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#Colin Murray Parkes
ladysansa · 2 years
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Dr. Colin Murray Parkes, Bereavement: Studies of Grief in Adult Life // WandaVision, 1x08, dir. Matt Shakman // Fyodor Dostoyevsky, The Brothers Karamazov // Jaime Anderson
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justforbooks · 8 months
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The much-quoted phrase “Grief is the price we pay for love” reached a global audience in 2001 when Queen Elizabeth II used it in her message of condolence to those affected by the 9/11 attacks in the US.
But it was the psychiatrist Colin Murray Parkes, who has died aged 95, who first came up with the words that have given solace to so many. In his 1972 book Bereavement: Studies of Grief in Adult Life, he wrote: “The pain of grief is just as much a part of life as the joy of love; it is, perhaps, the price we pay for love.”
When Parkes first proposed a research project on bereavement while working as a psychiatrist at the Maudsley hospital in south London in the 1960s, a professor responded: “What you have described isn’t a project, it’s a life’s work.” And so it proved.
Having noted that grief rarely featured in the indexes of the best-known psychiatry textbooks, he went on to write and co-author hundreds of research papers, and further books including Facing Death (1981); Death and Bereavement Across Cultures (1997); and Love and Loss: The Roots of Grief and Its Complications (2006). A selection of his works was published in 2015 as The Price of Love.
He was regularly called upon to provide assistance in the aftermath of large-scale disasters and admitted to finding this harrowing. Recalling his visit to Aberfan, the Welsh village near Merthyr Tydfil where a colliery waste tip collapsed on 21 October 1966, killing 116 children and 28 adults, he said: “The first time I drove away from the village I felt utterly helpless. Everyone I talked to had been desperate. I had to stop the car three times because I couldn’t carry on. I just needed to stop and cry.”
In April 1995 he was in Rwanda at the invitation of Unicef, who asked for his help in setting up a recovery programme following the previous year’s genocide there. He attended the reburial of 10,000 bodies that had been dug up from mass graves and felt haunted by his experiences in the country for the rest of his life.
After the terrorist attack on the World Trade Center in September 2001, in which 2,977 people died, Cruse – the bereavement charity of which Parkes was life president – was asked to send a team to New York to support the families of British victims. The biggest problem, he recalled, was making real to those families the unimaginable horror that their loved one was never going to come back. “Bereaved people can make it real, but it does take a long time. They have to go over it again and again, and think their way through it,” he said in an interview in the Independent shortly afterwards.
He also worked with those affected by the 1973 air crash near Basel, Switzerland, in which 108 died, mainly women from Axbridge, Somerset; the Bradford City stadium fire in 1985, in which 56 lost their lives; the Herald of Free Enterprise disaster in which 193 died after the ferry capsized near Zeebrugge, Belgium, in 1987; and the bomb explosion in a flight over Lockerbie, Scotland, in 1988 that killed 243 passengers, 16 crew and 11 residents. Parkes also travelled to India to assess the psychological needs of people bereaved by the 2004 Indian Ocean tsunami.
He said: “One of the most awful things about bereavement is that the world goes on as if nothing had happened. For bereaved people the world is never going to be the same again.”
Born in London, Colin was the son of Gwen (nee Roberts), and Eric Parkes, a solicitor. After attending Epsom college, in Surrey, he went to Westminster hospital medical school (now part of Imperial College London), qualifying as a doctor in 1951.
He worked for two years as a junior house physician at Westminster, then at Kettering general hospital in the Midlands. After two years’ national service with the RAF medical corps, he joined the Institute of Psychiatry, based at the Maudsley.
Following the publication of his research into bereavement in 1962, he joined the Tavistock Institute of Human Relations. There he worked with the psychologist John Bowlby for 13 years, disseminating the model of grief as consisting of four stages: numbness; pining; disorganisation and despair; and recovery.
Parkes was also instrumental in the introduction of bereavement services in hospices from the 1960s. He worked closely with Cicely Saunders – “the single-minded mother of palliative care with whom I shared angst at the scandalous ways our fellow doctors were treating patients faced with death and their families” – on the planning and launch of St Christopher’s hospice, Sydenham, in south London, in 1967.
Both were convinced that good care must involve families as well as patients. Parkes set up a bereavement service of trained volunteers who went into families’ homes and organised support groups, including some for staff, in the hospice. He remained involved with St Christopher’s until 2014, active as a consultant psychiatrist until 2007. He also performed this role at St Joseph’s hospice in Hackney, east London (1993-2007).
“He was a towering intellectual and hugely influential, but never took himself too seriously,” said the former chief executive of St Christopher’s Barbara Monroe. “He always remained a great clinician – very good at talking to patients and staff. And listening.”
In 1975 Parkes left the Tavistock to take up a senior lecturer role in psychiatry at Royal London hospital medical school, retiring from that post in 1993. His association with Cruse began in 1964, as a member of the council. He became chairman in 1972, and was made life president in 1992. Four years later he was appointed OBE.
