#Cincinnati Magazine

[dubbatrubba]

Good Chuck, Sad Chuck

The guy in the photo above might look like a surly biker dude, but really he’s a sweetheart – one of the kindest folks you’ll ever meet. [photo credit: Anna Stockton] Hi name is Chuck Cleaver. Yeah, I know, it sounds like the stage name of a wrestling “heel” in the WWE. But that’s his real name. And he’s one of the best songwriters in the WWW – the Whole Wide World. Five Saturdays ago, Chuck…

[nonesuchrecords]

"To be photographed is an unusual kind of attention to have levied on you, that may or may not feel comfortable or welcoming to a person," photographer Michael Wilson tells Cincinnati Magazine. "You’re trying to find some place of genuine connections, where somebody feels trust, and it shows up on their face." You can read the article here.

Michael Wilson / 25 Years: A Nonesuch Collection, an extremely limited quantity of 100 box sets containing newly created prints from his quarter-century-spanning Nonesuch archive, is out now in the Nonesuch Store.

[kitynok]

nothing to say other than gorgeous.

📷:voguemagazine on insta

[solradguy]

Always a little jumpscared going through old (<2005) USA gaming mags for Guilty Gear reviews and seeing decent scores and nice things said about them lol

[dustedmagazine]

Wussy — Cincinnati Ohio (Shake It)

Over the last quarter century, Wussy has quietly built an impressive catalogue, eight albums including this one that span heartfelt alt.Americana, fiery jangle rock and an almost shoegaze-y wall-of-sheen sound. Led by Chuck Cleaver, once of twang punk’s Ass Ponys, and Lisa Walker, the band can sound like Eleventh Dream Day or a Sally Timms-forward Mekons (Jon Langford painted the cover art). In the silvery fog of “Desperation A.M., you might catch an echo of Yo La Tengo’s Georgia Hubley, but in the more strident opener, “The Great Divide” you’re more likely to hit on the Feelies side project Wild Carnation (Brenda Sauter played a show with Wussy in early November). Wussy touches a lot of solid indie-to-country rock bases, while remaining very much its own thing.

The songs vary a good deal depending on whether Cleaver or Walker sings lead. Their voices are very different, for one thing, Cleaver’s a wobbly, weatherbeaten, country tenor and Walker’s a cool, enveloping, faintly disembodied vehicle for dream pop. Both write songs, too, so if the writer is also the main singer, that may account for some of the divergence, too. But in any case, just to take the singles, “Sure as the Sun,” one of Cleaver’s, reels and bucks like a revival tune run amok on a wild horse. His voice is cracked and wizened, but fully capable of conveying both tune and emotion. The guitars crash, the bass thunders, the drums wallop, but an aura of resignation pervades. “And if there is a heaven, I don’t think that’s where I’ll head, I’d rather stick around and hang with you instead,” he sings, linking the mundane and the spiritual in a very Wussy way.

Walker takes the lead in the other single, “Inhaler” a slashing country rocker suffused in clouds of dread. Her voice is clean and dry in the verse, wobbling only a little with vibrato. But it’s in the multi-voiced chorus that she comes into her own. “It’s a swing and a miss and our hero is down today, and I check the brakes, and I fill the tank, his tornado is pulling away,” she trills, the main vocal line crisscrossed with descants and counterparts. There’s something giddy, something a little desperate about how this song hurtles forward, flinging itself off precipices only to be buoyed by clouds of harmony.

The pedal steel is one other factor that nudges these songs away from indie rock and into Americana, and therein hangs a tale. Wussy’s long-time pedal steel player Jon Erhardt died partway through the recording process, having completed just two songs. It’s him you can hear on the bare and ruminative “The Night We Missed the Horror Show” and on “Days and Hours”’ whirling torch song. Travis Talbert finished the job, adding the lovely glow of pedal steel to atmospheric “Desperation A.M.” and playing on three other tracks. Both add density and feeling to the Wussy sound, a subtle but essential. Likewise, when bassist Mark Messerly switches to accordion on “The Ghosts Keep Me Alive” and, later, “Disaster About You,” it tips the sound in a deeper, richer, more countrified direction.

