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How Security Window Film is Evolving with Anti-Smash Technology
Shatterproof Solutions: How Security Window Film is Evolving with Anti-Smash Technology
In an era where security concerns are at an all-time high, the evolution of security window films has been nothing short of remarkable. These innovations promise not just to protect our properties but also to enhance the quality of our daily lives. In this article, we explore how advanced polymer and nano-technology, multi-layered films, and anti-smash technology are revolutionizing the security film industry. Whether you're a homeowner, business owner, or security professional, these advancements offer shatterproof solutions that are as effective as they are innovative.
Advanced Polymer and Nano-Technology
One of the most significant advancements in security window film technology is the integration of advanced polymer and nano-technology. These cutting-edge materials allow the films to be thinner, lighter, and more flexible without compromising on strength.
Key Benefits:
· Lighter and Thinner: Easier to install and less intrusive.
· Enhanced Flexibility: Better adaptability to various window shapes and sizes.
· Uncompromised Strength: Maintains high resistance to impact and shattering.
Applications:
· Residential Properties: Ideal for windows and glass doors to offer invisible protection.
· Commercial Buildings: Provides an extra layer of security without affecting the building's aesthetic appeal.
Multi-Layered Films for Increased Durability
Another groundbreaking development is the creation of multi-layered films. These films are designed to withstand repeated impacts, thereby significantly enhancing security and safety.
Key Benefits:
· Repeated Impact Resistance: Can endure multiple strikes from objects without breaking.
· Layered Protection: Each layer acts as a barrier, making it increasingly difficult to penetrate.
· Enhanced Safety: Reduces the risk of glass shards causing injury.
Applications:
· High-Risk Areas: Perfect for schools, banks, and retail stores that are more susceptible to break-ins.
· Homes: Adds an extra level of security for families, particularly in areas prone to natural disasters like hurricanes.
Anti-Smash Technology
The introduction of anti-smash technology marks a significant leap forward in the realm of security films. This technology goes beyond preventing shattering; it actively deters forced entry attempts.
Key Benefits:
· Deterrent Effect: Makes it harder for intruders to gain entry, often causing them to abandon their attempts.
· Shatter Resistance: Holds broken glass pieces together, preventing them from scattering.
· Dual Functionality: Acts both as a preventive measure and a reactive barrier.
Applications:
· Retail Stores: Protects valuable merchandise from smash-and-grab thefts.
· Office Buildings: Secures sensitive areas and valuable assets.
Enhanced UV Blocking Capabilities
In addition to physical security, modern security window films come with enhanced UV blocking capabilities. This feature protects interiors and occupants from harmful UV rays.
Key Benefits:
· UV Protection: Blocks up to 99% of harmful UV rays.
· Interior Preservation: Prevents fading of furniture, carpets, and artworks.
· Health Benefits: Reduces exposure to harmful rays, protecting skin and eyes.
Applications:
· Homes: Keeps interiors looking newer for longer.
· Commercial Spaces: Protects office interiors, contributing to a healthier work environment.
Improved Optical Clarity
Gone are the days when security films were synonymous with dark tints and obstructed views. Today’s advancements have led to films with improved optical clarity, ensuring they don’t affect the aesthetic appeal of your property.
Key Benefits:
· Crystal Clear Views: Maintains the natural look of your windows.
· Aesthetic Appeal: Blends seamlessly with any architectural style.
· Undetectable Protection: Provides security without compromising on visibility.
Applications:
· Homes: Perfect for large windows and glass doors where maintaining a view is essential.
· Business Premises: Ensures that showroom displays and office interiors remain visible and inviting.
Conclusion
The evolution of security window films, driven by advanced polymer and nano-technology, multi-layered designs, and anti-smash technology, has set new standards in property protection. These advancements offer unparalleled benefits, from enhanced security and durability to improved optical clarity and UV protection.
Whether you're looking to safeguard your home, protect your business, or enhance your security measures, today’s security window films provide shatterproof solutions that meet diverse needs. Ready to take the next step? Contact us today to learn how these innovative films can offer peace of mind and robust protection for your property.
Learn more about Tint USA of Charlotte.
Tint USA of Charlotte is a leading provider of window tinting solutions in the Charlotte, North Carolina area. With a team of highly skilled and experienced technicians, Tint USA of Charlotte has built a reputation for delivering high-quality window tinting services.