Parkes edited the journal Bereavement from its launch in 1982 until 2019. Given the Times/Sternberg award – which celebrates the achievements of those over 70 – in 2012, when he was 84, he urged people to spend the last part of their lives in worthwhile work. “I was basically forced to retire at 65 and I got lots of cards with old men fishing on the front. But life is too short for retirement and the time has given me the opportunity to do things I would not otherwise have done,” he said.
In 1957 he married Patricia Ainsworth. She and their daughters, Liz, Jenny and Caz, survive him.
🔔 Colin Murray Parkes, psychiatrist and author, born 28 March 1928; died 13 January 2024
Daily inspiration. Discover more photos at Just for Books…?
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funeral · 1 year
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Colin Murray Parkes, Bereavement: Studies of Grief in Adult Life
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vacillantvoid · 9 months
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get yourself a guy who will kill you if you ask, even though he knows your death will ruin him
@mcytblrholidayexchange gift for @happy-mountain-goats! i hope you like it, happy holidays :)
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screenshotsofdespair | kishdoodles | snailspng | free-png | Charles Bukowski | The Mountain Goats - Game Shows Touch Our Lives | greenfoxillustration | Warren de la Rue - Total Solar Eclipse via magictransistor | The Lovers of Valdaro from blueprintededucation | Colin Murray Parkes - Bereavement: Studies of Grief in Adult Life via funeral | Against Me! - Two Coffins | ojibwa | kishdoodles | screenshotsofdespair | Eugene Thacker - Infinite Resignation via funeral | Emily Brontë - Wuthering Heights via ? | Mary Oliver - Blue Iris via deviika
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extrait-livre · 26 days
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"Le chagrin est le prix que nous payons tous pour l'amour."
Colin Murray Parkes
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hollywoodfamerp · 1 year
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WELCOME TO THE NASHVILLE OPRYLAND HOTEL! 
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UNDER THE CUT, YOU’LL FIND THE LIST OF ROOMMATES!
Due to an issue with the booking system at the hotel, it seems the roommates have all been mixed up. Was it the hotel? Or those pesky gossip blog hosts looking for drama? Guess we will never know... enjoy your stay, partners! 
PLEASE LIKE THIS NOTICE WHEN YOU HAVE READ IT AND SO THAT YOU CAN KEEP TRACK OF THE LIST UPDATES!
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palmviewfm · 17 days
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mw?
there's a ton of mw faces that we'd love to see here ! i put it under a read more since it's a large list. but bring us whoever you've got the muse for, ofc !
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taylor zakhar perez, nicholas galitzine, noah lalonde, danny griffin, jonathan daviss, drew starkey, darren barnett, elias kacavas, emilio sakraya, evan mock, eli brown, glen powell, zane phillips, john boyega, jordan gonzalez, austin butler, henry zaga, felix mellard, thomas weatherall, miles teller, sam claflin, penn badgely, chace crawford, lewis tan, lucas bravo, kit harrington, joseph morgan, josh segarra, harry shum jr, chris pine, ryan gosling, alex saxon, theo james, andrew garfield, gregg sulkin, ben levin, adam brody, logan lerman, pedro pascal, tom holland, mason gooding, lucien laviscount, ryan gosling, rege jean page, froy guiterrez, tanner buchanan, xolo mariduena, robert scott wilson, carson boatman, ross lynch, algee smith, cody christian, adam dimarco, alex fitzalan, daniel ezra, anthony keyvan, keith powers, keiynan lonsdale, joseph quinn, aramis knight, antonio cipriano, derek luh, leo howard, leo woodall, brandon perea, dacre montgomery, diego tinoco, mena massoud, maxence danet-fauxel, lorenzo zurzolo, michael cimino, paul mescal, callum turner, d'pharoh woon-a-tai, jordah fisher, josh heuston,l alex meraz, kiowa gordon, tom glynn carney, avan jogia, dylan minnette, josh hutcherson, assad zaman, gabriel basso, ross butler, robert buckley, james lafferty, david casteneda, brandon soo hoo, grifflin gluck, grant gustin, dylan wang, asa germann, alejandro spietzer, colin ford, alex landi, alfred enoch, aria shahghasemi, anthony turpel, cha eunwoo, aj saudin, danny ramirez, david iacono, chris briney, sabrina carpenter, ayo edibiri, madison bailey, samantha logan, kim doyeon, nichola coughlan, madison davenport, indiana evans, india eisley, lyrica okano, virginia gardner, liana liberato, kiersey clemons, lindsey morgan, liv hewson, emma d'arcy, victoria pedretti, logan browning, lola tung, louriza tronco, lorenza izzo, lovie simone, luca hollestelle, hunter schafer, zion moreno, taylor russell, laura harrier, lana condor, lauren tsai, anna sawai, jane de leon, kylie bunbury, kathryn bernardo, chienna filomeno, phoebe dynevor, simone ashley, maitreyi