#Christopher Schwarzenegger

[kennedy-family-library]

Happy birthday to Arnold Alois Schwarzenegger ~ July 30, 1947🎂🎂🎂

[blogeternal]

Arnold Schwarzenegger Son - Joseph Baena Unveiled

Arnold Schwarzenegger son, Joseph Baena, was born in 1997, just after Christopher Schwarzenegger. His early years were kept under wraps, as his mother, Mildred Baena, was a housekeeper for Schwarzenegger. The truth about his parentage emerged during his teenage years, attracting significant media attention. Despite the initial upheaval, Joseph has carved out his own path in acting and fitness, demonstrating resilience and determination beyond his famous lineage. His journey underscores his commitment to forging his own identity.

[apzomediasblog]

Christopher Schwarzenegger is the son of the famous Hollywood celebrity Arnold Schwarzenneger. He is known as Maria and Arnold's most reserved and laid-back child.

[geekynerfherder]

'The Terminator' by Christopher Shy

[80smovies]

[denimbex1986]

'Before Christian Bale landed the role of Batman/Bruce Wayne in Christopher Nolan’s “Dark Knight” trilogy, the filmmaker screen-tested his “Oppenheimer” star Cillian Murphy. Both men have since admitted that Murphy was never a real threat to steal the part from Bale, and Murphy told GQ Magazine UK in a recent interview that it “was for the best” that Bale won the coveted role over him anyway.

“Yes, I think it was for the best because we got Christian Bale’s performance, which is a stunning interpretation of that role,” Murphy said. “I never considered myself as the right physical specimen for Batman. To me, it was always going to be Christian Bale.”

Nolan didn’t think Murphy was right for the part either, but he still screen-tested him for Batman so that executives at Warner Bros. could see what an amazing actor he was. The director wanted Murphy to play the film’s villain, Scarecrow, but Murphy wasn’t exactly a huge movie star. The previous formula for Batman movies was that a big star played the hero’s villain, but Nolan wanted to shake things up.

“Everybody was so excited by watching [Cillian] perform that when I then said to them, ‘Okay, Christian Bale is Batman, but what about Cillian to play Scarecrow?’ There was no dissent,” Nolan recently told Entertainment Weekly. “All the previous Batman villains had been played by huge movie stars: Jack Nicholson, Arnold Schwarzenegger, Jim Carrey, that kind of thing. That was a big leap for them and it really was purely on the basis of that test. So that’s how you got to play Scarecrow.”

“Batman Begins” would be the first of six collaborations between Nolan and Murphy. He reprised Scarecrow in two more Batman movies and then had supporting roles in “Inception” and “Dunkirk” before landing his first Nolan lead role in “Oppenheimer.” It turns out Murphy was eyed to play the theoretical physicist almost a decade before Nolan’s biographical drama.

In a recent Vanity Fair story, television creator Sam Shaw looked back at the making of his WGN America series “Manhattan.” The period drama covered the same ground as Nolan’s “Oppenheimer” in telling the story of the Manhattan Project’s efforts to build the first atomic bomb in Los Alamos, N.M. The acclaimed series ran for two seasons in 2014 and 2016. Oppenheimer was a recurring character on the show played by Daniel London, but series writer Lila Byock said Murphy was on the team’s wish list.

“When we were casting Oppenheimer, we went through a whole series of different ideas,” Byock said, before adding, “A thousand percent, Cillian Murphy was on that list.”

“We wanted Oppenheimer to feel both like he possessed a certain undeniable charisma, a presence onstage, but also that he was playing a different instrument,” Shaw said. “He needed to feel alien — or other — in some ways. He stood out.”

Nearly 10 years later, Murphy is finally Oppenehimer and earning the best reviews of his career. Nolan’s film is now playing in theaters nationwide from Universal Pictures.'

[cidraman]

24 Quadrinhos por Segundo.

Set #27 Azul - 1989.

[theactioneer]

Arnold Schwarzenegger: Hard Work Brought Success by Christopher Meeks (Rourke, 1993)

[noosphe-re]

We're all generative AIs — we're all vast data sets of every experience we've ever had. Generative AI can give you a bitmap and give you an image, but can't give you an emotion.

