notes#astrology readings#astro observations#birth chart
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F-4 air to air
Cool air-to-air photos and descriptions by a professional aviation photographer of the Collings Foundation F-4 Phantom II fighter flying over Arizona.
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Sheltering Shadows | Al amparo de la sombra | Coll. Michel F. David (Éditions Sur la Banquise)
(Guillaume Gris)
* * * *
“Let the world be as it is and learn to rock with the waves.
Remain ‘radiant,’ as Joyce put it, in the filth of the world.”
- Excerpt From: Campbell, Joseph. “A Joseph Campbell Companion: Reflections on the Art of Living.” Joseph Campbell Foundation, 2011-08-01. iBooks.
#Sheltering Shadows#Michel F. David#my favorites#Guillaume Gris#Joseph Campbell#quotes#radiant#the filth of the world#words and writing#reading and writing
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hi i have been obsessed with your “the monster’s body is a cultural body etc” post since i saw it like a month ago. do you have any book recs where i can read more about this, like, forever. (I’m aware of your podcast I’m checking it out too) <3
i'm glad you liked it, it's an honor to introduce the people of tumblr to cohen's seven theses
first and foremost i would recommend The Monster Theory Reader, ed. Jeffrey Andrew Weinstock, which includes several seminal essays including:
"The Uncanny" by Sigmund Freud
"The Uncanny Valley" by Masahiro Mori
"Approaching Abjection" by Julia Kristeva
"Horror and the Monstrous-Feminine: An Imaginary Abjection" by Barbara Creed
"The Monster and the Homosexual" by Harry M. Benshoff
i would also recommend the book in which Cohen first published his seven theses, Monster Theory: Reading Culture, ed. Jeffrey Jerome Cohen
(i must admit that i haven't gotten around to reading either of these books in full yet)
aside from the essays mentioned above, here are some foundational texts for monster theory but not specifically about monster theory:
The Uses of Enchantment by Bruno Bettelheim
Mythography: The Study of Myths and Rituals by William Doty
Vested Interests: Cross-Dressing and Cultural Anxiety by Marjorie Garber
monster theory/horror criticism texts i've read:
Monsters in the Closet by Harry M. Benshoff
Skin Shows by Jack Halberstam
Murder Most Queer by Jordan Schildcrout
It Came from the Closet, ed. Joe Vallese
Horror by Brigid Cherry
Men, Women, and Chain Saws by Carol Clover
Dark Places by Barry Curtis
The Dread of Difference, ed. Barry Keith Grant
The Monster Show by David J. Skal (SEE NOTE BELOW)
Darkly: Black History and America's Gothic Soul by Leila Taylor
The Ghost: A Cultural History by Susan Owens
and some others i own but haven't read yet:
Dark Carnivals by W. Scott Poole
Phantom Past, Indigenous Presence: Native Ghosts in North American Culture and History by Colleen E. Boyd and Coll Thrush
Queer for Fear: Horror Film and the Queer Spectator by Heather O. Petrocelli
Pretend We're Dead: Capitalist Monsters in American Pop Culture by Annalee Newitz (just started this, already love it)
Theatre and the Macabre, ed. Meredith Conti and Kevin J. Wetmore, Jr.
and i can't neglect to mention The Monster in Theatre History: This Thing of Darkness by Michael Chemers
before i say anything further i want to give one warning. my particular interest is on monstrosity and queerness (probably evident based on some of my recommendations). monster theory and horror criticism have generally been rooted in psychoanalytic theory, particularly as it has been interpreted through a feminist lens. unfortunately, this leads to a lot of arguments and interpretations that are sex essentialist and fail to address gender with the necessary nuance. this is particularly true in Men, Women, and Chain Saws and The Dread of Difference.