Wussy is a bit of a cult favorite now, and long-time fans will undoubtedly have different reactions to this late period recording. Still, even coming to them fresh and without any prior connection, the sound is wonderfully rich and varied and the lyrics provocative without preciousness. If, like me, you’ve come all this way without running into Wussy, maybe it’s time to check in.  

Jennifer Kelly

[2othcentury]

Sport Magazine (January 1976)

[lewishamiltonstuff]

I just cast the most important vote of my life 😌

[handeaux]

Overwhelmed By Advertising? The Battle For Cincinnati Consumers Has Raged For More Than A Century

Depending on the source, it is estimated that each American is confronted by 6,000 to 10,000 advertising messages every single day. That immersive media onslaught swelled as we started carrying little video screens around wherever we go, but invasive and obnoxious marketing has bothered Cincinnatians for much more than a century.

For example, on 20 July 1871, a correspondent for the Cincinnati Times related an enjoyable voyage he had undertaken down the Ohio River. After praising the service of his riverboat’s staff, the remarkable scenery along the river, the picturesque little town he floated by, the writer registered one complaint, about a cliff near the town of Hanging Rock:

“High up on the face of this wall of white sandstone, hundreds of feet beyond the reach of a scaling ladder, I noticed a patent medicine advertisement. It was penciled there by a man let down with ropes from above, and the letters are large enough to be read from the deck of a steamer two miles distant. I was sorry to see this defacement. It is bad enough that all the fences throughout the land should be made to lie for patent medicines without debasing the hill-sides with such marking. I suppose that when the ‘chemical affinity necessary to be the motor of some immense flying machine’ shall be discovered, some enterprising patent medicine man will be plastering the face of the moon with some of his ‘wonderful remedies.’”

If only the poor man knew what lay ahead! Even in the 1870s, almost every vertical surface in Cincinnati was slathered with posters, placards and bills advertising shows at the local theaters, patent medicines and political candidates. Cincinnati was the center of the bill-posting world. For one thing, Cincinnati was among the top printing cities of the United States, with the mighty Strobridge Lithographing Company dominating the poster industry.

Also, Billboard magazine was headquartered here in Cincinnati. What we now think of as a music magazine, Billboard was founded in Cincinnati as a trade publication for men who posted “bills” on walls. From its first issue in 1894, Billboard covered the entertainment industry, such as circuses, fairs and burlesque shows, and also created a mail service for travelling entertainers. Initially it covered the advertising and bill-posting trade and was known as Billboard Advertising.

Far from inspiring civic pride, advertising rankled Cincinnati residents as they witnessed visual pollution encrusting the region’s hillsides. Leading the opposition was the Municipal Art Society – a sort of ad-hoc predecessor to today’s Urban Design Review Board. The opening shot was fired 24 August 1896 when the Enquirer reported:

“A matter that will undoubtedly be of interest to the business men is the fact that war has been declared by the Cincinnati Municipal Art Society against advertising signs on fences along the car routes and drives of the city. The art society maintains that these signs mar the beauty of the city, especially in the case of landscape scenes on the hills and in the suburbs, and that they are offensive to the public taste.”

The Society was persistent. It took five years but the Cincinnati Post reported [24 November 1901] that the Baldwin Piano Company had demolished 200 feet of billboards erected on company property along Gilbert Avenue. The Post described this as the “first result” of the Society’s campaign.

The Municipal Art Society was soon joined by some strange bedfellows. The Cincinnati Business Men’s Club, among whose members were certainly a number of advertisers who employed billboards to disseminate their messages, created its own Municipal Art Committee to lobby for restrictions on outdoor advertising. On 1 June 1907, the committee circulated a postcard illustrated with a photo of signage clogging the view from the Grand Central Depot, with the sarcastic caption, “A Nice Welcome To Cincinnati.”

As early as 1895, the city chased the Fountain saloon’s advertising off Fountain Square, but appears not to have drafted a comprehensive law about outdoor advertising until 1909 when, as part of a broader safety ordinance, the city adopted limitations on the size of billboards, their placement near thoroughfares and the materials to be used in their construction.

