#Cima da Conegliano
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Giovanni Battista Cima, also called Cima da Conegliano / "Saint Sebastian" / ab. 1500-1502 / Musée des Beaux-Arts de Strasbourg
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Cima da Conegliano
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David and Jonathan by Cima da Conegliano
#david#jonathan#art#cima da conegliano#giovanni battista cima#renaissance#friends#friendship#david and goliath#israelite#israelites#israel#goliath#head#landscape#biblical#bible#christianity#christian#religion#religious art#arrow#sword#castle#town#fortress#mountains#mountain#europe#italy
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Cima da Conegliano - Virgin and Child. 1485 - 1486
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#peoplematchingartworks#cima da conegliano#gemaeldegalerie#stefandraschan#photography#contemporaryart#berlin
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koredzas
Cima da Conegliano - The Annunciation. 1500
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Thronende Madonna mit Kind und Heiligen Petrus, Romualdus, Benedikt und Paul von Cima da Conegliano
Öl auf Holz, 1495
#Cima da Conegliano#christentum#religion#glaube#kunst#gemälde#meisterwerk#kunstdruck#museum#galerie#kunstwerk#kirche#church#holy petrus#petrus#holy#child#madonna#jesus#christ#oil on wood
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Cima da Conegliano, Sacra Conversazione/The Rest on the Flight into Egypt
Museu Calouste Gulbenkian, Lisbon
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CIMA da Conegliano The Marriage of Bacchus and Ariadne (with detail) c. 1505 Panel, 28 x 70 cm Museo Poldi Pezzoli, Milan
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The Baptism of Christ: Giovanni Battista Cima da Conegliano, c. 1493-4.
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La bendición de Cristo.
Cima da Conegliano, Giovanni Battista (1459/60–1517/18) -
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Adding to both the Birth and Death of Christ, we have God the Frogger
[Based on God the Father by Cima da Conegliano circa 1510-1517]
#smiling friends#art#digital art#beauty#love#poetry#power#mr. frog#smiling friends mr. frog#he's actually god#sorry
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Giovanni Battista Cima da Conegliano
#giovanni battista cima da conegliano#christ#art#artwork#fine art#fineart#painting#art history#history of art
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TÍTULO: Santa Clara, San Gerolamo, San Nicola y Sant'Ussola AUTOR: Cima da Conegliano (Giovanni Battista Cima) FECHA: 1500 - 1510 MATERIAL Y TÉCNICA: Tempera DIMENSIONES: 30x25 cm INVENTARIO: 323
La obra y la tabla de San Luca, la Virgen, San Giovanni Battista y San Marco proceden de la iglesia veneciana de San Girolamo, desde donde llegaron a Brera con las requisiciones napoleónicas. Los estudiosos, aunque plantean la hipótesis de una atribución al taller de Cima da Conegliano, reconocen una notable calidad pictórica y destacan la eficacia de los efectos luminosos sobre el fondo dorado.
Información e imagen de la web de la Pinacoteca de Brera.
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Cima da Conegliano - Wedding of Bacchus and Ariadne. Detail. 1504
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The Lion of Saint Mark between Saints John the Baptist, Mark, Mary Magdalene and Jeronimo - Cima da Conegliano, (1459–1517) - Gallerie dell'Accademia, Venice.
(Español / English)
Durante las épocas medieval y moderna, la mayoría de los artistas europeos no tenían forma de ver a un 𝗹𝗲𝗼𝗻 en carne y hueso.
Sin embargo, el animal era tan omnipresente en el simbolismo artístico y en el arte occidental que la ausencia de leones de carne y hueso se compensaba fácilmente con las casi infinitas representaciones que se hicieron a partir del arte clásico. Esto permitió representar animales convincentes incluso para nuestros estándares, como demuestra este león de S.Marco de 𝗖𝗶𝗺𝗮 𝗱𝗮 𝗖𝗼𝗻𝗲𝗴𝗹𝗶𝗮𝗻𝗼 (1459–1517).
Al tener que pintar el símbolo por excelencia de la Serenísima, que gustaba de identificarse con el león alado asociado al evangelista Marcos, el artista renacentista no renunció a su búsqueda de una representación realista del animal.
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During the medieval and modern ages, most European artists had no way of seeing a 𝗹𝗲𝗼𝗻𝗲 in the flesh.
The animal was, however, so ubiquitous in artistic symbolism and Western 𝗮𝗿𝗮𝗹𝗱𝗶𝗰𝗮 that the absence of flesh and blood lions was easily compensated for by the almost endless depictions that were made from classical art onwards. This made it possible to depict convincing animals even by our standards, as this Saint Mark lion from 𝗖𝗶𝗺𝗮 𝗱𝗮 𝗖𝗼𝗻𝗲𝗴𝗹𝗶𝗮𝗻𝗼 (1459–1517) demonstrates.
Having to paint the symbol par excellence of the Serenissima, which liked to identify itself with the winged lion associated with the evangelist Mark, the Renaissance artist did not give up his quest for a realistic depiction of the animal.
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