James Cameron, "Cameron says AI could one day direct films, but not out-act Schwarzenegger", Christopher Grimes, FT Weekend, 27/28 April 2024

[kennedy-family-library]

Happy birthday to Katherine Schwarzenegger Pratt ~ December 13, 1989🎂🎂🎂

[bumblebee-is-best-boi]

Hallo! So today I was curious on what German/Austrian accent each TFA Blitzwing face had, because A: there are many German/Austrian accents, and B: Hothead definitely sounds like he had an Austrian accent like Arnold Schwarzenegger.

of course I didn’t really feel like digging around the internet for answers, so I got clips of each face speaking and showed them to my dad, who is Austrian and has knowledge in German/Austrian accents.

Of course since the voices are slightly distorted to sound robotic and the fact that they are aliens, my dad couldn’t really pinpoint where, but he gave me a bit of a general area:

Icy: Sounds a bit like Christoph Waltz, but if my dad were to actually put an area to the accent, he would say probably more to the north, but not too north. He said he could also hear a bit of Austrian (Vienna accent), but he wasn’t entirely sure.

Hothead: I was actually not that far off when I said it sounded a bit like Arnold Schwarzenegger. My dad could hear it too, but he said it was more Bavarian or Southern Germany than Austrian.

Random: He said it was most likely an accent from the middle of Germany. It actually didn’t take him much time to deduce this.

This might not be the most useful information (I understand that his voice actor is not German, but honestly I think he pulled the accent off better than what I see in many movies), but I thought it would be nice to share with tumblr.

and yes I did all this to prove that Hothead sounds like Arnold Schwarzenegger to me.

[madamealtruist]

ANOTHER AU!? I know what you're saying... Gwen, you're nuts. But not only are you absolutely right, I think this one might be my most ambitious one yet. As a young nerd, there were two groups. The Marvel fans and the DC fans. And while the rivalry certainly has calmed down a bit, I was almost always torn. So, earlier in the week, I decided to do the one thing that every fanfic writer has tried at least once.

A Marvel/DC crossover.

But unlike the typical realm merger, to put it in Mortal Kombat terms, this is a universe where both properties coexist. For example, picture a group of people walking to a Big Belly Burger while listening to Just the Facts with J. Jonah Jameson. That's just a fraction. I have an ENTIRE starting cast as well.

Welcome... to Earth-812

JUSTICE LEAGUE

Bruce Wayne/Batman (Alex Organ/Edward Bosco)

Clark Kent/Superman (Talon Warburton)

Diana Prince/Wonder Woman (Grey DeLisle)

Dr. Bruce Banner/Hulk (Sean Chiplock/Lou Ferrigno)

Thor Odinson (Kyle Hebert)

Antoinette Stark/Iron Man (Erica Lindbeck/Andrew Bowen)

Steve Rogers/Captain America (Roger Craig Smith)

TEEN TITANS

Dick Grayson/Robin 1/Nightwing (Scott Menville)

Victor Stone/Cyborg (Khary Payton)

Kory Ander/Starfire (Kelly Rae Boyer)

Rachel Roth/Raven (Amanda Lee)

Garfield Logan/Beast Boy (Ben Schwartz)

Jaime Reyes/Blue Beetle (Miles Luna)

Peter Parker/Spider-Man (Nathan Sharp)

Gwen "Joyce Delaney" Stacy/Ghost Spider (Avril Lavigne)

SINISTER SIX

Slade Wilson/Deathstroke (Bryan Cranston)

???/Joker (Jason Marnocha)

Dr. Otto Octavius/Doctor Octopus (Alfred Molina)

Norman Osborn/Green Goblin (Steve Blum)

Howard Stark/Iron Monger (Jamieson Price)

Eduardo Dorrance/Bane (Danny Trejo)

MIDNIGHT SUNS

Dr. Victor Fries/Mr. Freeze (Arnold Schwarzenegger)

Dr. Harleen Quinzel/Harley Quinn (Brina Palencia)

Dr. Pamela Isley/Poison Ivy (Venus Terzo)

Nanaue Shei'ark/King Shark (Fred Tatasciore)

Louise Lincoln/Killer Frost (Jennifer Hale)

Edalyn Brock/Venom (Stephanie Beatriz/Lzzy Hale)

Kara Danvers/Supergirl (Addie Amick)

Johnny "Blaze" Ketch and Dani Ketch/Ghost Rider 1 and 2 (Clifford Chapin and Erica Mendez)

Wade Wilson/Deadpool (James A. Janisse)

Eric Brooks/Blade (Christopher Judge)

SWORDS OF RAO

Zod (Liam O'Brien)

Faora (Lauren Babic)

Non (Keith Ferguson)

GAMMA FREAKS

Dr. Brian Banner/The Father (Jim Cummings)

Rick Jones/Red Hulk (Nolan North/Darin De Paul)

Emil Blonsky/Abomination (Ike Amadi)

CULT OF FLAME

Cletus Kassady/Carnage (Robert Englund/Jacob Craner)

Frances Barrison/Shriek (Cree Summer)

Mephisto (Alan Lee)

X-MEN

Professor Charles Xavier (Peter Capaldi)

James "Logan" Howlett/Wolverine (Steve Blum)

Hannah Marie/Rogue (Meghan Black)

Remy LeBeau/Gambit (Christina Vee, but with a Cajun accent)

Piotr Nikolaievitch Rasputin/Colossus (Stefan Kapičić)

Illyana Rasputin/Magik (Anya-Taylor Joy)

UNAFFILIATED

Dr. Curt Connors/Lizard (Rob Zombie)

Max Dillon/Electro (Jamie Foxx)

Oswald Cobblepot/Penguin (Danny DeVito)

Dr. Joana Crane/Scarecrow (Kathleen Barr)

Waylon Jones/Killer Croc (Ron Perlman)

Victor von Doom/Doctor Doom (Lex Lang)

Erik Lensherr/Magneto (David Sobolov)

Frank Castle/Punisher (Thomas Jane)

Jason Todd/Robin 2/Red Hood (Jensen Ackles)

Flint Marko/Sandman (John DiMaggio)

Nick Fury (Karl Urban)

L. Thompsin Lincoln/Tombstone (Keith David)

Anastasia Kravenoff/Kraven the Hunter (Mariya Aranova)

Quinten Beck/Mysterio (Bruce Campbell)

Alexsei Systevich/Rhino (Paul Giamatti)

[theprincipleofescalation]

The funniest movie that will never be made.

From me and my brothers fevered imaginations to your screen allow me to introduce to you the funniest movie that will never be made.

A word for word, shot for shot remake of the Princess Bride with the following cast.

Christopher Walkin as Westley

Judy Dench as Buttercup

Jeff Goldblum as Vizzini

Peter Dinklage as Fezzik

Arnold Schwarzenegger as Inigo Montoya

Nicholas Cage as Prince Humperdinck

John Malkovich as Count Rugen

William Shatner as the King

Rowan Atkinson as the Albino

John Cleese as the Priest

Alexander Skarsgård and Kate Winslet as Miracle Max and his wife Valerie.

with

Fred savage as the grandpa and Finn Wolfhard as the grandson .

Is this a good remake? ABSOLUTELY NOT!

But is it the funniest possible combination of actors me and my brother could conceive of?

YES!

[moorheadthanyoucanhandle]

GONE FISSION

Opening in theaters this weekend:

Oppenheimer--This biopic splits time the way its hero splits the atom. Narrative is fissionable to writer-director Christopher Nolan; he skips back and forth between episodes of Oppenheimer (Cillian Murphy) as a bumbling student, then as a philandering rising star in the new field of quantum physics, then as the determined yet haunted lord of Los Alamos, then as a post-bomb martyr to '50s era red-baiting. It glides along smoothly through its fractured scheme, beautifully shot by Hoyt van Hoytema in black and white and varyingly muted shades of color depending on period and point of view, and pushed along by a solemn Philip Glass-esque score by Ludwig Göransson.

Often crowned by a horizontal wide-brimmed preacher-style hat that makes him look like Brad Dourif in Wise Blood, Murphy uncannily captures the bursting, wide-eyed, near-ecstatic face that we see in photos of Oppenheimer. But he manages to give the performance a human dimension, with everyday foibles and touches of humor. He's not a pageant figure.

Murphy carries a star presence. But he's very ably supported by a huge, colorful gallery of star character players: Robert Downey Jr. as AEC Chairmen Lewis Strauss and Josh Hartnett as Ernest Lawrence and Benny Safdie as Edward Teller and Tom Conti as Albert Einstein and David Krumholtz as Isidore Rabi, Oppenheimer's menschy colleague who makes sure he eats and nudges his conscience, and Matthew Modine and Casey Affleck and Kenneth Branagh and Rami Malek and Alden Ehrenreich, to name only a few.