While the city pondered how to encourage commerce while maintaining attractive views, the entire billboard industry was gaining momentum through a Cincinnati entrepreneur named Philip Morton. Before Morton, “bill boards” were basically fences on which bill posters slapped printed advertisements glued up with a flour-water paste. Morton took outdoor advertising to a new level, according to Jay Gilbert, who has researched his influence on marketing [Cincinnati Magazine September 2016]:

“By 1898 he’d become the Steve Jobs of roadside blight. Doing business as Ph. Morton, Phil was an early pioneer of putting ads into free-standing frames called ‘bill-boards’ and plunking them down everywhere. Eventually every railroad route and motorway in America had its view ruined by a Ph. Morton billboard.”

Even the powerhouse Morton found himself in the city’s crosshairs. Parks Superintendent John W. Rodgers, according to the Enquirer [20 September 1907], exasperated by Morton’s billboards blocking the view of Inwood Park, erupted.

“Park Superintendent Rodgers yesterday tore down over 12,000 feet of big billboards that stretched along for a distance south of Hollister street, facing Vine street, in front of Inwood Park. The billboards were 12 feet high, about 1,000 feet long and contained the advertisements of leading firms of the city, and were illuminated at night with electric lights. They had been at that place for years.”

All of those billboards were leased by Philip Morton who, as coincidence would have it, dropped off a check to pay the lease while workmen were busily engaged demolishing his thousand feet of signage. This was the Boss Cox era in Cincinnati where the right hand was very often ignorant of the left hand’s activity. And so it was, while the Park Superintendent was demolishing billboards on Vine Street, the Board of Public Service pondered a lease for billboards along Gilbert Avenue. That’s right – the same Gilbert Avenue divested of billboards just six years earlier.

A common theme of cartoon artists at that time was the eventual coverage of all available exterior surfaces with advertising signs and slogans. In response, Cincinnati Post cartoonist Elmer Andrews Bushnell sketched City Hall wrapped from sidewalk to parapet in advertising while George Barnsdale Cox and his minion, August “Garry” Herrmann, happily apply more posters and Mayor Julius Fleischmann hides behind a billboard.

The battle raged for decades. Photographs from 1927 show dozens of billboards crowding the hillside over the Brighton overpass to Central Parkway and the Enquirer [24 March 1929] begged for relief because billboards and other unsightly structures had a negative effect on property values:

“What of the gaudy billboard that intrudes itself into a residential district, the sign which girds the tree or telephone pole, the roadside ‘shack’ which is made more ugly with bizarre advertisements? Do they affect values?”

A century later, we hardly notice billboards anymore. We’re too busy texting while we drive.

[spockvarietyhour]

Wasn't able to find the specific US World and News Report for that week.

[dubbatrubba]

Wrestling with Writing. And Vice Versa.

A few days ago, Cincinnati Magazine sent out an email touting their most popular stories of the year, with a three-pronged qualifier: I’m not sure if they consider “pro wrasslin'” a sport. Doubtful. But I’m going to convince myself that they DO consider it a sport. How else could you explain the fact that the photo essay I wrote back in June didn’t make the list? OK, I won’t delude myself any…

[willowsnook]

Let me in

Hi! Love your idea for a prompt list. Can I order: A turkey swiss on wheat bread, maybe mike’s way if you feel like it’s fitting for the sandwich?

Joe burrow x bsf!reader

Please don’t leave

—-----------------------------------------

Fall in Cincinnati was something that you loved. The trees changed colors, you could start leaving your windows open, and, of course, Bengals football. Now, you’d never claim that you were a die-hard fan, that was still reserved for your beloved Green Bay Packers, but after 5 years in the city, they were a solid 2nd favorite. Plus, being good friends with the starting quarterback meant you had to root for them. 

You met Joe at a charity event a year after you moved to Ohio. Working for a Cincinnati-specific lifestyle magazine, your recommendations and reviews had made you quite well known in the city. Your strategy was always finding small, hidden gem places, usually family-owned, to review and elevate. This fulfilled your need to make a difference and also get paid to eat food. 