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Imo, If AMAB folks can be women, then AFAB folks can definitely be trans women too. And yes, AMAB people can also be cis women, like those who live stealth—though I wouldn’t say that’s the only way to think about it. When it comes to how people treat you, there’s no difference between ''being a trans or cis woman'' and ''being seen as a trans or cis woman.'"
"when it comes to how people treat you"
Do you see where you went wrong?
Do you see how you've artificially limited the scope of the conversation purely to the interpersonal?
Do you see how things might be different if we also accounted for the medico-legal, structural impacts of being trans?
My birth assignment and my current sex being in conflict is the source of a lot of structural issues, compounded by my status as an immigrant, that wouldn't affect someone whose legal designation and sex aligned.
It's really that simple, but I've realized this website has a tendency to only consider social systems and regimes in terms of interactions with others, when that's really the most superficial aspect of oppression.
#transfeminism#gender is a regime#materialist feminism#social constructionism#sex is a social construct#feminism#answered asks#i really don't get y'all sometimes#do y'all really think that identities are something we select ex nihilo#or are these descriptive categories that are on a basic level imposed on us due to the choices we make and the way we live our lives#really think about this#marketplace of idealism strikes yet again
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Feel free to be more specific in comments/notes if you want! If you want to elaborate further, how do you organize them? By role, species, age, alphabetical order, vibes or something else?
#I use a mix of improperly used site (Trello) and writing it all down in Drive (docs and sheets my beloved)#sure I also use tumblr but it's all already written in the sacred texts(?) so that feels like an extension of my note docs#and lol it used to be ALL in my mind. then I learned not to trust my memory too much. anything I think and I like goes down on a note.#that said I'm considering moving it all to Obsidian (as soon as I learn how to use it) because of some nitpicks I have with docs#anyway so far I organized my gw2 ocs in story-relevancy categories: Main. Extra. Background. Companions.#mains do story-relevant stuff. extras are supporting characters to mains or have minor roles in important story stuff. backgrounds are -#- mostly family or part of others' backstory. companions are pets/mounts/constructs/creatures (and get their own subcategories).#I should probably go back and change some OCs' categories though oops#poll#am curious therefore I ask#(and I need to compare how I do these things because I feel like I could improve in some areas)#I poll you answer
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this comment was made in response to a bunch of terf bs and I don't tend to like sharing their stuff directly but I desperately wanted to preserve this line on my blog. sorry for stealing your post ms doubleca5t.
#one of their lines of argument was like#'sex isn't a social construct humans aren't a social construct animals and land aren't social constructs'#and like. comrade. I have some really bad news about the history of the construction of 'humanity' as a category.#'people are not a social construct' says person who sees no problem in calling everyone 'males' and 'females' as nouns#marina marvels at life#id in alt text#anyway I think this line is going to live in my head in a similar place as my classic#'me when I haven't been banned from my local lgbt center' litany for when I see weird exclusionism
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2024 reads / storygraph
Asunder
slow-paced high fantasy
a woman who has a contract with an eldritch entity allowing her to see the dead & survives by taking various jobs
when a job searching for stranded smugglers in a cave goes wrong, she ends up with the soul of a dying stranger bound to her shadow
along with a scholar and her old childhood friend, they travel to his home country to find a way to unbind him and save them both
dark fantasy world with gods, demonic entities, arcane magic, and semi-sentient beasts used as transport
#asunder#kerstin hall#aroaessidhe 2024 reads#okay SUPER fascinating worldbuilding with some very visceral creatures and biological constructs and interesting magic systems.#many things I like. A great cast of characters. Honestly I could read tons more stories set in this world.#it’s very slow building and meandering narratively; focusing on the complex journey of the main character#didn’t love the audio narration tbh - it felt like some lines are read with the wrong emphasis or tone? but I got used to it after a while#So this has one of my absolute favourite tropes (bodysharing.) unfortunately it turns it into a romance which is. well.#it just doesn’t hit the same if you make it romantic!! so that kinda made it change traintracks from being on a direct line to#potentially 5 stars to a whole different station where i do not live. lol.#I SUPPOSE it’s a well developed relationship and I’d prefer romances more like that than instalove I guess.#I did love their dynamic; too; but suddenly realising it was romantic threw me for a loop. I had put him in the annoying dad category.#I do also feel like we didn’t get quite enough of him as an individual person and characterisation - which obviously makes sense to an#extent; but I felt like I only got to see more of him in the brief time around his father.#Also he was surprisingly chill and nice to her immediately considering he was essentially her hostage???#Anyway I did enjoy a lot of it; it just suffers the unfortunate tragedy of#[literally my favourite thing made for me] [turns that thing into literally my least favourite thing i hate]#but also -random dude you’re bound to being overly protective and considerate despite barely knowing you (platonic/familial vibe) - yeah!#random dude you’re bound to being overly protective and considerate despite barely knowing you (romantic) ehhhh…idk.....#(to me personally. i'm sure people enjoy that. whatever)
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insisting that you need to know whether or not a nonbinary person is afab or amab (when biological sex itself is not binary) and simultaneously positing that afab and amab nb people share mutually exclusive and oppositionally sexist experiences in line with their biological sex is just biological essentialism
you dont actually have the right to demand the "biological sex" of anyone. and to claim nonbinary people exist themselves in a binary and in opposition to one another based on "biological sex" is quite frankly fucking reprehensible
#too many of you are too weird when you talk about nb people!#you're so visibly uncomfortable with the idea of us not wanting to exist in a binary that you construct a new more stupid binary for us#'theyfabs like to bake and theymabs are good with computers' look inside yourself. realize this isnt a funny joke#and realize that it is perhaps fucked to imagine nonbinary people as a third gender CATEGORY just as binaristic as the gender binary
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i kind of miss when he had genuine beef with a 12 year old and wanted him dead.