(Vested Interests is… complicated. it's not monster theory exactly but cohen cites it. garber is generally better than the others mentioned here in her consideration of trans people but her work can still be uncomfortable.)
i have a lot of reservations about recommending The Monster Show. i loved reading it and i think skal has great analysis. somehow, however, in the middle of his discussion of how marginalized people have been historically monsterized in american culture, he has the audacity to cite The Transsexual Empire by Janice Raymond, the ur-text of TERF ideology, and skal uses this text to monsterize trans women. it's disgusting and reprehensible, and if the rest of the book wasn't so strong i wouldn't recommend it
the best medicine i have are texts by trans people. It Came from the Closet is an anthology with several essays by trans people, i adore it. i am forever obsessed with Gender Outlaw by Kate Bornstein, which isn't exactly monster theory, but i would say it's monster theory adjacent and i wish everyone would read it
and if you haven't, you must read "My Words to Victor Frankenstein Above the Village of Chamounix: Performing Transgender Rage" by Susan Stryker. (see i even put a link to that one. drop everything and read it now)
alright if you're still with me i have a couple other things to put out there:
the docuseries Queer for Fear, available on Shudder, is incredible and i'm obsessed with it
she seems to be inactive these days but @draculasdaughter has a lot of posts quoting texts and articles on monster theory/horror criticism that i highly recommend
i've only seen the jacob geller videos on this list but i mean to watch this youtube playlist of video essays about horror, fear, and dread
and i also keep a #monster theory tag on my blog that has various posts on the subject, some funny and some earnest
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"Masters of the Air detail- Part 4-The Lemmons magneto scene E4.
"Apple released one scene with Master Sgt. Lemmons, the Crew Chief, and the rest appeared recently in E4.
"He had an engine problem that they were troubleshooting just before the engine start for the mission. Lemmons actually rode in the gear well of number 3 fixing the engine, as the Fortress taxied out on three engines.
"Cary, the director for the first four episodes, was asking about what Lemmons could be fixing and wanted to know if various things were plausible. One was changing a carburetor, uh, no. It’s not only a massive job but doesn’t fit with Lemmons riding in the gear well. I suggested working on a magneto, as just about the only things that you can get to, through the access panel in the firewall on a B-17, are the magnetos and the starter.
"Okay he said, can we change the magneto? Uh, no, not within the confines of this scene and taxiing out to takeoff. How about setting the magneto points as it would fit the timeline, look good and would be plausible. He said to set it up. Okay, off we go.
"Edit- I did not have access to Lemmons book or John Orloff’s notes at the time this scene was being discussed. Soon after Jessica was kind enough to give me a copy of Lemmons book and it said that he indeed did adjust the magneto points from inside of the gear well.
"I talked to Stewart Heath from BGI. A guy who can, and did, make miracles happen. We talked about the magneto, and I showed him what it and the B-17 accessory section looked like through the firewall opening. He was also going to build a B-17 engine nacelle for this scene!
"I said that almost any radial engine magneto would work and that I could source one if he needed. He said go so I contacted Carl Scholl at Aerotrader in California and asked if he had a mag for a Curtis Wright R1820. Of course he did! And he shipped it off to us in the UK. Thanks Carl.
"Stewart made the nacelle and a box housing the real mag, a dummy mag and starter. It was painted black and looked pretty good on camera.
"Raff Law is the actor who portrayed Sgt. Lemmons. He and I sat down with the ‘accessory box’ and I taught him how to look like he was setting up and adjusting the points on a magneto.
"I pictured the original WWII radial engine feeler gauge tool, with the bent ends, in my toolbox back home and hoped that Props Department may have something close. They supplied some nice period tools and Raff learned what he needed to do on the table at our “office”. Next was time for him to practice in the nacelle that Stewart and BGI built.
"During the building of the nacelle the oil tank was a topic of discussion. I gave them some photos, especially of the stenciling which could be visible and they, as usual, did a wonderful job.
"The nacelle was set up for the scene and the video walls were set up underneath the nacelle. Incidentally the wheels and tires used on MOTA were actual un-airworthy B-17 wheels and tires from the Collings Foundation. Some of you Collings pilots might recognize the flat spots on the tires!! It is cool to see some actual B-17 parts that flew a lot and made it into the series. We will not talk about the tread pattern though will we…
"Several camera angles set up in and around the nacelle and really looked good and helped to convey just how difficult it must have been for Sgt. Lemmons to accomplish what he did. Amazing for sure. I only hope that the Lemmons family is happy with the result.
