#Chinese garment industry

[theladysunami]

Many other people have already posted their thoughts on the various peaks of Cang Qiong Mountain sect, so I figure I might as well throw my own thoughts and preferred headcanons out there.

First, my thoughts on the peaks we know exist but don't know much about in terms of their specialties:

Xian Shu Peak: Textiles Peak

This is my favorite headcanon for the all women's peak! The textiles industry is a big part of Chinese history, and was traditionally considered to be women's work, so it would only make sense for it to be Xian Shu Peak's peak specialty. It's not just one specific skill either, as spinning, weaving, dying, garment making, embroidery, rope/cord-making, etc. are all a part of the industry.

As they are a cultivation peak, I expect some of the products of their work to be defensive robes with talismans or incantations stitched into the fabric, Qiankun bags or sleeves, spirit trapping pouches, etc. If rope making is included in their preview, they could also be involved in making immortal binding cables, nets, and so forth.

Ku Xing Peak: Rites, Rituals and Purification Peak

We don't know much about Ku Xing Peak except that they live an aesthetic lifestyle. As it's common for individuals to take on certain aspects of aestheticism (simple clothes, restricted diets, abstinence, etc.) before engaging in many types of rituals, I'm inclined to believe a peak that practices aestheticism at all times would be particularly well suited for such tasks.

I tend to imagine their peak being similar to the Gusu Lan Clan, minus the music aspect (music being Qing Jing's purview). They could specialize in things like summoning spirits, communing with the dead, dispelling resentment, exorcisms, purifying objects or locations, properly laying the dead to rest, etc.

Since SVSSS predominantly focuses on demons, not ghosts, it's only natural a peak that deals more in spiritual cleansing and laying the dead to rest wouldn't be involved in the plot much.

Zui Xian Peak: Potions and Elixers Peak

While lot of fanfics make jokes about Zui Xian being a peak for alcoholics (which is completely fair, as this is the dick joke filled world of SVSSS we're talking about), my first thought upon learning of Zui Xian Peak's specialty was the immorality granting heavenly wine in the Journey to the West. Looking into the matter more, I've since learned that wine has actually been a huge part of Chinese medicine since the Han Dynasty. The traditional character for medicine even includes the radical for wine!

With this kind of precedent, it seems only logical that Zui Xian Peak doesn't merely make alcohol for social and/or enjoyment purposes, it's quite likely to be the ‘external alchemy’ peak of Cang Qiong Mountain. I expect they grow and process at least some of their own herbs and ingredients, along with performing other alcohol and potion making tasks like brewing, distilling, extracting, fermenting, filtering, infusing, and so on.

Next, my thoughts on what the three mystery peaks might be:

I am not going to try and name these peaks, as I struggle with naming things even in my own native tongue.

Hunting, Trapping and Scouting Peak

Having read MDZS before SVSSS, I found the distinct lack of archery in SVSSS to be quite peculiar. As the peak of scholars and strategists, I suppose it's only logical Qing Jing Peak focuses on the four scholarly arts (the guqin, strategy games, calligraphy, and painting), rather then the six arts of Confucian gentlemen (rites, music, archery, equestrianism, calligraphy, and mathematics), but that does leave several ‘arts’ free to be claimed by other peaks! This inspired me to think up a hunting and scouting peak, where disciples excel at archery and equestrianism.

Since mounted archers became a significant aspect of Chinese warfare in the 4th century BC, thanks to King Wuling of Zhao, I'd say having cultivators of this sort in a Xianxia setting is perfectly reasonable. Giving Cang Qiong Mountain sect scouts also nicely fills the gap in their martial capabilities. Without this peak they have strategists, weapon craftsman, ground troops, and suppliers, but no reconnaissance forces!

I also consider this peak to be the rough equivalent of the ‘Beast Taming Peak’ so many works are fond of. Who else could breed and control hundreds of spirit eagles for the Immortal Alliance Conference but a group of cultivators focused on scouting missions? As supernaturally superior mounts and spirit (hunting) dogs would be incredibly helpful to them, they'd likely engage in horse and dog breeding programs as well! Their skill as hunters and trappers would also permit them both to provide game for Cang Qiong Mountain sect, and to aid in the rounding up of various living monsters for both alchemical ingredient harvesting and for releasing at events like the Immortal Alliance Conference.

In summary, this peak would produce disciples skilled at equestrianism, archery, falconry, animal husbandry, scouting, herb gathering, hunting, trapping, etc. For anyone familiar with D&D, I did basically make a Ranger peak here, but I stand by that decision!

Artifacts, Arrays and Invention Peak

Every time I read a work with some variation on the "Mad Scientist Peak" I adore it, so naturally I have to include this type of peak as well. This peak would be for the Wei Wuxians of the cultivation world, hoping to revolutionize cultivation society!

Their focus would be mathematics, spell geometry, arrays, talismans, non-medicinal alchemy (aka ancient materials science), engineering and of course artifact recovery, study and creation. The crystal mirror ‘surveillance equipment’ from the Immortal Alliance Conference? These guys would be the ones that developed it!

Agriculture, Earthworks and Architecture Peak

While I admittedly don't know the nuances of feng shui, I am at least aware there is far more to it then what you usually see in western depictions. In MDZS, it's noted that an area having bad feng shui (like Yi City) can cause premature death, disaster, and an increase in all sorts of nasty supernatural phenomena! With this in mind, a peak that focuses on connecting to and harmonizing with one's environment seems perfect for the final Cang Qiong Mountain peak.

I don't imagine this peak doing much of the actual building in the sect (that's An Ding's job) but when it comes to designing the sect's buildings, or altering its geography through earthworks, they're the ones to talk to. I also see them as producing at least some of the sect’s food supply, using their skills to encourage a positively supernatural abundance of plants.

In short, disciples of this peak would be skilled with things like architecture, earthworks, geography, topography, irrigation, agriculture, element manipulation, etc.

If SVSSS’s heavenly realms have anything akin to TGCF’s elemental masters, there is probably an unusually high chance they come from this peak.

[lauralot89]

Fiber Crafts

A resource for writers

Spinning: The process of winding fiber into thread or yarn. Can be done with a drop spindle or a spinning wheel. Can also be done on industrial machinery such as a spinning mule.

Plying: Taking two or more strands of spun thread and twisting them together to make a stronger yarn. Can be done on a spindle, spinning wheel, or machine.

Weaving: The process of forming cloth by interlacing two sets of threads, the warps (longitudinal) and the wefts (latitudinal), on a loom.

