#Celestial Tools

[beardedbastardoutdoors]

Exploring Celestial Navigation: Guiding Your Way by the Stars

Navigate by the stars! 🌟 Learn the ancient skill of celestial navigation with our new blog post. Find your way in the wilderness using the night sky. Check it out via the link in our bio! #CelestialNavigation #Stargazing #SurvivalSkills

Introduction Imagine being deep in the wilderness, your only companions the star-studded sky overhead and your ultimate survival skills. You’re on a top adventure, and your best friend is the cosmos itself. What seems like a daunting situation can actually be a fascinating journey into celestial navigation. In this comprehensive guide, we’ll delve into the ancient art of guiding your way by the…

[celestial-sphere-press]

Book Decoration: AKA All The Ways I Don't Use a Cricut

(this post is for people who don't want to buy an expensive cutting tool, or for those that do have an expensive cutting tool that would like to mix things up a little)

1. Print That Shit

If you're already printing your own textblocks, an easy step for titles is to print them. Above is a title printed onto an "obi" of decorative paper. I measured out where I wanted things on the finished book and laid it out in Affinity, then printed it on a full sheet & trimmed it down to wrap around the book. A more simple method is to print & glue on the label into a slight indent in the cover (to protect it). A third option is to do the spine in bookcloth, while you print on paper for the cover and then glue that paper onto the boards (this usually looks even better when it is a three-piece bradel bind).

2. Foil Quill / Heat Pens

The heat pen is one of my go-to tools, but it can be a bit touchy about materials. The most popular version is the We R Memory Keepers' Foil Quill (which is one of the most ergonomic), but other pens exist that can get you to a higher heat temp, finer lines, or more consistent foil. For example, I have a pen created by a local Japanese bookbinding studio that fares way better on leathers than the WRMK quill & with a finer tip, but it's hell to control. Best results in general are on paper or smooth bookcloth (starched linen, arrestox, colibri - even duo will work but its less solid). The fuzzier a bookcloth is, the less your foil quill wants to deal with it. This means the heat n bond method of making bookcloth does not play nice with a heat pen usually, but there are two solutions: 1) use this tutorial on paste + acrylic medium coated bookcloth instead that will get you a perfect surface for the heat pen, or 2) use the pen on paper & then glue onto the cloth. I did a video tutorial for both foil quill use and this type of homemade bookcloth for @renegadeguild Binderary in 2023.

You get the most consistent results by tracing through a printed template that is taped in place, as I do in the video above.

3. Paint That Shit

Acrylic paints will do you fine! The above is free-handed with a circle template, because I wanted that vibe. If you need straight lines that won't seep, lay them down with tape first & then paint over it first with a clear Acrylic medium, then your color. Same goes for stencils. Two more examples of painted bookcloth:

4. IT'S GOT LAYERS

By using layers of thinner boards, you can create interesting depths & contrasts on your cover. You can also make cutouts that peep through to the decorative paper behind. The most important part to this technique is the order in which each edge is wrapped. To get a good wrapped inside edge, you will split the turn in into tabs to get them to conform to a curve. You can also layer multiple colors of bookcloth without multiple layers of board, as seen below left, so long as you mind your cut edges for fraying.

5. Inlaid... anything

Mirrors! Marbled paper! I saw someone do a pretty metal bookmark once! The key is creating a little home for it to live in, which is pretty similar to the above layering method. On one layer you cut the shape, & glue that layer onto the bottom solid board before covering. You can do the top layer as an entire 1 mm board (like I did for the mirrors) or a sheet of cardstock, like I would use for inlaid paper.

6. Decorative Paper

Decorative paper is always helpful & adds to the paper hoard... & its effects can be layers with other techniques, as below. Marbles, chiyogami, momi, or prints & maps of all kinds can be great additions. Some papers may need a protective coating (such as wax or a sealer).

7. Stamps (with optional linocut)

While I've not used many more regular rubber stamps, I do know some who have, successfully! And I've used one once or twice with embossing powder (see photo 3 up, the gold anchor on the little pamphlet bind). What also works is to carve your own linocut or stamp, & then use block printing ink to ink it onto your fabric (as i did above). A bit time intensive, but it was nice how easily reproducible it was, and I liked the effect I got for this particular bind.