ramakrishnan, courtney eaton, nicole maines, jessica alexander, peyton alex smith, ella purnell, sophie neilsse, dev patel, rahul kohli, natalia dyer, danielle campbell, ella balinska, bailey bass, jessica sula, emma mackey, mia goth, melissa barerra, alva bratt, kiana lede, kiana madiera, olivia scott welch, kiernan shipka, meg donnelly, camila mendes, brianne tju, maddie hasson, dianna agron, emilija baranac, danielle rose russell, kaylee kaneshiro, isabella gomez, jenny boyd, lulu antarisksa, josephine langford, lizeth selene, marina ruy barbosa, kaya scodelario, katherine mcnamara, chloe rose robertson, kathryn newton, kristine froseth, pat chayanit, davika hoorne, mint ranchrawee, rabia soyturk, hande ercel, aslihan malbora, melisa pamuk, katie stevens, meghann fahy, merrit patterson, adelaide kane, alexxis lemire, adria arjona, amanda arcuri, sadie soverall, sara waisglass, chelsea clark, blu hunt, antonia gentry, brianne howey, bianca santos, bianca lawson, phoebe tonkin, shelley hennig, bruna marquezine, brittany o'grady, crystal reed, charithra chandran, jessie mei li, halston sage, carlson young, willa fitzgerald, halle bailey, chloe bridges, chloe bailey, margot robbie, anne hathaway, lisa yamada, raven bowens, olivia rose keegan, camryn grimes, gideon aldon, tiera skovbye, amy adams, jane levy, angela bassett, anya taylor joy, anya chalotra, ashleigh murray, lucy hale, troian bellisario, sophia bush, bethany joy lenz, shantel vansanten, hilarie burton, shay mitchell, sasha pieterse, janel parrish, malia pyles, bailee madison, chandler kinney, jordan alexander, zaria simone, auli'i cravalho, bebe wood, angourie rice, renee rapp, ashley moore, ashley park, aisha dee, alisha boe, elizabeth lail, alia bhatt, reina hardesty, victoria justice, liz gillies, bahar sahin, amber midthunder, gemma chan, madchen amick, marisol nichols, madison mclaughlin, malese jow, maris racal, maya hawke, jessica chastain, ana de armas, angela sarafyan, and anna lambe !
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ulkaralakbarova · 2 months
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A pastor preoccupied with writing the perfect sermon fails to realize that his wife is having an affair and his children are up to no good. Credits: TheMovieDb. Film Cast: Walter Goodfellow: Rowan Atkinson Gloria Goodfellow: Kristin Scott Thomas Grace Hawkins: Maggie Smith Lance: Patrick Swayze Holly Goodfellow: Tamsin Egerton Petey Goodfellow: Toby Parkes Mrs. Parker: Liz Smith Rosie Jones: Emilia Fox Mr. Brown: James Booth Bob – Pond Workman: Patrick Monckton Ted – Pond Workman: Rowley Irlam Mrs. Martin: Vivienne Moore Vicar’s Convention Master of Ceremonies: Murray McArthur Reverend Campbell: Morgan Gower Billy Martin the Bully: Rupert Simonian Train Ticket Collector: Alex MacQueen Policeman on Train: Paul Viragh Police Interrogator: Tony Denham Judge: Roger Hammond Mark – Boyfriend #2: Andrew Thomas Jones David – Boyfriend #1: Jack Ryan Grant the Goth – Boyfriend #3: Nazim Kourgli Jereny Z – Boyfriend #4: Jack Zimmermann TV Chat Show Presenter: Terry Alderton TV Chat Show Pundit #1: David Schaal TV Chat Show Pundit #2: Chrissie Cotterill Billy Martin’s Gang: Rory Dorling Billy Martin’s Gang: Max Murley Billy Martin’s Gang: James Galloway Film Crew: Screenplay: Niall Johnson Producer: Julia Palau Author: Richard Russo Music: Dickon Hinchliffe Director of Photography: Gavin Finney Production Design: Crispian Sallis Costume Design: Victoria Russell Production Manager: Ray Freeborn Executive Producer: Steve Christian Producer: Noel Donnellon Associate Producer: Peter Fudakowski Executive Producer: David Garrett Executive Producer: Bertil Ohlsson Producer: Matthew Payne Executive Producer: Marc Samuelson Executive Producer: Anne Sheehan Executive Producer: Steve Wilkinson Co-Producer: Nigel Wooll Editor: Robin Sales Casting: Andrea Clark Casting: Jeremy Zimmermann Makeup & Hair: Darren Evans Makeup Artist: Nicola Matthews Makeup & Hair: Aileen Seaton Makeup & Hair: Joan Stribling Set Decoration: Neesh Ruben ADR Mixer: Sandy Buchanan Sound Recordist: Colin Codner Foley Artist: Howard Eaves Dialogue Editor: Sarah Morton Sound Re-Recording Mixer: Brendan Nicholson Foley Recordist: Richard Straker Sound Re-Recording Mixer: Richard Street Foley Artist: Ruth Sullivan Foley Artist: Trevor Swanscott ADR Mixer: Ian Tapp ADR Mixer: Kevin Tayler Movie Reviews:
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lakimata · 4 months
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Paintings about Grief
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"The pain of grief is just as much a part of life as the joy of love; it is, perhaps, the price we pay for love, the cost of commitment." - Colin Murray Parkes
"Grief is the price we pay for love" Acrylic on Canvas 5 x 4 ft
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The only loss this world prepared us for is death. No one really talks about how often people come and go. It’s not death but it’s loss. How do we deal with the loss of someone who is still around?
“What does grief look like?” Acrylic on Canvas 4 x 4 ft
Paintings from Soft Pink Feelings Exhibit
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faniacmag · 1 year
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Sitges2023 - ¡Películas confirmadas!
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Sitges alza el vuelo con el anuncio del programa completo
Los últimos trabajos de Hayao Miyazaki, Yorgos Lanthimos, Takeshi Kitano, Hideo Nakata y muchos más, anidarán en nuestras salas. Queda menos de un mes para el inicio del SITGES – Festival Internacional de Cinema Fantàstic de Catalunya y sabemos que tenéis ganas de conocer todos los títulos para ir poniendo apunto vuestras listas. ¡Ya no tenéis que esperar más! Os traemos una larga batería de nombres y títulos, con la que cualquier fan del género va a estar salivando, ya que llegan algunas de las películas de terror, ciencia ficción y fantástico más esperadas y prometedoras del año.
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Sección Oficial Fantástico Competición (SOFC)
‘ACIDE’ - Just Philippot (Francia)
‘BEST WISHES TO ALL’ - Yûta Shimotsu (Japón)
‘CLUB ZERO’ - Jessica Hausner (Austria/Reino Unido)
‘CONANN’ - Bertrand Mandico (Francia/Luxemburgo/Bélgica)
‘CUANDO ACECHA LA MALDAD (WHEN EVIL LURKS)’ - Demian Rugna (Argentina)
‘DIVINITY’ - Eddie Alcazar (Estados Unidos)
‘EL REINO ANIMAL’ - Thomas Cailley (Francia)
‘IN FLAMES’ - Zarrar Khan (Canadá/Pakistán)
‘VIVE DENTRO’ - Bishal Dutta (Estados Unidos)
‘KUBI’ - Takeshi Kitano (Japón)
‘LA ESPERA’ - F. Javier Gutierrez (España)
‘LA MORSURE’ - Romain de Saint-Blanquat (Francia)
‘LATE NIGHT WITH THE DEVIL’ - Colin Cairnes, Cameron Cairnes (Australia)
‘LES CHAMBRES ROUGES’ - Pascal Plante (Canadá)
‘MOSCAS’ - Aritz Moreno (España/Argentina)
‘OMEN’ - Baloji Tshiani (Congo/Países Bajos/Francia/Bélgica/Alemania/Sudáfrica)
‘RIDDLE OF FIRE’ - Weston Razooli (Estados Unidos)
‘ROBOT DREAMS’ - Pablo Berger (España/Francia)
‘ROMANCE ASESINO’ - Lee Won-suk (Corea del Sur)
‘SALEM’ - Jean-Bernard Marlin (Francia)
‘SLEEP’ - Jason Yu (Corea del Sur)
‘SORCERY’ - Christopher Murray (Chile/México/Alemania)
‘STOPMOTION’ - Robert Morgan (Estados Unidos)
‘THE SEEDING’ - Barnaby Clay (Estados Unidos)
‘THE THEORY OF EVERYTHING’ - Timm Kröger (Alemania)
‘THERE’S SOMETHING IN THE BARN’ - Magnus Martens (Noruega)
‘TIGER STRIPES’ - Amanda Nell Eu (Malasia/Taiwan/Francia/Alemania/Países Bajos/Indonesia)
‘VERMIN: LA PLAGA’ - Sébastien Vanicek (Francia)
‘VINCENT DEBE MORIR’ - Stéphan Castang (Francia)
‘WAKE UP’ - François Simard, Annouk Whissel, Yoann-Karl Whissel (Francia)
‘WHITE PLASTIC SKY’ - Tibor Bánóczki, Sarolta Szabó (Hungría/Eslovaquia)
Sección Oficial - Sesiones Especiales
‘ALIENS ABDUCTED MY PARENTS AND NOW I FEEL KINDA LEFT OUT’ - Jake Van Wagoner (Estados Unidos)
‘AMELIA’S CHILDREN’ - Gabriel Abrantes (Portugal)
‘AWARENESS’ - Daniel Benmayor (Estados Unidos/España)
‘BLOOD DE BRAD ANDERSON’ - Brad Anderson (Estados Unidos)
‘EL CHICO Y LA GARZA’ - Hayao Miyazaki (Japón)
‘LA ERMITA’ - Carlota Pereda (España)
‘LA SOCIEDAD DE LA NIEVE’ - J.A. Bayona (España)
‘POBRES CRIATURAS’ - Yorgos Lanthimos (Reino Unido)
‘THE TOXIC AVENGER’ - Macon Blair (Estados Unidos)
‘UFO SWEDEN’ - Crazy Pictures (Suecia)
Oficial Fantástico - Especial Mitjanit
‘LA BALA DE DIOS’ - Nick Cassavetes (Estados Unidos)
‘THE DEEP DARK’ - Mathieu Turi (Francia)
Òrbita
‘BLACK FLIES’ - Jean-Stéphane Sauvaire (Estados Unidos)
‘CONCRETE UTOPIA’ - Um Tae-Hwa (Corea del Sur)
‘DIABOLIK: GINKO ALL’ATTACCO’ - Marco Manetti, Antonio Manetti (Italia)
‘FUERZA BRUTA: SIN SALIDA’ - Lee Sang-yong (Corea del Sur)
‘JACKDAW’ - Jamie Childs (Reino Unido)
‘JERICHO RIDGE – Will Gilbey (Kosovo/Reino Unido/Irlanda del Norte)
‘LA EXTORSIÓN’ - Martino Zaidelis (Argentina)
‘LOS OJOS DE LA NOCHE’ - Ahn Tae-jin (Corea del Sur)
‘LUMBERJACK THE MONSTER’ - Takashi Miike (Japón)
‘MAD FATE’ - Soi Cheang (Hong Kong)
‘NIGHT OF THE HUNTED’ - Franck Khalfoun (Francia)
‘PRORIEDADE’ - Daniel Bandeira (Brasil)
‘SMUGGLERS’ - Ryoo Seung-wang (Corea del Sur)
‘THE CHILDE’ - Park Hoon-jung (Corea del Sur)
‘THE LAST STOP IN YUMA COUNTY’ - Francis Galluppi (Estados Unidos)
‘WHERE THE WIND BLOWS’ - Philip Yung (China/Hong Kong)
Panorama
‘#MANHOLE’ - Kazuyoshi Kumakiri (Japón)
‘APPENDAGE’ - Anna Zlokovic, Alex Familia (Estados Unidos)
‘BLACKOUT’ - Larry Fessenden (Estados Unidos)
‘BROOKLYN 45’ - Ted Geoghegan (Estados Unidos)
‘EL EXORCISMO DE EASTFIELD’ - Nick Kozakis (Australia)
‘HOOD WITCH’ - Saïd Belktibia (Francia)
‘LAST STRAW’ - Alan Scott Neal (Estados Unidos)
‘LET IT GHOST’ - Hoi Wong (Hong Kong)
‘NINA DEI LUPI’ - Antonio Pisu (Italia)
‘ONYX THE FORTUITOUS AND THE LALISMAN OF SOULS’ - Andrew Bowser (Estados Unidos)
‘PROJECT SILENCE’ - Kim Tae-gon (Corea del Sur)
‘RABIA’ - Jorge Michel Grau (México)
‘RESTORE POINT’ - Robert Hloz (República Checa)
‘SUPERPOSITION’ - Karoline Lyngbye (Dinamarca)
‘THE FORBIDDEN PLAY’ - Hideo Nakata (Japón)
‘THE SACRIFICE GAME’ - Jenn Wexler (Canadá/Estados Unidos)
‘YOU’LL NEVER FIND ME’ - Josiah Allen, Indianna Bell, Josiah Allen (Australia)
Panorama – Fuera de Competición
‘CUANDO LOS AMOS DUERMEN’ - Santiago Alvarado (España)
‘IMMERSION’ - Takashi Shimizu (Japón)
‘THE PRIMEVALS’ - David Allen (Estados Unidos)
‘TOKYO REVENGERS 2: PART I’ - Tsutomu Hanabusa (Japón)
‘TOKYO REVENGERS 2: PART II’ - Tsutomu Hanabusa (Japón)
Noves Visions
‘EL DESPRECIO’ (4K) - Jean-Luc Godard (Francia/Italia) (Sesión Especial)
‘EMBRYO LARVA BUTTERFLY’ - Kyros Papavassiliou (Grecia/Chipre)
‘EN ATTENDANT LA NUIT’ - Céline Rouzet (Francia)
‘HALFWAY HOME’ - Madarász Isti (Hungría)
‘HUMANIST VAMPIRE SEEKS CONSENTING SUICIDAL PERSON’ - Ariane Louis-Seize (Canadá)
‘HUNDREDS OF BEAVERS’ - Mike Cheslik (Estados Unidos)
‘IN MY MOTHER’S SKIN’ - Kenneth Dagatan (Filipinas/Singapur/Taiwán)
‘LA ÚLTIMA NOCHE DE SANDRA M.’ - Borja de la Vega (España)
‘LUKA’ - Jessica Woodworth (Bélgica/Italia/Países Bajos/Bulgaria/Armenia)
‘MIMÌ - PRINCE OF DARKNESS’ - Brando de Sica (Italia)
‘MONDAYS: SEE YOU “THIS” WEEK!’ - Ryo Takebayashi (Japón)
‘MONOLITH’ - Matt Vesely (Australia)
‘MOON GARDEN’ - Ryan Stevens Harris (Estados Unidos)
‘MOTEL MELATI’ - Mike Wiluan, Billy Christian (Indonesia, Singapur)
‘MY ANIMAL’ - Jacqueline Castel (Canadá)
‘PANDEMONIUM’ - Quarxx (Francia)
‘RAGING GRACE’ - Paris Zarcilla (Reino Unido/Irlanda del Norte)
‘RIVER’ - Junta Yamaguchi (Japón)
‘TELA DE ARAÑA (COBWEB)’ - Kim Jee-won (Corea del Sur)
‘THE FUNERAL’ - Orçun Behram (Turquía)
‘THE INVISIBLE FIGHT’ - Rainer Sarnet (Estonia/Lituania/Grecia/Finlandia)
‘THE LAST ASHES’ - Loïc Tanson (Bélgica/Luxemburgo)
‘THE UNCLE’ - David Kapac, Andrija Mardesic (Serbia/Croacia)
‘THE VOURDALAK’ - Adrien Beau (Francia)
‘WHERE THE DEVIL ROAMS’ - Zelda Adams, John Adams, Toby Poser (Estados Unidos)
Anima’t
‘DEEP SEA’ - Tianxiao Peng (China)
‘FOUR SOULS OF COYOTE’ - Áron Gauder (Hungría)
‘HEAVIES TENDRES’ - Joan Tomàs, Carlos Pérez-Reche, Juanjo Sáez (España)
‘KOMADA - A WHISKY FAMILY’ - Masayuki Yoshihara (Japón)
‘LONELY CASTLE IN THE MIRROR’ - Keiichi Hara, Takakazu Nagamoto, Keiichi Hara (Japón)
‘MARS EXPRESS’ - Jéremie Perin (Francia)
‘ROBOT DREAMS’ - Pablo Berger (España/Francia)
‘SAND LAND’ - Toshihisha Yokoshima (Japón)
‘TONY, SHELLY AND THE MAGIC LIGHT’ - Filip Posivac (República Checa/Hungría/Eslovaquia)
‘WHITE PLASTIC SKY’ - Tibor Bánóczki, Sarolta Szabó (Hungría/Eslovaquia)
Anima’t - Sesiones Especiales
‘PHOENIX: REMINISCENCE OF FLOWER’ - Shojiro Nishimi (Japón)
‘THE FEAST OF AMRITA’ - Saku Sakamoto (Japón)
Anima’t - Sitges Clàssics
‘LES MAÎTRES DU TEMPS’ (4K) - René Laloux (Francia/Hungría/Suiza)
‘THE SOLDIER’S TALE’ - R. O. Blechman (Estados Unidos)
‘100 AÑOS DE WALT DISNEY ANIMATION STUDIOS: UN HOMENAJE A SUS CORTOS’ - Varios Autores (Estados Unidos)
Sitges Clàssics
‘ACCIÓN MUTANTE’ - Álex de la Iglesia (España)
‘ANGUSTIA DEL SILENCIO’ - Lucio Fulci (Italia)
‘CALÍGULA - THE ULTIMATE CUT’ (4K) - Tinto Brass (Estados Unidos/Italia)
‘LOS NUEVOS EXTRATERRESTRES’ (4K) - Juan Piquer Simón (España)
‘EL RESPLANDOR’ (4K) - Stanley Kubrick (Estados Unidos)
‘EL EXORCISTA’ (4K) - William Friedkin (Estados Unidos)
‘ENTER THE GAME OF DEATH’ - Tso Nam Lee (Hong Kong)
‘LAKE MICHIGAN MONSTER’ - Ryland Brickson Cole Tews (Estados Unidos)
‘PSYCHIC VISION: JAGANREI’ - Teruyoshi Ishii (Japón)
‘KING KONG’ (1933) - Merian C. Cooper, Ernest B. Schoedsack (Estados Unidos)
‘EL HOMBRE DE MIMBRE’ (THE WICKER MAN) (4K) - Robin Hardy (Reino Unido/Irlanda del Norte)
‘LA MÁSCARA DEL DEMONIO’ - Lamberto Bava (Italia)
‘DRAGON LIVES AGAIN’ - Chi Chih Lo (Hong Kong)
‘MUNDO CANÍBAL, MUNDO SALVAJE’ - Ruggero Deodato (Italia)
‘THE RAID’ - Gareth Evans (Indonesia)
‘STAR TREK – THE MOTION PICTURE – THE DIRECTOR’S CUT’ - Robert Wise (Estados Unidos)
‘SIESTA’ - Mary Lambert (Estados Unidos)
Sitges Documenta
‘A DISTURBANCE IN THE FORCE’ - Jeremy Coon, Steve Kozak (Estados Unidos)
‘DARIO ARGENTO PANICO’ (4K) - Simone Scafidi (Reino Unido/Irlanda del Norte)
‘DREAM TIME’ - Claudio Lattanzi (Italia)
‘ENTER THE CLONES OF BRUCE’ - David Gregory (Estados Unidos)
‘KAIDAN. STRANGE STORIES OF JAPANESE GHOSTS’ - Yves Montmayeur (Francia)
‘KIM’S VIDEO’ (4K) - David Redmon, Ashley Sabin (Estados Unidos)
‘LIVING WITH CHUCKY’ - Kyra Elise Gardner (Estados Unidos)
‘LOCH NESS: THEY CREATED A MONSTER’ - John MacLaverty (Reino Unido)
‘MUJERES SIN CENSURA’ - Eva Vizcarra (España)
‘OTRA PELÍCULA MALDITA’ - Alberto Fasce (Argentina)
‘THE HISTORY OF METAL AND HORROR’ - Mike Schiff (Estados Unidos)
‘SATAN WANTS YOU’ - Sean Horlor, Steve J. Adams, Sean Horlor (Canadá)
‘SHARKSPLOITATION’ - Stephen Scarlata (Estados Unidos)
‘SPOOKTACULAR!’ - Quinn Monahan (Estados Unidos)
‘THE DARK SIDE OF SOCIETY’ - Larry Wade Carrell (Estados Unidos)
‘THE J-HORROR VIRUS’ - Sarah Appleton, Jasper Sharp (Japón, Reino Unido)
‘UN MILLÓN DE ZOMBIES: LA HISTORIA DE PLAGA ZOMBIE’ - Nicanor Loreti, Camilo de Cabo (Argentina)
‘YOU CAN CALL ME BILL’ - Alexandre O. Philippe (Estados Unidos)
Retrospectiva - Ciudad Pánico
‘AMENAZA EN LA SOMBRA’ - Nicolas Roeg (Reino Unido)
‘HOLLYWOOD 90028’ (4K) - Christina Hornisher (Estados Unidos)
‘PÁJAROS DE CIUDAD’ - Jose María Sánchez Álvaro (España/Italia)
‘EL ALMUERZO DESNUDO’ (4K) - David Cronenberg (Canadá/Reino Unido)
‘LA CASA SIN FRONTERAS’ - Pedro Olea (España)
‘GOD TOLD ME TO’ - Larry Cohen (Estados Unidos)
‘LOS ÚLTIMOS DÍAS’ - Àlex Pastor, David Pastor (España) 
Midnight X-Treme
‘ALL YOU NEED IS BLOOD’ - Cooper Roberts (Estados Unidos)
‘KILL’ - Nikhil Nagest Bhat (India)
‘MAD CATS’ - Reiki Tsuno (Japón)
‘OS REVIENTO’ - Kike Narcea (España)
‘THE WELL’ - Federico Zampaglione (Italia)
‘THE WRATH OF BECKY’ - Matt Angel, Suzanne Coote (Estados Unidos)
‘TRIGGERED’ - Richard V. Somes (Filipinas)
‘WE ARE ZOMBIES’- François Simard, Anouk Whissell, Yoann-Karl Whissell (Canadá)
‘WINNIE THE POOH: MIEL Y SANGRE’ - Rhys Frake-Waterfield (Reino Unido)
Brigadoon
‘IL BOSS’ - Fernando Di Leo (Italia)
‘OTRA PELÍCULA MALDITA’ - Alberto Fasce & Mario Varela (Argentina)
‘ALGUIEN TE ESTÁ MIRANDO’ -Gustavo Cova & Horacio Maldonado (Argentina)
‘AUXILIO’ - Tamae Garateguy (Argentina)
‘UN MILLÓN DE ZOMBIES: LA HISTORIA DE PLAGA ZOMBIE’ - Nicanor Loretti & Camilo de Cabo (Argentina)
‘PLAGA ZOMBIE’ - Pablo Parés & Hernán Sáez (Argentina)
‘LA DAMA ROJA MATA SIETE VECES’ - Emilio P. Miraglia (Italia)
‘THORNS’ - Douglas Schulze (Estados Unidos)
‘SHARKSPLOITATION’ - Stephen Scarlata (Estados Unidos)
‘MONSTER HEAVEN: GHOST HERO’ - Makoto Tezuka (Japón)
‘CUT AND RUN’ - Ruggero Deodato (Italia)
‘MUJERES SIN CENSURA’- Eva Vizcarra (España)
‘TAKE A HARD RIDE (POR LA SENDA MÁS DURA)’- Antonio Margheriti (Italia)
‘MARIA’S STOMACH’- Hideyuki Hirayama (Japón)
‘LOS INVASORES DEL ABISMO’ - Ruggero Deodato (Italia)
‘TINTORERA’ - René Cardona Jr (México)
‘ALLA RICERCA DEL PIACERE’ - Silvio Amadio (Italia)
‘SAMURAI NINJA ONIMANJI’ - Yoshihiro Nishimura (Japón)
‘TIBURÓN 3 - L’ULTIMO SQUALO’ - Enzo G. Castellari (Italia)
‘DOOR’ - Benmei Takahashi (Japón)
‘MILÁN CALIBRE 9 (MILANO CALIBRO 9)’ -Fernando di Leo (Italia)
‘BLOOD SUCKING TREE’ - Shunji Iwai, Masaharu Ota & Akira Yoneta (Japón)
‘EL PANTANO DE LOS CUERVOS’ - Manuel Caño (España)
‘THE DARKSIDE OF SOCIETY’ - Larry Wade Carrell (Estados Unidos)
‘MARIA’ - Gabriel Grieco & Nicanor Loreti (Argentina)
‘LA VENGANZA DE LA MOMIA’ -Carlos Aured (España)
‘IL MUSEO DEGLI ORRORI DI DARIO ARGENTO’ - Luigi Cozzi (Italia)
‘THE BARN PART II’- Justin M. Seaman (Estados Unidos)
‘OLDBOY’ - Park Chan-Wook (Corea del Sur)
‘LA TARÁNTULA DEL VIENTRE NEGRO’ - Paolo Cavara (Italia)
‘SANTO CONTRA LOS ZOMBIES’ - Benito Alazraki (México)
‘HUMANOID PUPPET’ - Hidehiro Ito (Japón)
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absynthe-words · 2 years
Quote
The pain of grief is just as much part of life as the joy of love: it is perhaps the price we pay for love, the cost of commitment. To ignore this fact, or to pretend that it is not so, is to put on emotional blinkers which leave us unprepared for the losses that will inevitably occur in our own lives and unprepared to help others cope with losses in theirs
Dr Colin Murray Parkes
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melbournenewsvine · 2 years
Text
Echuca prepares for double peak flood to start the week
We expect a flood peak of about 95 metres, which is higher than the Great Flood level. Again, we expect a similar amount of property… to be under threat from this great flood level for at least three to four days.” Colin McCain, whose home overlooks the river, said the water level rose one meter in less than 24 hours. In the parks on the side of the river opposite his house, the children’s playground was almost completely submerged, only the yellow plastic top of the slide was visible. CFA, Army and Air Force crews are helping with the massive sandbag effort.attributed to him:Erin Johnson Echuca is the closest town to the junction of the Campaspe, Goulburn, and Murray rivers. There are growing concerns in the city that after the tops of the Campaspi flood, the Goulburn River will bring in flood waters from Shepparton and Moropna. Then, the flood waters would rush into the Murray River, which wraps around Icoca and is fed by the other two rivers. Graeme Glanville worked all night to save his home in Echuca.attributed to him:Bianca Hall On Ogilvy Street, part of the Murray Valley Highway, residents made a miraculous effort to salvage homes as the swollen Campasby River flowed downstream and flowed sideways. The highway was closed, effectively cutting Echuca in two, as a high earthen dam was built on one side of the road to hold water from the broken riverbanks from the houses on the other side of the road. On the side of the embankment, the houses were in the level of a meter of water. loading Usually a road separates the Graeme Glanville house from the river. On Sunday, this road was a line in the sand that residents were determined to keep. Glanville and his neighbors began laying sandbags on the side of the road a week ago. On Saturday night, he worked all night to reinforce the defenses of his home and those of his neighbors. When he came home about 6:30 a.m. ready for bed, he saw the water begin to rush around the back of his house, around the sandbag defences. “Water was little at that time,” he said. He borrowed a pump, but within minutes the pump was covered in water. A second pump was carrying the water over the sandbags and back into the overgrown river system, holding the row. So far. In the 2011 floods that swept through Echuca, the Campaspi River peaked at 92.85 metres. But Murray is higher than it was in 2011, which makes locals nervous. “It’s definitely a lot higher than it was last time, and it’s still climbing,” said Greg Southern, whose backyard and barn were flooded on Sunday. He hoped, but was not sure, that his house would stay dry. “this is [flooding] It is the Campaspi effect, and then they say in the middle of the week that Goulburn is going to collapse.” Then Murray. Everything leads to the Murray River, all the waterways, so Murray adjusts it.” with AAP Source link Originally published at Melbourne News Vine
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funeral · 1 year
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Joan Didion in Colin Murray Parkes, Bereavement: Studies of Grief in Adult Life
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ebouks · 2 years
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Bereavement: Studies of Grief in Adult Life
Bereavement: Studies of Grief in Adult Life
Bereavement: Studies of Grief in Adult Life Colin Murray Parkes, Holly G. Prigerson The loss of a loved one is one of the most painful experiences that most of us will ever have to face in our lives. This book recognises that there is no single solution to the problems of bereavement but that an understanding of grief can help the bereaved to realise that they are not alone in their experience.…
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iman-92 · 5 years
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The pain of grief is just as much a part of life as the joy of love; it is, perhaps, the price we pay for love, the cost of commitment.
— Bereavement: Studies of Grief in Adult Life.
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vincentnigelmurrays · 3 years
Conversation
[The Squinterns are standing around a broken coffee machine]
Wells: So… who broke it? I’m not mad, I just wanna know.
Daisy: I did. I broke it.
Wells: No. No, you didn’t. Warren?
Jessica: Don’t look at me. Look at Wendell.
Wendell: What? I didn’t break it.
Jessica: Huh, that’s weird. How’d you even know it was broken?
Wendell: Because it’s sitting right in front of us, and it’s broken!
Jessica: Suspicious.
Wendell: No, it’s not!
Vincent: If it matters, probably not, but Fisher was the last one to use it.
Fisher: Liar, I don’t even drink that crap!
Vincent: Oh really? Then what were you doing by the coffee cart earlier?
Fisher: I use the wooden stirrers to push back my cuticles. Everyone knows that, Vincent!
Daisy: Okay, let’s not fight, I broke it. Let me pay for it.
Wells: No. Who broke it?
[a few seconds of silence]
Wendell: Wells? Arastoo’s been awfully quiet.
Arastoo: Really?!
Wendell: Yeah, really!
[Everyone continues bickering]
Wells, to the camera: I broke it. It burned my hand, so I punched it. I predict in ten minutes from now they’ll be at each other’s throats with war paint on their faces and a pig head on a stick.
Wells, looking back at the rest of the Squinterns still fighting: Good. It was getting a little chummy around here.
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