Bead Weaving: A type of weaving in which beads are woven into the fabric. This can be done with or without a loom.

Tapestry: A type of weaving in which only the weft threads can be seen from the front of the work, with all warp threads hidden on the back. Tapestries weave an image into the front of the work.

Nålbinding: A historic precursor to knitting, still practiced by the Nanti people of Peru. Nålbinding creates fabric by creating interlocking loops of yarn with a single-eyed needle. Nålbinding differs from knitting and crochet in that, in nålbinding, the entire length of the working yarn must be passed through each loop made.

Knitting: The process of forming cloth by interlocking loops of yarn. Knitting is most commonly done with two or more needles held in the hands, but can also be done with knitting looms or machines. The two most common methods of hand knitting are the English and Continental styles.

Crochet: The process of forming cloth by interlocking loops of yarn. This is most commonly done with a crochet hook, but can be done with the fingers. Crochet can also be done on looms. Whereas many stitches are active at any given time in knitting, in crochet, each stitch is finished before another is made.

Macramé: The process of creating textiles by making knots in cords. The main knots used in macramé are square knots and half-hitches.

Chinese Knotting: The process of knotting cord into decorations and charms.

Felting: The process of creating cloth by matting fibers together. In wet felting, fibers are exposed to water and then pressed and agitated to join the fibers together. In needle felting, fibers are joined by repeatedly being stabbed with specialized needles.

Rope Making: The process of braiding or twisting fibers together to create rope.

Sennit: The process of creating cord by braiding dried fibers.

Sewing: Using a needle and thread to join pieces of fabric. Sewing is done either by hand or machine. Sewing can be used to create garments and other items or to tailor preexisting items. Sewing can be either constructive (creating objects) or decorative (adorning objects).

Darning: A method of mending holes and worn areas in fabric. Darning can be either hand sewn or done with a machine, and weaves threads to fill in holes within fabric.

Embroidery: A form of sewing in which various stitches are added onto a preexisting fabric or item. Originally used for mending clothing, embroidery stitches are now also used decoratively. Embroidery can be done only with thread, but may also incorporate beads, sequins, and other decorative notions, such as beetle wings.

Cross-stitch: A type of embroidery in which the thread is sewn in X-shaped stitches across fabric.

Needlepoint: A type of embroidery in which yarn is stitched through an open weave canvas.

Tatting: The process of lace-making by looping and knotting thread. Tatting can be done with a shuttle, with a needle, or with a combination of tatting and crocheting techniques called cro-tatting.

Appliqué: The process of attaching one piece of fabric on top of a larger piece. Originally done to mend fabric, appliqué is now commonly used as decoration.

Patchwork: The process of sewing small pieces of fabric together to create a larger piece. This is often done to form a pattern or image.

Quilting: The process of stitching three or more layers of fabric together. Quilting is typically used to make blankets. Fabric layers can either be quilted by hand, usually with the aid of a quilting hoop, tied, or quilted using a domestic sewing machine or a longarm machine.

Banner Making: The process of creating a flag or banner. Banner making incorporates many other forms of needlework, such as patchwork, sewing, and embroidery.

Needlework: The umbrella term for textile handicrafts.

[brehaaorgana]

The online fashion seller Shein has admitted it found two cases of child labour and factories failing to pay the minimum wage in its supply chain last year, as it tries to gain backing for a potential £50bn UK stock market flotation.

The disclosure, in Shein’s 2023 sustainability report, comes after workers’ rights campaigners called for the government to oppose a possible listing of Shein on the London Stock Exchange over concerns about a lack of transparency about its supply chain and ethical questions. The British Fashion Council (BFC) has also said the listing, which could be announced as early as next month, would be a “significant concern” to the industry.

An investigation this year by the Swiss-based non-profit group Public Eye found that people employed to produce garments for Shein routinely work more than 70-hour weeks; there were allegations of forced labour in the Uyghur region of China; and the company had a “cavalier approach to design appropriation”, which has led to a string of lawsuits relating to allegedly copied garments.

&

Shein, based in Singapore but founded in China, said it had tightened its policies for suppliers in October last year so that any child labour or forced labour violations have become grounds for immediate termination of contracts, as first reported by the Times.

[...]

It suspended for 30 days orders from the Chinese suppliers involved to the child labour it had identified, giving them a chance to tackle the problem. Shein said it did not resume business with them until they had stepped up efforts to stop the practice.

Shein’s report said: “Both cases were resolved swiftly, with remediation steps including terminating contracts with underage employees, ensuring the payment of any outstanding wages, arranging medical checkups and facilitating repatriation to parents/legal guardians as needed.

FACILITATING REPATRIATION TO PARENTS AND LEGAL GUARDIANS AS NEEDED....

ACTUAL CHILD SLAVERY IN SHEIN'S SUPPLY CHAIN.

[dwellordream]

“At the end of the 19th century, when slightly more than half of all working people were still engaged in agriculture and the nation’s population was still concentrated mostly in the Eastern states, the statistically and geographically average American woman would have been a 38-to-40-year-old white farmer’s wife with four or five children, living in southwestern Ohio. Like 98 percent of married white women in 1890, this “average” American woman did not work for pay outside her home. In addition to housekeeping, cooking, and child care, though, she probably performed a great deal of farm labor and may have sold eggs and butter to make a little cash.

She may also have been involved in local church work, or a temperance (anti-alcohol) group, or a ladies’ auxiliary of the county Grange, an organization that encouraged farmer cooperatives and agitated for farmers’ political rights. Our typical mid-continent woman was probably not an immigrant, but she might well have been the offspring of German or Scandinavian immigrants, the groups that had dominated the settlement of the Midwest after the Civil War. Her own daughter, coming of age in the 1890s and educated in a local township school, might have more opportunities than her mother. Unless she married a farmer, or her parents needed her labor at home, she could move to Chicago or some other large city and take up work in a factory, shop, or office.

This picture of the statistically average American woman and her daughter does not tell the whole story. In fact, the typical, if not the average, white American woman in 1890 was just as likely to be a young working-class woman--a Russian-Jewish or Italian garment worker in New York City, a Polish meat packer in Chicago, or an Irish domestic servant in Boston--as she was to be a farmer’s wife in Ohio or Nebraska, because immigration was changing the population so rapidly in 1890. The waves of British, Irish, and German immigration had ended in the 1880s. Now the immigrants, who arrived each year in the hundreds of thousands, came mostly from eastern and southern Europe--Russia, Poland, Serbia, Hungary, Greece, and Italy.