#dont change for anyone grief.#art#pathologic#bad grief#pathologic 2#ill be honest his pathologic one drip is kind of unbeatable to me#he has the same leather based appeal as rubin in that category and i am not keen on giving it up#child based gang violence aside i cant argue that they didnt maintain some amount of nonbinary swag in 2 its just a different kind#its not the same kind of swag#its still there but hes a different guy#i really do appreciate pathologic two grief though. i appreciate him more for every interaction i accidentally find him in#my first playthrough i didnt see him at aspitys the morning rubins being hunted for sport the First time in the warehouses#i still liked him when he wanted notkins head on a stake but hes easier to like without all that baggage i suppose#anyways if you cannot tell my fixation has reared its unsightly head once more and i have not yet broken free#nor do i have any real desire to which is the root of the issue. probably.#in the meanwhile enjoy more comics made on scrap construction paper in an afternoon.#much peace and love. until next time.
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people talk about how we shouldn’t put “romantic love” on a pedestal and consider it more important than “platonic love” or “familial love,” but have we considered not sorting love into categories to begin with? Have we tried that?
#we deconstructed gender… can we deconstruct love next?#because the way we currently view it is just as much a social construct as gender is#and i’m not a social scientist so i won’t be writing the award-winning dissertation on this#but i’m sure that someone will if it hasn’t already been done#because it’s worth asking: are these truly all different feelings?#or are we just responding differently to them depending on the context and cultural norms#idk it just feels really limiting#especially when the main differences that i’m aware of are which desires are considered ‘appropriate’ for each type#but even putting aside the fact that there are a ton of common exceptions to the social boundaries of desire#when it comes to the affection itself that you feel towards people you’re close to#is that REALLY a meaningfully different feeling depending on which category it falls into?#to me it all just feels like a general ‘closeness’#idk i’m just rambling now#feel free to let me know what you think
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hmm. a divine is a mech, a divine is a planet size robot, a divine is a suitcase, a divine is a line of code, a divine is a human man.
a divine is a weapon. a divine is a tool. a divine is a god. a divine is a reflection of the world itself.
a divine is a person. a divine is not allowed to be a person. a divine is.
#friends at the table#divine cycle#love when my sci/fi world has a category of person thats a social construct but contorts everything around it with its gravity#and then whats outside that categorising?#are the true aliens (sigila quire acre) divines?#is the apokine?#and of cause - arbitrage.
