#Christian Kenyan Singles

[becausewearebadmemories]

Kenya Christian Singles Dating for Everyone

Dating is for people that are mature enough and ready to spend some time with someone in the opposite or same sex and get to know each other. This way people will evaluate each other’s personality and character if they have something in common and that if they are truly meant for each other.

Christian singles dating are all over the place nowadays, no not in the streets, they are all over the internet gathering with each other for them to become friends or more than that. Christian dating upholds to the Christian principles and these websites should also reflect that in order for daters to be encouraged to join.

There are more than enough websites in the internet from where a Christian would love to spend some time. Most of them are free and some requires payment, but basically they all offer the same thing. These sites also accepts non Christians for as long as they understand the rules of dating in Christianity. It will be more advantageous for a dater to research about their beliefs so that they would be prepared with the conversation they would be into.

Christian singles dating are not that hard to please. They are just like everyone except that they believe in a religion that not everyone patronizes. In order for someone to be successful in dating a Christian, they should understand and accept them as they are and show some respect with what they believe. Honesty is always important in dating, that would entail that you are sincere and really serious with whoever you decide to have a date whether on or offline.

[shadisthings]

The cultural ideas spread by empire were seldom the exclusive creation of the ruling elite. Since the imperial vision tends to be universal and inclusive, it was relatively easy for imperial elites to adopt ideas, norms and traditions from wherever they found them, rather than to stick fanatically to a single hidebound tradition. While some emperors sought to purify their cultures and return to what they viewed as their roots, for the most part empires have begot hybrid civilisations that absorbed much from their subject peoples. The imperial culture of Rome was Greek almost as much as Roman. The imperial Abbasid culture was part Persian, part Greek, part Arab. Imperial Mongol culture was a Chinese copycat. In the imperial United States, an American president of Kenyan blood can munch on Italian pizza while watching his favourite film, Lawrence of Arabia, a British epic about the Arab rebellion against the Turks.

…

During the second century AD, Rome was ruled by a line of emperors born in Iberia, in whose veins probably flowed at least a few drops of local Iberian blood. The reigns of Trajan, Hadrian, Antoninius Pius and Marcus Aurelius are generally thought to constitute the empire’s golden age. After that, all the ethnic dams were let down. Emperor Septimius Severus (193–211) was the scion of a Punic family from Libya. Elagabalus (218–22) was a Syrian. Emperor Philip (244–9) was known colloquially as ‘Philip the Arab’. The empire’s new citizens adopted Roman imperial culture with such zest that, for centuries and even millennia after the empire itself collapsed, they continued to speak the empire’s language, to believe in the Christian God that the empire had adopted from one of its Levantine provinces, and to live by the empire’s laws.

A similar process occurred in the Arab Empire. When it was established in the mid-seventh century AD, it was based on a sharp division between the ruling Arab–Muslim elite and the subjugated Egyptians, Syrians, Iranians and Berbers, who were neither Arabs nor Muslim. Many of the empire’s subjects gradually adopted the Muslim faith, the Arabic language and a hybrid imperial culture. The old Arab elite looked upon these parvenus with deep hostility, fearing to lose its unique status and identity. The frustrated converts clamoured for an equal share within the empire and in the world of Islam. Eventually they got their way. Egyptians, Syrians and Mesopotamians were increasingly seen as ‘Arabs’. Arabs, in their turn – whether authentic’ Arabs from Arabia or newly minted Arabs from Egypt and Syria – came to be increasingly dominated by non-Arab Muslims, in particular by Iranians, Turks and Berbers. The great success of the Arab imperial project was that the imperial culture it created was wholeheartedly adopted by numerous non-Arab people, who continued to uphold it, develop it and spread it – even after the original empire collapsed and the Arabs as an ethnic group lost their dominion.

In China the success of the imperial project was even more thorough. For more than 2,000 years, a welter of ethnic and cultural groups first termed barbarians were successfully integrated into imperial Chinese culture and became Han Chinese (so named after the Han Empire that ruled China from 206 BC to AD 220). The ultimate achievement of the Chinese Empire is that it is still alive and kicking, yet it is hard to see it as an empire except in outlying areas such as Tibet and Xinjiang. More than 90 per cent of the population of China are seen by themselves and by others as Han.

[narrowtriangle33-blog]

Talking about the Oromo people PART 1

Let me ask you a question have ever heard of the Oromo people? In this post I'm going to be talking about the Oromo people and the genocide against them.

Introduction

The Oromo people make up the largest ethnic group in all of Ethiopia. These people are diverse in terms of economics, religion and they are diverse socially. In history, there was not one single Oromo country, but rather these people were organized in small villages and societies. In the 16th century these people migrated in waves of invasions, from their homeland of Southeastern Ethiopia.

Oromo people are divided into four main groups.

1. Western Oromo, who mainly live in the region called Wollegha and a lot of these people have been converted into Christianity.

2. For the Southern Oromo, semi-nomadic lifestyles are lived by many of these people, and there is another group among them called the Borana, who are believed by some people to be the group of Oromo people who are influential among the other groups of Oromo people, because they observe the Gadaa social system, rigidly. They live in an area near the Kenyan border that is arid.

3. The Northern Oromo are more integrated into Amhara culture than any other group amongst them, mostly they are Christians of the Ethiopian Orthodox Church, they live in Mecha-Tulam and Shoa and the area south of there.

4. The Eastern Oromo live in Haraghe and they include the Muslim population of Dire Dawa and Harar among other people. The local leaders are Muslim-oriented.

[blackboxoffice]

Banning African films like Rafiki and Inxeba doesn’t diminish their influence

by Gibson Ncube, Associate Professor at the University of Zimbabwe

Social media and internet forums function as an important space of contestation for issues relating to queer identities. This is evident in reactions to two fairly recent queer-themed African films, one from South Africa – Inxeba/The Wound – and the other from Kenya – Rafiki.

The films were met with diverse responses, from government bannings and cultural backlash to enthusiastic viewers and international awards. On social media and internet forums, reactions differ from those of state institutions.

These various responses should be understood against the background that in many African countries, with the exception of South Africa in this case, queer sexualities are criminalised and deemed ‘unAfrican’. Many argue that homophobia itself is unAfrican and a relic of colonial laws and mores.

In my research, I have explored the fact that African queer lives are complex and don’t tell a single story. By viewing these films as popular social texts it became clear that government censorship has been unable to stop support for them or the kinds of discussions they generate, especially online.

Films as popular social texts

In Africa, films have become popular social texts. They are readily accessible and easily distributed, thanks to the internet and hand-held screen devices as well as the large-scale sale of pirated DVDs. The informality of circulation, coupled with the affordability of pirated films, has ensured that film has overtaken literary or text-based genres in influence in many parts of Africa.

Films like Inxeba (2017) and Rafiki (2018) can function as popular social texts in that they can ask questions about social issues – in this case queer lived experiences on the continent. Popular social texts appeal to large audiences. It is against such sociocultural and political backgrounds that the reception of the films Inxeba and Rafiki should be understood.

Inxeba was directed by John Trengove and was released in 2017. It tells the story of how queer sexuality is negotiated within the cultural space of ulwaluko, the Xhosa people’s rites of initiation into manhood. Two young minders engage in a gay relationship and a love triangle develops.

Rafiki was directed by Kenyan filmmaker Wanuri Kahiu. It centres on two young women who fall in love in Nairobi after meeting because their fathers are contesting the same election.

Inxeba presents picturesque images of the natural world. Rafiki offers a kaleidoscopic depiction of urban spaces. These vibrant and picturesque depictions contrast with the gloomy lived experiences of the protagonists.

State bannings

On its release, the South African Film and Publication Board banned Inxeba. The reason given, through a series of tweets, was “the perceived cultural insensibility and distortion of the Xhosa circumcision tradition (and) strong language in the film”.

Rafiki met a similar fate when it was released. The Kenya Film Classification Board said in a statement banning the film that its ending was “not remorseful enough, (making) it seem as if LBGT people can be accepted in Kenya”. The films were perceived as socially incorrect.

The reactions of these state boards highlight a reproduction of nationalist ideas that queer sexuality threatens African values. In thinking of these homophobic institutional reactions, it is important not to dismiss Africa as homophobic and primitive especially in relation to the West. In his book Kenyan, Christian, Queer, theology scholar Adriaan van Klinken explains that by considering Africa as backward and conservative there is a failure to reflect on the complex sociopolitical realities on the continent.

The upshot is that the legal measures of banning the films affected their circulation – both low budget films with seemingly limited distribution channels.

Viewers and festivals

Although Inxeba and Rafiki were banned in their home countries, they have received critical acclaim and numerous awards at film festivals the world over. In the case of Inxeba, there were vociferous threats and demonstrations, mainly by Xhosa-speaking men, who felt the film divulged the secrets of a sacrosanct ceremony.

The comments posted on social media platforms also make it possible to examine the reactions of viewers to the films. I illustrated this by focusing on the reactions expressed on Inxeba’s Facebook page. here’s a sample:

Reaction 1: “This is a disgrace to our culture…”

Reaction 2: “I didn’t like the story shame, I didn’t see the relevance. Sorry for being a party pooper.”

Reaction 3: “Thank you Lord … you have shown that you love us all regardless of what people are painting others to be, as if they do not belong or are just nothing.”

Using its YouTube page, Tuko TV Kenya interviewed Kenyans about Rafiki. Here is a sample of the diversity of views canvassed:

Reaction 1: “I think we are over exposing our children and our community … As a country, we are not ready for this.”

Reaction 2: “It’s a movie trying to include everybody into the society and bringing inclusion and diversity.”

Reaction 3: “I feel like the argument that it is influencing or promoting homosexuality to me feels ridiculous because that is not something that can be promoted.”

These reactions show that audiences are more complex than governments admit. Moreover, the reactions – and many others like them – prove that the films are popular social texts which operate to shape queer life and responses to it.

The screening of the two films (both were ‘unbanned’ on appeal – Rafiki for a brief period) has been important in initiating overdue conversations. Both films gesture towards the need for open discussion of queer sexualities and genders in Africa. They demand viewers to rethink not what it means to be queer in Africa, but what it means to be human.

Asking questions

Inxeba and Rafiki are invaluable additions to the growing corpus of African films courageously depicting queer lived experiences. Although initially banned, their reception by viewers in and outside Africa has shown that they can start conversations on diverse social issues relating to non-normative African gender and sexual identities.

Through evoking emotions of discomfort, the films compel audiences to question their own views and biases on gender and sexual identities. The films thus have the capacity to subvert homophobic tendencies embodied in state responses.

[dweemeister]

2020 Movie Odyssey Award for Best Original Song (preliminary round)

Yup, it’s back (bullet indentations are not working, so this post will look very ugly on your dashboards)!

Tagging a few folks who have participated before in this annual tradition/folks who I would like to extend an open invitation to (please contact me if you’re interested so I can sort you in a group ASAP... you will also be tagged for the final unless you tell me you are not interested): @birdsongvelvet, @bitch-genius, @dog-of-ulthar, @idontknowmuchaboutmovies, @loveless422, @lvl9gay, @neverwasastoryofmorewhoa, @phendranaedge, @poncho-honcho, @sayaf, @shadesofhappy, @thethirdman8, @uncoolforelimb, and @wehadfacesthen.

Hello everybody. For my fellow Americans, I hope your Thanksgiving was a good one. For the non-Americans reading things, I hope you are doing well, as always! Many things have fallen to the wayside in this unforgettable year. So in hopes of providing some sense of continuity and normalcy, here - as you have agreed to - is the Preliminary Round for 2020's Movie Odyssey Award for Best Original Song (MOABOS). This is the eighth time it has been contested and the seventh consecutive year it has been open to involvement from family, friends, and tumblr followers.

For those new to this, my classic movie blog traditionally ends the year by honoring some of the best achievements from movies that I saw for the first time this calendar year (the "Movie Odyssey") with an Oscar-like ceremony. I choose all the nominees and winners from each category, save one: Best Original Song. It is the only category I can think of that does not require you to watch several movies in their entirety. I consider MOABOS as a sort of cinematic-musical thank-you for your moral support in various ways.