…The picture of women’s lives in the South at the turn of the century differed in several significant ways from that of their Northern counterparts. Southern society had been all but destroyed in the Civil War, along with Southern cities and much of the Southern landscape. Recovery had been slow and incomplete, and the South did not share the industrial prosperity of the North. Society was sharply divided along racial lines, and white racism had become steadily worse after Reconstruction ended in the late 1870s. Confined largely to jobs in agriculture, African Americans worked as laborers on vast cotton or tobacco plantations, or as sharecroppers, paying for the fields that they leased from white landowners with a share of their crops. Few black families owned farms of their own.

Although many black women dreamed of a life in which they could devote full time to family cares and household responsibilities, most had to work full days for white landowners or toil in the fields alongside their husbands in order to maintain even a minimum family income. The few jobs available to black women outside agriculture were in domestic service--working for white families--or in laundries, or in segregated mills and cigarette factories. Black families made enormous sacrifices to keep their daughters in school, with the expectation that they might become teachers or small-business owners. African-American parents could hope that the next generation of black women might escape sharecropping or working in white men’s houses, where they were subject to insult and frequently in danger of sexual assault.

…Western coastal states were especially attractive to Asian immigrants, though the influx of Chinese laborers had slowed to a trickle after the Chinese Exclusion Act became law in 1882. Filipino immigration increased significantly after the Spanish-American War in 1898, and by the end of the 19th century, Japanese immigrants had established substantial communities in California. Although the Chinese and Filipino immigration was at first mostly male, Japanese immigration was more evenly balanced between men and women.

The Asian groups tended to remain isolated from the larger, white society, which regarded their different physical characteristics, as well as their languages and customs, with deep suspicion and contempt. Like women in other immigrant cultures, Asian women remained more isolated and less assimilated than men, remaining homebound or working in restaurants, laundries, or small industries run exclusively by members of their community. Many new brides went straight from the boat to the farms of central California, where they picked fruits and vegetables alongside their husbands by day and cooked meals and cared for their children and living quarters the rest of the time.”

- Karen Manners Smith, “Woman’s World in 1890.” in New Paths to Power: American Women, 1890-1920

[trendingreportz]

Acetic Acid Market - Forecast(2024 - 2030)

Acetic Acid Market Overview

Acetic Acid Market Size is forecast to reach $14978.6 Million by 2030, at a CAGR of 6.50% during forecast period 2024-2030. Acetic acid, also known as ethanoic acid, is a colorless organic liquid with a pungent odor. The functional group of acetic acid is methyl and it is the second simplest carboxylic acid. It is utilized as a chemical reagent in the production of many chemical compounds. The major use of acetic acid is in the manufacturing of vinyl acetate monomer, acetic anhydride, easter and vinegar. It is a significant industrial chemical and chemical reagent used in the production of photographic film, fabrics and synthetic fibers. According to the Ministry of Industry and Information Technology, from January to September 2021, the combined operating revenue of 12,557 major Chinese garment companies was US$163.9 billion, showing a 9% increase. Thus, the growth of the textile industry is propelling the market growth for Acetic Acid.

Report Coverage

The “Acetic Acid Market Report – Forecast (2024-2030)” by IndustryARC, covers an in-depth analysis of the following segments in the Acetic Acid industry.

By Form: Liquid and Solid.

By Grade: Food grade, Industrial grade, pharmaceutical grade and Others.

By Application: Vinyl Acetate Monomer, Purified Terephthalic Acid, Ethyl Acetate, Acetic Anhydride, Cellulose Acetate, Acetic Esters, Dyes, Vinegar, Photochemical and Others 

By End-use Industry: Textile, Medical and Pharmaceutical, Oil and Gas, Food and Beverages, Agriculture, Household Cleaning Products, Plastics, Paints & Coating and Others.

By Geography: North America (the USA, Canada and Mexico), Europe (the UK, Germany, France, Italy, Netherlands, Spain, Russia, Belgium and the Rest of Europe), Asia-Pacific (China, Japan, India, South Korea, Australia and New Zealand, Indonesia, Taiwan, Malaysia and the Rest of APAC), South America (Brazil, Argentina, Colombia, Chile and the Rest of South America) and the Rest of the World (the Middle East and Africa).

Request Sample

Key Takeaways

The notable use of Acetic Acid in the food and beverages segment is expected to provide a significant growth opportunity to increase the Acetic Acid Market size in the coming years. As per the US Food and Agriculture Organization, world meat production reached 337 million tonnes in 2019, up by 44% from 2000.

The notable demand for vinyl acetate monomer in a range of industries such as textile finishes, plastics, paints and adhesives is driving the growth of the Acetic Acid Market. 

Increase in demand for vinegar in the food industry is expected to provide substantial growth opportunities for the industry players in the near future in the Acetic Acid industry.

Acetic Acid Market Segment Analysis – by Application

The vinyl acetate monomer segment held a massive 44% share of the Acetic Acid Market share in 2021. Acetic acid is an important carboxylic acid and is utilized in the preparation of metal acetates and printing processes, industrially. For industrial purposes, acetic acid is manufactured by air oxidation of acetaldehyde with the oxidation of ethanol, butane and butene. Acetic acid is extensively used to produce vinyl acetate which is further used in formulating polyvinyl acetate. Polyvinyl acetate is employed in the manufacturing of plastics, paints, textile finishes and adhesives. Thus, several benefits associated with the use of vinyl acetate monomer is boosting the growth and is expected to account for a significant share of the Acetic Acid Market.

Inquiry Before Buying

Acetic Acid Market Segment Analysis – by End-use Industry

The food and beverages segment is expected to grow at the fastest CAGR of 7.5% during the forecast period in the Acetic Acid Market. Acetic Acid is also known as ethanoic acid and is most extensively used in the production of vinyl acetate monomer. Vinyl acetate is largely used in the production of cellulose acetate which is further used in several industrial usage such as textiles, photographic films, solvents for resins, paints and organic esters. PET bottles are manufactured using acetic acid and are further utilized as food containers and beverage bottles. In food processing plants, acetic acid is largely used as cleaning and disinfecting products. Acetic acid is extensively used in producing vinegar which is widely used as a food additive in condiments and the pickling of vegetables. According to National Restaurant Association, the foodservice industry is forecasted to reach US$898 billion by 2022. Thus, the advances in the food and beverages industry are boosting the growth of the Acetic Acid Market. 

