#Cinematic Influence

[fogaminghub]

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[captaingimpy]

Alien (1979) – A Timeless Classic That Defined Sci-Fi Horror - Alien Retrospective Review Part 3

Alien, directed by Ridley Scott in 1979, is a film that remains irreplaceable in the history of cinema, not just as the birth of a beloved franchise but as a foundational piece of sci-fi horror that has influenced countless works since. The DNA of this film has infiltrated so many aspects of popular culture, from its haunting aesthetic to its unique blend of suspense and terror. This is where it…

[haaam-guuuurl]

I did this poll for Star Wars so I guess I gotta do it for the new Marvel stuff too

[mtonino]

Art Influences Film - Side by Side

Prisoners Exercising - Vincent Van Gogh - 1890

Mother (1926) Vsevolod Pudovkin

A Clockwork Orange (1971) Stanley Kubrick

[mifunebooty]

Bitch, why does Robert Mitchum look so fine in Pursued 1947?

[korrasamibottles]

Men claiming that St*r W*rs was made by men for men and that women "ruined it" by "invading" DOES make me laugh considering "the first film was completely nonsensical until Marcia Lucas edited it" is one of the most oft-repeated bits of franchise lore

[midnight-in-town]

what do you think of the theory that Vincent is a death god now?

Hey Anon! Well, I used to be pretty against it, but nowadays I think it all depends on what we currently know about Shinigamis, which is to say not much.

What I mean is that, in ch105, Yana revealed that Shinigamis are former humans who killed themselves...

...however, we do not know if that's the only way for a human to become a Shinigami.

Remember, Yana could hold onto some additional truth that we have yet to figure out, especially considering that since ch105, Sensei strongly hinted several times that the Shinigamis' higher ups are super sketchy. [x][x][x]

In other words, there is possibly a real gap between what Shinigamis themselves believe to be the truth whereas the actual truth is hidden by the higher-ups.

Additionally, that's just my opinion but, seeing as UT (and the possible other deserters he works with) is very anti higher-ups, I wonder if editing the records (to make dead people into BD) is not an idea he got from finding out some truths about Shinigamis, which led to his desertion. [x]

For example, maybe all Shinigamis had their records altered in order to become Shinigamis ? And if that's the case, then maybe some altered memories (read: lies) were put to their records, making them all believe that they're overworked slaves "because of suicide" when none of it is true? Just like the redemption reward is also probably a lie.

All that to say that I believe UT's BD project is a hint to a big and terrible truth that we have yet to fully grasp (take it as a rebellion towards the Shinigamis' higher-ups, on top of UT missing the dead Phantomhives) so, for now, I think it's important to be very careful about the "truth" we were told about the Shinigami Organization.

Back to Vincent: for now, I believe that he was definitely murdered.

Meaning that if suicide is really the only way for a man to become a Shinigami, then he did not become a Shinigami. However, if becoming a Shinigami is not just about suicide, but about several other factors, then it's not impossible that Vincent became a Shinigami after he died. ¯\_(ツ)_/¯

In my opinion, Yana-sensei made sure not to rule out the possibility in canon, as in, she left a few hints that could be red herrings, just like they could be used to interpret that Vincent is not really "dead". Those hints are

1) ch107.5, because, even though he's supposedly dead, he wears gloves and a suit that could resemble that of a Shinigami's.

Additionally, even if the rosette power thing was just for comical effect, it's interesting that he showed up at all even though UT said he cannot be brought back as a bizarre doll.

2) the state of his body, that UT mentions in ch105.

After all, if it's burnt so badly, that means his cinematic record can't be read and thus altered to turn him into a BD, so how certain are we that they buried Vincent's body?

3) the fact that he constantly breaks the 4th wall despite "being dead" (ch107.5, short story "with Father", etc), which so far has no explanation in canon.

All of these could be nothing important, because Yana's simply playing around with us, just like they could be significant on some aspects.

The point is : the more the story goes, the less we have a reason to believe that what Sascha explained in ch105 is entirely true. Not with UT and possibly other deserters actively working against the higher-ups, without a real explanation from their side so far.

TL;DR the possibility of Vincent having become a Shinigami can't be entirely ruled out and won't be, until we have found out the entire truth about the Shinigami Organization.

Is the key to their fate really suicide ? Or are there other actions in life that will turn someone into a Shinigami post mortem? Until a deserter, UT or somebody else, tells their version of the truth, I will not trust the information we've had in canon so far about Shinigamis.