An unspecified number of songs have already advanced to the final round. 24 songs will contest this prelim in two groups - Group A and Group B. In a year when COVID-19 has closed theaters (and which I refused to go to an indoor theater even when they reopened), a year that I did not feel compelled to watch the newest releases on streaming services, there is not a single 2020 entry for 2020's MOABOS. That is, obviously, a MOABOS first - no other MOABOS edition has lacked a shortlisted song from a film released that same calendar year. And as of writing this sentence, I have not seen a single film released in 2020. Despite the lack of 1930s songs, this year's shortlisted songs might be the oldest on average. In other news, this year's field is a modest improvement from the record monolingual field of last year's (which contained only English and two Vietnamese-language entries). 2019's preliminary was the most chaotic we had ever seen, with shocking last-day stumbles and surges from certain songs ("I Dug a Ditch" from Thousands Cheer) that riled up a lot of participants. It's 2020 - will there be a repeat or even more drama at this stage?

INSTRUCTIONS Please rank (#1-12) at least six of your group's songs. Please consider to the best of your ability: how musically interesting the song is (incl. and not limited to musical phrasing and orchestration); its lyrics; context within the film (contextual blurbs provided for every entry for those who haven't seen the films); choreography/dance direction (if applicable); and the song's cultural impact/life outside the film (if applicable, and, in my opinion, least important factor). Imperfections in audio and video quality may not be used against any song. I encourage you to send in comments and reactions with your rankings - it makes the process more enjoyable for you and myself! The top five songs in each group automatically advance to the final round. I reserve the right to pick 0-2 songs from one or both groups that finished outside the top five in their respective groups to contest the final round.

The deadline for submission is Saturday, December 12 at 11 PM Pacific Time. That is 9 PM Hawaii/Aleutian Time. That deadline is also Sunday, December 13 at 1 AM Central Time / 2 AM Eastern Time / 7 AM GMT / 8 AM CET / 9 AM EET. This deadline - as we have seen in the last few years - may be pushed back if there are a large number of people who have not submitted in time. However, I very much do not wish to extend the deadline because the final round is more intensive and usually involves more participants. Tabulation details are in the “read more” below.

Please participate in the group you have been sorted into, if you have not yet been sorted into a group and would like to participate, please contact me. You can access most, not all, of your group’s songs in these YouTube playlists: (Group A) / (Group B). Again, please note that not all of your group's songs are in the playlist for various reasons.

Happy listening. Feel free to listen as many times as you need, and I hope you discover music and movies that strike your interest. The following is formatted... ("Song title", composer and lyricist, film title):

GROUP A

“Blue Shadows on the Trail”, music and lyrics by Eliot Daniel and Johnny Lange, Melody Time (1948)

Performed by Roy Rogers and the Sons of the Pioneers

This is the introductory song to the final segment of Melody Time. That segment is dedicated to the legend of Pecos Bill, and this atmospheric song leads into the telling of that story.

“Born Free”, music by John Barry, lyrics by Don Black, Born Free (1966)

Performed by Matt Munro

Winner of the Academy Award for Best Original Song

This version with lyrics appears in the end credits. The main theme in the song is introduced in the opening credits and is incorporated extensively in John Barry's score across the film. Born Free, based on the non-fiction book of the same name is about two white Kenyan conservationists who raise an orphaned lion cub and eventually release her into the wild.

“But the World Goes 'Round”, music by John Kander, lyrics by Fred Ebb, New York, New York (1977)

Performed by Liza Minnelli

In this musical, USO singer Francine Evans (Minnelli) has been performing in New York City nightclubs, hoping to someday become a major recording star. This song appears as she is recording that very hit that will propel her to stardom.

“Exsultate Justi”, music and lyrics by John Williams, Empire of the Sun (1987)

Performed by orchestra and chorus under the direction of Williams

Lyrics in Latin

In this historical epic, affluent British school boy Jamie Graham (a young Christian Bale) is living with his parents in Shanghai when the Japanese invade. Jamie is separated from his parents and placed in an internment camp. Soon before the end of WWII, the prisoners are moved elsewhere, but Jamie hides and stays put. This song plays as Jamie bikes around the empty camp and continues to play as he encounters liberating U.S. troops. Jamie is dirty and malnourished when found; one can argue that this song is used ironically. It plays once more over the end credits. "Exsultate Justi" is a variation on a theme John Williams develops over the course of the film and harkens back to Jamie's past, attending Anglican services with parents.

"Farewell to Storyville",  music by Louis Alter, lyrics by Edgar De Lange, New Orleans (1947)

Performed by Louis Armstrong and his band, Billie Holiday, and company

In New Orleans, the Storyville district was a den of drinking, gambling, jazz, and prostitution. The district was the home to a heavily black populace. The U.S. military, about to establish a Naval base nearby, forces the city to close the district for good. This song is a jazzy dirge to a center of jazz - a musical genre looked down upon by many of the city's upper-class whites due to its ties (real and imagined) to crime.

"Hawaiian Sunset", music and lyrics by Sid Tepper and Roy C. Bennett, Blue Hawaii (1961)

Performed by Elvis Presley

In a musical packed end-to-end with songs, Chadwick "Chad" Gates (Elvis) has taken a job with a tour guide agency - and this includes performing during a luau for tourists. "Hawaiian Sunset" appears as one of the dinner show's numbers.

"Is There Still Anything That Love Can Do?", music and lyrics by Yôjirô Noda, Weathering with You (2019, Japan)

Performed by RADWIMPS

Lyrics in Japanese (translation)

Weathering with You is a romantic fantasy anime about a high school boy who runs away from his rural home to Tokyo, where he meets a girl who can manipulate the weather. It has been inexplicably raining for weeks without interruption in Tokyo, so they form a business to help clear the inclement weather for special events. The melody of this song is heard throughout the film's score. It does not appear with lyrics until late in the film. The song is played under the boy's seemingly impossible attempt to save her from an unwilling human sacrifice.

There is so much plot in this damn film (it's all Makoto Shinkai's fault) - I can't explain the context of the song or this movie in a reasonable amount of space.

“Mad Monster Party”, music by Maury Laws, lyrics by Jules Bass, Mad Monster Party? (1967)

Performed by Ethel Ennis

(opening credits version) / (soundtrack version with no sound effects)

In this Rankin/Bass stop-motion animated film, Baron Boris von Frankenstein (Boris Karloff in his final Frankenstein-related role) has discovered a formula that can destroy matter. Dispatching his bats to send the news, he summons the various members of the Worldwide Organization of Monsters to inform them of his discovery. This song is performed over the film's opening credits and the various introductions for the monsters as they receive their summons.

“My Dream Is Yours”, music by Harry Warren, lyrics by Ralph Blane, My Dream Is Yours (1949)

Initially performed by Doris Day; later reprised by Hal Derwin

Singer Martha Gibson (Day) has abruptly left New York City for Los Angeles to become a star on the radio. In a film where personal sacrifice is central, she stresses over how to bring her son out west with her, the direction of her career, and her tumultuous love life. "My Dream Is Yours" is the song that makes Martha a star, laying out the film's themes in its lyrics. I was unable to find Derwin's reprise, but no matter as the reprise is rather inconsequential.

“Ride the Wild Surf”, music and lyrics by Jan Berry, Brian Wilson, and Roger Christian, Ride the Wild Surf (1964)

Performed by Jan and Dean

Ride the Wild Surf is a surfing film that, unlike most surfing films of this time, is a drama. It follows three surfers (Fabian, Tab Hunter, Peter Brown) who have come to Oahu at the end of December to ride the large waves of Waimea Bay (made famous internationally by this song, this movie, and the Beach Boys' "Surfin' USA"). This song appears in the film's closing credits. The video provided is a montage of surfing footage that appears in the film.

“That’ll Do”, music and lyrics by Randy Newman, Babe: Pig in the City (1998)

Performed by Peter Gabriel

Nominated for the Academy Award for Best Original Song

This song begins at the end (and through the end credits) of Babe: Pig in the City, the second and last film in this series about a sheep-herding pig who perseveres amidst other animals and humans with ulterior agendas. The title is derived from the famous quote said by Arthur Hoggett (James Cromwell) to reassure Babe: "That'll do, pig. That'll do."

“Waqt Ne Kiya Kya Hassen Sitam”, music and lyrics by S.D. Burman, Kaagaz Ke Phool (1959, India)

Performed by Geeta Dutt (dubbing Waheeda Rehman)

Lyrics in Hindi - roughly, "Time Has Inflicted Such Sweet Cruelty On Us"

Song begins at 1:03:31 and ends at 1:07:51

Make sure to turn on the video’s English captions

In this romantic tragedy told in flashback, Suresh Sinha (Guru Dutt) is a director looking back on his life. Suresh is unhappily married to a woman whose in-laws look down on him because, to them, working in films is contemptible to their social class. Suresh meets a woman, Shanti (Waheeda Rehman), on accident and she is soon cast as the lead for his next film. They fall in love, but it is never consummated for various reasons. This song is the most explicit statement of that love in this film. How much of the scene's set-up is observable by the characters is up to the viewer's interpretation.

Group A participants include: @addaellis, @introspectivemeltdown, @memetoilet, @myluckyerror, @plus-low-overthrow, @shootingstarvenator, @themusicmoviesportsguy, @theybecomestories, @umgeschrieben, @underblackwings, @yellanimal. Seven others - including myself and my sister - are currently slated to be voting in Group A.

GROUP B

“Angela”, music and lyrics by José Feliciano and Janna Merlyn Feliciano, Aaron Loves Angela (1975)

Performed by José Feliciano

(English-language version) / (Spanish single version)

Played over the opening credits to this teenage drama that is partly a blaxploitation film, partly an interracial coming-of-age romance. The movie wasn't a hit, but the Spanish-language version of this song was received well in Latin America.

“Aren’t You Kind of Glad We Did?”, music by George Gershwin, lyrics by Ira Gershwin, The Shocking Miss Pilgrim (1947)

Originally performed by Betty Grable and Dick Haymes

(soundtrack version with Judy Garland and Haymes) / (modern arrangement far more faithful to how song sounds in the film)

Cynthia Pilgrim (Grable) is the top typewriting student from a business college in this period piece where the typewriter is the newest invention to sweep the business world. This song appears as Pilgrim and her boss, John Pritchard (Haymes), are about to go out on a date for dinner after talking about how society looks down on women in public without a chaperone.

“The Blues are Brewin’”, music by Louis Alter, lyrics by Edgar De Lange, New Orleans (1947)

Performed by Louis Armstrong and his band and Billie Holiday

(in-film version) / (Billie Holiday single)

After being evicted by the U.S. military from the historic Storyville district of New Orleans (the Navy had just opened a base in the area, and would not tolerate places of gambling, jazz, and prostitution nearby), the characters played by Armstrong and Holiday tour the country with a jazz band in tow. This song appears within a montage showing the passage of time.

“Dekhi Zamaane Ki Yaari / Bichhde Sabhi Baari Baari”, music by S.D. Burman, lyrics by Kaifi Azmi, Kaagaz Ke Phool (1959, India)

Performed by Mohammad Rafi (dubbing Guru Dutt)

Lyrics in Hindi - roughly, "I Have Seen How Deeply Friendship Lies / I Have Seen People Abandon Me One by One"

Part 1 (3:44-8:27) / Part 2 (2:16:29-2:20:42)

Make sure to turn on the video’s English captions

In this romantic tragedy, Suresh Sinha (Dutt) is a washed-up director looking back on his life. In the first part, the song leads into the rest of the film - which is almost entirely a flashback. In brief, Suresh is unhappily married to a woman whose in-laws look down on him because, to them, working in films is contemptible to their social class. Suresh meets a woman, Shanti (Waheeda Rehman), on accident and she is soon cast as the lead for his next film. They fall in love, but it is never consummated for various reasons. Eventually, his career crashes after a box office bomb and her career is ascendant. Leading into the second part of the song, Suresh is penniless and working as an extra at the movie studio. Shanti recognizes him, wants to help, but he refuses to revive his career on the back of her success. Kaagaz Ke Phool has elements of autobiography, and Suresh's fate has parallels with what happened to Dutt after this film was released.