Acetic Acid Market Segment Analysis – by Geography

Asia-Pacific held a massive 41% share of the Acetic Acid Market in 2021. This growth is mainly attributed to the presence of numerous end-use industries such as textile, food and beverages, agriculture, household cleaning products, plastics and paints & coatings. Growth in urbanization and an increase in disposable income in this region have further boosted the industrial growth in this region. Acetic acid is extensively used in the production of metal acetates, vinyl acetate and vinegar which are further utilized in several end-use industries. Also, Asia-Pacific is one of the major regions in the domain of plastic production which provides substantial growth opportunities for the companies in the region. According to Plastic Europe, China accounted for 32% of the world's plastic production. Thus, the significant growth in several end-use industries in this region is also boosting the growth of the Acetic Acid Market.

Acetic Acid Market Drivers 

Growth in the textile industry:

Acetic Acid, also known as ethanoic acid, is widely used in the production of metal acetate and vinyl acetate which are further used in the production of chemical reagents in textiles, photographic films, paints and volatile organic esters. In the textile industry, acetic acid is widely used in textile printing and dyes. According to China’s Ministry of Industry and Information Technology, in 2020, textile and garment exports from China increased by 9.6% to US$291.22 billion. Also, according to the U.S. Department of Commerce, from January to September 2021, apparel exports increased by 28.94% to US$4.385 billion, while textile mill products rose by 17.31% to US$12.365 billion. Vinyl acetate monomer is utilized in the textile industry to produce synthetic fibers. Thus, the global growth in demand for textiles is propelling the growth and is expected to account for a significant share of the Acetic Acid Market size.

Schedule a call

Surge in use of vinegar in the food industry:

The rapid surge in population along with the adoption of a healthy and sustainable diet has resulted in an increase in demand for food items, thereby increasing the global production level of food items. As per US Food and Agriculture Organization, in 2019, global fruit production went up to 883 million tonnes, showing an increase of 54% from 2000, while global vegetable production was 1128 million tonnes, showing an increase of 65%. Furthermore, world meat production reached 337 million tonnes in 2019, showing an increase of 44% from 2000. Acetic acid is majorly used in the preparation of vinegar which is further widely utilized as a food ingredient and in personal care products. Vinegar is used in pickling liquids, marinades and salad dressings. It also helps to reduce salmonella contamination in meat and poultry products. Furthermore, acetic acid and its sodium salts are used as a food preservative. Thus, the surge in the use of vinegar in the food industry is boosting the growth of the Acetic Acid Market.

Acetic Acid Market Challenge

Adverse impact of acetic acid on human health:

Acetic Acid is considered a strong irritant to the eye, skin and mucous membrane. Prolong exposure to and inhalation of acetic acid may cause irritation to the nose, eyes and throat and can also damage the lungs. The workers who are exposed to acetic acid for more than two or three years have witnessed upper respiratory tract irritation, conjunctival irritation and hyperkeratotic dermatitis. The Occupational Safety and Health Administration (OSHA) reveals that the standard exposure to airborne acetic acid is eight hours. Furthermore, a common product of acetic acid i.e., vinegar can cause gastrointestinal tract inflammatory conditions such as indigestion on excess consumption. Thus, the adverse impact of Acetic Acid may hamper the market growth. 

Buy Now

Acetic Acid Industry Outlook

The top 10 companies in the Acetic Acid Market are:

Celanese Corporation

Eastman Chemical Company

LyondellBasell

British Petroleum

Helm AG

Pentoky Organy

Dow Chemicals

Indian Oil Corporation

Daicel Corporation

Jiangsu Sopo (Group) Co. Ltd.

Recent Developments

In March 2021, Celanese Corporation announced the investment to expand the production facility of vinyl portfolio for the company’s acetyl chain and derivatives in Europe and Asia.

In April 2020, Celanese Corporation delayed the construction of its new acetic acid plant and expansion of its methanol production by 18 months at the Clear Lake site in Texas.

In October 2019, BP and Chian’s Zhejiang Petroleum and Chemical Corporation signed MOU in order to create a joint venture to build a 1 million tonne per annum Acetic Acid plant in eastern China.

Key Market Players:

The Top 5 companies in the Acetic Acid Market are:

Celanese Corporation

Ineos Group Limited

Eastman Chemical Company

LyondellBasell Industries N.V.

Helm AG

For more Chemicals and Materials Market reports, please click here

[thatmcgwords]

Sustainability in clothing industry falters as fast fashion reigns

Textile waste is an urgent global problem, with only 12% recycled worldwide, according to fashion sustainability nonprofit Ellen MacArthur Foundation. Even less — only 1% — are castoff clothes recycled into new garments; the majority is used for low-value items like insulation or mattress stuffing.

Nowhere is the problem more pressing than in China, the world’s largest textile producer and consumer, where more than 26 million tons of clothes are thrown away each year, according to government statistics. Most of it ends up in landfills.

And factories like this one are barely making a dent in a country whose clothing industry is dominated by “fast fashion” — cheap clothes made from unrecyclable synthetics, not cotton. Produced from petrochemicals that contribute to climate change, air and water pollution, synthetics account for 70% of domestic clothing sales in China.

According to a report this year from independent fashion watchdog Remake assessing major clothing companies on their environmental, human rights and equitability practices, there’s little accountability among the best-known brands.

The group gave Shein, whose online marketplace groups about 6,000 Chinese clothing factories under its label, just 6 out of a possible 150 points. Temu scored zero.

Also getting zero were U.S. label SKIMS, co-founded by Kim Kardashian, and low-price brand Fashion Nova. U.S. retailer Everlane was the highest-scorer at 40 points, with only half of those for sustainability practices.

“Studies repeatedly show consumers are not willing to pay higher for clothing made from recycled materials, and instead they actually expect a lower price because they see such clothing as made of secondhand stuff,” he said.

With higher costs in acquiring, sorting and processing used garments, he doesn’t see sustainable fashion succeeding on a wide scale in China, where clothes are so cheap to make.

[casual-music-enjoyer]

Ethnocide/Genocide of Uyghurs in China

China’s primarily Han government has been committing a slew of human rights abuses against Uyghurs, a Turkic ethnic minority in China, since 2014. Often referred as an ethnocide, forced assimilation, or simply genocide, these abuses include but are not limited to: forced labor, forced abortion and sterilization, and forced “re-education” of Uyghurs (aka the suppression of Uyghur culture). While Uyghurs in China have been an oppressed group since they were conquered, in 2014 over a million Ugyhurs were incarcerated without legal process and placed in internment camps located in Xinjiang. While these camps started to publicly wind down in 2019, about 40 countries worldwide called out China for the sheer amount of abuse in these camps, such as rape and torture. 