These methods are not exhaustive, just ones I've used, and there are of course many others. I haven't gone too into detail on any of these for the sake of length (& post photo limits) but feel free to ask about more specifics. Usually I'm using them in combination with other options.

[rabbitpaws]

Clear Quartz Moon Gold Starry Celestial Incense Holder 🌙

Featuring a wooden incense burner that is adorned with tiny brass stars and a Clear Quartz crescent moon

It measures 10.25 inches and the width is 1.5 inches

Buy it here

[historysurvivalguide]

So, How to Build an Astrolabe: Part Two

Plate to represent the Tropics and the Equator

The construction continues into part two!

The middle plate--known as the Tympan--is perhaps the most complex piece of the entire astrolabe, so I am going to be breaking it into a few parts to make it more readable

The first part starts with just three concentric circles for the Tropic of Cancer, Tropic of Capricorn, and the Equator.

No math needed!

This is a step-by-step guide to the complete construction of an astrolabe that I think might exist. At least, in any accessible form.

My goal is for this to be as accessible as possible for any kind of reader, so if there are any question, free free to reach out

🚀 Enjoy! Stay safe and keep learning, fellow chrononauts 🚀

[anxiouscr0w]

um?? Hey crow what does this mean?????????????

[relaxedpixel]

Celestial All Might ✨️

Something for a Fantasy AU roleplay, showing Toshi in his prime and his current state where he's slowly fading like a dying star.

[doctor-vertigo]

I created a world of my own. I wish I could visit it more often.

[ophierian-vp]

[perlelas]

✨Happy New Year ✨

[the-entity-down-the-street]

Dread says: "your story is worth telling even if it's upsetting"

Also: "every day is a pussy out kind of day if you're not a coward"

[dawn-star01]

if you like this sort of thing i strongly recommend getting Space Engine off steam, loading up the solar system, and watching it all warble around at the same time. everything is very tenuously held together and is by no means permanent and if you're feeling adventurous, trying to make your *own* (relatively) stable system highlights this amazingly well

Zoozve, my beloved

[celestial-sphere-press]

tooling time from last night. got a few more things to do. definitely more confident in blind tooling than in using foil with the tools.

[jadeshifting]

— A STUDENT’S GUIDE TO HOGWARTS CLASSES

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　　　 　˚　　　　 . ★⋆. ࿐࿔

FOR EVERY CLASS . always sit where you can see (or avoid) the professor’s mood swings. bring a spare quill, and for Merlin’s sake, read all instructions on the board

★⋆. ASTRONOMY

DEALING WITH PROFESSOR SINESTRA . she’s chill if you stay quiet. don’t interrupt her passionate stargazing rants, or she’ll assign extra homework on constellations literally no one’s ever heard of

HOMEWORK . star charts and essays on planetary motion. tedious but straightforward—accuracy is everything.

TIPS TO EXCEL . memorize constellations and learn how to cast Lumos just dim enough so that you don’t blind everyone during late-night pitch black lessons

EXTRA CREDIT . spot and track a rare celestial event, like a comet. (bonus points if you can pronounce its Latin name to Sinestra without choking)

AVOID MISHAPS . never mix up Mars and Mercury on your chart—you’ll be doomed in astronomy and divination

★⋆. CARE OF MAGICAL CREATURES

DEALING WITH PROFESSOR HAGRID . show genuine interest in his creatures, even if they look like they could eat you (because they definitely could)

HOMEWORK . research magical creature habits and write about their care. watch out—he loves long essays (he can basically make students write books about his favorite subject for him)

TIPS TO EXCEL . always wear dragonhide gloves and boots that cover your ankles. treat the creatures and Hagrid with respect—he’ll notice

EXTRA CREDIT . help feed or clean up after the creatures during your free periods or after class. it’s messy, but he appreciates it immeasurably

AVOID MISHAPS . never, ever call a Blast-Ended Skrewt “gross” within his earshot

★⋆. CHARMS

DEALING WITH PROFESSOR FLITWICK . he’s sweet but sharp. pay attention, or you’ll be called on mid-yawn to demonstrate something tricky.

HOMEWORK . practice spells at home. if your wandwork looks like you’re conducting a dance recital, you’re doing it wrong.