They're all entertaining, but two in particular jolt the movie to life: Florence Pugh as Oppenheimer's joyless lover Jean Tatlock and Matt Damon as the practical-minded, professionally unimpressed Leslie Groves, representing us laypeople in his deadpan, flummoxed scenes with Murphy. For a while it seems like Emily Blunt is underserved as Kitty Oppenheimer, but near the end she gets a juicy, angry scene opposite AEC lawyer Roger Robb (Jason Clarke), who has underestimated her.

Other than maybe a few too many scenes of the young "Oppie" having visions that look like the psychedelic mindtrip at the end of 2001, there was no point where I found Oppenheimer less than absorbing. Few would suggest that this ambitious, superbly acted, superbly crafted film isn't a major, compelling work, a vast expansion on Roland Joffé's watchable but modest Fat Man and Little Boy from 1989. If Nolan's film isn't quite completely satisfying, there could be two reasons.

One is that trying to arrive at a moral conclusion about this movie's hero seems impossible. Put (too) simply: on the one hand, Oppenheimer won World War II for the good guys and checked fascism (not checkmated it, alas) for more than half a century. On the other hand, his invention has the potential to ruin the world for everybody. Both can be true, and the ambiguity is unresolvable.

Another problem with the film, however, is a matter of simple showmanship. Back in 1994, James Cameron brought his silly action picture True Lies to a point where Arnold Schwarzenegger and Jamie Lee Curtis kiss while, far in the distance, we see a mushroom cloud erupt on the horizon. Triumphant, but then Cameron pushed his luck, piling on one last struggle with the villain in a Harrier jet. I remember thinking (and writing) at the time that when your hero and heroine kiss in front of a mushroom cloud, the movie is over.

Oppenheimer, obviously a very different movie, is uneasily structured in the same way. The scenes leading up to the Trinity Test at White Sands in 1945 are riveting, pulse pounding. The explosion and the immediate aftermath, ending the war in Japan, is a stunning dramatic climax.

But then the movie keeps going, for another hour or so, detailing the war of spite and will between Strauss and Oppenheimer, and the revocation of Oppenheimer's security clearance. It's interesting, provocative material in itself, but it seems a little petty and trivial after the "I am become death; destroyer of worlds" stuff. Given Nolan's supposed consummate skill at scrambling sequence, couldn't he have somehow structured the movie to end with a bang and not a whimper?

Barbie--Something is rotten in the state of Barbieland. As this, her first live-action feature begins, our titular heroine finds herself haunted, right in the middle of raging dance parties at her Dreamhouse, by thoughts of death. Still more alarming, when she steps out of her pumps, her feet go flat to the ground.

To be clear, the Barbie in question, played by Margot Robbie, is "Stereotypical Barbie," the blond, inhumanly thin and leggy iconic version of the Mattel doll. She shares the relentlessly cheery pink-plastic realm of Barbieland with countless other Barbies of every race and body shape and profession, all happy and accomplished and untroubled and mutually supportive. They're dimly aware of us in the "Real World"; they believe that their own harmony has created an example that has led to female empowerment and civil rights over here.

The Barbies also share Barbieland with Ken (Ryan Gosling) and countless variant Kens, as well as Ken's featureless friend Allan (a perfectly cast Michael Cera). But the guys exist entirely as accessories to the relatively uninterested Barbies. Ken's unrequited fascination with Barbie makes him subject, unlike the Barbies, to dissatisfaction.

Barbie goes for advice to "Weird Barbie" (Kate McKinnon), whose hair is frizzy and patchy and who's stuck in a permanent split. She's told that her troubles come from the dark feelings of somebody who's playing with her in our reality, so she sets out on a quest to the Real World, emerging in Venice Beach. Barbie connects with a mom and teenage daughter (America Ferrera and Ariana Greenblatt) whose relationship is strained; she's also pursued by the all-male board of Mattel, led by Will Ferrell. Ken, meanwhile, learns about our patriarchy, likes what he hears, and heads back to Barbieland alone to institute it, with himself at the top.