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the thing is. I understand why dyadic trans people cling to the "sex is biological + gender is social" dichotomy. it's a very comforting dichotomy for a lot of people! sex is something that feels natural and biological so it can take some really hard work to deconstruct it. whereas, if you continue to take sex for granted but separate it from gender, you gain this cool new way to explain your body and your experiences. like I said. that's super comforting for a lot of people
but unfortunately for anyone who might feel comforted by that dichotomy....... it is actually worth the hard work of dismantling and deconstructing. you're never going to be able to fight for real liberation by continuing to parrot the idea that sex is natural. you're going to keep on reinforcing intersexist (and often transphobic) ideas about the world unless you can really properly understand the ways that sex is just as social as gender
#intersex#think about it like this: most social constructs feel natural until you start to pick them apart#your 'but xyz is NATURAL' instinct is not to be trusted#no categories are natural#and that's OKAY#our job is not to abolish all categories or whatever#it's to understand where social categories are doing unhelpful political work#and to stop taking those assumptions for granted
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Every day I am haunted by the fact JJK could be amazing but it will be just idk Bleach or something
#I've seen a lot of people complaining about the fact that it's impossible to fit the ending of every unfinished arc#in the five chapters that remain for the manga to end for good#And it all just... legitimises my fear and apprehension haha#And it's a pity! It's a pity! The dynamics were so good! And yet nothing! Sukuna was so good! And yet nothing!#It was so nice how he seemed to play with the idea of transcending human categories and values but even the values of curses so to speak#Well beyond everything. Well beyond positive/creative nihilism even! He was not like Mahito#I wonder if Mahito is more a negative nihilism with a funny edge or a positive nihilism. For now it seems positive#with how he seems to have said something like 'nothing matters so we can do whatever we want and create what matters'#But Sukuna transcends all that! It could have been interesting to see how that developed in a way that wasn't just childish edginess#But no. And then there's all the idea of curses and sorcerers not being all that different#and so not really entirely possible to say one side is good and the other bad#There was the idea of the very source of powers with fear and love playing a role here in such a juicy way#And then there's the entire thing happening with Gojo as a concept and the very concepts he plays with which I could eat like an apple#but also I would let those very concepts eat at my heart as a worm inside an apple#Full of holes and rotting inside out and yet delighting at the sweetness#It could all be so good! And yet! Most of the manga is a few sketched dynamics and concepts and a very long fight with Sukuna#promising half finished arcs#WHY it could have been so good. And I don't think criticism is a matter of 'fans being spoiled! Go write your story!' or something#It's not a matter of things not going as fans would want them to be. It's a matter of not writing well#or cohesively things established by the author themselves. And I think that's a fair criticism#If we are to take manga as an art‚ which I wholeheartedly support‚#then we can subject mangas to artistic or literary or whatever you want to call it analysis. There are works that are better constructed#than others‚ and there are works that have good ideas but poor execution. And it's always a pity#In the case of JJK it's truly breaking my heart and the comments I see around about these five last chapters are not helping xD#God it could be so good. So good. And I'm not talking about in specific to me‚ which yes that too given the topics‚#but just so good in general. It could be so good. It could have been so good#And yet it's starting to look more and more like any other shonen. It truly breaks my heart haha#I talk too much#Jujutsu Kaisen#I used Bleach because I think that's one of the mangas that has been the most a let down to the friends I have who like shonen
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(For Cloud, Boyfriend and Girlfriend)
*Ames was sneaking around, wishing crown on her head. She was planning to do something mischievous >:)*
@the-plushie-friendships
Cloud was in his room with Nimbus and Strato doing their own separate things, Cloud was just playing on his GameBoy Advance that he summoned with his spellbook, having a grand ol' time. Strato and Nimbus had their back turned, Strato with the bored expression while Nimbus was occupied in his own activity that he was fond of: stitching.
Meanwhile, Boyfriend was practicing his rapping skills in his room with of course, his Girlfriend helping him with his vocals.
#[☁] ; [the wonderful cloud // cloud // me]#[📦] ; [unreleased || exclusive roleplays involving under construction categories]#[🍒] ; [an mysterious gal // girlfriend]#[🎤] ; [the beeping little midget // boyfriend]#[🫂] ; [seeing a friend // mutual asks]#[🕶️] ; [an anonymous call // answered anon asks]
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Much could be said interrogating the concept of "gifted kid burnout" or "smart kid syndrome" or whatever you call it, and much of it's been said better than I can
But what gets to me about it sometimes is that.... I feel like people have described a reasonable concept and then related themselves to it backwards. Or taken a real problem and constructed their concept of it backwards.
Like yeah, it does kind of fuck a person up to be highly rewarded in this extremely arbitrary constructed environment, which incidentally is where you spend most of your waking hours, while being told that it's all deeply related to your excellence and worth as a person. And then when you leave that constructed environment, you fall apart and fail to function in all sorts of ways, because you've built your skills to so completely rely on that environment (while being told this is the best most excellent thing you could do and the best most valuable way to be).
And it basically leaves a person with several options:
1) cling tighter to the structure that validates you. Dedicate yourself to reaffirming that the structure itself is meaningful to reinforce it's ability to impart meaning back to you. Spend your whole life running from failure.