TIPS TO EXCEL . focus on precise wand movements and pronunciation—no “swish and flick” means no charm

EXTRA CREDIT . perform an original charm in class and explain how you invented it (hint: slap a name on something flashy, and ramble about how Flitwick’s class gave you the “tools to do it”)

AVOID MISHAPS . don’t use charms on your classmates (no matter how obnoxious they are) unless you want detention for “unsanctioned spellcasting”

★⋆. DEFENSE AGAINST THE DARK ARTS

DEALING WITH THE PROFESSOR . varies wildly year to year. if they’re twitchy, don’t ask questions. if they’re confident, challenge them slightly—they love it

HOMEWORK . spell practice, theoretical essays on defensive strategies, and (sometimes) practical exams.

TIPS TO EXCEL . master shield charms early—Protego is your bread and butter. always watch your back in “surprise” practical tests (the surprise could be a curse aimed at your back)

EXTRA CREDIT . propose new defense tactics for obscure threats like Lethifolds or hinkypunks, it shows interest in the less ‘cool’ aspects of the dark arts

AVOID MISHAPS . don’t hex yourself in class while demonstrating a jinx. you won’t get in trouble. but it’s embarrassing.

★⋆. DIVINATION

DEALING WITH PROFESSOR TRELAWNEY . just nod and act fascinated. she’s happier when you look like you believe her

HOMEWORK . dream journals, tea-leaf sketches, and guesses at what the stars are “telling” you.

TIPS TO EXCEL . make up dramatic predictions that sound poetic. extra marks for impending doom towards a classmate

EXTRA CREDIT . spot a “true vision” (or just pretend you did). a fainting act doesn’t hurt

AVOID MISHAPS . never laugh at her predictions, even if they sound ridiculous—she’ll doom you for life (and you never know what fate holds)

★⋆. HERBOLOGY

DEALING WITH PROFESSOR SPROUT . show some love for plants, and she’ll adore you. don’t sass her or underestimate how dangerous some herbs are

HOMEWORK . care guides for magical plants, essays on uses for their parts, and detailed sketches

TIPS TO EXCEL . be gentle with the plants, even the ones with attitudes. also, if you’re prone to daydreaming, please keep a note of which vines bite

EXTRA CREDIT . cultivate a rare magical plant and present its uses in class (good luck)

AVOID MISHAPS . always wear gloves when handling anything spiky, slimy, or screaming

★⋆. HISTORY OF MAGIC

DEALING WITH PROFESSOR BINS . he doesn’t even care if you’re awake, but it helps if you look like you’re taking notes

HOMEWORK . endless essays on goblin rebellions, giant wars, and other events you’ll most definitely forget by next term

TIPS TO EXCEL . use mnemonic devices to remember key dates. start essays early—he grades on length

EXTRA CREDIT . find obscure historical details to add to essays. mentioning “primary sources” makes you look smart, and Binns doesn’t typically look into it further

AVOID MISHAPS . don’t doodle in your notes too obviously—he might drone on even more if he catches you

★⋆. POTIONS

DEALING WITH PROFESSOR SNAPE . know your ingredients and don’t speak unless spoken to. follow his instructions perfectly and try to look invisible. or he’ll eviscerate you

HOMEWORK . brewing practice and essays on potion theory. if you mess up the potion, he’ll expect twice the length in your essay

TIPS TO EXCEL . re-chop your ingredients before class, and try to do other prep work. Snape hates inefficiency

EXTRA CREDIT . create a new potion under his supervision. (warning: he will make you test it.)

AVOID MISHAPS . don’t ever blame Snape or his instructions if something explodes. just accept it and clean up quietly

★⋆. TRANSFIGURATION

DEALING WITH PROFESSOR MCGONAGALL . she’s strict but fair. do your work well, and she’ll respect you; slack off, and she’ll make you wish you hadn’t

HOMEWORK . spell diagrams, written explanations, and frequent wandwork practice

TIPS TO EXCEL . precision and focus are key. get creative, but don’t try anything too wild without permission

EXTRA CREDIT . demonstrate a flawless human-to-animal transfiguration (with her approval)