According to the U.S. Bureau of International Labor Affairs, “It is estimated that 100,000 Uyghurs and other ethnic minority ex-detainees in China may be working in conditions of forced labor following detention in re-education camps”. These forced labor conditions (according to two accounts in this article), include little pay, the forced lack of (or extremely limited) contact with loved ones, and the confiscation of identification traps the Uyghur workers within these forced labor camps. There are several Chinese industries that forced Uyghur labor contributes to, including but not limited to, textiles, hair products, and fish. 

What makes this worse is that a lot of the raw materials made through forced labor (such as textiles) are shipped out internationally to create the products that appear on store shelves. On the End Forced Uyghur Labor website, this exportation of materials is so bad that “1 in 5 cotton garments in the global apparel market are at risk of being tainted with Uyghur forced labour.” This has huge implications for the U.S. fast fashion industry in particular because of the popularity of fast fashion companies such as Temu and Shien, and how fast fashion companies often use materials that come from forced or underpaid labor worldwide. I would not be surprised if Uyghur forced labor comes into scrutiny soon in regards to the fast fashion industry. 

Outside of forced labor, Uyghurs face other horrendous human rights abuses such as forced abortions. AP News reported on how three Ugyhurs who fled from China to Turkey gave testimonies of forced abortions and torture that either happened to them, or someone else. One woman stated that she was kidnapped at 6 ½ months pregnant by the Chinese police and was forced to undergo an abortion. This is an obvious attempt to suppress the population increase of Uyghurs in Xinjiang and China as a whole because of their ethnic minority status. Meanwhile, another exile described being tortured and interrogated regarding information relating to his brother. He mentioned that, “the brother was wanted partly because he published a religious book in Arabic.” This is obvious discrimination against Uyghurs not only because of their ethnic minority status, but also because of how most Uyghurs are Muslim. 

This genocide and discrimination is why it is so important to keep Uyghur traditions alive. The Muqam, a traditional Uyghur melody type to guide the composition and improvisation within Ugyhur music, is just one distinct example of this. The Muqam is a tradition listed within the List of Intangible Cultural Heritage created by UNESCO, with “the aim of ensuring better protection of important intangible cultural heritages worldwide and the awareness of their significance.” Some other important examples of these intangible cultural heritages are the dakbe from Palestine and congolese rumba from the Democratic Republic of Congo and Congo. 

One Uyghur band, Qetiq, took the traditional Muqam and blended it with rock music. Qetiq is made up of Perhat Khaliq, his wife Pazilet Tursun, a cousin of Khaliq, and some friends. Perhat Khaliq’s participation in the Voice of China in 2014 gained him a lot of publicity. Qetiq released their first EP, Qetiq: Rock from the Taklamakan Desert, in 2013. After touring in 2015 across China, Khaliq received the Dutch's Prince Claus Awards for "breathing new life into traditional Uyghur forms". 

Being completely honest, while I searched for Uyghur music, the amount of information that I could access as an American on Google was extremely limited. I was able to come across a few Wikipedia articles and some research papers, but not anything to the extent of other cultures. I believe that this is partially intentional, but I do not have enough expertise or knowledge to say that for sure. 

However, what I did find was absolutely beautiful, and while I do not have the cultural context nor understanding of any language besides English, after listening to Qetiq: Rock from Taklamakan Desert several times, I can confidently recommend some songs. If anyone has more information to add to the conversation, I would greatly appreciate it since I was only able to gather so much from my research. 

In Review:

Recommended Band:

Qetiq

Song(s) of Choice:

Dolan muqam - Qetiq

Tarim - Qetiq

Qara jorga - Qetiq

Streaming Platforms:

Youtube, Spotify, Apple Music, Pandora, Qobuz, + more

Social Media Platforms:

????

Additional Information (feel free to add more in the comments):

https://livingotherwise.com/2016/08/17/the-rise-collaborative-at-the-seattle-asian-art-museum/

https://www.mcclatchydc.com/news/nation-world/world/article34705791.html

[thereader-radhika]

Uttama Chola and Kanchipuram Silk

We don't know when exactly did silk weaving start in Kanchipuram. Chinese traveller - monk Hiuen Tsang's (during the Pallava rule) description about Kanchipuram doesn't mention anything about silk weaving. Since literary works of old times sporadically mention silk from Kanchi, it is obvious that there was some kind of silk industry in Kanchipuram but it wasn't a major enterprise.

The destiny of the silk weavers in Kanchipuram changed during the reign of Chola Emperor Uttama Cholan.

He likewise invested (for interest) these two hundred pieces of gold in those same quarters . . .  those pattasalins of the two quarters.  There being no managers (srikaryakrit) to supervise the receipts and expenses of that same (temple of) Hari (i.e., Vishnu), - of the income arising out of the interest on gold (invested) and the tolls on (things) measured by weight, capacity, etc., that same king himself appointed for doing the work of (temple) management those same weavers born in the two quarters, viz., Atimanappati and Karuvulanpati of those same (four) quarters.

The Chola (king) who was the destroyer of Madhura (i.e., Uttama-Chola Madhurantaka) commanded that the residents of Solaniyamam must give per month two prasthas and one kudubaka of rice and (one) prastha of oil to (the god) Tridhamam (Vishnu) standing in (the temple of) Uraka and that no taxes which may be levied by the king be collected (from these) in consideration of (their) poverty.  There upon the city-magnates also authorized this.  

Consequently the house-holders residing in Solaniyamam together with the managers of (the temple of) Hari whose abode is in Uraka, must write out in turn one after another the (accounts of) income and expenditure and show (them) every month to these weavers of royal garments living in the four quarters (mentioned above).

In short, Uttama Cholan • Invested money in their villages, especially for for temple expenses. • Extended royal patronage, honourable jobs and administrative responsibilities to the people of weaving community. • Granted tax exemptions on everything except temple offerings considering their then poverty. Those could be paid from the earlier mentioned gold and its interest. • Entrusted them with the duty of making royal garments. That is, he became their 'brand ambassador'.

Maduranthakan endorsing Kanchipuram Silk. Colourised photo from 10th c.

Arulmozhi Varman agrees. Colourised photo from 10th c.

What would have we done without the silk sarees of Kanchi 😜?

Read about Uttama Chola and KGF here. We don't have many historical records for that but the Kanchipuram Silk business is 100% historical. Looks like Maduranthaka Thevar had an eye for long lasting businesses that would affect the economy and culture of South India for centuries.