“End Theme from Lone Wolf and Cub: Baby Cart to Hades”, music by Eiken Sakurai, lyrics by Kazuko Koike, Lone Wolf and Cub: Baby Cart to Hades (1972, Japan)

Performed by Tomisaburo Wakayama

Lyrics in Japanese (translation)

Video provided is not safe for work (NSFW) due to stylized violence

Ogami Ittô (Wakayama) is a former, disgraced executioner for the Tokugawa shogunate who wanders the land with his young son. He is intent on exacting revenge on the clan that murdered his wife. This song is played non-diegetically after Ittô has slain dozens of a corrupt governor's bodyguards and walks onward, pushing his son in a babycart, away from the dead left in his wake. This is the third of six films in the Lone Wolf and Cub series.

"Happy Endings", music by John Kander, lyrics by Fred Ebb, New York, New York (1977)

Performed by Liza Minnelli and company (that's Jack Haley - who played the Tin Man and was, at the time, Minnelli's father-in-law - roughly seven minutes in)

(use in film) / (soundtrack version)

It is highly recommended one sees how this song is used in the film. Bear with me: this song is part of a movie within a movie. Within that movie within a movie, there is another movie. "Happy Endings" is the title end song to a film called Happy Endings within New York, New York. Singer Francine Evans (Liza Minnelli) has made it big as a recording artist and caps off her hit film, Happy Endings, with this song. We see Francine's ex, played by Robert De Niro, in the audience as the film ends. "Happy Endings" is a homage/deconstruction to midcentury Metro-Goldwyn-Mayer (MGM) musicals. It serves the film as "The Broadway Melody" does to Singin' in the Rain (1952) or the 17-minute ballet does to conclude An American in Paris (1951).

"Here They Come (From All Over the World)", music and lyrics by P.F. Sloan and Steve Barri, The T.A.M.I. Show (1964)

Performed by Jan and Dean

The link above provides the entire film. You only need to watch from 0:00-4:11. If you like music from this era or want to hear more, this film is highly, highly recommended.

This is the opening credits song to a concert film recorded over two days in Santa Monica, California on October 28 and 29, 1964. The Teenage Awards Music International (T.A.M.I. - yes, I know it's an awkward name) Show included many of the most popular musical stars of that time - almost all of them name-dropped in this song. Jan and Dean, a surf music duo, served as hosts (and performed during) the show. You folks are lucky that this is the only original song from this film!

“Moonlight Swim”, music by Ben Weisman, lyrics by Sylvia Dee, Blue Hawaii (1961)

Performed by Elvis Presley

In a musical packed end-to-end with songs, Chadwick "Chad" Gates (Elvis) has taken a job with a tour guide agency. On his first day, he drives his first clients - a school teacher (who not so secretly is attracted to Chad) and four teenagers (one of whom becomes smitten) - to their destination.

“On the Boardwalk (in Atlantic City)”, music by Josef Myrow, lyrics by Mack Gordon, Three Little Girls in Blue (1946)

Performed by Carol Stewart (dubbing for Vera-Ellen), June Haver, and Vivian Blaine

(original soundtrack) / (Dick Haymes single)

In this rarely-seen musical (20th Century Fox wasn't very good at promoting its back catalogue compared to some other studios, and the situation is worse now that they are owned by Disney), three chicken farmer sisters (Vera-Ellen, Haver, and Blaine) decide to travel to Atlantic City in hopes of marrying a rich husband after learning their aunt's inheritance is not nearly as much as they want. They sing this song as they arrive and check into their hotel suite - which they apparently have not looked up the rate for.

Those who listened to the soundtrack version... FYI, $9.25 in 1902 is $280 in 2020.

“Personality”, music by Jimmy Van Heusen, lyrics by Johnny Burke, Road to Utopia (1946)

Performed by Dorothy Lamour

(in-film performance) / (live radio performance)

In the fourth film of the Road to... comedy series, Bob Hope and Bing Crosby's characters have just overpowered two Alaskan thugs with a history of murderous violence. As they enter a saloon dressed up as those two thugs, all of the patrons - in a town that only knows the thugs by reputation - shut up in terror. They are treated to a performance by Sal (Lamour), who is trying to find a map of a gold mine that the real outlaws supposedly have. A visual narrator (Robert Benchley) interrupts the scene before the song briefly.

“Please Don’t Stop Loving Me”, music and lyrics by Joy Byers, Frankie and Johnny (1966)

Performed by Elvis Presley

(in-film performance) / (single version)

Johnny (Elvis) and girlfriend Frankie (Donna Douglas) work on a Mississippi River riverboat as performers. Johnny is addicted to gambling and believes that another woman is spurring on his recent run of good luck. During a fit of jealousy-as-acting, Frankie accidentally shoots Johnny during a bit of musical theater (someone switched out the blanks for real bullets). This song occurs after Johnny has recovered from the accident.

"Wichita", music by Hans Salter, lyrics by Ned Washington, Wichita (1955)

Performed by Tex Ritter

This is the opening title song to this Western. It is one of many Wyatt Earp movies set before the famous Gunfight at the O.K. Corral. Earp (Joel McCrea) arrives in an otherwise lawless town of Wichita, Kansas where gunplay is rampant. In a radical move, Earp orders to seize the firearms of anyone living in or entering town - which doesn't sit well with some outlaws. This song is incorporated throughout the film's score.

Group B participants include: @cokwong, @emilylime5, @halfwaythruthedark, @maximiliani, @thewolfofelectricavenue, and @voicetalentbrendan. Twelve others - including me and my sister - are slated to be voting in Group B.

Contact me however you wish if you have questions or comments regarding MOABOS' processes or something specific about a song or a few. Please let me know as soon as possible if you are having difficulty accessing one of the songs (especially if it is region-locked) or if there is an error in the playlist.

I thank you all for your support for the Movie Odyssey, the blog, and for me personally - no matter how long I’ve known you or in what capacity. You will be contacted for the final round regardless of your participation here. If turnout in one group is lagging behind compared to another, I will ask some of the more senior participants to participate in the other group, too. No pressure if you cannot get to this, although I will be checking in as the deadlines get close. Stay safe and socially distanced, everyone.

TABULATION This preliminary round uses a points-based, ranked choice method which has been used since the first time I asked friends, tumblr followers, and family to help out. A respondent’s first choice receives 10 points, the second choice receives 9, the third choice receives 8, etc. The winner is the song that ends up with the most total points. The tabulation method used in this preliminary is used only as a tiebreaker in the final round (more on how the final is tabulated when we get there).

This tiebreaker will look slightly different this year.  

Tiebreakers for above: 1) total points earned; 2) total #1 votes; 3) average placement on my and my sister's ballots; 4) tie declared

[dustedmagazine]

Listed: Dr. Pete Larson

Dr. Pete Larson runs Dagoretti Records now, he’s gotten there by an unusually long and winding road. Earlier in his career, Larson fronted 25 Suaves and Couch and ran BULB records. He also trained as an epidemiologist and spent time in Kenya studying the transmission of malaria. While in Kenya, he developed an interest in a lute-like eight-stringed instrument called a nyatiti and studied it with the master player Oduor Nyagweno. All these interests collide in a striking first album from Dr. Pete Larson and His Cytotoxic Nyatiti Band, where the nyatiti “cuts through a haze of electric rock distortion, pinging rhythmically and restlessly against floating euphorias of ululating vocals,” per Jennifer Kelly’s review. Here he lists some favorites from several continents.

I have been asked to create one of these lists for Dusted and here’s what I came up with. Making these lists is kind of difficult. I have a hard time remembering what I’ve been listening to at any moment, but here is a collection of old and new that get frequent airplay in my home. I play a Kenyan lyre, so this heavily leans toward lyre and harps and East African music in general, with some other choice cuts thrown in.

Musicians Of The National Dance Company Of Cambodia — Homrong (Real World Records)

I think I got this record (CD) back in the early 90s when I was selling music to Caroline Records. A friend sent me a box of CD promos, most of which wasn’t very interesting, but fortunately, this one was included. I don’t really know anything about Cambodian music, but for some reason, this collection of mid-tempo Cambodian court jamz plays every couple of months. Lots of weird sort of lurching rhythms and chorus singing with an erhu like instrument over it. A great listen.

Maleem Mahmoud Ghania w/ Pharoah Sanders — Trance of the Seven Colors

The Trance Of Seven Colors by Maleem Mahmoud Ghania w/ Pharoah Sanders

Trance inducing this is. Maleem Mahmoud Ghania is (was) one of the 20th century masters of Moroccan Gnawa music, a sort of spiritual, bass-heavy, rolling kind of music of Morocco. Any recording by Maleem Mahmoud is going to impress, but this mash of up of Gnawa with the great Pharoah Sanders is another level. If you are familiar with Gnawa music, it is a little disorienting to hear Sanders howl over the slow burn trance jamz but you are quickly drawn into what a perfect matchup this ended up being. Released on CD in the 90s, it fortunately has finally gotten a proper vinyl release.

Momoyama Harue — “Lullaby for the mother demon’s baby” (桃山晴衣* ‎– 鬼の女の子守唄)

I was playing the shamisen for a while (a three stringed lute from Japan) and found Momoyama Harue as part of my research. Shamisen is kind of a folky instrument for drinking parlors and entertainment of old Japan. The instrument and the music was nearly dead but saw a revival in the 1960s, similar to folk revivals in the US that brought the banjo back. Momoyama, however, was kind of an outlier, more arty than folky, and more poetry than song. Rather than box the music in an imagined past or try to hopelessly smash it into amplified rock music, she pushed it forward, blending it with ambient synth along with Indian and Middle Eastern musics. One of her best collaborations was with the great Egyptian oud player Hamza el Din that was nearly dead until the 1960s. All of the songs on this record are haunting (as the title suggests), but these tracks with el Din are truly singular. I have been searching for a vinyl copy of this record for years; one day I’ll get lucky.

Lucas Odote — “J. Oreng”

Nyatiti Singles Volume 1 by Lucas Odote

I spent several years in Kenya learning to play the nyatiti, an eight stringed lyre historically played by a group of people in an area around Lake Victoria. I also spent time collecting records, searching for hours in dusty boxes for Kenyan traditional music records. One of my best finds was at Jimmy’s Records in Kenyatta Markets, this record by the great Nairobi based nyatiti player Lucas Odote. Most nyatiti records are just a guy playing solo and more ethno than funky. But this one seems to be Lucas teaming up with what I think to be Nairobi funksters, the Loki Toki Tok band. At least that’s what I can guess. My copy is beat to hell. It took some doing to get some sound out of it, but this is one of my faves in my collection.

Siti Muharam — Siti of Unguja (Romance Revolution On Zanzibar)

Siti of Unguja (Romance Revolution On Zanzibar) by Siti Muharam

I swear I saw Siti Muharam sing on the deck of a hotel bar while vacation in Zanzibar several years ago. I can’t be certain, but I am pretty sure it was her singing for the band I saw. The traditional form of Taarab music is something to be experienced. Taarab music comes from the Arab coast of East Africa, and is this fantastic mix of local feel and Arab sounds, overlapped with heart wrenching songs of lost love and longing. I think there are some foreigners involved in this production, but this is an excellent document of Taarab music at its best.

Grandmaster Masese — “Orogena rwa Baba”

Grandmaster Masese: New African Soundz Singles No.1 by Grandmaster Masese

It might be gauche to put records from your own label on a list like this, but I am first a music fan and second a musician and third a music seller… so this one stays. G-master is a friend of mine from Kenya and one of the best humans I know. One of just a handful of people who play the Obokano, a giant 8 stringed lyre that emits an unforgettable sub-bass buzzing sound and this was his first release in the US and one of my favorite records ever. We recorded this in his kitchen in Nairobi with just a couple of mics over dinner. G is a cool guy. You should listen to his music.