AVOID MISHAPS . never let your transfigured objects escape—chasing a hopping teacup through the halls is not fun, and you’ll never hear the end of it

★⋆. ARITHMANCY

DEALING WITH PROFESSOR VECTOR . she’s sharp and no-nonsense, but she’s got a soft spot for students who genuinely try. don’t show up without your charts; she’ll notice

HOMEWORK . endless numerical equations and analysis of magical patterns. expect to translate runes into numbers and vice versa

TIPS TO EXCEL . understand how numbers relate to magic—this isn’t just math, it’s magic theory in disguise. double-check your work; one wrong digit can tank your entire assignment

EXTRA CREDIT . present a new numerological correlation, like how the number “7” might affect potion brewing. bonus if it’s creative but realistic

AVOID MISHAPS . never guess at a solution—Professor Vector will spot laziness in seconds. keep your workspace neat, or the equations will haunt you

★⋆. ANCIENT RUNES

DEALING WITH PROFESSOR BABBLING . she’s patient and incredibly smart, but don’t come to class unprepared. misreading a rune will make her launch into a lecture about “respecting the symbols.”

HOMEWORK . translate ancient texts, decipher rune sequences, and write essays on magical etymology. sometimes includes carving your own runes for practice.

TIPS TO EXCEL . memorize the rune meanings and their magical properties—flashcards help. pay attention to detail; even a tiny line can change the meaning of a rune

EXTRA CREDIT . create your own rune sequence that produces a magical effect and explain its purpose. creative runework always gets top marks

AVOID MISHAPS . don’t mix up Nordic and Celtic runes—they have very different contexts, and Professor Babbling will lecture you for days

★⋆. MUGGLE STUDIES

DEALING WITH PROFESSOR BURBAGE . she’s enthusiastic and loves students who ask questions, even obvious ones. if you show respect for Muggle ingenuity, you’re golden

HOMEWORK . research papers on Muggle inventions and their impact, as well as practical exercises like identifying Muggle objects

TIPS TO EXCEL . don’t overthink it—Muggles live without magic, but they’re surprisingly clever. show curiosity and avoid using the word “primitive”

EXTRA CREDIT . present a Muggle artifact and explain how it works. bonus points if you demonstrate something functional, like a can opener or a bicycle pump

AVOID MISHAPS . don’t call electricity “the Muggle version of Lumos” unless you want a 10-minute tangent about how they’re completely different

★⋆. FLYING

DEALING WITH MADAM HOOCH . she’s strict but fair; listen to her instructions, and she’ll let you have some fun. mess around, and you’ll be grounded faster than you can say “Quidditch”

HOMEWORK . practicing broom control outside of class and writing essays about famous flyers or the mechanics of flight

TIPS TO EXCEL . focus on balance and broom grip—this isn’t about speed (yet). always stretch before class; cramps mid-air are embarrassing and painful

EXTRA CREDIT . show off advanced flying techniques, like tight turns or broom dives (but only if you’re really confident). bonus for clean landings

AVOID MISHAPS . never try to show off in front of the first-years—wobbling on a loop-the-loop is not a good look. keep your broom maintained; a splintered handle spells disaster.

[ there you have it—follow this guide, and you’ll not only pass these classes with flying colors, but you might even look like you know what you’re doing while you’re at it, and maybe you’ll avoid getting hexed by Snape. we’ll see ]

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　　　 　˚　　　　 . ★⋆. ࿐࿔

[historysurvivalguide]

So, How to Build an Astrolabe: Part Three

Plate to represent the Horizon, Almucantar, and Twilight Arcs

The plate currently shows three concentric circles for the Tropic of Cancer, Tropic of Capricorn, and the equator. This next part builds off the base plate and adds more arcs and circles

The middle plate--known as the Tympan--is perhaps the most complex piece of the entire astrolabe, so this is part three of constructing the plate and only part two of specifically constructing the tympan plate

The circles on the face of the plate represent “almucantar” and twilight arcs.

This is a step-by-step guide to the complete construction of an astrolabe that I think might exist. At least, in any accessible form.

My goal is for this to be as accessible as possible for any kind of reader, so if there are any question, free free to reach out

🚀 Enjoy! Stay safe and keep learning, fellow chrononauts 🚀

[spookysalem13]

As a witch who utilities crystals 🔮, I found this very helpful.

