#Claudia Islas

[erstwhile-punk-guerito]

[onenakedfarmer]

Watching

DARKER THAN NIGHT [MÁS NEGRO QUE LA NOCHA] Carlos Enrique Taboada Mexico, 1975

[eclecticpjf]

Now watching:

[pescelegacysims3]

The wedding of Esme Pesce and Quentin Saint James!

[arnoldocuellar]

DÍAS DE GUARDAR Domingo 9 de junio de 2024

León le respondió a Xóchitl, Guanajuato, no. Inseguridad: herencia envenenada de Diego Sinhue Derechos humanos no son prioridad en Guanajuato Arte: Emilio Jiménez Continue reading DÍAS DE GUARDAR Domingo 9 de junio de 2024

[trintastic]

⭑ 1980’s names!

name master list ☀️ this list consists of (fem) names that were majorly popular during the 1980s. i will most likely be making a similar post to this eventually including sur names, if you have any suggestions you think would fit well in this list please lmk!

feminine

A ; amanda, ashley, amber, amy, angela, april, alicia, allison, alexandra, alexis, alyssa, anne, annie, angelica, angel, angeline, ana, audrey, aubrey, autumn

B ; brittany, britney, brittney, britanny, brandy, brandi, bianca, brooke, beth, brenda, barbara, bridget, bonnie, bonnabel

C ; christina, cristina, crystina, cristinna, christine, courtney, crystal, cindy, cyndi, cassandra, chelsea, catherine, cynthia, carrie, caitlin, caitlyn, cait, casey, candace, christy, colleen, carolyn, caroline, cassie, carla, claudia

D ; diana, dana, dawn, desiree, divine, destini, destiny, deanna, dominique, deborah, danielle, debbie

E ; elizabeth, emily, erin, eren, erika, erica, ebony, evangeline, elsie

F ; fallon, felicia, fern, francine, franchesca, faye, farrah, felicity, fiona, fiora, flora, freya, frey, frida, fatima, florence, frances

G ; gemma, gwen, gwenny, gabrielle, gabriella, gen, genevieve, genette, genesis, gem, georgina, giana, ginny, giselle, gina

H ; hannah, hazel, harriet, heather, hallie, hayley, hailey, holly, hope

I ; isley, ivy, imogen, isla

J ; jess, jessica, jessy, jessie, jessyca, jen, jenny, jenni, jennifer, jacqueline, jackie, jill, joanna, jaclyn, jaime, jamie, jordan, jordy, jordyn, jass, jas, jasmine, jasmin, jazz, jazzmin, jazzmine, jenna, jade, jayde

K ; krystal, kim, kym, kimberly, kymberly, katherine, kathryn, kathy, kat, katheryne, krystina, krys, kryssie, krissie, kristen, krysten, kristyn, katie, kate, kaitlyn, kaitlin, kathleen, katrina, kelsey, kara, kendra, kelly, kelli, kari, kourtney

L ; lydia, lindsey, lindsay, laura, lauren, loren, lauryn, latoya, leslie, les, lesley, leah, linda, lynda, laury, laurie, laurey, lori, latasha, liv, leigh-anne, lacey, lacy, laci

M ; maria, mariah, moriah, melissa, melyssa, michelle, michele, mychelle, mary, marie, monica, monyca, megan, meghan, megyn, megin, melanie, misty, margaret, molly, morgan, monique, miranda, melinda, marissa, meredith, merida, meagan, mallory

N ; nicole, nichole, nycole, nicol, natalie, natalia, nat, natasha, nancy, nina

O ; octavia, odette, odessa, olivia

P ; perrie, priscilla, patricia, pamela, payton, paige, paisley

Q ; quinn, quinnie, quinni, quincy, queenie, quen

R ; rachel, rachael, rachyl, rebecca, rebecka, rebekah, renee, reneé, regina

S ; sara, sarah, steph, stef, stefanie, stephanie, stefani, stephani, samantha, sam, shannon, sharon, stacey, stacie, staci, stacy, susan, susanne, susanna, sandra, sabrina, sheena, shauna

T ; trina, tiff, tiffany, tifany, tifaney, tiffaney, tiffani, tara, tracey, tracy, traci, tina, teresa, theresa, tara, tonya, tamara, tabitha, tasha, tammy, tamika, taylor

U ; unqiue

V ; vera, veronica, vanessa, victoria, vic, vickey, valerie, val

W ; willow, whitney, whit

X ; xandra

Y ; yasmine, yessica, yazzmin, yazzmine, yasmin

Z ; zara, zarley, zarlee, zarli, zarhlee. zoey, zoe

[brokenfuturerpg]

PBS FEMENINOS POR EDAD

Hola personitas. Venimos con un aporte que nos ha costado un tiempito reunir. Es posible que algunos PB tengan 1 añito más de lo que pone, porque igual cumplieron recién. Esperamos les guste ^^

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14-17

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30-39

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[fuckyeahmexico]

Mauricio Garcés y Claudia Islas durante la filmación de la película Modisto de señoras (1969) Foto de Antonio Caballero.

[aalinaaaaaa]

WIP Question and Answer Tag (Le Deuxième Partie)

For this second round, I was tagged courtesy of @seastarblue (here!)

Premise: send asks based on anything that strikes your curiosity

As always, any and all questions are on the table, here's the link to the previous one if you'd like to browse through any of the wip introductions and other things listed.

In addition, here's a rake of lists, though feel free to ask me anything not mentioned here

The Locales

(all of my works are set in the same world for the most part, so I'll throw them all together. This list isn't exhaustive)

North/South Arobyre (city split in half)

St. Antheria's (prestigious school)

Rovsterli Cottage (abandoned house with a mind of its own)

Court of Tears

An Choille Ruá [the red wood]

Waydeirie (city)

Verlas (city)

Isla (city)

Namaliya (city)

Court of Morilaste

Upper/Lower Basins (sections of Morilaste)

The Underground (third section of Morilaste)

Vilhaontian Steppes (cliffs and forests splitting Morilaste from the rest of North Helinda)

Lore and Background Things

The magic system (inherited gifts, spells, curses, bargains, blessings, potions, divine exceptions, etc)

Religious and spiritual beliefs

Languages (I have two fleshed out in some capacity [Helindian and Seldaikan])

Creatures and notable animals

The main denizens of the world (humans, witches, fae)

The Allaitri Chalice

Court of Morilast

Selade's shard system

Characters with Recent Developments

These characters are either brand-new or I've added new details for them

The Lady of the Court of Tears

An Fear Chánach (The Collector)

An Amadán (The Fool)

An Cailleach

Petrius

Claudia

"Blondie"

—

Sending tags to @author-a-holmes @frostedlemonwriter @axl-ul @honeybewrites @guessillcallitart @ominous-feychild @flock-from-the-void and open tag :D

[jgmail]

Consideraciones sobre la República Libre de Fiume

Por Georges Feltin-Tracol

Traducción de Juan Gabriel Caro Rivera

El armisticio del 11 de noviembre de 1918 puso fin a la Gran Guerra, pero no detuvo los combates. Tampoco permitió volver a la época anterior. Los tratados de paz de 1919-1920 impuestos a los vencidos cambiaron el mapa político del continente europeo y dieron lugar a nuevos y violentos conflictos.

En 1974, Dominique Venner publicó Baltikum, una síntesis dirigida al público francés sobre los combatientes alemanes en los Estados bálticos y Silesia. Tres años antes, Jean Mabire había escrito la historia del último general ruso blanco contra el Ejército Rojo, el barón von Ungern-Sternberg. En cambio, no lejos de Francia, la apasionante aventura de Fiume ha estado durante mucho tiempo rodeada de misterio, ya que este golpe de fuerza desconcertó a todos los defensores de la más rígida taxonomía política.

Situado hoy en Croacia con el nombre de Rijeka, en la costa del mar Adriático, el puerto de Fiume se abre al golfo de Carnaro, hoy conocido como bahía de Kvarner. Ciudad pintoresca poblada por italianos, húngaros y eslavos (croatas y eslovenos), antes de 1918 Fiume pertenecía al Imperio de Austria-Hungría, en concreto al Reino de Hungría (o Transleithania), en el que, al igual que los territorios croatas, gozaba de una autonomía especial.

Antes de que Italia entrara en la guerra del lado de la Entente en 1915, desafiando su pasada alianza con los imperios centrales, los nacionalistas italianos ya la reclamaban. Al igual que las vecinas Trentino, Istria y Dalmacia, Fiume era considera como una tierra irredentista. Sin embargo, las negociaciones de paz impuestas por los vencedores, el eje Washington-Londres-París, privaron a Italia de la mayoría de estas reivindicaciones territoriales. Sin embargo, los vencedores no asignaron Fiume al nuevo reino de serbios, croatas y eslovenos (la futura primera Yugoslavia). Como en el caso de Danzig, la ciudad recibió un estatus internacional que no satisfizo a nadie.

El sentimiento de «Victoria mutilada» y la terrible crisis socioeconómica que asoló la Península alimentaron el descontento popular. Los italianos se sintieron repudiados y abandonados por sus recientes aliados occidentales. En un ambiente lleno de tensiones políticas y sociales, el escritor y héroe de guerra Gabriele D'Annunzio (1863-1938) asumió el papel de condottiere.

A la cabeza de un grupo de voluntarios motivados, los «legionarios», D'Annunzio tomó Fiume y sus alrededores el 12 de septiembre de 1919. Fue el comienzo de una larga prueba de fuerza con el gobierno italiano, los Aliados y Belgrado. Criticado por los políticos italianos que desaprobaban su iniciativa militar, Gabriele D'Annunzio proclamó la República Libre de Fiume o Regencia Italiana de Carnaro. Ningún otro Estado reconoció el nuevo Estado. El Fiume se convirtió así en un «Estado fantasma», uno de los primeros de este estilo en el siglo XX. En 2021, todavía existen varios Estados de este tipo en los cinco continentes, como Transnistria, Artsaj, Osetia del Sur-Alania, Abjasia, las Repúblicas Populares del Donbass y, más recientemente, Sealand, la plataforma independiente frente a las costas británicas, y el Principado de Hutt River, en Australia Occidental.

Para sobrevivir al bloqueo impuesto por el ejército italiano, los fiumanos no dudaron en recurrir a un original sistema económico. Claudia Salaris lo denomina «economía pirata». El anarquista estadounidense Hakim Bey, teórico de la Zona Autónoma Temporal (ZAT), asocia sin reparos la experiencia de Fiume a las «utopías piratas» de los siglos XVII y XVIII que estudió bajo su verdadero nombre de Peter Lamborn Wilson. En su opúsculo subversivo, recuerda que las exiguas unidades navales de la república del Danubio tomaron «el nombre de Uscochi de los extintos piratas que vivían en islas de la costa local y asaltaban barcos venecianos y otomanos». Los modernos Uscochi dieron algunos golpes de efecto: ricos barcos mercantes italianos ofrecieron de repente un futuro a la República: ¡dinero en las arcas! Claudia Salaris confirma que «la extraña economía de la Fiume refleja las grandes líneas del antiutilitarismo», el antiutilitarismo que Alain Caillé desarrollaría siete décadas más tarde en Francia en el seno del MAUSS (Mouvement anti-utilitariste dans les sciences sociales).

Gabriele D'Annunzio sabía que Fiume simbolizaba la «nación proletaria oprimida». Creó la Oficina de Relaciones Exteriores, que denunció la Sociedad de Naciones en manos británicas. Esta organización alentó la formación de una Liga de Fiume abierta a todos los pueblos agraviados, ocupados y colonizados. La Regencia italiana de Carnaro apoyó a los alemanes fuera de Alemania, a los irlandeses, a los flamencos, a los malteses, a los egipcios, a los indios, etc. «Esta actitud», señala Claudia Salaris, «prefiguraba con excepcional claridad la idea que abrazaría la generación que crecería en los años sesenta con respecto al Tercer Mundo, los “condenados de la tierra”, frente al imperialismo y la supremacía económica y cultural de Estados Unidos».

Estos sonados golpes militares y diplomáticos no impidieron el fin de la Regencia. El 30 de diciembre de 1920, tras un potente cañoneo de la flota italiana, Gabriele D'Annunzio y sus legionarios abandonaron la ciudad. La ciudad se convirtió en el Estado Libre de Fiume hasta 1924, cuando Italia logró finalmente anexionársela. La «epopeya de Fiume» dejó una huella imborrable. El joven movimiento fascista adoptó el decoro (discursos-diálogos con el público), los símbolos, los eslóganes («¡A nosotros!») y ciertos ritos de los legionarios. Sin embargo, sería un grave error considerar la expedición de Fiume como una repetición de la marcha sobre Roma. Mientras que muchos legionarios se unieron a los arditi con camisas negras, otros adoptaron una decidida postura antifascista.

La ideología de la República Libre de Fiume o Regencia Italiana de Carnaro era, por lo tanto, compleja y, sobre todo, muy heterogénea. En ella influían nacionalistas conservadores, futuros fascistas, veteranos del futurismo, sindicalistas revolucionarios, socialistas intervencionistas, anarquistas, partidarios tempranos del bolchevismo ruso y corporativistas. Sabedor de que el futuro de Fiume descansaba únicamente sobre sus hombros, Gabriele D'Annunzio, que concibió aquí su obra cumbre, demostró ser un poeta clarividente (Vate) y un líder muy deficiente. Encargó a su jefe de gabinete (el equivalente a primer ministro), el sindicalista revolucionario Alceste De Ambris, la redacción de una constitución. Promulgada el 8 de septiembre de 1920, la Carta Carnaro se inspiraba en la antigua Res Publica romana y en las comunas libres italianas de la Edad Media. Representaba un audaz compromiso entre monarquía, aristocracia y democracia. Hombre de la izquierda intervencionista, Alceste De Ambris fue testigo de cómo el propio Vate reescribía gran parte del texto antes de su publicación oficial.

El aspecto monárquico es inequívoco, dada la primacía ejercida por Gabriele D'Annunzio. El texto preveía también la posibilidad de nombrar un «dictador» en caso de crisis grave. Como comandante del Estado, el hombre de letras italiano lo supervisaba todo. Su gobierno constaba de siete ministerios (Guerra, Asuntos Exteriores, Policía y Justicia, Trabajo, Economía, Hacienda y Educación). Llama la atención el carácter democrático del gobierno. Se concede la ciudadanía a todos, incluidas las mujeres, que por fin tienen derecho a votar y a presentarse a las elecciones. El habeas corpus las amparaba en teoría. El Fiume dannunziano era también una democracia directa, basada en la autonomía local y funcional, por un lado, y en el trabajo productivo, por el otro. Es a través de las tareas productivas donde aparece el aspecto aristocrático, una aristocracia del y por el trabajo. Además de un salario mínimo garantizado, el mundo del trabajo se organizaba en nueve gremios (trabajadores industriales y agrícolas, marinos, técnicos industriales y agrícolas, gerentes y directores de empresas privadas, personal administrativo y secretarios privados, profesores y estudiantes, abogados y médicos, funcionarios y trabajadores de cooperativas), mientras que el décimo, informal, reunía a artistas y creadores (¿el propio D'Annunzio?).

¿Cómo funciona este Estado democrático-corporativista o nacional-libertario? El Parlamento tiene dos asambleas:

- el Consejo de los Mejores, elegido por sufragio universal para un mandato de tres años y responsable de los asuntos de soberanía;

- el Consejo de los Gremios, compuesto por sesenta miembros elegidos por los propios gremios para un mandato de dos años, que se ocupa de las cuestiones económicas, el comercio, los asuntos sociales, los servicios públicos, el comercio y los transportes.

Por último, el poder judicial se dividía entre el Tribunal Penal, el Tribunal Civil, el Tribunal Laboral, el Tribunal Municipal y el Tribunal Supremo.

¿No remite este Estado-ciudadano a las instituciones de la república más antigua del mundo, San Marino? Aún vigente en 2021, su constitución data de principios del siglo XVII. La «Serenissima República» tiene un sistema asambleario. Elegido cada cinco años, el Gran y General Consejo nombra cada seis meses a dos Capitanes Regentes, los jefes de la República. Gobiernan con el Congreso de Estado (un gobierno de diez Secretarías de Estado).

Recordamos que en la Carta de Carnaro se dice que «la música es el principio de organización». Gabriele D'Annunzio comprendió instintivamente la importancia de «la música como factor social revolucionario». «La Constitución de Carnaro era mucho más, como le gustaba señalar a D'Annunzio, que un símbolo, un mito, una prefiguración poética e imaginaria de una sociedad futura. Es cierto que nunca tuvo la oportunidad de aplicarse plenamente, ni siquiera en la ciudad de Fiume, pero en el clima de la época representó quizás la síntesis más interesante y siguió siendo un punto de referencia para los especialistas en derecho corporativo y constitucional a lo largo de los años de la Italia fascista primero y democrática después». Recuperada por cierta extrema izquierda, reivindicada por cierta ultraderecha y examinada por algunos partidos no alineados, la breve tentativa política y humana de Fiume sigue siendo, sin embargo, un bello ejemplo de vanguardia política y estética. Más que nunca, es una lección sobre la que merece la pena reflexionar.

[rainbowmagicfairyfight]

Rainbow Magic Fairy Fight

Round 1

Round 1: Abigail the Breeze Fairy, Addison the April Fool's Day Fairy, Adele the Singing Coach Fairy, Aisha the Astronaut Fairy, Aisha the Princess and the Pea Fairy, Alexa the Fashion Reporter Fairy, Alexandra the Royal Baby Fairy, Alice the Tennis Fairy, Alison the Art Fairy, Ally the Dolphin Fairy (August 16)

Round 2: Alyssa the Snow Queen Fairy, Amber the Orange Fairy, Amelia the Singing Fairy, Amelie the Seal Fairy, Amy the Amethyst Fairy, Angelica the Angel Fairy, Anna the Arctic Fox Fairy, Annabelle the Drawing Fairy, Annie the Detective Fairy, Anya the Cuddly Creatures Fairy (August 17)

Round 3: Aria the Synchro Fairy, Ariana the Firefighter Fairy, Ashley the Dragon Fairy, Autumn the Falling Leaves Fairy, Ava the Sunset Fairy, Bea the Buddha Day Fairy, Becky the Best Friend Fairy, Bella the Bunny Fairy, Belle the Birthday Fairy, Bethany the Ballet Fairy (August 18)

Round 4: Billie the Baby Goat Fairy, Blossom the Flower Girl Fairy, Bobbi the Bouncy Castle Fairy, Bonnie the Bike-Riding Fairy, Brianna the Bee Fairy, Brooke the Photographer Fairy, Caitlin the Ice Bear Fairy, Callie the Climbing Fairy, Camilla the Christmas Present Fairy, Cara the Camp Fairy (August 19)

Round 5: Cara the Coding Fairy, Carly the Schoolfriend Fairy, Carmen the Cheerleading Fairy, Carrie the Snow Cap Fairy, Catherine the Fashion Princess Fairy, Charles the Coronation Fairy, Charlie the Sunflower Fairy, Charlotte the Baby Princess Fairy, Chelsea the Chimpanzee Fairy, Chelsea the Congratulations Fairy (August 20)

Round 6: Cherry the Cake Fairy, Cheryl the Christmas Tree Fairy, Chloe the Topaz Fairy, Chrissie the Wish Fairy, Clare the Caring Fairy, Claudia the Accessories Fairy, Coco the Cupcake Fairy, Coral the Reef Fairy, Courtney the Clownfish Fairy, Crystal the Snow Fairy (August 21)

Round 7: Daisy the Festival Fairy, Danielle the Daisy Fairy, Danni the Drum Fairy, Darcey the Dance Diva Fairy, Debbie the Duckling Fairy, Deena the Diwali Fairy, Demi the Dressing-Up Fairy, Destiny the Pop Star Fairy, Edie the Garden Fairy, Eleanor the Snow White Fairy (August 22)

Round 8: Elisa the Adventure Fairy, Elisha the Eid Fairy, Elizabeth the Jubilee Fairy, Ella the Rose Fairy, Elle the Thumbelina Fairy, Ellen the Explorer Fairy, Ellie the Guitar Fairy, Elodie the Lamb Fairy, Elsa the Mistletoe Fairy, Elsie the Engineer Fairy (August 23)

Round 9: Emily the Emerald Fairy, Emma the Easter Fairy, Erin the Firebird Fairy, Esme the Ice Cream Fairy, Esther the Kindness Fairy, Etta the Elephant Fairy, Eva the Enchanted Ball Fairy, Evelyn the Mermicorn Fairy, Evie the Mist Fairy, Faith the Cinderella Fairy (August 24)

Round 10: Fatima the Face-Painting Fairy, Felicia the Fidget Toy Fairy, Fern the Green Fairy, Fiona the Flute Fairy, Fizz the Fireworks Fairy, Flora the Fancy Dress Fairy, Florence the Friendship Fairy, Frances the Royal Family Fairy, Francesca the Football Fairy, Frankie the Make-up Fairy (August 25)

Round 11: Frenchie the Bulldog Fairy, Freya the Friday Fairy, Gabby the Bubble Gum Fairy, Gemma the Gymnastics Fairy, Georgia the Guinea Pig Fairy, Giselle the Christmas Ballet Fairy, Goldie the Sunshine Fairy, Grace the Glitter Fairy, Greta the Earth Fairy, Gwen the Beauty and the Beast Fairy (August 26)

Round 12: Hana the Hanukkah Fairy, Hannah the Happy Ever After Fairy, Harper the Confidence Fairy, Harriet the Hamster Fairy, Hayley the Rain Fairy, Heather the Violet Fairy, Heidi the Vet Fairy, Helen the Sailing Fairy, Helena the Horseriding Fairy, Holly the Christmas Fairy (August 27)

Round 13: Honey the Sweet Fairy, Hope the Welcome Fairy, Imogen the Ice Dance Fairy, India the Moonstone Fairy, Isabella the Air Fairy, Isla the Ice Star Fairy, Ivy the Worry Fairy, Izzy the Indigo fairy, Jacinda the Peace Fairy, Jade the Disco Fairy (August 28)

Round 14: Jae the Boy Band Fairy, Jasmine the Present Fairy, Jayda the Snowboarding Fairy, Jessica the Jazz Fairy, Jessie the Lyrics Fairy, Josie the Jewellery-Making Fairy, Jude the Librarian Fairy, Julia the Sleeping Beauty Fairy, Juliet the Valentine Fairy, Kat the Jungle Fairy (August 29)

Round 15: Kate the Royal Wedding Fairy, Kathryn the PE Fairy, Katie the Kitten Fairy, Kayla the Pottery Fairy, Keiko the Diving Fairy, Keira the Film Star Fairy, Kimberley the Koala Fairy, Kimi the Bubble Tea Fairy, Kitty the Tiger Fairy, Konnie the Christmas Cracker Fairy (August 30)

Round 16: Kylie the Carnival Fairy, Lacey the Little Mermaid Fairy, Lara the Black Cat Fairy, Lauren the Puppy Fairy, Layla the Candyfloss Fairy, Layne the Surfing Fairy, Leah the Theatre Fairy, Leahann the Birthday Present Fairy, Leona the Unicorn Fairy, Lexi the Firefly Fairy (August 31)

Round 17: Li the Labrador Fairy, Libby the Story-Writing Fairy, Lila and Myla the Twins Fairies, Lily the Rainforest Fairy, Lindsay the Luck Fairy, Lisa the Jelly Bean Fairy, Lizzie the Sweet Treats Fairy, Lois the Balloon Fairy, Lola the Fashion Show Fairy, Lottie the Lollipop Fairy (September 1)

Round 18: Louise the Lily Fairy, Lucy the Diamond Fairy, Lulu the Lifeguard Fairy, Luna the Loom Band Fairy, Lydia the Reading Fairy, Maddie the Playtime Fairy, Madeleine the Cookie Fairy, Madison the Magic Show Fairy, Maisie the Moonbeam Fairy, Mara the Meerkat Fairy (September 2)

Round 19: Mariana the Goldilocks Fairy, Marissa the Science Fairy, Martha the Doctor Fairy, Mary the Sharing Fairy, Maryam the Nurse Fairy, Maya the Harp Fairy, Megan the Monday Fairy, Meghan the Wedding Sparkle Fairy, Melissa the Sports Fairy, Melodie the Music Fairy (September 3)

Round 20: Mia the Bridesmaid Fairy, Michelle the Winter Wonderland Fairy, Miley the Stylist Fairy, Milly the River Fairy, Mimi the Laughter Fairy, Molly the Goldfish Fairy, Monica the Marshmallow Fairy, Morgan the Midnight Fairy, Naomi the Netball Fairy, Natalie the Christmas Stocking Fairy (September 4)

Round 21: Niamh the Invitation Fairy, Nicki the Holiday Camp Fairy, Nina the Birthday Cake Fairy, Nur the Vlogger Fairy, Olivia the Orchid Fairy, Orla the Inventor Fairy, Padma the Pirate Fairy, Paige the Pantomime Fairy, Paloma the Dodgems Fairy, Pandora the Poodle Fairy (September 5)

Round 22: Paula the Pumpkin Fairy, Pearl the Cloud Fairy, Penelope the Foal Fairy, Penny the Pony Fairy, Perrie the Paramedic Fairy, Phoebe the Fashion Fairy, Pia the Penguin Fairy, Pippa the Poppy Fairy, Polly the Party Fun Fairy, Poppy the Piano Fairy (September 6)

Round 23: Priya the Polar Bear Fairy, Rae the Rollercoaster Fairy, Rebecca the Rock 'n' Roll Fairy, Rihanna the Seahorse Fairy, Riley the Skateboarding Fairy, Rita the Frog Princess Fairy, Rita the Rollerskating Fairy, Robyn the Christmas Party Fairy, Rochelle the Star Spotter Fairy, Rosalie the Rapunzel Fairy (September 7)

Round 24: Rosie the Honey Bear Fairy, Roxie the Baking Fairy, Ruby the Red Fairy, Ruth the Red Riding Hood Fairy, Sabrina the Sweet Dreams Fairy, Sadie the Saxophone Fairy, Samantha the Swimming Fairy, Samira the Superhero Fairy, Sara the Party Games Fairy, Sarah the Sunday Fairy (September 8)

Round 25: Sasha the Slime Fairy, Saskia the Salsa Fairy, Savannah the Zebra Fairy, Scarlett the Garnet Fairy, Selena the Sleepover Fairy, Selma the Snow Leopard Fairy, Seren the Sausage Dog Fairy, Shannon the Ocean Fairy, Shelley the Sherbet Fairy, Sianne the Butterfly Fairy (September 9)

Round 26: Sienna the Saturday Fairy, Sky the Blue Fairy, Skyler the Fireworks Fairy, Sophia the Snow Swan Fairy, Sophie the Sapphire Fairy, Soraya the Skiing Fairy, Stella the Star Fairy, Storm the Lightning Fairy, Summer the Holiday Fairy, Sunny the Yellow Fairy (September 10)

Round 27: Susie the Sister Fairy, Tallulah the Tuesday Fairy, Tamara the Tooth Fairy, Taylor the Talent Show Fairy, Teri the Trampolining Fairy, Thea the Thursday Fairy, Tia the Tulip Fairy, Tiana the Toy Fairy, Tilly the Teacher Fairy, Trixie the Halloween Fairy (September 11)

Round 28: Tyra the Dress Designer Fairy, Una the Concert Fairy, Vanessa the Dance Steps Fairy, Victoria the Violin Fairy, Violet the Painting Fairy, Whitney the Whale Fairy, Willow the Wednesday Fairy, Yasmeen the Canoeing Fairy, Yasmin the Night Owl Fairy, Zadie the Sewing Fairy (September 12)

Round 29: Zainab the Squishy Toy Fairy, Zara the Starlight Fairy, Zoe the Skating Fairy (September 13)

[chaletnz]

Isla del Sol

Feeling much better this morning, I was getting ready at a leisurely pace for my 6.35am pick up to head back to Copacabana and on to Puno and Arequipa. The smarmy reception guy told me the bus was waiting outside so I rushed myself out there to a huge bus with only two people inside already. I chose a good seat at the front and as we made stops all around La Paz city gradually every seat filled up and to my surprise I ended up sitting next to Jane, and Adrian sat opposite - the British couple from the Uyuni salt flats tour. I always find it funny on these trips because you encounter the same people all the time who are doing a similar route to you. I remember first experiencing it in Eastern Europe with Olga when she pointed out a solo guy who we’d seen around Tallin, Vilnius, and Kaunas. Liam and Alicia, the NZ couple from yesterday were also on this bus segment making their way to Peru. With the drive around La Paz manoeuvring the huge bus down narrow streets I could also sympathise with drivers because I’d absolutely hate to drive in Bolivia. All cars and even buses are run down old manuals and almost every street has a steep grade meaning constant hill starts and stops. Plus the shared van drivers probably do this 6-7 days a week for 10 hours a day or something crazy in bumper to bumper aggressive traffic. It was a nice sunny day though so I could see the hills rolling by and then Copacabana and Lake Titicaca come into view once we’d crossed over on the ferry at Tiquiña. In Copacabana I set out to spend the last of my bolivianos and bought some market souvenirs and also went for a mocha and continental breakfast at Juyra. I made sure I was early to the big anchor meeting point for the tour to Isla del Sol but apparently half the group thought that was the meeting point but the actual meeting point was the restaurant over the road so we ended up departing late once the guide managed to round everyone up. Finally we made our way across Lake Titicaca to Isla del Sol which took about an hour, it was calm and sunny though so nice conditions to sit back, relax and enjoy the views. We arrived on the island and immediately queued for the bathrooms, it was a steep uphill climb for the next 15 minutes or so. The guides had told us many times that we need to pay 10 bolivianos as an entrance fee per person, no cards, no other currency, cash in local currency only. And yet there were two dumbass British tourists that found themselves there without the cash holding up the group of 40 people from starting our hike. I guess some other people gave them some cash to get through and then we continued up where the guide told us that we were on Isla del Sol (sun island) which historically used to be inhabited only by men. Across the lake there is also moon island which was inhabited only by women. Now there about 800 people living on the island. The next stop had a woman with an alpaca and was charging 10 bolivianos for a photo with it. There was also a lady offering a mate herb to smell and then trying to convince us to order the mate tea from her - she didn’t realise we were in a big mad rush to do the hike and return to the bus. The last part was downhill but it was bottlenecked by loads of local old people with canes who were staggering down the steps two abreast holding up the works until we could find a wide part to overtake them. My legs were a bit like jelly by the bottom so I was glad I could have a seat in the shade for a few minutes while waiting for the rest of the group so we could board the boat back to Copacabana. We rushed back but ended up arriving after our 5pm departure time for the bus, so the driver needed to floor it to the border. Our new Peruvian guide Claudia picked us up at the border and helped us get our stamps, exchange money, and get settled on our new bus. She also broke the news to me that I was the only passenger needing the Puno to Arequipa route today so I’d be taking the bus towards Cusco and then around midnight I’d be woken up and switched to the Cusco to Arequipa bus. Woohoo…

[stqris]

HI ISLA

hi claudia !!!!!

[smashpages]

Nominees announced for the 2023 Eisner Awards

Comic-Con International has announced the nominees for this year’s Will Eisner Comic Industry Awards. This is the 35th year for the awards, which will be given out at this year’s Comic-Con International on July 21.

In terms of publishers, Image Comics received the most nominations, followed by DC, Fantagraphics, Marvel and Dark Horse. Creator-wise, Zoe Thorogood led the pack with five nominations. Hall of Fame nominees and inductees were announced earlier this month.

And the nominees are …

Best Short Story

“The Beekeeper’s Due,” by Jimmy Stamp and Débora Santos, in Scott Snyder Presents: Tales from the Cloakroom (Cloakroom Comics)

“Finding Batman” by Kevin Conroy and J. Bone in DC Pride 2022 (DC)

“Good Morning,” by Christopher Cantwell and Alex Lins, in Moon Knight: Black, White & Blood #4 (Marvel)

“Silent All These Years,” by Margaret Atwood and David Mack, in Tori Amos: Little Earthquakes (Z2)

“You Get It,” by Jonathan Hickman and Marco Checchetto, in Amazing Fantasy #1000 (Marvel)

Best Single Issue/One-Shot

Batman: One Bad Day: The Riddler, by Tom King and Mitch Gerads (DC)

Mary Jane & Black Cat Beyond, by Jed Mackay and C. F. Villa (Marvel)

Moon Knight: Black, White, and Blood #3, edited by Tom Brevoort (Marvel)

Star Trek #400, edited by Heather Antos (IDW)

A Vicious Circle Book 1, by Mattson Tomlin and Lee Bermejo (BOOM! Studios)

Best Continuing Series

Daredevil, by Chip Zdarsky, Marco Checchetto and Rafael de Latorre (Marvel)

The Department of Truth, by James Tynion IV and Martin Simmonds (Image)

Killadelphia, by Rodney Barnes and Jason Shawn Alexander (Image)

The Nice House on the Lake, by James Tynion IV and Alvaro Martinez Bueno (DC)

Nightwing, by Tom Taylor and Bruno Redondo (DC)

She-Hulk, by Rainbow Rowell, Rogê Antônio, Luca Maresca, and Takeshi Miyazawa (Marvel)

Best Limited Series

Animal Castle, by Xavier Dorison and Felix Delep (Ablaze)

Batman: One Bad Day, edited by Dave Wielgosz and Jessica Berbey (DC)

The Human Target, by Tom King and Greg Smallwood (DC)

Miracleman by Gaiman & Buckingham: The Silver Age, by Neil Gaiman and Mark Buckingham (Marvel)

Superman: Space Age, by Mark Russell, Michael Allred, and Laura Allred (DC)

Best New Series

The Atonement Bell, by Jim Ousley and Tyler B. Ruff (Red 5)

Love Everlasting, by Tom King and Elsa Charretier (Image)

Public Domain, by Chip Zdarsky (Image)

Star Trek, by Collin Kelly, Jackson Lanzing, and Ramon Rosanas (IDW)

Traveling to Mars, by Mark Russell and Roberto Meli (Ablaze)

Best Publication for Early Readers (up to age 8)

Beneath The Trees: A Fine Summer, by Dav (Magnetic Press)

Fox + Chick: Up and Down: and Other Stories, by Sergio Ruzzier (Chronicle Books)

Grumpy Monkey Who Threw That? by Suzanne Lang and Max Lang (Random House Studio)

Hey, Bruce!: An Interactive Book, by Ryan Higgins (Disney/Hyperion)

The Pigeon Will Ride the Roller Coaster! by Mo Willems (Union Square Kids)

Best Publication for Kids (ages 9-12)

Adventuregame Comics: Leviathan, by Jason Shiga (Amulet/Abrams)

Frizzy, by Claribel A. Ortega and Rose Bousamra (First Second/Macmillan)

Isla To Island, by Alexis Castellanos (Atheneum/Simon & Schuster)

Little Monarchs, by Jonathan Case (Margaret Ferguson Books/Holiday House)