2) realize that you can't keep up with the demands, but construct this as either a personal failing or a failing of the system to train you well enough. Keep seeking sources of validation to replace the hole in your sense of self-worth where being special used to go.
3) realize that the whole thing was kind of a scam from the start. Being ranked is bad. Proving value is bad. Learn to do things and enjoy things without having to be good at them or prove something.
And the thing is that I think option 3 is necessary to actually be at peace with yourself as a person. (And also, it's necessary to find true solidarity with people who were fucked up by the same system on the opposite end, being told they *weren't* good enough. Which is worse. The fact that that's worse doesn't mean I can't or won't talk about how this one sucks, but if you can't acknowledge that that one's worse, I think that's a problem.)
Anyway. Probably I'm barking up entirely the wrong tree, because the whole concept of "gifted burnout" is basically the domain of people who are stuck on option 2. And it's not like I don't see tons of stuff aimed at "it's ok to be bad at things! Enjoy it anyway!" Like that message is very much out there and in ways that I can infer to mean other people are also wrangling with this same stuff.
The problem is. Sometimes I have a problem and this type of framing is the only way I have to get at it. Sometimes I take a class where I accidentally fall into the role of being the Whizz Kid, and it's a weird sort of adrenaline hit, where being Good At The Thing feels really good and important but it takes up too much of my brainspace and I find myself more easily frustrated and it's harder to find contentment. And then I have to unpick that whole thing and walk it back and remind myself that it literally doesn't matter to be good at the thing. It's just a thing and you're just some guy and you can engage with the actual world rather than the abstract field of Showing Off Land. Like it's this whole other plane of social interaction, which may or may not exist - as in, no one else in the room is necessarily there with you, sending or receiving any signals on that frequency - but you can get stuck there. And it feels bad to be stuck there, constantly sending out "look aren't I special?" and getting upset if you don't recieve back enough pings of "wow you're so special." What is this bullshit? I don't want to be that guy. I don't like that it runs so deeply in me that it can be activated by accident.
Sometimes I do something that turns out pretty well and I want to be regular proud of it but I find myself ping-ponging between thinking I'm amazing and unprecedented and thinking that actually it's probably stupid and all sorts of people can do it - and what sort of fucked up value scale is that? It turned out pretty good and that's neat. It doesn't matter how *common* it is, that isn't anything. If it's worth doing it's worth there being plenty of it.
Like it's fine. It's fine. I've learned to recognize it and I know how to combat it so I walk myself back out of it. It just also kind of sucks. And sometimes, I wish I had an easy way to vent about it, without falling into the whole circlejerk of people coming up with backhanded ways to tell each other they're still special enough. Rather than actually deeply accepting that it's ok that you're not any better than other people.
You are just some guy! Huzzah!
#The thing I'm trying to process here currently. Is why the way someone is hyping up my skills is making me dysphoric.#I had to work through this layer of 'is this imposter syndrome? is this the thing where you have to embrace that you actually do#have the skills? That someone is making a big deal out of it but you actually can do that so embrace it?'#But it like. It legitimately feels like being misgendered feels. Like you're framing me in a way that I do not want any part of.#I can do the thing you're asking me to do. That's within my capacity. I do not have the nebulous skillset/personality type you've imagined#and also I don't think it's a category that actually exists. I think it's a collective construction in showing-off-land.#And I don't want to go there and I don't want to be in that box.#I need to figure out a way to manage the sensation of being trotted around like a showpony for some skill i want to use#I want to use these skills and be able to learn and grow in those directions. Without it being a whole Talent Thing.#it's computer programming related which is probably the highest density of cultural bullshit factors it could have.#slash personal baggage factors because the classes I took in programming were probably some of the most Gifted Bullshit dynamics ever#So trial by fire I guess.#In terms of figuring out how to be chill about it.#Sorry it's extreme navel gazing hours over here#long post
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I love the Minecraft mod Create, because unlike all the other tech mods I've used (I've played a lot of sky factory, and SF adjacent things) it feels the most vanilla.
Like it feels like redstone, but different, and I love that, and I love just figuring things out with it. I love how it gives you the components and says "go wild". You want a cobble gen? Here's some water wheels and drill, go figure it out. You want an elevator? Have a rope pulley. Its just. It's made for you to be creative. Any other tech mod would be like "Oh you want a better furnace. Go throw a furnace, some cables, and plastic into a crafting grid and then power it with redstone flux" while create is like "here's a fan, go blow lava at things, have fun!"