[pattern-recognition]

exercising my free will by emailing a textile factory in ethiopia that I learned about through an academic sociological journal on South Asia just to ask them if there’s any place i could procure garments made with their cotton twill in the US. I sort of doubt it though because the company is a subsidiary of an Indian corporation, and like most of the Ethiopian textile industry that’s either Indian or Chinese funded it’s mostly periphery to semi-periphery trade. Most of the denim that flows into the US nowadays comes from Guatemala because of tariff free imports, or from the more established sources of outsourced labor

[roseband]

im losing my mind at far right and far left comments saying "automated tee shirt factories" or "ill just learn how to sew"

fuck you all don't know where your clothing comes from and you're all so consumer-pilled, shopping-maxxed to even look it up???

any people who go into debt for the prices that are gonna raise, deserve what's gonna happen to them.

"ill just learn how to sew" is my fave. cause nearly all my designer clothing that isn't samples, is out of goodwill/goodwill bins cause people don't know how to do minimal basic repairs or to bring their fucking shoes to a cobbler anymore lol. i should not be getting an alice/olivia top that retails for $300 for $10 cause it's only missing 5 beads.......fix your fucking stuff? my great grandma taught my grandma, who taught my mom, who taught me how to sew as soon as i could hold a needle.

also.....a significant amount of fabric mills are in fujian. do you think there's magical crude oil processing plants in the usa making your polyester and rayon plastic threads. your cheap clothing is practically ALL made of plastic???? even guterman, famous german polyester thread brand, has moved the bulk of their processing to china for their non eco friendly specialty line.

your raw materials to sew from will be tariffed..... we don't have girls getting scalped by machinery in lowell anymore here.

"we'll retrofit factories here".... the current top of the line automated direct to garment printer is the m&r polaris. (starts at 800k and can print 10 shirts at once, but you still have to place the shirts on the initial plates). other printers in factories ive been in require shirts to be moved from screen print plates for each single color. which is labor.....to be paid at american wages. this is printed in usa, but blanks are from overseas "made in america of imported materials" babes and we STILL hit capacity at our normal factories during our main quick turn events and have to source additional factories at work.

"automated apparel"..... mostly apparel managerial roles are in the states. mostly east coast as the industry shifted from all production to mainly design/managerial cause like lowell, ma...nyc....new jersey "the embroidery capitol of the world", the south with the horrors of the cotton industry. we're not the ones who are gonna be bonked

"new york fashion week needs to suffer" is a hot take from the left i saw.......it's here cause the apparel management, design, and sales roles are here, do you think the /products/ are for new york? what i present during our internal nyfw calls is sold in EMEA, AUS, UK, USA ffs. i work on stuff produced globally?

there is no luxury automated apparel industry. there's automated cutting machines that can cut 100s of bodies at once, but the stacks have irregularities and have to be sewn......by hand. even with industrial sewing machines/sergers there's a human shoving that fabric thru the machine and sewing nearly every seam.

20% of the labor force in american domestic apparel manufacturing is undocumented immigrants.

when there's production in el salvador, bangladesh, and china we all have people in our companies who's role is "go to factory, make sure there's no slaves"..... my husbands next promotion is the "go to china make sure there's no slaves at the fujian factories and mills" role cause he chinese and speaks fuzhounese...

this is what the reality of your $30-40 shirts IS. you're not gonna get $20 shirts with royalty art made in USA. it's too much labor.

and with luxury apparel it's STILL chinese slaves. in italy and france they've both done raids of the designer brands production houses and found literal indentured servitude. undocumented chinese immigrants making 1-3 euros an hour. that "made in italy" tag is a lie, when it's made from illegally imported chinese labor at chinese slave wages.

people love to say there's "nothing in thrift stores" in some demented social justice type language about "plus size" or "leave clothing for poor people" but 75% of what goes to the floor in thrift stores goes to landfill. this is after it hits the thrift store outlets (the $2.50/lb bins)

it's so frustrating to see this crap tbh. "ill learn how to sew immediately" should we have a party, should we invite anna wintour?

[t-shirtmanufacturerbd]

How does the cost of wholesale T-shirts in Bangladesh compare to other countries?

The cost of wholesale T-shirts in Bangladesh is generally more competitive than in many other major manufacturing countries. This advantage comes from several factors unique to Bangladesh:

Lower Labor Costs: Bangladesh has one of the most affordable labor markets among textile-producing nations. Wages for garment workers are significantly lower than those in China, Vietnam, or India, which helps reduce production costs.

Government Support: The Bangladeshi government offers incentives to support the garment industry, including tax breaks and subsidies, particularly for exporters. This support helps manufacturers offer lower wholesale prices.

Efficient Supply Chain: Bangladesh has a mature and highly efficient supply chain for the textile industry. With access to high-quality raw materials and a robust infrastructure for spinning, weaving, and dyeing, manufacturers can keep costs low. Additionally, Bangladesh has established relationships with global shipping companies, ensuring cost-effective logistics.

Large Manufacturing Base: Bangladesh is one of the largest textile and apparel exporters, so manufacturers benefit from economies of scale. This scale allows for the production of bulk orders at reduced costs, which wholesalers can pass on to their clients.

Eco-friendly Practices: Although eco-friendly production usually raises costs, many Bangladeshi manufacturers, including Tees BD Co, have embraced sustainable practices while maintaining competitive pricing. They balance affordability with environmentally friendly processes that appeal to international clients seeking green options without high premiums.

Comparison to Other Countries:

China: China’s prices are often higher due to rising labor costs and additional tariffs on exports to certain countries. However, Chinese manufacturers offer advanced technology and shorter lead times.

Vietnam: Vietnam is competitive but typically more expensive than Bangladesh. Labor costs are higher, and manufacturing is less focused on large-scale bulk production.

India: India offers competitive pricing but slightly higher labor costs. Indian manufacturers are also more diversified across various textiles, which can sometimes lead to higher costs in niche categories.

In summary, Bangladesh remains one of the most cost-effective options for wholesale T-shirts globally, especially for businesses needing large quantities without compromising on quality.

[motumbtumb]

Tiktok and fast fashion, the relationship with GenZ in the digital age

How significant is Tiktok's appeal?

Tiktok - a Chinese social media platform that has rapidly emerged and developed astonishingly, with over 500 million active users worldwide to date. Tiktok has become a perfect marketing tool for users around the globe.

One of the biggest reasons for Tiktok's success today is its relevance to the times. Gen Z is the primary audience of this platform, with 83% of respondents being Gen Z having and using Tiktok as their main tool. Moreover, Tiktok has created a new mechanism called short videos, which can be summed up in three words: Short - Fast - Engaging. This is also the main factor Tiktok leverages to capture consumers' minds, as content can be summarized in a video without the need to read, reducing the focus on content quality and instead emphasizing quantity.

Tiktok with fast fashion trends

What is Fast fashion?

"Fast fashion" refers to the rapid production of inexpensive, trendy clothing that is inspired by the latest catwalk designs. This concept has revolutionized the fashion industry, making high-end styles accessible to the masses at affordable prices. However, the rise of fast fashion has raised concerns about its impact on the environment, labor conditions, and consumer behavior.

One of the most significant impacts of fast fashion is its contribution to environmental degradation. The constant demand for new clothing leads to increased production, which in turn results in higher levels of water and air pollution, as well as increased waste generation. Additionally, the use of synthetic materials and harsh chemicals in the production process further exacerbates these environmental issues. As a result, many environmental advocates are calling for a shift towards more sustainable and eco-friendly fashion practices (Coombs, 2023).

In addition to its environmental impact, fast fashion also raises concerns about labor conditions in garment factories. The pressure to produce large quantities of clothing at a rapid pace often leads to exploitative working conditions for factory workers, particularly in developing countries where labor laws may be less stringent. Reports of low wages, long hours, and unsafe working environments have prompted calls for greater transparency and accountability within the fashion industry.

Furthermore, the fast-paced nature of fast fashion has contributed to a culture of excessive consumption and disposable clothing. With new styles constantly being churned out at low prices, consumers are encouraged to buy more and discard clothing more frequently. This "throwaway" culture not only contributes to waste accumulation but also perpetuates a mindset of overconsumption and disregard for the true value of clothing.

In what ways has fast fashion had an impact on Gen Z on TikTok?

Initially, TikTok has transformed how young people discover and interact with fashion. With its algorithm-driven recommendations tailored to individual user preferences, Gen Z is perpetually introduced to the latest trends and styles. This has resulted in a culture fixated on rapid fashion consumption, where trends change at an unprecedented pace. Consequently, Gen Z finds itself frequently experimenting with diverse styles, always on the lookout for the next major trend.

TikTok has empowered Gen Z to express their individuality through fashion more than any previous generation. The platform's focus on creativity and authentic self-expression champions young people to confidently broadcast their unique styles. This democratization of fashion allows anyone with a smartphone and a creative vision to emerge as a trendsetter. According to Statista, TikTok boasts over a billion active users, more than 60% of whom are Gen Z, fueling this cultural shift.

However, fast fashion on TikTok brings potential drawbacks. The perpetual rotation of new trends contributes to a disposable fashion culture, with garments often discarded after minimal use in favor of newer trends. This cycle raises environmental concerns and reflects an unsustainable consumption pattern. The Ellen MacArthur Foundation indicates that an estimated 92 million tons of textile waste are produced annually, underscoring the pressing need for responsible fashion practices (Thanh Phong, 2020).

Despite these concerns, TikTok's influence on Gen Z's fashion interaction is undeniable. It has granted young aspiring voices a significant role in the evolving fashion landscape, crafting trends and reimagining what it means to be fashionable in today’s society. As TikTok continues to evolve, its future impact on fashion remains a captivating subject of interest for both users and industry pundits alike.

In conclusion, what has emerged due to TikTok’s fast fashion culture is a new blueprint of how Gen Z approaches fashion. It undeniably allows young people to experiment and articulate their styles while also revealing sustainability and consumption behavior challenges. Navigating this social media-driven fashion era demands striking harmony between embracing innovation and committing to sustainable and conscious consumption practices.

References

Coombs, C. (2023). Gen Z are spending more time on TikTok than any other app – Thred Website. Thred.com. https://thred.com/gen-z/gen-z-are-spending-more-time-on-tiktok-than-any-other-app/

Thanh Phong, D. (2020, May 10). Global addiction: what makes TikTok successful, can it surpass YouTube? https://www.thegioididong.com/tin-tuc/gay-nghien-toan-cau-sap-vuot-mat-youtube-dieu-gi-lam-nen-thanh-cong-cua-tiktok-1255055

[fortressofserenity]

Fashion after America

Considering that China has become a superpower, it's clearly already influencing the whole world to an extent with some of its brands like TikTok, Black Myth Wukong, Genshin Impact and Shein. Shein used to sell and make bridal dresses, then it moved onto fast fashion and is currently reshaping it. While it's not without its own faults, it's kind of astonishing to think that a country like China would go from being the dumping grounds for American fast fashion brands to housing one itself.

But I don't think it will be the only one to undergo such a shocking transformation, others will get in the act so something like Brazil might house its own major global fast fashion brand too. A more probable one would be Russia, since it too is shaping up to be a major superpower again in years. Russia has yet to create its own Shein, but since most of the older fast fashion brands are American (The Gap, Forever 21, Abercrombie and Fitch, etc) so it could have one too.

I feel this is something the Philippines should heed to, the more irrelevant America grows because if America ever stops being a superpower, that it has to turn to a viable alternative instead. It could be China, which I prefer. It may not be China alone to act as the home of future fast fashion brands, like it currently does with Temu and Shein. But I feel other Chinese fashion brands will get popular too, something like Metersbronwe/Metersbrowne.

Since hanfu's gotten popular with some foreigners, even I myself got into it too, so it's possible for hanfu to get further popularised outside of China. It could get popularised in the Philippines, though it remains to be seen. But if American influence were to be largely revoked here, then Chinese influence would take its place. So hanfu will really gain traction here, perhaps becoming normalised further in the future. It should be noted that a global fashion industry existed before America.

Something like the Silk Road going from China and India into Europe, where silk got popularised in the latter and thus that's where Europeans got a taste of and started creating silk garments. It wasn't global in the way we expect it to be, but an international fashion industry certainly did exist before if it weren't for the Silk Road being a thing. The Internet magnifies this significantly, where people can be up to date with the latest trends from anywhere else.

So I think the fashion industry might go on fine without America, as it has done before in the distant past. Though I think if Russia were to take America's place as the go-for western hegemon, if you believe this person, so inevitably Russian fast fashion brands will take precedence too. Russia may not have a major fast fashion brand like China yet, but it's possible in the foreseeable future. At present, America's home to a number of notable fashion brands.