Swim Team, by Johnnie Christmas (HarperAlley)

Best Publication for Teens (ages 13-17)

Chef’s Kiss, by Jarrett Melendez and Danica Brine (Oni)

Clementine Book One, by Tillie Walden (Image Skybound)

Do A Powerbomb! by Daniel Warren Johnson (Image)

Heartstopper Volume 4, by Alice Oseman (Scholastic Graphix)

Wash Day Diaries, by Jamila Rowser and Robyn Smith (Chronicle Books)

Best Humor Publication

Cryptid Club, by Sarah Andersen (Andrews McMeel)

I Hate This Place, by Kyle Starks and Artyom Topilin (Image Skybound)

Killer Queens, by David Booher and Claudia Balboni (Dark Horse)

Mr. Lovenstein Presents: Failure, by J. L. Westover (Image Skybound)

Revenge of the Librarians, by Tom Gauld (Drawn & Quarterly)

Best Anthology

Creepshow, edited by Alex Antone and Jon Moisan (Image Skybound)

The Illustrated Al: The Songs of “Weird Al” Yankovic, edited by Josh Bernstein (Z2)

The Nib Magazine, edited by Matt Bors (Nib)

Sensory: Life on the Spectrum, edited by Bex Ollerton (Andrews McMeel)

Tori Amos: Little Earthquakes, The Graphic Album, edited by Rantz Hoseley (Z2)

Best Reality-Based Work

Alfred Hitchcock: The Master of Suspense, by Noël Simsolo and Dominique Hé, translation by Montana Kane (NBM)

Alice Guy: First Lady of Film, by José-Louis Bocquet and Catel Muller, translation by Edward Gauvin (SelfMadeHero)

But I Live: Three Stories of Child Survivors of the Holocaust, edited by Charlotte Schallié (University of Toronto Press)

Flung Out of Space, by Grace Ellis and Hannah Templer (Abrams ComicArts)

Invisible Wounds: Graphic Journalism, by Jess Ruliffson (Fantagraphics)

Pinball: A Graphic History of the Silver Ball, by Jon Chad (First Second/Macmillan)

Best Graphic Memoir

Down to the Bone: A Leukemia Story, by Catherine Pioli, translated by J. T. Mahany (Graphic Mundi/Penn State University Press)

Ducks: Two Years in the Oil Sands, by Kate Beaton (Drawn & Quarterly)

It’s Lonely at the Centre of the Earth: An Auto-Bio-Graphic-Novel, by Zoe Thorogood (Image)

So Much for Love: How I Survived a Toxic Relationship, by Sophie Lambda (First Second/Macmillan)

Welcome to St. Hell: My Trans Teen Misadventure, by Lewis Hancox (Scholastic Graphix)

Best Graphic Album—New

The Book of Niall, by Barry Jones (Ellie & Beatty)

Crushing, by Sophie Burrows (Algonquin Young Readers)

Francis Rothbart! The Tale of a Fastidious Feral, by Thomas Woodruff (Fantagraphics)

The Night Eaters, Book 1: She Eats the Night, by Marjorie Liu and Sana Takeda (Abrams ComicArts)

Ultrasound, by Conor Stechschulte (Fantagraphics)

Best Graphic Album—Reprint

Days of Sand, by Aimée de Jongh, translation by Christopher Bradley (SelfMadeHero)

Geneviève Castrée: Complete Works, by Geneviève Castrée, translation by Phil Elverum and Aleshia Jensen (Drawn & Quarterly)

Mazebook Dark Horse Direct Edition, by Jeff Lemire (Dark Horse)

One Beautiful Spring Day, by Jim Woodring (Fantagraphics)

Parker: The Martini Edition—Last Call, by Richard Stark, Darwyn Cooke, Ed Brubaker, and Sean Phillips (IDW)

Super Spy Deluxe Edition, by Matt Kindt (Dark Horse)

Best Adaptation from Another Medium

Chivalry by Neil Gaiman, adapted by Colleen Doran (Dark Horse)

Rain by Joe Hill, adapted by David M. Booher and Zoe Thorogood (Syzygy/Image)

Ten Days in a Madhouse, by Nellie Bly, adapted by Brad Ricca and Courtney Sieh (Gallery 13/Simon $ Schuster)

Tori Amos: Little Earthquakes, The Graphic Album, edited by Rantz Hoseley (Z2)

A Visit to Moscow by Rabbi Rafael Grossman, adapted by Anna Olswanger and Yevgenia Nayberg (Turner)

Best U.S. Edition of International Material

Always Never, by Jordi Lafebre, translation by Montana Kane (Dark Horse)

Blacksad: They All Fall Down Part 1, by Juan Díaz Canales and Juanjo Guarnido, translation by Diana Schutz and Brandon Kander (Dark Horse)

Down to the Bone: A Leukemia Story, by Catherine Pioli, translation by J. T. Mahany (Graphic Mundi/Penn State University Press)

The Pass, by Espé, translation by J.T. Mahany (Graphic Mundi/Penn State University Press)

Tiki: A Very Ruff Year, by David Azencot and Fred Leclerc, translation by Nanette McGuinness (Life Drawn/Humanoids)

Best U.S. Edition of International Material—Asia

Black Paradox, by Junji Ito, translation by Jocelyne Allen (VIZ Media)

The Hellbound vols. 1-2, by Yeon Sang-ho and Choi Gyu-seok, translation by Danny Lim (Dark Horse)

Look Back, by Tatsuki Fujimoto, translation by Amanda Haley (VIZ Media)

PTSD Radio vol. 1, by Masaaki Nakayama, translation by Adam Hirsch (Kodansha)

Shuna’s Journey, by Hayao Miyazaki; translation by Alex Dudok de Wit (First Second/Macmillan)

Talk to My Back, by Yamada Murasaki, translation by Ryan Holmberg (Drawn & Quarterly)

Best Archival Collection/Project—Strips (at least 20 years old)

Bungleton Green and the Mystic Commandos, by Jay Jackson (New York Review Comics)

Come Over Come Over, It’s So Magic, and My Perfect Life, by Lynda Barry (Drawn & Quarterly)

The George Herriman Library: Krazy & Ignatz 1922-1924, by George Herriman, edited by J. Michael Catron (Fantagraphics)

Macanudo: Welcome to Elsewhere, by Liniers, edited by Gary Groth (Fantagraphics)

Pogo The Complete Syndicated Comic Strips: Volume 8: Hijinks from the Horn of Plenty, by Walt Kelly, edited by Mark Evanier and Eric Reynolds (Fantagraphics)

Best Archival Collection/Project—Comic Books (at least 20 Years Old)

The Deluxe Gimenez: The Fourth Power & The Starr Conspiracy, by Juan Gimenez, edited by Alex Donoghue and Bruno Lesigne (Humanoids)

The Fantastic Worlds of Frank Frazetta, edited by Dian Hansen (TASCHEN)

Home to Stay! The Complete Ray Bradbury EC Stories, by Ray Bradbury and various; edited by J. Michael Catron (Fantagraphics)

The Simpsons Treehouse of Horror Ominous Omnibus 1 (Abrams ComicArts)