Yagi Michiyo — Seventeen

Yagi is another Japanese musician who specializes in what one would think is a “traditional” instrument, but who brings much more to the table than one would expect. Yagi is a koto player by training. You have probably heard koto in the background music for scenes of Japan in American movies. The version you hear there is mostly lifeless and flat, kind of like a plastic chair in the corner. Yagi, however, plays the 17 string bass koto, invented in the 1920s or so, to try and give new life to the instrument. Yagi creates weird percussive, dissonant music that I can’t really get enough of.

Asnakech Worku (featuring Hailu Mergia) — Asnakech

Asnakech by Asnakech Worku

Asnakech Worku was a lot of things; pioneer, actress, but most notably a female Krar player. Certainly there might have been other female Krar players in Ethiopia at the time, but Krar players are mostly men. The Krar is a lyre from Ethiopia, mostly played with one hand, though there are several playing styles out there. Worku plays haunting sounds on her Krar on this record, backed up by famous Ethiopian keyboardist Hailu Mergia, who really needs no intro.

Ogola Opot — “Domtila Ogola”

This will probably be the only 78 on this list. Ogola Opot is considered the grandfather of the Kenyan nyatiti, coming to prominence in the 1960s and 70s, and creating the genre we know as Siaya style “traditional nyatiti.” If someone asks me what nyatiti music sounds like, this is probably where I would have people start. I include this first because it is a great record and second because it was my holy grail for a while (though I always have new holy grails) and managed to find a pristine copy for sale from a place in France recently. I am not going to say how much I paid for it.

Sosena Gebre Eyesus — S/T (Little Axe Records)

Sosena Gebre Eyesus by Sosena Gebre Eyesus

I bought this record off the net because I am a huge fan of Begena music, this haunting, trance inducing music from Ethiopia that appears to be the go-to for Ethiopian Christians… but this record explained nothing of that. Just a picture of a lady with a begena and no other info…. It took me a while to put together what the record was and where it came from, but the sounds contained within are impeccable. Just 40 minutes of weird undersea tones on a giant bass lyre.

[ngendo]

Birthday Flex

*Text first published on 23rd March 2021 on Facebook.*

Dear People, Thank you so much for the birthday wishes. It's very strange to try to celebrate while there is so much hurt in the air, streaming through our blood, burying itself between each, single, breath. I know three people who have lost loved ones this week, and it's Tuesday. Because of them and so many others, I celebrate the fact that I am still here. That I still breath, that I still get pissed off, that I continue to march on wards to (and hopefully through) 40, that I can complain, that I can lay on the grass in my garden, go for walks in the evening, drink tea, cuddle with my lover, play football with Chairman, harvest mint between giggles with my niece. I MUST celebrate that the things that prickle my skin and make my blood boil, can only do so, because I am here. Being angry is part of being alive, and knowing, that we DESERVE better WHILE we are here. Here. Not tomorrow, not in an afterlife unseen. HERE. I am grateful to be alive on this beautiful, hectic, violent ass planet. Violent, because we made it so. I am grateful to be aging because the other option is to be gone. I am grateful to have anger coursing through my veins, because it means that sometimes I find enough courage to erupt, to burn, and to say NO FUCKING MORE. The liberation to be a woman and to burn so bright that people fear your voice, but cannot come to your face and silence it..... ahhhhh, it's like eating cool chunks of pineapple in the afternoon sun, until my tongue stings. To be an African Woman that can shout my truth and only receive whispers in the wind from those who prefer my silence.... to KNOW that I have brought fear to those who willingly oppress others daily..... it is the scent of freshly cut strawberries saturating my nose.   It is the fruition of my toil.   I wish that all of us could experience this at least once in our lives, for it is simply being a human. Being allowed to occupy space. That is it. Daily, we operate in fear, silenced in advanced by doctrine, by tradition, by manhood, by whiteness, by the patriarchy. Fuck all that shit. Burn Bissshhhh. Burn. My anger is born of LOVE. >Love for my people. >Love for Afro women carrying too much weight on their backs, while foreigners with lenses exoticize the length of our necks, and our male counterparts pontificate about our resilience with opaque ideas of 'tradition'. >Love for my LGBTQI people ducking and diving between shadows because our society worships a white god that banished Blackness and ALL African sexuality, into aberration. >Love for the people who service our middle class asses daily but every damn time one of us tries to get them better salaries, the neighbourhood committee throws mountains of paperwork in your face to keep poor people poor. (Note for anyone who is economically marginalised, DO NOT trust the Kenyan middle and upper class. We're too busy imagining we can become millio-billionaires while using the Bible to justify your poverty. At any chance you get, throw us overboard.) > Love for the fucking effort it takes just to speak your truth despite knowing that some of your friends will feel the need to inform you that they  as a person living in white skin (especially the ones in Europe) KNOW the ultimate and only legitimate complete alpha and omega truth about being a Black person. (Fuck right off by the way. Cheers.) > Love for all of us surviving Christianity through complete cultural erasure and the severing of ourselves from our own Black bodies and tongues, even when we cannot name that emptiness. > Love for all of us relegated to even lower depths of the hierarchy because we were born with not a penis nigh! >Love for us additionally ostracized for being the parent that stayed. (Single moms where you at!? ) > Love for all of us who silently cry NO MORE even as society uses our bent backs as a foundation for the institutions that oppress us. Growing up, I was repeatedly told that I as a girl should be quiet, I should sit with my legs close together and cover myself up, I was told it's not nice for me to be angry, or to swear, nice girls don't move their hands about when talking, nice girls don't shout. I was told, "Women don't have muscles" even as I could tense the rippling sinews on my abdomen and form a juicy waru on my arm. Anger is perhaps the greatest muscle we were taught to never flex. It was smothered into the most silent corners of our ever silent bodies. But our anger is bright and buoyant and fucking beautiful. While others are allowed to tear through nail salons, and churches, and communities, and races, and entire continents, and their psychosis is celebrated as conquest and empire, or noted as depression and 'having a bad day'...... Our rightful and justified anger has been silenced from our very first cry at birth. The rage of women, could turn this whole world upside down, inside out. This woman has muscles. This woman swears. This woman sits with her legs open when she fucking wants. This woman has sex. This woman takes shits. This woman writes poetry and paints pictures. This woman makes films, and my films are fucking legit. This woman loves herself. I love myself. I love myself over and beyond the conditional respect and allowances you may grant me. They are not important to me. I have no love for your rules and regulations set to limit my freedoms. If this hurts your sensibilities, try loving yourself instead. In any case, IDGAF. Happy New Birth Year to me. Happy Re-Birth to all the women I know. We must burn today, because we won't be here tomorrow. We must burn today, because otherwise, when we are gone our only legacy will have been our subservience; kneeling as a stepping stone for the dreams of others. We must burn today, because that subservience will be celebrated to oppress those that come after us. Women. Burn. May our collective anger over run the shackles that contain us. Heck fucking yeah!!

[bountyofbeads]

Coronavirus Live Updates: South Korean Cases Spike, and Fear Builds https://nyti.ms/38NmL2w

Coronavirus Live Updates: South Korean Cases Spike, and Fear Builds

A major city is locked down and 28 countries outside of China have reported a total of 1,500 cases.

RIGHT NOW

Iran reports a sixth death, and Israel is barring travelers from South Korea.

Here’s what you need to know:

READ UPDATES IN CHINESE: 新冠病毒疫情最新消息汇总

THE COUNT: 28 COUNTRIES AND A SPIKE IN SOUTH KOREA.

South Korea reported 229 new coronavirus cases on Saturday, doubling its total in a single day and adding to concerns that another Asian country is losing control of the spread and that the window to avert a pandemic was closing.

As of Saturday, the virus had spread to 28 countries. Some 1,500 cases have been confirmed outside China; multiple infections in the United States, Italy, Iran and the United Arab Emirates; and one in Egypt, the first to be confirmed on the African continent. The highest death toll outside of China is in Iran, with six as of Saturday.

Panic is spreading in Israel, where a woman, who was aboard the Diamond Princess cruise ship in Japan tested positive after returning home, health officials said.

Many African countries are bracing for the disease. The World Health Organization has identified 13 as priorities because of their direct links to China or their high volume of travel to it.

SOUTH KOREA’S FOURTH-LARGEST CITY IS ON LOCKDOWN.

South Korea added 229 new coronavirus cases on Saturday, driving its total to 433. Prime Minister Chung Sye-kyun called the situation “grave.”

“We will deal sternly with any acts that interfere with the government’s quarantine efforts and add to anxiety among the people,” Mr. Chung said in a nationally televised statement. He urged citizens not to hoard facial masks or other hygiene products.

More than half of the cases are among members of a secretive religious sect, the Shincheonji Church of Jesus, and their relatives or contacts. Between Daegu, the country’s fourth largest city, and a nearby province where the sect’s members often do volunteer work, 352 people have tested positive.

More than 1,250 members of the sect have reported potential symptoms, and officials are still trying to locate 700 members so they can be screened.

The neighborhood around the sect’s church in Daegu has turned into a ghost town. Banks, coffee shops, restaurants and convenience stores have all shut down.

Across the city of 2.4 million, department stores, shopping alleys and outdoor marketplaces are drained of shoppers.

The only places more crowded than usual are government-run health centers, where citizens lined up to find out whether they were infected.

In Busan, South Korea’s second largest city, public libraries, a horse racetrack and facilities for senior citizens closed when the city reported its first coronavirus case on Friday.

Many churches have shuttered, instead offering prayer services online. Others stayed open, but skipped hymns or “Amens” to limit congregants’ exposure.

The national news agency Yonhap reported people emptying shelves of rice, instant noodle, eggs and other essential food items in some supermarkets in Chuncheon and Ulsan, as both cities reported their first cases on Saturday.

Samsung, the world’s smartphone maker, shut down a factory about an hour north of Cheongdo after a worker tested positive. The factory is expected to resume operations on Monday morning, Samsung said. But the floor of the factory where the patient has worked will be closed until Tuesday morning, it said.

PRESIDENT TRUMP WAS FURIOUS OVER THE REPATRIATION OF INFECTED AMERICANS.

The news that 14 American citizens from the Diamond Princess who had tested positive for the coronavirus were being flown to the United States this week surprised and infuriated President Trump, two senior American officials said.

The Washington Post first reported Mr. Trump’s anger on Friday. The president is a self-declared “germophobe.”

Mr. Trump conveyed his anger to Alex M. Azar II, the health and human services secretary overseeing the White House interagency task force on the coronavirus, and other top officials. The task force’s top State Department official is Stephen E. Biegun, the deputy secretary of state.

One official said that Mr. Trump views keeping infected people from entering the country as critical to keeping the country safe and that the president wants to be seen as managing a proper response.

The decision to fly back the infected passengers was made over the objections of officials at the Centers for Disease Control.

On Monday, after two planes carrying more than 300 evacuated passengers had landed at military bases in Texas and California, William Walters, a top medical official at the State Department, told reporters that the decision to keep the 14 infected Americans in the group had been made by the State Department in consultation with Robert Kadlec, an assistant secretary at the Department of Health and Human Services.

Dr. Walters said that the evacuation had already begun when Japanese officials informed their American counterparts of the laboratory test results. Dr. Walters said that he had spoken with Dr. Kadlec to go over the options after learning of the test results.

Since the passengers returned, Japanese officials have informed American officials that several more of them had also tested positive for coronavirus.

On Friday, American officials said at least 34 people inside the United States have the virus — 18 of them from the Diamond Princess. All of the 34 cases have been linked to overseas travel. There has been no sign yet of the virus spreading among communities in the United States.

[ U.S. MOBILIZATION: Local health departments around the country are scrambling to monitor the thousands of people returning from travel in China and elsewhere. READ BELOW]

THE W.H.O. HEADS TO WUHAN, AND SAYS IT FEARS FOR AFRICA.

A team of experts from the World Health Organization were traveling on Saturday to the Chinese city of Wuhan, the center of the coronavirus epidemic, the agency’s director general, Tedros Adhanom Ghebreyesus, said.

Health professionals from the U.N. agency have worked on the outbreak in three Chinese provinces — Beijing, Sichuan and Guangdong — but had not yet been to the city at its heart.