Mattel was founded in 1945, the same year as the Trinity Test, and there are probably feminist social critics who would argue that Barbie, invented in 1959 by Mattel co-founder Ruth Handler (well played by Rhea Perlman in the film), has wreaked only a little less havoc on the modern psyche than Oppenheimer's gadget. Even though I'm in exactly the right generational wheelhouse (I was born in 1962), my own childhood experience with Barbie was very limited, and thus so were my nostalgic associations with her.

Even so, this nutty fantasy, directed by Greta Gerwig from a brilliant script she wrote with Noah Baumbach, made me laugh from its inspired first scene to its Wings of Desire finish. Narrated in the droll, arch tones of Helen Mirren, it manages to come across as both an ingenious pop-culture lampoon/celebration and an unpretentious but surprisingly heartfelt deep dive into the implications of the Barbie archetype. I wasn't a big fan of Gerwig's 2019 version of Little Women, but here she builds her world with the freedom of, well, a kid playing with dolls, but also with the confidence and adult perspective of an artist.

Not everything in the movie works; in the second half the narrative gets a little lost at times in some very strange musical numbers/battle scenes, and the whole thing comes close to going on a bit too long. And it's hard to say just who this movie is for. It hardly seems intended for little girls; however smart, they're too young for the commentary about female identity to mean much to them yet. It seems more like it's meant for adult women with both a fondness for and an ambivalence toward Barbie.

No doubt there are those who would also complain that, however witty and self-effacing, the movie amounts to a feature-length commercial for the brand. But in the age of Marvel and other such franchises, it seems a little late to object to this.

The revelation in the film is Margot Robbie. It seems ridiculous that she's able, in the role of freaking Barbie, to give a performance of such subtlety and nuance and shading and quiet, unforced wistfulness, but she does. And she gets to deliver the best last line of the year.

Theater Camp--Joan, the founder of "AndirondACTS," a slightly gone-to-seed theater camp in upstate New York, has fallen into a coma. The job of keeping the struggling camp afloat falls to her decidedly non-theatrical "crypto bro" son Troy. Meanwhile the devoted instructors work with the exuberantly happy campers to mount the shows, including an original musical about the life of poor comatose Joan (Amy Sedaris). Needless to say, all does not go smoothly.

The creators of this Waiting for Guffman-esque "mockumentary" comedy, Molly Gordon, Nick Lieberman, Ben Platt and Noah Galvin, know the world they're depicting well; all of them have been doing theater since they were small children. Gordon and Lieberman co-directed, from a script by all four; Platt and Gordon play Amos and Rebecca-Diane, the utterly enmeshed, co-dependent acting instructors and Galvin plays the low-profile tech director.

They capture the camaraderie and the sense of belonging that theater can give kids, and their affection for that world is unmistakable, but they're careful not to get too sentimental. The envies and resentments and passive-aggressive denigrations among theater folk, especially at this often professionally frustrated level, are vividly represented.

Getting laughs from the self-important vanities of theater people is pretty low-hanging fruit, I suppose, but Theater Camp is nonetheless often hilarious. The film also manages to get a little deeper at times, touching on the irony that while theater can create a haven and a community for misfit kids, this can generate its own clannishness and exclusionary snobbery, as in Amos and Rebecca-Diane's coldness toward the imbecilic but well-intentioned Troy, charmingly played by a sort of poor-man's Channing Tatum named Jimmy Tatro.

The real joy in Theater Camp, of course, is the acting: Platt, Gordon, Tatro, plus a few vets like Sedaris, Caroline Aaron and David Rasche bring the material to life. But as Glenn, the long-suffering backstage drudge who really ought to be onstage, Noah Galvin, who replaced Platt on Broadway in Dear Evan Hansen, is the revelation among the adults in the cast. He's a knockout.

The revelation among the kids playing the campers is, well, pretty much all of the kids playing the campers. There are some real singing, dancing and acting prodigies in this company. If there was a real theater camp somewhere with this kind of talent, their shows would sell out.

[ilikedyourablogithere]

Why does Icedevimon get a Christopher Walken impersonation in the Digimon dub?

Why did YuGiOh dub make that random elephant Arnold Schwarzenegger?

Why is Slayer given a Sean Connery impression in the Guilty Gear dub?

Why is Heimdal literally just Dennis Reynolds in God of War 2?

and why is Gammel doing John Mauleny in the Unicorn Overlord dub?

These are questions I'll probably never get an answer to

... but they sure do keep me up at night