"So much was put into making this and every scene as rich and authentic as possible that it is a shame that so many of these details didn’t make the final cut. But that’s the way this business is, it’s better to have too much and cut things out than to have too little and the need for more. MOTA was way up on the quality and detail and doing it with all of this specialized aircraft equipment is many times more difficult to do than most other subjects. Well done folks! So many people behind the scenes going above and beyond to make this special [...]"
#better too much than too little. i'm Always saying this btw#masters of the air#hbo war#behind the scenes#history#(given the amount of detail about lemmons in this)#long post#raff law#ken lemmons
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Lockheed P-38L Lightning owned by the Collings Foundation (no name on her currently) being flown by Rob Collings during the 2018 Airshow at Chino Airport.
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Apparently Mr. Five By Five hit the bricks and is on it's way to the Collings Foundation in exchange for an ex Tuskegee Stearman. So long Mr. Five By Five.
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Ensemble Stars! - Memories Selection: Checkmate Episode 1 - 折れた枝先 (The Broken Branch Tip) English Translation
Provided by Happy Elements, あんスタチャンネル on Youtube
Ensemble Stars Memories Selection: Checkmate 『チェックメイト』 Adapted from Ensemble Stars! Story: Checkmate Written by: 日日日 (Akira) English Translation: Freiya
*All copyrights of the stories, scene pictures and writings, all belong to Happy Elements. I only translated the scenes into English to help overseas fans understand the dialogues. I do not own any copyrights other than the English Translation*
——————————————
—In Yumenosaki Academy’s garden terrace, Izumi and Eichi are playing chess together, during Eichi and Izumi’s third year—
Eichi: Checkmate.
Izumi: …Haa? What is this joke? This is just the beginning–so what are you playing on winning already?
Eichi: Chess is my specialty. I have fairly good talent on it. (pours tea for himself)
Ever since my childhood, I have never lost to any adults, not to anyone. (picks up the cup)
Izumi: Hmm..
Eichi: A draw–or to be exact, a match that couldn’t be concluded, it has only been achieved with Tsukinaga-kun.
Izumi: If such an average guy could result in a draw with you, then I should be able to win against you easily, right? That brat–he could not do anything else other than composing songs.
Eichi: …Is that so? Isn’t that only what you want to think of him? (drinks his tea, then put the cup)
Let’s end the playing time now, and delve into the business.
It’s a negotiation. I want you, Knights, to be a united party with us, the Student Council– In next week’s DDD that will be held, to crush Trickstar.
Izumi: …Didn’t I tell you that I’m still considering it? Don’t rush me, can you..! I don’t give a care about DDD, though.
Eichi: (drinks tea)
Izumi: The current Knights is an empty shell–no seats nor domination. Can you believe this?
The Knights now, even already including the newbie, only barely made up 4 members.
Eichi: (arranges the chess anew) Ah.. The Suou household’s family heir, Tsukasa-kun, has just newly joined, huh?
…But, if my memory is correct… Knights consists of 5 members, right?
(puts his fingers on his chin) Tsukinaga-kun too… he still hasn't quitted school yet, correct?
Izumi: …That guy…(looks away) he can’t fight anymore.
Eichi: Hmm. So even now, it’s still like that, huh...
Previously, I also visited him once. (puts his hands on his chin)
Really, unexpectedly geniuses are so frail. That was not the Tsukinaga-kun that I liked…
Izumi: (grits his teeth)
Eichi: Hey, Sena-kun… I really can not comprehend it. Everyone says that it’s all my fault, and I do believe that is one side of the truth... But I honestly did not have such intentions.
I liked Tsukinaga-kun. It was fun when I played with him, and I was happy. That’s all there is to it…
Hey, Sena-kun. What is the reason that Tsukinaga-kun breaks? (looks at the Sakura tree on his left)
…Just who was it that killed the Cock Robin? [1]
***
—One year ago—
Izumi: (in the middle of calling Leo’s phone)…Geez, what is he doing!? …I can’t even get in contact with him.
Leo: (pushes the door open) Sorry…! I made you wait, Sena…!
Izumi: (raises his voice) You’re late! What are you…–
Huh!? Leo-kun, what the hell is with your condition!? (helps Leo that nearly collapses)
Leo: (collapses) Ow, it hurts…
–Izumi takes Leo to hospital–
Izumi: You… are you an idiot? The body is an idol’s foundation. Have a bit of awareness, okay!?
Leo: Aahh.. you’re so noisy! This is just a bit of a scratch. Once I lick it with spit, it will recover immediately!
Tsumugi: (about to exit the hospital) …Huh? Just as I thought I heard some noises, it turns out to be Sena-kun? (walks outside) Hello. We meet here in such an unusual place!
Izumi: Oh…
Leo: (raised his eyebrows) Who are you?
Izumi: Oh, Leo-kun doesn’t know, huh? This is my classmate, Aoba.
What about you? What are you doing in a hospital?
Tsumugi: I am visiting a person– Eichi-kun.
Izumi: Eichi…? Oh, the rumoured conglomerate heir. I heard he collapsed in the nearby underground live house, and now he’s being treated in a hospital?
Tsumugi: Yes. I was asked by others to give him some prints. What about Sena-kun?
Izumi: Uh… I am just an aide. He doesn’t speak about the details at all… but he got injured and his arm’s bone was broken.
Tsumugi: Eh!?
Izumi: So, that is how I brought him to the hospital like this.
Leo: (pouts) I don’t like hospitals…! It smells strongly of medicine, boring, and I’m bad with it! There are people bringing needles with them to forcely pour strange substances in!
Eichi: (reading a book) Hmm? What is it, it seems noisy outside?
Eichi: (walks and looks down the window)
Tsumugi: Um… who is this? I don’t really remember…
Leo: Ahaha, right, right? I’m the genius who doesn’t really go to school often…–
Eichi (OS): Tsumugi and… Sena-kun from the same class? There’s another person there…
…Who is that little one?
***
–Inside the hospital’s lift–
Leo: Evil being! Demon!! Why am I being admitted to hospital!?
Izumi: You know what… it looks like you also hit your head too, so you need to be examined properly, for safety!
Tsumugi: You should also call your home and contact them with this.
Leo: Hmppphh.! (pouts)
(searching his belongings) …Huh? Hey, Sena… do you know where my smartphone is?
Izumi: Ergh… you must have dropped it again somewhere, right!? You should contact the smartphone company office…
Leo: Hmm..? (confused) I don’t really get it! (chuckles) Sena, can you do it for me? (puts his hand on Sena’s shoulder)
Tsumugi: Uhh.. (chuckles)
Izumi: (sighs burdenedly) I am… not your servant, you know…!?
Leo: Isn’t it okay? You like taking care of people, right? You can do things 100 times better than me. I can have a peaceful mind if I leave it to you! (raises his thumb)
Izumi: Honestly, it’s such~ a burden!
Leo: Don’t say it like that! I’m counting on you! (Shakes his head) I am owed to you!
If Sena is not there, I would have welled up quickly and quit being an idol.
Tsumugi: Hey, you two… (the lift opens)
Oh, we have arrived… look, Tsukinaga-kun.
Leo: Hmph… (pouts, walks out the lift)
Tsumugi: (walks out the lift, following Leo)
Izumi: Hey, Aoba… I’m sorry, but can I leave it to you? I have another matter to take care of…
Tsumugi, Leo: Eh?
Izumi: (closes the lift and waves his hand)
Leo: …!? (puts a surprised look)
(throw his belongings away, Tsumugi catches it. Leo walks to the closed lift) Senaaa~!! You heartless being!!! (bangs on the lift)
Tsumugi: Eh? Eeehh~!?
***
–Leo opens the hospital’s room. Eichi observes him–
Eichi (OS): It’s the boy… from earlier, right?
(Leo immediately enters the room and looks out the window)
Leo: Sena~!! Don’t abandon me! Even though you can hear it… You bully!!!
Tsumugi: I-I’m sorry, Eichi-kun!
Eichi: Tsumugi…
Tsumugi: Um… where should I begin to explain?
Leo: (picks up a fruit)
Leo: (screaming) Idiot, Sena you idiot~!! (picks up another fruit)
Stuuupid, stuupid! Just die!! (picks another fruit)
Eichi: Hey, you… (walks to Leo)
Leo: Uh…
EIchi: You can’t just play with food. Don’t you feel bad for the farmers?
Leo: I… I feel bad!
What a hideous thing I’ve done! (bows)
I’m sorry, farmers! (puts back the fruit)
But… but… what should I do with this sadness that Sena has carved in me? (points at his broken arm) My arm is broken… And there is no instrument, so I can’t do a performance too!
(looks at the bed and climbs up) I don’t have any other choice but to sing!
Eichi: Huh?
Leo: Listen to my song! This is the song of “I hope that the mean Sena will die, suffering from mould on his front legs!”
Leo: Composer and lyricist, Tsukinaga Leo! (begins to sing) I hope that the mean Sena will die, suffering from mold on his front legs~!
Eichi (OS): (smiles) Tsukinaga Leo…hmm. So that is his name. What is it with him? He’s so unique.
***
–In Yumenosaki Academy–
Madara: (attempting to catch a cat stuck on a tree branch) Look, there is nothing to be afraid of~ Come, come~
Izumi: (walks on another side of the road) Aah~ It makes me so mad!
Izumi (OS): But, why is it–That I can’t leave his side?
Izumi (OS): If it’s the usual, I would have long lost my patience and part away…
–Izumi sees another person peeking at the school gate–
Izumi: Hey, you damned glasses over there!
Arashi: (Startled) Hey, what is with that “damned glasses”? I am hurt, you know~?
Izumi: I told you to stop with that way of talking!
Why should you enter the same school, anyway~? And without even me knowing it, you had a change of character in a disgusting way!
Arashi: (smiles) Hmm… (shakes his head) Do not worry~! I do not have any interest in you at all, Izumi-chan~
Izumi: Not Izumi-chan, but Izumi-senpai, right! I have told you since our first meeting to use formal language with your elder, correct?
(sighs) Haa~... Well, the timing is perfect. I am now going to practise our new song, if you’re free, then tag along… as a fellow member of the unit, okay~.
Arashi: No, no, no~ (raises his hand) I’m not particularly free, okay? And honestly I’m only filling a seat, and I don’t really have any interest in the unit activities, okay?
I don’t even clearly remember the unit’s name, you know~? Othello, is it?
Izumi: …Until last year, yeah. Since we changed leaders this year, it’s changed to the name Backgammon.
Arashi: It keeps changing indefinitely from time to time, huh? If I remember correctly, the first name was, Chess… is that right?
Izumi: Right, right. In this rotten Yumenosaki Academy, we have become the second-oldest unit now.
Izumi: Leo-kun in particular, has some kind of attachment to the Chess name, you see?. When the name was going to be changed, only he had a big objection to it.
***
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Translator’s Note:
[1]: “Who killed the Cock Robin?” Is a dark English Nursery rhyme, about the bird Cock Robin which was killed. In this Checkmate story, the poor bird who was killed refers to Leo.
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!Warning! Please refrain from reposting the translation to other platforms; abide to link back to this post for reference. Thank you.