While your job was so public and in the spotlight, you were pretty introverted, which surprised a lot of people. You didn’t necessarily enjoy being the center of attention, focusing more on making those around you shine. This meant that while you were appreciative of being recognized by the community, you hated going to big events; you’d much rather just be writing about them. 

So when the introverted star of Cincinnati joined you in the shadows of an event, the two of you hit it off. Knowing who you were, his PR team had noticed and pitched a content series involving Joe. You spent a whole day with him, going to places he recommended and giving instant reviews. Initially, you were worried about it being awkward because you didn’t know him well, but you both had a blast. Joe was easy to talk to, and he liked that you treated him like anyone else. 

After that, he’d invited you to hang out with his friends several times, and Ja’marr really liked you, insisting that you be added to the friend group. Since then, you’d spent the last couple of years being forced to go to every home Bengals game, but you could also easily force one of them to help you with some kind of content for work. A mutually beneficial friendship you thought. 

Midway through the week, you were back at your apartment, taking pictures of some cookies someone sent you to be considered for an upcoming article you were writing. You snapped the perfect picture just as your phone rang, and you looked over to see it was Joe calling. 

“What’s up?” You said, putting the phone on speaker. 

“I’m bored. Can I come hang?” He asked. 

“Yeah, I’m doing some work, but I’ll be done soon.”

“Okay, I’m on my way.” 

You were used to Joe calling you randomly to hang out, especially when the season was going poorly. One thing you learned in your years of friendship with him was that he didn’t like to be alone, mostly so he didn’t spiral thinking about everything. You were happy to be a friend he could lean on. 

15 minutes later, you heard your front door open and smiled as Joe wandered into the kitchen. He gave you a small squeeze from behind as you leaned over your laptop. 

“Are you doing anything with these?” He asked, and you looked over at the cookies. 

“No, I just got done. Have at it,” you replied, amused as he shoveled one into his mouth. 

“These are pretty good,” he said, swallowing. “But I’ve had better.”

“Hmm,” you thought. “What don’t you like about them?”

“Too grainy,” he said, and you agreed, unable to think of what you were feeling. 

“That’s a good point; I’m using that,” you said, typing it down in your notes. 

“Watch out, I’m going to steal your job,” he joked, and you smirked. 

“Does that mean I get yours?”

“You’d probably do a better job than me right now,” he said, and you frowned, shutting your laptop. 

“You are still a superstar, even when you lose,” you told him earnestly, getting a small smile from him. 

“I think I need you with a headset on to tell me that during the games,” he said, and you laughed. 

“Yeah yeah,” you replied, blushing. “Want to take a walk or something? I need to get out of the house.” 

“Yeah, let’s go.”

The two of you walked down the street and ventured towards the water, chatting about upcoming events and his family coming to visit. You started to get chilly and held your arms briefly before Joe noticed. He pulled his hoodie off with one hand and handed it to you, not even stopping what he was saying. You pulled it on, inhaled the lingering cologne, and sighed. 

“Will you come to dinner with us tomorrow night?” he asked, jolting you back to reality.

“With your parents?” you asked, and he nodded. “Would that not be a little weird?”

“Why would it be weird?” 

“I don't know. I just wouldn’t want them to think we were dating or anything,” you said, confused. Joe frowned at that, but you didn’t have time to analyze it. 

“Ja’marr is coming too,” he said. “You are both my best friends, so I’d like you to meet them.” 

“Okay, if it’s important to you,” you agreed, giving in. Dinner with Joe’s parents. Huh. Sometimes you really didn’t understand why he chose you as a best friend when many people were fighting over it. If only people knew how clingy Mr. Cool was. 

—---------------------------------------------------

Ja’Marr picked you up from your place the next night and the two of you headed to dinner. 

“You look nice,” he commented, and you smiled. You and Ja’Marr had a flirty relationship, but nothing had ever come of it. One time, when you were both very drunk in the offseason, you had made out but it didn’t last long with him backing out, saying that Joe was going to kill him. You had just assumed that Joe didn’t want anyone in the friend group dating in case it got messy, which was understandable. With Ja’marr, you were mostly just attracted to him vs. wanting something more. 