Dr. Tedros confirmed the trip during an address on Saturday morning to African officials from Geneva, where he spoke of the virus’s increasing global spread and urged them to prepare for possible cases on their continent.

“We have to take advantage of the window of opportunity we have, to attack the virus outbreak with a sense of urgency,” Dr. Tedros told the leaders, who had gathered for an emergency meeting on the response to the coronavirus in the continent.

With only one confirmed case on the continent, Africa has so far been mostly spared, but health officials have warned that the spread could be deadly in countries with already-strained health systems. The W.H.O. has provided online training on the coronavirus to 11,000 African health workers.

China and Africa have become intertwined in the last two decades as China has expanded its political, economic, and military ties to Africa, funding large infrastructure projects and pledging tens of billions of dollars in investments and loans.

Now, Africa has large numbers of Chinese workers and more than 81,000 Africans were studying in mainland China in 2018. About 4,600 African citizens and students were living in Wuhan.

While some African countries, including Morocco, Mauritius and Egypt, have evacuated their citizens from China, Kenya has not. On Friday, the Kenyan government explained its rationale on Twitter, saying “the safest place for the students to be is Wuhan.”

[CORONAVIRUS IN AFRICA: Experts worry that the steady traffic between China and Africa could spread the epidemic and overrun the continent’s already-strained health systems

ISRAEL BARS SOUTH KOREAN TOURISTS.

Nine South Korean tourists who spent a week visiting some of Israel’s most popular religious sites have tested positive for the coronavirus after returning home. Within hours, Israel began closing the country to South Korean travelers altogether.

Korean passengers flying on a Korean Air flight scheduled to land at Ben Gurion Airport at 7:30 p.m. Saturday would be barred entry into the country, Ynet reported late Saturday afternoon. Kan radio said that, on Sunday, the government would discuss whether to allow the other South-Korea-to-Tel Aviv flights to continue.

Israel’s health ministry ordered the immediate suspension of all tours by South Korean tourists who are currently in Israel, according to Kan radio. Health officials were working with the tourism ministry and travel agencies to book flights back to South Korea for the 1,700 South Korea tourists in Israel.

Israel suspended all flights from China on Jan. 30 in response to the outbreak of coronavirus.

The nine South Korean tourists were among a Roman Catholic tour group of 77 people, Haaretz reported. The health ministry said the pilgrims visited Israel from Feb. 8 to Feb. 15, touring Christian sites and other attractions in Netanya, Caesaria, Nazareth, the Sea of Galilee, the Dead Sea, Beersheva, Hebron and Jerusalem.

Among the often-crowded sites the group visited were the Cave of the Patriarchs in Hebron and the Church of the Holy Sepulcher in Jerusalem.

The health ministry said it was conducting an epidemiological investigation to identify anyone who came in contact with the group.

Twenty Israel Nature and Parks Authority employees and two Dead Sea hotel housekeeping employees who were in contact with the South Korea tourists have already been placed in quarantine, according to local reports.

RUSSIAN DISINFORMATION BLAMES U.S. FOR CORONAVIRUS.

State Department officials say that thousands of Russia-linked social media accounts are spreading disinformation about the coronavirus, including a conspiracy theory that the United States is behind the Covid-19 outbreak.

American monitors identified the campaign in mid-January. Agence-France Presse first reported on the assessment on Saturday.

“Russia’s intent is to sow discord and undermine U.S. institutions and alliances from within, including through covert and coercive malign influence campaigns,” said Philip Reeker, the acting assistant secretary of state for Europe and Eurasia.

“By spreading disinformation about coronavirus, Russian malign actors are once again choosing to threaten public safety by distracting from the global health response.”

The effort was described as being carried out by several thousand Russia-linked accounts on Instagram, Facebook and Twitter, which post similar messages at similar times in English, Spanish, French, German and Italian.

Fringe theories of uncertain origin have accused China of engineering the virus, including suggesting that it is an escaped bioweapon.

Misinformation about the virus — whether shared purposefully or unwittingly — is so rife that the World Health Organization has called it an “infodemic.” The W.H.O. has been working with big tech companies to try to quell the flood of rumors and falsehoods.

IRAN’S DEATH TOLL FROM THE VIRUS REACHES SIX, THE HIGHEST OUTSIDE CHINA.

Iran, which insisted as recently as Tuesday that it had no coronavirus cases, confirmed 28 cases and six deaths on Saturday, according to Iranian state media, making it the country with the highest death toll outside of China, where the number climbed to 2,345 on Saturday.

On Saturday, Dr. Tedros Adhanom Ghebreyesus, the World Health Organization’s director, said the organization was “especially concerned about the increase in cases in the Islamic Republic of Iran.”

Iran was the first country in the Middle East to declare deaths related to the virus. The head of public relations at the country’s health ministry, Kianush Jahanpur, wrote in a tweet that most of the infections came from Qom, 80 miles south of the capital, Tehran. Officials also confirmed cases in Tehran, and in the northern city of Rasht.

The number of deaths suggest the virus is being transmitted far more widely than Iranian officials have acknowledged. Infectious health experts note that, if, as Chinese doctors have reported, the virus kills about 2 percent of known victims, multiplying the number of deaths by 50 offers a rough case estimate. On that logic, Iran could have 300 cases.

Already, cases of travelers from Iran testing positive for the virus have turned up in Canada and Lebanon, and on Saturday, the United Arab Emirates said two Iranian travelers had the virus, raising that country’s total cases to 13.

State media in Iran reported that universities and institutions of higher education were closed for a week in 10 provinces and schools were closed for three days in Tehran because of the virus. Seminaries in Qom were also closed.

Concerts, movies and other cultural events were canceled across the country for a week, state media said. And spectators were barred from soccer games countrywide.

Kuwait Airways announced Saturday that it would evacuate more than 700 Kuwaiti nationals from Mashhad, Iran.

As Iran holds parliamentary elections this weekend, many voters in Qom lined up in front of voting stations wearing masks, according to videos from Iranian news agencies.

Conflicting news reports emerged on Saturday about the mayor of a district of Tehran, who was said to have been hospitalized with coronavirus symptoms on Friday. But the semiofficial news agency Fars later denied that the mayor, Morteza Rahmanzadeh, had been hospitalized, saying he was in good health.

[ FEARS OF A PANDEMIC RISE: Health officials warn that the number of cases outside of China may be greater than previously acknowledged. READ BELOW]

THE C.D.C. LIFTS RESTRICTIONS ON WESTERDAM CRUISE SHIP PASSENGERS.

The U.S. Centers for Disease Control and Prevention has advised American passengers of the Westerdam cruise ship that they do not need to self-quarantine and are no longer subject to travel restrictions after their lives were upended when a fellow passenger was found to have the coronavirus.

No other infections have been found among passengers on the Westerdam, a C.D.C. spokesman said on Saturday, adding that the organization had sent an advisory to state and local health departments this past week.

An American woman, 83, who had disembarked from the Westerdam in Cambodia along with more than 2,000 other passengers and crew members, had tested positive for the coronavirus after arriving at the airport in Kuala Lumpur, Malaysia, on a subsequent layover, Malaysian officials said on Feb. 15. Only a small number of passengers had been tested before they were allowed to disembark.

The American passenger’s diagnosis, which Malaysian officials said was confirmed in a second test, had raised fears that another vector of transmission was going global. Cambodia has called the Malaysian diagnosis flawed.

That no other Westerdam passengers have become ill is not proof in itself that the American woman’s diagnosis was flawed, said Dr. William Schaffner, an infectious disease specialist at Vanderbilt University Medical Center.

But Dr. Schaffner said the C.D.C. has been “very meticulous about implementing a containment policy in the U.S. and has been assiduous about finding and monitoring people who’ve had contact or previous exposure.”

On Saturday, the Malaysian health director general, Noor Hisham Abdullah, said that the American passenger was now clear of the coronavirus and was being monitored in the hospital with a “slight cough,” after an antiretroviral treatment.

People who have recovered from the infection will test negative as their bodies clear the virus.

Cambodia’s prime minister, Hun Sen, who had personally welcomed the ship’s passengers after they had been turned away from several other ports, called Malaysia’s diagnosis into question again on Saturday. The woman never had coronavirus at all, he said.

Mr. Hun Sen is a close ally of China and his claims have cast doubts on the seriousness of the coronavirus outbreak.

JAPAN ADMITS RELEASING SOME UNTESTED CRUISE SHIP PASSENGERS BY MISTAKE.

Just days after releasing nearly 1,000 passengers from the cruise ship quarantined for two weeks in the port of Yokohama that has been a coronavirus hot spot, Japan’s health minister admitted that 23 passengers had been mistakenly cleared to leave without taking a valid recent test.

In a news briefing on Saturday night, the health minister, Katsunobu Kato, apologized for the error that allowed the passengers, who had not been tested since before the ship went into lockdown on Feb. 5, to leave the Diamond Princess.

The Japanese Health Ministry said it had tested them and checked for symptoms, and certified that they posed “no risk of infection.”

Mr. Kato said that all 23 mistakenly cleared passengers had boarded some form of public transportation after disembarking. He said none of them had reported any symptoms so far and 20 had already agreed to be retested, with three negative tests so far.

Although several governments that evacuated citizens from the ship — including those in the United States, Australia, Hong Kong and South Korea — confined them for an additional 14 days at home, Japan said that passengers who had tested negative for coronavirus and showed no symptoms could leave starting this week.

On the subject of the passengers released untested, Mr. Kato said that public health officers who had been conducting the tests missed the 23 passengers as they went door to door.

“While they made their multiple rounds to take samples, some passengers left their rooms to go outside and do exercise or something,” he said, “so they were unavailable.”

A total of 634 people tested positive on board the cruise ship, and two passengers infected with the coronavirus have died.

_____

Reporting and research were contributed by Hannah Beech, Liz Alderman, Vivian Wang, Choe Sang-Hun, Elian Peltier, Donald G. McNeil Jr., Farnaz Fassihi, Amy Harmon, Steven Lee Myers, Elaine Yu, Marc Santora, Matt Philips, Niraj Chokshi, Amie Tsang, Keith Bradsher, Amber Wang, Yiwei Wang, Ed Wong, David Halbfinger and Derrick Bryson Taylor.

*********

‘All Hands on Deck’: Health Workers Race to Track Thousands of Americans Amid Coronavirus

Local health departments around the United States are scrambling to monitor thousands of people returning from travel in China and elsewhere. Among the tasks: daily calls, emails, texts.

By Amy Harmon and Farah Stockman | Published Feb. 22, 2020 Updated 11:13 a.m. ET | New York Times | Posted February 22, 2020 |

After a long journey at sea on the Westerdam cruise ship, which was denied entry at ports across Asia over fears of the coronavirus, Holley Rauen finally returned home to Florida on Wednesday night. Moments later, she discovered that she had joined a cast of thousands who are being meticulously tracked by local health officials across the United States.

As Ms. Rauen’s plane from overseas touched down, one message was already waiting on her phone, from a nurse at the local public health department in her Florida county. Should she develop a fever or cough over the next 14 days, she should report it immediately, the nurse explained when Ms. Rauen called back.

“I was so impressed,” said Ms. Rauen, who is herself a retired public health nurse from the same health department in Lee County. “We are really truly in uncharted waters.”

Preventing the spread of infectious disease is the essence of public health work, but the scale of efforts by state and local health departments across the country to contain the virus known as COVID-19, experts said, has rarely been seen. Since early February, thousands of people returning to the United States from mainland China, the center of the outbreak, have been asked to isolate themselves at home for 14 days.

Local health officials check in daily by email, phone or text. They arrange tests for people who come down with symptoms, and in some cases, groceries and isolated housing. There is no centralized tally in the United States of people being monitored or asked to remain in isolation, and they are scattered across the nation’s nearly 3,000 local health jurisdictions.

People arriving from mainland China are added each day, while those who have completed 14-day “self-quarantine” periods are released from oversight. In California alone, the department of public health has been monitoring more than 6,700 returning travelers from China, while health officials in Washington State have tracked about 800, and officials in Illinois more than 200.

