#Chip Zdarsky's DD

[vertigoartgore]

2022's Daredevil Vol.7 #1 (LGY : Daredevil #649) variant cover by cover artist Dan Panosian. Source

[expensivemistake]

Erica Schultz' Elektra run so far has been intensely frustrating to me, because on one hand, she clearly has more love and knowledge about Elektra as a character than Zdarsky ever did. Little details, like Elektra's burner phone from when she was an assassin, or just giving her a character outside of Matt – these things are pretty good, and I like them. She clearly understands the feel of the character, and she's certainly done more for Elektra than Zdarsky ever did.

But I feel like every Elektra story of hers so far has fallen short in the same way. And I think it's because she's depicting Elektra a little more like herself, but seems ignorant to how unhealthy, uncomfortable, out of character, demeaning and unnecessary Daredevil!Elektra actually is. And she keeps squandering opportunities to shed the mask.

Maybe it's that her hands are tied. Or maybe it's that she genuinely likes writing Elektra in this way.

But there's something endlessly frustrating about the marketing for Unleash Hell using "Murder is an Art!" as a tagline, but then doubling down on the fact she doesn't kill now.

They're giving Elektra her font back. They're giving her a red band comic. But they refuse to let her reclaim her own name, or to have a life outside sharing Matt's identity just to please him. It's so exhausting.

[murdockmeta]

hi, im new here (not to dd just to the tumblr sphere— why does everyone seem to hate zdarsky/checchetto? i really enjoyed the first part of zdarkys run and i adore checchetto’s art + design, so idk what i missed that makes everyone who comicsposts dislike it so much??

hm. this isn't the easiest question to answer. there's a LOT of different reasons as to why people disliked that run.

tbh I'll admit the first 20 or so issues of v6 are kind of okay. not impossible to read. it goes downhill fast after that, tho. very very downhill.

here's this post by @/xycuro-illuminati that does a good job of explaining why so many people disliked the run. here's my post on the ableism in zdarsky's writing. trust me you aren't the first person who's asked this question before

i'll give you a more general answer of my own opinion, tho

zdarsky's writing misses what most consider to be crucial points of Matt and Elektra's characters. with this, he entirely obliterates their characterization and that really pissed a lot of comics fans off.

i would consider volume 6 to be the beginning of the MCU-ification of dd. it is clear that at that point, some higher-ups were pushing for daredevil comics to become more like the show. the show was a MASSIVE hit and they wanted to cash in on that. so, they had the writers start shifting the comics and the characterization around to fit the show better.

this is where the problem lies. it is insulting, honestly, to ignore the past 50 plus years of writing for matt's character to shift it into something that will be more palatable to live actions fans just so marvel can get a good payday.

the most glaringly noticeable part of this is - the catholicism. the live action show makes a big deal out of matt being catholic when this was never really the case in the comics. while matt being religious and catholic are present in matt's background in the comics, it's not even close to being a big part of the character.

one of the main things that makes matt so compelling as a character is his morality, his integrity. he upholds his moral code relentlessly because he believes it is the right thing to do. he believes everyone deserves a second chance no matter what. in zdarsky's run and in the show, matt's reason for upholding his moral code is tied to his religious beliefs.

here's a good post on the origins of catholicism being related to matt's character and how it differs from the show and why it is such an injustice to tie matt's morality to his religion.

it's really really hard to articulate every single thing that's wrong with zdarsky's run while also giving you a thorough explanation.

i could tell you about how zdarsky's original plot was focused around matt's guilt when he accidentally kills someone but... matt's killed people before. he killed someone in his very first issue. ever. he was chasing after the man who was responsible for his father's murder and scared him so badly the man had a heart attack and died.

all of zdarsky's plots and subplots are all things that have been done over and over, he just writes it worse.

i could tell you about how shitty checchetto's art is. he can't draw women. or fat people (foggy fans deserve reparations). toward the end of the run he gets ESPECIALLY sloppy. he whitewashed kirsten and sam.

i could tell you about how zdarsky wrecked elektra's character. he completely ignored her origins and the character development she's had over the course of decades of writing just to slap some random retconned backstory onto her.