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Navigation:
Memories Selection: Checkmate Directory Chapters Episode 1 - The Broken Branch Tip (You are here now) Episode 4 - Rusting Heart Episode 5 - The Lonely Throne Episode 6 - The Shine of the Crown
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✤ Read my other posts here! (●'◡'●) ✤ For other translations, here. ✤ More information (commission, messages, requests): Carrd ✤ Thank you for reading, the likes and reblogs. If you want please voluntarily consider giving me a tip through Ko-fi! 😊
#ensemble stars#ensemble cast#knights#leo tsukinaga#izumi sena#ritsu sakuma#tsumugi aoba#eichi tenshouin#arashi narukami#tsukasa suou#checkmate#youtube#enstars#english translation#translation#story#sena izumi#chess#chesspieces#memories#memories selection#Freiya TLs#enstars translation#type: event#type: masterlist#we'll be knights#luminous crown#crown#madara mikejima
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Deep dives into folklore: Italian folklore
Italian folklore is a rich tapestry woven with threads of ancient traditions, mythical creatures, and timeless tales. Rooted in a history that spans thousands of years, Italian folklore reflects the diverse cultural influences that have shaped the country. This week aims to take a deep dive into the enchanting world of Italian folklore, exploring its mythology, legendary creatures, and the enduring narratives that continue to captivate imaginations.
I. Historical Context:
To understand Italian folklore, it's essential to delve into the historical context that has shaped its narratives. Italy's geographical location at the crossroads of various civilizations, including Etruscan, Greek, Roman, and Byzantine, has contributed to the rich tapestry of stories that form the basis of its folklore. The interplay of cultural, religious, and social influences has given rise to a unique blend of myths and legends that continue to permeate Italian society.
II. Mythological Pantheon:
Italian mythology draws heavily from its ancient Roman roots, with a pantheon of gods and goddesses who embody various aspects of life and nature. At the heart of this pantheon is Jupiter, the king of the gods, along with his consort Juno, and sister Minerva. The stories of their interactions, conflicts, and relationships with other deities shape the mythological landscape of Italy.
The influence of Greek mythology is also evident in Italian folklore, with gods like Apollo, Diana, and Mercury finding a place in the collective imagination. The fusion of Roman and Greek mythologies has given rise to a unique blend of divine characters that populate the tales of ancient Italy.
III. Legendary Heroes and Heroines:
Italian folklore is replete with legendary heroes and heroines who embark on epic quests and face mythical challenges. One notable figure is Aeneas, the Trojan hero who played a crucial role in the foundation of Rome. His journey, as chronicled in Virgil's "Aeneid," serves as a foundational narrative in Italian mythology.
Another iconic figure is the medieval knight Orlando, whose adventures are chronicled in the epic poem "Orlando Furioso" by Ludovico Ariosto. Orlando's exploits, alongside those of other knights and heroes, contribute to the rich tapestry of Italian chivalric folklore.
IV. Folkloric Creatures and Beings:
Italian folklore is teeming with a diverse array of fantastical creatures and beings, each with its own unique attributes and significance. From benevolent spirits to malevolent monsters, these entities populate the cultural imagination of Italy.
Fairies and Spirits: Italian folklore features benevolent beings such as the "Befana," a kind-hearted witch who delivers gifts to children on Epiphany Eve. Other spirits, like the "Lares" and "Larvae," are guardian deities of households and ancestral spirits, respectively.
Monsters and Malevolent Beings: The folklore of Italy is also populated by menacing creatures, such as the "Lupo Mannaro" (werewolf), the "Strega" (witch), and the "Banshee-like" "Striges." These beings embody the darker, more mysterious aspects of Italian folklore and have been the subjects of cautionary tales for generations.
V. Folk Traditions and Celebrations:
Italian folklore is not confined to ancient myths and legends; it also encompasses a vibrant tapestry of folk traditions and celebrations. Festivals such as Carnival, with its elaborate masks and lively parades, and the Feast of St. Anthony's Day, marked by blessings for animals, showcase the enduring influence of folklore on Italian cultural practices.
Italian folklore is a captivating realm where ancient myths, legendary heroes, and fantastical creatures converge to create a rich cultural heritage. From the heights of Mount Olympus to the depths of enchanted forests, the narratives of Italian folklore continue to echo through the centuries, connecting the past with the present and providing a profound glimpse into the collective soul of a nation. As these tales persist and evolve, they weave a timeless narrative that transcends generations, ensuring that the magic of Italian folklore endures for years to come. Taglist (reply or reblog to be added): @axl-ul @crow-flower @thoughts-fromthevoid @alderwoodbooks @harleyacoincidence @tuberosumtater @sonic-spade @theonlygardenia @holymzogynybatman @nulliel-tres @w0rkah0licz @sylvanthorn @tigertaurus22 @profiterole-reads @mathias-musings @1899adgg1997tbmd @grimmparanormalinvestigations
#writeblr#writers of tumblr#writing#bookish#booklr#fantasy books#creative writing#ya fantasy books#ya books#book blog#writers block#teen writer#tumblr writers#writblr#writerblr#writer problems#writers community#writers#writers corner#writers on tumblr#writerscommunity#writerslife#writing blog#writing community#writers and poets#folklore#italian folklore#mythology#roman mythology#classical mythology
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F-4D Phantom of Collings Foundation at Randolph AFB Airshow 2005, flown as a tribute to the Vietnam ERA and painted to represent BuNo 67-0463 (432rd TRW, 555th TFS Triple Nickel, Captain Steve Ritchie, Vietnam, 1972).
@perpetuaosombro via X
#f 4d phantom#mcdonnell douglas aviation#fighter bomber#aircraft#usaf#aviation#vietnam war aircraft#cold war aircraft
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The Collings Foundation’s Wings of Freedom Tour
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« BONNARD ET LE JAPON » Hôtel de Caumont, Aix-en-Provence
« BONNARD ET LE JAPON », visite du 30 Juillet 2024 à l’Hôtel de Caumont (Aix-en-Provence) Bien nous en a pris d’attendre, cette fois-ci, calme et tranquillité loin, très loin, du « surtourisme » en début d’expositions précédentes. Donc de quoi prendre le temps de bien lire les cartels (pas toujours bien alignés) et le dossier de presse ; Hypothèse de la commissaire d’exposition Isabelle Cahn : « …l’influence de l’art du Japon sur Bonnard (Japonisme), jusqu’à la fin de sa vie en 1946 ! P.B. dessine, peint ou *photographie et collectionnera des estampes japonaises … » Excellente idée scénographique : la sélection d’estampes japonaises provenant de la prestigieuse collection Leskowicz. Pierre Bonnard : « J’avais compris au contact de ces frustes images populaires que la couleur pouvait comme ici exprimer toutes choses sans besoin de relief ou de modelé. Il m’apparut qu’il était possible de traduire lumière, formes et caractère rien qu’avec la couleur ». Je note sur la tendance dite « Japonisme » : « …l’impact du Japon sur les arts occidentaux. Le mode de penser des artistes de l’ukiyo-e. Le terme japonais ukiyo désigne un monde flottant en accord avec le principe bouddhiste de l’impermanence, ukiyo-e signifiant images du monde flottant. Sa peinture exprime le caractère éphémère des phénomènes, la beauté mystérieuse de la nature et des êtres, le charme subtil des choses. » Aparté photographique : *Marthe Bonnard sous l’objectif de Pierre Bonnard (1867-1947) https://dantebea.com/2013/11/07/marthe-bonnard-sous-lobjectif-de-pierre-bonnard-1867-1947/
Pierre Bonnard, La Promenade des nourrices, frise des fiacres 1897, Paravent constitué d’une suite de quatre feuilles lithographiées en cinq couleurs 45,3 x 114,3 (chaque panneau) Le Cannet, musée Bonnard © Musée Bonnard/Yves Inchierman
"…Dans les années 1860, suite à l’ouverture commerciale du Japon avec la France, les gravures ukiyo-e, méprisées par les Japonais pour la légèreté de leurs sujets, servent à caler les produits manufacturés dans les caisses d’expédition…" Extraits DP
Pierre Bonnard, Femmes au jardin : Femme à la robe à pois blancs ; Femme assise au chat ; Femme à la pèlerine ; Femme à la robe quadrillée, 1890-1891, Détrempe à la colle sur toile, panneaux décoratifs, 160,5 x 48 cm (chaque panneau), Paris, musée d’Orsay
Pierre Bonnard, Projet d’éventail Femmes et fleurs, 1895, gouache, aquarelle et encre de Chine. Van Gogh Museum, don de la Triton Collection Foundation
Katsushika Hokusai, Sous la vague au large de Kanagawa, série « Les Trente-six vues du Mont Fuji » Signé: Hokusai aratame Iitsu hitsu Editeur: Nishimuraya Yohachi (Eijudô) vers 1830, oban yoko-e, 25,5 x 37,7 cm Collection Georges Leskowicz
PIERRE BONNARD (1867-1947) La Revue blanche. Affiche. 1894. Lithographie. [582 x 778].