The nationwide mobilization is taking a financial toll, health officials say. The cost to local health departments is unknown, but some experts say it has reached into the tens of millions. Even as the first of 34 confirmed coronavirus patients in the United States have recovered in recent days, health officials say they are preparing for what some fear could still be a much wider outbreak. Worldwide, the virus, which is known to be highly contagious, has infected 75,000 people and killed more than 2,000.

“All hands on deck are being pulled into this,’’ said Dr. Marcus Plescia, the chief medical officer for the Association of State and Territorial Health Officials, a nonprofit organization that represents public health agencies across the country. “If it really blows up, at some point, it could overwhelm state and local health departments.”

So far, officials say, the containment effort in this country has been largely orderly. The only known transmission of the virus in the United States has involved people in the same household. But no matter how effective health workers are in monitoring their charges, “there will always be some leakage,’’ said Dr. John Wiesman, the Secretary of Health in Washington State.

In Washington, where the first coronavirus patient in the United States was confirmed on Jan. 21, health officials tracked down and monitored 69 individuals with whom the man had come in contact, including work colleagues, health workers and other patients present in a clinic he visited when he first felt sick. Still, there have been issues. One person the man had been in contact with and who had developed symptoms of illness flew on a plane to Wisconsin during the 14-day period when she was supposed to be isolated at home.

“There is no way, with something this large, that you can make it seal-proof,’’ said Dr. Wiesman, who has started twice-weekly conference calls with the chief health officers in every state and territory to share tips and seek advice on how to manage the shifting challenges of the coronavirus response. While enforcing total compliance with isolation orders may not be possible, Dr. Wiesman said, “We have to try for 80 to 85 percent, and hopefully that will work.’’

Federal authorities are in charge of setting guidelines to manage the danger, such as deciding how much risk a returning traveler poses and who should be tested for the coronavirus. But the day-to-day work putting those policies in place and tracking thousands of people falls to the vast, decentralized network of local health departments across the country. Travelers’ data, culled from federal customs officials, is passed on to state health agencies, who farm out lists of people returning from China to local health departments.

In the Chicago area, public health officials are using an electronic monitoring system originally developed to track the measles to monitor more than 200 travelers. Each day, they receive a link asking their temperature and symptoms.

The costs associated with containing the virus have reached more than $150,000 a week for the Chicago public health department alone, according to its commissioner, Dr. Allison Arwady. Among the costs: $17,000 for a quarantine facility at an undisclosed location for people who can’t isolate themselves at home. So far, fewer than five people have used it, she said.

“If you are quarantining them under a legal order, you have to think about food, their medications, their communication needs and their mental health,” she said.

Some jurisdictions have negotiated with hotels to host people who may harbor the virus. Washington State has RV’s.

Ruth Jones, public health commissioner in Quincy, Mass., a town of about 100,000 people south of Boston, says that her department has been receiving lists of between three and 10 people each day who are returning from China and are being asked to stay isolated from other people. Quincy’s two public health nurses and two translators have been working long hours to call them and make sure they understand how to monitor and report any symptoms.

“It’s overtime for our nurses,’’ Ms. Jones said. “It’s been extremely busy,”

Local officials in places that have had confirmed cases have been under particular strain. In Madison and Dane County, Wis., a local health staff of 160 has been forced to rearrange its operation to focus on monitoring anyone who may have been exposed to a resident who tested positive for the virus after falling ill and remains in self-isolation.

“We’re in this new normal, but it’s not normal,” said Janel Heinrich, the county’s director of public health.

Along with monitoring individuals who are seen as at risk of having been exposed to the virus, state and local health officials have been scrambling to prepare for worst case scenarios in the months ahead. State officials in Washington said they will hold a webinar next week to brief school superintendents on best practices for cleaning and planning for home schooling should schools need to shut down.

“People are doing contingency planning,’’ said Julie Sullivan-Springhetti, spokeswoman for the Multnomah County Health Department in Oregon, which has devoted resources to preparing a regional hospital system for a potential case. “Just like we plan for the Cascadia earthquake, which may or may not happen in our lifetime.”

As for the returning passengers from the Westerdam, the cruise ship, passengers at first thought they had no reason to worry about the coronavirus because no one on the ship had traveled through mainland China during the outbreak. But after passengers began leaving the ship to head home, an 83-year-old woman was reported to have tested positive on a layover in Malaysia, creating confusion and chaos.

Erin Carney, 70, a retired nurse and midwife from Mendocino County, Calif., flew out on the same flight as the woman who was reported to have tested positive, though questions have been raised about that finding and the C.D.C. has since said that other passengers do not need to isolate themselves.

Given the initial reports of a positive test, Ms. Carney called hospitals to figure out what she and her partner should do.

“The person that we spoke to read the C.D.C. guidelines and thought that everything seemed fine and we didn’t have to self-quarantine,” Ms. Carney said. “They said, ‘If you have symptoms, go see your doctor.’”

But then a nurse from the Mendocino County Health and Human Services Department called Ms. Carney. She recommended that they quarantine themselves at home, and offered to supply groceries.

“We had kind of talked about doing that anyway,” Ms. Carney said. “They’ve called every day since.”

_____

Nicholas Bogel-Burroughs contributed reporting.

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With 4 Deaths in Iran and More Cases on 3 Continents, Fears of Coronavirus Pandemic Rise

Health officials called the surge in reported infections “very worrisome,” as cases soared in South Korea. Europe and North America reported a big uptick in infections.

By Vivian Wang, Donald G. McNeil Jr., Farnaz Fassihi and Steven Lee Myers| Published Feb. 21, 2020 Updated Feb. 22, 2020, 12:52 a.m. ET | New York Times |

HONG KONG — An alarming surge of new coronavirus cases outside China, with fears of a major outbreak in Iran, is threatening to transform the contagion into a global pandemic, as countries around the Middle East scrambled to close their borders and continents so far largely spared reported big upticks in the illness.

In Iran, which had insisted as recently as Tuesday that it had no cases, the virus may now have reached most major cities, including Tehran, and has killed at least four people, according to health officials. Already, cases of travelers from Iran testing positive for the virus have turned up in Canada and Lebanon.

The number of cases also soared in South Korea, with the sudden spread tied to a secretive church where hundreds of congregants attended services with numerous people infected with the virus.

The United States now has 34 cases, with more expected, and Italy experienced a spike from three cases to 17 and ordered mandatory quarantine measures.

“The cases that we see in the rest of the world, although the numbers are small, but not linked to Wuhan or China, it’s very worrisome,” Tedros Adhanom Ghebreyesus, director-general of the World Health Organization, said Friday at a news conference at the agency’s headquarters in Geneva. “These dots are actually very concerning.”

As uneasiness about the breadth and duration of the outbreak grew, stocks fell for the second straight day on Friday amid worries the virus would drag down global demand and hurt the world economy.

The disturbing reports out of Tehran suggested the virus was being transmitted far more widely there than officials had previously acknowledged. While the country’s health officials confirmed only 18 cases by Friday, the number of deaths indicates the total is likely to be far higher.

Four reported deaths probably mean at least 200 cases, said Michael T. Osterholm, director of the Center for Infectious Disease Research and Policy at the University of Minnesota. If the virus kills about 2 percent of known victims, as Chinese doctors have reported, then the number of deaths can be multiplied by 50 to get a rough case estimate, he explained.

“People don’t die right away of this virus — it usually takes two or three weeks after cases start to spread for the first death,” Mr. Osterholm said. “So there may be a lot more cases, and a lot more deaths on the way. And we didn’t even know there was a problem in Iran before yesterday.”

Minou Mohrez, who is on the infectious disease committee of the Iranian Health Ministry, told the official IRNA news agency on Friday that it was clear the virus was spreading across Iran’s cities.

“A coronavirus epidemic has started in the country,” she said. “It’s possible that it exists in all cities in Iran.”

A spokesman for the Health Ministry, Kianush Jahanpur, said on Friday there were more than 735 people hospitalized with flulike symptoms who were being tested for the virus.

Kuwait’s civil aviation authority on Friday stopped all flights to and from Iran, which shares a long border with both Afghanistan and Iraq, where health officials have a limited capacity to stop the spread of the virus should it find its way to those countries.

Dr. Sylvie Briand, the director of infectious hazards management for the W.H.O., said the rapid increase in cases in Iran was disquieting.

“We are wondering what the extent of the outbreak in Iran is,” she told reporters on Friday. “We are wondering about the potential for more cases to be exported in the coming days. We want all countries to be aware of this and to put in place detailed measures to pick up these cases as early as possible.”

As concern grew that Iran was emerging as an important new vector of transmission, the country where the coronavirus originated was also responding to significant negative developments.

Officials in China, already straining to deal with an outbreak that has infected more than 76,000 people and resulted in 2,300 deaths, announced a new front in its war on the virus on Friday as officials reported clusters of infections in at least four prisons in three provinces.

The outbreaks, affecting at least 512 prisoners and guards, raised the specter of the disease spreading through the country’s extensive prison system.

More than 200 of the infections occurred in one prison in the city of Jining, 450 miles east of Wuhan, the capital of Hubei Province and the center of the outbreak; officials there suggested that the cluster may have been tied to a prison guard.

In South Korea, the total number of cases surpassed 340 on Saturday morning, and the authorities were racing to trace all the people who had come in contact with members of the Shincheonji Church of Jesus. Members of that church, along with their relatives and others who got the virus from them, account for more than half of the country’s confirmed infections.

More than 1,250 other church members have reported potential symptoms, health officials said, raising the possibility that the nation’s caseload could skyrocket.

As of Saturday, more than 700 members of Shincheonji, which mainstream South Korean churches consider a cult, still could not be reached, according to health officials, who were hoping to screen them for signs of infection.

In response, the government is shutting thousands of day-care facilities and community centers, even banning the outdoor political rallies that are a feature of life in downtown Seoul.

All four virus-related deaths in Iran occurred in Qom, a holy city popular with Shiite pilgrims across the Middle East.

People have already tested positive in Qom, Tehran and Gilan, near the Caspian Sea, said Mr. Jahanpur, the Health Ministry spokesman.

“Most of these people were residents of Qom or they had traveled to Qom in the past days or weeks,” he said.

In Qom, schools and religious seminaries were shut down on Thursday as officials urged people to avoid gathering in large groups. But on Friday, as Iranians went to vote in parliamentary elections, polling stations were open and the communal pools of ink for people to dip their fingers proving they voted were in wide use.

With rumors spreading across the country on instant messaging services like Telegram, a confused and increasingly worried public watched as Tehran’s largest metro station was suddenly closed. Workers wearing protective gear descended on the station, apparently responding to reports of sick commuters. It remained closed Friday night.

There was growing skepticism over the government’s handling of the outbreak. Mahmoud Sadeghi, an outspoken member of Parliament from Tehran, accused the government of “covering up the spread of an epidemic.”

While the source of the outbreak in Iran could not be pinned down, officials speculated that it began in the large population of Chinese workers in the country.

Critics accused the government of playing down the disease, and failing to take strict precautions to prevent its arrival in the country, in order to avoid provoking China, a key trading partner and a lifeline for Iran’s economy in the face of U.S. sanctions.

The sanctions against Iran could hamper its ability to contain the spread of the virus and diminish the country’s ability to mobilize international support.

“Iran does have problems accessing specialized medication for rare and special diseases because of sanctions — either private companies or banks refuse to work with Iran in fear of U.S. secondary sanctions,” said Tara Sepehri Far, an Iran researcher at Human Rights Watch.

The new global clusters showed, again, the difficulty in judging the true number of infections, amid concerns about underreporting and rapidly shifting definitions of confirmed cases.

Further bolstering the idea that the virus is spreading widely, an epidemiological modeling team from Imperial College in London estimated Friday that two-thirds of the people infected with coronavirus who left mainland China before restrictions were imposed had traveled throughout the world without being detected.

The team, one of several modeling groups regularly consulted by the W.H.O., calculated how many cases were detected in different countries and how many should have been detected based on flights that left Wuhan just before most air travel out of China ended.

Detection failures “potentially resulted in multiple chains of as-yet-undetected human-to-human transmission,” the modeling team’s study concluded.

The virus is spreading even in places that might be expected to have the closest monitoring and prevention. In Beijing, a spike in cases at two hospitals raised fears that the epidemic could be growing in a city so far largely exempt from extensive infections.

The infections — and in some cases, deaths — of medical workers have become a potent symbol of the epidemic’s toll for many Chinese. On Thursday, another doctor in Wuhan died. The doctor, Peng Yinhua, 29, had postponed his wedding to continue treating patients, according to local news reports.

Earlier this week, a high-profile doctor, Liu Zhiming, the director of the Wuchang Hospital in Wuhan, died.

The almost random nature of new reports and new deaths is an indication the virus is moving much faster than countries are reporting to the W.H.O., Dr. Osterholm said.

“How many of these clusters and travel cases and prison outbreaks do we have to see before we realize that we’re just seeing the tip of the iceberg?” he said. “Testing is just getting set up around the world. There’s barely any in Africa right now. Even in the U.S., we’re testing travel cases — but we’re not testing in any meaningful way that will pick up cases that we didn’t suspect were there.”

_____

Vivian Wang reported from Hong Kong, Donald G. McNeil Jr. and Farnaz Fassihi from New York, and Steven Lee Myers from Beijing. Marc Santora contributed reporting from London and Choe Sang-Hun from Seoul, South Korea.

*********

[blackkudos]

David Otunga

David Daniel Otunga Sr. (born April 7, 1980) is an American actor, lawyer, and professional wrestler currently signed with WWE as a panelist and color commentator. He was the runner-up on the first season of NXT. He is also an original member of The Nexus and The New Nexus, being the only member present through the entire duration of the stable in every incarnation. As part of the faction, he became a two-time WWE Tag Team Champion, having one reign each with fellow Nexus members John Cena and Michael McGillicutty.

Early life

Otunga was born in Elgin, Illinois, to father Moses, a Kenyan, and a European American mother, Billie, both of whom are educators. He is the youngest of three children. Otunga graduated from Larkin High School. Otunga earned a bachelor's degree in psychology from the University of Illinois. Following his graduation, he moved to New York City, where he became a laboratory manager in Columbia University's Cognitive Neuroscience Center. He later graduated from Harvard Law School in 2006, passing Illinois' bar exam. Following his graduation, he joined Sidley Austin, one of America's largest law firms. According to Otunga's LinkedIn profile, he worked with Sidley Austin from May 2005 to October 2007.

Acting career

In 2007, after his niece submitted his audition tape, Otunga was chosen to be a contestant on I Love New York 2 and given the nickname "Punk". He became one of the final three contestants in the competition, before being eliminated on the series' penultimate episode. Otunga has since starred in the 2013 thriller film The Call. Otunga made a guest appearance as himself in the 13,110th episode (Season 52, Episode 84) of General Hospital.

Professional wrestling career

World Wrestling Entertainment/WWEFCW (2008–2010)

In November 2008, Otunga signed a developmental contract with World Wrestling Entertainment (WWE) and was assigned to its development territory, Florida Championship Wrestling. He made his debut on May 29, 2009, under the ring name Dawson Alexander, in a six-man tag team match. Otunga teamed with Barry Allen and Jon Cutler to defeat Abraham Saddam Washington, Derrick Bateman and Camacho.

NXT (2010)

On February 16, 2010, after numerous dark matches on both Raw and SmackDown, it was announced that Otunga would wrestle on the first season of NXT under his real name, with R-Truth as his storyline mentor. He made his debut on the inaugural episode of NXT on February 23, quickly defeating Darren Young. Young defeated Otunga in a rematch on the following week's broadcast, thanks to interference from Young's mentor, CM Punk. After the match, R-Truth tried to offer his support, only to be shoved away by a frustrated Otunga, resulting in Otunga turning heel. R-Truth took exception, confronting and brawling with Otunga backstage. On the March 30 episode of NXT, Otunga won an 8-man over the top rope battle royal against the other NXT Rookies to earn the right to guest host Raw the following week. On the April 5 episode of Raw, Otunga put himself in a tag team match with John Cena for the Unified WWE Tag Team Championship against ShoMiz (Big Show and The Miz). Later in the match, however, he refused to tag in and walked out, allowing ShoMiz to retain. On May 11, in the second Pros Poll, he was moved to second place. During the season finale on June 1, Otunga came in second place overall in the competition, losing out to Wade Barrett.

The Nexus (2010-2011)

The following week on Raw, Otunga and the other NXT rookies from season one interfered in the main event match between John Cena and CM Punk, attacking the competitors, the announce team, and ring announcer Justin Roberts, before dismantling the ring area and surrounding equipment. On the June 14 episode of Raw, the rookies attacked General Manager Bret Hart, when he refused to give them contracts. The following week on Raw, Vince McMahon fired Hart and announced the hiring of a new General Manager, who had signed all seven season one NXT rookies to contracts. The following week, the group was named The Nexus. On the July 12 episode of Raw, The Nexus, excluding Daniel Bryan (who was fired by Vince McMahon after the Nexus' first night on Raw in part due to choking ring announcer Justin Roberts with his own tie), competed in their first match together, defeating John Cena in a six-on-one handicap match. The Nexus continued to feud with Cena and the Raw roster, resulting in a seven-on-seven elimination tag team match at SummerSlam. Otunga was the fourth member of The Nexus eliminated, when he submitted to Chris Jericho, and The Nexus went on to lose the match.

Cena was later forced to join The Nexus, as a result of losing to Barrett at Hell in a Cell. At the following pay-per-view, Bragging Rights on October 24, Otunga and Cena teamed together to win the WWE Tag Team Championship from Cody Rhodes and Drew McIntyre. The next night on Raw Otunga and Cena lost the Tag Team Championship to fellow Nexus members Justin Gabriel and Heath Slater when Barrett ordered Otunga to allow Slater to pin him. On November 5, Otunga, who had been questioning Barrett's leadership in the past weeks, led Nexus, minus Barrett and Cena, to an invasion of SmackDown. Barrett did not approve of Otunga's decision to lead The Nexus to SmackDown and as a result forced him to defend his spot in the group a week later. On the November 12 episode of SmackDown, Otunga defeated Edge in a lumberjack match, after Kane interfered, to keep his spot in Nexus. About a month later, Otunga started to rebel against Barrett with the rest of Nexus behind him. After the group disobeyed direct orders and walked away from Barrett, Otunga told Barrett to rehire Cena the following week or be banished from Nexus.

In January 2011, Barrett was exiled from Nexus and CM Punk took over his spot as the leader of the group. While Justin Gabriel and Heath Slater chose not to follow Punk's orders and left Nexus, Otunga agreed to take his initiation test, a beating from the Big Show, and remain with the group. In late February, it was announced that Punk would face Randy Orton at WrestleMania XXVII, with each member of The Nexus facing Orton to win the right to accompany Punk to the ring in the weeks leading up to WrestleMania. Otunga faced Orton on the March 7 episode of Raw, but lost. Following the match, he was punted in the skull by Orton. Otunga was absent from television for over a month, returning on the April 11 episode of Raw with the other New Nexus members, and preventing Orton from earning a WWE Championship match.

On the May 23 episode of Raw, Otunga teamed with fellow Nexus member Michael McGillicutty to win the WWE Tag Team Championship from Kane and The Big Show with the help interference from fellow New Nexus members Mason Ryan and Punk. They made their only successful title defense against The Usos on the July 29 episode of SmackDown. After CM Punk left the New Nexus when his WWE contract expired on July 17, Otunga and McGillicutty competed against Santino Marella and Zack Ryder on the August 1 episode of Raw without any Nexus gear or armbands, and with all Nexus logos removed from their TitanTron, effectively signaling the end of the New Nexus. On the August 22 episode of Raw, Otunga and McGillicutty lost the Tag Team Championship to Air Boom (Kofi Kingston and Evan Bourne).

Legal advisor (2011–2015)

After a minor feud with Jerry Lawler, Otunga and McGillicutty's team quietly disbanded. Otunga then started a new storyline, focusing on his law background, as John Laurinaitis advised him to help disgruntled wrestlers plan a lawsuit against Triple H, WWE's chief operating officer. He also started carrying a Starbucks thermos. On the September 30 episode of SmackDown, Otunga and Laurinaitis sat down with Dolph Ziggler, Jack Swagger, Cody Rhodes, Alberto Del Rio, Christian, and Vickie Guerrero to discuss the matter. The following week on Raw, Otunga walked out on Triple H with other wrestlers, Divas, and referees after a "vote of no confidence" for Triple H as General Manager of Raw. He returned to in-ring action on the November 29 SmackDown Holiday Special where he was defeated by Randy Orton in a Miracle on 34th Street Fight match. On the December 23 episode of SmackDown he cancelled a #1 Contender's match between The Big Show and Mark Henry due to the latter's leg injury; he was knocked out by Show as a result. Otunga faced The Big Show on the December 26 episode of Raw and the December 30 episode of SmackDown, but lost both matches. He obtained his first win since returning to singles competition on the January 13, 2012, episode of SmackDown, defeating Santino Marella. He captured back-to-back wins against Ezekiel Jackson on the February 20 episode of Raw and the February 21 episode of Super SmackDown. On the March 12 episode of Raw, it was announced that Otunga would be the captain of Laurinaitis' team for the battle for control 12-man Tag Team match at WrestleMania. Team Johnny was victorious at WrestleMania XXVIII. On the April 16 episode of Raw, Otunga unsuccessfully challenged Santino Marella for the United States Championship. Otunga took leave from WWE television from April 23 to May 14 to be with his fiancé, Jennifer Hudson, during the murder trial of William Balfour in Chicago.

At No Way Out, Otunga lost to Brodus Clay via count out. The next night on Raw, Otunga teamed with Big Show and John Laurinaitis in a 3 on 1 handicap match. Before the match started, Big Show walked out on Otunga and Laurinaitis. Otunga walked out as well during the match, because Laurinaitis had refused to tag himself in, allowing John Cena to make Laurinaitis submit. The next week on SmackDown, Otunga delivered a low blow to Brodus Clay as Clay was fighting Big Show. He returned to Raw on August 20 to confront General Manager AJ Lee. He was put into a match against Big Show, which he lost. On September 3, Otunga was seen with Alberto Del Rio, who told Matt Striker that his client (Del Rio) won't talk to him. On the September 7 episode of SmackDown, he represented Alberto Del Rio and Ricardo Rodriguez to win the case to ban Sheamus' finishing move, the Brogue Kick, just as Otunga was facing Sheamus at the night's main event, although the Brogue Kick was later reinstated. He managed Alberto Del Rio at Night of Champions in his match with Sheamus for the World Heavyweight Championship which Del Rio lost, At Survivor Series, Otunga was made a part of Team Ziggler, filling in for the injured Cody Rhodes. He was eliminated by Daniel Bryan. Otunga competed in the 2013 Royal Rumble match entering at #9 but was eliminated by Sheamus. His last singles match was a loss to Ryback. Since then, he has been doing promotional work for WWE backstage. Otunga returned on October 28 when he conducted an interview for WWE.com after Big Show sued WWE and Triple H for defamation, discrimination and wrongful termination of contract.

Otunga returned on April 6, 2014 in the André the Giant Memorial Battle Royal at WrestleMania XXX and was eliminated by Big E. Otunga did not make any WWE appearances again until he returned to live events on January 9, 2015. His last match was on July 5, 2015 on a WWE Live SummerSlam Heatwave Tour where he lost to R-Truth.

Non-wrestling roles (2015–present)

Otunga returned to television on February 2, 2015, doing the Raw Pre-Show. Following this, he offered his legal services to his former tag team partner Curtis Axel regarding his Royal Rumble 2015 controversy. Now rarely an in-ring performer, Otunga replaced Alex Riley as one of the hosts of the weekly Raw pre-show on the WWE Network.