theres so. many. things.

i got into the comics through the show. when I started reading the comics I honestly perceived comics matt and show matt as two entirely different characters because they just felt so incredibly separate from one another. it is not that there are zero similarities, but their reasons for WHY they are the way that they are diverge wildly from each other

i dont know how else to put it except to say this. when I read zdarsky's run, I do not feel like I'm reading about Matt Murdock. it doesn't feel like matt, it doesn't feel like daredevil. it feels like an entirely new character that I do not know.

to fully explain to you why i feel that way would take a damn book. i realize that my answer isn't at all comprehensive and some parts are probably confusing but it is impossible to pick a start and end point. that's just not matt. that's it.

[loonymeowny]

so yeah, basically murdock inherited his guilt to his son samuel

a bit late to the trend but this is their vibe

i miss them, your honor

[bi4bisamjess]

does anyone (namely zdarsky) want to like explain to me what the fuck is going on in the new issue

[sinvulkt]

[daresplaining]

Daredevil volume 7 #2 by Chip Zdarsky, Marco Checchetto, Matthew Wilson, Clayton Cowles, Chris Samnee, et al.

To celebrate this being the 650th issue of Daredevil, several guest artists were brought in to contribute pages— including Chris Samnee, who reunited with colorist Matthew Wilson to pay a little tribute to his and Mark Waid's run. Here is Samnee's commentary on his page:

"Chip's script called for DD, Kirsten, and a villain of my choosing. I went with Ikari (my favorite of Mark and I's contributions to DD's rogues), Hand ninja (since [it seemed] crazy how we never had any in our run) and good ol' Foggy Nelson."

He also posted some process sketches and inks.

[co-mixed]

Daredevil by Chip Zdarsky Pt.1

It's not easy to sum up a run like this. Nah, it's actually pretty impossible. It's a long road with so much going on with so many faces, you have to record every single one of your thoughts. So I’m gonna go character by character, taking every arc and dissecting it. 

I have, in fact done it a while ago, right after I finished the run, but it took me some time to post it. And I wanted to make it feel more like a review but that didn't quite work out, so here it is, my essay or analysis of some of the character arcs in this run. Spoilers ahead too!

Zdarsky’s run finds Matt right after the short rehab series. And I have to talk about that a little: the truck that kicked Daredevil out of the game, poetically replaying his childhood accident, left him dealing with all the old injuries. In DD’s line of work, those tend to pile up. So the few issues were a short detour into Matt’s identity crisis as he was about to give up and had to seek help from his fellow Defenders. It was a very recovery-focused story with flashbacks and the fears that haunted him. For a man without fear, he sure has plenty of nightmare scenarios so questioning and reevaluating this status is a constant process for him. This idea circles philosophy but to me, it just reminds again and again of how much Matt Murdock depends on the way people see him. 

When Zdarsky’s run starts, Matt is already going out at night and throwing his clubs around. But he’s not exactly living his previous life anymore. Here, the status quo is fully restored after Waid’s detour and the brooding hero on the roofs in the rain is back. Well, almost back. He can’t fully heal his body or his mind so he ends up accidentally killing a man. And then Zdarsky finally pushes Daredevil into the trap that's been sprung for him ever since he killed Bullseye. At the time, I was a bit disappointed that Waid allowed Matt to walk away into a new life, never having to deal with emotional repercussions. It felt to me like he was repressing that event so hard, his entire personality had changed. While the run was good, it felt like a bizarrely loud cry for help. I felt like that was not Matt, at least not the ever-guilty martyr we all know. 

But now, here, he gets a chance to live through this hell. The beautiful part, in terms of narrative, is that Daredevil right away becomes erratic and paranoid: he goes digging through his enemy list, convinced that someone had set him up. And he fools you easily. Despite him being off his game I truly thought there was a Fisk handprint or just The Hand behind it. But you know what? No. It was just an accident. Probably caused by Matt's lack of trust in Daredevil or his not being at 100%. 

DD gets so bad, he actually ends up getting a talking to from none other than Spider-Man. Aside from the usual suspects that is. Which, think about it, all heroes have gone through trauma at one point. But compared to a spiraling Daredevil they still seem very together. Granted it's his book so the main drama has to come from him.

There’s a moment when he’s in a room with Jessica, Luke, and Danny, and he calls them all murderers, quickly correcting the ‘you’ to ‘we’. It’s like a new light in which he sees the whole superhero game: like he thought they were truly above the law because they made no mistakes. So yeah, after all these years he saw for the first time how flawed each one of them truly is. 

What he refuses to see is that they are all working through that, not dividing the world into the good and bad. Meanwhile, Matt has Daredevil on a pedestal as someone who must never allow the line to become blurry.  

Matt's disturbing as hell. And yeah, have to admit I like him more when everything is awful, simply because he always knows how to make things worse.

For a brief time, Matt hides the costume in his closet and works as a parole officer. But it turns out he is actually terrible at compartmentalizing and he's even worse at self-inflicted penance. 

I believe the culmination of his incompetence in life is an affair with a married woman. Married to a mob boss’s son. It's truly classic Matt Murdock at this point - got no one to cheat on, well, at least she does. He is Exupery’s drunkard and he's brilliant at that. He wakes up next to Mindy thinking about the terrible sin he’s committing. Gotta give her credit though, she gave him a piece of hell for making it about himself. 

And then his circle of violence as he calls it (courtesy of late Vanessa Fisk), pulls him back in again. 

He has doubts and fears about putting on the costume again and we'll, it's hard to blame him. But he still lives in Fisk’s city and the city is getting worse every day. 

When Matt came face to face with The Purple Man, he said that the thing he fears the most is hearing all the tragedy and doing nothing. Zdarsky just puts him in this reality and Matt's got no other choice than to put on the mask. Before he fully embraces it, he trains with Elektra. Did he break up with Mindy? No, of course not. He just ghosted her until she needed help. The good ol' Matt. 

But with Elektra, this time it's different (not really - she has her own plan as she always does.)  I have to admit, the more they get together the more I realize one thing - Matt really can't break up with women. They have to die, otherwise he’ll be hung up on them for years. Elektra is the love of his life no less than Karen was. She just came back from the dead, unlike Karen, and I’m pretty sure deep inside Matt thinks it's for him. Plus, she knows his identity which makes it so much easier. And she's deadly which makes her so less killable. 

But most importantly Matt’s obsessed with Elektra because she's from his past and he’s notoriously bad at moving on from his past (see Exupery's drunkard again). Here’s why I kind of root for them: I do like the adversary/lover connection they have and they exist in the same world. Can they make it work? I doubt it. 

Before I get too deep into more of Matt's disastrous relationships (and believe me you, there is more) I should refocus on the arc.

We got Matt running from the law while making adjustments so he could represent that same law. And he has an interesting new addition to the cast in the form of detective Cole North. I’m gonna talk about him later since he's one of the narrators in the run. But North is hell-bent on holding vigilantes accountable and Daredevil is his idée fixe just as he is for Fisk. 

Daredevil manages to sway North by saving his life as corrupted cops attempt to kill him and that leads to three interesting events.

One - his parolee learns that he is Daredevil. And his parolee is none other than the brother of the man he accidentally killed. 

Two - North starts seeing him as a protector rather than a criminal. But he still wants to hold him accountable. 

Three - it sets the tone for the rest of the run, showing the cracks and imperfections of the US criminal justice system.

Either way, that day Matt goes free. And when he puts on a costume again, he is convinced that now he's gonna act smart (because Elektra told him to gather information before leaping into action, duh. All that education and you couldn't figure it out on your own…) It's also a different costume and Matt even convinces everyone who’d listen and a couple people who won't, that he is now a new and improved hero who is not Daredevil at all. Yes, he actually believes it and I think it's still his desire to wash his hands off of everything connected to the accident. He thinks he sees things clearly now but it feels like he's never been more blind. Yet somehow, he will be. 

This repetitiveness becomes very noticeable when you read through run after run. It’s a very clear pattern that Matt goes through: every time something changes he makes the decision. This time… this time… this time… and it always comes back to the same conclusion. 

He immediately gets duped by Elektra into stealing money from the bad guys, of which she pocketed some. And then the bad guys rain Inferno upon Hell’s Kitchen. 

That's a fun little event during which another one of Matt's exes, Typhoid Mary, reappears: prior to that she's been therapied into a nice nun who's been helping Matt whenever he ended up in church. The first time I saw her I thought “Oh no, he's not gonna sleep with a nun…” but then, he already had. Uhm, anyway, the nice uplifting moment was the people of the neighborhood dressing up as Daredevil, turning him into a symbol. They'd been doing it for a while and some had been moderately successful too. But when the battle was won, one of them died in Matt's arms, so he turned himself in as Daredevil. 

Now that's the thing, that's where the main idea of this run starts really growing. And not because Daredevil goes to prison or refuses to fight for his freedom, but because of what's awaiting him there. It's not the superpowered villains, it's all the people he’s been sending there for years. It's such a simple thing - to take these “street level” bad guys, put them face to face with Daredevil, and tell their stories. 

Daredevil in jail is a stupid idea. Smart from the narrative point of view yet stupid for him as a person on many levels. First of all, he is doing it out of misguided loyalty to the law. He's still a lawyer after all. He's also religious but he kind of sorted that out for himself already. He says he wants to show everyone how even superheroes have to be held accountable if they step out of line. 

He wants to feel good about himself and again, a part of me thinks he wants to feel like he's better than the others: he loves that moral high ground, and whenever it shakes underneath his feet, everything around him falls apart. Mostly because he destroys it, but he doesn't focus on that. 

Cole, Kirsten (yeah, she's back too), and Foggy, they all tell him he's wrong. And they are absolutely correct too. He wants to be an example, sure, but he really needs people to see him the way they did before. It's not about his guilt, he's been forgiven in fact. 

The one big regret I have is that this run and this prison time didn't give him more therapy. Because the therapist calling him out on his usual BS was incredible. And she, along with another inmate reminded him that he's fooling himself and trying to fool others. All that makes more sense considering he still hides his identity, so whenever he chooses to leave, his crime and his time won't affect anything. None of that will ruin his life. 

The way the story leads to this social or rather political issue, it's very organic. It's something he’s been dealing with for years as both his personas: the revolving door between a police station and the streets, the poverty and desire for a better life that lead to crime, the mean streets. He's the perfect hero for this story and his flaws are most vivid here. He had both put people in jail and kept them out of it, he'd been a mayor, and he’d been accused and stood trial. But all of that he had been doing from his high horse.  

The truth in that story is grim and realistic - prison isn't helping reform anyone and only serves billionaires in their quest for more wealth. 

As Daredevil discovers that and makes a deal with the FBI, he gets released. And once again, he wants to go for that one big win. He always falls into that same trap, he always attempts to stand alone or with friends and win everything, save everyone at once. He’ll keep trying to, all the way to The Fist saga. 

But to get there, he needs to step over one considerable obstacle.

Wilson Fisk

Like I said, Daredevil and the rest live in Fisk’s city. He is still the mayor and he is going after all vigilantes and I mean all, including the Avengers. But that’s just a part of it. Fisk has an interesting story as he decides to move from the underworld politics to the real thing. He makes a decision, he retires the title of Kingpin of crime, but he forgets the one crucial part – he can’t retire his persona. He will go on to the next level with his hands still soaked in blood. And that’s something he shares with Matt: where Matt needs to be absolved, all Fisk needs is to just turn around and pretend he’s done nothing wrong.

The ironic detail is, he’s so used to doing his dirty work himself, he finds it impossible to fit in with polished high-class criminals. Politics seems like a natural next step for him but somehow the shadow games turn out to be more than he can chew. Thus the Big Bads of this run are Stromwyns - the richest people in New York. They pull the strings and even Fisk struggles with that idea. 

In all this, he has a few defining moments:

He wages war on superheroes, including mutants, which leads to X-Men Devil’s Reign

He goes to fight on the ground during Inferno (which was organized as you might have guessed or known already, by the Stromyns).

He kills Mike Murdock thinking he’s Matt Murdock. 

Oh, right I forgot to mention that Mike’s back. And he is seemingly real now, has his own arc, although still can’t escape the title of a spare Matt Murdock. 

Anyway, back to Fisk. Of course, when the time comes for reelection, Fisk wants not just to run but to guarantee his victory, which is not surprising at all. I mean take a criminal who gets a fraction of power, would they ever let go of it? In this regard, Fisk is your classic villain. And just like every other villain, he decides to cheat and use The Purple Man’s power to sway the voters. All of that leads to his ruin and retirement.

But not before he marries Typhoid Mary. Can’t call the ceremony lovely really because they both creep me out and I’d like them or at least Fisk to pay for his crimes. It’s not just the fact that he never does or it never sticks, it’s that later he’s received diplomatic immunity from Krakoa, and sure, he helped them during Fall of X and the drama with Orchis. But it’s still the same damn Kingpin. That hasn’t changed and he will return to make everybody’s life hell again. 

Why? He’s absolutely evil and we see that in a panel during Devil’s Reign. There’s no non-evil or non self-serving for him. 

Yeah, Fisk and Mary rowed off into the sunset but not before Fisk killed Mike. And really, that’s another opportunity missed by Matt. Could’ve played around scaring him in both his personas instead of going after him right away and revealing his existence. But I get it, he had other engagements including his actual engagement to a woman we all know all too well. 

I ran out of the images limit, so there is a Part Two.

[vertigoartgore]

Daredevil by Chip Zdarsky Omnibus Vol.1 HC cover by cover artist Julian Totino Tedesco (2024). Source

[ohnostalgia]

watching interviews with chip zdarsky where he talks about nocenti dd being his favorite drives me insane. why is your run like that then chip. why

[robertseanleonardthinker]

one rlly fond memory i have of residential is that, when the unit got rlly chaotic (aka ppl were fighting) i could ask staff to take me off unit to a classroom to watch videos abt daredevil. i was rlly heavily hyperfixated on dd, and those moments rlly helped me get through some hard days. the staff with me would sometimes talk with me abt daredevil, too. something as simple as that rlly helped me. i sat on a beanbag chair and watched videos i had already seen dozens of times before residential, and everything was okay for a few minutes. i was not hundreds of miles from home. people weren't yelling and hitting each other just down the hall. big fuckin shoutout to makayla and alicia for taking me i fuckin love u guys

also one time i watched a video with chip zdarsky and he mentioned his series sex criminals a few times and i was rlly rlly curious what it was so alicia let me look it up on the smartboard thing i was watching on. i couldn't remove it from the history after i was done tho and that was a big problem bc this was in the younger kid's room 😭

[shizzle-likes-spidey]

the chip zdarsky dd omnibus cover got me wanting to spend $90

[bi4bisamjess]

i don’t get it 

[haleyvalentineart]

Must add from my favorite DD Run from Chip Zdarsky and Marco Checchetto

beautiful boy. light of my whole life.

(Daredevil vol 3 #18, vol 5 #608, vol 5 #603, vol 2 #77, vol 1 #225)

[the-l-spacer]

[co-mixed]

Daredevil by Chip Zdarsky Pt.2

This doesn't work without Part One

If you have read it, let's get back to the characters... and there are still serious spoilers

Daredevil/ Elektra 

This lady is working towards her redemption. After she showed up to help Matt and recruit him for The Fist to (be the king!), she gave him a chance to go to prison. It sounds bad but in their world, I guess, it was a good thing. She gives him the opportunity to decide whether he wants to pay for his crime by taking it upon herself to protect Hell’s Kitchen. I was legitimately audibly surprised when she showed up at the hearing and let Matt know that she both knew his identity and bought 90% of the neighborhood.

She had ulterior motives, of course, but it still felt genuine. It’s something she would never have done before and something that shows us and Matt that she’s ready for change. Speaking of, this run is full of wow moments. The next one actually comes right after, when Elektra becomes the new Daredevil. She wanted to earn Matt’s trust so she not only took care of his neighborhood but stuck around to do his job while he was resting in a cell block. With the costume and everything.

The detail I loved most was how she modified her sai to be blunt. It’s a small thing that I hadn’t noticed right away but it just proves the point – she wants to step away from being an assassin and do something good for a change. 

She goes full Bruce Wayne too, she gives away jewelry and adopts a kid. That doesn’t last because, unlike Bats, she realizes quickly that all the violence and “channeling your anger” don’t do any good for a kid.

Elektra makes a pretty great Daredevil. She feels like a more solid fighter, more likely to win. “Without fear” applies to her more because she’s done it all: died, killed, came back, succumbed to darkness, fought it. She has nothing to fear but her own limitations. Which she does, it’s quite a change for her to limit the violence and refrain from killing. But she is wearing the DD logo and she is representing him. She shows the people of Hell’s Kitchen that even without him on the streets, they are protected. That’s a hell of a thing. 

Elektra is new at that and is looking for her own take on Daredevil. She isn’t like Matt at all. 

Cole North

Now he’s a new character and one of the best ones in a while. Plus, he’s also a narrator in the run. He arrives as a cop from Chicago who has to catch and arrest Daredevil. He’s a very by-the-book detective, he believes in the procedure and well, he’s in for a ride. Right away he encounters crooked police on one side, a criminal mayor on another, the whole criminal underground, and vigilantes to top it off.

He sees Daredevil as someone who positions himself above the law, which comes at a time when Matt is starting to doubt said law. And they make for an interesting dynamic. Daredevil saves North from a bunch of his colleagues and kickstarts North’s downfall as a cop. Which is hey, also his rise as a decent person. Cole North is a fantastic addition, truly. He’s something that Daredevil’s been needing for a while since he never listens to Foggy or his girlfriends. He even, and again I’m jumping ahead, appoints Cole as his moral compass. A pretty decent idea, although Matt will probably mess that up too. 

Back to Cole North though. He goes through a transformation that’s masterfully shown through his thoughts (and let me tell you again, how much I appreciate different perspectives) and actions. It’s not his book but he’s one of the most memorable characters there. And despite never learning Daredevil’s true identity, he stands by his side, believing it’s possible to change the world. 

The next step is actually leading towards what seems to be a massive event. But I’ll be ready to talk about that after I finish it. 

This, Zdarsky’s run and Devil’s Reign - an event dedicated to heroes battling Fisk, are some of the best Daredevil comics out there. They don’t play around with Matt’s lighter side anymore and I, personally, like it. There’s something incredibly stylish and dramatic about Daredevil’s life going all the way off the rails. 

It leads to darker art and atmosphere, to more mature stories - I like that and that, to me fits the character. 

Zdarsky carefully navigates his way through further character development steps to lead to a relevant discussion of social/political issues. It feels well-paced and allows the narrative to flow freely. 

The fact that he introduces multiple narrators makes the story richer. We don’t just get one perspective and thus, one point of view, we are forced to at least attempt to sympathize with everyone. This pushes readers out of their comfort zone and gives additional depth to the villains. 

Meanwhile, Daredevil himself gets something new, something he hasn’t done or tried before. And even then, he still can’t escape his patterns. It’s as beautiful and entertaining as it is frustrating. But this is the kind of frustration you’d experience towards a friend who keeps making mistakes. That feels familiar and in a way, nice. 

The main artist on this run is Marco Chechetto. His work feels heavily inspired by manga but at the same time, it utilizes the best elements of Western comic book art. This symbiosis works well for this specific run. Chechetto’s ability to brighten up the color palette and darken the image when needed is something that allows the stories to play out both in text bubbles and in frames. It adds emotions and even adjusts them. Splash pages and dynamic battle scenes feel like real action. Throw in some street views and pretty epic full-height shots and you get a truly epic book. 

There are temporary artists, who take over for one or more issues like Mike Hawthorne. In his case, the change was hardly noticeable because the main color scheme was still followed. I believe in terms of style, there were just a couple issues by another artist that felt off to me. 

All in all, like I said, one of the best Daredevil runs.