(Personally I'd rather he's truly and definitely dead, but if him becoming a Shinigami furthers the very important plot thread of the Shinigamis' higher ups being absolute assholes who need to be taken down, then I'll be okay with it.)

Sorry if it's a bit confusing, but there's no way to be sure of anything on that topic. Have a good day Anon!

[daincrediblegg]

How did you come up with Lady Terror?

OH THAT'S A GOOD QUESTION!!! Well. The short answer is that I watched The Terror again after a few years and needed to jump that grumpy old irish man immediately because he's so sad and outcast and pathetic, so I did what I usually do, which is wedge myself as hard as possible into the canon, slap a cool nickname onto it, and that was that.

But as many of you know, I'm not into short answers. So here we go.

Honestly, the process of developing Lady Terror has been a really interesting one. As I've explained before she was initially meant to be part of a more sci-fi centric AU based loosely off of 1899 in which she is a physical manifestation of the ship, but the way she developed from there is entirely due to three factors, 1) my friend's staunch encouragement (some of whom are still around, some of whom have deactivated, alas), 2) the Gothic Literature, film theory (which was very philosophically heavy), and the women gender and sexuality classes I was taking last year and 3) my staunch love for Jane Austen and Charlotte Bronte's Jane Eyre reemerging in my consciousness at the time. These elements combined really gave me a sense of purpose when thinking about the relationship dynamics that I wanted to put forward with Francis and Lady Terror because I can absolutely never in my life just throw my self-inserts in all willy nilly because I am of the firm and staunch belief, which has been reinforced by my studies of all genres, that romance has the capability to be as radical and philosophical as any other, and where Crozier is concerned, I think he has so much potential as a romantic figure to break a lot of the common conventions that proliferate the genre, and put together with a figure like Lady Terror, it just makes my brain go brrrrr in a way that a lot of pairings with him just... don't.

Because the focus of their relationship is on the complexities, horror and fear of love. These are two people who have been ostracized in different ways but recognize in each other that ostracization, but beyond that, their capability that continues to be stifled by a social order that is designed to keep them in their place. I've talked a lot about how Francis is probably my favorite to do think work on because he's both a colonized subject but he's also a colonizer and that's his big struggle throughout the series (mirrored, perhaps, only by Hickey), but Lady Terror mirrors him in a unique way in that she is a privilaged colonized subject, and the unique experience that that entails connects them in a way that he doesn't share with a lot of characters, and one that I think is fascinating to explore.

Because like god. What if you were all that but also truly loved? Not to be confused with devotion, adoration, admiration, or with simply being seen. What if you were loved with those things, but also then for your mind, your humor, your ability to reject and rebel against that social order, and still be loved in a way that was barred to you because the social order that you were born into is designed to continue to reject you on every level? What if then you found it in a place that wants you dead? What do you do with that love? Knowing and fearing that you will be rejected again or, even more horrifying, that it could be ripped away from you at any moment because, again, this place wants you dead. You could not be more equally as lucky and as damned. But then also you wonder if this small and sacred thing can do anything at all? does it have the capacity to change things? Does the reinforcement that the union brings matter at all to anyone else? And how do you cope with that? All questions that I'm hoping to pose with them. I don't have strict answers for all of those questions, of course, but perhaps some hints in certain directions. But I hope to put them through their paces in this way.

... but also. Fundamentally, at the end of the day, I did come up with Lady Terror because I want to fuck that old man so bad it makes me look stupid. But also I'm a lit major and if I don't get freaky with it I'll die. Just how it goes with me, I guess.

[cowboycannibalism]

so do people just not like fun? :(

[aberooski]

Yellowcard really did just drop their first new music in 7 years and gave me one of the most Atticus-POV stormshipping coded choruses I have ever heard

[the-martyrfication-of-the-matron]

Hmmm

Might change up the structure of my MRU.

Idk how I like the saga structure for my ideas.

I want to be able to do things like House of M and X-Men without it feeling like awkwardly shoved in.

I would need to do a little diagram to explain my current idea but idk….

[kiddokori]

trailer was baller im not even sad about no bird <-lying

[mepresets]

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[romaneisk]

A cat with open skeleton body with gold jewelry by ayami Kojima2

[sonuscorewoodsofthewild]

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[mothwriter]

DAO was BioWare's spiritual successor to their Baldur's Gate games, so I guess it only makes sense that BG3 is a better spiritual successor to DAO than any Dragon Age game has or ever will manage to be