Walt Disney’s Uncle Scrooge: The Diamond Jubilee Collection, by Carl Barks; edited by David Gerstein (Fantagraphics)

Best Writer

Grace Ellis, Flung Out of Space (Abrams ComicArts)

Tom King, Batman: Killing Time, Batman: One Bad Day, Gotham City: Year One, The Human Target, Supergirl: Woman of Tomorrow (DC); Love Everlasting (Image)

Mark Russell, Traveling to Mars (Ablaze), One-Star Squadron, Superman: Space Age (DC); The Incal: Psychoverse (Humanoids)

James Tynion IV, House of Slaughter, Something Is Killing the Children, Wynd (BOOM! Studios); The Nice House on the Lake, The Sandman Universe: Nightmare Country (DC), The Closet, The Department of Truth (Image)

Chip Zdarsky, Stillwater (Image Skybound); Daredevil (Marvel)

Best Writer/Artist

Sarah Andersen, Cryptid Club (Andrews McMeel)

Kate Beaton, Ducks: Two Years in the Oil Sands (Drawn & Quarterly)

Espé, The Pass (Graphic Mundi/Penn State University)

Junji Ito, Black Paradox, The Liminal Zone (VIZ Media)

Zoe Thorogood, It’s Lonely at the Centre of the Earth (Image)

Best Penciller/Inker or Penciller/Inker Team

Jason Shawn Alexander, Killadelphia, Nita Hawes’ Nightmare Blog (Image)

Alvaro Martínez Bueno, The Nice House on the Lake (DC)

Sean Phillips, Follow Me Down, The Ghost in You (Image)

Bruno Redondo, Nightwing (DC)

Greg Smallwood, The Human Target (DC)

Best Painter/Multimedia Artist (interior art)

Lee Bermejo, A Vicious Circle (BOOM! Studios)

Felix Delep, Animal Castle (Ablaze)

Daria Schmitt, The Monstrous Dreams of Mr. Providence (Europe Comics)

Sana Takeda, The Night Eaters: She Eats the Night (Abrams ComicArts); Monstress (Image)

Zoe Thorogood, Rain (Syzygy/Image)

Thomas Woodruff, Francis Rothbart! The Tale of a Fastidious Feral (Fantagraphics)

Best Cover Artist (for multiple covers)

Jen Bartel, She-Hulk (Marvel)

Bruno Redondo, Nightwing (DC)

Alex Ross, Astro City: That Was Then . . . (Image); Fantastic Four, Black Panther (Marvel)

Sana Takeda, Monstress (Image)

Zoe Thorogood, Joe Hill’s Rain (Syzygy/Image)

Best Coloring

Jordie Bellaire, The Nice House on the Lake, Suicide Squad: Blaze (DC); Antman, Miracleman by Gaiman & Buckingham: The Silver Age (Marvel)

Jean-Francois Beaulieu, I Hate Fairyland 2022, Twig (Image)

Dave McCaig, The Incal: Psychoverse (Humanoids)

Jacob Phillips, Follow Me Down, The Ghost in You, That Texas Blood (Image)

Alex Ross and Josh Johnson, The Fantastic Four: Full Circle (Abrams ComicArts)

Diana Sousa, Critical Role: Vox Machina Origins; The Mighty Nein Origins: Yasha Nydoorin; The Mighty Nein Origins: Fjord Stone; The Mighty Nein Origins: Caleb Widogast (Dark Horse)

Best Lettering

Pat Brosseau, Batman: The Knight, Wonder Woman: The Villainy of Our Fears (DC): Creepshow, Dark Ride, I Hate This Place, Skybound Presents: Afterschool (Image Skybound)

Chris Dickey, The Night Eaters: She Eats the Night (Abrams ComicArts)

Todd Klein, Chivalry (Dark Horse); Fables (DC); Miracleman by Gaiman & Buckingham: The Silver Age (Marvel)

Nate Piekos, Black Hammer Reborn, Minor Threats, Shaolin Cowboy, Stranger Things: Kamchatka (Dark Horse), I Hate Fairyland, Twig (Image)

Stan Sakai, Usagi Yojimbo (IDW)

Thomas Woodruff, Francis Rothbart! The Tale of a Fastidious Feral (Fantagraphics)

Best Comics-Related Periodical/Journalism

Alter Ego, edited by Roy Thomas (TwoMorrows)

Comic Book Creator, edited by Jon B. Cooke (TwoMorrows)

The Comics Journal #308, edited by Gary Groth, Kristy Valenti, and Rachel Miller (Fantagraphics)

PanelXPanel magazine, edited by Hassan Otsmane-Elhaou and Tiffany Babb (panelxpanel.com)

Rob Salkowitz, Forbes, ICv2, Publishers Weekly

Best Comics-Related Book

The Art of the News: Comics Journalism, edited by Katherine Kelp-Stebbins and Ben Saunders (Oregon State University Press)

Charles M. Schulz: The Art and Life of the Peanuts Creator in 100 Objects, by Benjamin L. Clark and Nat Gertler (Schulz Museum)

The Charlton Companion, by Jon B. Cooke (TwoMorrows)

Gladys Parker: A Life in Comics, A Passion for Fashion, by Trina Robbins (Hermes Press)

Resurrection: Comics in Post-Soviet Russia, by José Alaniz (Ohio State University Press)

Best Academic/Scholarly Work

Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels, by Josef Benson and Doug Singsen (University Press of Mississippi)

Graphic Medicine, edited by Erin La Cour and Anna Poletti (University of Hawai’i’ Press)

How Comics Travel: Publication, Translation, Radical Literacies, by Katherine Kelp-Stebbins (Ohio State University Press)

The LGBTQ+ Comics Studies Reader: Critical Openings, Future Directions, edited by Alison Halsall and Jonathan Warren (University Press of Mississippi)

Teaching with Comics and Graphic Novels. By Tim Smyth (Routledge)

Best Publication Design

Francis Rothbart! The Tale of a Fastidious Feral, designed by Thomas Woodruff, Jacob Covey, and Ryan Dinnick (Fantagraphics)

A Frog in the Fall (and later on), designed by Linnea Sterte, Olle Forsslöf, and Patrick Crotty (PEOW)

Joan Jett & the Blackhearts 40X40: Bad Reputation/I Love Rock-n-Roll, designed by Josh Bernstein and Jason Ullmeyer (Z2)

Mazebook Dark Horse Direct Edition, designed by Tom Muller (Dark Horse)

Parker: The Martini Edition—Last Call, designed by Sean Phillips (IDW)

Tori Amos: Little Earthquakes, The Graphic Album, designed by Lauryn Ipsum (Z2)

Best Webcomic

Deeply Dave, by Grover, http://www.deeplydave.com/

Delilah Dirk: Practical Defence Against Piracy, by Tony Cliff, https://www.delilahdirk.com/dd4/dd4-p46.html

Lore Olympus, by Rachel Smythe (WEBTOON), https://www.webtoons.com/en/romance/lore-olympus/list?title_no=1320&page=5

The Mannamong, by Michael Adam Lengyel, https://mannamong.com/episode-1/

Spores, by Joshua Barkman, https://falseknees.com/22ink1.html

Best Digital Comic

All Princesses Die Before Dawn, by Quentin Zuttion, translation by M. B. Valente (Europe Comics)