Zoom to read, I hope it also helps you continue to learn & expand on your crystal ✨️ journey.

[astra-ravana]

Sigil Magick: Illustrating Your Intent

Sigils are a cornerstone of contemporary and chaos magick and function as keys to unlock the doors of reality and bend it to one’s will. These potent symbols serve as physical embodiments of one’s intentions, cast into existence through the fusion of art and willpower.

The crafting of a sigil begins with a clear and focused intention, which is then worked into a unique symbol through a creative magickal process. The magick practitioner inscribes deep personal meaning and style into their designs, making each unique to its artist. Sigils are ideal tools for manifesting your desires, imbuing objects with specific purpose and energy, protecting spaces, and communicating with the spirit world and should be used responsibly.

Origins

The practice of crafting sigils traces its roots to the ancient world but was modernized in the early 20th century by the works of Austin Osman Spare, an occultist and artist. He introduced the method of creating magical symbols by condensing letters of a desire into an abstract design. Aleister Crowley, too, influenced the practice by intertwining sigils with ceremonial magick, embedding them with a rich esoteric significance.

Some occult grimoires employ sigils as a means of contacting spirits, for example; Ars Goetia, The Book of Oberon, and Pseudomonarchia Daemonum.

Basics of Sigil Magick

Sigil magick emerges from the belief in one’s ability to manifest their focus into reality. Through a process of creation, a sigil becomes much more than mere ink on paper—it is the illustrated essence of desire. Individuals can use sigils as focal points for their will, empowering these symbols through meditation or ritual to enact change. The universe of sigils is vast and varied, types of sigils include:

• Pictorial Sigils: Intuitive symbols drawn from the subconscious

• Runic Sigils: Combinations of runic alphabets that resonate with specific energies

• Word Sigils: Derived from statements of intention, where letters are crafted into a unique symbol

Correspondences also serve a purpose in this class of magick, in order to help align one's intent to universal energies. As an artist crafts their sigil, they intertwine traditional symbols with personal significance, creating a bridge to the metaphysical world. Some relevant correspondences are:

• Numerology: Numbers carry vibrations that can enhance a sigil’s purpose.

• Zodiac Signs: Celestial influences infused to fine-tune the focus.

• Elements: The classic forces of Earth, Air, Fire, and Water lend their power to sigils, grounding them in natural harmony.

Sigil Creation

Before you take pen to paper, first envision your intent with clarity and purpose This may involve some deep introspection into the true nature of your desires. A precise intention lays the foundation for the sigil's power. Once ready, write out your intention and cross out any duplicate letters. From here a couple different methods can be utilized. Naturally you could always draw your sigils from pure instinct, creating spontaneous shapes to represent your intentions, but there are other techniques available.

The Wheel

This method employs a wheel to be used as a map for drawing your sigil. Simply start at the first letter of your intent and draw lines to each subsequent letter. Example:

My Method

I make my sigils by breaking up the letters to create shapes. I will often decorate with extra shapes, symbols, and pictures as well. Here is a simplified example of my sigil creation process:

Next you must charge your sigil. Charging is the act of infusing the sigil with energy. The creator might enter a meditative state, focusing intently on the sigil while envisioning their intentions intertwining with the design. This act of focused concentration serves to embed the intention within the sigil, making it a beacon for the desired change.

Passive and Active Sigils

Intentioned sigils fall into either the passive or active sigil category based on how that sigil's energy is best utilized. Passive sigils are usually drawn on the body, item, or surface and then left alone to release their power over time. Active sigils involve some action to trigger the release of the sigil's energy, such as burning, burying, soaking with water/oil, and more. Some sigils can be used both passively and actively, but most will fall into one category.

Spirit Sigils

Many spirits and deities have sigils that represent them and these can be powerful catalysts for interacting with these beings. If the spirit you're working with doesn't have a sigil made for them (or even if they do) you can design your own symbol to connect with that spirit. Follow the same process, but instead of focusing on your intent, focus on the spirit/deity and connecting with it. You can even perform a ritual and provide an offering to invite the spirit into your space. This will allow you to draw divine inspiration straight from the source. Here are some examples of spirit/deity sigils, as well as some I created: