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#Cilly Aussem
semioticapocalypse · 2 months
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Yva. Cilly Aussem wearing a Juvena bathing suit. Berlin, c. 1930
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Tennis players Lili Alvarez and Cilly Aussem 1928
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A history of tennis fashion and skirts: Why are they still such a must?
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Serena Williams competing at the U.S Open 2018. (Photo: TPN/Getty Images)
On the first night of the U.S. Open, Serena Williams took the high road and responded to her catsuit ban by wearing a fabulous black tutu.
The French Tennis Federation president, Bernard Giudicelli, recently said Williams’s Wakanda-inspired catsuit (her words) “will no longer be accepted,” during an interview with Tennis magazine. “One must respect the game and the place.”
Discussion soon erupted on what type of tennis attire is considered appropriate or not. Tennis legend Billie Jean King chimed in on the conversation, slamming French Open officials for the ban. “The policing of women’s bodies must end,” she wrote in a Twitter post. “The ‘respect’ that’s needed is for the exceptional talent ⁦@serenawilliams⁩ brings to the game. Criticizing what she wears to work is where the true disrespect lies.” 
Williams didn’t let the controversy deter her from winning her first U.S. Open match against Magda Linette on Monday. For the occasion, she paired her black tutu with an edgy leather moto jacket, asymmetrical leotard, and white sneakers. The look is part of the new “Queen” collection inspired by the tennis star and made in a collaboration between Virgil Abloh, the acclaimed Off-White designer, and Nike.
With this look, the 23-time Grand Slam winner continues her stride as a statement-making fashion star on the tennis court, and, as history shows — she’s not alone. Anne White was the first player to wear a catsuit on the court, which caused quite a stir at Wimbledon in 1985. Unconventional tennis fashions have been worn by male players too. A notable example is Andre Agassi, who wore denim shorts to the U.S. Open in 1988. Serena Williams longtime rival, Maria Sharapova, explored creative fashion as well, wearing a tuxedo-style blouse at Wimbledon in 2008.
Despite these fashion-making moments, the iconic tennis skirt continues to be the key sartorial piece in the game. Above, a look at how tennis fashion has changed over the years and why the skirt endures.
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Players in the Pavilion in University Park, Oxford, circa 1900. (Photo: Past Pix/SSPL/Getty Images)
During the 1900s, long-sleeved blouses and long maxi skirts were the style of choice for tennis players. “Tennis started out in the Victorian era in England as a lawn sport for the aristocracy,” said Ben Rothenberg, author of The Stylish Life: Tennis, on CNN.
Modest tennis fashion dominated the era, as seen below on a tennis player who wears a pussy-bow blouse with ballooned sleeves, long white skirt, and white sneakers, all covering up nearly every inch of skin.
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Female tennis player circa 1900. (Photo: Getty Images)
The 1920s saw a loosening of dress codes with the introduction of sleeveless blouses and higher hemlines. Pleats also became a popular stylistic choice.
Here, Olympic and Wimbledon champion Suzanne Lenglen wears a knee-length pleated skirt. She accessorizes the look with a soft head wrap.
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Suzanne Lenglen (Photo: Hulton-Deutsch Collection/Corbis via Getty Images)
In the 1930s, skirts and hemlines continued to hit the knee, but pantyhose was no longer required in the dress code. Women began to wear polo shorts or another alternative: drop waist dresses or those cinched at the waist.
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Cilly Aussem, left, after defeating Hilde Krahwinkel for the women’s singles title at Wimbledon in 1931. (Photo: S.R. Gaiger/Topical Press Agency/Getty)
By the 1940s, women embraced shorts for greater mobility on the court, but they still kept them classy (of course). Here, American tennis player Pauline Betz wears a short-sleeve blouse tucked into her high-waisted, soft pleated shorts and a belt to tie it all together.
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Pauline Betz of the United States at Wimbledon in 1946. (Photo: Central Press/Getty Images)
In the 1950s, when Marilyn Monroe’s famous windy skirt photograph became an iconic moment in film history, tennis players like Lea Percioli bent the rules of traditional tennis fashion.
Her style on the court was often featured in the press, where Percioli embraced short skirts and dresses, even if that meant showing more than she planned on.
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Glamorous Italian tennis star Lea Percioli in 1955. (Photo: Getty Images)
By the 1960s, mod fashion was front and center. Women took a more playful approach, embracing sleeveless tops and shirts with stripes, gingham, and other graphic prints like those seen here on  Virginia Wade and Lorna Greveille-Collins of England and Marlys Burel of France.
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From left, Virginia Wade, Lorna Greville-Collins, and Marlys Burel. (Photo: George Freston/Fox Photos/Getty Images)
The 1970s was all about psychedelia. Colorful prints and patterns dominated the fashion scene, and this influenced tennis fashions, too, as exhibited here in a look worn by Martina Navratilova.
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Martina Navratilova at Wimbledon in 1977. (Photo: Tony Duffy/Allsport)
The 1980s witnessed a controversial look by American player Anne White, who wore a white spandex catsuit by designer Ted Tinling during her first match at Wimbledon. Little did she know that Serena Williams would sport a similar catsuit at the French Open more than 30 years later.
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Anne White in her revolutionary one-piece. (Photo: Getty Images)
The 1990s were all about bright colors, loud prints, and plenty of scrunchies on the tennis court. German champ Steffi Graf wears a colorful floral skirt with a matching polo shirt and white scrunchie in her hair at the French Open in 1995.
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Steffi Graf (Photo: Clive Brunskill/AllSport)
By the 2000s, brands like Adidas and Nike were emblazoned on tennis outfits of the top athletes. Here, Russian player Anna Kournikova wears head-to-toe Adidas.
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Anna Kournikova (Photo: Al Bello/Getty Images)
In 2008, tennis champions Serena Williams and Maria Sharapova pushed the envelope of traditional tennis attire at Wimbledon, a bastion of traditionalism. Williams opted for a white trench coat, while Sharapova wore a tuxedo-style pleated blouse tucked into white shorts — and both looks were designed by Nike.
Unfortunately, Sharapova wasn’t able to wear her new look for too long, as she was eliminated in the second round. Her winning opponent, Alla Kudryavtseva, had this to say of Sharapova’s look, “I was pleased to beat her: I didn’t like her outfit.”
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Serena Williams (Photo: Ryan Pierse/Getty Images)
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Maria Sharapova (Photo: Clive Brunskill/Getty Images)
In 2010, tennis fashion took a more scandalous approach when Venus Williams wore a lingerie-like, sheer black-lace dress with red piping, designed by Williams for her fashion label, EleVen.
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Venus Williams (Photo: Clive Brunskill/Getty Images)
In 2011, Venus Williams continued her fashion stride, sporting atypical tennis attire.
At the Australian Open, Williams sported a yellow woven, cut-out tank with a splash of color.
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Venus Williams (Photo: Julian Finney/Getty Images)
In 2015, Maria Sharapova traded in her 2008 tuxedo shirt for a classic stripe shirt over what would become known as the “Nike Maria Paris dress,” an adjoining white racerback tank top connected to a pleated navy mini.
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Maria Sharapova (Photo: Clive Mason/Getty Images)
In 2016, Serena Williams sported a classic all-white look in deference to Wimbledon’s all-white policy.
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Serena Williams (Photo: Lindsey Parnaby/Anadolu Agency/Getty Images)
In 2017, 24-year-old Sloane Stephens won the U.S. Open women’s singles competition wearing a sherbet-orange tank dress and matching visor and shoes by Under Armour.
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Sloane Stephens (Photo: Al Bello/Getty Images)
In 2018, Serena Williams debuts her Wakanda-inspired black catsuit at the French Open, which was designed to help prevent blood clots, a health issue she has been prone to.
The catsuit came under scrutiny by French Tennis Federation president Bernard Giudicelli, who recently said the style would “no longer be accepted.”