I'm so appreciative of the "ponder" button on basically everything, that explains with visuals what each component does. It makes things so much easier.
Create has to be my favourite mod hands down. Ily create
#tinkers construct used to be my fav mod but i dont like the new versions#no idea if create actually falls into the category of tech mod#but it does a lot of similar things#text post#minecraft
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Historical writing nevertheless continued, taking new forms and developing old ones. Probably the form of written narrative most commonly associated with the period 500–700 is so-called ‘national history’: Jordanes’ Getica (mid-sixth century), Gregory of Tours’ so-called History of the Franks, Isidore of Seville’s History of the Goths, Sueves and Vandals, of the early seventh century, Bede’s early eighth-century Ecclesiastical History of the English People, and Paul the Deacon’s History of the Lombards (late eighth century), to which one should add the anonymous early eighth-century Liber Historiae Francorum, the early ninth-century History of the Britons attributed to Nennius and the late ninth-century Anglo-Saxon Chronicle, and other works. Most of these works were written after the close of the time-span covered by this volume but, as they claim to relate the history of our period, they deserve treatment here. These sources were at first considered to be repositories of the age-old traditions of the different peoples of early medieval Europe. Since, in the nineteenth and earlier twentieth century these peoples were regarded as distinct racial units, in line with the ideas of the nation-state developed at that time, such works were seen to represent the foundations of the histories of modern European nations, their authors portrayed as the founders of national historical traditions. The information they contained was held to be reliable, transmitted down the generations, it was assumed, by oral tradition. As attitudes towards the nature of the barbarian ‘peoples’ themselves changed, so the ways in which these sources were viewed changed too. Most have been the subject of intense debate. The nature of Jordanes’ history has come under close scrutiny, and Gregory of Tours’ writing has become the focus of an even larger field of profitable debate, hardly any of which now sees his writings as forming any sort of ‘History of the Franks’ (as discussed above). Meanwhile, controversy has been provoked by the interesting suggestion that Paul the Deacon’s History of the Lombards might have been composed for a Frankish audience. The other sources have also attracted debate and revaluation. Not only are many of these works no longer seen as ‘national histories’, it is also recognised that they may represent instances of other genres entirely: the Anglo-Saxon Chronicle, obviously enough, takes the form of a set of annals (Isidore’s History is also written to an annalistic structure); Bede’s is an ecclesiastical history; and so on. Gregory’s, as mentioned, was not written as a national history at all, though quite which – if any – genre Gregory was composing in is a matter of debate. At the same time, the purposes to which these sources were put, using the past to serve political needs of later centuries, were also served by works of many other kinds, never viewed as particularly ‘nationalistic’. The lesson of the scholarship of recent decades has essentially been that to understand these sources they have to be replaced in the contexts of their composition. The political motives behind their composition make them far more contingent, and concomitantly far less valuable as treasuries of ancient fact, than hitherto believed. At the same time, however, they become very valuable sources for the examination of the political culture and ideology of the times and places where they were written: mid-sixth-century Constantinople; early seventh-century Spain; late ninth-century Wessex, for example. These lessons apply to most other sources written in our period.
Guy Halsall, ‘The sources and their interpretation’ from The New Cambridge Medieval History, vol. 1: 500-700
#currently reading#by and large this is 101 Critical Source Analysis but: always helpful 2 remember how much 19/20th century scholarship constructed discrete#racial categories out of these works & the legacy of such a construction continues into the present day
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the idea that GNC men need to be protected is ridiculous not just because they're not some fragile babies who might be "corrupted" by the trans agenda™ but also because why are we protecting men in the first place. like if you even vaguely claim to be feminist or anti patriarchal, isn't the whole point to abolish "manhood" as a protected class which benefits from the exploitation of women and nonmen? why are we trying to protect that? Sure, we should be positive about all bodies regardless of what gender they were assigned, but trying to equate that with protecting people's manhood (see: exploitative position in patriarchy) is ridiculous. We don't need to defend feminine manhood, we need to defend women and abolish patriarchy, not pink wash being a man ??
#might be a little too anti “man for some people#but let me be clear im not against people Iding as a masculine gender#i specifically mean men as the constructed category within patriarchy#not some biological existence nor some aesthetic/identity#still thinking about how best to vocalize this one so i may rephrase or admit wrong ess in relation to this later#but ueah#self post
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