“I still feel weird about this whole thing,” you admitted to him and he gave you a lazy smirk. 

“Please, they’ll love you,” he assured you. 

“That’s not what I’m worried about; I’m amazing,” you said, causing him to laugh. “I just think it’s weird and intimate. Like if my parents were in town, yeah, maybe I wouldn’t mind them meeting you guys at the game or to celebrate in a group after. But I wouldn’t invite you for a small dinner.” 

Ja’Marr gave you a look you couldn’t decipher before laughing to himself. 

“I’ll try not to take offense to that,” he said and you rolled your eyes. 

The restaurant was a nicer one that you had been to before for work. Joe’s parents stood up as you approached the table and warmly greeted you. His mom pulled you into a tight hug, laughing about how excited she was to meet you finally. You shot Ja’Marr a look and found him trying not to laugh. You could tell Joe was embarrassed, which made the situation a little amusing. 

Sitting down beside him, he gave you an easy smile while handing you the drink menu. Joe’s dad jumped into conversation with Ja’Marr about the season while Robin asked you a ton of questions about your job and basically your whole life. You ended up loving his parents; they were the sweetest people. While you might have missed the way that Joe was looking at you the whole dinner, his parents definitely did not. 

“It was so good to meet you y/n,” Robin gushed. “I’m sure we’ll see much more of you in the future.” 

You smiled, confused, while Ja’Marr couldn’t hold back his laugh. Joe’s face turned bright red and his dad chuckled. 

—------------------------------------------------

If you had thought the season was going poorly before it was a million times worse now. It seemed like each week, your two friends were putting up superstar numbers but still losing. After watching them lose by just a point to the Ravens, you clicked the TV off and sighed. Reaching for your phone you texted him a white heart and watched him read it and not reply. He usually would, even after a loss, but this one was tough so you didn’t pay much mind to it. 

As the week went on, you started to feel Joe’s tension about the team bleed into your friendship. He wasn’t answering your calls and had replied to any text you had sent him with just one word. What had really pissed you off though, was that he was supposed to shoot a Thanksgiving promo with you about places that provided free food for those who needed it and he didn’t show. 

“I get that you’re having a tough time right now and while I can live with you being a bad friend I can’t live with you 1. making me look bad professionally and 2. disappointing people making a difference. So give me a call when you figure your shit out,” you ranted to his voicemail. 

You were supposed to fly out for the game this weekend but weren’t sure if you still should. Calling Ja’Marr, you complained about Joe being a dick and that you didn’t know what to do. He assured you that you should still come and that Joe was just hurting because of the season. The best thing you could do was be there for him, even in the shadows. 

The game started out horribly with it being 24-6 leading into halftime. But a different team came out in the third quarter, and you went crazy as the Bengals got ahead. But like the week before, no matter what Joe did, even throwing for over 350 yards, they still lost in the end. You lingered by the locker room after the game and smiled sadly as you saw Ja’Marr first. He wrapped you in a hug, and he was happy to have you there. Joe on the other hand, did not look happy to see you. 

“What are you doing here?” he said coldly, and both you and Ja’Marr flinched. His teammate gave him a weird look, but Joe was just staring at you blankly. 

“I’ve had these tickets since before the season, you know that,” you replied. 

“I didn’t want you to come,” he said and you tried to ignore the hurt you felt. “Did you not get the hint from me ignoring you all week?” 

“Oh, so is that why you stood up the charity?” You bit back. “So that I would ‘get the hint’?”

Joe didn’t say anything, clenching his jaw and Ja’Marr tried to step in. 

“I wanted her to come man,” he said and Joe snapped his head towards his friend. 

“Well just fuck her then and get over it,” he replied and your jaw dropped. Ja”Marr shoved him backward, yelling at him before security intervened. You recovered from your shock and turned around, abruptly leaving the stadium. You called an Uber to take you back to the hotel, and the massive traffic gave you a lot of time to process what had just happened. 

You could understand him being upset over the game, especially since it was so fresh in his mind. But it’s not like you went up to him; he came up to you. This man was supposed to be your best friend, and he basically just called you a whore to your face. This shit was ridiculous. 