In June 2016, Otunga left his position on the Raw pre-show panel, where he joined the commentary team alongside Tom Phillips for both Superstars and Main Event. On the June 23 episode of SmackDown, Otunga temporarily replaced Jerry Lawler on the commentary team, after Lawler was suspended by WWE. Following the 2016 WWE draft, Otunga was announced to join the SmackDown commentary team on a full-time basis, alongside Mauro Ranallo and John "Bradshaw" Layfield, where he served as the babyface color commentator in contrast to JBL's heel color commentary.

On April 11, 2017, it was reported that Otunga was traded to the Raw brand for Byron Saxton as part of the 2017 WWE Superstar Shake-up. However, due to his acting career, he was replaced by Booker T on Raw for six weeks. Upon Otunga's return, Booker remained Raw color commentator while Otunga became a pre-show panelist. He has occasionally appeared on commentary since.

Personal life

Seven months after meeting singer and actress Jennifer Hudson, Otunga proposed marriage on Hudson's 27th birthday in 2008. On August 10, 2009, Hudson gave birth to the couple's first child, their son David Daniel Otunga Jr. By November 2017, Otunga and Hudson had split after being in the process of separation for several months.

Filmography

Championships and accomplishments

Pro Wrestling Illustrated

WWE

Wrestling Observer Newsletter

Feud of the Year (2010) The Nexus vs. WWE

Most Hated Wrestler of the Year (2010) As part of The Nexus

Rookie of the Year (2010)

Ranked No. 84 of the top 500 singles wrestlers in the PWI 500 in 2012

WWE Tag Team Championship (2 times) – with John Cena (1) and Michael McGillicutty (1)

Slammy Award (2 times)

Shocker of the Year (2010) The debut of The Nexus

Pee-wee Herman Bowtie Award (2011)

Worst Television Announcer (2016)

[mindlessblabing]

Cynthia Enloe once wrote, “So many power structures - inside households, within institutions, in societies, in international affairs- are dependent on our continuing lack of curiosity. “Natural,” “tradition,” “always”: each has served as a cultural pillar to prop up familial, community, national, and international power structures, imbuing them with legitimacy, with timelessness, with inevitability.” (The Curious Feminist, 3). Curiosity killed the cat some might say but when death is inevitable so might as well learn as much as you can. Power structures are all around us and are determined by various factors. It is honestly interesting trying to decipher our corner of existence. Education is one of the most important forms of communication we possess. That's where a lot of the complexities of understanding lie. To look at ourselves just as critically as we look at the world builds connections beyond our understanding of reality. So today we'll learn a little more about me and the power structures that embody my life.

I am a vessel of different typically marginalized identities. I am a woman, migrant, bisexual, lower middle class, black, Christian, in my upbringing but agnostic by choice, neurodivergent to an extent, and the list goes on and on. To tackle all of the power structures that have brought me to the words you read on a screen would need a three-part series. I'd still like to think my experiences are not unique, especially through the social connections I've made. So, we’ll begin simply with my family, the genesis of my identity.

I grew up in a matriarchal-dominated family. I am a Kenyan migrant. Brought to the United States by my mother at the ripe age of 5 years old with my sister who was 14. My mother initially made the migration to the states landing at the big apple without her children. Living in Queens, New York sharing an apartment with my aunt Violet and her family. Working as a nanny and later becoming a nurse and caregiver for the mentally disadvantaged. Violet was a United Nations worker and the breadwinner while her husband stayed at home. Despite that my grandmother was a midwife and a mother in all senses of traditional femininity. My grandfather, whom I never met died before my birth. All I have ever known are women running the home.

My sister and I were raised by my aunt Beatrice during the years my mother was in the states by herself. She is probably the most fierce woman I have ever encountered. My other aunts in Kenya and the United States, who were also a major part of my development, held careers as principals of private schools, engineers, landlords, and diplomats. My female cousins were nurses, doctors, wildlife conservators, and businesswomen. The men, in the nicest way, were drunks and leeches. My father, the most direct masculine figure, was a part of my life only in moments and not many of them. Meaning, especially in the traditional sense, the male and their forms of masculine representation in my life were lackluster. Providing very little other than monetary contribution. But Kenya is no different than any nation built on Christianity and patriarchal standards. Regardless of the effort, the men desired to be deemed as the executive.

In contrast, I was brought up by a single mother, alongside my sister who is 9 years my senior. My female family members have usually been dominant while the men take on a more submissive role in parenting and decision-making. I didn't have my father around during my upbringing but never felt like I was disadvantaged by it. My female family members did more than enough to rightfully be the epitome of masculine and feminine. Which is the way that I attempt to live my life. The power structures embedded in my psyche are led by women and a feminist lens. Leading with love, care, patients, and understanding, typically designated to the feminine. while standing by your boundaries, protecting and providing for your own, dominated by the masculine. The binaries of gendered roles prevailed only through the balance and leadership of women.

The headstrong women in my family could have never prepared me for a culture change. Let me start with childhood, which was rough as an immigrant. American tradition lends itself to the agenda of white, male, heterosexual cis men. I know that sentence alone would turn off most Americans. As the black, low-income, immigrant, neurodivergent, queer woman that I am. I found myself at the intersection of too many identities to find a home in one. I entered the American school system with an accent and gall alone. Only to find that I wasn't accepted among my white or my black peers. Seen as too African by culture but too dark to associate with. My African mom didn't want me to associate with black Americans based on the stereotypes of aggression and laziness. White peers didn't see me in their spaces due to preconceived ideas of race perpetuated in their homes. I could be called a nigger on the playground without being accepted by the racial minority I was placed into. Here’s the kicker, also being too poor to ever mention I lived in section 8 housing to anyone regardless of race. Because if there's anything more embarrassing to society other than race it's economic status. At the same turn, I felt unable to discuss it at home. Restricted by my mother who was exhausted from overnights and unaware of the culture; while my sister was navigating American high school and othering for the first time herself. Harken to my essay on the subaltern, I felt voiceless.

That is when I analyzed the power structures of white supremacy and socioeconomic status concerning my life. Who was I, if not misunderstood? I associated myself with anyone as an alternative to culture, finding intersectionality and community by any means necessary. The emo kids were my friends because they as white kids didn't associate fully with whiteness and wealth. The theater kids were my friends because they were able to express themselves through the arts. The shy kids were particularly my favorite. If anyone could understand the nervousness of my silence then maybe they could or maybe even relate but didn't know how to say it, the way I felt.

The powerlessness only grew as I started to understand my sexuality. Gay was not okay in a society growing up. Expressing anything that involved being sexually attracted to the same sex was not heavily supported in my immigrant, Christian household. I am privileged that my mother, despite cultural ignorance, was a saint. She didn't lack judgment but was full of understanding. I never felt, in the typical reality of queer people that I would be drowned or not accepted. I simply felt that it would be the most uncomfortable conversation of my life. Trying to explain a part of my identity that was too taboo for public discourse. So I hid it in fear, kissing girls but saying it was just for fun or male attention. I was around strong women all the time. I knew I was destined to be one. Yet expressing my attraction to them was the more daunting part.

Through all of this, you can imagine my relationship with gender, identity, and power structures was as easy to decipher as a cat's cradle. I never had a definite answer about what was masculine and what was feminine. I wasn't able to discuss my struggles socially and sexually. I had to define it for myself. Enloe claims “making a feminist sense of international politics requires that you exercise genuine curiosity about each of these women's lives and the lives of women you have yet to think about.” In my search for identity, especially as the selfish teenager we all were, I lost sight of connecting or even considering how the women around me found their identity outside of traditional boundaries. The answer is different for everyone but it is usually rooted in self-acceptance and understanding. I was unsure of the power structures in the world because they were so different at home. I was so unsure of how to approach society when I didn't understand the racial and socioeconomic power structures of the United States. I was naive to American exceptionalism and tied my identity to how others viewed me without ever considering how I wanted to be perceived. Feeling too much and too little. Feeling too loud or too quiet. Feeling too black or not black enough. Feeling Kenyan at home but not being immersed in the culture. Feeling like I met the criteria enough to be accepted but only in specific social settings and behavior changes. A chameleon in strobe lights is the way I visualize it. I had to remind myself why the women in my family carved their paths because more often than not the binary is contractive. Identity to me has been a flowing stream. Changed over time and based on my environment.

The women in my life have taught me the most important lesson which is leading with confidence in myself and the rest will follow. I hold dear the labels bestowed upon me for they have helped me grow and shed layers that didn't serve me. I had to define my version of masculine and feminine; And like most things, we all fall on some part of the spectrum. Identity and tradition are merely labels that we can emphasize for our leisure. I am me because and despite traditional power dynamics.

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Maggie Shii Biography, Age, Career and Net Worth

Maggie Shii Biography, Age, Career and Net Worth

Maggie Shii popularly known as Maggie Shii is a Kenyan musician. She is popular for her gospel songs. Maggie Shii was born on June 12, 1992 in Kenya. Read Israel Adesanya Biography, Age, Career and Net Worth Career Maggie Shii is a Kenyan Christian musician. She is popular for her music single Ndehera Thayu. Some of Maggie Shii’s songs are Ndehera Thayu Muheria Ngia Munduiriri Wee Niwe and…

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Angel Magoti – Una Nguvu (Mp3 Download)

Angel Magoti – Una Nguvu (Mp3 Download)

Angel Magoti – Una Nguvu  Kenyan Christian/Gospel artist Angel Magoti Released a new single titled “Una Nguvu” which is an uplifting song that can lift your spirits And Absolutely be Worth A place on your playlist Listen and share thoughts below.

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A Quick Look at RB Injury Risks

  Below are the Pre-Season rankings last year for RB's and how many games they played.

  I did the top 30 RBs then Removed Bell, because of his fiasco, and added #31 Aikers to account for his removal. I only did 30 to help account for healthy scratches, but still get a large sample.

Rank Name GMS 1 Christian McCaffrey 3 2 Clyde Edwards-Helaire 13 3 Miles Sanders 12 4 Josh Jacobs 15 5 Nick Chubb 12 6 Kenyan Drake 15 8 Todd Gurley II 15 9 Chris Carson 12 10 James Conner 13 11 Leonard Fournette 13 12 Saquon Barkley 2 13 Melvin Gordon III 15 14 Mark Ingram II 11 15 Kareem Hunt 16 16 Tarik Cohen 3 17 David Johnson 12 18 Raheem Mostert 8 19 Jonathan Taylor 15 20 D'Andre Swift 13 21 Devin Singletary 16 22 Matt Breida 12 23 Ezekiel Elliott 15 24 James White 14 25 Alvin Kamara 15 26 Aaron Jones 14 27 Dalvin Cook 14 28 Derrick Henry 16 29 Joe Mixon 6 30 Austin Ekeler 10 31 Cam Akers 12

  Here are the odds of any single player missing x games

Games Played Amount Percent 16 3 10% 15 7 23% 14 3 10% 13 4 13% 12 6 20% 11 1 3% Under 10 6 20% 11-13 12 36% 14+ 13 43%

  Here are the odds of any single player missing a range of games

Games Played Amount Percent 14+ 13 43% 11-13 12 37% Under 10 6 20%

  Here are the odds, of your players playing missing less then 3 games if you have 3 viable starters

No Players Going Down 18.5% 1 Player Going Down 41.9% 2 Players Going Down 31.6% All 3 Players Going Down 8.0%

  Here are the odds, of your players playing missing less then 3 games if you have 2 viable starters

No Players Going Down 32.5% 1 Player Going Down 49% Both Players Going Down 18.5%

  Though it's important to keep in mind that these are not the odds they go down at the same time.

  Original Reddit Post

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Bahati - Wewe Ni Mungu

Bahati – Wewe Ni Mungu

Free Download “Wewe Ni Mungu” SONG By Bahati Kenyan Christian/Gospel Artiste Bahati Released a New Single Titled “Wewe Ni Mungu”, Which is a Powerful Song That Will Uplift Your Spirit. Available Now at all Major Digital Music Streaming providers & Gospelmetrics. Kindly Share & Stay being blessed Stream and Download Mp3/Music Below: DOWNLOAD HERE What do you think about this Audio? We want to…