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Serena Williams at the 2018 French Open. (Photo: Xin Li/Getty Images)
In the wake of this controversy, Williams debuted a brand-new look for the U.S. Open on August 27: a black tutu skirt, made by Off-White and Nike.
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Serena Williams (Photo: TPN/Getty Images)
Read More from Yahoo Lifestyle:
• Did Meghan Markle inspire pal Serena Williams’s $90 ‘Royal Duchess’ hoodie?  • Serena Williams inspires mothers to share their parenting stories ahead of the U.S. Open  • Venus Williams expands fashion label into plus-size: ‘Representation matters’
Follow us on Instagram, Facebook, and Twitter for nonstop inspiration delivered fresh to your feed, every day. 
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verdepradera · 4 years
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Sello Alemania 1988 Cilly Aussem
Sello Alemania 1988 Cilly Aussem
Mujeres en la historia alemana
Tenista alemana, Cilly Aussem nació el 4 de enero de 1909 en Colonia (Alemania) y falleció el 22 de marzo de 1963 en Portofino (Italia), se retiro como tenista profesional en 1935
Cilly Aussem (1909-1963), tenista Catálogo Sooluciones ID 01549 – Estampilla de Alemania. Sello postal emitido el 05/05/1988 Caducidad: 30/06/2002.
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latestnews2018-blog · 6 years
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Goerges, Kerber aim for all-German Wimbledon final
New Post has been published on https://latestnews2018.com/goerges-kerber-aim-for-all-german-wimbledon-final/
Goerges, Kerber aim for all-German Wimbledon final
London: It’s been 87 years since two German women played in a Wimbledon final. Julia Goerges likes the sound of a repeat, though.
“It sounds crazy to maybe have the chance to share a German final in Wimbledon,” Goerges said after she and Angelique Kerber advanced to singles semi-finals at the All England Club. “Well, it’s still one more match to go for both of us. It will be both very tough matches. But it’s great to see there is a chance.”
For Goerges, it couldn’t get much tougher. She’ll be facing Serena Williams, the seven-time champion who hasn’t lost a match at the All England Club since 2014 — though she missed last year’s tournament while pregnant. Kerber, a two-time Grand Slam champion who was runner-up at Wimbledon in 2016, will be playing former French Open winner Jelena Ostapenko on Thursday.
Goerges and Kerber have already accomplished something not seen at Wimbledon since 1931 by putting two Germans in the women’s semi-finals. That year, Cilly Aussem and Hilde Krahwinkel went on to set up the only all-German women’s final in Grand Slam history. Just having two in the last four again is a boost to the country’s tennis, Goerges said.
“To really share this feeling with her [Kerber], with a nation, I think that’s something which is pretty special,” she said.
Of the last four women remaining, the 29-year-old Goerges is the only one who hasn’t won a major yet. In fact, this is her first career Grand Slam semi-final — even though many expected her to reach this stage much sooner. She won her first WTA title in 2010 and followed that up by winning the prestigious Stuttgart tournament the next year. But instead of establishing herself as a regular contender, her form and ranking plummeted over the next few years. That led to a radical overhaul of her coaching team and even a re-location from north to south Germany in an attempt to get back to her best.
It seems to have worked. “I took the risk of changing everything,” she said. “But, yeah, it’s worth it… I think now, the moment I’m living, it just shows me that I was right, I actually took a good decision.”
Goerges will be facing Serena in a Grand Slam for the second time in little over five weeks, having lost to the American in the third round of the French Open. Serena, though, insists that result isn’t an indicator of what will happen on Thursday.
“That was four or five weeks ago. That doesn’t matter,” Serena said. “This is a whole new match, it’s a new surface, it’s everything. We’re starting from zero.”
Serena, for one, isn’t surprised to see the German players doing well. And she wouldn’t mind renewing her rivalry with Kerber, whom she faced in two Grand Slam finals in 2016 — losing at the Australian Open before avenging that result at Wimbledon.
“We’ve had a lot of tough matches together,” Williams said. “Yeah, I have missed (our rivalry).”
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Tennis players Eileen Bennett with Cilly Aussem 1927
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