"…Les portraits de femmes d’Utamaro, les paysages d’Hokusai et d’Hiroshige ou encore les acteurs de Sharaku atteindront le statut de chef d’œuvre en Occident et de nombreux artistes du tournant du siècle seront fascinés à leur contact. Les estampes avec leurs couleurs posées en aplats, leurs voisinages chromatiques audacieux, leur stylisation décorative ou leurs vues à vol d’oiseau, vont bouleverser les certitudes académiques des artistes occidentaux…"
"Groupe de chien dansant" Projet de meuble, 1891 Aquarelle, plume et encre Coll. particulière
"…1872, Philippe Burty forge le terme de japonisme pour définir l’impact du Japon sur les arts occidentaux, dans un article publié dans Renaissance Littéraire et Artistique…"
…un arrêt du temps, l'instant présent… Très photographique tout ça. "Pierre Bonnard, photographe" (Relié) https://www.amazon.fr/Pierre-Bonnard-photographe-Fran%C3%A7oise-Heilbrun/dp/2904057242
"…Bonnard ne peint pas seulement pour le plaisir sensuel que le nu lui procure. Il considère ce sujet comme l’un des plus exigeants en raison de la fascination qu’il provoque et de l’interaction du modèle vivant avec l’environnement. Ses modèles évoluent dans des espaces complexes, traités de manière décorative, qui permettent de transformer le réel…"
Paul Verlaine "Parallèlement", poème Seguidille, 1900. Livre illustré de lithographies en couleur, Pierre Bonnard, Coll. Particulière
"…Dans l'intimité de leur vie quotidienne, par obsession ou par plaisir, Marthe aime à passer du temps à sa toilette. Ce rituel devient l'occasion pour l'artiste de scruter le jeu des reflets, des lumières, des couleurs. Il fige le bonheur de l'instant en peinture, mais aussi en photographie…" https://panoramadelart.com/sites/default/files/filesPanorama/FA224-02-bonnard-marthe-tub.jpg
"…Nabi : Mot d’origine hébraïque signifiant « prophète ». Il désigne un groupe d’artistes postimpressionnistes, à la recherche d’une peinture nouvelle. Rassemblés à partir de 1888 autour de Paul Sérusier, les nabis partagent une esthétique faite de formes épurées, d’aplats de couleur, de contours, et parfois un certain sens du symbolisme et de la religiosité. Par ses écrits, le peintre Maurice Denis ne tarde pas à en devenir le théoricien. Sa formule, « un tableau […] est essentiellement une surface plane recouverte de couleurs en un certain ordre assemblées », traduit bien l’esprit de synthèse qui anime les nabis…"
à lire aussi : Un Nabi très japonard https://www.musee-orsay.fr/fr/agenda/expositions/presentation/pierre-bonnard-peindre-larcadie
Le "spectacle" virtuel, partout, pour tout, pour tous. Terriblement XXIème s.
"… l’exposition présente de nombreuses œuvres exceptionnelles de Bonnard, jamais ou rarement vues en France comme Les deux caniches, Le Bar, L’Omnibus, La Place Clichy, Le Jardin de Paris, Conversation provençale, La Nappe blanche, Le Dessert, Le Nu gris de profil…"
Hôtel de Caumont 3, rue Joseph Cabassol (Portail à carrosses) Quartier Mazarin, Aix-en-Provence
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