30 minutes later, you were walking into the hotel. Ja’Marr had tried calling, but you declined. You called the airline you were flying with to see if there was any chance of flying out early, and you were lucky to snag a seat on the last flight out. You quickly packed up your stuff after changing into a comfier outfit and headed down to the lobby to check out and call a car. 

Turning to head out the door you stopped as you saw Joe walking in, his eyes trained on you. He looked miserable and he made his way towards you slowly. 

“Y/n..” he started, his eyes filling up with tears, but you stopped him from saying anything else. 

“I’m leaving,” you said emotionlessly. He tried to reach out to you, but you flinched back and pain flashed across his face. 

“I need to talk to you y/n,” he begged. “Please don’t leave.” 

“Why would I stay?” You asked softly. “Goodbye, Joe.” 

You left him standing there wondering why it felt like your own heart was breaking into two. 

—-----------------------------------------------

It had been two weeks since then, and you had successfully avoided Joe at all costs. He blew up your phone of course but you have yet to answer. Luckily he hadn’t tried coming to your apartment because he knew you well enough to know that it’d piss you off. 

You were on your way to hang out with Ja’Marr for a group movie night which he promised you that Joe would not be at. You don’t know why you even believed him; Joe’s car was parked in the front driveway and you almost reversed until you saw Ja’Marr waving his arms at you. Stepping out, you crossed your arms, waiting for him. 

“I knew you wouldn’t come if you knew he was here,” he started and you scoffed. 

“You were right.”

“I am miserable because he is y/n,” he pleaded. “I’m sorry but I will be selfish for a minute. He is being a dick at practice to everyone and isn’t throwing me good balls. He’s moody, won’t say a word to me, and won’t leave his house unless necessary. So please let him make it up to you. You two belong together.”

“He called me a whore Ja’Marr!” You exclaimed frustrated and gave you a sympathetic look. 

“I know he did, and that was terrible. I tried to fight him on your behalf,” he said, earning a small smile from you. “God I shouldn’t tell you this but he’s so in love with you it’s insane. He’s hurting and you’re hurting. Please just talk to him.”

“He’s not in love with me,” you said and he just rolled his eyes. 

“Believe what you want but get in there,” he said steering you towards the door. 

The good thing was that there were a few other people here from your friend group, so technically, you didn’t even have to talk to him. He was the first person you saw when you walked in so clearly, this was a coordinated effort between the two friends. 

Joe did look sad, and you wanted to be happy about it, but you couldn’t find it in yourself. He was dressed down in grey sweats and a black T-shirt, his hair looking like he had run his hands through it over and over. His eyes were puffy, and that made your heart clench. 

“Are we ready to start?” One of your other friends called from the living room and you started to walk towards the room but Joe gently grabbed you, pulling you closer to him and letting Ja’Marr pass. 

“Can we talk?” He mumbled quietly to you and you nodded, letting him pull you into the study. You stood with your arms crossed as you looked at him, waiting. 

“I’m sorry y/n. I’m so sorry,” he said, his voice cracking slightly. “I was hurting so bad and I took it out on you. The one person who has always been there for me.” 

“Sorry isn’t going to cut it Joe,” you said, frustrated. “It’s not like it was just the comment; it was the week leading up to it, missing the event. I can’t be there for you when you don’t let me in.”

You had imagined how this conversation would go multiple times over the past few weeks. You expected an apology and another apology, but you did not expect Joe Burrow to start sobbing in front of you. 

He sunk against the wall and had his head in his hands while he was crying. Your shock wore off, and you knelt down in front of him, moving in between his legs. He looked up and your heart broke at his tear-stained face. 

“What is going on, Joe?” You asked softly, wiping some of his tears with your thumb. 

“I just don’t know what to do,” he whispered. “Everything is going wrong, and I don’t feel like I’m in control. I do everything I can, and it’s still not enough.” 

“Oh Joey,” you murmured, pulling his head into your shoulders. He held on to you tightly as he cried and you ran your hand through his hair gently. 

“I’m sorry,” he rasped. “I’m sorry I hurt you; I hated myself the second I said it.” 

“I forgive you Joe,” you told him, looking into his teary eyes. 