Barnstormers, by Scott Snyder and Tula Lotay (Comixology Originals)

Behind the Curtain, by Sara del Giudice, translation by M. B. Valente (Europe Comics)

Ripple Effects, by Jordan Hart, Bruno Chiroleu, Justin Harder, and Shane Kadlecik (Fanbase Press)

Sixty Years in Winter, by Ingrid Chabbert and Aimée de Jongh, translation by Matt Madden (Europe Comics)

[theronanlynchshow]

Claudia from TDP (girl has SUFFERED)

Isla Crown

Cameron Post

Shara Wheeler

Sophie & Agatha (SGE)

Nova Artino

Misa (death note)

female protagonists will literally go through 30 life altering traumas at the age of 16 and you ppl still have the audacity to call them annoying bc they cry about it and act like teenage girls

[acapulcopress]

Gobierno federal modernizará Acapulco

PALACIO NACIONAL * 5 de diciembre, 2024 ) Gobierno de México El Gobierno de México, a través de la Secretaría de Marina, informó en la conferencia matutina de la Presidenta Claudia Sheinbaum Pardo la inversión federal de 32 mil 875.24 millones de pesos (mdp) para la modernización y ampliación de seis puertos estratégicos: Ensenada, Manzanillo, Nuevo Manzanillo, Lázaro Cárdenas, Acapulco, Veracruz y Progreso. “Va a haber una inversión muy importante, no solamente en Salina Cruz y Coatzacoalcos, que ya venían con el Corredor Interoceánico, sino en otros puertos del país; recientemente, anunciamos la ampliación del puerto de Manzanillo (...) van a ser seis puertos más. Y esto está a cargo de la Secretaría de Marina”, puntualizó la Jefa del Ejecutivo Federal. Añadió que, la modernización de puertos y la continuidad en el desarrollo de los trenes de pasajeros y de carga, contempla la construcción de Polos del Bienestar con el objetivo de atraer inversiones y sobre todo, generar bienestar para las y los mexicanos, garantizando el acceso a todos los derechos. “La idea de los Polos de Bienestar es: sí la inversión privada, pero, además, que traiga bienestar a la población. Y el bienestar tiene que ver con buenos salarios, por eso el aumento salarial que anunciamos ayer, que va a seguir aumentando el salario mínimo; tiene que ver con que haya vivienda (...) Quienes van a trabajar ahí pues que tengan acceso a educación, que tengan acceso a una vivienda digna, que tengan acceso a la salud, que tengan acceso a movilidad y que haya acceso a la justicia para las mujeres”, agregó. El secretario de Marina, almirante Raymundo Pedro Morales Ángeles, detalló que la modernización de los puertos tiene la intención de incrementar sus capacidades en la recepción de cruceros y en la carga de contenedores. Asimismo, puntualizó que, en el caso de Puerto Progreso, la meta es lograr que se convierta en el puerto más importante de la península yucateca. En este sentido, el director general de Fomento y Administración Portuaria, contralmirante Marco Antonio Martínez Plancarte, explicó que la inversión del Gobierno de México para la modernización de los puertos se distribuye de la siguiente manera: Puerto de Ensenada. Inversión de 5 mil 745 mdp para sus dos recintos portuarios: Ensenada, con ampliación de la dársena 450-550 metros, con hasta 17 m de profundidad y construcción del Centro de Control de Tráfico Marítimo. En el Sauzal: ampliación de escolleras y reubicación de muelles pesqueros y ampliación de rompeolas. Se estima un incremento de 440 mdp anuales en la captación de recursos para las Administraciones del Sistema Portuario Nacional (Asipona), lo que representa el 223% de las actuales, así como un aumento aproximado del 85% en la recaudación aduanera. Puerto Manzanillo. Inversión de 13 mil 598 mdp para sus dos recintos portuarios: Manzanillo San Pedrito, construcción de un patio para contenedores vacíos; de un muelle y dársena de pesca; así como el dragado de mantenimiento. Nuevo Manzanillo, construcción de dos terminales de hidrocarburos; de un patio para almacenaje de contenedores; de un muelle especializado para la industria de pesca de altura; de cuatro terminales de contenedores y dragados de construcción, también la habilitación de un recinto aduanero para atender una demanda anual de hasta 10 millones de TEUS (Unidad Equivalente a Veinte Pies, por sus siglas en inglés y con la cual se miden los contenedores). Se estima un incremento de 7 mil 500 mdp anuales para las Asipona, así como de un 120 por ciento en la recaudación aduanera. Puerto Lázaro Cárdenas. Inversión de 6 mil 146.24 mdp para movilizar a 8 mil 200 millones de TEUS, duplicando así su capacidad con el desarrollo de la Isla de la Palma; de instalaciones de aduanas y salida del puerto sur; reordenamiento en la vialidad y construcción de vialidad alterna; ampliación de patios de recinto fiscalizado y reordenamiento urbano en los poblados de El Naranjito y Zacatula del municipio de la Unión Guerrero. Lo que representa un incremento a 2 mil 65 mdp para las Asipona y del 85 por ciento en recaudación aduanera. Puerto de Acapulco. Inversión de 386 mdp para el mantenimiento mayor del muelle de usos múltiples y de las dos reservas portuarias: Jardín del Puerto y Centro de Consumo; así como la extensión del muelle y rehabilitación de la terminal de vehículos. Puerto de Veracruz. Inversión de mil 800 mdp para construcción de rompeolas oriente, lo que incrementará mil 415.12 mdp anuales en captación de recursos para las ASIPONA; así como 161 por ciento en recaudación aduanera. Puerto Progreso. Inversión de 5 mil 200 mdp por parte del Gobierno de México; gobierno estatal mil 500 mdp y 525 mdp de inversión privada, para hacerlo el puerto más importante de la península con el desarrollo de una plataforma de 80 hectáreas para la construcción de nuevas terminales destinadas a granel mineral, vehículos, gas licuado de petróleo, gas natural, astillero, entre otros. Se prevé con ello un incremento de 800 mdp para las Asipona y 57 por ciento en la recaudación aduanera. Por su parte, el director general del Corredor Interoceánico Istmo de Tehuantepec (CIIT), vicealmirante Juan Carlos Vera Minjares, precisó que la Línea K del Corredor Interoceánico, –que va de Ixtepec, Oaxaca a Ciudad Hidalgo, Chiapas y que conectará con Guatemala–, presenta un avance general de 58.5 por ciento y se programa concluirlo en el cuarto trimestre de 2025. En cuanto a la conexión del Corredor Interoceánico con el Tren Maya, informó que actualmente la liberación del derecho de vía presenta un avance del 46 por ciento; lo que se realiza con apoyo de la Secretaría de Desarrollo Agrario, Territorial y Urbano (Sedatu), así como con el Gobierno de Oaxaca, para iniciar la vía de penetración de “Roberto Ayala” a la Refinería Dos Bocas. Detalló que el proyecto estratégico contempla 12 Polos de Desarrollo para el Bienestar: cuatro en el estado de Veracruz, seis en el estado de Oaxaca y dos en Chiapas. ) www.acapulcopress.com Read the full article