Something like Tommy Hilfiger, Guess, Calvin Klein, Donna Karan, The Gap, Abercrombie and Fitch, Banana Republic, Forever 21, Levi's, Old Navy, Nike, J. Crew, The Row and Ralph Lauren. China has two major fast fashion brands in Temu and Shein, so there's more to come in the future. Russia, Brazil, India and South Africa might also get in the act too. India has something like Allen Solly, Flying Machine, Monte Carlo and Van Heusen.

So it's possible if some Indian company were to turn one of these into fast fashion brands, then it'll surely happen. Russia might do the same in the future, though I think countries like India would readily get into the act. Even then America's stature as a superpower is slipping away anyways, so it's not going to be powerful for long. We may not have Aeropostale anymore, but Metersbronwe would be a good substitute.

Or even Flying Machine and Allen Solly for another matter, but the takeaway here is that America's not going to be a superpower for long. So it's not going to influence global fashion anymore either.

[4me4you]

4me4you Features - ‘Echoes of youth’.

Designer: Jenn Lee

JENN LEE captures the essence of childhood nostalgia, offering a playful exploration of retro aesthetics. As JENN LEE embraces a spontaneous design process that reconnects with the carefree spirit of youth.

During London Fashion Week, 4me4you was given the opportunity to witness Jenn Lee’s highly anticipated Spring/Summer 2025 collection. 

The show, which took place on Monday, immediately captured attention for its bold and unprecedented blend of fashion and wellness. As the industry increasingly gravitates towards holistic health and self-care, Jenn Lee's collection set a new standard by fusing these lifestyle elements with cutting-edge design. 

At the heart of the collection was a unique collaboration with Taiwan’s leading cosmetic acupuncture brand, Qiaosi Yan, further emphasising the growing relationship between beauty, wellness, and high fashion.

This collaboration introduced a fascinating pre-show ritual, unlike anything typically seen in fashion shows. In a striking blend of ancient traditions and modern innovations, Jenn Lee's models participated in an acupuncture session before stepping onto the runway. 

The ritual drew from centuries-old Chinese techniques aimed at promoting balance and rejuvenation, while also incorporating the latest in beauty technology. 

This holistic preparation was designed to enhance not only the physical appearance of the models but also their mental and emotional well-being. By centering the models’ wellness as an integral part of the show, Jenn Lee’s collection positioned itself at the forefront of a movement that seeks to redefine the relationship between fashion, health, and self-care.

The collection itself was a reflection of this new approach. Jenn Lee drew inspiration from her own childhood nostalgia, weaving playful, imaginative elements into each piece. However, while the designs recalled whimsical memories, they were also grounded in a focus on simplicity and balance—values deeply connected to the wellness-driven ethos of the show. 

The garments flowed effortlessly, exuding a sense of ease and harmony that mirrored the inner balance promoted by the acupuncture ritual.

As the models walked the runway, some still adorned with acupuncture needles, the audience witnessed a powerful merging of two worlds.

 Jenn Lee’s Spring/Summer 2025 collection not only delivered innovative, forward-thinking fashion but also suggested a future where style and holistic practices are intertwined. 

By integrating ancient wellness rituals with modern design, Jenn Lee made a bold statement: fashion can be more than aesthetics—it can be a gateway to well-being.

See more:

WEBSITE: https://www.jennleeshop.com/

PR: https://www.dyelog.co.uk/

INSTAGRAM: https://www.instagram.com/jennlee_official/

YOUTUBE: https://www.youtube.com/results?search_query=jenn+lee+fashion

[tsasocial]

Jeanologia unveils its vision for the future of the Chinese textile industry at ITMA Asia

Jeanologia, a global leader in eco-efficient technologies for the textile industry, will participate in the upcoming ITMA Asia. During this major industry event, the company will celebrate 25 years of innovation with its pioneering laser technology and introduce groundbreaking solutions that will shape the future of textiles.

Among these, is the G2+ INDRA system, for garment washing, which ages jeans using only atmospheric elements, eliminating the need for water and pumice stones. In Shanghai, the company will also showcase its solutions for knitwear, including the ColorBox equipment line for garment dyeing, and the application of the G2 + Indra system for color aging.

Jeanologia will invite industry professionals to explore how technological innovation can help transform the Chinese textile industry into a more circular and productive model.

The media presentation of these innovations will take place on Tuesday, October 15, at 2 p.m., at the Jeanologia stand in ITMA Asia.

[novumtimes]

Sheins elusive founder holds pre-IPO investor meetings in London

Unlock the Editor’s Digest for free Roula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter. Shein’s reclusive Chinese billionaire founder has travelled to the UK to meet investors in anticipation of a possible listing of the fast-fashion group on the London stock exchange, according to two people with knowledge of plans. Sky Xu’s presence underscores Shein’s hope that it will receive the necessary regulatory approvals in China and the UK to move forward with a London listing. Xu was accompanied by his finance chief and bankers at one of the meetings, one person with direct knowledge of the discussions said. The talks were focused on Shein’s growth prospects rather than its listing process, they added. The meetings were informal and not an official investor roadshow, the second person said. They added that if Shein were to get the green light for an IPO in the UK, a listing would be more likely early next year than this year. The Singapore-based entrepreneur has never given a media interview and speaks patchy English. He will also travel to the US for meetings one of the people said. Meanwhile, US-based executive chair Donald Tang, a former investment banker and media mogul, has become the face and the most visible leader of the company since he joined in 2022. The Chinese-founded group, valued at $66bn during its latest funding round, has disrupted the garment industry with its model of shipping cheap clothes directly from factories in China to western shoppers. However it has also faced allegations of forced labour in its cotton supply chain and of having lax environmental standards, both of which it denies.  The company launched its plan for an IPO at the end last year, at first targeting New York but shifting to London after being rebuffed by US regulators. Shein, which is now based in Singapore, is still waiting for Chinese regulators to give approval for it to list overseas, with them having been unhappy with the company’s move to sever its ties with China, where it has the vast majority of its manufacturing and operational staff, according to people familiar with the matter.  Recommended Shein declined to comment. Over the summer, the group filed confidential paperwork with the UK’s financial regulator for a listing and is undergoing due diligence.   Xu, who has changed his English name from Chris to Sky, is so elusive employees joke that they do not recognise him at the office, according to several people who have worked with him in recent years. He was born in Zibo, a manufacturing city in China’s Shandong province, where his parents were workers in state-owned factories. His mother was a garment worker, a fact that would later help him when he was teaming up with clothing factory workers to establish Shein’s supply chains.  Additional reporting by Ivan Levingston and Emma Dunkley Source link via The Novum Times