“I don’t deserve you; I’m not good enough for you,” he said. “I want to be enough for you.”

You cupped his face gently, making him look at you. Your own eyes started to water at the vulnerability he was showing.

"Joe, you’ve always been enough for me," you whispered. "You don’t have to prove anything. Not to me, not to anyone. I’m here for you, not for what you do or don’t achieve."

His brows furrowed, and he shook his head slightly, his hands moving to hold yours. "You don’t understand, y/n. I don’t just want to be your best friend—I want to be everything to you. And I’ve been so afraid of ruining our relationship that I pushed you away instead."

Your breath caught in your throat. "Joe..."

"I love you," he said, his voice breaking, but his gaze held steady. "I’ve been in love with you for so long, and I didn’t know how to tell you. But pushing you away hurt worse than anything I’ve ever felt on the field. I can’t lose you."

For a moment, the weight of his words left you speechless. You searched his face, finding nothing but raw sincerity. Your heart ached, but in the best way, as if it were piecing itself together after being fractured.

"I love you too, Joe," you admitted to him and yourself, a soft smile breaking through the tears on your face. "But you have to let me in. No more shutting me out, no matter how hard things get. We figure it out together, okay?"

His hands tightened around yours, and he nodded, relief washing over his features. "Together. I promise."

You leaned forward, gently kissing his forehead before resting your own against it. The two of you walked out of the study and into the living room, where everyone else was already engrossed in the movie. Ja’Marr looked between the two of you and at your connected hands and gave you a wide smirk. Joe moved to the big armchair and pulled you down with him, and you snuggled into his lap. His arms wrapped around you, and you finally felt content. 

[kitynok]

peak a boo

📷: kyleforserious on insta

[lapetitemortarts]

Robert McGinnis

Born in 1926 in Cincinnati, Ohio and raised in Wyoming, he is an American artist and illustrator. Known for his more than 1200 Illustrations and over 40 movie posters, including "Breakfast at Tiffanys" (his first movie poster), Barbarella and several James Bond and Matt Helm films. McGinnis became an apprentice at Walt Disney Studios, then studied fine art at Ohio State University. After wartime service in the merchant marine he went into advertising and a chance meeting with Mitchell in 1958 led to his introduction to Dell Publishing where he began a career of a variety of paperback covers for books written by authors such as Donald Westlake (signing as Richard Stark), Edward S. Aarons, Erle Stanley Gardner, Richard S. Prather, Shayne Michael and Carter Brown. In 1985, he was awarded the title of "Romantic Artist of the Year" by Romantic Times magazine. He is a member of the Society of Illustrators Hall of Fame.

.......................... Nació en 1926 en Cincinnati, Ohio y se crió en Wyoming, es un artista e ilustrador americano. Conocido por sus más de 1200 Ilustraciones y más de 40 carteles de cine, incluyendo "Desayuno en Tiffanys" (su primer cartel de la película), Barbarella y varias películas de James Bond y Matt Helm. McGinnis se convirtió en un aprendiz en los Estudios Walt Disney, luego estudió Bellas Artes en la Universidad Estatal de Ohio. Después del servicio durante la guerra en la marina mercante entró en la publicidad y un encuentro casual con Mitchell en 1958 le llevó a ser introducido a Dell Publishing donde inició una carrera de una variedad de rústica de cubiertas para libros escritos por autores como Donald Westlake (que firmaba como Richard Stark), Edward S. Aarons, Erle Stanley Gardner, Richard S. Prather, Shayne Michael y Carter Brown. En 1985, fue galardonado con el título de "Artista Romántico del Año" por la revista Romantic Times. Él es miembro de la Sociedad de Ilustradores del Salón de la Fama.

[vestaignis]

Чувственные работы художника Роберта МакГинниса. Sensual works by artist Robert McGinnis.

Роберт МакГиннис  - американский художник и иллюстратор. В первую очередь МакГиннис известен своими иллюстрациями обложек книг,число которых составляет около 1200 и более чем 40 афиш для фильмов,наиболее известные из которых афиши к фильмам про Джеймса Бонда.

Robert Edward McGinnis родился в Цинцинати в 1926 году, а вырос в сельском Вайоминге, штата Огайо. Его талант, как художника, вначале, поддержал его отец, который помог сыну нарисовать его любимого мультипликационного персонажа морячка Попая. Мать Роберта, Милдред, не отставала от отца и настаивала на том, чтобы её сын посещал уроки рисунка, проводимые по субботам в Музее Искусств Цинциннати. После окончания школы, Макгиннис автостопом добрался до Калифорнии, где начал работать на студии Уолта Диснея, в качестве ученика, рисуя Микки Мауса и других персонажей мультфильмов, он учился искусству анимации. В 1985 Роберту МакГиннису, за его работы, журналом «Romantic Times» был присвоен титул:«Romantic Artist of the Year».

С особой любовью в творчестве Роберта МакГинниса изображаются женщины . Так что, если на картине изображены несколько мужчин и всего одна женщина, то именно последняя будет прорисована лучше всего, более детально и красиво, со всей ее чувственностью.

Robert McGinnis is an American artist and illustrator. McGinnis is primarily known for his illustrations of book covers, of which there are approximately 1,200, and for more than 40 film posters, the most famous of which are those for the James Bond films.

Robert Edward McGinnis was born in Cincinnati in 1926 and grew up in rural Wyoming, Ohio. His talent as an artist was initially supported by his father, who helped his son draw his favorite cartoon character, Popeye the sailor. Robert's mother, Mildred, did not lag behind his father and insisted that her son attend drawing classes held on Saturdays at the Cincinnati Museum of Art. After graduating from high school, McGinnis hitchhiked to California, where he began working at Walt Disney Studios as an apprentice, drawing Mickey Mouse and other cartoon characters, learning the art of animation. In 1985, Robert McGinnis was awarded the title "Romantic Artist of the Year" by Romantic Times magazine for his work.

Women are depicted with special love in the works of Robert McGinnis. So, if the picture depicts several men and only one woman, then it is the latter that will be drawn best, more detailed and beautiful, with all its sensuality.

Источник: https://kulturologia.ru/blogs/160411/14330/, /photozone-t.livejournal.com/39518.html,/www.liveinternet.ru/community/1726655/post161122185/, //illustrators.ru/posts/mir-lyubitelya-dam-i-istorii-ameriki-roberta-makginnisa.

[dustedmagazine]

The Serfs — Half Eaten by Dogs (Trouble in Mind)

The Serfs, from Cincinnati, put punk rock in a hypnotic trance, but as a lark, not a religion. On the surface, “Club Deuce” is all strobe-flashing hedonism, its thumping beat grounding an airy techno lattice of synths.  The softness of Andie Luman’s singing washes over rifle-shot cadences of rave.  It envelopes and embraces like a wash of endorphins.  It jitters on weightlessly, leaving no footprints. 

But elsewhere, the rhythms get rougher, harder, more insistent.  A post-punk anomie drawls through “The Diceman Will Become.” Distant voices hover like heat mirages on a highway.  But, even so, the drums punch hard and the guitars squall.  There’s blood and guts here, cushioned by layers and layers of dreamy batting. 

It is, perhaps, no coincidence that the album’s opening track bangs the loudest and most undilutely.  “Order Imposing Sentence” bangs the keyboards like its 1980 in Dunedin, howling through a vortex about “offshore oil deals” while the lo-fi pop percolates.  But use that as a north star and you’ll be lost before long.  “Cheap Chrome” pulses belligerently like mid-aughts Oneida, “Suspension Bridge Collapse” bristles with laser guns and sci-fi anxiety, “Ending of the Stream” rattles dopplering drones with explosive drum fills, letting long notes hang until they change shape.   

It’s hard to get a handle on these narcotic but varied cuts.  You imagine a mystic calling out prompts to a sleepwalking ensemble, who do their best to execute his commands, and wake up blinking with no memory of any of it.   Weirdly engaging and never what you expect. 

Jennifer Kelly

[virgosenterlude]

Sweets Binion at Boy & Girl Lounge in Cincinnati, Ohio for Ghetto Magazine (1972)